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2018
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Current advances in 3D printing technology enable novel design explorations with the potential to inform printing deposition through generative scripting and structural performance analysis. This paper presents ongoing research that involves three scales of operation; a global geometry for multi-skin cellular mesh densities; localised skin-porosity detailing, and material structural optimisation. Centering on a chair as a test case scenario, the research explores the affordances of a serialised, multi-material 3D printing process in the context of digital instruction, customisation, and material efficiency. The paper discusses two case studies with consecutive optimisation, and outlines the benefits and limitations of 3D printing for structural optimisation and multi-material grading in the additive process.
IJIRAE:: AM Publications,India, 2024
The process of producing tangible items by layering on materials according to geometric representations is called digital fabrication technology, sometimes referred to as additive manufacturing or 3D printing. This innovative technique has gained popularity. Numerous industries, including healthcare, automotive, locomotive, and aviation, now make extensive use of the quickly expanding area of 3D printing technology. This page discusses the materials utilized in the production process, provides a summary of the many types of 3D printing technology, and illustrates the extensive variety of uses for them With the potential to create intricate structures and personalized patterns straight from computer-aided design (CAD) models, 3D printing technology is a potent instrument that has the potential to completely alter the face of contemporary production.
The Evolution of 3D Printing in Product Design Over the Last Decade, 2024
3D printing methodologies have filtered into every industry, from robotics to fashion, and manufacturing to food and drink. The influence these print technologies have today is immeasurable and has shaped industries in ways we are only beginning to understand. For product design in particular, 3D printing gives us the potential to revolutionize the way in which we design and make. Its predecessors are not to be underestimated; rapid prototyping and instrument milling brought the 3D design process off the screen and into touch. Their main drawback was time, where 3D printing has the potential to rapidly create an object that is ready to use. 3D printing can create components in a very responsive and tactile way. This essay explores the notion that 3D printing allows p
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The 3D printing belongs to rapid prototyping (RP) technology and is an extremely versatile and rapid process accommodating geometry of varying complexity in various applications, and supporting many types of materials. Besides commercial manufacturing and production process, RP technology can be successfully applied in art and industrial design. The major objective of the study presented in this paper is to provide a high-quality procedure for the optimal and most appropriate application of RP to realization of artistic items. Special attention is devoted to the relation between conceptual design in art and 3D printing, with representation of experiences gained in practice.
2015
This 3D Printing our Future:Now talk and visual presentation was given to delegates at the IMI 3D Workshop held at 3M Buckley Innovation Centre on 17th March 2015. The event was hosted by 3Mbuckley Innovation Centre for IMI plc a global engineering company, 3M, and leading 3D additive manufacturing technology providers: EOS, Renishaw and HK 3D printing to disseminate and share their experience on the latest 3D additive design and manufacturing technologies available to the engineering and product industries. The 3D Printing our Future:Now talk and visual presentation provided an overview of art, design & architecture research, creative practice, and enterprise & innovation specifically using 3D additive technologies within the School of Art, Design & Architecture and research groups at the University of Huddersfield. The talk focused on introducing the importance of creative design research practice and how 3D printing has evolved as an increasingly essential and highly versatile to...
A TRADITIONAL APPROACH TO 3D PRINTING Julian Lindley1, Richard Adams1, John Beaufoy1 and Stephen McGonigal1 1University of Hertfordshire, United Kingdom Keywords: design method, construction, manufacture, rapid prototyping SUMMARY OF PAPER Since the 1980’s Industrial Design has developed beyond the remit of the traditional realisation of the object or product. That is design is seen as a user-centred problem identification and solution methodology which can be applied to several contexts or issues. However, there is still a need to be able to realise a manufactured artefact; skills increasingly demanded by industrial design employers. The knowledge of materials and how they are processed into components is paramount in this process. Also, in the last few years the possibilities for rapid prototyping and manufacture through 3D printing machines has become financially possible and creatively opens up new possibilities. Shapes which can now be manufactured were impossible a few years ago. The authors took a pragmatic approach which utilised the possibilities of 3D Printing to help understand the complexity of traditional manufacture through a design and build project. An ambition was connect the virtual world of the computer with the physical world of products. We are dealing with Generation Z students do not explore in the real world in the way they are fearless in the virtual world. The project outlined below is an attempt to link the two worlds and re-engage student designers with the third physical dimension. Whereas most student projects conclude with propositions, few are carried through to validation. Students were challenged to design, manufacture each component and assemble a working model of an alarm clock. Each component has to be designed against an understanding of a material and production process and then prototyped on a 3D Printer. Finally the paper reflects that making is an essential part of the design process and that new technologies can enhance this empirical approach.
COMPARISON BETWEEN 3D PRINTED PARTS GENERATED BY TRADITIONAL, GENERATIVE AND TOPOLOGICALLY OPTIMIZED DESIGN (Atena Editora), 2022
The advancement of computing power, artificial intelligence and machine learning make it possible to generate optimized geometries based on the efforts required in a project or with the objective of reducing mass. In this article, the differences in mechanical strength of a part generated by traditional 3D design, topological optimization and generative design using the Fusion 360 program were shown. The generated geometries were manufactured by 3D printing, resulting in five samples with different masses, generated with each method. These samples were compared with a traditional sample that served as a reference. The effectiveness of these methods was measured by the ratio of compressive load supported by body mass (MC). The generative design showed an improvement in the CM relation when compared to the topological optimization.
Current three-dimensional (3D) printing techniques enable the fabrication of complex multifunctional structures that are unimaginable in conventional manufacturing. In this Perspective, we outline recent progress in materials and manufacturing and propose challenges and opportunities for the future development of 3D printing of functional materials. The success of future 3D printing relies not only on multifunctional materials and printing techniques but also on smart design of complex systems. Engineers need to understand advanced materials, additive manufacturing, and, more importantly, creative design. Fortunately, we can learn from many structures that exist in nature and adapt them to engineered structures.
2020
This paper explores digital fabrication in the form of 3D ceramics printing. Three iterative case study examples of design work of one of the authors are provided. The case study examples are positioned as research through design, as the designs embody elements of both materials research and development. An underlaying framework of the authors, titled ‘user-completion’, underpins the discussion and provides a mechanism for developing hybrid design artefacts. Throughout the paper, the notion of craft and risk, which are considered essential aspects of the craft process, are issues also engaged with, and what this means for a digital fabrication process questioned. The intersection of digital fabrication and ceramics facilitates a hybrid design approach, fusing processes and techniques from different disciplinary modes. It is proposed that this provides the opportunity for the discipline to engage in dialogue about the future of disciplinary practice and importantly, its craft.
Visibility of Research, 2012
As of 2012, the methods in which the construction industry fabricates a non-load bearing partition are virtually the same as 100 years ago. This process and assembly is perpetuated by a construction culture that thrives on convention. Sheet building materials are nominally controlled, assembly definitions are outlined through building codes, and trades continue a system of apprenticeship where techniques are passed down through generations. This is further complicated with a construction process that is the mediator between the conception of the designer and the built artifact. The aim of this research was to reconceive the conventional construction techniques of the partition in high performance, technologyspecific locations; an area that begs for development within a contemporary fabrication environment where new cnc technologies are able to translate mass-customized form into full scale, built assemblies.
2017
espanolLas aplicaciones de impresion 3D para construccion se encuentran en una fase inicial de desarrollo, tanto en lo referente a materiales y piezas como a procedimientos. Dichas limitaciones se deben a la especificidad del sector, el coste de la maquinaria necesaria y una ausencia de un patron procedimental caracteristico. El articulo presenta una metodologia innovadora para superar estas limitaciones mediante un flujo de trabajo sencillo que permita el uso generalista de brazos roboticos mediante software integrativo y un uso de materiales optimizado. Asimismo se expone la integracion de diseno y fabricacion combinando Sistemas de Integracion Robotica y tecnicas de Fabricacion por Deposicion. Finalmente se muestra un modelo de optimizacion de material y patrones de relleno inteligentes. Se expone una pieza real de 0,4 × 0,4 × 1,5 metros como demostrador tecnologico de gran escala. English3D printing for construction is stagnated at an early stage of development, especially regar...
Schweizer Münzblätter 293, März 2024, p. 3-7
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