Early Netherlandish Painting
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Recent papers in Early Netherlandish Painting
[SLO] Zaključna seminarska naloga se ukvarja z motivom Poslednje sodbe v staronizozemskem slikarstvu, osredotoča pa se na naročnike in najrazličnejše povode, ki so botrovali njihovi izbiri umetnikov in ikonografskega programa. Motiv... more
La Fuente de la Gracia es sin duda una de las obras de referencia para acercarnos a los mecanismos de propagación del arte de Jan van Eyck, pero de la cual sin embargo se desconocen con certeza casi todos los detalles. La reciente... more
This article has been published in the congress proceedings of the 4th International Jheronimus Bosch Conference April 14-16, 2016 Jheronimus Bosch Art Center ´s-Hertogenbosch, The Netherlands
(ISBN/EAN: 978-90-825861-1-4) published 2016
(ISBN/EAN: 978-90-825861-1-4) published 2016
Focusing on the Art Institute of Chicago's Virgin and Child, a surviving portion of a diptych by Jan Gossart, this essay describes how a particular kind of image--the devotional icon--could refer to the process by which a painting is made... more
Die Kunst Jan van Eycks markiert mit ihrer neuartigen Öltechnik, ihrer präzisen Beobachtung der sichtbaren Welt und ihrem hohen ästhetischen wie intellektuellen Reflexionsniveau nicht allein die »Geburtsstunde« der niederländischen... more
This article revisits the Belgium restorer Jef Van der Veken.
The major late fifteenth-century portrait Jacob Obrecht, from the collection of the Kimbell Art Museum, has now been attributed as the earliest dated and, arguably, first signed work by Quinten Metsys that is known. The only contemporary... more
On the role of the format for the meaning of the Garden of Earthly Delights.
Dans le paysage artistique brugeois de la fin du XV e siècle se distingue un peintre au style fortement caractérisé : le Maître de la Légende de sainte Godelieve. S'il apparaît comme archaïsant, c'est qu'il perpétue en réalité une... more
Jan van Eyck’s Arnolfini Marriage Portrait of 1434 still poses fundamental questions. An overlooked account explained the groom’s left hand holding his bride’s right hand as a secular, legal morganatic marriage with a bride of lower... more
In: Handelingen Koninklijke Geschied- en Oudheidkundige Kring van Kortrijk 77 (2012), p. 107-119.
Essay is devoted to underdrawings – preparatory sketches made directly on a primed panel or canvas and gradually covered with layers of paint during the painting process. A number of 16th-century Netherlandish paintings from the... more
Rogier van der Weyden’s painted oeuvre has been the subject of many publications. But his artistic activities were much wider in scope. With its focus on stone sculpture in Brussels at the time that Rogier was working there, an area of... more
The article looks at the inscription on the frame and at the possible original function of the portrait.
A large painting by Maerten van Heemskerck, today in the Gemäldegalerie, Berlin, takes as its subject matter a contest among the Classical gods with the figure of Momus—the arch critic—acting as arbiter. This story is told in Aesop’s... more
This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY
A bibliography of the Ghent Altarpiece, painted by Hubert and Jan van Eyck
Dominique Deneffe and Jeroen Reyniers, The Ghent Altarpiece. A Bibliography, Contributions to the Study of the Flemish Primitives, 15, Brussels (KIK-IRPA), 2020.
Dominique Deneffe and Jeroen Reyniers, The Ghent Altarpiece. A Bibliography, Contributions to the Study of the Flemish Primitives, 15, Brussels (KIK-IRPA), 2020.
What happens when we look at a canonical painting from the perspective of its non-human occupant? This article explores that question through the case of the dog in Jan van Eyck's "Arnolfini Portrait." Not only is the dog in The Arnolfini... more
The painting Ascent into Heaven (ca. 1505-1515; dendrochronological dating: 1482-1490) kept in the Palazzo Ducale in Venice is one of the four eschatological panels (the other three are: Earthly Paradise, Fall of the Damned and Hell)... more
Het portret in de Lage Landen. Voorgeschiedenis en opstaan van een renaissancegent
This volume contains a statistical study of 287 Early Netherlandish paintings with domestic settings. Issues explored within the book include an investigation of the application and benefits of statistical methodologies in art historical... more
Hieronymus Bosch was also a celebrated painter in his own time. The patrons and first owners of his paintings were part of the social and cultural elite of the late fifteenth and sixteenth century society. Some of them were portrayed by... more
The Last Judgement triptych, dated c. 1495 - 1505, from the Groeningemuseum in Bruges is currently considered by members of the Bosch Research and Conservation Project as an undisputed work in the oeuvre of Hieronymus Bosch (c. 1450 -... more
The extant works of Hugo van der Goes frustrated attempts among early historians of Netherlandish painting to organize the artist's career according to a chronology. The survival of a biographical document attesting to his madness... more