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Ruptures and Their Afterlife:
A Cultural Critique of Trauma
Orkideh Behrouzan
This paper provides a cultural critique of
the concept of trauma by examining the
generational narratives of toromā in the
Iranian context and the psychologization
of memory in the aftermath of the 1980s.
It examines memory-work as a cultural
and political resource for witnessing and
historicizing the otherwise muted discourse of the Iran-Iraq War and the anomie of the 1980s Iran. The paper elaborates on the concept of rupture, as an
alternative to trauma, for its recognition
of the complexity, multiplicity, and diffusion of historical conditions and their
afterlife. These narratives of rupture show
how generations are constructed and
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negotiated, not temporally, but based on
the political and emotional stakes of how,
and what, one remembers, thereby
informing the identity politics of young
Iranians and generating new socialities
and cultural forms. The paper approaches
the psychological afterlife of social anomie as both a clinical and a cultural/political experience and raises questions
about the ethics of engagement with the
two constructed concepts of “mental
health” and the “Middle East.”
Keywords: mental health, war trauma,
rupture, Iran Iraq War, psychiatry, Middle
East, memory-work, generational memory
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The crisis of representation in/around the
Middle East challenges us to re-examine
the limits of clinical and anthropological
inquiry and to revisit what we mean by
“mental health.” What is absent from most
debates is an engagement with the fragmented nature of experience as well as
the multiplicity of existing pedagogical
and cultural discourses across different
parts of the region (and within each). In
what follows I use an interdisciplinary
examination of particular psychological
and social experience of youth in postrevolution and post-war Iran as a case
study to provide a cultural critique of the
concept of “trauma,” its uncritical usage in
scholarship and lay discourses, and its
contested usefulness in evaluating psychological wellbeing. The broader aim is
to revisit prevailing conceptual and methodological assumptions in public health,
psychiatry, anthropology, and psychoanalysis.
The conceptual underpinning of this piece
stems from the theoretical context
explored in my 2016 monograph, Prozāk
Diaries, which investigates the psychopolitics of wellbeing in Iran and problematizes the translation of complex histories
and lived experiences to the universal
notion of “trauma” without contextualizing
it in its own much-contested historical tra-
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jectory in the West.1 Using anthropological
and psychoanalytical frameworks, the
book analyzes the generational memories
of the 1980-88 Iran-Iraq War, the 1980-83
Cultural Revolution, and the political and
cultural double-binds of 1980s Iran. It illustrates how self-identified generations such
as the “1980s generation” continue to
remember, process, and work through cultural and political shifts that quietly
inscribed ruptures in their experiences of
the self and the world around them. In
their generationally organized memories
and subjectivity-work, I located emerging
languages, cultural forms, and generational aesthetics that were acutely
informed by psychiatric and clinical discourses. In their works of art, literature,
and/or other cultural productions, online
and offline, they refer to some of
their experiences as toromā, a Persian
term hardly translatable to the individual,
singular, and universal concept of “trauma”
as understood in Western scholarship. The
experience of the double binds of ordinary life in 1980s Iran, for example, is not
easily translatable to individual trauma.
Rather, it can be captured in the concept
of rupture,2 which recognizes the complexity, multiplicity, and diffusion of historical conditions and their afterlife. I will
elaborate on the concept and share some
thoughts on the ethics of engagement
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with the two constructs of “mental health”
and the “Middle East.”
Iran’s experience provides a reflexive
opportunity, primarily because the passage of three decades since the end of the
conflict has allowed for the long-term
complexities of anomie to come to the
surface. Iranians’ experiences of the war
itself and its cultural and psychological
legacies provide insight and raise timely
questions about the afterlife of ruptures
across the region in the coming years.
Remembering is Our Gift: The 1980s and
its Memories
Thirty years since it ended, the Iran-Iraq
war continues to shape Iranians’ sense of
the world around them. The longest trench
war of the 20th century, officially dubbed
“Sacred Defense,” resulted in over one
million deaths on both sides. But to reduce
the anomie of the 1980s to war experience
would be myopic. I have elsewhere shown
how the Iran-Iraq War was situated in
broader experiences of postrevolutionary
anomie and the 1980-83 Cultural
Revolution that transformed public life by
ideological propaganda, the institutionalization of new gendered and gendering
moral order and Islamic codes of dress
and conduct, and consequential shifts in
cultural policy (Behrouzan Prozak Diaries).
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The war and the Cultural Revolution transformed Iranian society by engendering
new forms of civilian life, the significant
impact of which on children and adolescents has been largely overlooked.
For children of the 1980s, much of collective memory is shaped, depending on
their age, by their childhood experience
of double-binds and internalized anxieties in the face of not only war conditions,
but also contradictory obligations, moral
policing, ideological imperatives (in
school, educational paradigms, the
media, and the public sphere), and significantly, witnessing their parents’ hurried transition into the new era; whether
forced or fervently celebrated, in the
child’s eye, the transformation of grownups’ lifeworlds remained an impenetrable
experience (Behrouzan, Prozak Diaries).
As sweeping tides drew ideological and
culture wars throughout and after the
1980s, the ensuing double-binds were
hardly lost on children.
Similarly, even though the physical aspect
of the war was contained to border provinces, its experience was extended into
the nation’s ordinary life via an omnipresent media campaign, school teachings,
higher education policies, and a visible
presence of imageries in urban spaces as
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well as institutions, not to mention waves
of internal displacement. During the socalled “War of Cities,” too, civilians in
twenty-seven Iranian cities experienced
intense episodes of missile raids, particularly between 1984 and 1987 (Khaji et al.).
Even for children who were physically distant from bombing sites, missile attacks,
the brutal use of mustard gas and nerve
agents on the city of Sardasht, and the
reverberations of war propaganda in the
media and in educational agendas continue to occupy a central place in their collective adult minds.3 Meanwhile, wartime
creation of compensatory structures and
identity categories such as jānbāz (disabled veteran) had consequences in the
postwar era: while providing recognition
and care for some veterans and their kin,
these labels continue to receive conflicting interpretations. Many veterans
returned to society only to experience
resentment, neglect, or grief for bygone
revolutionary ideals; others might be
denied eligibility for compensation (especially as years pass) or are reluctant to
claim stigmatized compensatory benefits.
Some found themselves ideologically distanced from their children and a society
that has fast moved on from wartime values of austerity, stoicism, and egalitarianism toward neoliberalization (Behrouzan,
Prozak Diaries).
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Significantly, we have failed to incorporate
such postwar sociopolitical and cultural
transformations in our debates on mental
health. These invisible wounds escape the
quantitative and diagnostic measurements of the Diagnostic and Statistical
Manual of Mental Disorders (DSM).4 In our
evaluation of war casualties, for example,
we often rely on statistics of certain psychiatric diagnoses (Behrouzan, “Medicalization as a Way of Life“).5 But these statistics need to be interpreted critically with
attention to what they cannot reveal: the
cultural meanings that shape individuals’
experiences of diagnostic categories and
of the standards based on which they are
constructed.
In the psychological afterlife of social ruptures, alternative histories of loss are written. These alternative histories and emotional states create cultural forms that
outlive wars and social crises. One such
cultural form is the creation of generational identities that outlast the crisis and
continually inform a society’s sense of
wellbeing. I focus on the complexities of
these generational forms and on specific
internalized memories of childhood that
have a persistent presence in young
Iranians’ lives, in nightmares, in cultural/
artistic expressions, and/or in symptoms
of pathology. I examine these childhood
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memories against the construct of trauma
in order to underscore the limitations of
the concept.
Several generational identities have
emerged in Iran with exclusive references
to the 1980s, creating an emotionally
charged identity politics manifest in young
Iranians’ use of labels and memorabilia.
Persistent self-identification with, and contestation over, labels such as “the 1980s
generation,” “Children of the 1980s,” or the
“burnt generation,” raises questions about
the fluid demarcations of these identities.
The label daheh-ye shasti-hā, or “the 1980s
generation,” for instance, is claimed by
youth of various ages: rivalries exist as to
whether the label identifies those who
were born in the late 70s and early 80s and
thus somewhat remember wartime, those
who were born in the late 80s with no
immediate experience of the war but
identifying with its legacies, or those who
were older children in the 80s with vivid
memories of its tensions. It is precisely this
ambiguity that calls for attention to the
affective nature of this identity politics and
its relation to a very specific period of anomie. Today’s prominence of these generational identifications in Iranian public discourse urges us to investigate the
psychological and political significations
of the 1980s.
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The 1980s generation has created a particular generational aesthetic around
1980s cultural symbols and material memories (Behrouzan Prozak Diaries). The
return of these conflicted pasts can be
traced in cultural expressions as well as in
toromāik nightmares, both of which serve
to show how “trauma” as a framework fails
to capture the nuances of such deeply
wounded contexts and subjective experiences. Recurring dreams are common, “of
crashes, airplanes crashing into our
house,” and of episodes of fleeing or
being stuck. As are hearing screams,
sirens, or explosions, “most commonly,
loud cries of a big crowd; chaos, chaos” or
“waking with a racing heart, sweating, and
a feeling of panic.” In these flashbacks the
war is only one of the several identifiers of
anxiety. Many, across ideological divides,
recall anxieties in the face of the morality
police, e.g., “being arrested for a loose
headscarf,” or “losing my father in the
battlefield,” or “memories of mourning
ceremonies in school,” or even the more
seemingly trivial double-bind of following
pious teachings in school while knowing,
for instance, that one’s parents’ possession of alcohol or music cassettes at home
could have dire consequences. Even
though revolutionary tides subsided in
the following years and their grip on social
liberties loosened, they left their mark on
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children’s minds. So did memories of loss
and mourning, when collective solidarity
and grief for the nation’s martyrs often
evoked a deep sense of melancholy and
perplexity among children. Sometimes
these flashbacks come and go unexpectedly, as one self-identified dahey-e shasti
put it: “If I think hard, I can remember
some of these scenes or sounds in real
life, or from television, or from school. The
war was always around us. Our generation
is who it is today because of growing up
during the war.”6
The quick transition from “I” to “we” is a
common feature in these narratives. Such
pluralization helps to ground one’s experience in a shared history and thus give it
meaning. Generalizations about nasl-e mā
(our generation) signify an unspoken
know-what about a shared experiential
identity. However, they are far from monolithic and are ideologically and socioeconomically diverse, at times even opposing,
and yet what unites them is their rootedness in the psychological significations of
a particular temporality. It is precisely the
shared nature of this toromā that should
make us resist the temptation to pathologize and reduce these experiences to
medicalized artefacts.
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These returns and flashbacks create anxiety, helplessness, and at times PTSD-like
symptoms. While enacting psychoanalytical notions of repression, displacement,
dissociation, and belated retellings, they
also convey a historically grounded intuition that shapes people’s sensory perceptions and emotional states. Several generationally recognized references to the
1980s return and reflect the embodied
cultural sensibilities of each generation.
Such cultural embodiments are not always
conscious, but can reveal the historical
grounds of distress (Behrouzan Prozak
Diaries). Not unlike their cultural productions, this generation’s flashbacks and
dreams are filled with cultural references:
e.g., war anthems and wartime sirens that
still awaken visceral reactions and autonomous reflexes in the body. They are indeed
situated in waking life, and traces of them
are widely found in rapidly circulating
blog and social media posts, YouTube videos, and other creative and cultural
expressions.7
Significantly, generational recollections
mobilize various strategies such as humor
and irony as common narrative strategies
that not only create new generational vernaculars, but also underscore the culturally generative capacity of so-called
toromātik memories. This is significant.
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The abundance of jokes found on Iranians’
1980s-themed blogs and social media
groups reminds us of the dangers of myopic pathologization and the importance of
understanding psychological and linguistic processes that individuals mobilize in
acts of remembering and meaning-making, especially when the remembered
past is rendered absurd. Narrative strategies like humor are significant for their
psychological functionality, as is the psychoanalytical notion of dissociation, for
example when remembering intense
experiences “as if we were not there.”
The (cultural) details of experience, too,
are important in these recollections.
Cultural symbols from the 1980s are
increasingly circulated in cultural productions and the media inside and outside of
Iran, each demarcating carefully organized generational aesthetics. They
include material reminders of wartime
austerity and sanctions or the moral policing of the 1980s (e.g., ration coupons,
changing school uniforms, or the domestic shampoo brand Darugar, the latter
holding a special place in sensory memory for its deep yellow color and distinctive smell) as well as sounds (e.g., the siren
reminding of missile raids, or religious
chants routinely recited in schools). I have
elsewhere provided a sensory reading of
these evocative objects and material
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remains (Behrouzan Prozak Diaries), each
provoking a host of feelings, from nostalgia, anxiety, and fear, to a compelling
sense of the uncanny: one would not want
to go back to the reality of the 1980s, but
one cannot resist the pull of nostalgia
either.
It is tempting to interpret this persisting
memory-work as mere self-indulgent nostalgia; sometimes even such indulgence
can itself be ethnographically and psychologically significant. However, through
objects and imageries, these mini-generations are also writing alternative histories
of a decade of anomie that they perceive
as unaccounted for in official discourse.
This urge for keeping alive one’s own, marginalized, version of history is at the heart
of these recollections. Creating new forms
of kinship, this communal memory-work is
a call for recognition and accountability.
These aspiring “diagnosticians and historians”8 performatively engage in memorywork, online and offline, contributing to
broader psycho-political processes of recognition for different generational experiences (Behrouzan Prozak Diaries). The
politics of this collective, at times contradictory, historicization should not be overlooked: it extends cultural negotiations
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cally and politically charged. Remembering, in other words, is intertwined with
the politics of voice and legitimation. But
this remembering is not merely retrospective. Even though this generational identity politics draws on the 1980s, its generational ethos remains forward-looking and
becomes part of the ongoing construction
of distinct generational aspirations, hopes,
and desires. And in this identity politics, it
is the mundane, the ordinary, and the
seemingly trivial material relics that speak
volumes.
Most compellingly, during the 2009 uprisings in the aftermath of the presidential
elections and the emergence of the Green
Movement, many members of the “1980s
generation,” now wearing green wristbands and joining street protests, changed
their Facebook profile pictures to the
image of the infamous Darugar shampoo
bottle, a reminder of who they were (children of austere war times, sanctions, and
culture wars) and a token of deep solidarity with a new generation of “martyrs”
whose lives were taken during the crackdown of the 2009 protests. Even the term
“martyr,” which until then belonged to the
official and state-sanctioned vocabulary of
the Iran-Iraq War and thus belonged to a
particular generational and political sensibility, was now vehemently recycled by
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young Iranians across revolutionary and
secular ideological divides, gaining new
meanings in reworked wartime anthems
and revolutionary songs, online and on
the streets. The much-circulated last
Facebook status of one of the young martyrs of the 2009 protests summed it up:
“To those who are not survived by their
wills but by their Facebook pages.” The
“will” is a reference to the battlefield letters
of the Iran-Iraq War’s soldiers, heartfelt
confessions of faith and last wishes
addressed to their loved ones. Now, the
Facebook generation that had long faced
the accusation of distancing itself from
revolutionary ideologies was re-instrumentalizing the semantics of the decade
that gave birth to them. It was the 1980s
that united them and gave them a sense
of what they did (not) want.
The Persianized term toromā cannot be
assumed to be a direct translation for
trauma, even though it is informed by the
public psychiatric discourses of the 1990s.9
The toromā that the 1980s generation
refers to is constructed in the intimate
space shared by the “I” and the “we.” It is
hardly locatable in a single traumatic
event. It is culturally significant for guiding
how generations construct themselves,
how history is psychologically imprinted
and reconstructed in the collective mind,
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and how the language of pathology (i.e.,
toromā) becomes a cultural and political
resource. It also becomes a channel
through which to interpret and articulate
emotions and memories that were perplexing in the child’s mind and/or silenced
by institutional dogma. Locating pathology in the individual brain (in clinical concepts like toromā) and thus seemingly depoliticizing historical experience, these
renditions of toromā nonetheless create a
new generational politics that is committed to justice, while simultaneously
endeavoring to work through, and make
sense of, the past.
The Afterlife of Ruptures
The paradigm of trauma falls short in capturing generational experiences and
memories of the 1980s, partly because it
individualizes loss and detaches it from its
sociocultural meaning, and partly because
it universalizes trauma and takes it for
granted, and thus privileges only certain
forms of therapeutic intervention. A purely
clinical outlook defines (individual) normative stages, demarcates “normal” and
“pathological” reactions to an event, and
aims to get rid of excessive disturbing
memory. This outlook is hardly sufficient
when individuals insist on remembering
and historicizing their collective (or generational) memories of ruptures.10
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To move beyond trauma as a singular, universal, and individual entity requires a
conceptual framework that captures the
multiplicity and fragmentation of subjective experiences as well as the infusion of
psychological ruptures into ordinary life.
Iranians’ renditions of toromā show that
this inscription of historical loss into daily
life (Das Life and Words; The Act of
Witnessing) and the embodiment of its
cultural symbols cannot be captured by
the universalizing framework that overlooks the creation of new cultural discourses ( Kleinman; Kitanaka; ScheperHughes; Fischer). Indeed, macro-events
such as the war are invoked in people’s
interpretations of their psychological
states. But the long-term infusion of
broader losses (of lives, of childhood, of
ideals, of moral integrity) into daily life
escapes a diagnostic category like PTSD;
nor can it be boxed in historical meta-narratives. Regardless, such diagnostic categories continue to guide how professionals and institutions assess psychological
wellbeing, even though the diagnosis of
PTSD is itself contested for being situated
in a specific cultural and ideological history.11
Several scholars have critiqued the globalizing forces of psychiatry that, often in the
context of war humanitarianism, universal-
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ize or individualize trauma and privilege
certain forms of knowledge.12 However,
these critiques are themselves situated in
their own cultural contexts. Firstly, they risk
overlooking both the enormity of psychological pain and the agency with which
people may internalize and mobilize diagnostic categories in order to inhabit their
experiences of loss. Secondly, they often
assume a top-down biomedical apparatus
imposing itself on people’s interpretations. Iranian public discourses of mental
health, however, were not merely the outcome of hegemonic biomedical interventions upon passive recipients, but grew
out of a long history of Iranian psychiatry
and historical conditions and institutional
(medical, psychiatric, and governmental)
discourses that were performatively and
actively mobilized by people toward specific political and clinical ends (Behrouzan
Prozak Diaries). There is little room in prevailing critiques of trauma for such performative mobilization of clinical discourses
by ordinary people.
These critiques also risk overlooking the
complex ways people pragmatically combine various cultural resources and epistemologies that are far from mutually exclusive. A cultural investigation into the
symbolism that underlies Iranians’ interpretations shows the importance of underMiddle East – Topics & Arguments
standing the historical and emotional trajectories of their affective structures in
relation to Shi‘ism and mysticism (Good et
al.; Fischer, Iran; Fischer and Abedi;
Beeman), as well as more recent histories
of post-revolutionary anomie and doublebind (Behrouzan Prozak Diaries). Finally,
when problematizing the dominance of
“trauma” in mental health discourses,
scholarship has hardly provided alternative frameworks that can speak to both
clinical realities and cultural particularities.
This is where anthropological and psychoanalytical listening can complement each
other in examining Iranians’ generational
narratives of past toromā, as these narratives demand close attention not only to
content, but also to modes of sharing and
interpretation as well as the intense emotional reactions they evoke. Understanding
their cultural symbolism is as important as
understanding psychological [coping]
mechanisms (Behrouzan, Prozak Diaries).
Key here is the necessity of a marriage
between the psychological and the political; i.e., the recognition of the very real
psychological burden of experiences that
are nonetheless socio-politically configured.
Psychoanalysis maintains that unrecognized losses could be followed by hyperremembering.13 Among young Iranians,
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the compulsive revival and mobilization of
the 1980s cultural relics facilitates active
historicization and witnessing to a decade
of toromā that “took away” a generation’s
childhood and to losses for which mourning was largely forbidden. Chief among
those losses was the massacre of thousands of political prisoners, an unspoken
tragedy that took over two decades to
enter public discourse and that contributed to yet further generational formations among the survivors, many of whom
were parents to the 1980s children. These
contexts are utterly significant. In her Act
of Witnessing, Veena Das argues that
while individual lives are defined by their
contexts, “they are also generative of new
contexts” (Das: 210). These acts of remembering created dynamic cultural contexts,
online and offline, in blogs and works of
art, in dreams and waking life, where
recursive processes of remembering or
forgetting continue to produce new contexts, language forms, and generational
sensibilities.14 This contextualized memory-work reveals the situatedness of both
trauma and toromā in their particular cultural and historical trajectories.
Trauma theories (primarily North
American) often assume trauma is an
essential, singular, or total event. The influential work of Cathy Caruth (Caruth
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Unclaimed Experience), for example, follows Freud in arguing that psychic trauma
is not locatable in one’s past, but rather “in
the way that its very unassimilated nature…
returns to haunt the survivor.”15 She maintains that trauma manifests in belated
rearticulations of the traumatic event in
one’s language and actions, in order to
work through the incomprehensibility of
what was not fully grasped at the time of
its occurrence. This delayed narrative, in
turn, becomes traumatic; turning into “…a
wound that cries out, that addresses us in
the attempt to tell us of a reality or truth
that is not otherwise available” (Caruth
Unclaimed Experience: 4). The theory also
argues that there is an urge, an “inherent
necessity,” for belated repetitions of experience that can in turn be further traumatizing. The reconstruction of traumatic memory will thus require a delayed dialogue,
with the therapeutic aim of liberating the
victim from the silence imposed (on language) by the unspeakability of the experience. There is shared ground here with
anthropology’s awareness of the impossibility of history as a grand narrative.16
However, anthropology remains acutely
sensitive to the cross-cultural interpretations of this therapeutic encounter and
inherent power relations between the socalled victim’s voice and the listener.
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In my work on listening to the compulsive
repetitions of generational memories and
the re-traumatizing effect of remembering
(particularly in dreams), psychoanalytical
frameworks have been extremely helpful.
But a solely psychoanalytical focus would
have failed in capturing two significant
features. The first is the culturally generative capacity of such retellings—i.e., the
generational, historical, political, and cultural meanings that individuals assign to
their narratives and the cultural and political forms they create out of them. This
argument is not a matter of normative
judgement, nor is it undermining the psychological burden of experience; rather, it
is about recognizing the complexity of a
metaphorical grey zone and inhabiting
the black and the white at once. Secondly,
beyond unconscious repressive mechanisms, Iranians’ memory-work was also
subject to other forms of inarticulation and
silencing in the 1980s and belated articulation since the 1990s (particularly in the virtual space). For them, the psychoanalytical
belatedness of articulation was intertwined with the silencing of censorship,
culture wars, and intra- and intergenerational politics of legitimation or suspicion
(Behrouzan Prozak Diaries).
Other psychoanalytical theories of trauma
offer commonalities with anthropology
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and room for cultural analysis.17 The
Laplanchian and object relations psychoanalytic theories, for example, shift the
focus away from the traumatic event and
towards processes of remembering and
meaning-making (Laplanche and Pontalis).
While for Caruth (or Freud) it is the traumatic event that returns and traumatizes
and is eventually meant to be re-assimilated and recovered in the analytical process, for Laplanchian and British theories,
it is the belated processes of association
that render memory traumatic. This
approach allows us to situate the experience in the social context in which remembering is enabled, forced, or forbidden.
(What happens, for example, when grief
endures over time for one whose child
was executed in prison but whose death
cannot be publicly acknowledged or
mourned three decades later?). This
approach is thus complementary to
anthropological insight into the context of
traumatic experience and memory-work
(Das The Act of Witnessing; Life and
Words).
Moreover, this approach underscores linguistic and cultural symbolics and therefore the incommensurability of experiences across different factions of a
generation. It thus helps to de-universalize
trauma, providing another point of com-
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plementarity with anthropological scholarship that explores the cultural contexts
of mental illness (Kleinman Culture and
Depression; Kleinman Illness Narratives;
Good). Finally, by focusing on the interpretations and meanings forwarded by
narrators themselves, it allows their voices
to emerge (in all their complexity and contradictions) within their own cultural grammar and local contexts. This shift of focus
to performativity provides a useful conversation with anthropology. And it is in this
conceptual conversation that I situate the
concept of rupture (as opposed to trauma)
for understanding toromā. Conceptually,
trauma is deemed universal, individual,
and singular. Rupture captures the particular, shared, and fluid nature of memorywounds; it takes our focus away from the
external “event” and toward the consequent processes of sharing, remembering, and working through memorywounds that are otherwise muted by
either institutional memory or clinical classifications.
The historically informed modes in which
Iranian youth reconstruct experiences of
toromā underscore political and cultural
hermeneutics. Toromā is hardly about a
single traumatic event; it is scattered
across historical occurrences and relays
how history is psychologically lived by
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infusing itself into the present and the
future. Persian vocabularies such as
toromā, khoreh-ye ruhi (psychological
canker-like wound), āsib-e ruhi (loosely,
“psychological damage”), zarbeh-ye ruhi
(blow to the soul), and feshār-e ruhi (distress and pressure on the soul/psyche)
emerge within their own psychological
grammar (Behrouzan Prozak Diaries). The
concept of rupture conveys the diffused
nature of these psychological experiences
that are rooted in disturbing historical
conditions and their aftermath. Ruptures
manifest through cultural references,
emotional themes, and, significantly, new
language forms with which disturbing
experiences are performatively internalized and interpreted. Understanding
ruptures therefore necessitates understanding the cultural, linguistic, and
psychological significations of the historical legacy they belong to.
Trauma is assumed to be experienced by
the individual; ruptures, however, are
intersubjectively interpreted, negotiated,
legitimated, and reconstructed, ultimately
informing generational demarcations.
Ruptures continually seep into the social
mind. Being shared is their condition of
possibility. While trauma is assumed to be
psychological and pathological, ruptures
can be culturally generative, creating new
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socialities, communities, language forms,
and cultural aesthetics. What differentiates them from a purely pathologized
understanding of trauma is also the fact
that, while they undoubtedly disrupt life
and create psychological pain, they also
paradoxically carry the possibility of
working through themselves due to the
cultural and political forms they can harness. This is additionally significant in
terms of their representational ethics: “we
are not victims,” young Iranians adamantly remind us.
These generational re-articulations help to
anchor oneself in time and distinguish
oneself from those who do not share their
experience, thus mapping broader social
and political discourses that shape one’s
subjectivity. As if an attempt to make temporality intelligible as non-linear, incohesive, and eruptive, they make a historical
claim toward a decade that marks for them
the beginning and the end of times.
Anchoring themselves in time is not a matter of chronology or eventfulness (or
trauma for that matter); rather, it is about
the pull of the evocations, the inner turmoil, projections, transferences, and displacements that a particular moment in
their shared past evokes in them and creates a community of avid rememberers.
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140
No word captures the viscerality of ruptures better than the Persian word khoreh
(canker), the usage of which is situated in
a particular literary and historical context.
The idea that ruptured pasts invade the
present like a “corrosive wound” or canker
is often brought up by Iranians with reference to the oft-quoted words of Sadegh
Hedayat in his seminal novella Blind Owl
(Hedayat: 1). “There are certain wounds in
life that, like a canker (khoreh), continue to
gnaw at the soul and eat it away in solitude.” The word khoreh is also an old
name for leprosy and is sometimes used
to describe the invasive nature of cancer.
Khoreh is not a scar, but a zakhm (open
wound); not a lifeless remnant of catastrophe, but a consuming and venomous
lesion, evoking Veena Das’s concept of
“poisonous knowledge,” i.e., embodied
knowledge of the past that cannot be
unknown and that descends into one’s
present (Das The Act of Witnessing). For
young Iranians, the poisonous knowledge
of the 1980s ruptures are incommensurable across generations; they are diffused,
fragmented, unpolished, and incomplete,
at times perceived as unacknowledged,
unrecognized, and unaccounted for. The
growing circulation of their recollections
is driven in part by the inherent psychological necessity of retelling, and in part by
a dynamic generational voice that feels
Middle East – Topics & Arguments
compelled to make sense of history and
to work through the pains of the past while
moving toward the possibilities of the
future.
Iranians’ diverse articulations of memorywounds illustrate that toromā turns the
seemingly de-politicizing and de-socializing notion of psychological trauma on its
head by rendering memories cultural and
political resources. Compulsive and collective remembering, online and offline,
serves as a historicizing call for justice and
accountability, while also re-socializing
and re-politicizing the otherwise silenced
critical discourse of the Iran-Iraq War and
the anomie of the 1989s (Behrouzan
Prozak Diaries). Narratives of rupture also
show how generations are constructed
and negotiated, not temporally, but based
on the political and emotional stakes of
how, and what, one remembers. They
inform the identity politics of young
Iranians and generate new socialities and
cultural forms. The psychological afterlife
of social anomie is thus both a clinical and
a cultural/political experience; investigating it is therefore situated in a crisis of representation.
#11–2018
Moving Beyond Trauma and Towards New
Representational Ethics
That the “Middle East” is increasingly misrepresented and often reduced to studies
of conflict or trauma has political and clinical ramifications. Institutional narratives of
both politics and public health often gravitate towards binaries of heroism and victimhood, of “trauma” and “resilience.”
Lived experiences, however, surpass time
and space and reside somewhere in
between. The place to locate them is the
messy grounds of ordinary life, in unending negotiations and choices that emerge
out of the mundane. These experiences
are continually interpreted and re-interpreted, escaping total representation.
What ethics of engagement does this representational impasse engender?
In 2014, I started the initiative „Beyond
Trauma”, a collaborative project for a cultural critique of current mental health discourses in the region. It aims to address
problematic assumptions in scholarship,
research, policy, and practice, and to seek
situated approaches to wellbeing
(Behrouzan “Beyond Trauma”). It focuses
on the representational assumptions of
terms such as “Middle East” and “mental
health,” the psychologization and de-politicization of conditions that are rooted in
political disorder, the scarcity of interdisci-
FO CU S
Orkideh Behrouzan
is a physician, medical anthropologist,
and the author of Prozak Diaries:
Psychiatry and Generational Memory
in Iran (2016, Stanford University
Press). She teaches at SOAS University
of London and leads the collaborative,
multi-cited project Beyond “Trauma”:
Emergent Agendas for Understanding
Mental Health in the Middle East.
The initiative underscores the
compelling role of diverse cultural
practices, historical conditions, moral
contexts, and medical pedagogies in
shaping psychological wellbeing and
the afterlife of social ruptures.
email:
[email protected]
Middle East – Topics & Arguments
141
plinary work due to rigid conceptual and
methodological boundaries, and the
dominance of specific clinical frameworks
in public health debates. It underscores,
through collaboration among scholars,
policymakers, and practitioners, the
diverse ways in which psychological wellbeing is conceptualized across the region
and encourages bottom-up qualitative
research in historical, cultural, and clinical
domains.18
Commonly, “mental health” in the region
is evaluated in terms of individual diagnoses such as PTSD. Such an isolated clinical
outlook reduces psychological wellbeing
to the absence of mental illness, obscuring the sociopolitical reality of ruptures,
and reifying social memory into a clinical
symptom that ought to be cured and
cleansed. It pathologizes memory at the
expense of other various aspects of experience that not only generate new forms of
life and cultural prospects, but that can
also lead to new therapeutic potentials.
The point here is not to undermine the
burden of the pathological, but to better
understand it by situating it in its broader
political context and to challenge a blackand-white representation of pathology
itself.
Scholarship and practice of mental health
primarily focus on the individual and the
inner pain; social sciences and humanities
underscore the outer, the sociopolitical,
the collective. In a nuanced investigation
of psychological wellbeing, neither focus
should come at the expense of the other.
Combining clinical and cultural sensibilities can enhance both inquires. This
requires understanding the variety of
available cultural and/or clinical resources,
in each cultural context, for creating a
meaningful life.
Of course, the psychiatric medicalization
of social anomie has already been the
subject of critical analyses in various disciplines, including medical anthropology.19
But such critique has yet to grow in relation to Middle East Studies. „Beyond
Trauma” aims to place Middle East Studies
in a conceptual and methodological conversation with critical studies of science,
health, and medicine in order to explore
historical, cultural and clinical conceptualizations of psychological wellbeing. Part of
this endeavor is to critically examine theories of trauma that are uncritically adapted
in Middle Eastern contexts, to revisit disciplinary assumptions, and to interrogate
the ethical and political stakes of mental
health care research, practice, and policy
in the region. This requires multi-sited, col#11–2018
laborative, and comparative work across
different parts of the region, and a serious
engagement between arts and humanities, social sciences, and psychiatry and
psychological sciences (Behrouzan
“Beyond Trauma”).
A culturally situated critique of the construct of mental health necessitates an
interdisciplinary exploration of cultural
forms, historical trajectories, psychoanalytical insights, localized psychiatric and
psychological knowledge, local pedagogies, and globalized knowledge-forms
including neuroscience and epigenetics.
It also requires a commitment to justice,
recognition of moral complexities, and
innovation (in both research and practice)
in the face of uncertainty and precarity.
The first step is to listen intimately and with
ears stripped of disciplinary assumptions.
I hope the conceptual implications of my
work on narratives of toromā will prove
useful beyond Iran, and that they will be
complemented –or challenged-- by contributions from other parts of the region.
FO CU S
142
Notes
1 The following sections of
this paper are specifically
informed by the findings of
the larger project discussed
in Prozak Diaries (Behrouzan),
particularly chapters 4, 5,
and 6, support for which is
acknowledged in the book.
See Behrouzan’s Prozak
Diaries, chapter 5.
2
See Behrouzan’s
Medicalization as a Way
of Life for an analysis of
relational PTSD, and Prozak
Diaries, Chapters 4, 5, and
6 for a detailed analysis of
how life was transformed
during the 1980s from the
perspective of children and
adolescents.
3
Elsewhere, I have discussed
normative debates on
postwar mental health
that focus on clinical
measurements of veterans’
and civilians’ individual
trauma, and have argued
that the psychological
ramifications of social and
political ruptures include,
but cannot be reduced to,
clinical symptoms (Behrouzan
“Medicalization as a Way of
Life”; Prozak Diaries).
4
Existing estimations and
mortality reports for the
Iran-Iraq War, for instance,
are constantly contested
and vary across sources.
Murray and Woods; Chubin
and Tripp; Khoury provide
insightful historical overviews.
Iran’s Martyrs Organization
reports the existence of
over 550,000 jānbāz (wardisabled veterans) and over
42,000 former prisoners
of war in Iran, 120,000 of
whom being chemically
injured veterans, 43,000
documented jānbāz-e a’sāb
va ravān (psychologically
inflicted veterans), and
7,200 veterans with serious
psychiatric disorders, and
a growing number of
immediate kin experiencing
the psychological symptoms
of depression and anxiety.
For more, see Behrouzan,
Prozak Diaries, chapter 6.
5
For more on toromatik
dreams, see Behrouzan and
Fischer; Behrouzan, Prozak
Diaries.
6
For a detailed analysis
of these reconstructions
of memory in the
Iranian blogosphere
or Weblogestan, see
Behrouzan’s Prozak Diaries,
Chapter 5.
8
See Behrouzan’s Prozak
Diaries, Chapter 4
9
10 See chapter 4 of
Behrouzan’s Prozak Diaries
on top-down mental health
awareness campaigns of
the 1980s as well as the
bottom-up and performative
emergence of psychiatric
subjectivities among youth
since the 1990s.
This section is informed
by a detailed discussion
of trauma theories in
Behrouzan, Prozak Diaries,
Chapter 5.
11
12 See Young’s historical
analysis of the political
economy and ideological
contexts within which
PTSD was constructed in
the aftermath of World
War II and the Vietnam
War (Young). Also see
Fassin and Rechtman for
a historical trajectory of
‘trauma’ discourses and their
limitations. On the paradigm
of PTSD in psychiatry, see
Rechtman.
See Summerfield for his
critique of international
organizations offering
programs for “posttraumatic
stress” in war zones. Fassin
and Rechtman too provide a
Foucauldian analysis of how
trauma victims, certain modes
of truth production, and
constructions of individual
trauma emerged (Fassin and
Rechtman).
13
For more on hyperremembering, see Clewell.
14
For a detailed discussion of
scholarship on memory, see
the conclusion of Chapter 5
in Behrouzan’s Prozak Dairies.
15
Caruth’s work relies
on re-readings of Freud,
whose earlier work defines
the traumatic event as
external, while his later
work focused on a theory
of trauma as the origin of
consciousness. Lacanians,
on the other hand, approach
recollection in terms of the
impossibility of responding
to the destruction caused
by the traumatic experience
(Laplanche and Pontalis). Also
see endnote 15.
16
See Crapanzano; Fischer,
“Ethnicity and the PostModern Arts of Memory”
17
In Chapter 5 of Prozak
Dairies I have discussed
the trajectory of prevailing
American trauma theories
based on the clinical
experiences of the survivors
of traumatic memories, the
establishment of PTSD in the
DSM, as well as connections
with the neuroscience of
memory (Radstone; Van
der Kolk; Kolk et al.). In
this school of thought, the
ungrasped traumatic event
ought to be re-integrated
into the consciousness by
way of the analytical process.
French (Laplanchian theories
based on formulations of
Laplanche and Pontalis)
and British (object relations)
schools of psychoanalysis
have challenged this
approach by underscoring
the unconscious processes
of producing associations
with traumatic memory
(Radstone). They call for
attention to culturally shaped
spaces of mediation between
the narrator and the witness/
therapist.
18
See the 2015 Special Issue
in Medicine Anthropology
Theory (MAT), published
after the first Beyond Trauma
Workshop: http://www.
medanthrotheory.org/issue/
vol-2-3/.
19
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––›
20
See Footnotes 13 and 14.
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ISSN: 2196-629X
https://doi.org/10.17192/
meta.2018.11.7798
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