Milq2 LC4
Milq2 LC4
Milq2 LC4
A. No. Of learners
who earned 80% in
the evaluation
B. No. Of learners
who require
additional activities
for remediation
C. Did the remedial
lessons work?No.
Of learners who
have caught up with
the lesson.
D. No. of learners
who continue to
require remediation.
E. Which of my
learning strategies
worked well?Why
did these worked?
F. What difficulties
did I encounter
which my principal
or supervisor can
help me solve?
G. What innovation
or localized
materials did I
used/discover which
I wish to share with
other teachers?
This DLP was adapted from the ePortfolio of Samuel C. Villa, Jr. 2017) DepEd Daily Lesson Plan in MIL.
Cogon National High School. Cebu Province.
Prepared by:
Name School Dalaguete National High School
GEORGE P. LUMAYAG Poblacion, Dalaguete, Cebu
Position/Designation SHST-111 Division CEBU PROVINCE
Office Tel. Number: 4840051 Website: www.georgelumayag.weebly.com
Contact Number 09213964825 Email [email protected]
Internet sources:
https://www.slideshare.net/arnielping/media-and-information-literacy-mil-text-information-and-media-part-1
https://sites.google.com/deped.gov.ph/mil/dlps
Teaching Media Text with the Key Concepts
The media text is any media product we wish to examine. Every description or representation of the
world, fictional or otherwise, is an attempt to describe or define reality, and is in some way a
construct of reality, a text.
A text is any media product we wish to examine, whether it is a television program, a book, a poster, a
popular song, the latest fashion, etc. We can discuss with students what the type of text is—cartoon, rock
video, fairy tale, police drama, etc.—and how it differs from other types of text. We can identify its
denotative meaning and discuss such features as narrative structure, how meanings are communicated,
values implicit in the text, and connections with other texts.
The central concept of the model is the idea that all communication, all discourse, is a construct of reality.
Every description or representation of the world, fictional or otherwise, is an attempt to describe or define
reality, and is in some way a construction—a selection and ordering of details to communicate aspects of
the creator's view of reality. There are no neutral, value-free descriptions of reality—in print, in word, in
visual form. An understanding of this concept is the starting point for a critical relationship to the media.
This concept leads to three broad areas within which we can raise questions that will help students to
"deconstruct" the media: text, audience and production. Anyone who receives a media text, whether it is
a book read alone or a film viewed in a theatre, is a member of an audience. It is important for children to
be able to identify the audience(s) of a text. Texts are frequently designed to produce audiences, which
are then sold to advertisers.
Modern communication theory teaches that audiences "negotiate" meaning. That is to say, each individual
reader of a text will draw from its range of possible meanings a particular reading that reflects that
individual's gender, race or cultural background, skill in reading, age, etc. Thus the "meaning" of a text is
not something determined by critics, teachers or even authors, but is determined in a dynamic and
changeable relationship between the reader and the text. The role of the teacher is to assist students in
developing skills which will allow them to negotiate active readings—readings which recognize the range of
possible meanings in a text, the values and biases implicit in those meanings, and which involve conscious
choices rather than the unconscious acceptance of "preferred" readings. Children who can choose meaning
are empowered. Institution and Production refer to everything that goes into the making of a media text—
the technology, the ownership and economics, the institutions involved the legal issues, the use of
common codes and practices, the roles in the production process. Students are often fascinated by the
details and "tricks" of production. It is important that the teacher keep in focus the relationship between
the various aspects of production, and the other two broad areas of text and audience. What is the
relationship between story content and commercial priorities? How are values related to ownership and
control? How does technology determine what we will see? How does the cost of technology determine
who can make media productions? Often, understanding in these areas is best developed through the
students’ involvement in their own production work.
On the Internet and as defined by Request for Comments ( Request for Comments ) 1521, a media type (also
referred to as a content type ) is a general category of data content, such as: application (executable program),
audio content, an image, a text message, a video stream, and so forth. The media type tells the application
that receives the message what kind of application is needed to process the content (for example, RealAudio
or a similar program to play the audio content for a user).
Each of these media types have subtypes. For example, the ;"text" media type has four subtypes: plain,
richtext, enriched, and tab-separated values.
E-mail users sometimes receive an attachment that describes its media type and subtype. For example, the
media type and subtype of: "application/octet-stream" describes an application organized in eight-bit units
( octet ). (Since this content is likely to be an executable program, it should be saved to disk so that it can be
scanned by virus-scanning software before trying to run it.) Your browser may have assigned an application to
handle each of several media types and subtypes or it may ask you to select an application. In the latter case,
you need to know one or more applications that handle that particular media type and subtype.