Academia.edu no longer supports Internet Explorer.
To browse Academia.edu and the wider internet faster and more securely, please take a few seconds to upgrade your browser.
…
3 pages
1 file
CCA is pleased to present 'Out There, Thataway,' a group exhibition curated through dialogue between Francis Halsall, Declan Long, and CCA. The exhibition takes its title from the last words spoken at the end of ‘Star Trek: The Motion Picture’: they are Kirk’s vague but determined directions as the Enterprise begins to venture further out than ever before beyond known frontiers. Out There, Thataway has two conceptual starting points: first, a concern with imagining or navigating territories that are ‘beyond knowledge’; and second, an interest in ways that metaphors of geography shape our thinking and behaviour. The exhibition includes artworks that refer to terrains that are traversed through strategies of fiction and historical association (Stephen Brandes, Kevin Gaffney, Rana Hamadeh); works that imply hesitancy or potentiality regarding location and direction (Merlin James, Fergus Feehily); and others that suggest spaces that are beyond the horizons of our geography altogether (Aleana Egan, Nathan Coley). While not explicitly addressing the contested narratives of territory in the history of Derry/Londonderry, the exhibition is further animated by this context. The speculative journeys and destinations alluded to in these artworks often suggest an urgent need to think beyond immediate predicaments and situations; extreme ideas of ‘elsewhere’ that might offer no fulfilment, promising only further solitude or uncertainty.
Nature and Space in Contemporary Scottish Writing and Art, 2019
Geocriticism and Spatial Literary Studies is a new book series focusing on the dynamic relations among space, place, and literature. The spatial turn in the humanities and social sciences has occasioned an explosion of innovative, multidisciplinary scholarship in recent years, and geocriticism, broadly conceived, has been among the more promising developments in spatially oriented literary studies. Whether focused on literary geography, cartography, geopoetics, or the spatial humanities more generally, geocritical approaches enable readers to reflect upon the representation of space and place, both in imaginary universes and in those zones where fiction meets reality. Titles in the series include both monographs and collections of essays devoted to literary criticism, theory, and history, often in association with other arts and sciences. Drawing on diverse critical and theoretical traditions, books in the Geocriticism and Spatial Literary Studies series disclose, analyze, and explore the significance of space, place, and mapping in literature and in the world.
Far Out to Unknown Lands, 2010
The text combine two papers read at The International Medieval Congress (IMC) in Leeds, from sessions in 2010 and 2017: «Images and representations of the Extreme North at the End of the Middle Ages», paper read at session no. 1522 Northern Travels and Meetings, Fishy Tales from the North?, The International Medieval Congress, University of Leeds, 15. July 2010. And «Far out to Unknown Lands: The Medieval background to the Writing and Map Drawing of Olaus Magnus», Session 115: Scandinavia in Europe, I: An Imagined 'Other', The International Medieval Congress 2017, University of Leeds, 3/7-2017. The sessions were organized by the research group Creating the New North (CNN), UiT.
Studies in Scottish literature, 2016
This chapter traces the footprints of nature writer and poet Edward Thomas, from the beginning of his epically creative final four years, to the site where he died in 1917, during the Battle of Arras. It is presented as a series of engagements with landscape, writing, and poetry; affective mapping, chasing memory-prompts, bookmarks and the shock of the poetic. The journey seeks to return to an ‘open’ idea of the geographical imagination, negating a negative, reductionist form of geography; shifting the focus away from sociologically determined notions of mobility.
2017
Mapping the Imagination: Literary Geography originates from a conference I organized at the University of Salerno (Italy) in March 2014. I am very grateful to all the participants. Thanks to their work, the conference was a success, and a stimulus for me to carry this project to the next level. 1 The seven articles in this special issue of Literary Geographies deal with British, U.S. and Canadian Literature from the nineteenth to the twenty-first century. The issue begins with the work of Italian Canadian poet and novelist Mary di Michele in 'Langscape: Language, Landscape and Memory, the Origins of a Poetics'. This article explores the nuances of her double belonging, and her connection to her place of birth in Abruzzo and to the Italian language. The articles move on to examine the treatment of space through a variety of texts and approaches, but all consider space and landscape to function as metonyms. In the articles, space serves important, even though often under-explored narrative roles: it can constitute the center of attention, a carrier of symbolic meaning, an object of emotional investment, a means of calculated planning, and a source of organization. The essays here show how 'narratology and geography can gain from cross-fertilization,' and the product could be an encompassing theory of space in which 'space and narrative intersect not at a single point, but rather converge around … interrelated issues' (Ryan, Foote and Azaryahu 2016: 3). The articles are part of a renewed conceptualization and analysis of the notions of space in works of literature and poetry, and build upon theories of space and place that made up what was known as the 'Spatial Turn' in the 1980s and 1990s. In a general sense, 'space' is the dimensional, physical extent occupied by human beings (OED). In contrast, 'place' is space that we know and 'endow with value' (Tuan 1977: 6). The process of turning 'space' into 'place,' this form of personal and psychological
In the Victorian era the English novel unsettles conventions of representation. It does so by favoring stories about unsettled, displaced characters, and by disturbing its readers with uncomfortable depictions of imperialism abroad. The interlinked levelsformal, figurative, interpretivethrough which we can approach the novel's engagement with colonial spaces provide myriad ways of surveying Victorian narratives of empire.
Journal of Childhood Studies, 2019
Structural Chemistry, 2018
Cadernos de Pesquisa Interdisciplinar em Ciências Humanas, 2005
Vaccine, 2008
INTERNATIONAL CONFERENCE ON MEDIA AND COMMUNICATIONS, 2017
Magnetic Resonance in Medicine, 2020
Physical review, 2001
Physical review applied, 2022
BMJ (Clinical research ed.), 2014
Reaching the Unreached: Improving Population Health in the Rural and Remote Areas, 2018
Dermatology Research and Practice, 2021