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This seminar provides an introduction to the politics, aesthetics, and tactics underlying various types of media activism. The class will examine interventions aimed at media representations, labor relations in media production, media policy reform, activists’ strategic communications, and “alternative” media making. The course will draw from an overview of the existing scholarship on media activism, as well as close analyses of actual activist practices within both old and new media at local, national, and global levels. We will study how various political groups, past and present, use media to advance their interests and effect social change. Each member of the class will choose one case study of an activist group or campaign to explore throughout the semester.
This seminar provides an introduction to the politics, aesthetics, and tactics underlying various types of media activism. The class will examine interventions aimed at media representations, labor relations in media production, media policy reform, activists’ strategic communications, and “alternative” media making. The course will draw from an overview of the existing scholarship on media activism, as well as close analyses of actual activist practices within both old and new media at local, national, and global levels. We will study how various political groups, past and present, use media to advance their interests and effect social change. Each member of the class will choose one case study of an activist group or campaign to explore throughout the semester.
From #BlackLivesMatter to #MeToo, from the Women’s March on Washington to the March for Our Lives following the Stoneman Douglas High School shooting, a new generation of activists has taken the world by storm, with global media networks as their megaphones. The goal of this module is to explore, from the perspectives of multiple disciplines and fields of study, how contemporary activists harness a diverse range of media tools and platforms for social change. We will define “media” broadly, and consider not only the relationship between movements and mainstream news media, but also social media, street protests, DIY print media projects, and more. While digital media have altered the shape and reach of activism, we will trace important historical continuities between today’s social movements and the movements of the past. Most importantly, we will keep in mind that while emerging media technologies have created new opportunities for today’s movements, these platforms have also created new risks and challenges for activists. Ultimately, through independent readings and in-class activities, we will explore how social change emerges from the resilience and creativity of activist media-makers.
“There may be times when we are powerless to prevent injustice, but there must never be a time when we fail to protest.” These words, spoken by the Jewish writer and Holocaust survivor Elie Wiesel as part of his 1986 Nobel Peace Prize lecture, are perhaps more relevant today than they were thirty years ago. Indeed, the second decade of the twenty-first century has witnessed countless examples of protestors around the world taking to the streets in opposition to local and/or global issues. Examples of politically divisive social movements at home and abroad include: the 2010 pro-democracy uprisings in Egypt, Tunisia, and other Middle East countries (i.e. the “Arab Spring”); the 2011 Occupy Wall Street demonstrations that brought attention to economic inequality; and the 2014 Umbrella Revolution sit-in protests against the Hong Kong government. These and many other recent events have entered public consciousness through media, which has long played a significant role in sparking social change. This Capstone course provides students with an in-depth overview of the last decade’s major instances of political activism as filtered through the lens of traditional and nontraditional media forms (from documentary films and television series to online blogs and video games). Attention will be given to longstanding problems, including institutionalized racism and the discrimination/oppression faced by immigrants, women, and members of the LGBTQ community. However, we will focus on relatively new technologies that bring greater awareness of these issues to diverse audiences (for example, the recording of police brutality on cell-phone cameras and the emergence of the #BlackLivesMatter hashtag on social media websites). Other topics include the growth of international human rights film festivals, “Do-It-Yourself” (DIY) media, citizen journalism, independent news providers, podcasting as an alternative form of radio, the “free software” movement, and grassroots efforts to challenge stereotypical portrayals of ethnic minorities in mainstream cultural productions.
From Tiananmen Square to Tahrir Square, physical togetherness—the amassing of bodies in public space—is an integral part of social movements. However, direct, physical interaction has historically been complimented by mediated communication. Activists have used pamphlets, leaflets, zines, telephones, faxes, television and, most recently, the internet to communicate both among themselves and to the broader public, thus enabling geographically dispersed people to organize collectively. In recent years, digital-savvy social movements including the Arab Spring uprisings, Occupy Wall Street, the indignados movement in Spain, and #BlackLivesMatter have sparked a raft of innovative interdisciplinary research on the dynamic relationship between media and social movements. This bibliography not only provides an overview of the extant literature on this subject, but also looks more expansively to forms of media activism that are not necessarily tied to social movement organizing, including media policy activism, hacktivism, and culture jamming.
Our 21st century media environment has grown more immersive and predominant with the invention of communication technologies such as telephones, satellites, video cameras, and computers. We are all now electronically connected, able to communicate, observe, and react to what is happening anywhere in the world in an instant. How do we make sense of and trust these myriad elec- tronic messages and their messengers, or even know or understand who or what is behind the code that creates and designs our mediated reality? More importantly, how can we have agency to disrupt and change the mainstream media’s dominant control over most of these messages? This panel will share our knowledge of disruptive media activism by examining its historical origins, current code-controlled aesthetics, and strategies to promote community-based digital storytelling.
2015
Our 21 century media environment has grown more immersive and predominant with the invention of communication technologies such as telephones, satellites, video cameras, and computers. We are all now electronically connected, able to communicate, observe, and react to what is happening anywhere in the world in an instant. How do we make sense of these myriad electronic messages and messengers? Can we trust or understand the monetization processes behind the code that creates and designs our mediated contemporary reality? More importantly, how can we disrupt and transform the mainstream media’s dominant control over most of these messages? During this panel, we shared our knowledge of disruptive media activism, presented in three parts: a) Examining its historical origins; b) Merging cultural and technological processes to undermine a code-controlled Internet; and c) Populating our shared public social networks with culturallycompetent media artifacts, transcoding experiential knowle...
Javnost - The Public, 2016
Alternative or radical media are kinds of media production common among social movements whose members do not see their causes represented in mainstream media. This is the case of the Brazilian Landless Workers Movement (MST), which since 1984 has created media outlets and produced content for different platforms, later becoming active in the area of media and communication rights in Brazil. Based on fieldwork carried out in 2013 and 2014, this article proposes that a perspective of communication rights is attentive to the structural configuration of the media landscape and not only to the provision of technology and production skills. This study shows that collective action and promotion of structural change are still relevant alongside new technologies.
2007
This report examines the academic literature focused on public interest media and communications activism and advocacy within the US and abroad (labeled, in the name of brevity, the “media reform” movement throughout this report). This report first seeks to outline the parameters of the movement under consideration, in terms of the primary conceptual frames employed, outcomes pursued, and strategic approaches. As this section illustrates, the media reform movement is characterized by a diverse array of conceptual frames ( ...
This paper has a twofold focus. First, primarily, it explores what light existing traditions in social movement theory shed upon the contemporary emergence of democratic media activism (DMA) in Anglo-American liberal democracies. What insights about DMA can be teased out from the various formulations? Second, and conversely, based upon our initial readings of movement documents and interviews with activists, we explore whether media activism points to blind spots and potential new directions for social movement theory.
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