Padios FDLP in Arts Unit 3
Padios FDLP in Arts Unit 3
Padios FDLP in Arts Unit 3
I. OBJECTIVES
A. CONTENT The learner …
STANDARDS Art elements and processes by synthesizing and applying prior
knowledge and skills.
B. PERFORMANCE The learner …
STANDARDS Perform/ participate competently in a presentation of
a creative impression (verbal or nonverbal) from
the neoclassic and
Romantic periods.
A. LEARNING The learners …
COMPETENCIES/C Demonstrates an understanding of basic concepts and processes
ODE: in music and the arts
through appreciation, analysis and performance for his/her self-
development.
B. SPECIFIC 1. Identify the distinct characteristics of arts during the
OBJECTIVES Neoclassic and Romantic periods.
2. Reflect on and derive the mood idea or message emanating from
selected artworks of the Neoclassic and Romantic Periods.
3. Create artworks guided by techniques and styles of
Neoclassic and Romantic periods. / Make an artwork that
represents Neoclassic and Romantic art traditions to
Philippine artworks.
II.CONTENT Orientation about the subjects, grading system, use of rubrics and other reminders.
SUBJECT MATER MAPEH
A. REFERENCES/LEA A. Teacher’s Guide pp. C. Text Book/ Module pp.
RNING RESOURCES: B. Learner’s Material pp. D. Other Materials :
Characteristics:
- Portrayal of roman history
- Formal composition
- The use of diagonals to show the peak of an emotion or moment
(versus a regular moment)
CHARACTERISTICS NEOCLASSICISM
VALUES Order, solemnity
INSPIRATION Classical Rome, patriotism, courage,
honor
TONE Calm, rational
SUBJECTS Greek and Roman history
TECHNIQUE Stressed drawing with lines, not color;
no trace of brushstroke.
ROLE OF ART Morally uplifting, inspirational.
COMPOSITION Most figures are in the foreground.
BEST KNOWN PAINTER J. L. David
- Local color
- Overall lighting
- Classic geo-structure
NEOCLASSIC ART
Neoclassical artists embraced the ideals of order and moderation
in which artistic presentations of classic Greek and Roman history
were restored to realistic portrayals. Neoclassical painters gave
great importance to the costumes, settings, and details of the
classical subject matter without adding distracting details but
with as much historical accuracy as possible. Below are some of
them:
Famous Artworks:
NEOCLASSICAL SCULPTURES
The Neoclassical period was one of the great ages of public sculpture.
Artists looked to Roman styles during the time of Alexander the Great
for inspiration as well as to mimic their style.
Famous Artworks:
Psyche Awakened by Cupid’s
Kiss
(A. Canova)
A marble sculpture
portraying the relationship
between Psyche and Cupid.
Famous Artworks:
A sculpture of a
dying lion in Lucerne
Switzerland that
commemorates the Swiss
Guards who were massacred in
1972 during the French
Revolution.
Neoclassical Structure
Pantheon, Paris
by Jacques- Germain Soufflot
PALLADIAN STYLE
Palladian buildings were based on Andrea Palladio’s style of
villa construction. Some of the buildings feature a balustrade
which is a railing with vertical supports along the edge of the
roof. There are vertical supports within a balustrade known as
“balusters” or spindles.” It is also a classical method of
crowning a building that has a flat or low-lying roof. One of the
famous architects in the era was:
White House
Library of Saint
Genevieve
(H. Labrouste)
PALAIS Garnier PARIS
OPERA HOUSE
(B. GARNIER
Processing Question:
1. What are the Characteristics of the Neoclassical sculptures and
architecture?
2. How do artists convey their ideas?
3. Give some examples of buildings that have influenced
the architectural style of Neoclassicism in our country.
4. What can you say about their art styles?
E. DISCUSSING NEW
CONCEPTS AND INSTRUCTION: Below are the best examples of artworks in
PRACTICING NEW Neoclassic Period. Give their characteristics according to what is
SKILLS #2 asked.
Values: ____________
Inspiration: __________
Subject:
Role: ______________
Values:
Inspiration: __________
Subject:
Role: ______________
F.DEVELOPING Reflection:
MASTERY (Leads to
1. What can you say about our activity today?
Formative Assessment) 2. What do you think the message of each artwork trying to
convey to us?
3. How do you feel after seeing the artworks in the Neoclassical and
Romantic periods?
4. Why do you think we need to study all the famous artists together
with their artwork during this period?
G.FINDING Activity.
PRACTICAL Observe your surroundings, try to reflect, and appreciate all the
APPLICATION OF artworks that you could see including paintings, buildings, and
CONCEPTS AND sculptures, and answer the following questions being asked;
LIVING:
1. While observing, do you see an artwork that you think is
inspired by Neoclassical?
2. What are the characteristics present in the artwork?
3. How do the artworks from Neoclassical helps us in the
development of our own cultural identity?
H.GENERALIZATION As a student and youth, how can you help promote and preserve
/ ABSTRACTION: our artworks for the future generation?
I. EVALUATING Test I.
LEARNING:
Directions: Identify the artists and their artworks; architecture, paintings,
and sculptures. Each number corresponds to two points.
1.
2.
3.
4.
5.
Test II.
DIRECTION: Read the questions carefully and write the letter only.
____1. The art style in this period was brought about by the renewed interest
in Greek and Roman classics.
a. Renaissance b. Romantic c. Neoclassical d. Baroque
____2. The word neoclassic came from the Greek word neos meaning ____.
J.ENRICHMENT Assignment: Discuss the lives of the following artists of the Romantic
ACTIVITIES: Era and give at least two of their famous artworks:
a. Jean-Louis-Theodore Gericault
b. Eugene Delacroix
c. Francisco Goya
d. Francois Rude
e. Antoine-Louis Barye
K.REMEDIATION
L.REMARKS: 1. Which of my teaching strategies worked well?
4.What innovation or localized material did I use/ discover which I wish to share
with other teachers?
M. REFLECTION:
N. REMARKS
O. Instructional
Decision (ID):
SECTION: PRESENT: ABSENT: No. of learners with 80%ML: No. Of learners that needs remediation
SECTION: PRESENT: ABSENT: No. of learners with 80%ML: No. Of learners that needs remediation
SECTION: PRESENT: ABSENT: No. of learners with 80%ML: No. Of learners that needs remediation
SECTION: PRESENT: ABSENT: No. of learners with 80%ML: No. Of learners that needs remediation
SECTION: PRESENT: ABSENT: No. of learners with 80%ML: No. Of learners that needs remediation
SECTION: PRESENT: ABSENT: No. of learners with 80%ML: No. Of learners that needs remediation