Pha Toom Thong
Pha Toom Thong
Pha Toom Thong
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THAILAND
Text and Photographs
by Don Linder and
Banokok
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Buriram \
Wannida(Lida) firatha
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36 $tw,<onrlst Quarter20ll
Weaverswork on hand looms as well as pedal looms
in the large, open-air workshop.
In addition to exquisite textures and designs, ment, who started the first weaving
the color palette of Pha Toom Thong silks is a school in what was then Siam. He
visual treat. also started a silk-weaving business
but was not successfulbecauseat
and few venture outside its tranquil- the intention of becoming a teacher, that time the market.wasnot strong
ity. Khun Pui did. Shestudied in the but in those days, one had to pay nor, as Khun Pui admits, was he a
seasideprovince of Chonburi to be a big bribes to become a teacher,and good marketer.
teacher,then for two years worked in Khun Pui did not feel that was in the As fate would have it, in 1973, a
Chonburi and Bangkok as a designer. service of her community, where she delegationfrom Her Majesty Queen
In her words, "Every day was morn- had deep roots. Sirikit came to neighboring Put-
ing go for work, evening go back Her grandfather,Pha Toom Thong, tathaisong district to make merit.
home. I felt bored and wondered h a d b e e n t h e v i l l a g e h e a d m a n , a A terrible draught was threatening
why I wasn't doing something more weaving teacher and a progressive survival, and conditions prompted
meaningfull' Shereturned home with thinker dedicatedto social develop- another delegationto visit in 1975
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Pha Toom Thong collectionof
100o/osilk scarvesdisplays a wide
range of designs,textures, sizes
and colors.
t o a s s e s sh o w t o h e l p t h e p e o p l e .
Pha Toom Thong took his daugh-
t e r , K h u n P r a j u a b ,a w e l l - t r u s t e d
leaderamong the village women, to
speakwith the group. Thus begana
long-standingrelationshipwith the
Q u e e n ' sp r o j e c t s ,w h i c h i n c l u d e d
Khun PrajuabaccompanyingQueen
S i r i k i t t o W a s h i n g t o n ,D . C . f o r a
specialexhibition promoting Thai
silk in 1991.
Drawing on her family values,
Khun Pui closelystudied her com-
munity to determinehow shecould
serveit best. She found there were
many different levels of ability
among the villagersand that most
lived by agricultural cycleswith very exhibitions.Although things were eachmember'sindividual strengths
few non-agriculturalopportunities g o i n g w e l l , s h e s o o n r e a l i z e dt h a t and weaknesses,recognizing that
t o s u p p o r t t h e m s e l v e sI.n s e c u r i t y this strategywas advantageousonly eachperson had a unique potential
washigh. Fortunately,shediscovered for those with the best handcraft- and ability to createan outstanding
that their casualsideline;silk weav- ing skills. The imbalancebetween product in her own way. She knew
ing, was becomingvery popular and t h e k e y p r o d u c e r sa n d t h e o t h e r s that encouragingpeople to create
potentially very profitable for their could not support the long-term good products would lead to pride
community and for the nation. She sustainabledevelopmentneededto and enthusiasmin their work and to
realtzedthat this "sideline" could be strengthenthe entire community. more skills development.By creating
a source of stability for individuals Basedon her working experience this positive and supportive cycle,
and the community as a whole. outsideBaanNa Pho,Khun Pui made she was able to ensurecontinuous
In 1996,Khun Pui beganby form- a plan to apply professional-style and systematicdistribution in the
ing a small group of t6 weaversand managementin ways that would not m a r k e t p l a c ew
, hich led to consis-
took their products to sell at mar- abuseculture or tradition or favor tent income for all members of the
kets and government-sponsored one group over another.Sheanalyzed collective.
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One of severalstone and glass bungalowsbuilt by Khun
S ombotfor out-of-tow n cust om er s.
K hu n So mb ot ,a deaf m an w h o h a s
been the groundskriprr, caretakerand
builder for many years. To further enhancethe good of
the whole community, Khun Pui set
the specific criterion for recruiting
members that they be "underprivi-
legedor unprofitablefor urban labor
markets."Members may be handi-
c a p p e d ,e l d e r l y , p o o r , o r p h a n e d ,
abused,ex-convictsor ill, some even
H I V p o s i t i v e .T h i s n o t o n l y g i v e s
meaning and hope to those whose
lives might otherwisebe poor and
depressedbut also contributessub-
stantialincome to the local com-
munity and to the country.
Today Baan Na Pho, the Weavers'
Collective,consistsof 783 members,
including the 112women and 8 men
who haveworked there regularly,on
averagefor more than ten years.One
of the men, Khun Sombot, is deaf,
and for many years has served as
Pha Toom Thong's groundskeeper
a n d c a r e t a k e r .H e i s a l s o t h e o n e
K h u n P u i e n t r u s t e dt o c o n s t r u c t
the severalbuildings which dot the
Weavers,and sometimesdesigners,work side-by-sidein
comfortablesurroundingsat the pha Toom Thong workshop.
property.
In addition to the weaving areas,
there are four delightfully deco-
rated stone bungalowswhere visit-
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T he ma rk et in B aan Na Pho bustlesdaily with a wide
variety offresh and preparedfoods and some local
products.
40 $t uz oot - ls t Q u a rte 2
r 01I
ThePha ToomThong
showroomdisplaysa
dazzlingarray of silk
productsincluding
sczrves,tableware,
bolts of silk, clothing,
handbags and more.
2011
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