Text 3
Text 3
Text 3
Submitted by
Kabiraj Upreti
Faculty of Education
Kathmandu, Nepal
2012
1
TEACHING SHORT STORIES: CHALLENGE AND ISSUES
Submitted by
Kabiraj Upreti
Faculty of Education,
Kathmandu, Nepal
2012
2
DECLARATION
3
RECOMMENDATION FOR ACCEPTANCE
This is to certify that Mr.Kabiraj Upreti has prepared this thesis entitled
‘Teaching Short Stories:Challenges and Issues’ under my guidance and
supervision.
Date: / /2012
…………………………..
Reader
Faculty of Education,
4
RECOMMENDATION FOR EVALUATION
This thesis has been recommended for evaluation from the following
‘Research Guidance Committee’:
Signature
Chairperson
TU., Kirtipur
Reader Member
T.U., Kirtipur
Reader Member
T.U., Kirtipur
Date: / /2012
5
EVALUATION AND APPROVAL
This thesis has been evaluated and approved by the following ‘Thesis
Evaluation and Approval Committee’:
Signature
Chairperson
T.U., Kiripur
Reader Member
Reader Member
T.U., Kirtipur
Date: / /2012
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ACKNOWLEDGEMENTS
I am highly indebted to Prof. Dr. Jai Raj Awasthi for his great ideas and
enthusiastic encouragement in my academic life. I owe a debt of thanks to
my guru, Prof. Dr. Tirth Raj Khaniya, Professor of Department of English
Education, Faculty of Education, TU for his continuous guidance, great ideas
and enthusiastic encouragement both in my academic life and in the
completion of this study.
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Ashok Sapkota for their direct or indirect support to complete this
thesis.
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ABSTRACT
This thesis consists of four chapters. Chapter one deals with the
introduction, general background, language, literature, genres of
literature, teaching language through literature, elements of short
stories, types of short stories, characteristics of short stories, review of
the related literature, objectives of the study, and significance of the
study. Chapter two deals with the research methodology adopted for
the study in which sources of data, sampling procedures, tools for data
collection, processes of data collection and limitations of the study are
included. Likewise, chapter three deals with the analysis and
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interpretation of the challenges and the issues in teaching short stories.
In this chapter, primarily, experienced teachers responses have been
described. Chapter four presents the research findings and
recommendations based on the analysis and interpretation of the data.
This chapter is followed by references and appendices.
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TABLE OF CONTENTS
Page No.
Declaration i
Recommendation for Acceptance ii
Recommendation for Evaluation ii
Evaluation and Approval iv
Dedication v
Acknowledgements vi
Abstract viii
Table of Contents
List of Tables
1.1.1 Language 1
1.1.2 Literature 2
1.1.3 Genres of Literature 4
1.1.4 Teaching Language through Literature 5
1.1.5 Short Stories 6
1.1.6 Types of Short Stories 7
1.1.7 Elements of Short Stories 8
1.1.8 Characteristics of Short Stories 12
1.2 Review of Related Literature 13
1.3 Objectives of the Study 15
1.4 Significance of the Study 15
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CHAPTER TWO: METHODOLOGY 16-18
4.1 Findings 40
4.2 Recommendations 41
REFERENCES
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List of Tables
10. The Response on the Challenges in Teaching Short Stories due to the
Text book or Short Stories 29
11. The Response on the Method Teachers Use while Teaching Short
Stories 31
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CHAPTER - ONE
1. INTRODUCTION
1.1General Background
1.1.1 Language
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aspects of language are covered in that definition. “Language is a
voluntary vocal system of human communication.” (Crystal 2002, p.
256). This definition is only partially true because it takes account of only
vocal symbols that are used in language. In other words, it seems to
maintain that only speech or spoken form is language. But we know that
there is written form of language which is used in communication. It is
true that speech is the primary form of language and perhaps that is why
the definition takes account of only speech and not writing.
The word ‘literature’ was derived from the Latin word ‘litteratura’ which
means ‘literate’ in English. The term ‘literature’ was first used in French
and it was later used in English. Literature is the result of creative faculty
of human mind. It is an artistic, peasant, attractively deviated form of
language to express idea, feeling, and experiences. In broad sense
literature refers to all the written composition. But in specific, narrow,
and serious sense literature consists of feeling, ideas, attitudes,
experiences and emotions in an implicit way in the fuller and deeper
sense.
Lazar (1993, p.1) defines, “Literature means … to meet a lot of people ,to
know different points of view ,ideas ,thoughts, mind…to know ourselves
better! Literature is a successful medium to express human feeling ideas,
view and so on.
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form of language but everything expressed in a word can’t be taken as
literature. It widens our mind depends our experiences and heightens
our awareness the language skills. Thus, literature is widely used in
language teaching.
From the historical perspective we are also able to see that the concern
that have always been at the center of discussion on how to teach
language. Language teaching methods change in course of time. From
Grammar Translation Method of Language to Task Based Language
Teaching methods it has reached in.
There are mainly four forms of literature: essay, poem, story and play.
Essay in its purest form uses words to establish ideas addressed directly
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by the essayist to the readers. Its basic quality is persuation. Poem in its
purest form uses words to express feelings addressed by a speaker
talking or thinking to himself or herself rather than to the reader. Its
basic quality is meditation. Story in its purest form uses words to create
a view of imaginary persons and events through the report of a story
teller to the readers. Its fundamental element is narration. Play (drama)
in its purest form uses words to create action through the dialogue of
imaginary persons telling to one other rather than to the readers. Its
basic element is dialogue.
Lazar (1993, p .14-15) writes the following reasons for using literature in
the language classroom:
It is very motivating.
It is authentic material.
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It has general educational value.
Literature is a discipline that helps creative writers bring out their inner
feelings, emotions, experiences, ideas and opinions in an artistic and
aesthetic way that pleases and instructs the reader at once. So literature
has provided an essential element in language classroom. Thus,
importance of literature in language is paramount.
A Short Story is a short work of prose fiction which usually depicts one
characters’ inner conflict or conflict with others. It is a work of fiction in
prose writing about imagined events and characters. A short story,
unlike a poem, does not depend on a verse, matters or rhymes for its
organization and presentation. A short story is often contrasted with a
novel on the grounds of length, magnitude and complexity. As the name
suggests, a short story is shorter than a novel. Some short story is a long
one, say fifty to one thousand pages, we call it a novella.
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The short story differs from the novel in the dimension that Aristotle
called ‘magnitude’ and this limitation of length imposes differences both
in the effects that the short story can achieve and in the choice,
elaboration and management of the elements to achieve those effects.
Edgar Ellan Poe, who is sometimes called the originator of the short
story as an established genre, was at any rate its first critical theorist .He
defined what he called the prose tale as a narrative which can be read at
one setting of from half an hour to two hours, and is limited to a certain
unique or single effect.
Frame Story
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Prose Narratives
Myth
Legend
It is a short story, which is a part of fact and fiction about the life and
deeds of a saint a folk hero or a historical figure. Legends are also
transmitted orally from one generation to the next.
Fable
Parable
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human beings presented so as to stress the tacit analogy, or parallel,
with a general lesson that the narrator is trying to bring home to his
audience.
Fairy Tale
A fairy tale belongs to folk literature and is a part of oral tradition. Fairy
tale tends to be a narrative in prose about the fortunes and misfortunes
of a hero or heroine, who has experienced various adventures of more
or less supernatural kind.
Plot
The systematic chain of events in a story is called plot. Each link in this
chain helps to build suspense and to solve a problem. In other words,
the plot stands for all the events in a story which are woven in such a
way that the help the writer achieve some particular artistic or
emotional effect at the end. Therefore the plot is a planned, logical of
the series of events having a beginning, middle and end.
The short story can have a white wide range plot forms and structures.
Broadly speaking we can distinguish three major parts of plot; beginning
(introduction of problem), middle (development of the problem), an end
(resolution of the problem) .In short -
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Character
Short stories use few characters. One character is clearly central to the
story with all major events having some importance to this character
he/she is the protagonist. The opposed of the main character is the
antagonist.
In order for a story to seem real to the reader its character must seem
real. Characterization is the information the author gives the reader
about the characters themselves. The author may reveal a character in
several ways such as from his/her physical appearance; what he/she
says thinks feels and dreams; what he/she does or does not do; what
others say about him/her and how others react to him/her, etc.
Finally, we know that the characters in the short story through the
indirect method of 1)physical description, 2)the characters’ thoughts,
feelings and words ,3)the comments and reactions of others and 4)the
action of the character and the direct method of the author’ stated
opinion about the character.
Setting
The setting stands for the where and when of a story. Put another way,
it refers to the location and the time in which a story takes place.
Authors often use descriptions of landscape, scenery buildings, seasons
or weather to provide a strong sense of setting.
For some stories the setting is very important, while for some others it is
not. There are several aspects of story’s setting to consider when
examining how setting contributes to a story (some or all, may be
present in a story):
d) Social conditions [what the daily life of the characters is like, whether
the story contains local color ( writing that focuses on the speech, dress,
mannerisms, customs, etc of a particular place)] and
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Style
In layman’s terms the style refers to the way in which a story is written.
It is often contrasted with the content of the story. The style according
to Cuddon (1991-p 922), suggests “how a particular writer says things”
(qtd. in New Paradigm). Based on Abrams (1993, P.203) and Cuddon
(ibid) we can say that one has to focus on the following aspects of a
short story while analyzing its style:
-its sentence structure and syntax (whether they are periodic or non-
periodic);
Theme
The theme of a fable is its moral. The theme of a parable is its teaching.
The theme of a piece of fiction is its view about life and how people
behave. So the theme in fiction is not generally intended to teach or
preach. In fact, it is not presented directly at all. Readers have to extract
it from the character, action, and setting that make up the story. In other
words, readers must figure out the theme themselves.
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The theme is a controlling idea or central insight of the story. “It is the
authors underlying meaning or main idea that he is trying to convey.” It
means that the theme may be the author’s thoughts about a topic or
view of human nature. The title of the short story usually indicates what
the writer is saying and he may use various figures of speech to
emphasize his theme, such as symbol, allusion, simile, metaphor,
hyperbole, or irony.
Short stories represent the part of a human life. The short stories are
absolute and spontaneous form of literature. They differ from the novel
in their length and the representation of human life. Brevity, singleness
of unity and simplicity are the major characteristics features of short
stories. Some of the characteristics of short stories are given below;
There are many studies being carried out in the field of English Language
Teaching. Many researches are there related to the techniques of
teaching the different genres of literature, but very few have been done
about the problems faced by the English Teachers while teaching
English. Some of the researches carried out are reviewed here:
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Khadka (2006) studied, “Strategies used in Teaching Short Stories at
Primary Level”. He has compared the strategies of teaching short stories
at primary level on the basis of principle. His research tool was class
observation checklist. His finding was, narrating short stories are always
better than teaching them in primary level.
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of pictures in teaching short stories is far better to make students
develop the plot of the short story.
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1.4 Significance of the Study
The study will be useful for those who are involved in the field of
language teaching, especially in ELT. It will be very important for the
language planners, textbook designers, researchers, language teachers,
and students. This will have remarkable contribution in area of teaching
short stories.
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CHAPTER-TWO
METHODOLOGY
The process involved through the work will be systematic for the
achievement of the objectives and the success of work largely depends
upon the way it will perform. Since, research is the scientific discipline; it
deserves much more attention on the part of the researchers. A
systematic study needs to follow a proper methodology to achieve the
predetermined objectives. To quote Kothari (1990, p7) “Research
methodology is a sequential procedure and methods to be adopted in a
systematic study”. The methodology of this research is given below.
Both primary and secondary sources of data were used to meet the
objectives of this study.
The primary sources of this study were the teachers from higher
secondary level (XI) of Kathmandu District who were teaching Major
English having at least one year of teaching experience.
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the book ‘Mosaic’. I observed five classes taught by the English teachers
by using class observation checklist. Among the fifteen I selected any five
teachers teaching in class eleven with at least experience of one year.
The main tool for the collection of data was pre-structured sets of
questionnaire with close ended and open ended questions. The
questionnaire was constructed related with the challenges in teaching
short stories (See Appendix-1).
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The primary sources of the data collection were emphasized and they
were collected from questionnaire and classroom observation.
The primary aim of this study was only to find out the barriers in
teaching short stories.
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CHAPTER THREE
For the data collection mainly I used questionnaire and class observation
check list. The responses obtained from the questionnaire and class
observation checklist have been analyzed under the following two
headings:
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3.1 Analysis and Interpretation of the Data Obtained from
Questionnaire
For this section I have further divided into four sub sections:
Table no. 1
Responses Percentage
Yes 20
No 60
Partially 20
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The above table shows that 20% teachers responded that they faced
difficulty in making their own interpretation of short stories. So they
need to overcome this problem by being more frank with the students
and comparing the short stories with the students’ context. Similarly,
60% teachers responded that there is no barrier in making their own
interpretation of short stories. It shows that maximum teachers with one
year of experience do not face the challenges of making their own
interpretation of short stories. On the other hand 20% teachers
responded that they partially have barrier in making their own
interpretation of short stories.
Table no.2
Responses Percentages
Yes 20
No 60
Partially 20
By the above table, it is said that 20% teachers cannot cope of the
ambiguities of sentences and structures in short stories. That is why it is
the great challenge to cope up with ambiguity in teaching short stories.
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On the other hand 60% teachers can cope up the ambiguity of short
stories but of other 20% teacher have partially challenge to cope up the
ambiguity. From this I can conclude that after the teaching experience of
one year’s still 40% teacher have to face the challenge of coping with
ambiguity.
Table no.3
Responses Percentages
Yes 7
No 73
Partially 20
The table shows that 73% teachers do not have the challenge with their
confidence on motivating the students. Very few teachers i.e. 7% have
the challenge to motivate the students, and 20% of the teachers partially
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face the challenge of motivating students due to their own confidence
level.
Table no.4
Responses Percentages
Yes 5
No 70
Partially 25
The above table shows that 70% teacher do not have the challenge on
motivating the students due to the relevance of short stories to passing
the exam. 5% teachers responded that they have the difficulties on
motivating the students due to their relevancy with passing the exam.
Still 25% teachers partially have to face the difficulties on motivating the
students due to the relevance of short stories to passing the exam.
Table no.5
Responses Percentages
Yes 34
No 33
Partially 33
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From the responses of the teachers, 34% of teachers responded that
students don’t want to read the short stories due to the literary
language. 33% teachers responded that students read short stories in
spite of literary language. 33% responded that due to literary language
in short stories students partially read the short stories.
Table no.6
Responses Percentages
Yes 54
No 26
Partially 20
By the above table 54% teachers are trained to teach short stories. 26%
teachers have not taken any training courses and 20% teachers have
partially taken the training regarding teaching short stories. This data
shows that still 26% teachers have the technical challenges in teaching
short stories where as 20% partially have to face the technical
challenges.
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Table no.7
Responses Percentages
Yes 87
No 0
Partially 13
The above table shows that for the 87% teachers, training courses they
have taken became useful in teaching short stories. 15% teacher are
partially supported by those refreshers and training courses. There were
no respondents responding no usefulness of those refresher courses in
teaching short stories. In sum it can be said that to reduce the challenges
in teaching short stories trainings workshops, refresher courses,
orientation classes are to be given regarding teaching short stories.
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In the question ‘What are the activities that they always include while
teaching short stories the responses of the almost all of the respondents
can be summarized as narrating the short stories, evaluating the
students cultural background of the students group works, guessing the
games, character sketch, asking to read the stories dealing with the
vocabulary, telling the gist or the main idea if the story, fluency practice
of the students, etc.
‘How do you evaluate your students after teaching short stories?’ was
the next question I had asked. The way of evaluating students after
teach9ing stories was found different like; teacher A responded to
evaluate them by giving the skeleton of the same story and encouraging
them to develop the story with suitable title and moral. Similarly,
teacher B’s response to the same question was telling students to
narrates the same story, asking them some teacher made questions,
telling them to summarize the stories in their own language. In the same
way, to same question teacher C’s response was giving homework to
narrate the short story, requesting them to present the short story in the
class. Likewise, teacher D’s response to the same question was: asking to
read the short story first, dealing with difficult vocabulary, telling the gist
or the main idea of the short story and interpretation of the short
stories.
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Under the challenge while reading short stories three questions viz. the
students show their lazy nature, problem created by the number of the
students in the class and all the students don’t get equal opportunity to
learn the lesson were asked. The responses with percentage are like this
Table no.8
The above table shows that 34% teachers responded that the students
do not show their lazy nature to reads short stories but 26% responded
the students feel lazy to read the short stories. Likewise, 40% teacher’s
response was the students show their laziness in reading short stories.
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teachers partially agreed. It shows that the number of students partially
only creates problems but it creates the problem totally cannot be said.
Next raised challenge was ‘All the students’do not get equal opportunity
learn the lesson’ 40% teachers agreed and 34% teachers disagreed. But
26% teachers partially only agreed. So giving equal opportunity to learn
the lesson in the class is a challenge in the teaching short stories.
Table no.9
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them. That is to say it is not the great challenge to the teachers to make
the students comprehend the plot of the short stories while teaching.
In the next question the way of short story telling by the narrator
influences the meaning of the short story to understand it, in all the
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responses approximately same responses came that it influences the
meaning of the short stories.
In the question ‘Out of six short stories of Mosaic which of them most of
the students like and why? And what aspect of the short stories shows
less interest in reading short stories? Why?’ 52% teachers responded
that their students liked the short stories ‘Paper’ much with the reason
like ; this story represent the dreams of youths and helps to analyze how
difficult it is to fulfill the dream, contextual, use of language,
development of the plot, climax and ending is interesting and motivating
to the students, a strong moral lesson for all human beings, etc. on the
other hand maximum teachers i.e. 56% teachers agreed that their
students do not show much interest to read the short story ‘An
insolvable Problem of Genetics because of the reasons like; the language
of the short story is not lucid, characters are not clear, the development
of the plot is vague, vocabulary is also difficult, having no any inspiration
to the young students of class 11. It shows that short stories can be itself
a challenge to teach because of its vocabularies, language, structure,
plot, moral, character, etc.
Table no. 10
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Responses Yes No Partially
When the question was given to keep their view about the Mosaic book
as lengthy and uninteresting, no teacher agreed as the book Mosaic
being lengthy and uninteresting. 67% teachers directly disagreed for the
book Mosaic to say lengthy and uninteresting. But 33% teacher partially
agreed on the uninteresting
‘The book Mosaic is less communicative was the next challenge. I rose in
the questionnaire. According to the above table, 19% teachers agreed
that the book Mosaic is less communicative, but 47% teachers didn’t
agree to say the book Mosaic less communicative. 34% teachers partially
agreed to say the book Mosaic less communicative.
When the question was asked about the conceptuality of the short
stories included in the book Mosaic; 80% teachers responded that the
short stories are contextual. 20% other teachers responded that the
short stories of the book Mosaic are not contextual. It means that the
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short stories included in the book Mosaic do not create the challenge to
the teachers while teaching. But 20% teachers disagreement in this
contextuality shows that one or two stories are still not contextual and
creates challenge to teach them to Nepalese students due to its
conceptuality.
In this sub section, I have interpreted the data obtained from the
question related to the challenges in teaching short stories due to the
methodology.
Which of the method do you use while teaching short stories? Was the
question asked for the teachers? The responses of percentages were:
Table no. 11
GT 7%
Direct 9%
Communicative 26%
Mixed 58%
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7% teachers responded that they follow the Grammar Translation
method in teaching short stories 9% teacher’s response was on direct
method as the method of teaching short stories. Likewise 26% teachers
responded that they used communicative method in teaching short
stories 58% teachers response was o the use of mixed method. It
showed that the teachers with more than 5 years of teaching experience
used Grammar Translation Method in teaching short stories. The teacher
with 3 or 4 years of teaching experience responded in direct method.
But those teachers who have just the experience of 1 or 2 years focused
on using communicative method of teaching short stories. As a whole
majority of the teachers used mixed method of teaching short stories to
make students understand the short stories.
In the next question the short stories are to be narrated or taught. 65%
teachers responded to narrate the short story but 35% teachers
response was on the side of teaching the short stories. It means story
are for its narration not for the teaching. By narrating the stories,
languages and vocabulary is taught for the students. If narrated the
students are motivated automatically.
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3.1.2 Issues in Teaching Short Stories.
For my research purpose ‘issues’ refer to the condition in which the two
clear sides appear on the same topic. In this sub-section I have analyzed
the ‘issues’ which occur in teaching short stories.
The next was the issue that I raised in teaching short stories either
summarizing the short stories or going line by line while teaching the
short stories. As it was issue 45% teachers response was to summarize
the short stories by keeping the logic of if the students cannot be
motivated in the list of short stories, they feel bored to read all the lines
and finally teaching short stories becomes fruitless. The other 45%
teacher responded that while teaching short stories they taught the
students line by line with the argument that the purpose of teaching
short stories is to make them know the language and for that every
words structure are to be given due concern. Summarizing the short
stories is useless and it is just exam oriented. But remaining 10%
respondents were in the use of the ways of teaching short stories. To
avoid the weakness of both they followed the both (summarizing and
going line by line of the short stories.)
When the next issue was kept as the need of the making written lesson
plan, 60% of any respondents’ responses were in making written lesson
plan and 40% responded to make the plans of teaching short stories but
not the written lesson plans. The respondents whose responses were in
making written lesson plan were with the qualification of education
background and the teachers whose qualifications was normally M.A.
they were in the side of teaching short stories without written lesson
plans. Although clear majority of teacher was on the side of making
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written lesson plan, some teachers still stand on the side of no need of
written lesson plan by looking the practically.
The next issue in teaching short stories was the large number of
students creates problem or not, in this issue 54% teachers responses
was on the side of the large number of students doesn’t create the
problem in course of teaching short stories. That’s why to make effective
teaching of short stories the number of students in the class should be
also appropriate maximum 20 to 25.
In the issue ‘Do the teachers face difficulty in teaching short stories due
to the difficult vocabulary and the long structures? 54% teachers
responded that they face difficulty in teaching short stories because of
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the long structure and difficult vocabulary, on the other had 46%
teachers responded that they don’t face difficult in teaching short stories
just due to the difficult vocabularies used in the lesson and long
structures. It means there is still ongoing debate on whether difficult
vocabulary and long structures in the short stories is problem or not.
That’s why it is an issue in teaching short stories.
Similarly, are the short stories of Mosaic contextual was the next issue I
raised. In this question only 20% teachers disagreed with this question
but large portion of the respondents agreed that the short stories of the
book Mosaic are contextual. So due to the conceptuality of the short
stories, it has not become difficult in teaching short stories.
3.2 Analysis and Interpretation of the Data Obtained from the Class
Observation Check List.
To find out the challenges and issues of teaching short stories I made
class observation checklist and observed 5 teachers’ classes while
teaching the short stories ‘Paper’, ‘I am a Cat’, ‘Wet Saturday’. While
observing the classes I based my checklist on the suggestion given Lazar
(2009, p.84) as pre-reading activities, while –reading activities and post
reading activities. While observing the classes, I focused on methodology
of those teachers. From beginning to the end of the classes with the help
of the checklist various points were carefully observed (See Appendix 2).
Under the topic warming up activities with the ranks of good, tolerable
and poor was kept. After the teacher’s warm up if the students were
motivated to read then I ticked to the rank of good .Similarly, when half
of the students got ready to read the short stories then ticked in the
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rank tolerable. But in the condition when the students do not show
interest to read the short stories then I have ranked in ‘poor’. Among the
classes I observed, almost all the classes were good in case of warming
activities. To create students’ interest in the short story following ways
were used by the teachers in common;
They made students make very general predictions about the story
using pictures, jokes, mimic. Afterwards students were interested in
listening what the teacher said. It means there was no difficulty to the
teachers to motivate the classes.
Prediction about the story based on reading the first paragraph only.
On the point ‘confidence of the teachers’ with the ranks good, tolerable
and poor was also observed all the five teachers were fully confident to
teach the short stories. In using the simple words, explaining the
characters and simplifying the vocabulary the teachers were found full of
confident.
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Likewise, regarding use of materials appropriacy of materials, teacher’s
guides and use of reference materials were also the observational points
in the class observation checklist. From my observation I came to know
that almost all the teachers felt easy to use teachers guide. Teachers
guide only was the material they used in teaching short stories. As I
observed the lesson ‘Wet Saturday’, ‘Paper’, and ‘I am a Cat’ in five
different classes, teacher A used a paper house as a teaching material
but in other classes I didn’t find the teachers teaching short stories with
materials. Just daily used materials were used not the reference
materials. That is why there lies the challenge for the teachers to use
teaching materials with reference materials in teaching short stories.
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difficult words in a dictionary and prepare a glossary for the others.
Although different techniques were adapted by the teachers the
teachers could not go smoothly in describing the vocabulary. Small or
large, they were facing difficulty to make the students understand
vocabulary.
‘Use of Direct Method being the teacher active was my next point of
observation. Almost all the teachers were active to use direct method in
teaching short stories. The teachers became active themselves and
during their teaching all the teachers were conscious to use simple
vocabulary and well structured and organized sentences. Again it is also
a method of teaching makes students passive.
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CHAPTER- FOUR
Findings
All the students in the class don’t get equal opportunity to learn
the lesson due to the students themselves.
Almost all the teachers use both Nepali and English language in
teaching short stories. There are very few teachers who teach
short stories in English language only
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Recommendations
Teaching short stories with materials makes the class live and
more effective, that imparts the prolong understanding that’s why
teachers are recommended to use teaching materials.
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References
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Regmi,L.R.(2003).Teaching English literature (3rd eds.).Kathmandu:
Ratna Pustak Bhandar.
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