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    Hoa Module 4 P3

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    cyril delfin
    The document discusses Marcosian architecture in the Philippines during Ferdinand Marcos' regime. It describes several large-scale building projects launched by Imelda Marcos to promote national identity and nation-building, including the Cultural Center of the Philippines complex, Philippine International Convention Center, and Coconut Palace. It also discusses the emergence of global and high-tech influences in contemporary Philippine architecture, as well as the rise of large shopping malls as new urban spaces.

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    Hoa Module 4 P3

    Uploaded by

    cyril delfin
    304 views45 pages
    The document discusses Marcosian architecture in the Philippines during Ferdinand Marcos' regime. It describes several large-scale building projects launched by Imelda Marcos to promote national identity and nation-building, including the Cultural Center of the Philippines complex, Philippine International Convention Center, and Coconut Palace. It also discusses the emergence of global and high-tech influences in contemporary Philippine architecture, as well as the rise of large shopping malls as new urban spaces.

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    module 4

    Original Title

    HOA MODULE 4 P3

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    The document discusses Marcosian architecture in the Philippines during Ferdinand Marcos' regime. It describes several large-scale building projects launched by Imelda Marcos to promote national identity and nation-building, including the Cultural Center of the Philippines complex, Philippine International Convention Center, and Coconut Palace. It also discusses the emergence of global and high-tech influences in contemporary Philippine architecture, as well as the rise of large shopping malls as new urban spaces.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    304 views45 pages

    Hoa Module 4 P3

    Uploaded by

    cyril delfin
    The document discusses Marcosian architecture in the Philippines during Ferdinand Marcos' regime. It describes several large-scale building projects launched by Imelda Marcos to promote national identity and nation-building, including the Cultural Center of the Philippines complex, Philippine International Convention Center, and Coconut Palace. It also discusses the emergence of global and high-tech influences in contemporary Philippine architecture, as well as the rise of large shopping malls as new urban spaces.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    of 45

    Marcosian

    Architecture
    Marcos Regime
    ▪ “Golden Age of Philippine Architecture”
    ▪ Marcos regime launched its New Society.
    ▪ Extravagant building programs were legitimized the
    search for national identity and nation building,
    headed by Imelda Marcos.
    Batasang Pambansa Building, Felipe Mendoza.
    National Arts Center, Laguna. Leandro Locsin.
    Nayong Filipino. (A miniature village simulating the folk art and architecture drawn from different regions; the first
    cultural park established in Asia and the world.)
    CCP Complex
    ■ Cultural Center of the Philippines
    ■ A cultural-convention facility on land reclaimed
    from the historic Manila Bay
    ■ Venue for folk festivals and spectacular state
    rituals, such as: Kasaysayan ng Lahi; Miss
    Universe, 1974; Manila International Film Festival;
    enshrining of National Artists.
    Tanghalang Pambansa, CCP Main Theater. Leandro Locsin.
    Folk Arts Theater, Tanghalang Francisco Balagtas. Leandro Locsin. (Arena-type, 10,000-seat theater constructed
    within 77 days; intended venue for the 1974 Ms. Universe Pageant.)
    PICC, Philippine International Convention Center. Leandro Locsin.
    PHILCITE, Philippine Center for International Trade and Exhibitions. Leandro Locsin.
    Manila Film Center, Froilan Hong. (Applied classical proportions in the design of its facade.)
    Tahanang Filipino or Coconut Palace, Francisco Mañosa. (State guest house by the bay, in promotion of Imelda’s
    Coconut Utilization Program.)
    Housing Projects
    Bagong Lipunan Improvement of Sites and Services (BLISS). melda’s idea of a model community plan, a self-
    reliant and self-sufficient settlement designed for 50-100 families in a two-and-a-half hectare area.
    “The passively cooled urban house”, a prototype house designed by Geronimo Manahan in collaboration with the
    Ministry of Energy.
    Health Facilities
    Jorge Ramos
    Philippine Heart Center, Quezon City.

    ■ Lung Center
    ■ Kidney Institute
    ■ Eye Center
    ■ Lungsod ng Kabataan (Children’s
    City)
    ■ Research Institute for Tropical
    Medicine
    ■ expansion of PGH
    UAP
    ■ United Architect of the Philippines
    ■ Merged Philippine Institute of Architects (PIA),
    League of Philippine Architects (LPA), and the
    Association of Philippine Government Architects
    (APGA).
    Order of National Artists
    Recognizes excellence in the fields of Music, Dance,
    Theater, Visual Arts, Literature, Film and Broadcast
    Arts, and Architecture or Allied Arts.
    National Artists for Architecture
    ▪ Juan Nakpil, 1973
    ▪ Pablo S. Antonio, 1976
    ▪ Leandro V. Locsin, 1990
    ▪ Ildefonso P. Santos, Jr., 2006 (Landscape Architecture)
    ▪ Jose Ma. V. Zaragoza, 2014
    Contemporary
    Philippine Architecture
    Pluralism
    Characterized by an overt application of historical
    references and blunt symbolism.
    Philippines 2000
    ▪ An economic program which aimed to elevate the
    nation to the status of a “newly industrialized country”
    ▪ Compelled the production of “global architecture” in
    the Philippines.
    Michael Graves
    World Trade Exchange, Binondo,
    Manila.
    I.M. Pei
    Essensa Towers, Taguig, Metro
    Manila.
    Arquitectonica
    Pacific Plaza Tower, Taguig City.

    ■ Westin Times Square Hotel in New


    York.
    ■ SM MOA, MOA Arena, SMX
    Convention Center, Megamall
    (expansion), SM Aura Premier and
    SM City North EDSA.
    ■ Recio + Casas Architects, AOR.
    SOM
    RCBC Plaza (Yuchengco Tower),
    Ayala Avenue, Makati.

    ■ W.V. Coscolluela & Associates,


    AOR.
    High-tech Architecture
    ■ New multinational style.
    ■ Fascination with cutting-edge technology and
    sleek machine iconography, cybertopia inspired.
    ■ Often sleek, unadorned, industrial facade.
    SOM
    PBCom Tower, Ayala Avenue, Makati
    City. Tallest office building in the
    Philippines.

    ■ Skidmore, Owings & Merrill.


    ■ John Hancock Center and Burj
    Khalifa.
    ■ GF & Partners Architects, AOR.
    Philip Recto
    One San Miguel Building, Pasig City.
    KPF
    GT International Tower, Makati City.

    ■ Kohn, Pendersen, and Fox.


    ■ GF & Partners Architects, AOR.
    Rogelio Villarosa
    Tektite Tower, Ortigas.

    ■ Use of mirror glass.


    NAIA Terminal 3, SOM.
    Deconstruction
    ■ Exaggerating contradictions in geometric
    compositions.
    ■ Quality of being dismantled, with no visual logic,
    and unharmonious composition of the facade.
    Eduardo Calma
    DLSU-CSB School of Fine Arts and
    Design, Manila.
    Micro-cities
    ■ Self-contained total environments, Disney-fication.
    ■ Typifies the character of the capitalist space.
    Rockwell Center and Eastwood City. (Disney-fication, the urban space gradually transformed into an environment
    akin to theme parks.)
    Tagaytay Highlands. (A community as an escape from the city to a life enveloped by nature.)
    Retail Establishments
    Megamalls have become an urban fixture generating
    new urban spatial experiences under a singular,
    enclosed domain.
    Antonio Sindiong
    SM Megamall.

    ■ Largest mall in Asia with its


    concept of a self-contained city,
    1992.
    Arquitectonica
    ■ Robert Carag Ong and Associates
    as AOR, 2006.
    RTKL Associates
    Inc.
    Gateway Mall, Cubao.

    ■ Rogers, Taliaferro, Kostritsky and


    Lamb Associates Inc.
    ■ Set the standard for the upscale
    malling experience in Cubao.
    ■ Oasis, glass-encased floating
    garden, 2004.
    Ayala Center Cebu. (Endeavours to create a highly pedestrianized urban center.)
    End of Module 4
    bitly.com/jptdianne
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