Bhagavad Gita
Bhagavad Gita
Bhagavad Gita
The Bhagavad Gita (/ˌ bʌɡə və d ˈɡiːtɑː/; Sanskrit: भगवद्गीता, romanized: bhagavad-gītā, lit. '"God's Song"'[a]),
often referred to as the Gita (IAST: gītā), is a 700-verse Hindu scripture, which is part of the epic
Mahabharata. It forms the chapters 23–40 of book 6 of the Mahabharata called the Bhishma Parva.
The work is dated to the second half of the first millennium BCE.[2]
Bhagavad Gita
Information
Religion Hinduism
Language Sanskrit
Chapters 18
Verses 700
Full text
Summarizing the Upanishadic conceptions of God, the Gita posits the existence of an individual self
(Atman) and the supreme self (Brahman) within each being.[note 1] The dialogue between the prince and
his charioteer has been interpreted as a metaphor for an immortal dialogue between the human self
and God.[note 2] Commentators of Vedanta read varying notions in the Bhagavad Gita about the
relationship between the Atman (individual Self) and Brahman (supreme Self); Advaita Vedanta affirms
on the non-dualism of Atman and Brahman,[7] Vishishtadvaita asserts qualified non-dualism with
Atman and Brahman being related but different in certain aspects, while Dvaita Vedanta declares the
complete duality of Atman and Brahman.[note 3][6][8]
Per Hindu mythology, the Bhagavad Gita was written by the god Ganesha, as told to him by the sage
Veda Vyasa. The Bhagavad Gita presents a synthesis of various Hindu ideas about dharma, theistic
bhakti, and the yogic ideal of moksha.[9][10] The text covers Jñāna, Bhakti, Karma, and Rāja yogas,[9]
while incorporating ideas from the Samkhya-Yoga philosophy.[web 1][note 4] The Bhagavad Gita is one of
the most revered Hindu scriptures,[12] and has a unique pan-Hindu influence.[13][14] It is a central text
in the vaishnava tradition, and is part of the prasthanatrayi. Numerous commentaries have been
written on the Bhagavad Gita with differing views on its essence and essentials.
Etymology
The gita in the title of the Bhagavad Gita literally means "song". Religious leaders and scholars
interpret the word Bhagavad in a number of ways. Accordingly, the title has been interpreted as, "the
song of God"; "the word of God" by the theistic schools,[15] "the words of the Lord",[16] "the Divine
Song",[17][18] and "Celestial Song" by others.[19]
In India, its Sanskrit name is often written as Shrimad Bhagavad Gita or Shrimad Bhagavadgita
(श्रीमद् भगवद् गीता or भगवद्गीता) where the Shrimad prefix is used to denote a high degree of respect.
The Bhagavad Gita is not to be confused with the Bhagavata Puran, which is one of the eighteen
major Puranas dealing with the life of the Hindu God Krishna and various avatars of Vishnu.[20]
The work is also known as the Iswara Gita, the Ananta Gita, the Hari Gita, the Vyasa Gita, or the
Gita.[21]
Date
Theories on the date of the composition of the Gita vary considerably. Some scholars accept dates
from the 5th century BCE to the 2nd century BCE as the probable range, the latter likely. The
Hinduism scholar Jeaneane Fowler, in her commentary on the Gita, considers second century BCE to
be the probable date of composition.[22] J. A. B. van Buitenen also states that the Gita was likely
composed about 200 BCE.[23] According to the Indologist Arvind Sharma, the Gita is generally
accepted to be a 2nd-century-BCE text.[24]
Kashi Nath Upadhyaya, in contrast, dates it a bit earlier. He states that the Gita was always a part
of the Mahabharata, and dating the latter suffices in dating the Gita.[25] On the basis of the
estimated dates of Mahabharata as evidenced by exact quotes of it in the Buddhist literature by
Asvaghosa (c. 100 CE), Upadhyaya states that the Mahabharata, and therefore the Gita, must have
been well known by then for a Buddhist to be quoting it.[25][note 5] This suggests a terminus ante quem
(latest date) of the Gita to be sometime prior to the 1st century CE.[25] He cites similar quotes in the
dharmasutra texts, the Brahma sutras, and other literature to conclude that the Bhagavad Gita was
composed in the fifth or fourth century BCE.[27][note 6] According to Arthur Basham, the context of
the Bhagavad Gita suggests that it was composed in an era when the ethics of war were being
questioned and renunciation to monastic life was becoming popular.[29] Such an era emerged after the
rise of Buddhism and Jainism in the 5th century BCE, and particularly after the semi-legendary life of
Ashoka in the 3rd century BCE. Thus, the first version of the Bhagavad Gita may have been
composed in or after the 3rd century BCE.[29]
Winthrop Sargeant linguistically categorizes the Bhagavad Gita as Epic-Puranic Sanskrit, a language
that succeeds Vedic Sanskrit and precedes classical Sanskrit.[30] The text has occasional pre-classical
elements of the Vedic Sanskrit language, such as aorists and the prohibitive mā instead of the
expected na (not) of classical Sanskrit.[30] This suggests that the text was composed after the Pāṇini
era, but before the long compounds of classical Sanskrit became the norm. This would date the text
as transmitted by the oral tradition to the later centuries of the 1st-millennium BCE, and the first
written version probably to the 2nd or 3rd century CE.[30][31] According to Jeaneane Fowler, "the
dating of the Gita varies considerably" and depends in part on whether one accepts it to be a part
of the early versions of the Mahabharata, or a text that was inserted into the epic at a later
date.[32] The earliest "surviving" components therefore are believed to be no older than the earliest
"external" references we have to the Mahabharata epic. The Mahabharata – the world's longest poem
– is itself a text that was likely written and compiled over several hundred years, one dated between
"400 BCE or little earlier, and 2nd century CE, though some claim a few parts can be put as late as
400 CE", states Fowler. The dating of the Gita is thus dependent on the uncertain dating of the
Mahabharata. The actual dates of composition of the Gita remain unresolved.[32] While the year and
century is uncertain, states Richard Davis,[33] the internal evidence in the text dates the origin of the
Gita discourse to the Hindu lunar month of Margashirsha (also called Agrahayana, generally December
or January of the Gregorian calendar).[34]
Authorship
In the Indian tradition, the Bhagavad Gita, as well as the epic Mahabharata of which it is a part, is
attributed to the sage Vyasa,[35] whose full name was Krishna Dvaipayana, also called Veda-Vyasa.[36]
Another Hindu legend states that Vyasa narrated it when the lord Ganesha broke one of his tusks
and wrote down the Mahabharata along with the Bhagavad Gita.[37][38][note 7] Scholars consider Vyasa
to be a mythical or symbolic author, in part because Vyasa is also the traditional compiler of the
Vedas and the Puranas, texts dated to be from different millennia.[37][41][42] The word Vyasa literally
means "arranger, compiler", and is a surname in India. According to Kashi Nath Upadhyaya, a Gita
scholar, it is possible that a number of different individuals with the same name compiled different
texts.[43]
Swami Vivekananda, the 19th-century Hindu monk and Vedantist, stated that the Bhagavad Gita may
be old but it was mostly unknown in Indian history until the early 8th century when Adi Shankara
(Shankaracharya) made it famous by writing his much-followed commentary on it.[44][45] Some infer,
states Vivekananda, that "Shankaracharya was the author of Gita, and that it was he who foisted it
into the body of the Mahabharata."[44] This attribution to Adi Shankara is unlikely in part because
Shankara himself refers to the earlier commentaries on the Bhagavad Gita, and because other Hindu
texts and traditions that compete with the ideas of Shankara refer to much older literature
referencing the Bhagavad Gita, though much of this ancient secondary literature has not survived
into the modern era.[44]
J. A. B. van Buitenen, an Indologist known for his translations and scholarship on Mahabharata, finds
that the Gita is so contextually and philosophically well knit within the Mahabharata that it was not
an independent text that "somehow wandered into the epic".[46] The Gita, states van Buitenen, was
conceived and developed by the Mahabharata authors to "bring to a climax and solution the dharmic
dilemma of a war".[46][note 8] According to Alexus McLeod, a scholar of Philosophy and Asian Studies,
it is "impossible to link the Bhagavad Gita to a single author", and it may be the work of many
authors.[37][49] This view is shared by the Indologist Arthur Basham, who states that there were three
or more authors or compilers of Bhagavad Gita. This is evidenced by the discontinuous intermixing of
philosophical verses with theistic or passionately theistic verses, according to Basham.[50][note 9]
Scriptural significance
The Bhagavad Gita is a prominent and influential Hindu scripture.[12] [51]
While Hinduism is known for
its diversity and the synthesis derived from it, the Bhagavad Gita holds a unique pan-Hindu
influence.[13][52] Gerald James Larson – an Indologist and scholar of classical Hindu philosophy, states
that "if there is any one text that comes near to embodying the totality of what it is to be a Hindu,
it would be the Bhagavad Gita."[12][14] The Bhagavad Gita is part of the Prasthanatrayi, which also
includes the Upanishads and the Brahma sutras. These three form the foundational texts of the
Vedanta school of Hindu philosophy.[53] The Brahma sutras constitute the Nyāya prasthāna or the
"starting point of reasoning canonical base", while the principal Upanishads constitute the Sruti
prasthāna or the "starting point of heard scriptures", and the Bhagavad Gita constitutes the Smriti
prasthāna or the "starting point of remembered canonical base".[53] While Upanishads focuses more
on knowledge and the identity of the self with Brahman, the Bhagavad Gita shifts the emphasis
towards devotion and the worship of a personal deity, specifically Krishna.[54] The Bhagavad Gita
forms a central text in the Vaishnava tradition.[55][56][57][58][59]
A painting of Krishna
recounting Gita to Arjuna
during the Kurukshetra
War, from the
Mahabharata. c. 1820 CE
The Gita is one of the key texts for Vedanta,[60][61] a school of thought that provides one of the
theoretical foundations for Hinduism,[62] and one that has had an enormous influence over time,
becoming the central ideology of the Hindu renaissance in the 19th century.[63][note 3] Some Hindus
give it the status of an Upanishad, and some consider it to be a "revealed text".[64][65][66] There are
alternate versions of the Bhagavad Gita (such as the one found in Kashmir), but the basic message
behind these texts are not distorted.[67][68][69]
The Bhagavad Gita draws heavily from the philosophical ideas presented in the Upanishads,
incorporating and expanding upon them throughout the text. For example, in the Bhagavad Gita's
second chapter, Krishna explains to Arjuna about the eternal nature of the soul, a concept echoed
from the Katha Upanishad. It talks about the concept of karma yoga, mentioned in the Isha
Upanishad, and ideal times for departing from life, echoing teachings from the Chandogya
Upanishad.[70]
Hindu synthesis
The Bhagavad Gita is the sealing achievement of the Hindu synthesis, incorporating its various
religious traditions.[10][11][9] The synthesis is at both philosophical and socio-religious levels, states the
Gita scholar Keya Maitra.[71] The text refrains from insisting on one right marga (path) to
spirituality. It openly synthesizes and inclusively accepts multiple ways of life, harmonizing spiritual
pursuits through action (karma), knowledge (jñāna), and devotion (bhakti).[72] According to the Gita
translator Radhakrishnan, quoted in a review by Robinson, Krishna's discourse is a "comprehensive
synthesis" that inclusively unifies the competing strands of Hindu thought such as "Vedic ritual,
Upanishadic wisdom, devotional theism and philosophical insight".[73] Aurobindo described the text as
a synthesis of various Yogas. The Indologist Robert Minor, and others,[web 1] in contrast, state that
the Gita is "more clearly defined as a synthesis of Vedanta, Yoga and Samkhya" philosophies of
Hinduism.[74]
A didactic print that uses the Gita
scene as a focal point for general
religious instruction. c. 1960 –
c. 1970 CE
The synthesis in Bhagavad Gita addresses the question of what constitutes the virtuous path that is
necessary for spiritual liberation or release from the cycles of rebirth (moksha).[75][76] It discusses
whether one should renounce a householder lifestyle for a life as an ascetic, or lead a householder life
dedicated to one's duty and profession, or pursue a householder life devoted to a personalized God in
the revealed form of Krishna. Thus Gita discusses and synthesizes the three dominant trends in
Hinduism: enlightenment-based renunciation, dharma-based householder life, and devotion-based
theism. According to Deutsch and Dalvi, the Bhagavad Gita attempts "to forge a harmony" between
these three paths.[9][note 10]
The Bhagavad Gita 's synthetic answer recommends that one must resist the "either-or" view, and
consider a "both-and" view.[77][78][79] It states that the dharmic householder can achieve the same
goals as the renouncing monk through "inner renunciation" or "motiveless action".[75][note 11] One must
do the right thing because one has determined that it is right, states Gita, without craving for its
fruits, without worrying about the results, loss or gain.[81][82][83] Desires, selfishness, and the craving
for fruits can distort one from spiritual living.[82] The Gita synthesis goes further, according to its
interpreters such as Swami Vivekananda, and the text states that there is Living God in every human
being and the devoted service to this Living God in everyone – without craving for personal rewards –
is a means to spiritual development and liberation.[84][85][86] According to Galvin Flood, the teachings
in the Gita differ from other Indian religions that encouraged extreme austerity and self-torture of
various forms (karsayanta). The Gita disapproves of these, stating that not only is it against
tradition but against Krishna himself, because "Krishna dwells within all beings, in torturing the body
the ascetic would be torturing him", states Flood. Even a monk should strive for "inner renunciation"
rather than external pretensions.[87]
The Gita synthesizes several paths to spiritual realization based on the premise that people are born
with different temperaments and tendencies (guna).[88] Smith notes that the text acknowledges that
some individuals are more reflective and intellectual, some are affective and engaged by their
emotions, some are action-driven, yet others favor experimentation and exploring what works.[88] It
then presents different spiritual paths for each personality type respectively: the path of knowledge
(jnana yoga), the path of devotion (bhakti yoga), the path of action (karma yoga), and the path of
meditation (raja yoga).[88][89] The guna premise is a synthesis of the ideas from the Samkhya school
of Hinduism. According to Upadhyaya, the Gita states that none of these paths to spiritual realization
is "intrinsically superior or inferior", rather they "converge in one and lead to the same goal".[90]
According to Hiltebeitel, Bhakti forms an essential ingredient of this synthesis, and the text
incorporates Bhakti into Vedanta.[91] According to Scheepers, The Bhagavad Gita is a Brahmanical
text which uses Shramanic and Yogic terminology to spread the Brahmanic idea of living according to
one's duty or dharma, in contrast to the ascetic ideal of liberation by avoiding all karma.[92]
According to Galvin Flood and Charles Martin, the Gita rejects the Shramanic path of non-action,
emphasizing instead "the renunciation of the fruits of action".[93] The Bhagavad Gita, according to
Raju, is a great synthesis of impersonal spiritual monism with personal God, of "the yoga of action
with the yoga of transcendence of action, and these again with the yogas of devotion and
knowledge".[11]
Manuscripts and layout
The Bhagavad Gita manuscript is found in the sixth book of the Mahabharata manuscripts – the
Bhisma-parvan. Therein, in the third section, the Gita forms chapters 23–40, that is 6.3.23 to
6.3.40.[94] The Bhagavad Gita is often preserved and studied on its own, as an independent text with
its chapters renumbered from 1 to 18.[94] The Bhagavad Gita manuscripts exist in numerous Indic
scripts.[95] These include writing systems that are currently in use, as well as early scripts such as
the now dormant Sharada script.[95][96] Variant manuscripts of the Gita have been found on the
Indian subcontinent[67][97] Unlike the enormous variations in the remaining sections of the surviving
Mahabharata manuscripts, the Gita manuscripts show only minor variations.[67][97]
According to Gambhirananda, the old manuscripts may have had 745 verses, though he agrees that
“700 verses is the generally accepted historic standard."[98] Gambhirananda's view is supported by a
few versions of chapter 6.43 of the Mahabharata. According to Gita exegesis scholar Robert Minor,
these versions state that the Gita is a text where "Kesava [Krishna] spoke 574 slokas, Arjuna 84,
Sanjaya 41, and Dhritarashtra 1".[99] An authentic manuscript of the Gita with 745 verses has not
been found.[100] Adi Shankara, in his 8th-century commentary, explicitly states that the Gita has 700
verses, which was likely a deliberate declaration to prevent further insertions and changes to the
Gita. Since Shankara's time, "700 verses" has been the standard benchmark for the critical edition of
the Bhagavad Gita.[100]
Structure
The Bhagavad Gita is a poem written in the Sanskrit language.[101] Its 700 verses[97] are structured
into several ancient Indian poetic meters, with the principal being the shloka (Anushtubh chanda). It
has 18 chapters in total.[102] Each shloka consists of a couplet, thus the entire text consists of 1,400
lines. Each shloka has two quarter verses with exactly eight syllables. Each of these quarters is
further arranged into two metrical feet of four syllables each.[101][note 12] The metered verse does not
rhyme.[103] While the shloka is the principal meter in the Gita, it does deploy other elements of
Sanskrit prosody (which refers to one of the six Vedangas, or limbs of Vedic statues).[104] At
dramatic moments, it uses the tristubh meter found in the Vedas, where each line of the couplet has
two quarter verses with exactly eleven syllables.[103]
Characters
Narrative
The Gita is a dialogue between Krishna and Arjuna right before the start of the climactic
Kurukshetra War in the Hindu epic Mahabharata.[105][note 13] Two massive armies have gathered to
destroy each other. The Pandava prince Arjuna asks his charioteer Krishna to drive to the center of
the battlefield so that he can get a good look at both the armies and all those "so eager for
war".[107] He sees that some among his enemies are his own relatives, beloved friends, and revered
teachers. He does not want to fight to kill them and is thus filled with doubt and despair on the
battlefield.[108] He drops his bow, wonders if he should renounce and just leave the battlefield.[107] He
turns to his charioteer and guide Krishna, for advice on the rationale for war, his choices and the
right thing to do. The Bhagavad Gita is the compilation of Arjuna's questions and moral dilemma and
Krishna's answers and insights that elaborate on a variety of philosophical concepts.[107][109]
The compiled dialogue goes far beyond the "rationale for war"; it touches on many human ethical
dilemmas, philosophical issues and life's choices.[107] According to Flood and Martin, although the Gita
is set in the context of a wartime epic, the narrative is structured to apply to all situations; it
wrestles with questions about "who we are, how we should live our lives, and how should we act in
the world".[110] According to Sargeant, it delves into questions about the "purpose of life, crisis of
self-identity, human Self, human temperaments, and ways for spiritual quest".[6]
The Gita posits the existence of two selfs in an individual,[note 1] and its presentation of Krishna-
Arjuna dialogue has been interpreted as a metaphor for an eternal dialogue between the two.[note 2]
The original Bhagavad Gita has no chapter titles. Some Sanskrit editions that separate the Gita from
the epic as an independent text, as well as translators, however, add chapter titles.[114][web 5] For
example, Swami Chidbhavananda describes each of the eighteen chapters as a separate yoga because
each chapter, like yoga, "trains the body and the mind". He labels the first chapter "Arjuna Vishada
Yogam" or the "Yoga of Arjuna's Dejection".[115] Sir Edwin Arnold titled this chapter in his 1885
translation as "The Distress of Arjuna".[16][note 14]
Chapter listing
Face pages of chapters 1, 2 and 3 of historic Bhagavad Gita manuscripts. Top: Bengali script produced before c. 1900 CE;
Bottom: Gurmukhi script c. 1750 – c. 1850 CE.
There are total 18 chapters and 700 verses in the Bhagavad Gita. These are:
Chapter Name of Chapter Total Verses
2 Samkhya Yoga 72
3 Karma Yoga 43
10 Vibhuti Yoga 42
12 Bhakti Yoga 20
15 Purushottama Yoga 20
Total 700
Samyama Yoga
It is not those who lack energy
(47 verses) nor those who refrain from action,
but those who work without expecting reward
who attain the goal of meditation,
Translators title the sixth chapter as
Theirs is true renunciation(sanyāsā).
Dhyana yoga, Religion by Self-
Restraint, The Practice of Meditation, —Bhagavad Gita 6.1
[16][118][119]
or The Yoga of Meditation. Eknath Easwaran[134][note 16]
The chapter opens as a continuation
of Krishna's teachings about selfless
work and the personality of someone who has renounced the fruits that are found in chapter 5.
Krishna says that such self-realized people are impartial to friends and enemies, are beyond good and
evil, equally disposed to those who support them or oppose them because they have reached the
summit of consciousness. The verses 6.10 and after proceed to summarize the principles of Yoga and
meditation in the format similar to but simpler than Patanjali's Yogasutra. It discusses who is a true
yogi, and what it takes to reach the state where one harbors no malice towards anyone.[140][141]
Verse 6.47 emphasizes the significance of soul's faith and loving service to Krishna as the highest
form of yoga.[142]
Bhagavad Gita and related commentary literature exists in numerous Indian languages.
Translators title this chapter as Ksetra–Ksetrajna Vibhaga yoga, Religion by Separation of Matter and
Spirit, The Field and the Knower, or The Yoga of Difference between the Field and Field-
Knower.[16][118][119] The chapter opens with Krishna continuing his discourse. He describes the
difference between the transient perishable physical body (kshetra) and the immutable eternal Self
(kshetrajna). The presentation explains the difference between ahamkara (ego) and atman (Self), from
there between individual consciousness and universal consciousness. The knowledge of one's true self
is linked to the realization of the Self.[155][156] The 13th chapter of the Gita offers the clearest
enunciation of the Samkhya philosophy, states Basham, by explaining the difference between field
(material world) and the knower (Self), prakriti and purusha.[157] According to Miller, this is the
chapter which "redefines the battlefield as the human body, the material realm in which one struggles
to know oneself" where human dilemmas are presented as a "symbolic field of interior warfare".[158]
Chapter 14: Gunatraya Vibhaga Yoga (27
verses)
Translators title the fourteenth chapter as Gunatraya–Vibhaga yoga, Religion by Separation from the
Qualities, The Forces of Evolution, or The Yoga of the Division of Three Gunas.[16][118][119] Krishna
continues his discourse from the previous chapter. Krishna explains the difference between purusha
and prakriti, by mapping human experiences to three Guṇas (tendencies, qualities).[159] These are
listed as sattva, rajas and tamas. All thoughts, words and actions are filled with sattva (truthfulness,
purity, clarity), rajas (movement, energy, passion) or tamas (darkness, inertia, stability). Whoever
understands everything that exists as the interaction of these three states of being can gain
knowledge. When asked by Arjuna how he recognizes the one who has conquered the three gunas,
Krishna replies: He who remains calm and composed when a guna 'arises', who always maintains
equanimity, who is steadfast in joy and sorrow, who remains the same when he is reviled or
admired, who renounces every action (from the ego), detaches himself from the power of the gunas.
Likewise, the one who seeks me with unwavering love succeeds in doing so. He too transcends the
three gunas and can become one with Brahman. All phenomena and individual personalities are thus a
combination of all three gunas in varying and ever-changing proportions. The gunas affect the ego,
but not the Self, according to the text.[159] This chapter also relies on Samkhya theories.[160][161][162]
Themes covered
Theology
Like some of the Upanishads, the Gita does not limit itself to the nirguna Brahman. It teaches both
the abstract and the personalized Brahman (God), the latter in the form of Krishna.[172][173] It
accomplishes this synthesis by projecting the nirguna Brahman as higher than saguna or personalized
Brahman, where the nirguna Brahman "exists when everything else does not".[177][178] The text blurs
any distinction between a personalized God and impersonal absolute reality by amalgamating the two
and using the concepts interchangeably in later chapters.[177] This theme has led scholars to call the
Gita panentheistic,[172] theistic as well as monistic.[179][11][9]
Brahman-atman
The Upanishads developed the equation "Atman = Brahman", states Fowler, and this belief is central
to the Gita.[187] This equation is, however, interpreted in a number of ways by different sub-schools
of Vedanta. In the Gita, the Self of each human being is considered to be identical to every other
human being and all beings, but it "does not support an identity with the Brahman", according to
Fowler.[187] According to Raju, the Gita supports this identity and spiritual monism, but as a form of
synthesis with a personal God.[11] According to Edgerton, the authors of the Gita rely on their
concept of a personalized God (Krishna) to ultimately arrive at an ultimate monism, where the
devotee realizes that Krishna is the essential part, the real fundamental element within everyone and
everything. Krishna is simultaneously one and all.[164] According to Huston Smith, the Gita is teaching
that "when one sees the entire universe as pervaded by the single Universal Spirit [Krishna], one
contemplates, marvels, and falls in love with its amazing glory. [...] Having experienced that Truth
oneself, all doubts are dispelled. This is how the flower of devotion evolves into the fruit of
knowledge."[189]
Means to God
The Gita teaches several spiritual paths – jnana, bhakti and karma – to the divine. However, states
Fowler, it "does not raise any of these to a status that excludes the others".[190] The theme that
unites these paths in the Gita is "inner renunciation" where one is unattached to personal rewards
during one's spiritual journey.[190]
Karma yoga
The Gita teaches the path of Karma yoga in Chapter 3 and others. It upholds the necessity of
action.[191] However, this action should "not simply follow spiritual injunctions", without any
attachment to personal rewards or because of craving for fruits. The Gita teaches, according to
Fowler, that the action should be undertaken after proper knowledge has been applied to gain a full
perspective on "what the action should be".[192][193]
The concept of such detached action is also called Nishkama Karma, a term not used in the Gita but
equivalent to other terms such as karma-phala-tyaga.[192] This is where one determines what the
right action ought to be and then acts while being detached to personal outcomes, to fruits, to
success or failure. A karma yogi finds such work inherently fulfilling and satisfying.[194] To a karma
yogi, right work done well is a form of prayer,[195] and karma yoga is the path of selfless action.[196]
According to Mahatma Gandhi, the object of the Gita is to show the way to attain self-realization,
and this "can be achieved by selfless action, by desireless action; by renouncing fruits of action; by
dedicating all activities to God, i.e., by surrendering oneself to Him, body and Self." Gandhi called the
Gita "The Gospel of Selfless Action".[197] According to Jonardon Ganeri, the premise of "disinterested
action" is one of the important ethical concepts in the Gita.[198]
Bhakti yoga
On motives
0:16
:
Verse 2.47, "act without craving for
fruits" (16 secs)
On meditation
0:15
Verse 2.56, "who is a sage" (14 secs)
According to M. R. Sampatkumaran, a Bhagavad Gita scholar, the Gita's message is that mere
knowledge of the scriptures cannot lead to final release, but "devotion, meditation, and worship are
essential."[201] The Gita likely spawned a "powerful devotionalism" movement, states Fowler, because
the text and this path was simpler, and available to everyone.[202]
Jnana yoga
Jnana yoga is the path of knowledge, wisdom, and direct realization of the Brahman.[203][204] In the
Bhagavad Gita, it is also referred to as buddhi yoga and its goal is self-realization.[205] The text
states that this is the path that intellectuals tend to prefer.[206] The chapter 4 of the Bhagavad Gita
is dedicated to the general exposition of jnana yoga.[207][208] The Gita praises the path, calling the
jnana yogi to be exceedingly dear to Krishna, but adds that the path is steep and difficult.[209]
Synthesis of yogas, Raja yoga
Sivananda's commentary regards the eighteen chapters of the Bhagavad Gita as having a progressive
order, by which Krishna leads "Arjuna up the ladder of Yoga from one rung to another."[210] The
influential commentator Madhusudana Sarasvati divided the Gita 's eighteen chapters into three
sections with six chapters each. Swami Gambhirananda characterises Madhusudana Sarasvati's
system as a successive approach in which Karma yoga leads to Bhakti yoga, which in turn leads to
Jnana yoga:[211]
Dharma
Dharma is a prominent paradigm of the Mahabharata, and it is referenced in the Gita as well. The
term dharma has a number of meanings.[219] Fundamentally, it refers to that which is right or
just.[219] Contextually, it also means the essence of "duty, law, class, social norms, ritual and cosmos
itself" in the text, in the sense "the way things should be in all these different dimensions".[219]
According to Zaehner, the term dharma means "duty" in the Gita 's context; in verse 2.7, it refers to
the "right [and wrong]", and in 14.27 to the "eternal law of righteousness".[220]
Few verses in the Bhagavad Gita deal with dharma, according to the Indologist Paul Hacker, but the
theme of dharma is broadly important.[221] In Chapter 1, responding to Arjuna's despondency, Krishna
asks him to follow his sva-dharma,[222] "the dharma that belongs to a particular man (Arjuna) as a
member of a particular varna, (i.e., the kshatriya – the warrior varna)".[223] According to Paul Hacker,
the term dharma has additional meanings in the context of Arjuna. It is more broadly, the "duty" and
a "metaphysically congealed act" for Arjuna.[224] According to the Indologist Jacqueline Hirst, the
dharma theme is "of significance only at the beginning and end of the Gita" and this may have been
a way to perhaps link the Gita to the context of the Mahabharata.[225]
According to Malinar, "Arjuna's crisis and some of the arguments put forward to call him to action
are connected to the debates on war and peace in the Udyoga Parva." [226] The Udyoga Parva presents
many views about the nature of a warrior, his duty and what calls for heroic action. While
Duryodhana presents it as a matter of status, social norms, and fate, Vidura states that the heroic
warrior never submits, knows no fear and has the duty to protect people.[227] The Bhishma Parva
sets the stage of two ideologies in conflict and two massive armies gathered for what each considers
as a righteous and necessary war. In this context, the Gita advises Arjuna to do his holy duty (sva-
dharma) as a warrior: fight and kill.[228][229][230]
According to the Indologist Barbara Miller, the text frames heroism not in terms of physical abilities,
but instead in terms of effort and inner commitment to fulfill a warrior's dharma in the
battlefield.[231] War is depicted as a horror, the impending slaughter a cause for self-doubt, yet at
stake is the spiritual struggle against evil.[231] The Gita's message emphasizes that personal moral
ambivalence must be addressed, the warrior needs to rise above "personal and social values" and
understand what is at stake and "why he must fight". The text explores the "paradoxical
interconnectedness of disciplined action and freedom".[231]
Allegory of war
Unlike any other religious scripture, the Bhagavad Gita broadcasts its message in the centre of a
battlefield.[233] Several modern Indian writers have interpreted the battlefield setting as an allegory
for "the war within".[234] Eknath Easwaran writes that the Gita 's subject is "the war within, the
struggle for self-mastery that every human being must wage if he or she is to emerge from life
victorious".[235]
Mohandas Karamchand Gandhi, in his commentary on the Gita,[239] interprets the battle as an
allegory in which the battlefield is the soul and Arjuna embodies man's higher impulses struggling
against evil.[240]
In Aurobindo's view, Krishna was a historical figure, but his significance in the Gita is as a "symbol
of the divine dealings with humanity",[241] while Arjuna typifies a "struggling human soul".[242]
However, Aurobindo rejected the interpretation that the Gita, and the Mahabharata by extension, is
only "an allegory of the inner life" and therefore that it has nothing to do with our outward human
life and actions.[242][note 19]
Indian independence leaders like Lala Lajpat Rai and Bal Gangadhar Tilak saw the Gita as a text which
defended war when necessary and used it to promote armed rebellion against colonial rule. Lajpat Rai
wrote an article on the "Message of the Bhagavad Gita". He saw the main message as the bravery
and courage of Arjuna to fight as a warrior.[245] Bal Gangadhar Tilak saw the Gita as defending
killing when necessary for the betterment of society, such as, for example, the killing of Afzal
Khan.[245]
Noted author Christopher Isherwood suffered the death of his father in WWI and saw no serious
effort by the allies to avoid plunging head-long into the next war. In his novels, The Berlin Stories, he
describes life in Germany as the Nazis rose to power. In the late 1930s, Isherwood, with advice from
and influence of Aldous Huxley and Gerald Heard[247] he became a practicing pacifist and
Conscientiousness Objector, working with the Quakers, doing alternative service to help settle Jewish
refugees fleeing the war.[248][249][250] In 1944, Isherwood worked with Swami Prabhavananda of the
Vedanta Society of Southern California to translate the Bhagavad Gita into English.[251] In the
Appendix, there is an essay written by Isherwood titled, The Gita and War. He argues that in certain
circumstances, it would be quite alright to refuse to fight. In Arjuna's particular circumstances, since
it is a righteous war, and he's a warrior by birth and trade, he must fight.[252]
...every action, under certain circumstances and for certain people, may
be a stepping-stone to spiritual growth—if it is done in the spirit of non-
attachment. There is no question, here, of doing evil that good may
come. The Gita does not countenance such opportunism. Arjuna is to do
the best he knows, in order to pass beyond that best to better.[253]
V. R. Narla, in his book length critique of the text titled The Truth About the Gita, criticizes the
ethical teachings of the Gita. He argues that the ethics of the Gita are so ambiguous, that one can
use it to justify any ethical position.[257] Narla argues that the Gita is mainly a theological argument
in favor of the warrior ethos.[258] Narla argues that the fact that the Gita tries constantly to make
Arjuna kill his kin in order to gain a petty kingdom shows it is not a pacifist work. Narla compares
the Krishna of the Gita with a modern-day terrorist, who uses theology to excuse violence.[259] Narla
also cites D.D. Kosambi who argued that the apparent moral of the Gita is "kill your brother if duty
calls, without passion; as long as you have faith in Me, all sins are forgiven...".[260]
In his Myth and Reality, the Indian historian D.D. Kosambi argued that the Gita was written as a
religious text that could provide support for the actions of the upper castes, including the warrior
caste. These sort of exhortations to battle would not have been uncommon in ancient India as it was
the job of Indian bards. Kosambi writes that in the Gita, "the high god repeatedly emphasizes the
great virtue of non-killing (ahimsa), yet the entire discourse is an incentive to war." [261] He also cites
the Gita, which states: "if slain, you gain heaven; if victorious, the earth; so up, son of Kunti, and
concentrate on fighting." [261] Kosambi argues that the injunctions and excuses for killing found in the
Gita are unethical.[261]
The Indian jurist and politician B. R. Ambedkar also saw the Gita's defense of violence based on the
eternity of the soul (atman) as unethical. Ambedkar wrote that "to say that killing is no killing
because what is killed is the body and not the soul is an unheard of defense of murder...If Krishna
were to appear as a lawyer acting for a client who is being tried for murder and pleaded the defense
set out by him in the Bhagavad Gita there is not the slightest doubt that he would be sent to the
lunatic asylum."[262]
In his introduction to his translation of the Gita, Purushottama Lal argues that while Arjuna appears
as a pacifist, concerned with ahimsa, Krishna "is the militarist" who convinces him to kill.[263]
According to Lal, Krishna makes use of a "startling" argument to convince Arjuna to kill, which Lal
outlines as "the atman is eternal; only the body dies; so go ahead and kill - you will kill only the body,
the atman will remain unaffected [2:19-21]."[263] Lal states that "there could hardly be a better
example of forked-tongue speciousness." [263] Lal further argues that: "the truth of the matter surely
is that no rational refutation is possible of the essential humanist position that killing is wrong...many
of the answers given by Krishna appear to be evasive and occasionally sophistic. When logic fails,
Krishna apparently resorts to divine magic."[263] According to Lal, in the Gita, Krishna "stuns Arjuna
with a glorious 'revelation' of psychedelic intensity." This "confidence trick" is problematic for Lal,
who sees Arjuna's plight as a "painful and honest problem that Krishna should have faced on its own
terms, painfully and honestly, and did not."[263]
Mahatma Gandhi credited his commitment for ahimsa to the Gita. For Gandhi, the Gita is teaching
that people should fight for justice and righteous values, that they should never meekly suffer
injustice to avoid a war. According to the Indologist Ananya Vajpeyi, the Gita does not elaborate on
the means or stages of war, nor on ahimsa, except for stating that " ahimsa is virtuous and
characterizes an awakened, steadfast, ethical man."[264] For Gandhi, states Vajpeyi, ahimsa is the
"relationship between self and other" as he and his fellow Indians battled against colonial rule.
Gandhian ahimsa is in fact "the essence of the entire Gita", according to Vajpeyi.[264] The teachings
of the Gita on ahimsa are ambiguous, states Arvind Sharma, and this is best exemplified by the fact
that Nathuram Godse stated the Gita as his inspiration to do his dharma after he assassinated
Mahatma Gandhi.[121] Thomas Merton, the Trappist monk and author of books on Zen Buddhism,
concurs with Gandhi and states that the Gita is not teaching violence nor propounding a "make war"
ideology. Instead, it is teaching peace and discussing one's duty to examine what is right and then
act with pure intentions, when one faces difficult and repugnant choices.[265]
Moksha: Liberation
Liberation or moksha in Vedanta philosophy is not something that can be acquired. Ātman (Self) and
Self-knowledge, along with the loss of egotistic ignorance, the goal of moksha, is something that is
always present as the essence of the self, and must be realized by each person by one's own effort.
While the Upanishads largely uphold such a monistic viewpoint of liberation, the Bhagavad Gita also
accommodates the dualistic and theistic aspects of moksha. The Gita, while including impersonal
Nirguna Brahman as the goal, mainly revolves around the relationship between the Self and a personal
God or Saguna Brahman. A synthesis of knowledge, devotion, and desireless action is offered by
Krishna as a spectrum of choices to Arjuna; the same combination is suggested to the reader as a
way to moksha.[266] Christopher Chapple---a scholar focusing on Indian religions---in Winthrop
Sargeant's translation of the Gita, states that "In the model presented by the Bhagavad Gita, every
aspect of life is in fact a way of salvation." [267]
Pancaratra Agama
According to Dennis Hudson, there is an overlap between Vedic and Tantric rituals within the
teachings found in the Bhagavad Gita.[268] He places the Pancaratra Agama in the last three or four
centuries of 1st-millennium BCE, and proposes that both the tantric and vedic, the Agama and the
Gita share the same Vāsudeva-Krishna roots.[269] Some of the ideas in the Bhagavad Gita connect it
to the Shatapatha Brahmana of Yajurveda. The Shatapatha Brahmana, for example, mentions the
absolute Purusha who dwells in every human being.
Vāsudeva-Krishna, on a coin of
Agathocles of Bactria
c. 180 BCE.[270][271] This is "the
earliest unambiguous image" of
the deity.[272]
According to Hudson, a story in this Vedic text highlights the meaning of the name Vāsudeva as the
'shining one (deva) who dwells (vasu) in all things and in whom all things dwell', and the meaning of
Vishnu to be the 'pervading actor'. In Bhagavad Gita, similarly, 'Krishna identified himself both with
Vāsudeva, Vishnu and their meanings'.[273][note 20] The ideas at the center of Vedic rituals in
Shatapatha Brahmana and the teachings of the Bhagavad Gita revolve around this absolute Person,
the primordial genderless absolute, which is the same as the goal of Pancaratra Agama and
Tantra.[275]
Translations
The first English translation of the Bhagavad Gita was published by Charles Wilkins in 1785.[276] The
Wilkins translation had an introduction to the Gita by Warren Hastings. Soon the work was
translated into other European languages such as French (1787), German, and Russian. In 1849, the
Weleyan Mission Press, Bangalore published The Bhagavat-Geeta, Or, Dialogues of Krishna and Arjoon
in Eighteen Lectures, with Sanskrit, Canarese and English in parallel columns, edited by Rev. John
Garrett, with the effort being supported by Sir Mark Cubbon.[277]
Cover pages of early Gita translations. Left: Charles Wilkins (c. 1785 CE); Center: Parraud re-translation of Wilkins
(c. 1787 CE); Right: Wesleyan Mission Press (c. 1849 CE).
In 1981, Larson stated that "a complete listing of Gita translations and a related secondary
bibliography would be nearly endless".[278]: 514 According to Larson, there is "a massive translational
tradition in English, pioneered by the British, solidly grounded philologically by the French and
Germans, provided with its indigenous roots by a rich heritage of modern Indian comment and
reflection, extended into various disciplinary areas by Americans, and having generated in our time a
broadly based cross-cultural awareness of the importance of the Bhagavad Gita both as an
expression of a specifically Indian spirituality and as one of the great religious "classics" of all
time."[278]: 518
According to Sargeant, the Gita is "said to have been translated at least 200 times, in both poetic
and prose forms".[279] Richard Davis cites a count by Callewaert & Hemraj in 1982 of 1,891
translations of the Bhagavad Gita in 75 languages, including 273 in English.[280] These translations
vary,[281] and are in part an interpretative reconstruction of the original Sanskrit text that differ in
their "friendliness to the reader",[282] and in the amount of "violence to the original Gita
text".[283][note 21]
The translations and interpretations of the Gita have been so diverse that these have been used to
support apparently contradictory political and philosophical values. For example, Galvin Flood and
Charles Martin note that interpretations of the Gita have been used to support "pacifism to
aggressive nationalism" in politics, from "monism to theism" in philosophy.[288] According to William
Johnson, the synthesis of ideas in the Gita is such that it can bear almost any shade of
interpretation.[289] A translation "can never fully reproduce an original and no translation is
transparent", states Richard Davis, but in the case of the Gita the linguistic and cultural distance for
many translators is large and steep which adds to the challenge and affects the translation.[290] For
some native translators, their personal beliefs, motivations, and subjectivity affect their
understanding, their choice of words and interpretation.[291][292][293] Some translations by Indians,
with or without Western co-translators, have "orientalist", "apologetic", "Neo-Vedantic" or "guru
phenomenon" biases.[278]: 525–530
A sample of translations of the Bhagavad Gita[278]
1922 (https://fr.wikisource.or
La Bhagavad-Gîtâ Emile Sénart g/wiki/Livre:La_Bhagavadgita,
_trad._de_Senart,_1922.djvu)
1929 (https://babel.hathitrust.
The Bhagavad-Gita Arthur W. Ryder org/cgi/pt?id=uc1.3210601633
4002;view=1up;seq=7)
The Song of the Lord, Bhagavad-Gita E.J. Thomas 1931
Swami Prabhavananda
1944 (https://books.google.co
Bhagavad Gita - The Song of God and Christopher
m/books?id=JfRjAAAAMAAJ)
Isherwood
A. C. Bhaktivedanta Swami
Bhagavad-Gītā As It Is 1968
Prabhupada
Winthrop Sargeant
1979 (https://books.google.co
The Bhagavad Gita (Editor: Christopher K
m/books?id=COuy5CDAqt4C)
Chapple)
1981 (https://books.google.co
The Bhagavadgita in the Mahabharata J.A.B. van Buitenen
m/books?id=4S5OCgAAQBAJ)
1994 (https://books.google.co
The Bhagavad-Gita W.J. Johnson
m/books?id=U3MRAQAAIAAJ)
Wilfried Huchzermeyer
Bhagavad Gita As a Living Experience 2002
and Jutta Zimmermann
Swami Dayananda
Śrīmad Bhagavad Gītā 2007
Saraswati
2008 (https://books.google.co
The Bhagavad Gita: A New Translation George Thompson
m/books?id=K_knYDLJMfsC)
2013 (https://books.google.co
Bhagavad Gita: The Song of God Swami Mukundananda
m/books?id=5JUJmQEACAAJ)
Swami Prabhavananda
Bhagavad Gita - The Song of God, Study 2023 (https://books.google.co
and Christopher
Edition with Verse Markings m/books?id=JfRjAAAAMAAJ)
Isherwood
According to the exegesis scholar Robert Minor, the Gita is "probably the most translated of any
Asian text", but many modern versions heavily reflect the views of the organization or person who
does the translating and distribution. In Minor's view, the Harvard scholar Franklin Edgerton's English
translation and Richard Garbe's German translation are closer to the text than many others.[295]
According to Larson, the Edgerton translation is remarkably faithful, but it is "harsh, stilted, and
syntactically awkward" with an "orientalist" bias and lacks "appreciation of the text's contemporary
religious significance".[278]: 524
The Gita Press has published the Gita in multiple Indian languages.[300] R. Raghava Iyengar translated
the Gita into Tamil in the sandam metre poetic form.[301] The Bhaktivedanta Book Trust associated
with ISKCON has re-translated and published A.C. Bhaktivedanta Swami Prabhupada's 1972 English
translation of the Gita in 56 non-Indian languages.[302][303][note 35] Vinoba Bhave has written the Geeta
in Marathi as Geetai (or "Mother Geeta") in a similar shloka form. Uthaya Sankar SB retold the
complete text in Bahasa Malaysia prose as Bhagavad Gita: Dialog Arjuna dan Krishna di Kurukshetra
(2021).
Paramahansa Yogananda's commentary on the Bhagavad Gita called God Talks with Arjuna: The
Bhagavad Gita has been translated into Spanish, German, Thai and Hindi so far. The book is
significant in that unlike other commentaries of the Bhagavad Gita, which focus on karma yoga,
jnana yoga, and bhakti yoga in relation to the Gita, Yogananda's work stresses the training of one's
mind, or raja yoga.[306]
Bhashya (commentaries)
Bhagavad Gita integrates various schools of thought, notably Vedanta, Samkhya and Yoga, and other
theistic ideas. It remains a popular text for commentators belonging to various philosophical schools.
However, its composite nature also leads to varying interpretations of the text and historic scholars
have written bhashya (commentaries) on it.[307] According to Mysore Hiriyanna, the Gita is "one of
the hardest books to interpret, which accounts for the numerous commentaries on it—each differing
from the rest in one essential point or the other".[308]
According to Richard Davis, the Gita has attracted much scholarly interest in Indian history and
some 227 commentaries have survived in the Sanskrit language alone.[309] It has also attracted
commentaries in regional vernacular languages for centuries, such as the one by Sant Dnyaneshwar
in Marathi (13th century).[310]
Classical commentaries
The Bhagavad Gita is referenced in the Brahma Sutras and numerous scholars wrote commentaries
on it, including Shankara, Bhaskara, Abhinavagupta, Ramanuja, and Madhvacharya.[311][312] Many of
these commentators state that the Gita is "meant to be a moksa-shastra (moksasatra), and not a
dharmasastra, an arthasastra or a kamasastra".[313]
Modern-era commentaries
Reception
Swami Vivekananda referred to the Gita as "a bouquet composed of the beautiful flowers of spiritual
truths collected from the Upanishads." [364]
At a time when Indian nationalists were seeking an indigenous basis for social and political action
against colonial rule, Bhagavad Gita provided them with a rationale for their activism and fight
against injustice.[365] Bal Gangadhar Tilak and Mahatma Gandhi used the text to help inspire the
Indian independence movement.[note 37][note 38] Mahatma Gandhi expressed his love for the Gita in these
words:
I find a solace in the Bhagavadgītā that I miss even in the Sermon on the Mount.
When disappointment stares me in the face and all alone I see not one ray of light, I
go back to the Bhagavadgītā. I find a verse here and a verse there and I immediately
begin to smile in the midst of overwhelming tragedies – and my life has been full of
external tragedies – and if they have left no visible, no indelible scar on me, I owe it
all to the teaching of Bhagavadgītā.[366]
Jawaharlal Nehru, the first Prime Minister of independent India, commented on the Gita:
A. P. J. Abdul Kalam, the 11th President of India, despite being a Muslim, used to read Bhagavad Gita
and recite its mantras.[368][369][370][371][372]
Narendra Modi, the 14th prime minister of India, called the Bhagavad Gita "India's biggest gift to the
world".[373] Modi gave a copy of it to the then President of the United States of America, Barack
Obama in 2014 during his U.S. visit.[374]
According to the Indian historian and writer Khushwant Singh, Rudyard Kipling's famous poem "If—"
is "the essence of the message of the Gita in English."[375]
With its translation and study by Western scholars beginning in the early 18th century, the
Bhagavad Gita gained a growing appreciation and popularity.[web 1]
J. Robert Oppenheimer, American physicist and director of the Manhattan Project, learned Sanskrit in
1933 and read the Bhagavad Gita in the original form, citing it later as one of the most influential
books to shape his philosophy of life. Oppenheimer later recalled that, while witnessing the explosion
of the Trinity nuclear test, he thought of verses from the Bhagavad Gita (XI,12):
दिवि सूर्यसहस्रस्य भवेद्युगपदुत्थिता यदि भाः सदृशी सा स्याद्भासस्तस्य महात्मनः॥११- १२॥ If the radiance of a
thousand suns were to burst at once into the sky, that would be like the splendor of
the mighty one ...[376]
Years later he would explain that another verse had also entered his head at that time:
We knew the world would not be the same. A few people laughed, a few people cried.
Most people were silent. I remembered the line from the Hindu scripture, the
Bhagavad Gita; Vishnu is trying to persuade the Prince that he should do his duty
and, to impress him, takes on his multi-armed form and says, 'Now I am become
Death, the destroyer of worlds.' I suppose we all thought that, one way or
another.[377][note 39]
In a letter to his brother, Oppenheimer wrote that the Gita was "very easy and quite marvelous", and
called the text "the most beautiful philosophical song existing in any known tongue". He later gave
copies of it as presents to his friends and kept a personal, worn-out copy on the bookshelf by his
desk.[380]
Ralph Waldo Emerson, remarked the following after his first study of the Gita, and thereafter
frequently quoted the text in his journals and letters, particularly the "work with inner renunciation"
idea in his writings on man's quest for spiritual energy:[381]
I owed – my friend and I owed – a magnificent day to the Bhagavad Geeta. It was the
first of books; it was as if an empire spoke to us, nothing small or unworthy, but
large, serene, consistent, the voice of an old intelligence which in another age and
climate had pondered and thus disposed of the same questions which exercise us.[381]
The world's largest Bhagavad Gita is in the ISKCON Temple Delhi, which is the world's largest sacred
book of any religion. It weighs 800 kg and measures over 2.8 metres by 2.0 metres. It was unveiled
by Narendra Modi, the Prime Minister of India on 26 February 2019.[382][383] On 27 February 2021,
the Bhagavad Gita was launched into outer space on a SD card, aboard a PSLV-C51 rocket launched
by the Indian Space Research Organisation (ISRO) from the Satish Dhawan Space Centre in
Sriharikota.[384]
In his Myth and Reality, D.D. Kosambi argued that "practically anything can be read into the Gita by
a determined person, without denying the validity of a class system."[389] Kosambi argued that the
Gita was a scripture that supported the superiority of the higher varnas while seeing all other
varnas as "defiled by their very birth, though they may in after-life be freed by their faith in the
god who degrades them so casually in this one."[389] He quotes the Gita which states that Krishna
says "The four-caste (class) division has been created by Me."[389][390] Similarly, V. R. Narla also
argues that the Gita states that God created the caste (varna) system.[391] Narla also critiques the
Gita for stating that those who are not kshatriyas or Brahmins are "born from sinful wombs".[391]
The Gita presents its teaching in the context of a war where the warrior Arjuna is in inner crisis
about whether he should renounce and abandon the battlefield, or fight and kill the enemy (which
includes many relatives and friends of his). He is advised by Krishna to do his sva-dharma, a term
that has been variously interpreted. According to the Indologist Paul Hacker, the contextual meaning
in the Gita is the "dharma of a particular varna".[392] In this case, Arjuna is part of the warrior
(kshatriya) varna (social class), so Krishna is telling Arjuna to do what warrior social class must do
by virtue of his belonging to that class.[392]
Neo-Hindus such as Bankim Chandra Chatterjee, states Hacker, have preferred to not translate it in
those terms, or "dharma" as religion, but leave Gita's message as "everyone must follow his sva-
dharma".[393] According to Chatterjee, the Hindus already understand the meaning of that term. To
render it in English for non-Hindus for its better understanding, one must ask what is the sva-
dharma for the non-Hindus? The Lord, states Chatterjee, created millions and millions of people, and
he did not ordain dharma only for Indians [Hindus] and "make all the others dharma-less", for "are
not the non-Hindus also his children"? According to Chatterjee, the Krishna's religion of Gita is "not
so narrow-minded".[393] This argument, states Hacker, is an attempt to "universalize Hinduism".[393]
Nadkarni and Zelliot present the opposite view, citing early Bhakti saints of the Krishna-tradition
such as the 13th-century saint Dnyaneshwar.[394] According to Dnyaneshwar, the Gita starts off with
the discussion of sva-dharma in Arjuna's context but ultimately shows that caste differences are not
important. For Dnyaneshwar, people err when they see themselves distinct from each other and
Krishna, and these distinctions vanish as soon as they accept, understand and enter with love unto
Krishna.[395][396]
According to Swami Vivekananda, sva-dharma in the Gita does not mean "caste duty", rather it
means the duty that comes with one's life situation (mother, father, husband, wife) or profession
(soldier, judge, teacher, doctor). For Vivekananda, the Gita was an egalitarian scripture that rejected
caste and other hierarchies because of its verses such as 13.27—28, which states "He who sees the
Supreme Lord dwelling equally in all beings, the Imperishable in things that perish, he sees verily. For
seeing the Lord as the same everywhere present, he does not destroy the Self by the Self, and thus
he goes to the highest goal."[397][note 40]
Aurobindo modernises the concept of dharma by internalising it, away from the social order and its
duties towards one's personal capacities, which leads to a radical individualism,[400] "finding the
fulfilment of the purpose of existence in the individual alone."[400] He deduced from the Gita the
doctrine that "the functions of a man ought to be determined by his natural turn, gift, and
capacities",[400] that the individual should "develop freely" [400] and thereby would be best able to serve
society.[400]
Gandhi's view differed from Aurobindo's view.[401] He recognised in the concept of sva-dharma his
idea of svadeshi (sometimes spelled swadeshi), the idea that "man owes his service above all to those
who are nearest to him by birth and situation."[401] To him, svadeshi was "sva-dharma applied to
one's immediate environment."[402]
According to Jacqueline Hirst, the universalist neo-Hindu interpretations of dharma in the Gita are
modernist readings, though any study of pre-modern distant foreign cultures is inherently subject to
suspicions about "control of knowledge" and bias on the various sides.[403] Hindus have their own
understanding of dharma that goes much beyond the Gita or any particular Hindu text.[403] Further,
states Hirst, the Gita should be seen as a "unitary text" in its entirety rather than a particular verse
analyzed separately or out of context. Krishna is presented as a teacher who "drives Arjuna and the
reader beyond initial preconceptions". The Gita is a cohesively knit pedagogic text, not a list of
norms.[404]
Modern-Hinduism
Novel interpretations of the Gita, along with apologetics on it, have been a part of the modern era
revisionism and renewal movements within Hinduism.[405] Bankim Chandra Chatterji, the author of
Vande Mataram – the national song of India, challenged orientalist literature on Hinduism and offered
his interpretations of the Gita, states Ajit Ray.[406][223] Bal Gangadhar Tilak interpreted the karma
yoga teachings in Gita as a "doctrine of liberation" taught by Hinduism,[407] while Sarvepalli
Radhakrishnan stated that the Bhagavad Gita teaches a universalist religion and the "essence of
Hinduism" along with the "essence of all religions", rather than a private religion.[408]
Vivekananda's works contained numerous references to the Gita, such as his lectures on the four
yogas – Bhakti, Jnana, Karma, and Raja.[409] Through the message of the Gita, Vivekananda sought to
energise the people of India to reclaim their dormant but strong identity.[410] Aurobindo saw
Bhagavad Gita as a "scripture of the future religion" and suggested that Hinduism had acquired a
much wider relevance through the Gita.[411] Sivananda called Bhagavad Gita "the most precious jewel
of Hindu literature" and suggested its introduction into the curriculum of Indian schools and
colleges.[412]
According to Ronald Neufeldt, it was the Theosophical Society that dedicated much attention and
energy to the allegorical interpretation of the Gita, along with religious texts from around the world,
after 1885 and given H. P. Blavatsky, Subba Rao and Anne Besant writings.[413] Their attempt was to
present their "universalist religion". These late 19th-century theosophical writings called the Gita as a
"path of true spirituality" and "teaching nothing more than the basis of every system of philosophy
and scientific endeavor", triumphing over other "Samkhya paths" of Hinduism that "have degenerated
into superstition and demoralized India by leading people away from practical action".[413]
Adaptations
Philip Glass retold the story of Gandhi's early development as an activist in South Africa through the
text of the Gita in the opera Satyagraha (1979). The entire libretto of the opera consists of sayings
from the Gita sung in the original Sanskrit.[web 7]
In Douglas Cuomo's Arjuna's dilemma, the philosophical dilemma faced by Arjuna is dramatised in
operatic form with a blend of Indian and Western music styles.[web 8]
The 1993 Sanskrit film, Bhagavad Gita, directed by G. V. Iyer won the 1993 National Film Award for
Best Film.[web 9][web 10]
The 1995 novel by Steven Pressfield, and its adaptation as the 2000 golf movie The Legend of Bagger
Vance by Robert Redford has parallels to the Bhagavad Gita, according to Steven J. Rosen. Steven
Pressfield acknowledges that the Gita was his inspiration, the golfer character in his novel is Arjuna,
the caddie is Krishna, states Rosen. The movie, however, uses the plot but glosses over the teachings
unlike in the novel.[414]
See also
Ashtavakra Gita
Ashtavakra Gita
Avadhuta Gita
Devi Gita
Ganesha Gita
Guru Gita
Uddhava Gita
Vyadha Gita
Notes
References
Citations
1. Davis 2014, p. 2.
2. "Bhagavadgita | Definition, Contents, &
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3. The Song Celestial, Or, Bhagavad-gîtâ (from
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4. Easwaran 2007, pp. 111–122.
5. Eliot Deutsch & Rohit Dalvi 2004, pp. 60–62.
6. Sargeant 2009, pp. x–xviii.
7. Eliot Deutsch & Rohit Dalvi 2004, p. 97
8. Ronald Neufeldt (30 September 1986). Robert
Neil Minor (ed.). Modern Indian Interpreters
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33. ISBN 978-1-4384-1325-9.
9. Eliot Deutsch & Rohit Dalvi 2004, pp. 61–62.
10. Scheepers 2000.
11. Raju 1992, p. 211.
12. Catherine A. Robinson (2014). Interpretations
of the Bhagavad-Gita and Images of the
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13. J.A.B. van Buitenen 2013, pp. 6–7, Quote: "Its
[Bhagavadgita's] importance as a religious
text is demonstrated by its uniquely pan-
Hindu influence".
14. Gerald James Larson (2009). Jacob Neusner
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15. Prabhavananda, Swami; Isherwood,
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16. translated by Sir Edwin Arnold (1885),
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18. Majumdar, Sachindra Kumar (1991). The
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19. Mookherjee, Braja Dulal (2002). The Essence
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87504-40-5. "Bhagavad Gita means that
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20. Dalal, Roshen (2010). Hinduism: An
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411.
21. Sharma 1986, p. ix.
22. Fowler 2012, p. xxiv.
23. J.A.B. van Buitenen 2013, pp. 6, Quote: "ca.
200 BC is a likely date"..
24. Sharma 1986, p. 3.
25. Upadhyaya 1998, pp. 16–18.
26. Moriz Winternitz (1996). A History of Indian
Literature: Buddhist literature and Jaina
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27. Upadhyaya 1998, pp. 17–19.
28. Étienne Lamotte (1929). Notes sur la
Bhagavadgita. Librairie Orientaliste Paul
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29. Arthur Llewellyn Basham (1991). The Origins
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30. Sargeant 2009, pp. 3–4.
31. Heather Elgood (2000). Hinduism and the
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32. Fowler 2012, pp. xxiv–xxiv.
33. College, Bard. "Richard H. Davis" (https://ww
w.bard.edu/academics/faculty/details/?id=2
40) . www.bard.edu. Archived (https://web.ar
chive.org/web/20190201125925/http://ww
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40) from the original on 1 February 2019.
Retrieved 9 June 2021.
34. Davis 2014, p. 3.
35. Fowler 2012, p. xxvi
36. M.V. Nadkarni 2016, pp. 16.
37. Alexus McLeod (2014). Understanding Asian
Philosophy (https://books.google.com/books?
id=X1PwAwAAQBAJ) . A&C Black. pp. 168–
169. ISBN 978-1-78093-631-4.
38. David Slavitt (2015). Mahabharata (https://b
ooks.google.com/books?id=yHfIBgAAQBAJ) .
Northwestern University Press. p. vii.
ISBN 978-0-8101-3060-9.
39. T.A. Gopinatha Rao (1985). Elements of Hindu
Iconography (https://books.google.com/book
s?id=MJD-KresBwIC) . Motilal Banarsidass.
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40. Lawrence Cohen (1991). Robert L. Brown
(ed.). Ganesh: Studies of an Asian God (http
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C) . State University of New York Press.
p. 132. ISBN 978-0-7914-0656-4.
41. George M. Williams (2008). Handbook of
Hindu Mythology (https://books.google.com/
books?id=N7LOZfwCDpEC&pg=PA304) .
Oxford University Press. p. 304. ISBN 978-0-
19-533261-2., Quote: "Veda Vyasa was said to
have edited the four Vedas and authored the
Puranas and the Mahabharata. Accomplishing
all that would require a human who lived
several thousand years, so scholars do place
the story of his achievements as those of
one man in the area of mythology."
42. Davis 2014, p. 37, Quote: "Textual historians
generally prefer terms that undercut any
implications of Vyasa's actual authorship.
They refer to Vyasa as a mythical or
symbolic author of the Mahabharata.".
43. Upadhyaya 1998, p. 25 with footnote 1.
44. Swami Vivekananda (1958). The Complete
Works of Swami Vivekananda (https://archiv
e.org/details/in.ernet.dli.2015.99642) . Vol. 4
(12th ed.). Advaita Ashram. pp. 102 (https://
archive.org/details/in.ernet.dli.2015.99642/pa
ge/n114) –104.
45. Alexus McLeod (2014). Understanding Asian
Philosophy (https://books.google.com/books?
id=X1PwAwAAQBAJ) . A&C Black. pp. 169–
170. ISBN 978-1-78093-631-4.
46. J.A.B. van Buitenen 2013, pp. 5–6
47. Franklin Edgerton (1952). The Bhagavad Gita,
Part 2. Harvard University Press. pp. 3–4.
48. James L. Fitzgerald (1983). "The Great Epic of
India as Religious Rhetoric: A Fresh Look at
the "Mahābhārata" ". Journal of the American
Academy of Religion. 51 (4): 615–619, context:
611–630.
49. Minor 1982, p. xxxiv, Quote: "Therefore,
instead of the traditional view of authorship,
many scholars have argued that the Gita is
not the work of one author but a composite
work.".
50. Arthur Llewellyn Basham (1991). The Origins
and Development of Classical Hinduism (http
s://books.google.com/books?id=2aqgTYlhLik
C) . Oxford University Press. pp. 85–87.
ISBN 978-0-19-507349-2.
51. James G. Lochtefeld (2001). The Illustrated
Encyclopedia of Hinduism, Volume 1 (https://
books.google.com/books?id=5kl0DYIjUPgC) .
The Rosen Publishing Group, Inc. p. 93.
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eb.archive.org/web/20230119140900/http
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C) from the original on 19 January 2023.
Retrieved 10 October 2018.
52. Keya Maitra (2018). Philosophy of the
Bhagavad Gita: A Contemporary Introduction
(https://books.google.com/books?id=UmRHD
wAAQBAJ) . Bloomsbury Publishing. pp. 5–6.
ISBN 978-1-350-04017-5.
53. NV Isaeva (1992), Shankara and Indian
Philosophy, State University of New York
Press, ISBN 978-0-7914-1281-7, p. 35 with
footnote 30
54. Sutton 2017, p. 113.
55. Charlotte Vaudeville has said, it is the 'real
Bible of Krsnaism' (https://books.google.co
m/books?id=1oqTYiPeAxMC&dq=%22bible+of+
Krsnaism%22&pg=PT119) . Quoted in:
Matchett 2000
56. James Mulhern (1959). A History of
Education: A Social Interpretation. p. 93.
57. Franklin Edgerton (1925) The Bhagavad Gita:
Or, Song of the Blessed One, India's Favorite
Bible pp. 87-91 (https://books.google.com/bo
oks?id=Y1guGAfGr6UC&dq=%22bible+of+Krsna
ism%22&pg=RA2-PA87)
58. Davis 2014, p. 4-8.
59. Flood 1996, p. 124–128.
60. Nicholson 2010, p. 7.
61. Singh 2005, p. 37.
62. Nakamura 1950, p. 3.
63. Flood 1996, pp. 231–232, 238.
64. Ronald Neufeldt (1986). Robert Neil Minor
(ed.). Modern Indian Interpreters of the
Bhagavad Gita (https://books.google.com/bo
oks?id=Ku2DGm20WWUC) . State University
of New York Press. pp. 11–12, 213. ISBN 978-
0-88706-297-1.
65. Coburn, Thomas B. (1984), " 'Scripture' in
India: Towards a Typology of the Word in
Hindu Life", Journal of the American Academy
of Religion, 52 (3): 435–59,
doi:10.1093/jaarel/52.3.435 (https://doi.org/
10.1093%2Fjaarel%2F52.3.435) ,
JSTOR 1464202 (https://www.jstor.org/stabl
e/1464202)
66. Tapasyananda 1990, p. 1
67. Upadhyaya 1998, pp. 10–12 with footnote 1
on p. 11.
68. Davis 2014, pp. 39–40.
69. Minor 1982, pp. li–lii, Quote: "the Kashmir
recension is a later reading of the Gita."
(note the different views of F Otto Schrader
from those of SK Belvalkar as well as JAB
van Buitenen.).
70. Sutton, Nicholas (16 December 2016).
Bhagavad-Gita (https://books.google.com/boo
ks/about/Bhagavad_Gita.html?id=eNzUnQAAC
AAJ) . Blurb, Incorporated. p. 12. ISBN 978-1-
366-61059-1.
71. Maitra 2018, pp. 5, 26–30, 143.
72. Robinson 2006, pp. 69–70, 95–100.
73. Robinson 2006, p. 95.
74. Minor 1986, pp. 74–75, 81.
75. Gavin Flood (2004). The Ascetic Self:
Subjectivity, Memory and Tradition (https://
books.google.com/books?id=fapXqp-JSL0C) .
Cambridge University Press. pp. 85–89 with
notes. ISBN 978-0-521-60401-7.
76. Robin Gill (2017). Moral Passion and Christian
Ethics (https://books.google.com/books?id=x
NwcDgAAQBAJ) . Cambridge University Press.
pp. 129–130. ISBN 978-1-107-17682-9.
77. Robert Charles Zaehner (1973). The
Bhagavad-gītā (https://books.google.com/boo
ks?id=nY6PRhqdlJsC) . Oxford University
Press. pp. 187, 200. ISBN 978-0-19-501666-6.
78. Nikam, N.A. (1952). "A Note on the Individual
and His Status in Indian Thought". Philosophy
East and West. 2 (3). University of Hawai'i
Press: 254–258. doi:10.2307/1397274 (http
s://doi.org/10.2307%2F1397274) .
JSTOR 1397274 (https://www.jstor.org/stabl
e/1397274) .
79. Franklin Edgerton (1952). The Bhagavad Gita,
Part 2. Harvard University Press. pp. 91–92.
80. Jonardon Ganeri (2007). The Concealed Art of
the Soul: Theories of Self and Practices of
Truth in Indian Ethics and Epistemology (http
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AJ) . Oxford University Press. pp. 68–70.
ISBN 978-0-19-920241-6.
81. Christopher G. Framarin (2006). "The Desire
You Are Required to Get Rid of: A
Functionalist Analysis of Desire in the
Bhagavadgītā". Philosophy East and West. 56
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doi:10.1353/pew.2006.0051 (https://doi.org/
10.1353%2Fpew.2006.0051) . JSTOR 4488055
(https://www.jstor.org/stable/4488055) .
S2CID 170907654 (https://api.semanticschola
r.org/CorpusID:170907654) .
82. Arthur Llewellyn Basham (1991). The Origins
and Development of Classical Hinduism (http
s://books.google.com/books?id=2aqgTYlhLik
C) . Oxford University Press. pp. 86–87.
ISBN 978-0-19-507349-2.
83. White, David (1971). "Human Perfection in the
Bhagavadgita". Philosophy East and West. 21
(1). University of Hawai'i Press: 43–53.
doi:10.2307/1397763 (https://doi.org/10.230
7%2F1397763) . JSTOR 1397763 (https://ww
w.jstor.org/stable/1397763) .
84. M.V. Nadkarni 2016, pp. 82, 95–96
85. Franklin Edgerton (1952). The Bhagavad Gita,
Part 2. Harvard University Press. pp. 47–48,
73–74, 83–84.
86. Minor 1986, pp. 38–39, 123–128, 143.
87. Gavin Flood (2004). The Ascetic Self:
Subjectivity, Memory and Tradition (https://
books.google.com/books?id=fapXqp-JSL0C) .
Cambridge University Press. pp. 83–84 with
notes. ISBN 978-0-521-60401-7.
88. Sargeant 2009, p. xii.
89. Robinson 2006, pp. 92–93, 133–134.
90. Upadhyaya 1998, pp. 474–475.
91. Hiltebeitel 2002.
92. Scheepers 2000, pp. 122–127.
93. Galvin Flood; Charles Martin (2013). The
Bhagavad Gita: A New Translation (https://b
ooks.google.com/books?id=PDYEAwAAQBAJ&p
g=PR26) . W.W. Norton & Company. p. xxvi.
ISBN 978-0-393-34513-1.
94. Fowler 2012, pp. xxi–xxii.
95. M.V. Nadkarni 2016, pp. 18–19
96. Friedrich Otto Schrader (1908). A descriptive
catalogue of the Sanskrit manuscripts in the
Adyar Library (https://books.google.com/bo
oks?id=QD-Qmb2XIr8C&pg=PA57) . Adyar
Library Oriental Pub. p. 57.
97. Minor 1982, pp. l–li, Quote: "The current text
of the Bhagavad Gita is well-preserved with
relatively few variant readings and none
quite serious. This is especially remarkable in
the light of the numerous variants for the
remainder of the Mahabharata, some of
which are quite serious. Secondary insertions
are found in individual manuscripts of the
Gita, but these are clearly secondary. The
number of stanzas in the Gita is 700, a
number confirmed by Shankara, and possibly
deliberately chosen in order to prevent
interpolations."
98. Gambhirananda 1997, p. xvii.
99. Minor 1982, pp. l–li.
100. Minor 1982, pp. l–ii.
101. Galvin Flood; Charles Martin (2013). The
Bhagavad Gita: A New Translation (https://b
ooks.google.com/books?id=PDYEAwAAQBAJ) .
W.W. Norton & Company. p. xxviii. ISBN 978-
0-393-34513-1.
102. Coburn 1991, p. 27.
103. Sargeant 2009, p. 8.
104. Egenes 2003, p. 4.
105. Alexus McLeod (2014). Understanding Asian
Philosophy (https://books.google.com/books?
id=X1PwAwAAQBAJ) . A&C Black. p. 136.
ISBN 978-1-78093-631-4.
106. Fowler 2012, p. xxii
107. Davis 2014, pp. 1–2.
108. Kriyananda, Goswami (1994). The Bhagavad
Gita (3rd ed.). Chicago, IL: The Temple of
Kriya Yoga. p. 4. ISBN 978-0-9613099-3-0.
109. Eliot Deutsch & Rohit Dalvi 2004, pp. 59–61.
110. Galvin Flood; Charles Martin (2013). The
Bhagavad Gita: A New Translation (https://b
ooks.google.com/books?id=PDYEAwAAQBAJ&p
g=PR26) . W.W. Norton & Company. pp. xv–
xvi. ISBN 978-0-393-34513-1.
111. Casebeer 1952, p. 94.
112. Casebeer 1952, p. 12-13.
113. Bose 1986, p. 71
114. Maitra 2018, p. 39.
115. Chidbhavananda 1997, p. 33
116. Chinmayananda 1998, p. 3
117. Ranganathananda 2000, pp. 15–25
118. Easwaran 2007, pp. 5–6.
119. Maitra 2018, pp. vii–viii.
120. Easwaran 2007, pp. 71–82.
121. Sharma 1986, pp. xiv–xv.
122. Easwaran 2007, pp. 83–98.
123. Sharma 1986, pp. xv–xvi.
124. Sargeant 2009, p. xx.
125. Sargeant 2009, p. xxviii.
126. Easwaran 2007, pp. 99–110.
127. Fowler 2012, pp. 50–63, 66–70.
128. Galvin Flood; Charles Martin (2013). The
Bhagavad Gita: A New Translation (https://b
ooks.google.com/books?id=PDYEAwAAQBAJ) .
W.W. Norton & Company. p. xix. ISBN 978-0-
393-34513-1.
129. Galvin Flood; Charles Martin (2013). The
Bhagavad Gita: A New Translation (https://b
ooks.google.com/books?id=PDYEAwAAQBAJ) .
W.W. Norton & Company. p. xxi. ISBN 978-0-
393-34513-1.
130. Arthur Llewellyn Basham (1991). The Origins
and Development of Classical Hinduism (http
s://books.google.com/books?id=2aqgTYlhLik
C) . Oxford University Press. p. 93. ISBN 978-
0-19-507349-2.
131. Miller 1986, p. 59.
132. Easwaran 2007, pp. 123–132.
133. Fowler 2012, pp. 91–103.
134. Easwaran 2007, p. 139.
135. Radhakrishnan 1993, p. 187.
136. Miller 1986, p. 63.
137. Sargeant 2009, p. 272.
138. Franklin Edgerton (1952). The Bhagavad Gita,
Part 2. Harvard University Press. p. 118.
139. Galvin Flood; Charles Martin (2013). The
Bhagavad Gita: A New Translation (https://b
ooks.google.com/books?id=PDYEAwAAQBAJ) .
W.W. Norton & Company. p. 49. ISBN 978-0-
393-34513-1.
140. Easwaran 2007, pp. 133–146.
141. Fowler 2012, pp. 106–120.
142. Schweig 2007, p. 327-328.
143. Easwaran 2007, pp. 147–156.
144. Easwaran 2007, pp. 157–168.
145. Sutton 2017, p. 137.
146. Easwaran 2007, pp. 169–178.
147. Southgate 2005, p. 246.
148. Max Bernhard Weinsten, Welt- und
Lebensanschauungen, Hervorgegangen aus
Religion, Philosophie und Naturerkenntnis
("World and Life Views, Emerging From
Religion, Philosophy and Perception of
Nature") (1910), p. 213: "Wir werden später
sehen, daß die Indier auch den Pandeismus
gelehrt haben. Der letzte Zustand besteht in
dieser Lehre im Eingehen in die betreffende
Gottheit, Brahma oder Wischnu. So sagt in
der Bhagavad-Gîtâ Krishna-Wischnu, nach
vielen Lehren über ein vollkommenes Dasein."
149. Easwaran 2007, pp. 179–190.
150. Easwaran 2007, pp. 191–202.
151. T. S. Maxwell (1988). Viśvarūpa (https://book
s.google.com/books?id=6AbWAAAAMAAJ) .
Oxford University Press. pp. 131–136.
ISBN 978-0-19-562117-4.
152. Kapila Vatsyayan; Bettina Bäumer; Ramesh
Chandra Sharma (1988). Kalātattvakośa (http
s://books.google.com/books?id=dhRKCh70ou
MC) . Motilal Banarsidass. pp. 79–81, 87–88.
ISBN 978-81-208-1917-7.
153. Easwaran 2007, pp. 203–210.
154. Moffitt, John (1977). "The Bhagavad Gita as
Way-Shower to the Transcendental".
Theological Studies. 38 (2). Sage Publications:
323, context: 316–331.
doi:10.1177/004056397703800204 (https://d
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S2CID 170697131 (https://api.semanticschola
r.org/CorpusID:170697131) .
155. Easwaran 2007, pp. 211–220.
156. Fowler 2012, pp. 216–221.
157. Arthur Llewellyn Basham (1991). The Origins
and Development of Classical Hinduism (http
s://books.google.com/books?id=2aqgTYlhLik
C) . Oxford University Press. pp. 88–89.
ISBN 978-0-19-507349-2.
158. Miller 1986, p. 12.
159. Easwaran 2007, pp. 221–228.
160. Miller 1986, pp. 12–13, 59.
161. J.A.B. van Buitenen 2013, pp. =35–36.
162. Maitra 2018, pp. 17–18.
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External links
Retrieved from
"https://en.wikipedia.org/w/index.php?
title=Bhagavad_Gita&oldid=1223052641"