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FL 027 681
Aziza, Rose 0.
Nations in the Urhobo Noun Phrase.
2002-00-00
13p.; Paper presented at the Annual Conference on African
Linguistics (ACAL) (33rd, Athens, OH, March 22-24, 2002).
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Foreign Countries; *Intonation; Morphophonemics; *Nouns;
*Phrase Structure; *Tone Languages; Uncommonly Taught
Languages
*Nigeria; *Urhobo
ABSTRACT
This paper focuses on tonal alternations in the Urhobo noun
phrase. Urhobo is an Edoid language spoken extensively in Delta State,
Nigeria. The language has two basic tones, high and low, plus a phenomenon of
downstep, both automatic and non-automatic. The noun phrases examined include
the noun + noun associative construction, the noun + relative clause
construction, and noun reduplication, which is used to express the equivalent
of the English noun phrases that signal "every + noun" and "only/so many/so
much + noun." This paper is a purely descriptive study intended to present
facts that would lead in the long run to a better understanding of tonal
alternations in Edoid languages. Theoretical analysis would be done only when
necessary. (Author/SM)
Reproductions supplied by EDRS are the best that can be made
from the original document.
U.S. DEPARTMENT OF EDUCATION
Office of Educational Research and Improvement
NATIONS IN THE URHOBO NOUN PHRASE
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his document has been reproduced as
ceived from the person or organization
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Minor changes have been made to
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ROSE 0. AZIZA
DEPARTMENT OF LANGUAGES AND LINGUISTICS
Points of view or opinions stated in this
document do not necessarily represent
official OERI position or policy.
DELTA STATE UNIVERSITY
ABRAKA, NIGERIA.
ABSTRACT
This paper focuses on tonal alternations in the Urhobo noun phrase. Urhobo is an
Edoid language spoken extensively in Delta State, Nigeria. The language has two
basic tones, high and low, plus a phenomenon of downstep, both automatic and non-
automatic. The noun phrases examined include the noun + noun associative
construction, the noun + relative clause construction and noun reduplication which is
used to express the equivalent of the English noun phrases that signal "every + noun
and "only / so many / so much + noun". This paper is a purely descriptive study with
the intention of presenting facts that would lead in the long run to a better
understanding of tonal alternations in Edoid languages. Theoretical analysis would be
done only when necessary.
0.0 PREAMBLE
Urhobo operates a terraced level tone system with two basic tones, low and high, plus
a phenomenon of downstep. There are also two gliding tones, HL (falling) and LH
(rising) which are derived from the basic tones. There is downdrift, such that after a
high
low sequence, a succeeding high tone is realized on a lower level than the
preceding high tone while after a high-downstep sequence, a succeeding high tone is
realized on the same level as the downstep (Kelly 1969; Welmers 1969, 1973; Elugbe
1989; Aziza 1997). Only vowels bear tone in this language.
Most nouns in Urhobo are either disyllabic or trisyllabic and have the structure prefix
+ stem. The prefix is always a vowel while the stem always begins with a consonant.
Many nouns differ in meaning only because they differ in tone. On the basis of tone
patterning, Urhobo disyllabic nouns in their citation form can be classified into five
tone groups, namely.
a)
low low
b)
low - high
(i)
(ii)
(iii)
usi
ukpe
eni
'line'
'year'
'elephant'
(i)
(ii)
usi
eni
'starch'
`headpad'
2
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c)
d)
e)
high high
high - low
high downstep
(iii)
Dg)
'bottle'
(i)
uko
(ii)
(iii)
Dgba
uwe
'cup'
'war lord/hero
'nose'
(i)
ukpe
'bed/bedroom'
(ii)
Dgba
(iii)
Es e
'thirty'
'gift'
(i)
uwe
'thorn'
(ii)
DgD
' in-law '
(iii)
otD
'land, ground
In addition, most nominals in this language which signal agentive meaning are
derived from verb + noun sequences. They usually bear only low tones
irrespective of the lexical tones borne by the nouns in their citation form. (Note
that verbs as well as singular subject pronouns are said to be toneless and bear
the tones of the grammatical configurations in which they are used ( Elugbe
1989; Aziza 1997)). In the citation form, all verbs and all singular subject
pronouns are realized on the low tone. Verbs do not differ in meaning as result
of differences in tone. The process of nominalization is beyond the scope of
this paper but it includes the following: (i) Prefixation: to enable the nominal
correspond to the structure of the Urhobo noun. (ii) Vowel elision or glide
formation affecting the final vowel of the verb, since vowel sequences are not
permitted at surface level in this language. If the verb stem vowel is [+ High]
glide formation takes place, otherwise the vowel is elided. (iii) Tonal
alternation of the lexical tones borne by the noun, so that all vowels in the
nominal are realized on the low tone. Examples include:
2.
a)
si
+
=
Dbe
L LL
LL
b)
write
book
cidia +
agbara
sit
[osjDbe]
'a secretary'
=
L LL
[ocidjagbara]
LL L L L
'a chairman/president'
chair
2
3
c)
to
ota
+
=
LH
d)
Say/speak
word
gbe +
usi
Mix
e)
k3
plant
f)
gu
+
tejie
gum 3
+
look for/seek
i)
rE 1E
watch
L LL
starch
'native frying pan'
=
+
Dkiribo
LLLL
'one who plants pepper'
.
[ogw Ejo i
LLL
' a lawyer/judge'
igogo
+
ogbusi
LH
HH
case
Ring
h)
=
Ej-3
Judge
g)
LLL
' a spokesman'
iribo
L HH
pepper
+
3 tota
=
Dtepigogo
HHH
LL LLL
bells
'bell ringer'
iyo
H!H
=
money
o t)
=
[3gw3n iyo]
L LLL
'one who seeks wealth'
3 rErotp
LLLL
H!H
ground
'a security guard'
In this paper, we shall be looking at how tone works in the Urhobo noun
phrase. The three types that we are concerned with here are the noun + noun
phrase, the noun + relative clause and noun reduplication.
1.0
TONAL ALTERNATIONS IN THE ASSOCIATIVE NOUN PHRASE
In Urhobo, the noun phrase consists of a noun and a modifier. All modifiers
follow their headnoun. The associative construction to which the noun + noun
(N+N) and noun + relative clause (N+Rel) belong is marked by an independent
grammatical morpheme /rE/ which we shall call the associative marker (AM)
and it occurs between the noun and its modifier. The vowel of AM is always
3
4
elided in normal conversational speech and, in fast speech, even the consonant
is also elided, although it is easy to recover both in slow deliberate speech.
In terms of tone, we assume that the associative construction is marked by a
floating high tone which we shall call the associative tone marker (ATM). This
tone usually gets segmentalized on the vowel segment of AM in a N + N
construction and on the final segment of the subject of the relative clause in a N
+ Rel clause phrase.
1.1
TONAL ALTERNATION IN THE NOUN + NOUN PHRASE (N1 +N2)
In the Nl+N2 associative construction, the ATM is segmentalized on the vowel
of the AM, When this vowel is elided, the tone obligatorily relinks onto the
prefix vowel of N2 resulting in the deletion of the lexical tone in that position if
it is low but it is high, the two high tones merely contract into one. This means
that the prefix vowel of N2 is always high toned at the phonetic level
irrespective of the tone it bears in the citation form. Note that !H does not occur
in the prefix position .It is also interesting to note that the lost low tone has no
lowering effect on any surviving tone in the sequence. This is because, as has
been pointed out elsewhere (Aziza, 2001), although there is downdrift in the
language, a low tone has a lowering effect on a succeeding high tone only if it
is present in the surface structure. If it is deleted before it gets to the surface, it
simply disappears leaving no trace on surviving tones. (This means that a lost
low tone does not result in phonetic downstep in this language). Thus, tonal
alternation in the N 1+N2 construction affects only the tone of the prefix vowel
of N2; all other tones are unaffected. The following are some examples.
3.
a)
obD
+
FE +
LL
AM ATM
hand
b)
+
(H)
iribo +
LH H
Pepper
rE
uko
HH
Cup
rE
+
+
+
eni =
[ob3 reni]
LL
LL HL
elephant
'an elephant's hand'
inonE
=
AM ATM Today
+
3gba
+
HH
(H)
AM ATM
warlord
4
5
[iribo rinonE]
LHHHH L
LHL
(H)
`today's pepper'
=
[uko r3gba]
HH H H
'a warlor's cup'
d)
ekpu +
HL
Bag
e)
FE 4
+
H !H
Money
f)
rE
AM ATM
[alma
rps:Pa
L H HH
'money for a dress'
+ Dfar e + na =
HLL L
AM ATM man the
LH
(H)
Cloth
HL
dress
=
)(Pa + rE +
+
+
'a bag (containing) money
[ iv rewu]
H !H H L
ewu
+
(H)
ar)ma +
H L H !H
H!H
money
AM ATM
LH
[ekpu rip]
=
i)(0
(H)
ATM
AM
i'o
+
+
rE
(H)
bride
°fare
HLL
`a cloth (belonging to) the man's bride'
+ rE
g)
H !H
+ + uko
(H) H H
Money AM ATM
[i'o
H!H
+ rE +
+ udi + rE +
+ aje + DME
(H) LL L H
(H) L L
cup AM ATM drink AM ATM woman mine
raje
rudi
HL
HL
ME ]
H
`money for my wife's drink'
The last two examples in 3 above are recursive N+N phrases and, as can be
noticed, they are similar in every respect to the simple N+N phrase, the only
difference being that more nouns are added to the string to extend the phrase.
The AM which bears the ATM precedes every additional noun while the same
processes of vowel elision of AM, relinking of ATM on the prefix vowel of N2
and the deletion of the low tone in that position take place.
1.2
TONAL ALTERNATION IN THE NOUN + RELATIVE CLAUSE
Ordinarily in this language, the subject of a clause retains its lexical tones as
the forms in 4a below show. In the associative construction comprising noun +
relative clause, ATM is segmentalized, not on AM but on the final vowel of the
subject of the relative clause. This subject immediately precedes the verb of the
5
clause. Since, as we have said, AM is underlyingly toneless, when its vowel
segment is elided no tonal alternation occurs on the prefix vowel of N2; rather,
it occurs on the final vowel of the subject of the relative clause. This vowel is
always retained but the lexical tone it bears gets obligatorily deleted and is
replaced by the H of ATM if it is low or a non-automatic downstep but if it is
high the two merely contract into one. Thus, the final vowel of the subject of
the relative clause is always H. Compare the forms in 4a with those in 4b
below.
4.
a) (i) ob3 + rE + eni + rere
LL
LL HL
[ob3 reni rere]
=
LLLHHL
Hand AM elephant ate
'a hand (that) an elephant ate'
(ii) aje + na + vo + iyo =
LL
L
Woman the
(iv)
LL L H
H!H
H
has
money
(iii) *re + hue + aje
HLL HH LL
Man
[aje na viyo]
`the woman has money'
[3fare hwaje]
=
HLL
beat/killed woman
iyo + Jeri
LL
LL
[iyo Jeri]
H !H H L
money fell
=
+ na +
L
HL
' a man beat/killed a woman'
H!H
HL
Money fell
b) (i) ob3 + rE + eni
+ rere = [ob3 reni na rere]
(H)
hand AM elephantthe ATM
HL
ate
LLL LHHH
a hand that the elephant ate'
bag
vori =
HL
AM money AM woman ATM had
[ekpu
riyo raje vori]
(ii) ekpu + rE + iyo + rE +aje +
HL
H !H
!H
LL
+
(H)
H L H !H LH HL
`a bag of money that a woman had'
6
7
(iii)
aje + 1 + Dfare +
LL
HLL
Woman AM man
(iv)
+ hueri
Bag
H !H
[aje ofare hweri]
L L HLH HL
HHL
ATM beat/killed 'a woman that a man killed'.
(H)
+ fe + nu = [ekpu rixo fe nu]
ekpu + 1 + i''o +
HL
=
(H)
H
L
AM money ATM fell
H
L HHHL
from 'a bag that money fell from'
2.0 TONAL ALTERNATION IN NOUN REDUPLICATION
Noun reduplication is a morphological process in which interesting tonal
alternations take place. Two types of noun reduplication are considered here:
the first is used to express the equipment of the English noun phrase
`every/each + noun' while the second signals `only/so many or much + noun.
For the sake of convenience, we shall refer to them as complete and partial
noun reduplication respectively.
2.1
COMPLETE NOUN REDUPLICATION
This construction conveys the meaning 'every/each + noun' and it is marked
segmentally by an independent morpheme 'kE' which occurs before the noun.
The vowel of this morpheme is obligatorily elided in normal conversational
speech although it is recoverable in slow deliberate speech. Both the morpheme
and the noun are reduplicated to make up the noun phrase.
In terms of tone, we assume that noun reduplication is also marked by a
floating high tone which we call the reduplication tone marker (RTM) which
gets segmentalized on the final vowel of the first occurrence of the noun. This
results in the deletion of the lexical tone in that position if it is low (as the
forms in 5 a c show) or if it is a downstep (as the forms in 5 d e show). All
other tones remain intact. Note again that the output is vacuous if the affected
tone is already H as in 5b, e, and h.
5.
a)
kE + °bp +
+ kE + obi
L L (H)
LL
=
LHLL
Part. Hand RTM part. hand
7
[kob3 ko bp]
'every/each hand'
8
b)
kE + ukpe +
H L (H)
bed
c)
+ kE + ukpe
HL
RTM
+ kE + uwevi = [kuwevikuwevi]
LLL
(H)
house RTM
d)
g)
h)
town
'every/each town'
goat RTM
goat
+ kE + uko
kE + agogo +
=
=
cup
+ kE + agogo
HHH
RTM
bell
[kEvekEve]
LHLH
'every/each goat'
HH
(H)
RTM
HHH (H)
2.2
HH H HH !H
+ kE + Eve
LH
bell
'every/each father'
H H !H
kE + Eve +
L H (H)
Cup
[losdosE]
HHH !H
+ kE + orere = [korerekorere]
kE + orere +
kE + uko +
HH
=
H !H
father
H H !H (H)
town
RTM
0
'every/each house'
+ kE + ME
(H)
father RTM
e)
LLHL LL
house
kE + DSE +
H !H
H HH L
'every/each bed'
bed
kE + uwevi +
LLL
[kukpekukpe]
=
[kukokuko]
HHH H
every /each cup
= [kagogokagogo]
HHH HHH
'every/each bell'
PARTIAL NOUN REDUPLICATION
This construction conveys the meaning `only/so many or much + noun' and
affects only the plural form of the noun. Unlike the first type described above,
this one is not marked by any independent segment. Rather, all the sound
segments except the prefix vowel and the initial consonant segment(s) of the
first occurrence of the noun are deleted. The retained segments are then
prefixed to the second occurrence of the noun which appears in full.
In terms of tone we assume that the same processes that marked the complete
noun reduplication also mark this partial type such that RTM also gets
segmentalized on the final vowel of the first noun resulting in the deletion of
8
9
any lexical tone in that position if it is a low or a downstep and applies
vacuously if the tone is a high . When the sound segments of the first noun are
deleted, they are deleted together with the lexical tones that they bear. Only
RTM survives and gets relinked on the prefix vowel of the noun duplicate
resulting in the deletion of that lexical tone if it is a low or downstep. Examples
include the following.
6.
a)
b)
c)
iwevi +
+ iwevi
LL L (H)
LLL
House RTM
house
eg3
+
+ eg3
LH
(H)
LH
bottles RTM bottles
usi
+
+
LH
(H)
starch RTM
igbede +
LLH
+
egba
HH
0
g)
+
LH LL
`only/so many houses'
=
[egeg3]
LHH
`only/so many bottles'
usi
LH
starch
=
igbede
=
(H)
[usjusi ]
LHH
`only/so much starch'
needles
+
[ igbigbede ]
LH LH
`only/so many needles'
egba
=
[ egbegba ]
HHH
HH
Warlords RTM
warlords
ibro
+
+
H !H
(H)
halves
RTM
ib ro
ire re +
H H !H
(H)
towns RTM
[iwiwevi ]
LLH
(H)
Needles RTM
e)
=
`only/so many warlords'
=
[ ibribro ]
H H !H
H !H
halves
`only/so many halves'
+ irere
=
H H !H
towns
[irirere]
H H H !H
`only/so many towns'
However, if the noun involved in such reduplication is a gerund, a different
output is observed. Gerunds are derived from verbs through a process of
affixation. A full account of the process of gerundivization is beyond the scope
of this paper and so only the highlights will be described here. It includes the
following: (I) Prefixation, in which a vowel segment e-or E- (depending on the
9
1
ATR vowel harmony requirements of the verb stem vowel) is prefixed to the
verb. [+ATR] vowels select e- while [ -ATR] vowels take E-. This is to enable
the gerund conform with the structure of the Urhobo noun which is prefix
vowel + stem. (ii) Suffixation, a suffix -o or -3 is added if the verb stem vowel
is [+High], the choice again depending on the harmonic requirements of the
vowel: [+ATR] vowels take -o and (-ATR] vowels take -D. However, if the
verb stem vowel is [-High], the suffix is deleted from the string. (iii) If the verb
stem vowel is [+High], the addition of the suffix creates an environment for
glide formation and so the [+High] vowel becomes [ j ] or [ w ] at the surface
level depending on whether we are dealing with a front or back vowel. (iv)
The construction is marked by a L-H sequence: L is borne by the
prefix vowel while H is borne by the suffix. However, where the
string does not take a suffix, the stem vowel bears the high tone. The
following are some examples:
7.
a)
ku
ekuo [ ekwo ]
LH
b)
pour
pouring
si
esio [ esio ]
LH
write/pull
c)
d)
writing/pulling
fa
Efa
flog
LH
flogging
kpD
EkpD
dry up
drying up
LH
When the noun in the reduplication construction is a gerund, a HL glide results
on the prefix vowel of the second noun in the output evidence that a non-grammatical
L tone will delete in the initial position of the base. This glide is derived from the
juxtaposition of the two tones that mark the gerund. The effect of the segmentalization
of RTM is vacuous since the two high tones merely contract into one. In 8 below we
present some examples.
a)
ekuo
+
LH
(H)
RTM
Pouring
b)
esio
+
+
LH
ekuo
[ekwekwo]
LH
L HL H
'only / so much pouring'
pouring
+
esio
[esjesio]
LH
(H)
LHLH
Writing/pulling RTM writing/pulling
c)
Efa
LH
d)
+
+
(H)
Efa
[EfEfa ]
LHLH
LH
flogging RTM flogging
EkpD +
+ EkpD
LH
(H)
`only/so much writing/pulling'
`only/so much flogging'
[EkpEkpD]
LH
L HL H
drying up RTM drying up
`only/so much drying up'
A comparison of the forms in 8 with those in 6 reveals that whereas a HL glide
occurs on the prefix vowel of the noun duplicate in 8, the H of RTM replaces the L in
the same position in 6 (see especially 6b-d). Thus, in 6, the vowel of the stem along
with the lexical tone it bears gets deleted as part of the reduplication process, evidence
that only lexical tones delete.
SUMMARY AND CONCLUSION
In this paper, we have tried to describe some tonal alternations that occur in the
Urhobo noun phrase without recourse to theoretical analysis. Two types of
associative constructions, the Ni + N2 and the N + Relative clause, and two
types of noun reduplication were examined. One thing common to all four
constructions is the presence of grammatical tones which surface as floating
high tones and they always get segmentalized on vowel segments somewhere
within the constructions such that even when the segments bearing them get
elided or become nonsyllabic glides as a result of certain phonological
processes, these tones do not delete. From the evidence presented here, we can
safely say that only lexical tones are affected in tonal alternations while
grammatical tones are not. This implies that grammatical tones have more
relevance in the grammar of this language than lexical tones.
H12
REFERENCES
Aziza, R.O. 1997 Urhobo Tone System. Ph.D Thesis, University of Ibadan.
2001, " An Overview of the Tone System of Urhobo." Paper read at the
32" ACAL, University of Califonia, Berkeley, March 23-25, 2001
Elugbe, B.O. 1989 California PressTONAL ALTER.
.
Comparative Edoid: Phonology and Lexicon. Delta
Series, No. 6 University of Port Harcourt Press.
Kelly, J. 1969. "Urhobo" In E. Dunstan (ed.) Twelve Nigerian Languages.
London: Longman, 153-161
Welmers, W.E. 1969. "Structural Notes on Urhobo" JWAL, 1(2): 85-107
1973.African Language Structures. Los Angeles: University of
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