Gótico Internacional

La imagen titular del retablo mayor de la iglesia parroquial de Santa María Magdalena de Mozota (Zaragoza) es una obra representativa de la introducción de los modelos del estilo internacional en Aragón. En origen presidió un retablo gótico del que también formaría parte una talla de santa Lucía conservada en el mismo templo. Dicho mueble fue realizado bajo el patrocinio de la familia Coscó, que ostentó el señorío de Mozota desde finales del siglo XIV. En el presente artículo se plantea su atribución a Pierre de Saint Jean, o Pere de Santjoan, escultor oriundo de la región francesa de Picardía, quien trabajó en diferentes lugares de la Corona de Aragón entre la última década del siglo XIV y el primer tercio del XV.
The wooden sculpture of the main altarpiece in the parish church of Santa María Magdalena of Mozota (Zaragoza) is a representative work of the introduction of the international style models in Aragon. Originally it presided over a Gothic altarpiece of which a carving of Saint Lucia preserved in the same temple would also be part. This altarpiece was made under the patronage of the Coscó family, which held the lordship of Mozota from the late 14th century. In this article we propose its attribution to Pierre de Saint Jean, or Pere de Santjoan, sculptor native of the French region of Picardy, who worked in different places of the Crown of Aragon between the end of the 14th century and the first third of the 15th.

Charlotte Perkins Gilman (1860- 1935) had claimed for women’s
right, being involved in feminist militancy groups. She was a writer of novels and short tales, and she suffered of depression her whole life. In her fantastic tale “The yellow paper” (1892) she could had seen a chance to exorcise her fears, dreads and anguish through her characters by putting them to the edge of a collapse. The article mains realize the indubitability between the uncommon and the reason in Gilman’s short tale “The yellow paper”. Besides, we main to analyze the horror’s
short tale by basing it on the insanity’s studies of Foucault (1926-1984). Charlotte Perkins Gilman had her depression aggravated in consequence of a breast cancer and killed herself in 1935.

El sepulcre del cardenal Berenguer d'Anglesola és una de les obres més significatives del gòtic internacional gironí. Fins ara havia estat atribuït a Pere Oller seguint criteris estilístics. El recentment aparegut contracte de la tomba confirma l'autoria proposada, alhora que obre nous camins per a la investigació del monument.