24600-Article Text-82420-1-10-20160715
24600-Article Text-82420-1-10-20160715
24600-Article Text-82420-1-10-20160715
Abstract: In the history, all values have to stand the tough challenge of time, and
everything without value will gradually be forgotten. Following this rule, distinctive
authors and works have been constantly studied, discussed actively over the periods.
The Tale of Kiều by Nguyễn Du is such a phenomenon. The reason why this
masterpiece is discussed, studied actively by numerous readers and scholars over
the periods is that it hides many values and accumulates many ideologies which
have not been discussed completely over the time. Over the past two hundred years,
the Tale of Kiều have been always awaken, questioned, delved. The more studies and
contemplation there are, the more hidden ideologies, values consistent with each era
they find, of which the researchers have revealed to engage in the current life. When
learning the process of studying ideologies in the Tale of Kiều, we have found that
the studies are increasingly profound, comprehensive, convincing and the works
itself are increasingly opening new depths.
Key words: The Tale of Kiều, Study on the Tale of Kiều, Ideology in the Tale of Kiều,
Nguyễn Du
1. Studies on the Tale of Kiều in the The majority of researchers explored the
19th century were mainly articles of aspect of conflict between talent and fate
Confucian scholars, expressing in the Tale of Kiều such as Phạm Quý
empathy, compassion, sharing with Thích, Thập Thanh Thị, Mộng Liên
Nguyễn Du’s inspiration on the “fate of Đường... For example, in Bài tựa
the ingenious”, especially those Truyện Kiều by Mộng Liên Đường, the
beautiful, talented but ill-fated women. author wrote: In human existence, if there
44 Social Sciences Information Review, Vol.9, No.3, September, 2015
are ingenious talents there will be ideology here is the “conflict between
misadventures. Their talent is not talent and fate” which is the core of the
empathized, their love is not satisfied, whole story. Not only he described the
and these are the root cause of “pains”. ideology on talent-fate in the Tale of
Emphasizing the heartaches for the Kiều, Đào Duy Anh also pointed out
ingenious of the work is a major study the limitations of ideology of conflict
direction of many Confucian scholars in between talent and fate: “Instead of
this period. In Tổng vịnh Truyện Kiều, studying on the root cause in the
Phạm Qúy Thích wrote: society, people followed the common
mysterious, idealist trend to explain that
Nửa gối đoạn trường tan giấc điệp there are such misadventures in the
Một giây bạc mệnh dứt cầm loan society because the Way of God
Cho hay những kẻ tài tình lắm naturally hates everything perfect” (Đào
Trời bắt làm gương để thế gian Duy Anh, 1958, p.399).
order to maintain the feudal order. The These works mention specific and
author believed that, In Nguyễn Du’s profound humanitarian thoughts in the
era, due to experiences of consecutive Tale of Kiều, associating them with
misadventures, he couldn’t explain the people’ desire for liberation in the
root cause, hence Nguyễn Du had to use feudal society: Nguyễn Du’s motivation
Confucianism’s ideology on heaven’s to compose was the feelings for his
will. However, the difficulty is not to time, for what he saw and what touched
reveal harms of ideology on heaven’s his heart and mind. It means Nguyễn
will but to determine properly the Du told a story of ebb and flow which
position and effects of ideology on he had witnessed, an inhuman society
heaven’s will in the Tale of Kiều. which buffeted people. Hence,
Regarding to Confucianism in the Tale according to the author, the key value
of Kiều, previously scholar Phạm of the work is denunciation of the dark
Quỳnh mentioned The Doctrine of the society and humanitarianism expressed
Mean; some other authors discussed in the people’s desire for liberation and
moral, ethical, politeness. In fact, the boundless love for human.
scope is far bigger, such as ideology on Regarding to the article Tác phẩm của
heaven’s will, awareness of family Nguyễn Du sống mãi trong lòng nhân
preservation, benevolence, respect of dân in the book Kỷ niệm hai trăm năm
compassion, conscience and life... sinh Nguyễn Du (1971), the author Từ
Sơn mentioned the dream to eliminate
While previous studies on ideology in grievances and injustice in the society.
the Tale of Kiều mainly discussed Especially regarding to Từ Hải’s dream,
issues on talent-fate, trivialized the author believed that Từ Hải
ingenious, talented but ill-fated people
represented for the unfortunately failed
or Buddhist ideology, Confucianism in
uprising of the oppressed masses. This
the work, the later period opened a new
reflected the failure of people’s uprising
era in the history of studying ideology in
against feudal oppression. The author
the Tale of Kiều. It was when
affirmed that this was the love of
researchers started to examine the social
people, desire to eliminate all injustices
causes for Kiều’s misfortune which was
and guidance to happiness.
the institutions of the cruel feudal
society. Hence, researchers started to Regarding to Truyện Kiều trong văn
discover humanitarian ideologies hóa Việt Nam, Xuân Diệu believed that
associated with anti-feudal spirit. Two all misfortunes of talented people were
outstanding works on humanitarian due to the feudal society. It was the
thoughts in the Tale of Kiều are Quyền decadent, reactionary society that killed
sống của con người trong Truyện Kiều the talents. The narrow feudal society
của Nguyễn Du by Hoài Thanh (1949) couldn’t accept the talents, and actually
and Truyện Kiều và chủ nghĩa hiện thực there wasn’t any fate. This is a
của Nguyễn Du by Lê Đình Kỵ (1971). trenchant and true argument for
Study on ideological aspects… 47
shortcomings in feudalism: “That living space. “It can be said that the
feudal regime survived longer, more Tale of Kiều is a broad picture of the
rottenly and severely, it couldn’t accept life in the poet’s era, in which Nguyễn
the talents, for example: the Đỗ Thập Du wanted to highlight the stark
Nương had to become prostitutes, the contrasts between people’s especially
Thúy Kiều had to prostitute themselves, women’s, right to live with the
the Giả Bảo Ngọc had to be wrathful; oppression of the decaying feudal
that society couldn’t also accept system. It can be said that, to some
beautiful women because glorious extent, a high-spirited humanitarianism
beauty was not to obey the feudal with its anti-feudal militancy were the
normality, “ill-fated beautiful woman” concrete base of this great work”
is not only prejudice but also (Nguyễn Lộc, 1976, p.828).
summarized experience from thousands 3. In the South of Vietnam, in the 60s
of years and life under the feudal of the 20th century, the Tale of Kiều
regime” (Xuân Diệu, 2013, pp.73-74). was studied in a different perspective.
In the article Bản cáo trạng cuối cùng The majority of authors explored the
trong Truyện Kiều, Xuân Diệu once ideology on destiny. Hà Như Chi
again mentioned the desire for love, believed: Basic philosophy of the Tale
of Kiều was the belief in fate. Fate is
youth and passionate life through Kim-
the extremely harsh, irresistible power.
Kiều’s love. A clever and extremely
Facing such extremely tremendous
humanistic finding of the author was
power, Nguyen Du only advised us to
promotion and appreciation of Kim-
nurture kindness, to do good deeds and
Kiều’ secret dreams and desires in the
cultivate virtues in order to change fate
reunion night, however Kiều was
and believe in the ultimate justice of
determined to change love into
heaven and earth (Refer to: Hà Như
friendship - it was a powerful
Chi, 1956). Thạch Trung Giả also had
accusation of the society which had
the same view, believing that the
deprived people’s happiness and
ideology on fate in the Tale of Kiều was
freedom to love (Xuân Diệu, 1971).
the strongest influence on the work
Regarding to researcher Nguyễn Lộc, (Thạch Trung Giả, 1973).
he summed humanitarian ideologies in Opposing the ideology of fate in the
The Tale of Kiều, deeply explored life Tale of Kiều, the author Trần Bích Lan
of the era in which Nguyen Du lived, studied the work under the
presented findings and detections on existentialism. According to the author,
stark contrasts between people’s, “the foundation of the Tale of Kiều is
especially women’s, right to live with fatalism, Nguyễn Du wrote the story to
the suffocating feudal society with no illustrate such fatalism whether under
way out, which forced people to stand the concept of Confucianism or
up to untie themselves, to free their Buddhism. However, it is only one side
48 Social Sciences Information Review, Vol.9, No.3, September, 2015
of the story. People are put into life reprinted in 2002) and Tìm hiểu phong
randomly but they are the results of cách Nguyễn Du trong Truyện Kiều by
actions they choose. J.P. Sartre denied Phan Ngọc (1985, reprinted in 2001).
the nature of human’s fate. Human are
free to create themselves, free to choose Researcher Trần Đình Sử studied the
their actions”. It was Kiều who chosen Tale of Kiều through the categories of
to leave, to return a benefaction and modern prosody such as artistic vision,
revenge, not to sleep with Kim Trọng. space and time. The author started from
Hence, it was a series of Kiều’s asserting “in the Tale of Kiều, Nguyễn
conscious choices rather than fateful Du created a new ideological theme
arrangements and she was fully aware compared to the original, thereby
of. People can experience on such an creating a new storyline and totally new
open research direction which stands storytelling: Nguyễn Du’s creation
firm for the view of freedom to choose started from the new ideological theme,
one’s action and one’s own decision on new artistic vision of human, to features
their fate (Trần Bích Lan, 1960). of artistic space and time, portrait of
author and artistic colors. Forms of
4. The 1980s were a new era for the writing such as interior monologue,
history of reception andstudies on the classic references, metaphor, form of
Tale of Kiều with abundant, diverse the plot, all showed Nguyễn Du’s
forms in the context of international prosody” (Trần Đình Sử, 2002, p.24).
integration. National cultural exchanges Trần Đình Sử made new analysis on
were expanded, the capabilities to study prosody for interesting and new artistic
and receive methods of literary reading vision of human, artistic time in the
expanded much more than before. As if Tale of Kiều. On the other side, he
to compensate for the shortage in the believed: the Tale of Kiều is not only
previous period due to overrating the the story about conflict between talent
ideological content of the Tale of Kiều, and fate but also the story about the
most of researches in this period focused word “heart”, about the relationship
on studying artistic form of the work and between talent and heart. It was the
made some achievements. There were word “heart” that made Kiều cried for
many studies on the form of the Tale of Đạm Tiên, made her sell herself to
Kiều, such as prosody, style; they redeem her father, advised Thúc Sinh to
mainly studied wordings, i.e. studied the return, acquitted Hoạn Thư, completely
Tale of Kiều as a work of art in words, a returned a benefaction and revenged...
whole world of art, the art of describing It is clearly that the word “heart” played
emotions and scenes, the art of an important role in the storyline. Trần
describing moods of the characters and Đình Sử asserted, the Tale of Kiều was
even the ideological themes of the work. created to challenge the human’s heart
The two outstanding works are Thi pháp when facing misfortunes, Nguyễn Du’s
Truyện Kiều by Trần Đình Sử (1981, entire creation was mainly to make the
Study on ideological aspects… 49
explain the Tale of Kiều. Even more 2. Thích Thiện Ân (1985), “Giá trị triết
surprisingly, Đỗ Minh Tuấn applied học tôn giáo trong Truyện Kiều”
Freud’s theory to study Kiều in the (Values of religious philosophy in the
article Thúy Kiều và khát vọng giải sex. Tale of Kiều), Culture Magazine,
no.10.
Currently, studies on the Tale of Kiều
have applied and experienced many 3. Hà Như Chi (1956), Việt Nam thi văn
modern theories and methods. For giảng luận (Vietnam poetry sermon),
Vol. 2, published by Tân Việt,
example, Department of Vietnamese
Hanoi.
literature studies is applying new
methods in studying the Tale of Kiều 4. Xuân Diệu (1971), Bản cáo trạng
such as genre analytical method, cuối cùng trong Truyện Kiều, trong:
Kỷ niệm 200 năm năm sinh Nguyễn
typological method, method of
Du (1765-1965) (The last indictment
comparing historical types, modern in the Tale of Kiều, in:
prosody, method of studying style... Bicentennial celebration of Nguyen
Thus, so far, the authors’ studies on the Du's birth (1765-1965)), second
Tale of Kiều have mainly explored, edition, Social Sciences Publishing
learnt about Confucianism, Buddhism, House, Hanoi.
ethics, aesthetics, conflict between talent 5. Xuân Diệu (reprinted in 2013),
and fate, humanism which genius Truyện Kiều trong văn hóa Việt Nam
Nguyễn Du has put into his famous (The Tale of Kiều in Vietnamese
work. Besides, readers who love the culture), Youth Publishing House,
Tale of Kiều also explore hidden values Sài Gòn.
in the work such as moral, aesthetic, 6. Cao Huy Đỉnh (2005), Triết lý đạo
artistic and cultural values. Not only Phật trong Truyện Kiều (Buddhist
limited to mentioned values, the Tale of philosophy in the Tale of Kiều), in the
Kiều definitely contains many book: 200 năm nghiên cứu bàn luận
unanswered mysteries, like hidden Truyện Kiều (200 years of discussing
icebergs in the ocean. Each era, each and studying the Tale of Kiều),
generation will find values suitable to Education Publishing House, Hanoi.
their era in the work, each era will 7. Thạch Trung Giả (1973), Văn học
discover wonderful things. This means phân tích toàn thư (Complete literary
debates, mixed opinions, diverse analysis), published by Lá Bối, Sài
perspectives on the Tale of Kiều will Gòn..
endlessly occur with time 8. Nhất Hạnh (2000), Thả một bè lau -
Truyện Kiều dưới cái nhìn thiền quán
References (Float a reed raft - The Tale of Kieu
1. Đào Duy Anh (1958), Khảo luận về from the view of meditation),
Truyện Thúy Kiều (Treatise on Kim published by Lá Bối, Sài Gòn..
Vân Kiều), Literature Publishing
House, Hanoi. (continued on page 55)