Transposition

OBJECT Surgical transposition of the ulnar nerve to alleviate entrapment may cause otherwise normal structures to become new sources of nerve compression. Recurrent or persistent neuropathy after anterior transposition is commonly attributable to a new distal compression. The authors sought to clarify the anatomical relationship of the ulnar nerve to the common aponeurosis of the humeral head of the flexor carpi ulnaris (FCU) and flexor digitorum superficialis (FDS) muscles following anterior transposition of the nerve. METHODS The intermuscular septa of the proximal forearm were explored in 26 fresh cadaveric specimens. The fibrous septa and common aponeurotic insertions of the flexor-pronator muscle mass were evaluated in relation to the ulnar nerve, with particular attention to the effect of transposition upon the nerve in this region. RESULTS An intermuscular aponeurosis associated with the FCU and FDS muscles was present in all specimens. Transposition consistently resulted in ...

The chromosomal location of the histone genes was determined in seven species of the Drosophila obscura group by in situ hybridization. Histone enes occur on more than one site per genome and on non-homologous chromosome elements. In afdition, the metaphase karyotypes and the banding pattern of the polytene chromosomes were com ared. Based on chromosomal characters, the cladogenesis of the D. obscura group was establisheg. From the distribution of histone sites in different species, analysed in this aper and in previous studies, the hylogenetic history of histone gene transposition was derived. Tie molecular mechanisms responsitle for the generation of new histone sites are discussed.

Transposition for their support throughout the writing and publication process. Special acknowledgment goes to the musical voices that populate this essay: first and foremost, Yōsuke Yamashita, but also Kiyoshi Awazu, Cole Porter, Ella Fitzgerald, and the many music practitioners and communities mentioned within these pages. The footnotes and list of works cited form a partial acknowledgment of the many scholars I'm grateful to be in conversation with. Given the expansive scope of the essay's theme, it also seems appropriate to acknowledge my debts to the mindbogglingly diverse collection of creatures, plants, habitats, machines, and other enigmatic entities that exist within the most anthropocentric and essentializing of all terms: "nonhuman." "We need to understand the body, not as an organism or entity in itself, but as a system, or series of open-ended systems, functioning within other huge systems it cannot control through which it can access and acquire its abilities and Did Music Cause the End of the World?

SITUS INVERSUS TOTALIS is a congenital positional anomaly characterized by transposition of abdominal viscera associated with a right sided heart (Dextrocardia) .It was Mathew Baillie who first described situs inversus totalis in early twentieth century. A transposed thoracic and abdominal organ is a mirror image of the normal anatomy when examined or visualized by tests such as x-ray filming. The term situs inversus is a short form of the Latin meaning inverted position of the internal organs. Generally individuals with situs inversus totalis are asymptomatic and have a normal life expectancy. Many people with situs inversus totalis are unaware of their unusual anatomy until they seek medical attention for an unrelated condition. The reversal of the organs may lead to some confusion as many signs and symptoms will be on the reverse side. A 27 years old male patient reported to the Department of Nephrology with the c/o left sided flank pain since 1 week. The Chest X-ray, Ultrasonography, CT scan and MRI were done and he was diagnosed as SITUS INVERSUS TOTALIS. The anatomic, pathologic, embryologic and etiology of complete Situs inversus and related abnormalities are presented in this case with special emphasis to genetic correlation.

Graph Theory is one of the significant and important areas in Mathematics, which is used in Network Security. Cryptography is art of science to achieving security by encoding message to make it non-readable (secretive) to unintended users. Many techniques are presents to encrypt plain text and convert it to the cipher text [2]. Any cryptographic scheme is secure if and only if it is unbreakable in reasonable time, using feasible resources in spite of the intruder's being aware of the encryption and decryption algorithm and size of the key. In the proposed algorithm, adjacent matrix of graph can be used to obtain key for encryption and decryption which is safer compared to other keys.

Lotman explicitly affirms that his methodological wager is an attempt to join the formal- -structural paradigm of Roman Jacobson and the contextual-dialogical paradigm of Mikhail Bakhtin. Lotman conceives the structure of the text as heterogenous just because it is at least dually coded, while semiosis is exactly the process of this inner hybridization, which has a creative potentiality. My paper will examine the dual coded structure of Lotman in the light of early Kristeva distinction between semiotic and symbolic function. I will examine the influence of Lotman in Kristeva’s works in the context of the 60ies.

El carácter transpositivo de Maléfica (2014), la película de los Estudios Disney que pretende reinterpretar el personaje de Maleficent, la villana de la Bella Durmiente (1959), no puede ser analizado sin tener en cuenta la naturaleza y la especificidad de los cuentos de hadas como formas de la cultura popular y del canon literario occidental.
En este trabajo, analizaremos los problemas de la autoría, la referencia intertextual y la enunciación tal como se presentan en esta obra, su relación con la historia de los cuentos de hadas en general, y de los Estudios Disney en particular

La traduction intersémiotique est mieux acceptée aujourd’hui dans les études traductologiques. Cependant, il semblerait que l’ampleur de ce phénomène sémiotique resterait encore à être démontré pour les traductologues qui le considèrent comme trop complexe. C’est un constat optimiste que la dimension traductive de l’intersémioticité est reconnue par les spécialistes du spectacle et des médias. Il s’agit sans doute d’un phénomène qui peut être considéré comme un phénomène escompté qui enrichit l’étude de la communication culturelle, un champ de recherche concernant tant la traductologie que la sémiotique.

Transposition and Modulation to Translate Tourism Texts from English into Indonesian

Budi Purnomo
Department of Tourism, Sahid Tourism Institute of Surakarta
Solo City, Central Java, Indonesia

Abstract
This study attempts to evaluate the types and accuracy of two translation strategies, i.e. transposition (change of grammatical category) and modulation (change in point of view) used to translate tourism texts from English into Indonesian. The study is intended to be a descriptive and qualitative method. The data sources are obtained from documents and inter-raters. The documents are tourism texts along with their translations taken from Garuda Indonesia magazine. To reveal the types of transposition and modulation, the English and Indonesian texts were analyzed by the researcher. To know the accuracy of transposition and modulation, the translations were rated by three expert raters. The results of the analysis show that: (1) there are three types of transposition: (a) the change from singular to plural (and vice versa), or in the position of the adjective, (b) the change in grammatical structure from SL to TL because the SL grammatical structure does not exist in TL and (c) an alternative to when literal translation of SL text may not accord with natural usage in TL; (2) there are two types of modulation: (a) obligatory modulation and (b) free modulation; (3) the transposition used is generally accurate; and (4) the modulation used is generally less accurate. The findings imply that transposition and modulation might be fundamental for translation strategies, a distinction which has been taken for granted in translating activities.
Keywords: modulation, tourism texts, transposition

Gabrieli’s Sonata pian e forte presents performers with two problems: what pitch should it be performed at and which instruments should be used?  By considering the clefs and ranges of the parts, the nomenclature of instruments and advice on scoring given by Viadana and Prætorius, this paper proposes a solution to the problem of how to interpret alla quarta bassa and the likely instruments that should be used.

El presente trabajo se propone analizar la trasposición al cine, realizada  por el director Luchino Visconti de la novela La muerte en Venecia de Thomas  Mann. La hipótesis principal es que el desplazamiento más importante que  opera el film en relación a la novela es el lugar que ocupa el sonido. Esto último  explica que el personaje en la película sea músico en lugar de escritor. Tal  desplazamiento refuerza retroactivamente determinados aspectos y marcas  enunciativas ya presentes en la novela.

This dissertation aims to make known some themes related to the eschatological theology present in the works of Clive Staples Lewis. In this sense, the exposed themes are the virtue of Hope; the lewisian concept of Transposition, which describes the relationship between natural and supernatural realities; the gifts and qualities to which Creation is raised in the glory of Heaven. The monograph also exhibits a biography of the author and highlights his literary, philosophical and theological influences. Therefore, we intend to show the importance of Lewis's thinking in the context of eschatological anthropology.

The dramaturgical principle of montage has a crucial importance in the mechanism of transposition from the novel to the staging and also includes the operations of quotation and translation. Heiner Müller's transposition of the Liaisons dangereuses by Choderlos de Laclos into the pièce Quartett is an exemplary case for studying these dynamics, as well as the staging by Valter Malosti.

Un caso esemplare per studiare la trasposizione dal romanzo alla scena è il meccanismo drammaturgico ideato da Heiner Müller in Quartett nach Laclos (1981). A partire da questa drammaturgia, i termini di confronto rispetto al romanzo epistolare francese e alla messa in scena italiana sono rispettivamente Les Liaisons dangereuses di Choderlos de Laclos del 1782, e lo spettacolo diretto e interpretato da Valter Malosti Quartett di Heiner Müller da Le Relazioni pericolose di Laclos, che ha debuttato al Teatro Carignano di Torino il 21 gennaio del 2014. Nell'analisi qui proposta, alla ricognizione Quartett di Valter Malosti (2014). Foto di Fabio Lovino, cortesia del Teatro Stabile di Torino-Teatro Nazionale.

Delayed diagnosis and referral of Pediatric Cardiac patients in addition to inability of parents to financially undertake pediatric cardiac surgery have resulted in several patients becoming inoperable. Improved survival after early repair has also resulted in earlier age of surgery. Several procedures are now feasible in the neonatal period and in addition reparative procedures which required an addition palliative surgery are now performed in a single step. The objective of this article is to review contemporary recommendations for timing for surgery and interventions.

The term hypertextuality refers to any form of adaptation; therefore, in literature, this term expresses the relations between texts. The novel Frankenstein in Baghdad written by Ahmed Saadawi, an Iraqi novelist, is influenced by Mary Shelley’s novel Frankenstein; or, The Modern Prometheus in that the signs of the cleared layers of Shelley’s hypotext can be seen in Sadawi’s hypertext. This leads to a palimpsestuous relation between the two texts. In the field of hypertextuality, the term palimpsest refers to any type of adaptation in which the layers of the original text can be seen in the adapted text. This process, which is named transformation, takes place through a purposeful change made in the hypertext without any imitation of it. The transformation and extension of meaning in the hypotext is done through transposition, which refers to the drastic changes made to the hypotext. It is possible, however, to detect parody of the hypotext, such as practice of transvestism, in Saadawi’s novel. Yet, parody is not the entire hypertextual relation between the two texts. This study analyzes the transformational relation between some features of the contents of the two texts and the changes made to the hypertext in the form of transposition. Transposition makes profound changes in many of the dimensions of Shelley’s novel without interpreting it. Titles, names, places, themes, symbols, language, religion, and beliefs are some of the items that are transposed in Saadawi’s novel. The appearance of the character Frankenstein in Saadawi’s novel causes the emergence of different cultural and social symbols and signs. The difference between the language of the novels and the difference between places are vivid examples of transposition that explain the spectral presence of Frankenstein in the hypertext, the dominant atmosphere of the hypertext, and how the past causes the absence of meaning with its presence.

Cryptography is an art and science of converting original message into non readable form. There are two techniques for converting data into no readable form:1)Transposition technique 2)Substitution technique. Caesar cipher is an example of substitution method. As Caesar cipher has various limitations so this talk will present a perspective on combination of techniques substitution and transposition. In this paper I have focused on the well known classical techniques the aim was to induce some strength to these classical encryption for that purpose I blended classical encryption with the some more techniques. my proposed method showed that it is better in terms of providing more security to any given text message. In our experiments I took Caesaer Ciphers as representatives of Classical Techniques. To make it more secure I have used some techniques like I have used multiple level Row Transposition Ciphers, encryption with same key at each level and encryption with different key at each level.

Summary

The paper starts from the analysis of Michelangelo's Creation of Adam that Arnheim offers in his book: "Art and visual perception".  According to the basic conception of Gestalt theory, Arnheim illustrates the “structural skeleton” of the configuration and underlines the role of the parts. Michelangelo has transmitted the dynamic theme of the story because he has created in his painting the basic roles of the two components of the story: the Creator who actively gives and Adam who passively receives. The masterpiece of Michelangelo can be defined a successful inter-semiotic transposition.

Zusammenfassung

Der Beitrag bezieht sich auf die von Arnheim in seinem Buch "Kunst und Sehen" vorgelegte Analyse des Michelangelo-Freskos „Erschaffung des Adam“. Entsprechend der Grundauffassung der Gestalttheorie zeigt Arnheim das „strukturelle Skelett“ der Bildgestaltung auf und untersucht die Bedeutung seiner Elemente. Michelangelo übertrug das dynamische Thema der Erschaffungsgeschichte durch die bildliche Gestaltung ihrer beiden Grundkomponenten: der Schöpfer, der aktiv gibt, und Adam, der passiv empfängt. Michelangelos Meisterwerk kann so als erfolgreiche intersemiotische Übertragung (Übertragung verbaler Zeichen in nichtverbale) verstanden werden.

Este artículo presenta una tipología posible de las publicaciones impresas no periódicas que tienen como objetivo construir una representación de los artefactos culturales-materiales de memoria articulados socialmente bajo el nombre común de monumentos. El estudio apunta a identificar algunas de las formas propiamente editoriales de conservación y transmisión de la memoria de un monumento en la cultura letrada moderna. Para ello se analizan prácticas editoriales en las que la atribución de una permanencia y la inscripción en el ámbito público que caracterizan a la vida social del monumento interactúan con las funciones culturales que se otorgan al libro y a la letra impresa.

In the 1560s Alessandro Striggio composed monumental works such as his Missa sopra Ecco si beato giorno à 40 and a 40-voice motet, both of which can be proven to have been performed in Munich in 1567 and 1568. Analysis of the performing forces of Munich’s Cantorey of this time concludes not only that the instrumental participation of these performances must have been significant, but also that the works were transposed downward. Furthermore, a hypothesis is proposed that the Munich performance of an untitled 40-voice motet in 1568 involved Striggio’s Ecce beatam lucem à 40, which itself may constitute a contrafactum of Ecco si beato giorno, a madrigal that circulated in copies during the decade.

Der wissenschaftlichen Literatur über Holocaust-Überlebende und ihre Nachfahren zufolge neigen die Kinder und Enkel von traumatisierten Überlebenden des Nazi-Terrors dazu, Sequenzen aus dem Leben ihrer Eltern und Großeltern im eigenen Leben − unbewusst − nachzuspielen bzw. nachzuerleben. Es handelt sich dabei gewissermaßen um ein erlebnismäßiges Ineinanderrücken dreier Generationen. Der vorliegende Beitrag geht auf dieses Thema mit praktischen Beispielen aus Kärnten/Koroška ein.

The text with the tautological title “The two scenes: scene within a scene” examines repetition. Here repetition is considered not as a rhetorical figure, but as a metafigure. The two possible aspects of the term metafigure are: first, as a transpositioning structure (Nikola Georgiev) for theoretical observation; and second, as a minimal autopoetic and self- reflexive gesture (Radosvet Kolarov). The paper suggests a third theoretical optic, conceptualized with the dramatic device scene-within-a-scene.

The dramaturgical principle of montage has a crucial importance in the mechanism of transposition from the novel to the staging and also includes the operations of quotation and translation. Heiner Muller’s transposition of the Liaisons dangereuses by Choderlos de Laclos into the piece Quartett is an exemplary case for studying these dynamics, as well as the staging by Valter Malosti. Montage, Malosti, Heiner Muller, translation.

Brunel, M., Bouchardon S. (2020). « Enseignement de la littérature numérique dans le secondaire français : une étude exploratoire », R2LMM (Revue de recherches en littératie médiatique multimodale), vol.11, sept. 2020, https://litmedmod.ca/sites/default/files/pdf/r2-lmm_vol11_brunel.pdf
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Dans le cadre d’une recherche collaborative menée avec un groupe d’une dizaine d’enseignants  de  français,  l’article  se  propose  de  décrire  les  formes  et  les  spécificités  que  peut prendre l’enseignement des œuvres numériques dans les classes du secondaire. Dans la continuité d’expérimentations  menées  dans  le  supérieur  (Saemmer,  2010)  ou  dans  le  secondaire (Bouchardon,  2014)  avec  des  supports  qui  n’étaient  pas  spécifiquement littéraires (Lacelle et Lebrun,  2014) il  s’agit de  mieux  documenter  l’étude  de  l’œuvre  numérique  dans  la  classe, d’étudier  le  processus  de  transposition  didactique  à  l’œuvre,  dans  ce  cas  particulier  où  l’objet enseigné  n’apparaît  ni  dans  les  pratiques  courantes  ni –    explicitement –    dans  les  programmes officiels  en  France.  En  nous  appuyant  sur  le  travail  de  l’enseignant,  nous  cherchons  quelles évolutions  ou  permanences  ont  permis  «la  construction  de  l’objet  enseigné»  (Schneuwly et Dolz,  2009)  et  analysons  particulièrement  l’intégration  de  l’étude  de  l’œuvre  numérique  à l’échelle macro de la séquence, puis à l’échelle plus micro des dispositifs et objets enseignés dans la séance, en lecture et en écriture.

Правотворча діяльність щодо зближення законодавства України із законодавством ЄС вимагає чіткого визначення обсягу і змісту поняття «транспозіція» права. Метою цієї статті є визначення співвідношення поняття «транспозіція» права у сфері зовнішніх відносин ЄС з поняттями «адаптація», «зближення», «гармонізація», «уніфікація» та інші. «Транспозиція» права відноситься до напрямів і форм узгодженого правового розвитку держав в міжнародному і національному праві. Поняття «транспозиція» права співвідноситься з поняттями «адаптація», «зближення», «гармонізація», та «уніфікація» як загальне і спеціальне. В сфері права зовнішніх відносин ЄС «транспозиція» права – це процес, який має на мету досягнення «адаптації», «зближення», «гармонізації», «уніфікації» з правом ЄС чи іншої міжнародної організації, і передбачає застосування багатьох методів і способів задля досягнення мети переносу «acquis» ЄС у правові системи третіх країн. Особливими рисами «транспозиції» права в царині зовнішніх відносин ЄС є «матеріальні» і «процесуальні способи» переносу «acquis» ЄС у правові системи третіх країн.
Ключові слова: транспозиція, адаптація, зближення, гармонізація, уніфікація, acquis ЄС.

Piwi interacting RNAs (piRNAs) are small (∼25 to ∼30 nucleotide) and are expressed in the germline. piRNAs bind to the Piwi subclade of Argonaute proteins and form the core ribonucleoproteins (RNPs) of piRNPs. We describe a method for the massive identification of piRNAs from immunopurified piRNPs. This strategy may also be used for immunopurification and directional sequencing of RNAs from other RNPs that contain small RNAs.

The  purpose  of  this  scientific  approach  is  to  analyse  the  transposition  into Romanian language of the Greco-Latin mythological proper names from the text "Istoriia lui Numa Pompilie, al doilea craiu al Romii" [The history of Numa Pompilius, the second king of Rome], translated from French language and published by Alexandru Beldiman in 1820. In pursuit of this work, I shall use the method of analysis and inventory of terms. At a textual level, the results of the research indicate that all ancient Latin and Greek proper names which did not have a previous circulation in an adapted form in literary use are written identically as in the original language, but with cyrillic caracters. Thus, the Latin proper names of persons have been used in their Latin form whenever they have been enunciated in entirety (nomen, cognomen, agnomen) and the Greek proper names which did not have an adapted form in literary use have been transliterated as such.

This paper situates the British Columbia Treaty Process within a brief discussion of the role of land in genocidal processes and transitional justice. It does so as a means to highlight the potential destructiveness of colonial land appropriation and the dangers of transitional justice processes that seek to forcibly transpose onto Indigenous persons the dispositions and practices of European property regimes.

Automatic extraction of information from music data is an important and challenging issue in the field of content-based music retrieval. As part of the research effort, this study presents a technique that automatically identifies cover versions of songs specified by users. The technique enables users to search for songs with an identical tune, but performed by different singers, in different languages, genres, and so on. The proposed system takes an excerpt of the song specified by the user as input, and returns a ranked list of songs similar to the input excerpt in terms of the main melody. To handle likely discrepancies, e.g., in tempo, transposition, and accompaniment, between cover versions and the original song, methods are presented to remove the non-vocal portions of the song, extract the sung notes from the accompanied vocals, and compare the similarities between the sung note sequences. Our experiments on a database of 594 cross-lingual popular songs show the feasibility of identifying cover versions of songs for music retrieval.

Études mongoles et sibériennes, centrasiatiques et tibétaines 32 | 2001 L'épopée orale turque d' Asie centrale. Contes épiques nanaïs La vengeance clanique dans les contes épiques nanaïs Essai d'interprétation à partir de conceptions chamaniques Clanic Revenge in Nanai Epic Tales : An interpretation from a shamanistic point of view

The presence of integrons was assessed in gut bacteria isolated from wild-caught prawns. A pseudomonad was recovered that contained a Tn402-like class 1 integron with a complete transposition module and two gene cassettes. One cassette was identical to a previously described cassette from a chromosomal class 3 integron in Delftia tsuruhatensis.

Transposable elements (TE) induce structural and epigenetic alterations in their host genome, with major evolutionary implications. These alterations are examined here in the context of allopolyploid speciation, on the recently formed invasive species Spartina anglica, which represents an excellent model to contrast plant genome dynamics following hybridization and genome doubling in natural conditions. • Methyl-sensitive transposon display was used to investigate the structural and epigenetic dynamics of TE insertion sites for several elements, and to contrast it with comparable genome-wide methyl-sensitive amplified polymorphism analyses.