Journal 129

GI Journal No.
129 1 January 10, 2020

GOVERNMENT OF INDIA
GEOGRAPHICAL INDICATIONS
JOURNAL NO. 129
JANUARY 10, 2020 / CHAITRA 23, SAKA 1941
GI Journal No. 129 2 January 10, 2020

INDEX
S. No. Particulars Page No.
1 Official Notices 4
2 New G.I Application Details 5
3 Public Notice 6
4 GI Applications
Thanjavur Pith Works – GI Application No. 423 8
Arumbavur Wood Carving – GI Application No. 429 14
Telia Rumal - GI Application No. 599 21
Sohrai – Khovar Painting – GI Application No. 658 29
5 GI Authorised User Applications

Bidriware – GI Application No. 20 44
Channapatna Toys and Dolls – GI Application No. 23 209
Mysore Traditional Paintings – GI Application No. 32 210
Feni – GI Application No. 120 212
Alphonso – GI Application No. 139 213
Kashmir Paper Machie – GI Application No. 181 278
Kashmir Walnut Wood Carving - GI Application No. 182 284
Joynagar Moa - GI Application No. 382 286
Himachali Chulli Oil - GI Application No. 468 307
6 General Information 308
7 Registration Process 310

OFFICIAL NOTICES
Sub: Notice is given under Rule 41(1) of Geographical Indications of Goods (Registration &
Protection) Rules, 2002.
1. As per the requirement of Rule 41(1) it is informed that the issue of Journal 129 of the
Geographical Indications Journal dated 10 th January, 2020 / Chaitra 23, Saka 1941 has
been made available to the public from 10 th January, 2020.

NEW G.I APPLICATION DETAILS
App.No. Geographical Indications Class Goods

640 Naga Cucumber 31 Agricultural
641 Tirur Betel Leaf (Tirur Vettila) 31 Agricultural
642 Harmal Chilli 30 Agricultural
643 Judima 33 Agricultural
644 Pithora 2 & 19 Handicraft
645 Mau Saree 24 & 25 Textiles
646 Coconut Vinegar 30 Food Stuff
647 Lahaul Socks and Gloves 23 Textiles
648 Uttarakhand Aipan Craft 27 Handicraft
649 Uttarakhand Jyan Salt Tea 30 Agricultural
650 Kumaon Chyura Oil 30 Agricultural
651 Munsyari Razma of Uttarakhand 31 Agricultural
652 Uttarakhand Ringal Craft 27 Handicraft
653 Uttarakhand Tamta Product 27 Handicraft
654 ttarakhand Thulma 27 Handicraft
655 Goan Khaje 30 Food Stuff
656 Manjusha Art 16 Handicraft
657 Tikuli Art 16 Handicraft
658 Sohrai Painting 16 Handicraft
659 Soh-Shang 31 Agricultural
660 Kuttiattoor Mango (Kuttiattoor Manga) 31 Agricultural
661 Agra Stone Craft 19 & 20 Handicraft
662 Edayur Chilli (Edayur Mulaku) 31 Agricultural

663 Chinnor Rice 30 Agricultural
664 Aligarh Lock 6 Handicraft
665 Bakhira Metal Product 21 Handicraft
666 Banda Shazar Patthar Craft 14 Handicraft
667 Nagina Wood Craft of Uttar Pradesh 20 Handicraft
668 Pratapgarh Aonla 31 Agricultural
669 Nagri Dubraj 30 Agricultural
670 Amroha Dholak 15 Handicraft
671 Mahoba Gaura Patthar 14 Handicraft
672 Hathras Hing 30 Food Stuff
673 Mainpuri Tarkashi 20 Food Stuff
674 Sambhal Horn Craft 20 Food Stuff
675 Kanyakumari Cloves 30 Agricultural
676 Bengal Muslin 24 & 25 Textiles
677 Patchwork of Rampur 24, 25 & 26 Textiles
678 Bareilly Terracott 21 Handicraft
679 Kovai Kora Cotton Sarees (Logo) 24 & 25 Textiles
680 Myndoli Banana 31 Agricultural
681 Morena Gajak 30 Food Stuff
682 Assamese Gamocha 24 & 25 Textiles
683 Osmanabadi Goat 31 Agricultural

PUBLIC NOTICE
No.GIR/CG/JNL/2010 Dated 26th February, 2010
WHEREAS Rule 38(2) of Geographical Indications of Goods (Registration and Protection) Rules,
2002 provides as follows:
“The Registrar may after notification in the Journal put the published Geographical
Indications Journal on the internet, website or any other electronic media.”
Now therefore, with effect from 1st April, 2010, The Geographical Indications Journal will be
Published and hosted in the IPO official website www.ipindia.nic.in free of charge. Accordingly, sale
o f Hard Copy and CD-ROM of GI Journal will be discontinued with effect from 1st April, 2010.
Registrar of Geographical Indications

Advertised under Rule 41 (1) of Geographical Indications of Goods (Registration & Protection) Rules, 2002
in the Geographical Indications Journal 129 dated January 10, 2020
G.I. APPLICATION NUMBER – 423

Application Date: 22-05-2013
Application is made by Tamil Nadu Handicrafts Development Corporation (Poompuhar), Government of

Tamil Nadu, No. 759, Anna Salai, Chennai - 600 002, Tamil Nadu, India for Registration in Part A of the
Register of Thanjavur Netti works under Application No. 423 in respect of Handicraft (Pith works) falling in
Class – 20 is hereby advertised as accepted under Sub-section (1) of Section 13 of Geographical
Indications of Goods (Registration and Protection) Act, 1999.
A) Name of the Applicant : Tamil Nadu Handicrafts Development

Corporation (Poompuhar),
B) Address : Tamil Nadu Handicrafts Development

Corporation (Poompuhar),
Government of Tamil Nadu,
No. 759, Anna Salai, Chennai 600 002,
Tamil Nadu, India.
C) Name of the Geographical Indication :

THANJAVUR NETTI WORKS
D) Types of Goods : Class 20 – Handicraft (Pith works)
E) Specification:
Thanjavur Netti Works (Thanjavur Pith Work) is made from pith. The pith is obtained from Netti, a
hydrophyte plant called as Aeschynomene Aspera. The artisans are skilled in this particular craft
and this art is traditionally and hereditarily transferred from their fore-fathers. The notable works
from Thanjavur Netti Works include models of the Brihadeeshwara Temple, Hindu Idols, Garlands,
door hangings and show pieces used for decoration. The Pith stems, i.e. hydrophytes are found in
and around the Thanjavur region and Mannargudi. The lakes around Pudukottai (Pudukullam &
Kallaperumbur lake) are surrounded with marshy land which favours the growth of the Hydrophytic
plant. The soil found in Thanjavur is favourable for the growth of the plant that is used for the
production of pith handicraft based in Thanjavur.
F) Description:
Thanjavur Netti works in the Thanjavur district (formerly known as Tanjore) is one of the primary
traditional art forms that have been famous all over the world. Thanjavur and Kumbakonam
(including areas in and around) are two towns in this district that have prolific artisans and
craftsmen who excel in this craft of making artifacts out of pit obtained from Hydrophyte family
Aeschynomene Aspera.

Netti / Sholapith is a variety of weed of hydrophyte plant which is used as raw materials for
developing the artifacts. It is a dried milky white spongy plant material. It is also known as "kidachi"
in Malayalam and "Pent" in Telugu. The biological name of Netti/ Sholapith is 'Aeschynomene
indica' or 'Aeschynomene aspera'. The 'netti' is the cortex or core of the plant and is about 1 ½ inch
in diameter.
Aeschynomene Aspera is an aquatic plant which is considered as a minor weed of rice paddies.
The food stored in the stem of this plant forms the Pith. Pith cells lie at the center of the stem for
the storage of the food. Pith forms the core of the plant that grows in water. The leaf of the
hydrophytic plant looks like the leaf of Indian Gooseberry. The flower is yellow in colour.
They grow on the margins of wetlands, such as lagoons, tanks and lakes as well as in swampy
grassland. It also grows on the river beds in Thanjavur. It is also known as kidachi, Pent, Netti, etc.
with the biological name of' 'Aeschynomene indica' or 'Aeschynomene asperar. These hydrophytes
may also be obtained from small lakes and ponds in the region of Thanjavur.
Good quality pith is pure white in colour with soft surface and no cracks, while poor quality pith is
one with reddish core and a hard bark and has many nodes. They are very light and careful
handling is required. The pith is a very delicate material and highly brittle in nature.
The distinctness of the Pith artifact’s remains in the simplicity of its production. The artifact’s
created out of the pith obtained from the hydrophytic plants looks similar to the ones made in
marble and to the ones made in elephant’s tusk. They shine in a very elegant way. However,
products made from the Pith are brittle and break easily, unless kept carefully. Hence, most models
are preserved inside a glass box.
G) Geographical area of Production and Map as shown in page no: 13
The Thanjavur Netti Works production is based in the Thanjavur District (majority of production is
done in the towns of Thanjavur, Kumbakonam and Pudukkottai) Pudukkottai District in Tamilnadu
Geographical Position of Thanjavur District:

Latitude: 9.50' N and 11.25' E
Longitude: 78.45'N and 79.25'E
Geographical Position of Pudukkottai District:

Latitude: 9.50' N and 10.40' E
Longitude: 78.25' N and 79.15' E
H) Proof of Origin (Historical records):
Like many other traditional crafts, Thanjavur Netti works had its origin in the ritual and religious
needs of the people. The pith was initially used for making garlands out of slices beautifully cut into
cylindrical and round shapes and then dyed with different colours. Bulls and buffaloes were
garlanded during 'Mattu Pongal', which is celebrated during January or February i.e. during
harvesting season. Mattu Pongal is celebrated very lavishly in the Tanjore region which was one of
the encouraging factors for progress of pith handicrafts.
In addition to this the Netti work is said to have been existed from the Maratha period as stated in
the Tanjore Gazette.
Documented records about Tanjore (as it was then called) gives out 'pith' as an important industry
for making of pith images and garlands, which was carried on by 'Nayudus', 'Marathas' and
'Musalmams' of that region. Record states that business flourished during that time. The pith was

obtained from near Tanjore or Mannargudi. They were cut with long sharp knives into wafers which
were curled and pinned into the shapes of beautiful white flowers or figures and decorated with
glided metal. Customer base was very wide i.e. customers were from all over the Madras
presidency (as it was then called). The rich heritage and historically significant spots in Tanjore has
also been a motivating factor for such rare and precious art forms to flourish.
Further, Gazetteer records of 1907 also states that, Pith work as an important industry and its
product was known to be used in 'Mattu Pongal' festival. Hence origins of pith works is an age-old
tradition.
I) Method of Production:
Netti (Pith) is the basis of any of the materials crafted in Thanjavur. It is obtained from the lakes
across Thanjavur, Pudukottai and Mannargudi. Netti is a special variety of pith (waterside weed),
used as raw material for developing the pith models. It is a milky-white, light weight sponge-wood
which is grown in marshy waterlogged areas. The biological name of shola pith is Aeschynomene
aspera.
Indica or Aeschynomene Aspera (bean family) and is an herbaceous plant. Only good quality pith
that is pure white in colour with soft surface and no cracks are used for production, while poor
quality pith with the reddish core and a hard bark (has many nodes) is discarded. The pith is very
light and careful handling is required. The pith is a very delicate material and highly brittle in nature.
The root is boiled, and dried in the sun. It is then cut to size and a pencil drawing is inscribed on it.
A rough carving is followed by the carving of finer details with a blunt chisel and it is polished with
sandpaper finally. The outer brown skin is removed by cutting with the help of a sharp knife. The
inner soft white portion of the stem is used to make the art pieces. The pith locally known as Netti
is cut into fine pieces of different designs and shapes as per the requirement of the product to be
made. For basic carving long knife is used and for detail and minute carving small knife is used.
The carved pieces are assembled together and stuck with adhesive into one piece of art. Blue
prints of the design or photos are used as reference to make the miniatures. It takes one day to
make small figures whereas l0 to 12 days to finish a detailed designed idol. It takes almost a month
to finish set of art piece of a place or temple. Sometimes customers send the reference of the art
piece they want to be made. Some pith works are painted with water colours to make it look
colourful and attractive.
Thanjavur Netti Works is famous for miniature works of Thanjavur temples and idol making. The
finished pith work is generally fixed to a wooden base and covered with glass to protect from dust
and moisture. This helps to preserve the works for years. For normal pieces ply wood made stands
are used as base, whereas for big and important pieces teak and wood stands are used.
Miniatures of rural and urban place are also made, which are decorated with lights. The art pieces
made of pith starts at the range of fifty rupees and goes up to lakh.
Raw Materials: Netti / Sholapith is a variety of weed of hydrophyte plant which is used as raw
materials for developing the artifacts. It is a dried milky white spongy plant material. It is also known
as "kidachi" in Malayalam and "Pent" in Telugu. The biological name of Netti/ Sholapith is
'Aeschynomene indica' or 'Aeschynomene aspera'. The 'netti' is the cortex or core of the plant and
is about 1 ½ inch in diameter. They are very light and expert handling is required. The core is light,
porous. Soft, and pliable and can be shaped to suit the imagination of the artisan. Good quality pith
is pure white and smooth with soft bark and no nodes, wherein poor quality weed is one in which
pith is reddish in colour with hard bark and has many nodes.
There are certain small lakes. Ponds in the region of Thanjavur from wherein hydrophytes maybe
obtained.

Tools: Tools used are simple and doesn't involve any chemicals or environment harming
substance. They are stated as follows:
• Sola Pith Plant (Netti): Used to make the miniature art piece.
• Long Knife (Kathi): Used to carve the pith into required shape and size.
• Small Knife: Used to carve the minute details of the design.
• Carborundum Stone (sana kal): Used to sharpen the knife.
Other tools that are used for this handicraft are mentioned below:
• Scissors for sculpting the precise detailing and various combinations.
• Geometry box for precise measurement and details.
• Glass case (it is used to cover the pith artifact).
• Glass cutter (lt is a tool used to make a shallow score in one surface of a piece of glass
that is to be broken in two pieces).
• Silicon carbide combination stone is used for sharpening knives, chisels. plane iron.
blades, etc. and
• Home-made glue/ paste.
Process of manufacturing: Steps followed in production is illustrated as follows:

i. The pith plant is recognized by the shallow layer of leaves that float on the marshy water at
a depth of two to six feet. The pith which is grown on the water will grow up to 4-5 feet. It
will become dry when the water becomes dry.
ii. The pith collector collects this reed. The reed is dried and subsequently sold as sticks of 2
to 3 feet.
iii. The brown cover of the Hydrophyte (Sholapith) is sliced and removed using an appropriate
knife.
iv. Only ivory coloured pith is selected and processed further. If pith is of colour which is not of
standard quality it is discarded.
v. Thereafter using knife as an only tool, pith is sliced into equal dimensions. It is done in
such detailing that every slice is of equal dimensions so that there is no disparity when
Artifacts is being compiled.
vi. They are cut, sliced and sub structured in accordance with the specification of the
product.(illustration: in structure of 'Nandi the bull' broad outlines of Nandi is designed on
the pith rows and thereafter sliced into equal dimensions creating a numbers of' Nandi
structure; Similar preparation is done in for the artifacts of pillars')
vii. Individual sub structures of the models are made and structured using the home-made
paste. The raw tendrils of the reed are boiled, ground and mixed with flour to make the
glue paste.
viii. A small weight is used for pressing the structures while binding.
ix. Then sculpture or design is structured on it by the artisans.
x. Then final touches are given. For example, in making of a temple partially completed
'Gopuram' (monumental tower) structures are kept in a row for mounting the 'Kalasam'
(Generally all Hindu temples have kalasam on their top) and other decorative elements.
xi. If colouring is done it is done with bright colours and coloured realistically.
J) Uniqueness:
i. Distinguishing feature of Thanjavur Netti Works is its workmanship. The location of

Thanjavur and its religious significance is one of motivating factors behind development of
pith industry. The government has recognised the pith work industry as one of the major
handicraft symbol. (The sight of architectural masterpiece such as Thanjavur Big Temple
(Brihadeeshwara Temple) is inculcated deep inside artisans, brain and therefore it is no
surprise that Thanjavur big temple model is one of the most prestigious pith works.

ii. Good quality pith that is white in colour is used for production. Poor quality pith that is red
in colour is not used.
iii. Pith doesn't require any mould or supporting instruments to create desired shapes unlike
metal scriptures. It requires basic tools such as knives, scissors and geometric tools box to
mould it.
iv. Thanjavur Netti work is famous for miniature works of Thanjavur temples and idol making.
The finished pith work is generally fixed to a wooden base and covered with glass to
protect from dust and moisture. This helps to preserve the works for years. For normal
pieces ply wood made stands are used as base, whereas for big and important pieces teak
and wood stands are used. Miniatures of rural and urban place are also made, which are
decorated with lights. The art pieces made of pith starts at the range of fifty rupees and
goes up to lakhs.
v. The pith is obtained from near Tanjore or Mannargudi and is cut with a long sharp knife
into wafers which are curled and pinned into the shapes of white flowers or figures and
decorated with glided metal. Orders for garlands made in this manner come from nearly all
the districts in the Presidency.
K) Inspection Body:
The artisans traditionally practice the craft under the guidance and instructions of master artisans
which acts like an internal inspection mechanism.
An Independent Inspection Body is constituted for purposes of maintaining quality of products

which is as follows:
I. One State Representative (Head Officer, Handloom and Handicrafts Department,

Department of Textiles) - Chairman
II. One Representative from TNHDCL
III. One Representative from Development Commissioner (Handicrafts), Regional Office,
Chennai;
IV. One Representative from District Industries Officer;
V. One Representative from Govt. Fine Arts College, Chennai;
VI. Four (4) Representatives from Artisans.
L) Others:
i. The popularity of Netti works of Thanjavur region has resulted in wide customer base.
Products have been bought by customers from Russia, US, Singapore, Germany,
Malaysia and a few more foreign countries.
ii. Thanjavur Pith work is being promoted by, Poompuhar (Tamil Nadu Handicrafts
Development Corporation) a state owned organization. They have various centers
throughout the nation. i.e. in Delhi, Chennai, Bangalore, Kolkata, Thanjavur, and many
more places in the state of Tamil Nadu. Pith work artisans are encouraged to exhibit their
work in these showrooms so as to attract wider customer base.
iii. Thanjavur Pith works are usually undertaken by families and it is one of the main sources
of income in the region of Thanjavur. They are trained and engaged in this business.
Knowledge and skill is passed traditionally from one generation to another through 'Guru-
Shishya' method.


Application is made by 1. Tamil Nadu Handicrafts Development Corporation Limited (Poompuhar),

Government of Tamil Nadu, at No.759, Anna Salai, Chennai – 600 002, Tamil Nadu, India; 2. The
Arumbavur Wood Carvers’ Handicrafts Industrial Cooperative Society Limited at Register No. 823,
Bharathipuram, Post: Arumbavur, District: Perambalur – 621 103, Tamil Nadu, India and 3. The Arumbavur
Temple Car and Woodcarving Artisans Welfare Society at Register No. 3422019, No. 7, SIDCO Estate,
Thaluthalai Village, Post: Arumbavur, Taluk: Veppanthattai, District: Perambalur - 621 103, Tamil Nadu,
India for Registration in Part A of the Register of Arumbavur Wood Carvings under Application No. 429 in
respect of Wood Carving falling in Class – 20 is hereby advertised as accepted under Sub-section (1) of
Section 13 of Geographical Indications of Goods (Registration and Protection) Act, 1999.
A) Name of the Applicant : 1. Tamil Nadu Handicrafts Development

Corporation Limited (Poompuhar),
2. The Arumbavur Wood Carvers’ Handicrafts
Industrial Cooperative Society Limited,
3. The Arumbavur Temple Car and Woodcarving
Artisans Welfare Society,
B) Address : 1. Tamil Nadu Handicrafts Development

Corporation Limited (Poompuhar),
Government of Tamil Nadu, at No.759,
Anna Salai, Chennai – 600 002,
Tamil Nadu, India,
2 The Arumbavur Wood Carvers’ Handicrafts
Industrial Cooperative Society Limited,
Register No. 823, Bharathipuram,
Post: Arumbavur, District: Perambalur – 621 103,
Tamil Nadu, India,
3. The Arumbavur Temple Car and Woodcarving
Artisans Welfare Society,
Register No. 3422019, No. 7, SIDCO Estate,
Thaluthalai Village, Post: Arumbavur, Taluk:
Veppanthattai, District: Perambalur - 621 103,
Tamil Nadu, India
C) Name of the Geographical Indication :

ARUMBAVUR WOOD CARVINGS
D) Types of Goods : Class 20 – Wood Carving

E) Specification:
The Arumbavur wood carvings are primarily made out of the wooden logs of Indian siris (Poo
Vaagai, Albizia lebbeck), Mango (Mangifera indica), Lingam tree (Mavilangam), Indian Ash tree
(Othiyan – Odina wodier), Rose wood, Neem tree (Vembu – Azadirachta indica) are used for
making sculptures. The carvings in Arambavur Wood Carvings are often inspired by architectural
details on temple sculptures and carvings. The dimensions of the wood blocks used depend on the
wooden sculpture to be carved. The descriptions and designs which inspire the work lie in temple
architecture indigenous to the region. Usually, the statues are crafted at a size range from 1 to 12
feet.
The art form also draws inspiration from mythology and mythical deities. Numerous sculptures of
Lord Vinayaka, Goddess Saraswati, Lord Krishna, Lord Siva and Goddess Parvathi can be seen in
Arumbavur Wood Carvings, along with auspicious motifs such as hamsa/mythical swans,
poomakhumbhal cornucopia, kaamadhenu, other floral motifs; temple chariots and temple cars
used during processions of deities, figures of Christ, Dasavatara panels, avatars of Goddess
Laksmi and vahanas for temple deities among numerous other designs. Presently, the Arumbavur
wood carvings revolves around idols and deities, temple chariots and temple car, door panels of
house, pooja rooms and temples, decorative figures, pooja mandapam.
F) Description:
The Arumbavur artisans receive an abundant supply of Vengai, Mango, Aththi and Mavilangam
wood because of the high availability of wood in Pachamalai Hills as well as the Thanjavur-
Kumbakonam belt. The presence of these varieties of timber in abundant quantities makes the
region ideal for the wood craft. In specific, if a customer needs the products in Teak (Tectona
grandis) / Rosewood (Eetimaram – Dalbergia sissoo) then, the logs would be given by the
customer itself directly from the Timber Mart.
The Arumbavur artisans employ great skill in measuring geometric proportions and scale of wood
and detailing required, from a single block of wood, for various wooden sculptures; from hand-sized
carvings to temple chariots and temple cars. Temple cars and chariots are used to carry
representations of Hindu gods. The dimensions of the wood blocks used depend on the wooden
sculpture to be carved. The descriptions and designs which inspire the work lie in temple
architecture indigenous to the region.
The Wooden sculptures are classified as two types based on the Structure namely, Full image
statue (A full structure is carved out of the wood) and Bas Relief statue (Lightly carved design over
the surface). Further the Wooden sculptures are classified as seven and more types based on its
Utility. The following are the wooden carvings made by the Arumbavur Artisans:
1. Full image/Bas Relief

2. Panels
3. Vahanas (‘Vehicle of God/Goddess’, typically an animal or mythical entity)
4. Temple flagstaff
5. Temple Cars – Rathas
6. Pooja Room Interiors
7. Designed Doors
8. Others (Table, Chair, Cot, Teapoy, Mirror frame etc.)
Among the above said works, temple cars are majorly made by the Arumbavur Artisans. The base
part of temple car is structured into three layers as Earthly life (King, Queen, Dancing girls,

Erotics), Celestial life (Devar, Kinnarar etcetera) and Heavenly life (Shiva, Vishnu, Vinayaga,
Muruga, Tri devis). Temple car’s base is structured as it is hold by Demons at the base, above that
Turtles and above that Athiseshan. To hold the whole weight of temple car, the wooden log piled at
the base of temple car is termed as ‘Boothapaar’. Usually all temple cars have 5 boothappars.
The Vimana of inner sanctum (Garbhagriha) is considered as the purest part of a temple car. This
temple car is classified as many types. “Based on Wheel’s thickness and numbers, temple car is
classified as Full temple car, three-fourths temple car, half temple car by the temple car sthapatis.”
Arumbavur temple car sthapatis crafted more than 400 Temple cars and 5000 temple vahanas for
various temples all over Tamil Nadu and other states of India. The dwelling of maximum number of
Temple car Sthapatis at one single place is the unique feature of Arumbavur. “Temple Car works
means Arumbavur” is the victory for the Arumbavur native artisans’ craftsmanship, hardworking
nature and their contributions to the art.
While other wood carving art forms employ Red Sanders, Teak, Ebony, Madhuca etc., Arumbavur
Wood Carvings employ Mango, Rose Wood, Mavilangam, Vaagai and Aththi, exclusively. While
numerous art forms, today, are adopting industrial methods and machinery into their art forms,
Arumbavur Wood Carving solely relies on traditional instruments such as gouges, chalk, saw,
sandpaper, chisel, tiruppu till, elapp till, sittar uli, aakkur, malu, kottapuli, Kodari etc. for carving
wood into pieces of art. Instead of adopting machinery, the art form has chosen to employ multiple
artisans to work at different stages of carving i.e. sizing the wood, chiseling, carving the patterns
and detail etc.
Arumbavur Wood Carving is done at Arumbavur and around Veppanthattai Taluk of Perambalur
District.
Latitude: 11.38o N
Longitude: 78.73o E
Arumbavur is famous for its wood carving tradition which is of a religious nature and its community
of wood carvers have their origin in Madurai. The artisans (predominantly the Boyar Community)
used to go to the particular place where the temple car has to be made and stay in that temple for
a period of upto four years and complete the work. Then they migrate to another place, where a
new temple car has to be made. Like this, artisans led the nomad life and later a cluster of people
settled in Arumbavur around 250 years ago and did temple cars, other wooden statues, house
utility products, carpentry works.
In 1950s, well trained artisans started their own workshop (“Pattarai”). In addition to the commercial
craft works, they facilitated the training for the new comers. Youngsters from the community
availed this training on their own interest and mastered it. Currently, there are 200 wood carving
artisans’ families are residing at this place. These craftsmen follow the rule of iconography
described in the Shilpa Shastra. The Shilpa Sastra provide detailed instructions on how to fell the
different timber trees, in what seasons and even how to season the timber so as to prevent cracks
and unequal drying. They also lay down prohibitions against using the wood of trees that are struck
down by lightning, storms or knocked down by elephants and floods etc.

Old temple cars with artistic features are even seen at the temples in the districts of Perambalur,
Ariyalur, Tiruchirappalli, Salem, Villupuram, Cuddalore, Thanjavur and Madurai which were crafted
by the forefathers of Arumbavur Temple car sthapatis. This was mentioned many times by their
forefathers in the olden days. Among the various temple cars made by them, Aragalur temple car is
300 years old. Kallankurichi temple car is 150 years old and the rest are 100 years old.
Raw Materials:
1. Vaagai / Indian Siris (Albizzia lebbeck): The vaagai tree is a light demander, frost tender, it
has a good natural lustre with a coarse texture. This wood is believed to have special
properties, their leaves fold up at night giving the impression of a sleeping tree. The wood
though soft and pliable, is strong and weathers all conditions. The temple vahanas are
made out of lebbeck.
2. Mavilangai (Crataeva religiosa roxburghii): The Mavilangai tree is a wild or cultivated tree
which occurs on glades and the edge of a forest near rivers and lakes.
3. Aththi (Ficus racemosa):The Aththi tree is a large deciduous tree, grows to a height of 7-10
metres. It has smooth white bark which is best suited for ornamental purpose. The temple
vahanas are also made of aththi.
4. Rosewood (Dalbergia sissoo): The rosewood used for the carvings are strong and heavy,
taking an excellent polish. The colour varies from a golden brown to a deep purplish
brown, with darker brown streaks and have a rose scent.
5. Mango (Mangifera indica): Mango wood is categorized as hardwood because of its
strength, density, attractive looks and of course durability that allows it not to wear out
quickly and keep their high luster texture for many years.
6. Iluppai maram /Mahua (Madhuca longifolia): Mahua is a medium-sized deciduous tree,
which grows to a height of 16-20 m. The crown is rounded with multiple branches. The
bark is grey, vertically cracked and wrinkled, exfoliating in thin scales. Temple cars are
made out of Mahua tree.
7. Teak wood (Tectona grandis): The teak wood is hard wood usually brown in colour with
good grains and texture. Temple cars are also made out of teak wood.
Tools used:
Artisans use variety of tools for the production of wood carvings. List of tools employed is
enumerated as follows:
i. Chisels, Ruler (Uli): Artisans use variety of chisels (3", 2", 1.5", 1.25", 1") for shaping and
crafting the sculpture. They use thulavu uli, aenthal uli, 'SeruvaUli' for carving, 'tiruppuuli'
for turning the screw, 'SitraUli' to carve small idols, 'Ezhuppuuli' to smooth the surface
planer for levelling, 'KeethuUli'for light incisions, 'pattauli' which is a flat, broad chisel,'
dokkuuli’ small chisel and 'Tachchuli' pointed chisel.
ii. Hammers, 'suthiyal'
iii. Measuring Tape, scales
iv. Handsaw. 'vaal': saw also called 'Rambam’’
v. Screw divers
vi. Files
vii. Cutting tools/ cutting pliers
viii. Spanners
ix. Drilling Machine
x. Puffing Machine
xi. Sandpaper

xii. Dividers
xiii. T- Squares, etc.
Process of Production:
The dimensions of the wood blocks used by the artisans depend on the wooden sculpture to be
carved. The wood to be carved is seasoned by natural processes such as exposing it to changing
weather conditions. The artisans carve the wood in many stages which include rough carving,
smoothening, sandpapering etc. which are furnished here under:
1. In the first step, the wood is sized and cut as required by the artisans.
2. Subsequently, a layout of the design to be carved is drawn on the cut wood using chalk.
3. The wood is then chiselled along the layout for a roughly-carved wooden sculpture with
finer details.
4. The rough carving is then smoothened with the help of smaller chisels. The finer details
are carved at this stage.
5. The wooden sculpture is then polished with sandpaper for obtaining a smooth finish.
6. The sculptures are then painted with natural colours, with lacquer or given an antique
finish. Enamel paints are also used, at times. Enamel paint is often preceded by a
limestone coating.
J) Uniqueness:
1. While other wood carving art forms employ Red Sanders, Teak, Ebony, Madhuca etc.,
Arumbavur Wood Carvings are especially made out of Vaagai, Mavilangam, Aththi,
Mahua, Mango Tree’s Wood.
2. The Wood Carving is done completely by hand and the immense talent and expertise of
the wood carvers is evident in every figurine made.
3. While numerous art forms, today, are adopting industrial methods and machinery into their
art forms, Arumbavur Wood Carving solely relies on traditional instruments such as
gouges, chalk, saw, sandpaper, chisel, tiruppu till, elapp till, sittar uli, aakkur, malu,
kottapuli, Kodari etc. for carving wood into pieces of art.
4. Instead of adopting machinery, the art form has chosen to employ multiple artisans to work
at different stages of carving i.e. sizing the wood, chiseling, carving the patterns and detail
etc.
5. Being carved out of a single block of wood, great attention and care is required, along with
no ordinary amounts of skill and finesse, in creating detail given that a single error could
damage the entire piece. Additionally, the carvings are deemed to be the one of the only
sculpting which uphold the religious sanctity of the wood carving tradition. Further, the
process of carving the wood is also deemed to be unique as the sculptors use tools which
are locally made.
K) Inspection Body:
The artisans traditionally practice the craft under the guidance and instructions of master artisans
as per the traditional treatise on wood carving which acts like an internal inspection mechanism.
An Independent Inspection Body is constituted for purposes of maintaining quality of products

which is as follows:
I. One State Representative (Head Officer, Handloom and Handicrafts Department,

Department of Textiles) - Chairman
II. One Representative from TNHDCL

III. One Representative from Development Commissioner (Handicrafts), Regional Office,
Chennai;
IV. One Representative from District Industries Officer;
V. One Representative from Govt. Fine Arts College, Chennai;
VI. One Representative from The Arumbavur Wood Carvers’ Handicrafts Industrial
Cooperative Society Limited,
VII. One Representative from The Arumbavur Temple Car and Woodcarving Artisans Welfare
Society,
VIII. Two (2) Representatives from Artisans.
L) Others:


Application is made by The Consortium of Puttapaka Handloom Cluster - IHDS, at H.No.6-l 35, Puttapaka
(Vl), Narayanapur (m), District: Yadadri Bhongir, Andhra Pradesh, India for Registration in Part A of the
Register of Telia Rumal under Application No. 599 in respect of Textiles falling in Class – 24 is hereby
advertised as accepted under Sub-section (1) of Section 13 of Geographical Indications of Goods
(Registration and Protection) Act, 1999.
A) Name of the Applicant : The Consortium of Puttapaka Handloom

Cluster - IHDS,
B) Address : The Consortium of Puttapaka Handloom

Cluster - IHDS, H.No.6-l 35, Puttapaka (Vl),
Narayanapur (m), District: Yadadri Bhongir,
Telangana, India.
C) Name of the Geographical Indication:

TELIA RUMAL
D) Types of Goods : Class 24 – Textiles
E) Specification:
Telia Rumal cloth involves a number of intricate handmade work with cotton loom displaying a
variety of design and motifs in 3 particular colours, namely, Red, Black and White. The process of
preparation uses gingelly oil and natural vegetable dye which gives it a distinct and unique quality
in the form of its texture and smell. The defining components of Telia Rumal
1. Loom: They are woven on pit looms, the measurement of which is 7 feet in width, 21 feet in
length and 5 feet height with pit size of 2 feet width, 4 feet length and 2 ½ feet depth occupying
an area of about 150 Sq. Ft.
2. Material: The material is made from pure cotton.
3. Colours: All the Telia Rumal are in three colours only; White, Black and Red.
4. Designs/Motifs: All the designs and motifs are derived from the traditional geometrical
pattems which represent flower and leaves, half-moon designs, namely: Maddikaya,
Omkaram, Padava, Chandrudu, Hastam, Pachees, Bhucharakam, Swastik, Vimanam,
Simham, Chillaka, Gadiyaram, Muggu, Suryudu, Pakshulu and Mallepuwu.
5. The special characteristics of Telia Rumal designs are that they are hand woven and there
are no prints on the handloom materials.

6. Purpose: Meant generally for hot climate. These pure cotton Telia Rumal absorb sweat and is
refreshing to wear in coastal areas. The fishermen wear the Telia Rumal lungis as they are
dyed with gingelly oil that does not allow the salt to irritate them.
7. Use: The Telia Rumal technique is in use for all varieties of handloom items like Scarves,
Stoles, turbans and lungies.
8. Dyes: Vegetable Dyes, Naphthol Dyes and Vat Dyes and Reactive Dyes.
F) Description:
The pattems in the Telia Rumal consist of a variety of images, based around the sub-divisions of a
square. These include the dot, square, cross, chevron, rectangle and various stepping motifs. The
initial patterns used were strictly geometric but Telia Rumals made after 1930s incorporated
figurative designs such as Maddikaya, Omkaram, Padava, Chandrudu, Hastam, Pachees,
Bhucharakam, Swastik, Vimanam, Simham, Chillaka, Gadiyaram, Muggu, Suryudu, Pakshulu and
Mallepuwu which required higher weaving skills.
The traditional Telia Rumal is restricted to only 3 colours, viz. red anything from crimson to orange
red, brown red and maroonish red), natural colour (white) and black (black or brown), sometimes
with a hint of yellow to orange or pink. If the patterned center field is predominantly dark, i.e., black
or brown, then the plain outer border will be red. If the center- field is predominantly red, the outer
border will be dark. These plain borders have delicate white lines which cross at the corners of the
kerchief, to form a fine grid which is created by the Ikat process.
The main area in which Telia Rumal is produced is Puttapaka village, Narayanpur Mandal, Yadadri
Bhongir District, Telangana State. The Puttapaka village is at a distance of 7.7 km far from Mandal
Main Town Narayanapur. Puttapaka is located 35.7 km distance from its District Main City
Nalgonda. It is located 56 km from Hyderabad of Telangana Region in Andhra Pradesh. The GI
producing region lies between17 6' 54" North Latitude and 78 56' 9" East Longitude.
Telia Rumals are eminent throughout the world for its elegant design and pattems and for its
natural dyeing methods. A classical 19s or early 20s century Telia Rumal is a square cotton cloth
dyed in a harmonious colour scheme of deeply saturated red and brownish black with a creamy
white background a shade which is the result of the pre-treatment of the cotton yam. In fact, the
name Telia Rumal oil refers to the oily touch of the cloth. Later pieces, especially those made after
independence have a rather harsh colour scheme of synthetic red, purple or violet and black.
The tradition of double Ikat textiles in Andhra Pradesh date back to the late 19th century. Some of
the earliest varieties of Telia Rumals are simple in design, but skilful in application, with the weft,
warp and double Ikat technique and geometric designs. Much of these telia fabrics were used by
Muslim nobles in Hyderabad. These Rumals were also called Asia Rumal, and thousands of these
telia rumals have been exported to Persian Gulf, Middle East, Aden, East Africa, Singapore and
Burma. Until 1930's these Telia Rumals with geometric pattem were woven in Chirala and the
surrounding villages in Guntur. While the traditional designs kept to the squares within squares
formats which later evolved and now incorporates a number of figurative designs made of
geometric pattems.
The entire Padmashali community has been recognised for their efforts in encapsulating years of
ancient culture in their pieces of (art) work. Furthermore, they were also highly involved in the

product in question gaining international reputation as they exported it to Gulf countries. The rich
sheiks residing there are regular customers of the product and also help in spreading awareness
about the technique in the Arab nations. The technique has also been the subject of certain motion
pictures in India which serve to highlight the intricate technique employed by the skilled artisans
and the troubles they face in procuring the required natural products in today's fast paced world.
The history of Telia Rumal is very vast. It has been in existence since time immemorial, and it is
only because of the efforts of some famous designers and some hard working artisans that Telia
Rumal is getting international acclaim. Its importance as an art form can be understood from the
fact that an Australian University has introduced a course on it.
During the Nizam's dynasty, Puttapaka a small backward village of Telangana region of Andhra
Pradesh had about 20 families engaged in handloom weaving who were patronized by the rich
Muslim families, damsthanams & Nizam rulers. The officers working in the court of the Nizam used
to wear Chituki Telia Rumal as a symbolic representation of status and even the village heads
used to adom these Rumals.
Traditionally, Telia Rumals have been the cloth offered at the dargah of Ajmer Sharif in Rajasthan
with some devotees offering fifty or even hundred cloths. Telia Rumals were worn as veil by
princesses at the erstwhile court of the Nizam of Hyderabad; as a turban cloth by Arabs in the
Middle East; and continue to be worn as a lungi by fishermen in coastal Andhra Pradesh. The
Rumals were exported in large numbers to Myanmar, West Asia and East Africa in the l9th and
early 20s centuries.
Dyes and Raw material to be used in the production process are the following:
• Cotton yarn
• Sheep dung
• Castrol seed pods are bumed to create ash for mordanting of the cotton yam
• Gingili Oil
• Recycled Cycle Tubes
• Twine
• Graph paper
• Steel rods
• Vessels
• Fire wood
• Dyes (Alizarin, Alum, Erakasu)
• Mud tubs
• Wooden sticks
• Hand Gloves
• Sketches
• Loom
• Loom accessories
• Wooden stand (x shape)
• Charka
NATURAL COLOR DYING PROCESS OF TELIA RUMAL

Natural alizarin dyeing is a mordant style of dyeing and is used to produce the traditional red
colour, and in combination with erakasu it gives black colour which requires pre-treatment of yam.
It takes 15-16 days before the yam is ready for dyeing.
PRE-TREATMENT OF YARN
The yam is steeped for 24 hours in the solution prepared with sheep dung. Then, any remaining
foreign matter is removed by twitching the yarn. Apart from that, castor-seed shells are burnt to get
ash which is further mixed with gingelly oil, to get a thick solution. The yarn which has been treated
with the sheep dung solution, will then be soaked in the above solution in small quantities and
washed for about 15 min, squeezed and sundried. Thereafter, the whole process is repeated, in
the sun, for 16 days, before washing and drying. Now, the yarn is ready for preparation of warp and
weft. This process makes the yam completely saturated and soft. The castor seed pod-ash
contains alumina which ensures richer, deeper and intense red colour, when dyed with alizarin.
This yarn develops a peculiar oily-smell due to use of oil in yarn treatment which leads to terming
of this square Rumals as Telia Rumal.
PRE-DYE TREATMENT
2/80s and 2/120s count cotton yarn divided in l0 bundles. Fresh sheep dung water with castor seed
powder ash mixed with water and Gingili oil Liquid (added to the ash water) divided into l0 equal
parts to treat the l0 bundles.
INGREDIENTS FOR RED COLOUR

Alizarin
Alum
INGREDIENTS FOR BLACK COLOUR

Alizarin with Erakasu
Alum
The yarn for these Rumals require 'mordanting', a treatment that facilitates bonding of dye to the
cotton fibre cellulose. The Telia name refers to steps in the mordant treatment that impart an oily
nature to the fabric. The first part of the treatment requires the yarns, having been soaked
overnight in water, to be washed by hand in a bath made from fresh sheep dung. After washing
very thoroughly, the yarn is squeezed out and hung in the sun for 24hours.
Meanwhile, pods from the castor plant are burnt and the ash is mixed well with water. After soaking
for several hours, castor oil is added to the liquid and the mixture is dried in the sun. When it tums
slightly white, it is ready to use. The top liquid is decanted, and water is added to the residue put
aside for subsequent treatments. The yam treated with dung is submerged in the oil-ash mixture,
washed well for 15minutes, then squeezed out and stored overnight. In the morning it is kept in the
sun. In the evening, the oil treatment is repeated and continued for sixteen days. If the time is
short, the treatment can be hastened by giving two oil treatments daily for eight days.
The yarn is then wound onto cones or cylinders in preparation for making the warp. The yarn is
taken to the padduguadda (warping machine), a large wheel that enables the correct length to be
wound quickly. A mechanism on the wheel creates crosses of the yarnat strategic places, enabling
the sequence of yam to be kept in order. After winding, yam markers are tied around the crosses,
helping the person counting threads to keep them in the correct sequential order.
PRODUCT PREPARATION
Telia Rumal is a very intricate and laborious double ikat weave. As the name suggests the yarn is
treated with oil. The products used for the treatment of the yarn are sheep dung, castor pod ashes

and oil. The treated yarn which is used for the warp (length) and weft (width) is tied and dyed in
accordance with a predetermined geometrical design.
Each of the warp and weft threads are individually positioned on the loom prior to beating the slay,
hence it's crucial for the weaver to ensure perfection. Only 3 colors are traditionally used - red
black and white in geometrical designs. Weaving a Telia Rumal needs a great amount of practice
and perfection for the warp and weft to be meticulously converted to an artistic design. The number
of motifs makes it more complex and difficult to dye the colours in the predetermined places on the
fibre.
Warp: The Yam is then wound onto cones or cylinders in preparation for making the warp. The
yam is taken to the padduguadda (warping machine), a large wheel that enables the correct length
to be wound quickly. A mechanism on the sequence of yarn to be kept in order. After winding yam
markers are tied around the crosses, helping the person counting threads to keep them in the
correct sequential order.
The designs which are already prepared on a graph is drawn on the warp, Then the wrap is folded
for design purpose. This warp will be openly spread and will be colored from light to dark shade.
After tying with rubber it is dyed in the light shades and dried and the same process will go on for
light colour to dark shade. After completion of the dying process rubbers are removed and the warp
is opened in the full length and then the design warp is placed. Then the warp is taken out in the
street and is spread wide open to avoid disturbance in the design for every metered length is tied
with twines in sections and then the wam is taken on to the loom and continues to weave with
required weft.
Weft: The weft is taken to the "ASU" (local term) an apparatus having one side one peg and other
side several pegs. These pegs are pegged on a wooden frame which is in the shape of an arc. The
distance between the two pegs is equal to the width of the fabric the number of pegs used
depending upon the design and the remaining process is same as in the case of warp. After
completion of total tie & dye process of weft, the entire yam which is on the "ASU" is wounded on
"parivattam" then it is wound on the "pims" the pims will be in serial order, The weavers will weave
the fabric weaving The weaving process is operated by pulling a cord in the center of the loom.
When weaving the plain fabric borders, this can go extremely fast but with the double Ikat central
design, each throw of the shuttle has to be carefully checked to ensure precise design intersection.
However, there is always an unavoidable slight movement of yam that creates a feathered' edge to
the motifs. At this beginning stage adjustments are made to any imperfections of alignment by
tightening or loosening the heddles to loosen any yams that are twisted or stuck together. A master
weaver can weave the full length of eight Rumals in 4 or 5 days, however the average weaver
could take several weeks to complete the piece.
The weaving continues until all Rumals have been completed. When finished, the fabric is
starched. When dry, the product is inspected for any flaws that are then mended. This finishes the
length process. Because the greatest time is taken with the creation of the tie & dyed warp and
weft, more than one set of threads is normally prepared at one time. The amount will vary
depending on the number of repeats across a design and also how many threads are in each unit
of the design. Too large a bundle of threads should be avoided. Some fine curved designs have
many units but very few threads in each group, helping to create smooth curving lines rather than
sharply stepped outlines. As a consequence, more duplicate warps could be tied at one time in
such groups. On average, eight warps containing eight Rumals each would be prepared together.
An equal amount of weft is prepared to complete the weaving of the warps, helping to rationalize
the time spent in preparation.

DESIGN SKETCIIES FOR MASTER PIECES
The process of tie & dye design requires the fixing of the designs and patterns before the warp and
weft and coloured the threads forming the design tied and dyed repeatedly to bring in the right
colour at the right place and the interlacement of the threads produces the design on the fabric.
The dyeing over the warp and weft are spread out for weaving on a loom.
As patterns and designs emerge, the impact impart elegance and beauty to the woven fabric. Tie
and Dye techniques may be applied on the warp threads (Warp Ikkat) or the weft threads (Weft
Ikkat) either of which is called single ikkat or they may be applied on warp and weft threads in such
a way that the designs overlap each other called Double ikkat in single as well as double ikkat
,warp and weft Threads which are tied and dyed as per design should not only be positioned
accurately in proper sequences in weaving as required by the design and its colour scheme but
also should be accurately secured to prevented shifting, displacing or entangling 'with this highly
sophisticated ikkat technique complicated motifs appear exactly the same on either side of the
fabric.
J) Uniqueness:
The process of creating a Telia Rumal is a very intricate and laborious double Ikat weave.
Uniqueness of the dyeing and weaving cluster is based on the usage of the following natural
materials:
i) Natural alizarin dyeing.
ii) Sheep dung.
iii) Castrol seed pod ash.
iv) Gingili oil.
A triumvirate of traditionally used colours, namely: red, black (earakasu) and white are used in the
traditional process of producing Rumal. The fabric used in the creation of Telia Rumal is 100%
cotton as no other fabric can support the traditional process used in its production. The unique
feature of Telia Rumal is that when it is worn as a turban in summer it keeps the head cool and
when it is worn in winter It keeps the head warm.
Another unique feature of Rumal is that when it is worn as a lungi by the fishermen the smell of the
fabric attracts fish while the nature of the fabric keeps the salt away from the fabric so the lungi
does not get wet and become uncomfortable for the wearer. This yam develops a distinct oily-smell
due to the use of oil in yam treatment which lingers even after the creation of Rumal thereby
adding on to the uniqueness of the product. Telia Rumal can only be created using traditional
handloom process and by not any other mechanical means as otherwise the very quality of Rumal
will be lost.
The special characteristics of Telia Rumal designs are only woven and there will be no prints on
the handloom materials. The traditional vegetable dyes used in the production of Telia Rumal have
huge number of medicinal benefits. Unlike chemical dyes vegetable dyes do not contain
carcinogen. After each wash the vegetable dye enables the fabric to retain its colour and not fade.
In fact, Telia Rumal becomes brighter after each wash because of the presence of oil in it.
The Telia Rumal includes geometric designs namely: Maddikaya, Omkaram, Padava, Chandrudu,
Hastam, Pachees, Bhucharakam, Swastik, Vimanam, Simham, Chillaka, Gadiyaram, Muggu,
Suryudu, Pakshulu and Mallepuwu.

K) Inspection Body:
The inspection body is constituted consisting of the below mentioned persons to keep the check
upon the quality of the products.
l. One Representative from Craft Council of Telangana
2. One Representative from Craft Council of India
3. One Representative from Department of Handlooms, Government of Telangana
4. One Representative from the Consortium of Puttapaka Handloom Cluster – IHDS
5. Three (03) Producers of Telia Rumal.
This inspection body shall act independently to ensure the quality check upon the goods and will
keep the check on the quality, manufacturing and mechanism of the goods.
L) Others:
The work of the Telia Rumal community has been recognized globally and has received various
accolades from places of international repute which include UNESCO, Cheonglu International Craft
Biennale Award and also the Shilpguru Award as well as the National Master Weaver Award.


Application is made by Sohrai Kala Mahila Vikas Sahyog Samiti Limited at Sanskriti Centre, Dipugarha,
Post:- Hazaribagh, 825 301, Jharkhand, India for Registration in Part A of the Register of Sohrai-Khovar
Painting under Application No. 658 in respect of Painting falling in Class – 16 is hereby advertised as
accepted under Sub-section (1) of Section 13 of Geographical Indications of Goods (Registration and
Protection) Act, 1999.
A) Name of the Applicant : Sohrai Kala Mahila Vikas Sahyog Samiti Limited
B) Address : Sohrai Kala Mahila Vikas Sahyog Samiti Limited,

Sanskriti Centre, Dipugarha,
P.O- Hazaribagh, 825 301,
Jharkhand, India.
C) Name of the Geographical Indication:

SOHRAI-KHOVAR PAINTING
D) Types of Goods : Class 16 – Painting
E) Specification:
Sohrai-Khovar Painting is a ritualistic tribal painting with distinct features, traditionally being
practiced mainly in mural art form in the region of Hazaribagh district (State of Jharkhand), and is
also being made on other canvases too including paper and cloths, with same distinctive traditional
features being practiced by women of different local tribes, and some other communities. Sohrai-
Khovar painting is a profusion of lines, dots, animal figures and plants, often representing religious
iconography.
“Sohrai” is a local festival whereas “Khovar” is a nuptial chamber designed and decorated to
bless the newly married couple. In local traditional practice during Sohrai festival and in Khovars –
made in local marriages, ritualistic mural paintings are being made on the walls, such paintings are
distinct in nature and due to events in which it is being practiced it is being referred as Sohrai-
Khovar painting.
Form of handicraft: Painting

Artisans: Local tribal women in the region of Hazaribagh.
General Characteristics - Monochromatic and Coloured both- (In case of coloured
murals (Distinctness by the use of limited number of colours)

- Geometric symbols, drawings of local flora and fauna,
symbolic designs or patterns like Pashupati (lord of
animals) Purainpat (forest of lotuses).
- Depiction of drawings are normally borderless
- Drawings are mostly non-narrative
Ritualistic Characteristic: Sohrai is a Festival in which such paintings are being made
to keep evil spirits away (local ritualistic believe) whereas
Khovar is nuptial chamber which is designed and decorated
by such paintings to bless the newly married couple.
Traditional Season Harvest season (late October to December) and Marriage
of practice: Season (late January to June)
Features, Pattern and essential By the use of limited number of coloured soil (naturally
elements: available locally) motifs of the animals, birds, plants, floral
and wildlife of local forest along with ritual symbolic designs
or patterns like Pashupati (lord of animals) Purainpat
(forest of lotuses).
Featuring Pashupati (lord of animals) and Purainpat (forest
of lotuses) is very common.
Appearances: Monochromatic (Khovar) as well as coloured also (distinctly
limited to four to five fixed colours).
Colours used Red, White, Yellow, Black, Cream colour
Social adoption: Through matriarchal practice, the tradition of such art
passes from mother to daughter in local tribes.
Tribes and other communities Santhal, Oraon, Munda, Agaria, Kurmi, Ghatwals, Ganju,
who practice Sohrai-Khovar Prajapati.
Paintings:
F) Description:
“Sohrai-Khovar Painting” is a traditional and ritualistic mural art being practiced by local tribal
women during local harvest and marriage seasons using local naturally available soils of different
colours in area of Hazaribagh district of Jharkhand. Mural of Sohrai-Khovar painting is a profusion
of lines, dots, animal figures and plants, often representing religious iconography such as the
mythic tree of life or Pashupati (a horned image of Lord Shiva as the lord of animals).
Such mural paintings are being practiced by women of different local tribes, and some other
communities largely the Santhal of west Hazaribagh, Munda, Oraon, Ghatwals, Ganjus and
Prajapati of south Hazaribagh, whereas Agaria and Kurmis of east Hazaribagh.
The traditional term “Soh” means to drive away and “rai” is a stick in local language, denoting the
early domestication of animals for agriculture and accumulation of wealth. Sohrai is a traditional
harvesting festival, which is being celebrated for domesticated animals- helpful in their agriculture
and daily life. The Sohrai festival which marks the beginning of harvesting season is of five days.
On the second day of the festival, which is devoted for invoking blessings from Bongas (spirts
which are worshiped) for individual homes, when the cattle are sent to the fields in the morning to
graze, in their absence, the womenfolks decorate their huts by this traditional ritualistic painting
over the walls.
Since domesticated animals are important part of their life in terms of agriculture and daily life and
for which they celebrate this festival, a ritualistic symbol of Pasupati (lord of animals) is
predominantly found in drawings made during Sohrai. This mural paintings generally have
drawings of some ritualistic geometrical structures and motifs of local animals, birds, plants, and
local wildlife. Similar practice of painting in mural is being made in mural form, during local

marriage season in Khovar (word made from the combination of “Koh” means cave and “Var”
means bride, whereas it is the nuptial chamber made for bride and the bridegroom) in which more
colours are being used with same motifs of local flora and fauna which traditionally being
symbolizes with fertility, having same features. Both Sohrai and Khovar however are not singular
traditions but in broad terms it encompasses a range of same mural practices and designs
characterised in such paintings of this region.
Such ritual practice of painting making is traditionally being practiced only by local tribal women
and is a matriarchal practice in which tradition of such art passes from mother to the daughter. The
local population of Hazaribagh in which the practice of such paintings are more prevalent may be
identified as: Santal, Oraon, Munda, Agaria, Kurmi, Ghatwals and Ganju, Prajapati.
Time and occasion of the : Harvest season which starts with local
practice of Sohrai-Khovar festival Sohrai.
painting: : Marriage season which starts from spring (late January) and runs
till the advent of monsoon (June) in form of murals in Khovar,
which is a nuptial chamber designed to bless the newly married
couple)
Artisans Women of different local Tribes and other communities of
Hazaribagh. Primarily being practiced by following communities of
Hazaribagh:
Santhal – West Hazaribagh
Munda – South Hazaribagh
Oraon - South Hazaribagh
Agaria - East Hazaribagh
Kurmis -East Hazaribagh
Ghatwals - South Hazaribagh
Ganjus - South Hazaribagh
Prajapati – South Hazaribagh
Colours used Only soil of which colours are naturally available in the earth of
local geography- only such colours are being used in Sohrai-
Khovar Painting. Such colours primarily may be identified as
follows:
:Red
:White
:Yellow
:Black
:Cream colour
Distinct Pattern Strong aesthetic value with combination of rhythmic and lyrical
patterns of geometries including triangle, circle, ovals, and curves
along with animals, trees, birds and flowers which have
traditionally been found in local forest and the area.
Primarily two kinds of murals – Comb-cutting and Simple
Technique.
Ritualistic belif Related to the tradition belief, ritual, life & surrounding environment
including different abstract natural forms and motifs of forests,
trees, animals, birds, flowers. Purainpat (forest of lotuses), along
with ritual symbolic designs or patterns like Mother Goddess and
Pashupati (Lord of animals) are very common characteristics.
Based upon different areas and specific tribes of Hazaribagh among which Sohrai- Khovar painting
is being practiced, it has gathered different specialties in respect to characteristics. Based upon

such specific area of practice and specific tribes involved into it following nine characterized
practices of such painting may be found in the region of Hazaribagh:
Hill Kurmi Khovar of Jorakath (Barkagaon block)

The Kurmi Khovar of Jorakath is made for the marriage and the houses are decorated in the
middle of the village, and subsequently again during the harvest. The mud wall surface is prepared
by covering the clay walls with the black kali-mati (manganese), over which a coat of the cream
dudhi maati-yellow earth is applied with cloth swab. Then they cut or scrape with pieces of broken
combs the wet cream layer large animal forms which are unique in that they are almost exclusively
wild animals forms such as elephant, tiger, deer, peacock, birds and plants. They also have a wide
repertoire of wild forest birds like the peacock, moorhen, egrets, jungle-fowl. The most striking
attributes of this particular art is the X-ray forms in which young animals are shown inside their
mother, animals with holes in them typical of rock paintings, and man-animal conflict such as tiger
attaching man etc.
Kurmi Sohrai of Bhelwara (Bishungarh block)

In the east of the Hazaribagh plateau there are Kurmi village of Bhelwara, famous for its beautiful
Sohrai-Khovar paintings. The design referred to as Kamalban which directly translated means
“forest of lotuses” is as noted drawn using an improvised compass, the women (and even small
girls) expertly drawing the intersecting circles scraped in the earth of wall. Later the stems, fronds,
and other details are drawn with nails, the lines being always in triplicate, the outer and inner lines
being in white and black respectively and the middle line in red. The white is for rice, red for
sacrifice or puja, black for Shiva. Shiva is depicted in his female form as a drum or “damru”. The
broad expanses of earth on large Kurmi houses in Bhelwara are ideal for this fantastic floral art
with large animal forms representing cattle.
Ghatwal Sohrai of Oriya (Churchu block)

The Ghatwals of Hazaribagh and Palamau are known as keepers of the western passes between
the plains and the plateau of Chotanagpur. The Ghatwals of Bhelwara, Oriya and adjoining regions
practice a glyptic stencil art on the walls using red oxide, manganese black, milky white earth
colours decorating walls and floors of their houses using a cloth swab technique called potna, and
the principal form being the cattle and Pashupati (Shiva) and the marriage mandala called Shadi
Chowk. Sometimes animals of the forests also appear in the glyptic art-form which is not surprising
for a forest dwelling tribe.
Agaria Sohrai of Daujinagar (Padma block)

The Agarias of Hazaribagh are a pre-plough agriculture society similar to the Asur and identified
with the first iron smelting of Jharkhand. The village at Daujinagar decorate their mud houses with
large coloured floral motifs and geometrical forms. Their art is glyptic and similar to the Ghatwal but
it contains no cattle or Pashupati, but only the icon of the numinous Shiva identified in leaf form
with arms.
Santhal Sohrai of Lukiya-Purnapani (Bishungarh block)

The Santhals of eastern Hazaribagh live in forest villages of Purnapani, Lukiya and Jarwadhi,
(Bishungarh block) and Nano (Churchu block) calling themselves Manjhi or headman. The designs
are painted in black, red and milky white earth colour on the simple clay plaster of their houses.
The Santal houses are decorated with plain mud plaster with a high dado of black manganese
earth sometimes with ornate forms. Very distinctive feature of many of the houses is a low
courtyard wall with an ornately painted entrance. Rows of white dots form the decorative feature on
the mud walls. A distinctive feature are the ornately carved wooden doors made of Saal or
Gambhar wood joined with heavy iron nails and hung on heavy iron hinges. Very rarely one finds
painted forms other than two small triangular ancestor figures painted on either side of the
entrance doorway with the ink of the Bhelwa Indian Marking Nut (Semecarpus anacardium). The

traditional metal-smelters, the Malhars of the region in Kendwatoli still follow traditional methods of
casting bronzes and have similar art-forms.
Munda Sohrai of Isco (Barkagaon block)

Women artisans of the village of Isco adjoin the rock-art sites in the Sati hills, with Munda tribe
inhabitants, often paint the simillar designs on their house walls giving a historical link to such art.
The Mundas paint with their fingers in the soft-wet earth of their houses, using unique motifs such
as the rainbow snake (Lorbung) and plant forms of a deity similar to the Prajapatis and Kurmis.
They commonly spot their painting with vermilion and white dots. The mud in these villages is of a
beautiful lavender grey colour, and the mud used is of a unique ochre colour. The painting on the
mud houses of Isco are of a standard type following the traditional technique for Khovar finger
painting and the comb is used less, sometimes walls are painted with red oxide earth colour and
manganese black. First the designs are cut in mud clay and then filled in with white markings, and
vermillion. The designs are generally plant forms.
Prajapati Khovar of Kharati (Barkagaon Block)

The tradition of Khovar comb cutting is to be found exclusively in the two hundred villages of the
Upper Damodar valley also known as the Barkagaon valley in the east, and North Karanpura
Valley The important Khovar villages in the eastern-central part of the valley are Punkri-Barwadi,
Bhadul-Pipradih, Kharati, Nayatand, Napo, Barhmaniya. Most of the villages are predominantly the
Prajapati caste which is an agricultural community, but also an artisan castes such as Kumhar or
potter, Rana or carpenter, Teli or oil extractors, Turi or basket makers and bamboo workers, and
the wandering groups such as the Malhar metal-casters.
Ganju Sohrai of Saheda (Barkagaon block)

Ganju painting has its own distinctive wild and domestic animal forms, and unique jungle plant
forms. During the harvest as well as the marriage season they decorate their houses with beautiful
large murals of jungle animals and birds, and exotic plant forms, as if bringing the forest indoors. It
is a quality which is most enduring. The Ganju houses at Saheda are painted with the forms of wild
and domestic animals and birds forms like peacocks, elephant, tiger, crocodile, snake, jackal,
plants, etc.
Oraon Sohrai of Dato & Isco (Katkamsandi & Barkagaon Block)

The Oraons use a lot of floral art form in the decoration of their mud house walls in the harvest
season during the Sohrai. They also has a unique form of ancestor paintings (Purkha) practiced by
the families of an older cattle-keeping generation (Gorait-Oraon). Their art has almost died out but
for a few Oraon villages of northern Jharkhand such as Dato, Khorar, etc. The arrangements of the
Purkha or ancestor paintings is explained through linear motifs in strong bands of natural colours.
The Oraon houses like the other village houses are mud walled and tiled with roof. The outside
walls are painted with floral designs and on rare occasions one finds the totem design in vertical
plains for which the tribe is known. They also make a very attractive arched design with the fingers
in the mud walls called Baserai (Bas is bamboo and era is the forest goddess). This is considered
very auspicious for the house.
The Sohra-Khovar painting is primarily being practiced only in district of Hazaribagh, however in
recent years for promotional purpose it is also being practiced in some other parts of Jharkhand.
The Hazaribag district of the State of Jharkhand is situated in the north east part of North
Chotanagpur Division. The boundary of this district consists of districts of Gaya (Bihar) and
Koderma in the north, Ramgarh in the south, Giridih and Bokaro in the east, and Chatra in the
west.

Hazaribagh district of Jharkhand is approximately 1,982 feet above the sea level having area of
4,302 Sq.KM and enjoys tropical climate i.e. stays hot in summer and moderately cool in winter.
Hazaribagh is located at coordinates of 23.98°N 85.35°E.
Hazaribagh plateau, the part of Chotanagpur Platue is the northern tract of the massif divided by
the Damodar River from east to west, with the Ranchi plateau lying to the south. The Hazaribagh
being a part of Chotanagpur plateau is surrounded by forests having different hills like Sitagarha,
Bamanbere and Canary Hill.
There are availability of different types of soils in the region of Hazaribagh having differences in
mineral content and therefore in pigmentation. Due to the presence of iron, soil of Hazaribagh is
generally red in colour, whereas at many places, the presence of mica makes it pink also. Lower
soil of Hazaribagh is yellowish white in colour, whereas sandy loam soil is found around the
Damodar River basin giving the white colour to the soil. The presence of manganese in the region
also makes the availability of black soil in the region.
River Konar, a tributary of Damodar River traverse through the Hazaribagh town, whereas the
Barakar, the Damador, the Haharo (in Barkagaon range), the Garhi (in Tandwa Range) and the
Barsoti river (in Barhi Range) are other rivers flowing in the region of Hazaribagh.
The name ‘Sohrai’ is said to have derived from a paleolithic age word—‘soro’, meaning to drive
with a stick. One of the oldest art forms of wall painting, this tribal art has the history of more than
5000 years and can be traced somewhere between 7,000-4,000 BC. The Sohrai-Khovar art
tradition is evidenced in the prehistoric Mesolithic rock (7,000 BC) in form of rock cave art in the
hilly ranges of Hazaribgah district of north Jharkhand. However, such art has been in practice
locally since time immemorial but the local origin may be traced from such pre-historic age only.
Such ancient rock art was first discovered, on a Mesolithic rock in form of ancient art at Isco,
Hazaribagh in 1991 and which was followed later by the discovery of around a dozen prehistoric
rock art sites of more than 5,000 years old, in the North Karanpura Valley of Hazaribagh. The
history of such form of art is related to prehistoric age, and such historical fact came into light in
1991 by the discovery of Isco rock art site, in nearby area of Hazaribagh. Subsequently over twenty
such painted shelters have been discovered. Furthermore, hundreds of motifs associated with the
Mesolithic rock art found in palaeoarchaeology sites like Isco, Nautangwa Pahar (Salga),
Hazaribagh and several shelters in the Satpahar range (formerly in Hazaribagh, but now in Chatra
district, i.e. Thethangi, Raham, Sidpa, etc) carry rock paintings with motifs found in the Sohrai-
Khovar paintings of Hazaribagh. Many of these sites are also acknowledged by the Archaeological
Survey of India in 1992- 1993. The rock art was studied in 1993-95 by Erwin Neumayer of Vienna,
a renowned authority on Indian rock art, and S.B. Otta, Head of the Prehistory Department of the
Archaeological Survey of India (ASI), Nagpur. Both authorities dated the rock art to the Meso-
Chalcolithic period.
Linking these ancient rock drawings and the practice of present day drawings on their walls by
locals, a renowned ethnographer Erwin Neumayer in his book “Lines on Stone, The Prehistoric
Rock Art of India” notes as follows:
“A comparison between ancient rock pictures and modern house wall pictures often discloses
strong stylistic and thematic analogies. The close study of housewall pictures teaches us, that the
pictures are an ideologic construct, which in many cases is defined much more by its use during a
particular festival-season than by its shape, which although the iconography might be fixed- will be
recognised even if the artist has not kept to many of the necessary features of this convention.”

Some authoritative sources claim it to be related to the Indus valley civilisation (Harappan, Lothal,
Mohenajodaro Civilizations) because similar symbols may be found on the soap stone or steatite
seals of those civilisations. And such similar symbols may still be found in use in respect to this
indigenous mural art. Many of the designs of Sohrai-Khovar painting which are still prevalent in
practice, may be compared to prehistoric rock art found in nearby areas and prehistoric seal motifs
from Harappa.
It is being claimed that the following upon the similar patterns and styles once used to create ‘Isko’
and other rock arts in the region like Satpahar in Hazaribagh district, earlier this form of art making
which was prevalent in caves, got shifted to the houses once the civilisation developed and local
people shifted themselves to houses with mud walls.
The traditional term “Soh” means to drive away and “rai” is a stick, denoting the early
domestication of animals for agriculture and accumulation of wealth. Sohrai is an ancient word
carrying traditional significance enacted in ritual paintings done only by tribal and traditional women
artists.
Traditionally during the Sohrai festival (harvest festival) which is being celebrated on the 16th
Kartik, the day after the Dewali, village houses are being painted by tribal women as a ritual of
thank giving for a good harvest with mural paintings, whereas in marriage season similar murals
are being made the walls of Khovars. After the name of Sohrai festival and Khovar in which such
murals are being practiced, such paintings are being referred as Sohrai-Khovar painting. This
Ritualistic art being made on walls of their houses are to welcome the harvest and to celebrate the
cattle in case of Sohrai festival and to bless the newly married couple in case of Khovars. Durring
the Sohrai festival women clean their houses and decorate their walls with such murals, whereas
during marriage such murals are being made by women in the wall of Khovars (Nuptial chamber).
Describing the love of colours and application of those on their walls in form of naturally available
local soils of different colours, ET Dalton- an ICS officer of British Period in his book “Descriptive
Ethnology of Bengal” writes about the Santals of this region in 1872:
“They paint their walls in alternate broad stripes of Red, White and Black – native clays and
charcoal furnishing the pigments……”
D H E Sunder, a British officer of erstwhile British India in the “Final report of the survey and
settlement of the Palamau government estate, Palamau district, in Chotanagpur, Bengal, Seasons
1894-95 to 1896-97” describing the rituals of marriage ceremonies being practiced in adjoining
region writes:
“…… Two baskets are then brought and the bride and bridegroom step on one and then on the
other and so enter a hut, the walls of which are painted with circles called Kohbar.”
Sarat Chandra Roy, who is also known as the father of Indian Anthropology, the first Indian
ethnographer, and as the first Indian anthropologist, in his famous book “The Oraons of Chota
Nagpur: Their History, Economic Life, and Social Organization”, published in 1915, has referred the
following picture depicting a outer wall of the house of a Oraon of this region showing the drawings
made over the wall, which can easily be identified as Sohrai-Khovar painting as it has drawing of
“Purainpat”, the making of which is still a distinguished prevalent practice in their drawings of
Sohrai-Khovar painting by local tribals.
S.C Roy as the editor of pioneering Journal of Antropology in India, Man of India, in an edition of
1921, recording about the practice this wall painting among Ho tribes of Chotanagpur (Hazaribagh
is the part of old Chotanagpur region) under the title “Ethnographic notes and queries”, writes:

“Ho females paint the outer walls of their huts with red earth, coal-dust and Wall-painting, yellow
earth. Geometrical figures and the figures of elephants and horses are among the common
designs for ornamental drawings on the walls.”
William George Archer, who wrote as W. G. Archer, served as a British civil servant in nearby
areas and was an art historian, and later become a museum curator of prestigious Victoria and
Albert Museum, London, along with his wife Mildred Archer who was also an Art Historian of high
repute had published their first known publication in Axis magazine of London which was a well
known abstract publicising magazine of contemporary art as “Santhal Painting” in year 1936. The
pictures published by them under the title “Santhal Painting” with their background in form of
abstract is the depiction of mural paintings being drawn in adjoining areas of this region on mud
walls. The geometric designs, drawings of elephant and woman in their published picture of murals
of nearby areas can still be correlated with the prevalent art practice of Sohrai-Khovar painting.
“The paintings themselves are done by the women in terracotta and ochre, obtained from oxides in
the soil ….”
Further describing the uniqueness of such painting imbedded in their traditions, they mention:
“With their common style the paintings form part of tribal stock, developed by family sensibilities
and matured by repetition.”
Describing the importance of such paintings, they further write:
“The necessity of these paintings in Santhal life — a life based on agriculture and with no margins,
a bare “rice” culture — would prove, if any proof were needed, the “naturalness” of an abstract
style.”
The Santals which are major tribal inhabitants of the Hazaribagh region apart of some other parts
of India, Charulal Mukherjea in his book The Santals, describing about the artistic characteristics of
this tribe mentions “Santal walls are the beauty-spots of the hamlet. Here the inner artistic craving
of the primitive tribe has displayed itself in a realm of phantasy. In some places, we saw the walls
painted with a variety of colours, white, yellow, black, red and chocolate; sometimes with one
colour and sometimes with alternate stripes, again with queer patches of triangles and rectangles”.
Somnath Chakraverty, in his paper “Interpreting rock art in India: a holistic and cognitive approach”
in XXIII Valcamonica Symposium, 2009 describing the link of ancient rock art found on different
sites of Hazaribagh region with the present practice of Sohrai-Khovar painting, writes as follows:
“In Jharkhand state the rock art sites are related to a local legend of ‘Kohbar’ or marriage booth of
a tribal king and the newlywed couple spent the night of their marriage in the rock shelter already
decorated with paintings. Some of the sites, located near the Kiul river and in the bordering areas
between Bihar and Jharkhand are also known to the local villagers as - Kohbar and local rivulet is
identified as - Rani Gadar or after the unknown queen. The figurative motifs, often stylized horse
riders, single or in groups, two persons carrying another within a palanquin or marriage - litter,
symbolic designs and other unidentified motifs are common.”
Raw Material
The “Sohrai-Khovar Painting” has traditionally been painted on mud house walls but in recent years
it is being painted on other canvases too. Raw materials used for Sohrai-Khovar painting also
changes with the use of canvases. However due to addition of new other canvases, few materials

which is being used in the painting process has also changed but the distinct features,
characteristics and making of Sohrai-Khovar Painting remains same on every canvas.
Depending upon the use of different canvases for Sohrai-Khovar painting, following different kinds
of materials is being used painting of this art.
Different types of Canvases

A. Mud House Walls
B. Pukka House Walls and other Pukka walls
C. Hand Made Papers
D. Cloths
Different canvases and respective Raw materials and instruments
Canvas / Raw Material/ Instruments Description

Platform
Mud House Brush (i) Twig toothbrush (i)A manually chewed twigs of
Walls (Datwan) and /or Saal tree- a plant available in local
(ii) Cloth swabs forests of Hazaribagh
(Lipna-Potna) (ii) Cloth swabs daubed in liquid
and /or earth colors
(iii) Fore Finger tips (iii) Fingers daubed in earth colour
Colour Locally available different (i) Laal maati
Sources kinds of soils with different (red oxide)
colours (ii)Kali maati (Manganese black)
(iii)Pilla maati
(yellow ochre)
(iv) Charak maati
(Kaoline white)
(v) Dudhi maati
(cream earth colour)
Diluent Natural water Water as the diluents
Pukka Brush (i) Twig toothbrush (i)A manually chewed twigs of
House Walls (Datwan) and /or Saal tree- a plant available in local
and other (ii) Cloth swabs forests of Hazaribagh
Pukka walls (Lipna-Potna) (ii) Cloth swabs daubed in liquid
(iii) Fore Fingers tips (iii) Fingers daubed in earth colour
Colour Locally available different (i) Laal maati
Sources kinds of soils with different (red oxide)
colours (ii)Kali maati (Manganese black)
(iii)Pilla maati
(yellow ochre)
(iv)Charak maati
(Kaoline white)
(v)Dudhi maati
(cream earth colour)
Diluent Natural water Water as the diluent
Hand Made Brush (i) Twig toothbrush (i) A manually chewed twigs of
Papers (Datwan) and /or Saal tree- a plant available in local
(ii) Cloth swabs forests of Hazaribagh
(Lipna-Potna) (ii) Cloth swabs daubed in liquid

(iii) Fore Fingers tips (iii) Fingers daubed in earth colour
Colour Natural Soil of different The same colour material
Sources colours
Diluent Natural Water Water as the diluent
Sticking Gums Locally made Gums
agent
Cloths Brush (i)Twig toothbrush (i)A manually chewed twigs of
(Datwan) and/ or Saal tree- a plant available in local
(ii) Fore Fingers tips and/ forests of Hazaribagh
or (ii)Fingers daubed in earth colour
(iii) Other Brushes (iii)other types of brushes
available; broken comb
Colour Natural Colour The same colour material
Sources
Diluent Natural water Water as the diluent
Local soil used as colour

The basic palette is red, white, black and yellow, all of whose raw materials are found in the
villages of Hazaribhagh, however white kaolin has to be dug out of caves in Hazaribagh. Yellow is
an ochre strand of earth used by potters and to wash hair. Its name is tila-mati, (tila meaning child,
mati the earth), so yellow is the colour of young earth and also that of the rice sheaves celebrated
during this harvest festival. Red is the normal colour of the earth in this region and represents the
blood of the ancestors; while black manganese symbolises Kali, the mother goddess.
The Natural earth soils which are naturally available in Hazaribagh district (a platue region) is being
used to make “Sohrai-Khovar Paintings”. The different types of soil are as under:
Name Colour Found / Origin

Natural Earth/ Ground Red Commonly available, for deep colour is
Haematite prepared by grinding the stone of the
(Local name Gerua) same colour with water
Manganese Earth Black Available around the edges of fields
bordering the forests area
Natural Earth Ochre (Local Yellow Commonly available
Name Nagri)
Plain Kaolin White Available in local sites called Chuna
Khaan (the mines of white lime)
There are two techniques used to produce the murals viz. Comb-cutting technique and Simple
technique.
Comb-cutting Technique
Comb-cutting Technique is a technique of producing such murals mostly being used by Kurmi
women in the few villages of Hazaribagh. In Comb-cutting technique- a layer of black or dark grey
manganese-rich clay is first applied on the wall. Once it dries, a second layer of whitish kaolin clay
is applied. When the second layer is just set but not fully dry, the designs are scraped onto the wall
using a broken comb or a similar toothed instrument. This scratches of comb in form of drawings
over the wet kaolin clay revealing the blackened surface below, resulting into designs comprising
multiple delicate black lines on a whitened surface, giving a unique form of murals.
Simple Technique
To make this mural painting tribal women firstly coat the wall with a layer of white mud, and while
the white layer is still wet, they draw the painting with their fingertips or with chewed sal wood

(scientific name - Shorea robusta) tooth-sticks (datwan). Local tribal women use chewed
toothsticks (datwan) of trees which grow locally as their brushes. The frayed and softened edge of
the chewed twig becomes a paintbrush (Kuchi), which allows the artist to produce lines and dots
on the walls. They make a liquid pigment of three or four shades (red, white, black, yellow) from
locally available soil of different colours, in which they dip the kuchi or datwan and make the
painting, applying the liquid earth colours directly on the clay walls which immediately soak up the
paint like a sponge. Sometimes cloth pieces are dipped in the colour as a brush.
Towards making the ritualistic mural paintings of Sohrai-Khovar, the red line is drawn first as
according to their belief it represents the blood of the ancestors and is helpful in further procreation
and fertility. The next line is black which signifies eternal dead stone and mark of the God, Shiva in
their customary ritualistic belief. The next all-encompassing outer lines stand in their traditional
values of protection, fidelity, and chastity. The white is painted with the last year’s rice, grounded
with milk into gruel, this represents food.
Process of Painting
To make this Sohrai-Khovar painting tribal women adopt the following indigenous method:
Collection of material Kuchi

for painting -Made of chewed Sal wood (Shorea robusta) tooth-sticks (locally
called as ‘Datwan’) - locally Sal trees are in abundance.
- Broken Comb
- Cloth swab
Soil (Natural coloured)
Local Soil available in different colour
Water
Local Water
Pre-preparation Mixing and preparing a liquid pigment of three or four shades (red,
white, black, yellow) from locally available soil of different colours
The Making (Drawing) - Coating the wall with a layer of white mud
Drawing the painting
- Drawing the painting by dipping the Kuchi or Datwan while the white
layer is still wet by using their fingertips or with chewed sal wood
(Shorea robusta) tooth-sticks (datwan) and/or sometimes with broken
pieces of combs.
- Applying the liquid earth colours directly on the clay walls which
immediately soak up the paint like a sponge
Method and The Red Line
Methodology The red line is drawn first as it represents the ‘blood of the ancestors’,
(Step by Step) procreation and fertility.
The Black Line
The next line is black which signifies eternal dead stone and mark of
the God, Shiva.
Outer Lines
The next all-encompassing outer lines stand in their traditional values
of protection, fidelity, and chastity.
The White Line
The white is painted with the last year’s rice, grounded with milk into
gruel, this represents food.

Nowadys, apart of mud walls other walls like pukka walls and different other canvases including
cloths and handmade papers are also being used for said purpose. Following is brief description
about the method of production in respect to each such canvas.
Mud House Walls as the canvas / Platform

Sohrai-Khovar Paintings are traditionally being made on mud house walls. It is a unique
combination of scraping by tips of human fore fingers, twig-brush and cloth swab paintings using
naturally available soils of different colours while using water as the diluent.
Pukka House Walls and other Pukka walls as the canvas/Platform

Sohrai-Khovar painting is nowadays done with brushes using commercial as well as earth colors to
paint motifs on cement walls
Hand Made Papers as the canvas/Platform

The handmade paper (of different sizes, usually of 30 x 22 inches) is treated with the base coat
consisting of dudhi maati, office glue (epoxy binder) that is then painted over with the natural earth
ochre colours – red oxide, manganese black, kaoline white/cream, yellow ochre using the finger tip
or a brush made of datwan. The finished painting after drying may be rolled for packing.
Cloths as the canvas/Platform

The cloth canvas of various sizes is treated with the base coat consisting of dudhi maati, office glue
(epoxy binder) that is then painted over with the natural earth ochre colours – red oxide,
manganese black, kaoline white/cream, yellow ochre using a brush. The finished painting after
drying may be rolled for packing.
J) Uniqueness:
The Sohrai-Khovar painting is unique due to its distinctive characteristics in respect to following
factors:
Material used and the method of painting

Traditionally very unique and only locally available natural materials are being used for the Sohrai-
Khovar Painting, which includes twig toothbrush (Datwan) i.e chewed twigs of Saal tree - a plant
naturally available in local forests, and soil of different kinds and colours naturally available in
particular distinct geography as the paint. The soil used for white colour is plain kaolin; yellow is a
natural earth ochre; the black is a kind of manganese earth; the red is the natural red earth colour
or ground haematite stone. All such soils of different colours are naturally available in Hazaribagh,
which is a platue region. The white soil is being brought from local sites which are called chuna-
khaan, chuna being the local name for white lime and khaan being a mine. The black manganese
earth is dug up around the edges of fields bordering the jungles. The yellow earth is a common
earth called nagri. The red earth is gerua which is very commonly found, whereas the deep
purplish red colour which also appears sometime in the paintings of Ganju women is haematite,
which is made by grinding the stone of the same colour with water.
The natural availability of such soil together in any particular geography and use of it for such
purpose is the distinctness associated with the Hazaribagh, Jharkhand.
Features
This tribal indigenous form of practicing art in mural form is being used to decorate their houses at
different traditional occasions. Depiction of murals on their mud houses in colour of Red, White &
Black with strong aesthetic value are combination of rhythmic and lyrical patterns of geometries
including triangle, circle, ovals, and curves along with animals, trees, birds and flowers which have
traditionally been found in local forest and the area. Depictions in their such non-narrative murals
are related with their tradition belief, ritual, life & surrounding environment, which includes different

abstract natural forms and motifs of forests, trees, animals, birds, flowers, Purainpat (forest of
lotuses), along with ritual symbolic designs or patterns like Mother Goddess and Pashupati (lord of
animals).
Geographical distinctness
A. Artisans of Sohrai-Khovar painting, which are largely tribal and village people, are traditionally
being found only in particular geography i.e Hazaribagh, Jharkhand. The Sohrai-Khovar painting of
Hazaribagh is done by local Santal, Oraon, Munda, Agaria, Kurmi, Prajapati, and Ganju of
Hazaribagh.
B. Materials used are distinct, as different kinds of soils which are being used for different colours
in Sohrai-Khovar Painting are locally available soil only. The natural availability of such different
soils (which are distinctly being used for Sohrai-Khovar painting as colours) together in any
particular region is the distinct feature of the region of Hazaribagh, Jharkhand. The twig toothbrush
(Datwan), which are being used as painting brush for different canvases, are manually chewed
twigs of Saal tree- a plant available in local forests.
K) Inspection Body:
Each Sohrai-Khovar painting are treated with the natural earth ochre colours & epoxy binders to
ensure durability, which ensures genuine quality in terms of material used, pigmentation and others
through experienced supervision of Artisans.
An inspection committee has been constituted to regulate the use and control the quality of the
production of Sohrai-Khovar Paintings of Hazaribagh.
The inspection committee consisting government authorities, representatives of different

government bodies, highly reputed personalities of related field and some artisans representing
different blocks of Hazaribagh is an eleven (11) member independent body, presided by the
General Manager, District Industry Centre, Hazaribagh, Government of Jharkhand.
Inspection body – Structure
1. (Chairmen) – General Manger, District Industry Centre, Hazaribagh, Government of Jharkhand

(Ex- officio).
2. (Member) – A representative from Mukhymantri Laghu evam Kutir Udyam Vikas Board (An
undertaking of the Government of Jharkhand).
3. (Member) - A representative from Jharcraft (An undertaking of the Government of Jharkhand).
4. (Member) - A person reputed in respect to History/ Art/Anthropology/ Conservation of Art
5. (Member) - A person from any Non-Governmental Organization working in field of Art and
culture
6. (Member) - A working or retired academician from any college/University related to the subject
of Art/ History/Anthropology
7. Five (5) Members - One representative each from five different administrative blocks in which
Sohrai-Khovar painting is being practiced
L) Others:
Reputation and Recent References

Walls of many important public places of Jharkhand such as Birsa Munda Airport, Ranchi,
Hazaribagh and Tatanagar Railway Station including walls of many other important public places
and buildings have been decorated by Sohrai-Khovar painting in recent years.

This form of Art is being presented and acclaimed in several National and International exhibitions.
Many articles on this art have appeared in important museum and ethnographic journals apart of
leading magazines.
The Films Division of India has made an important film on this art in 2000, which won the
prestigious Rajat Kamal Award given by the President of lndia. More recently a film has also been
produced on this art in Germany.

G.I. Authorised User Application No. - 6206 in respect of Bidriware
Registered GI Application No. – 20
Application is made by Smt. Hurunnisa Begum W/o Shri. Mohommed Faheemuddin at No. 21, Mailoor
Road, Bidri Colony, District: Bidar – 585 401, Karnataka, India. dated December 10, 2019 for Registration
in Part-B for Authorised User in respect of Registered Geographical Indication Bidriware under Application
No – 20 in respect of Boxes, Statues, Statuettes, Busts made of Metal; Flower Vase, Trays; Cigar can and
Ashtrays made of Metal falling in Class 6, 21 & 34 is hereby advertised as accepted under sub-section (1)
of Section 13 of Geographical Indications of Goods (Registration and Protection) Act, 1999.
(A) Applicant : Smt. Hurunnisa Begum
(B) Address : Smt. Hurunnisa Begum,

No. 21, Mailoor Road, Bidri Colony,
District: Bidar – 585 401,
Karnataka, India.
(C) Date of Authorised

User Application : December 10, 2019
(D) Registered Geographical

Indication : Bidriware
(E) Registered Proprietor : Karnataka State Handicrafts Development Corporation

Limited
(F) Address : Karnataka State Handicrafts Development Corporation

Limited,
45, Mahatma Gandhi Road,
Bangalore - 560 001,
Karnataka, India.
(G) Class : 6, 21 & 34
(H) Goods : Class 6 - Boxes, Statues, Statuettes, Busts made of

Metal;
Class 21 - Flower Vase, Trays;
Class 34 - Cigar can and Ashtrays made of Metal.
*--------*-------*---------*

Application is made by Shri. Abdul Nayeem S/o Shri. Rasool Sab at No. 28, Bidri Colony, District: Bidar –
585 401, Karnataka, India. dated December 10, 2019 for Registration in Part-B for Authorised User in
respect of Registered Geographical Indication Bidriware under Application No – 20 in respect of Boxes,
Statues, Statuettes, Busts made of Metal; Flower Vase, Trays; Cigar can and Ashtrays made of Metal
falling in Class 6, 21 & 34 is hereby advertised as accepted under sub-section (1) of Section 13 of
Geographical Indications of Goods (Registration and Protection) Act, 1999.
(A) Applicant : Shri. Abdul Nayeem
(B) Address : Shri. Abdul Nayeem,

No. 28, Bidri Colony,
Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Smt. Yasmeen Begum D/o Shri. Abdul Saleem at No. DCH 22, Bidri Colony,
Mailoor Road, District: Bidar – 585 401, Karnataka, India. dated December 10, 2019 for Registration in
Part-B for Authorised User in respect of Registered Geographical Indication Bidriware under Application
(A) Applicant : Smt. Yasmeen Begum
(B) Address : Smt. Yasmeen Begum,

No. DCH 22, Bidri Colony, Mailoor Road,
Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Smt. Rizwana Begum W/o Shri. Shamshuddin at No. 73, Mailoor Road, Bidri
Colony, District: Bidar – 585 401, Karnataka, India. dated December 10, 2019 for Registration in Part-B for
Authorised User in respect of Registered Geographical Indication Bidriware under Application No – 20 in
respect of Boxes, Statues, Statuettes, Busts made of Metal; Flower Vase, Trays; Cigar can and Ashtrays
made of Metal falling in Class 6, 21 & 34 is hereby advertised as accepted under sub-section (1) of Section
13 of Geographical Indications of Goods (Registration and Protection) Act, 1999.
(A) Applicant : Smt. Rizwana Begum
(B) Address : Smt. Rizwana Begum,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Mohammed Ismail S/o Shri. Mohammed Yaseen at No. 48, Bidri Colony,
District: Bidar – 585 401, Karnataka, India. dated December 10, 2019 for Registration in Part-B for
(A) Applicant : Shri. Mohammed Ismail
(B) Address : Shri. Mohammed Ismail,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Mohammed Shafiuddin S/o Shri. Abdul Rahman at No. 51, Bidri Colony,
(A) Applicant : Shri. Mohammed Shafiuddin
(B) Address : Shri. Mohammed Shafiuddin,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Smt. Aziza Begum W/o Late Shri. Mohammed Yaseen at No. 48, Bidri Colony,
(A) Applicant : Smt. Aziza Begum
(B) Address : Smt. Aziza Begum,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Abdul Raouf S/o Shri. Shaik Ahmed at No. 84, Bidri Colony, District: Bidar –
(A) Applicant : Shri. Abdul Raouf
(B) Address : Shri. Abdul Raouf,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Md Muzamil S/o Shri. Md Ismail at No. 16, Bidri Colony, District: Bidar – 585
401, Karnataka, India. dated December 10, 2019 for Registration in Part-B for Authorised User in respect of
Registered Geographical Indication Bidriware under Application No – 20 in respect of Boxes, Statues,
Statuettes, Busts made of Metal; Flower Vase, Trays; Cigar can and Ashtrays made of Metal falling in
Class 6, 21 & 34 is hereby advertised as accepted under sub-section (1) of Section 13 of Geographical
(A) Applicant : Shri. Md Muzamil
(B) Address : Shri. Md Muzamil,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Sajeed Ahmed S/o Shri. Abdul Kareem at No. 6, Bidri Colony, District: Bidar –
(A) Applicant : Shri. Sajeed Ahmed
(B) Address : Shri. Sajeed Ahmed,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Mohd Rafi S/o Shri. Abdul Khadeer at No. DCH 20, Bidri Colony, District:
Bidar – 585 401, Karnataka, India. dated December 10, 2019 for Registration in Part-B for Authorised User
in respect of Registered Geographical Indication Bidriware under Application No – 20 in respect of Boxes,
(A) Applicant : Shri. Mohd Rafi
(B) Address : Shri. Mohd Rafi,

No. DCH 20, Bidri Colony,
Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Mohammed Arif S/o Shri. Mohammed Osman at No. 20, Mailoor Road, Bidri
(A) Applicant : Shri. Mohammed Arif
(B) Address : Shri. Mohammed Arif,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Abdul Khader S/o Shri. Md Multani at No. 82, Bidri Colony, Mailoor Road,
(A) Applicant : Shri. Abdul Khader
(B) Address : Shri. Abdul Khader,

No. 82, Bidri Colony, Mailoor Road,
Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Smt. Farida Begum W/o Shri. Md Faizuddin at No. 53, Bidri Colony, Mailoor Road,
(A) Applicant : Smt. Farida Begum
(B) Address : Smt. Farida Begum,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Md Moinuddin S/o Shri. Md Shaik Mahaboob at No. 57, Bidri Colony, Mailoor
Road, District: Bidar – 585 401, Karnataka, India. dated December 10, 2019 for Registration in Part-B for
(A) Applicant : Shri. Md Moinuddin
(B) Address : Shri. Md Moinuddin,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Amjad Khan S/o Shri. Fareed Khan at No. 22, Bidri Colony, Mailoor Road,
(A) Applicant : Shri. Amjad Khan
(B) Address : Shri. Amjad Khan,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Smt. Sana Begum D/o Shri. Md Moinuddin at No. 57, Bidri Colony, Mailoor Road,
(A) Applicant : Smt. Sana Begum
(B) Address : Smt. Sana Begum,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Khaleq S/o Shri. M Multani at No. 2/3/79, Chowbara Road, Kulsum Galli,
(A) Applicant : Shri. Khaleq
(B) Address : Shri. Khaleq,

No. 2/3/79, Chowbara Road, Kulsum Galli,
Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Syed Rafi S/o Shri. Syed Shafiuddin at No. 7, Bidri Colony, Mailoor Road,
(A) Applicant : Shri. Syed Rafi
(B) Address : Shri. Syed Rafi,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Digambar S/o Shri. Badhivanth Rao at No. DCH 02, Bidri Colony, Mailoor
(A) Applicant : Shri. Digambar
(B) Address : Shri. Digambar,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Jagannath Rao S/o Shri. Lakshman Rao at No. 65, Mailoor Road, Bidri
(A) Applicant : Shri. Jagannath Rao
(B) Address : Shri. Jagannath Rao,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Ashok S/o Shri. Sharnappa at Plot No. 82, Jeru Salem Colony, District: Bidar
– 585 401, Karnataka, India. dated December 10, 2019 for Registration in Part-B for Authorised User in
(A) Applicant : Shri. Ashok
(B) Address : Shri. Ashok,

Plot No. 82, Jeru Salem Colony,
Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Shamshuddin Quadri S/o Shri. Fareedulla Quadri at No. 9, Mailoor Road,
Bidri Colony, District: Bidar – 585 403, Karnataka, India. dated December 10, 2019 for Registration in Part-
B for Authorised User in respect of Registered Geographical Indication Bidriware under Application No –
20 in respect of Boxes, Statues, Statuettes, Busts made of Metal; Flower Vase, Trays; Cigar can and
(A) Applicant : Shri. Shamshuddin Quadri
(B) Address : Shri. Shamshuddin Quadri,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Mohammed Sirajuddin S/o Shri. Mohammed Khaja Moinuddin at No. 9-8-
425, Baswa Nagar, Mailoor Cross, Bidri Colony, District: Bidar – 585 403, Karnataka, India. dated
December 10, 2019 for Registration in Part-B for Authorised User in respect of Registered Geographical
Indication Bidriware under Application No – 20 in respect of Boxes, Statues, Statuettes, Busts made of
Metal; Flower Vase, Trays; Cigar can and Ashtrays made of Metal falling in Class 6, 21 & 34 is hereby
advertised as accepted under sub-section (1) of Section 13 of Geographical Indications of Goods
(A) Applicant : Shri. Mohammed Sirajuddin
(B) Address : Shri. Mohammed Sirajuddin,

No. 9-8-425, Baswa Nagar, Mailoor Cross,
Bidri Colony, District: Bidar – 585 403,
Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Mohammed Saleem S/o Shri. Mohammed Osman at No. DCH 4, Mailoor
Road, Opp. Ansar Masjid, Bidri Colony, District: Bidar – 585 401, Karnataka, India. dated December 10,
2019 for Registration in Part-B for Authorised User in respect of Registered Geographical Indication
Bidriware under Application No – 20 in respect of Boxes, Statues, Statuettes, Busts made of Metal; Flower
Vase, Trays; Cigar can and Ashtrays made of Metal falling in Class 6, 21 & 34 is hereby advertised as
accepted under sub-section (1) of Section 13 of Geographical Indications of Goods (Registration and
(A) Applicant : Shri. Mohammed Saleem
(B) Address : Shri. Mohammed Saleem,

No. DCH 4, Mailoor Road, Opp. Ansar Masjid,
Bidri Colony, District: Bidar – 585 401,
Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Shah Rasheed Ahmed Quadri S/o Shri. Shah Mustafa Quadri at No. 5-1-
247, Quadriya Pura, Gole Khana, District: Bidar – 585 401, Karnataka, India. dated December 10, 2019 for
Registration in Part-B for Authorised User in respect of Registered Geographical Indication Bidriware
under Application No – 20 in respect of Boxes, Statues, Statuettes, Busts made of Metal; Flower Vase,
Trays; Cigar can and Ashtrays made of Metal falling in Class 6, 21 & 34 is hereby advertised as accepted
under sub-section (1) of Section 13 of Geographical Indications of Goods (Registration and Protection) Act,
1999.
(A) Applicant : Shri. Shah Rasheed Ahmed Quadri
(B) Address : Shri. Shah Rasheed Ahmed Quadri,

No. 5-1-247, Quadriya Pura, Gole Khana,
Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Md Salhauddin S/o Shri. Gulam Rasool at No. 37, Bidri Colony, District: Bidar
(A) Applicant : Shri. Md Salhauddin
(B) Address : Shri. Md Salhauddin,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Mohammed Arif S/o Shri. Mohammed Shafi at No. 2-3-47/1, Kulsum Galli,
(A) Applicant : Shri. Mohammed Arif
(B) Address : Shri. Mohammed Arif,

No. 2-3-47/1, Kulsum Galli,
Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Smt. Shakera Bee W/o Shri. Abdul Hakeem at No. 7, Chidri Road, Bidri Colony,
(A) Applicant : Smt. Shakera Bee
(B) Address : Smt. Shakera Bee,

No. 7, Chidri Road, Bidri Colony,
Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Abdul Hameed S/o Md. Yousuf at No. 60, Mailoor Road, Bidri Colony,
(A) Applicant : Shri. Abdul Hameed
(B) Address : Shri. Abdul Hameed,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Irfan Miyan S/o Shri. Babu Miyan at No. 2/3/46/1, Chowbara Road, Kulsum
Galli, District: Bidar – 585 401, Karnataka, India. dated December 10, 2019 for Registration in Part-B for
(A) Applicant : Shri. Irfan Miyan
(B) Address : Shri. Irfan Miyan,

No. 2/3/46/1, Chowbara Road, Kulsum Galli,
Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Smt. Shanta Bai W/o Shri. Mohan Rao Kamble at No. V 75, Mailoor Road, Bidri
(A) Applicant : Smt. Shanta Bai
(B) Address : Smt. Shanta Bai,

No. V 75, Mailoor Road, Bidri Colony,
Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Smt. Sangeeta W/o Shri. Vijay Kumar at No. V 21, Mailoor Road, Bidri Colony,
(A) Applicant : Smt. Sangeeta
(B) Address : Smt. Sangeeta,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Vinayak S/o Shri. Maruti Rao at No. 1/5/236, Hargeri Channabasava Colony,
(A) Applicant : Shri. Vinayak
(B) Address : Shri. Vinayak,

No. 1/5/236, Hargeri Channabasava Colony,
Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Maruthi S/o Shri. Mohan Rao Khamble at No. V 75, Mailoor Road, Bidri
(A) Applicant : Shri. Maruthi
(B) Address : Shri. Maruthi,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Sham Kumar S/o Shri. Mohan Rao Kamble at No. V 75, Mailoor Road, Bidri
(A) Applicant : Shri. Sham Kumar
(B) Address : Shri. Sham Kumar,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Irshad Ahmed S/o Shri. Md Ahmed at No. 59, Mailoor Road, Bidri Colony,
(A) Applicant : Shri. Irshad Ahmed
(B) Address : Shri. Irshad Ahmed,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Smt. Nazmeen Begum D/o Shri. Irshad Ahmed at No. 59, Mailoor Road, Bidri
(A) Applicant : Smt. Nazmeen Begum
(B) Address : Smt. Nazmeen Begum,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Abdul Rauf S/o Shri. Abdul Khaliq at No. 2-3-82, Chowbara Road, Kulsum
Galli, District: Bidar – 585 401, Karnataka, India. dated December 10, 2019 for Registration in Part-B for
(A) Applicant : Shri. Abdul Rauf
(B) Address : Shri. Abdul Rauf,

No. 2-3-82, Chowbara Road, Kulsum Galli,
Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Mohammed Areef S/o Shri. Mohammed Shareef at No. 2-2-193, Chowbara
Road, Kulsum Galli, District: Bidar – 585 401, Karnataka, India. dated December 10, 2019 for Registration
(A) Applicant : Shri. Mohammed Areef
(B) Address : Shri. Mohammed Areef,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Md Fayazuddin S/o Shri. Md Hafeezuddin at No. 54, Bidri Colony, District:
(A) Applicant : Shri. Md Fayazuddin
(B) Address : Shri. Md Fayazuddin,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Smt. Sameena Fatima W/o Shri. Shakeel Ahmed at No. 7, Bidri Colony, Mailoor
(A) Applicant : Smt. Sameena Fatima
(B) Address : Smt. Sameena Fatima,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Basavaraj S/o Shri. Shivraj at No. 1-5-236/1, Chowbara Road, Siddi Shah
Taleem, District: Bidar – 585 401, Karnataka, India. dated December 10, 2019 for Registration in Part-B for
(A) Applicant : Shri. Basavaraj
(B) Address : Shri. Basavaraj,

No. 1-5-236/1, Chowbara Road, Siddi Shah Taleem,
Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Sharu S/o Shri. Ashok at No. 12-2-179, Kumbar Wada Road, Rampuri
(A) Applicant : Shri. Sharu
(B) Address : Shri. Sharu,

No. 12-2-179, Kumbar Wada Road, Rampuri Colony,
Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Sunil Kumar S/o Shri. Dayanand at No. 78, Mailoor Road, Bidri Colony,
(A) Applicant : Shri. Sunil Kumar
(B) Address : Shri. Sunil Kumar,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Abdul Fayum S/o Shri. Abdul Hakeem at No 7, Bidri Colony, District: Bidar –
(A) Applicant : Shri. Abdul Fayum
(B) Address : Shri. Abdul Fayum,

No 7, Bidri Colony,
Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Prabhu S/o Shri. Sharnappa Roshembelli at No. 133, SC Galli, Shambeli,
District: Bidar – 585 421, Karnataka, India dated December 10, 2019 for Registration in Part-B for
(A) Applicant : Shri. Prabhu
(B) Address : Shri. Prabhu,

No. 133, SC Galli, Shambeli,
Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Smt. Triveni W/o Shri. Dayanand at No. V 78, Bidri Colony, District: Bidar – 585
(A) Applicant : Smt. Triveni
(B) Address : Smt. Triveni,

No. V 78, Bidri Colony,
Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Smt. Rekha W/o Shri. Rakesh at No. 1-5-167, Raj Bidri Works, Chowbara Road,
(A) Applicant : Smt. Rekha
(B) Address : Smt. Rekha,

No. 1-5-167, Raj Bidri Works, Chowbara Road,
Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Shah Majeed Quadri S/o Shri. Shah Mustafa Quadri at No. 5-1-264, Gole
Khana, Quadria pura, District: Bidar – 585 401, Karnataka, India. dated December 10, 2019 for Registration
(A) Applicant : Shri. Shah Majeed Quadri
(B) Address : Shri. Shah Majeed Quadri,

No. 5-1-264, Gole Khana, Quadria pura,
Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Bhagavan S/o Shri. Ambadas at No. 15, Mailoor Road, Bidri Colony, District:
(A) Applicant : Shri. Bhagavan
(B) Address : Shri. Bhagavan,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Abdul Shukur S/o Shri. Abdul Nabi at No. 4, Mailoor Road, Bidri Colony,
(A) Applicant : Shri. Abdul Shukur
(B) Address : Shri. Abdul Shukur,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Shaik Saleem S/o Shri. Shaik Ahmed at No. 75, Mailoor Road, Bidri Colony,
(A) Applicant : Shri. Shaik Saleem
(B) Address : Shri. Shaik Saleem,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Mohammed Abdul Basith S/o Shri. Mohammed Abdul Rauf at No. 2-2-137,
Chowbara Road, Kulsum Galli, District: Bidar – 585 401, Karnataka, India. dated December 10, 2019 for
1999.
(A) Applicant : Shri. Mohammed Abdul Basith
(B) Address : Shri. Mohammed Abdul Basith,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Mohammed Abdul Bari S/o Shri. Abdul Rauf at No. 2-2-137, Chowbara
Road, Kulsum Galli, District: Bidar – 585 401, Karnataka, India. dated December 10, 2019 for Registration
(A) Applicant : Shri. Mohammed Abdul Bari
(B) Address : Shri. Mohammed Abdul Bari,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. N Rakesh S/o Shri. Narsappa at No. 1-5-167, Chowbara Road, Near Raj Bidri
Works, District: Bidar – 585 401, Karnataka, India. dated December 10, 2019 for Registration in Part-B for
(A) Applicant : Shri. N Rakesh
(B) Address : Shri. N Rakesh,

No. 1-5-167, Chowbara Road, Near Raj Bidri Works,
Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Shakeel Ahmed S/o Shri. Abdul Hakeem at No. 7, Bidri Colony, District: Bidar
(A) Applicant : Shri. Shakeel Ahmed
(B) Address : Shri. Shakeel Ahmed,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Shaik Nayeem S/o Shri. Abdul Hakeem at No. 7, Bidri Colony, District: Bidar
(A) Applicant : Shri. Shaik Nayeem
(B) Address : Shri. Shaik Nayeem,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Mohammed Usman S/o Shri. Md Ismail at No. 20, Bidri Colony, Mailoor
(A) Applicant : Shri. Mohammed Usman
(B) Address : Shri. Mohammed Usman,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Syed Azeemuddin S/o Shri. Syed Rafiuddin at No. 5-3-25, Golekhana,
(A) Applicant : Shri. Syed Azeemuddin
(B) Address : Shri. Syed Azeemuddin,

No. 5-3-25, Golekhana,
Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Mohammed Zameeruddin S/o Shri. Mohammed Ameeruddin at No. 2-1-231,
Mustaid Pura, Siddi Shah Taleem, District: Bidar – 585 401, Karnataka, India. dated December 10, 2019 for
1999.
(A) Applicant : Shri. Mohammed Zameeruddin
(B) Address : Shri. Mohammed Zameeruddin,

No. 2-1-231, Mustaid Pura, Siddi Shah Taleem,
Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Smt. Sulochanabai W/o Shri. Ramesh at No. V 20, Mailoor Road, Bidri Colony,
(A) Applicant : Smt. Sulochanabai
(B) Address : Smt. Sulochanabai,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Smt. Afreen W/o Shri. M Khamruddin at No. 41, Bidri Colony, District: Bidar – 585
(A) Applicant : Smt. Afreen
(B) Address : Smt. Afreen,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Ravi S/o Shri. Ramesh Rao at No. V 20, Mailoor Road, Bidri Colony, District:
(A) Applicant : Shri. Ravi
(B) Address : Shri. Ravi,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Smt. Zaheda Begum W/o Shri. Pasha Miya at No. 55, Mailoor Road, Bidri Colony,
(A) Applicant : Smt. Zaheda Begum
(B) Address : Smt. Zaheda Begum,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Rajaram S/o Shri. Ramji at No. 66, Mailoor Road, Bidri Colony, District: Bidar
(A) Applicant : Shri. Rajaram
(B) Address : Shri. Rajaram,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Pradeep S/o Shri. Ramesh Rao at No. V 20. Mailoor Road, Bidri Colony,
(A) Applicant : Shri. Pradeep
(B) Address : Shri. Pradeep,

No. V 20. Mailoor Road, Bidri Colony,
Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Md Mubeen S/o Shri. Md Moinuddin at No. 57, Mailoor Road, Bidri Colony,
(A) Applicant : Shri. Md Mubeen
(B) Address : Shri. Md Mubeen,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Smt. Rehana Begum W/o Shri. Md Moinuddin at No. 57, Mailoor Road, Bidri
(A) Applicant : Smt. Rehana Begum
(B) Address : Smt. Rehana Begum,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Md Mohsin S/o Shri. Md Usman at No. 32, Mailoor Road, Bidri Colony,
(A) Applicant : Shri. Md Mohsin
(B) Address : Shri. Md Mohsin,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Smt. Uzma Afreen W/o Shri. Md Rafi at No. 53, Mailoor Road, Bidri Colony,
(A) Applicant : Smt. Uzma Afreen
(B) Address : Smt. Uzma Afreen,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Mohammed Muqeem S/o Shri. Md Usman at No. 30, Mailoor Road, Bidri
(A) Applicant : Shri. Mohammed Muqeem
(B) Address : Shri. Mohammed Muqeem,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Smt. Firdoos Begum W/o Shri. Ahmed Raza Khan at No. 51, Mailoor Road, Bidri
(A) Applicant : Smt. Firdoos Begum
(B) Address : Smt. Firdoos Begum,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Nausheen Begum W/o Shri. Gulam Idrees Siddique at No. 55, Bidri Colony,
(A) Applicant : Shri. Nausheen Begum
(B) Address : Shri. Nausheen Begum,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Pavan S/o Shri. Vijay Kumar at No. V 21, Bidri Colony, Mailoor Road, District:
(A) Applicant : Shri. Pavan
(B) Address : Shri. Pavan,

No. V 21, Bidri Colony, Mailoor Road,
Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Md Ibrahim S/o Shri. Abdul Rasheed at No. 49, Bidri Colony, Mailoor Road,
(A) Applicant : Shri. Md Ibrahim
(B) Address : Shri. Md Ibrahim,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Abdul Aziz S/o Shri. Abdul Hafeez at No. 5, Bidri Colony, Mailoor Road,
(A) Applicant : Shri. Abdul Aziz
(B) Address : Shri. Abdul Aziz,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Syed Rafi Uddin S/o Shri. Syed Gosuddin at No. 5/3/25, Gole Khana, District:
(A) Applicant : Shri. Syed Rafi Uddin
(B) Address : Shri. Syed Rafi Uddin,

No. 5/3/25, Gole Khana,
Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Abdul Saleem S/o Shri. Abdul Hameed at No. 2/3/233, Maten Keri Rajabagh,
(A) Applicant : Shri. Abdul Saleem
(B) Address : Shri. Abdul Saleem,

No. 2/3/233, Maten Keri Rajabagh,
Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Abdul Hakeem S/o Shri. Mohammed Ismail at No. 7, Bidri Colony, District:
(A) Applicant : Shri. Abdul Hakeem
(B) Address : Shri. Abdul Hakeem,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. M Khamruddin S/o Shri. Md Faizuddin at No. 53, Bidri Colony, Mailoor Road,
(A) Applicant : Shri. M Khamruddin
(B) Address : Shri. M Khamruddin,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Smt. Badar Akhtar W/o Shri. Md Rafee at No. DCH 20, Bidri Colony, District: Bidar
(A) Applicant : Smt. Badar Akhtar
(B) Address : Smt. Badar Akhtar,

No. DCH 20, Bidri Colony,
Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Smt. Sultana Begum W/o Shri. Javid Ali at No. 26, Bidri Colony, Mailoor Road,
(A) Applicant : Smt. Sultana Begum
(B) Address : Smt. Sultana Begum,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Mohammed Ibrahim S/o Shri. Abdul Gafoor at No. 2/3/46/1, Chowbara Road,
Kulsum Galli, District: Bidar – 585 401, Karnataka, India. dated December 10, 2019 for Registration in Part-
(A) Applicant : Shri. Mohammed Ibrahim
(B) Address : Shri. Mohammed Ibrahim,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Smt. Shahida Begum W/o Shri. Abdul Saleem at No. 22, Bidri Colony, Mailoor
(A) Applicant : Smt. Shahida Begum
(B) Address : Smt. Shahida Begum,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Abdul Hafeez S/o Shri. Abdul Aziz at No. 5, Bidri Colony, Mailoor Road,
(A) Applicant : Shri. Abdul Hafeez
(B) Address : Shri. Abdul Hafeez,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Abdul Ateeq Ahmed S/o Shri. Abdul Samad at No. 2/3/79, Chowbara Road,
(A) Applicant : Shri. Abdul Ateeq Ahmed
(B) Address : Shri. Abdul Ateeq Ahmed,

No. 2/3/79, Chowbara Road, Kulsum Galli,
Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Mohammed Fayazuddin S/o Shri. Mohammed Yaseen at No. 47/48, Mailoor
(A) Applicant : Shri. Mohammed Fayazuddin
(B) Address : Shri. Mohammed Fayazuddin,

No. 47/48, Mailoor Road, Bidri Colony,
Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Abdul Aleem S/o Shri. Rasool Sab at No. 71, Mailoor Road, Bidri Colony,
(A) Applicant : Shri. Abdul Aleem
(B) Address : Shri. Abdul Aleem,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Smt. Nazima Begum W/o Shri. Mohammed Fayazuddin at No. 47/48, Mailoor
(A) Applicant : Smt. Nazima Begum
(B) Address : Smt. Nazima Begum,

No. 47/48, Mailoor Road, Bidri Colony,
Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Md Mohsin S/o Shri. Abdul Alim at No. 71, Mailoor Road, Bidri Colony,
(A) Applicant : Shri. Md Mohsin
(B) Address : Shri. Md Mohsin,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Abdul Khadeer S/o Shri. Mohammad Sultan at No. 03, Mailoor Road, Bidri
(A) Applicant : Shri. Abdul Khadeer
(B) Address : Shri. Abdul Khadeer,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Smt. Shaheen Begum W/o Shri. Abdul Hameed at No. 49, Mailoor Road, Bidri
(A) Applicant : Smt. Shaheen Begum
(B) Address : Smt. Shaheen Begum,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Md Majeed S/o Shri. Md Mansoor at No. 45, Bidri Colony, Mailoor Road,
(A) Applicant : Shri. Md Majeed
(B) Address : Shri. Md Majeed,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Abdul Gaffar S/o Shri. Abdul Rahman at No. V 43, Bidri Colony, Mailoor
(A) Applicant : Shri. Abdul Gaffar
(B) Address : Shri. Abdul Gaffar,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Sarfaraz S/o Shri. Javid Ali at No. 26, Bidri Colony, Mailoor Road, District:
(A) Applicant : Shri. Sarfaraz
(B) Address : Shri. Sarfaraz,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Abdul Jabbar S/o Shri. Abdul Rahman at No. 2/3/45/1, Chowbara Road,
(A) Applicant : Shri. Abdul Jabbar
(B) Address : Shri. Abdul Jabbar,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Abdul Khaleq S/o Shri. Abdul Rahman at No. 1/6/162, Chowbara Road,
Chowbara, District: Bidar – 585 401, Karnataka, India. dated December 10, 2019 for Registration in Part-B
for Authorised User in respect of Registered Geographical Indication Bidriware under Application No – 20
in respect of Boxes, Statues, Statuettes, Busts made of Metal; Flower Vase, Trays; Cigar can and Ashtrays
(A) Applicant : Shri. Abdul Khaleq
(B) Address : Shri. Abdul Khaleq,

No. 1/6/162, Chowbara Road, Chowbara,
Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Mohammed Gouse S/o Shri. Abdul Khadar at No. DCH 11, Bidri Colony,
(A) Applicant : Shri. Mohammed Gouse
(B) Address : Shri. Mohammed Gouse,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Ashok S/o Shri. Siddappa at No. 2, Bidri Colony, Mailoor Road, District: Bidar
(A) Applicant : Shri. Ashok
(B) Address : Shri. Ashok,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Smt. Zubbeda Begum W/o Shri. Abdul Khadar at No. 03, Bidri Colony, Mailoor
Road, District: Bidar - 585 401, Karnataka, India. dated December 11, 2019 for Registration in Part-B for
(A) Applicant : Smt. Zubbeda Begum
(B) Address : Smt. Zubbeda Begum,

District: Bidar - 585 401,
Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Md Salauddin S/o Shri. Md Fyazuddin at No. 53, Bidri Colony, Mailoor Road,
District: Bidar - 585 401, Karnataka, India. dated December 11, 2019 for Registration in Part-B for
(A) Applicant : Shri. Md Salauddin
(B) Address : Shri. Md Salauddin,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Saber Miya S/o Shri. Shaik Ahmed at No. 2/2/42, Mustaidpura, District: Bidar
- 585 401, Karnataka, India. dated December 11, 2019 for Registration in Part-B for Authorised User in
(A) Applicant : Shri. Saber Miya
(B) Address : Shri. Saber Miya,

No. 2/2/42, Mustaidpura,
Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Md Habeebuddin S/o Shri. Md Rasheeduddin at No. 21, Bidri Colony, District:
Bidar - 585 401, Karnataka, India. dated December 11, 2019 for Registration in Part-B for Authorised User
(A) Applicant : Shri. Md Habeebuddin
(B) Address : Shri. Md Habeebuddin,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Smt. Zareena Begum W/o Shri. Md Ibraheem at No. V 49, Bidri Colony, District:
(A) Applicant : Smt. Zareena Begum
(B) Address : Smt. Zareena Begum,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Smt. Surekha W/o Shri. N Rajkumar Nageshwar at No. 1-5-219, Near Chowbara,
Siddi Taleem, District: Bidar - 585 401, Karnataka, India. dated December 11, 2019 for Registration in Part-
(A) Applicant : Smt. Surekha
(B) Address : Smt. Surekha,

No. 1-5-219, Near Chowbara, Siddi Taleem,
Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. N Rajkumar Nageshwar S/o Shri. Narsappa at No. 1-5-167, Near Chowbara,
Raj Bidri Works, District: Bidar - 585 401, Karnataka, India. dated December 11, 2019 for Registration in
(A) Applicant : Shri. N Rajkumar Nageshwar
(B) Address : Shri. N Rajkumar Nageshwar,

No. 1-5-167, Near Chowbara, Raj Bidri Works,
Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Gulab Khan S/o Shri. Fareed Khan at No. V 86, Bidri Colony, Mailoor Road,
(A) Applicant : Shri. Gulab Khan
(B) Address : Shri. Gulab Khan,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Smt. Irfana Begum W/o Shri. Abdul Khaled at No. 82, Bidri Colony, Mailoor Road,
(A) Applicant : Smt. Irfana Begum
(B) Address : Smt. Irfana Begum,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Gulam Idris Siddique S/o Shri Gulam Pasha Siddique at No. 55, Bidri
Colony, Mailoor Road, District: Bidar - 585 401, Karnataka, India. dated December 11, 2019 for
1999.
(A) Applicant : Shri. Gulam Idris Siddique
(B) Address : Shri. Gulam Idris Siddique,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Smt. Mehraj Begum W/o Shri. Md Mansoor at No. 45, Bidri Colony, Mailoor Road,
(A) Applicant : Smt. Mehraj Begum
(B) Address : Smt. Mehraj Begum,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Md Naseer S/o Shri. A Razak at No. 42, Bidri Colony, Mailoor Road, District:
(A) Applicant : Shri. Md Naseer
(B) Address : Shri. Md Naseer,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Abdul Razak S/o Shri. Ismail Sab at No. 42, Bidri Colony, Mailoor Road,
(A) Applicant : Shri. Abdul Razak
(B) Address : Shri. Abdul Razak,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Abdul Khadar S/o Shri. Abdul Hafeez at No. 49, Bidri Colony, Mailoor Road,
(A) Applicant : Shri. Abdul Khadar
(B) Address : Shri. Abdul Khadar,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Md Aqeel S/o Shri. Md Mohsin at No. V 32, Bidri Colony, Mailoor Road,
(A) Applicant : Shri. Md Aqeel
(B) Address : Shri. Md Aqeel,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Maruthi S/o Shri. Kishan Rao at No. 9, Horgeeree Road, Channabasawa
Nagara, District: Bidar - 585 401, Karnataka, India. dated December 11, 2019 for Registration in Part-B for
(A) Applicant : Shri. Maruthi
(B) Address : Shri. Maruthi,

No. 9, Horgeeree Road, Channabasawa Nagara,
Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Md Arif S/o Late Shri. Rasheed at No. 81, Mailoor Road, Bidri Colony, District:
(A) Applicant : Shri. Md Arif
(B) Address : Shri. Md Arif,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Smt. Firdous Begum D/o Shri. Md Ibraheem at No. V 49, Mailoor Road, Bidri
Colony, District: Bidar - 585 403, Karnataka, India. dated December 11, 2019 for Registration in Part-B for
(A) Applicant : Smt. Firdous Begum
(B) Address : Smt. Firdous Begum,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Smt. Nasreen Begum D/o Shri. Md Habeeb at No. 21, Mailoor Road, Bidri Colony,
(A) Applicant : Smt. Nasreen Begum
(B) Address : Smt. Nasreen Begum,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Mohammed Abdul Sukoor S/o Shri. Shaik Ahmed at No. V 29, Mailoor
Road, Bidri Colony, District: Bidar - 585 401, Karnataka, India. dated December 11, 2019 for Registration in
(A) Applicant : Shri. Mohammed Abdul Sukoor
(B) Address : Shri. Mohammed Abdul Sukoor,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Raju S/o Shri. Mohan Rao at No. V 75, Mailoor Road, Bidri Colony, District:
(A) Applicant : Shri. Raju
(B) Address : Shri. Raju,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Smt. Reshma Begum W/o Shri. Abdul Qayum at No. 56, Chidri Road, Bidri Colony,
(A) Applicant : Smt. Reshma Begum
(B) Address : Smt. Reshma Begum,

No. 56, Chidri Road, Bidri Colony,
Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Smt. Seema Samreen W/o Shri. Mohd. Zaheeruddin at No. 65, Mailoor Road, Bidri
(A) Applicant : Smt. Seema Samreen
(B) Address : Smt. Seema Samreen,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Smt. Amreen Begum D/o Shri. Javeed Ali at No. 26, Mailoor Road, Bidri Colony,
(A) Applicant : Smt. Amreen Begum
(B) Address : Smt. Amreen Begum,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Smt. Mohammadi Begum D/o Shri. Md Aziz Miyan at Plot No. 5, Mailoor Road,
Bidri Colony, District: Bidar - 585 401, Karnataka, India. dated December 11, 2019 for Registration in Part-
(A) Applicant : Smt. Mohammadi Begum
(B) Address : Smt. Mohammadi Begum,

Plot No. 5, Mailoor Road, Bidri Colony,
Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Smt. Yashoda W/o Shri. Mallikarjun at No. V 19, Naya Kamaan, Bidri Colony,
(A) Applicant : Smt. Yashoda
(B) Address : Smt. Yashoda,

No. V 19, Naya Kamaan, Bidri Colony,
Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Smt. Haseena Begum W/o Shri. Mohammed Ali at No. 2-3-46/1, Chowbara Road,
Kulsoom Galli, District: Bidar - 585 401, Karnataka, India. dated December 11, 2019 for Registration in
(A) Applicant : Smt. Haseena Begum
(B) Address : Smt. Haseena Begum,

No. 2-3-46/1, Chowbara Road, Kulsoom Galli,
Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Khursheed Ahmed S/o Shri. Shaik Ahmed at No. 13, Bidri Colony, District:
(A) Applicant : Shri. Khursheed Ahmed
(B) Address : Shri. Khursheed Ahmed,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Smt. Yasmin W/o Shri. Md Mainoddin at No. V 28, Bidri Colony, District: Bidar - 585
(A) Applicant : Smt. Yasmin
(B) Address : Smt. Yasmin,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Md Rafiuddin S/o Shri. Md Faizuddin at No. DCH 5, Mailoor Road, Bidri
(A) Applicant : Shri. Md Rafiuddin
(B) Address : Shri. Md Rafiuddin,

No. DCH 5, Mailoor Road, Bidri Colony,
Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Abdul Rasheed S/o Shri. Abdul Nazeer at No. 42, Mailoor Road, Bidri
(A) Applicant : Shri. Abdul Rasheed
(B) Address : Shri. Abdul Rasheed,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Md Mujeeb S/o Shri. Md Mansoor at No. 45, Mailoor Road, Bidri Colony,
(A) Applicant : Shri. Md Mujeeb
(B) Address : Shri. Md Mujeeb,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Smt. Kareema Begum W/o Shri. Abdul Kareem at No. 54, Mailoor Road, Bidri
(A) Applicant : Smt. Kareema Begum
(B) Address : Smt. Kareema Begum,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Mohammed Shafik S/o Shri. Mohammed Ahmad Shaik at No. 57, Mailoor
Road, Bidri Colony, District: Bidar - 585 401, Karnataka, India. dated December 11, 2019 for Registration in
(A) Applicant : Shri. Mohammed Shafik
(B) Address : Shri. Mohammed Shafik,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Mohammed Ali S/o Shri. Abdul Gafoor at No. 2-3-46/1, Chowbara Road,
Kulsum Galli, District: Bidar - 585 401, Karnataka, India. dated December 11, 2019 for Registration in Part-
(A) Applicant : Shri. Mohammed Ali
(B) Address : Shri. Mohammed Ali,

No. 2-3-46/1, Chowbara Road, Kulsum Galli,
Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Abdul Gafoor S/o Shri. Shaik Ali Sab at No. 30, Mailoor Road, Bidri Colony,
(A) Applicant : Shri. Abdul Gafoor
(B) Address : Shri. Abdul Gafoor,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Md Moinuddin S/o Shri. Md Faizuddin at No. V 28, Mailoor Road, Bidri
Colony, Vidya Nagar, District: Bidar - 585 403, Karnataka, India. dated December 11, 2019 for Registration
(A) Applicant : Shri. Md Moinuddin
(B) Address : Shri. Md Moinuddin,

No. V 28, Mailoor Road, Bidri Colony, Vidya Nagar,
Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Syed Basith S/o Shri. Syed Shafiuddin at No. V 55, Mailoor Road, Bidri
(A) Applicant : Shri. Syed Basith
(B) Address : Shri. Syed Basith,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Smt. Tayyaba Begum W/o Shri. Mohammed Ismail at No. 48, Mailoor Road, Bidri
(A) Applicant : Smt. Tayyaba Begum
(B) Address : Smt. Tayyaba Begum,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Smt. Khairunnissa Begum W/o Shri. Khaja Miyan at No. 18, Mailoor Road, Bidri
(A) Applicant : Smt. Khairunnissa Begum
(B) Address : Smt. Khairunnissa Begum,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Md Mansoor Ahmed S/o Shri. Md Hussain at No. 45, Mailoor Road, Bidri
(A) Applicant : Shri. Md Mansoor Ahmed
(B) Address : Shri. Md Mansoor Ahmed,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Abraruddin S/o Shri. Ameeruddin at No. V84, Mailoor Road, Bidri Colony,
(A) Applicant : Shri. Abraruddin
(B) Address : Shri. Abraruddin,

No. V84, Mailoor Road, Bidri Colony,
Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Smt. Fatima Begum W/o Shri. Fazal Khan at No. 21, Mailoor Road, Bidri Colony,
(A) Applicant : Smt. Fatima Begum
(B) Address : Smt. Fatima Begum,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Smt. Laxmi Bai W/o Late Shri. Kishan Rao at No. 69, Mailoor Road, Bidri Colony,
(A) Applicant : Smt. Laxmi Bai
(B) Address : Smt. Laxmi Bai,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Mohammed Shoeb S/o Shri. Abdul Shukoor at No. 52, Mailoor Road, Bidri
(A) Applicant : Shri. Mohammed Shoeb
(B) Address : Shri. Mohammed Shoeb,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Smt. Haji Begum W/o Shri. Shaik Chand at No. 27, Mailoor Road, Bidri Colony,
(A) Applicant : Smt. Haji Begum
(B) Address : Smt. Haji Begum,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Abdul Samad S/o Shri. Md Multani at No. 2/3/79, Kulsum Galli, Chowbara
(A) Applicant : Shri. Abdul Samad
(B) Address : Shri. Abdul Samad,

No. 2/3/79, Kulsum Galli, Chowbara Road,
Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Taufeeq Ahmed S/o Shri. Abdul Samad at No. 2/3/79, Kulsum Galli,
Chowbara Road, District: Bidar - 585 401, Karnataka, India. dated December 11, 2019 for Registration in
(A) Applicant : Shri. Taufeeq Ahmed
(B) Address : Shri. Taufeeq Ahmed,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Mohammed Fasiuddin S/o Shri. Mohammed Shafiuddin at No. 2/5/24,
Pansal Taleem, District: Bidar - 585 401, Karnataka, India. dated December 11, 2019 for Registration in
(A) Applicant : Shri. Mohammed Fasiuddin
(B) Address : Shri. Mohammed Fasiuddin,

No. 2/5/24, Pansal Taleem,
Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Subhash S/o Shri. Ramji at No. 62, Mailoor Road, Bidri Colony, District: Bidar
- 585 401, Karnataka, India. dated December 11, 2019 for Registration in Part-B for Authorised User in
(A) Applicant : Shri. Subhash
(B) Address : Shri. Subhash,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Riyaz Ahmed S/o Shri. Khurshid Ahmed at No. 13, Mailoor Road, Bidri
(A) Applicant : Shri. Riyaz Ahmed
(B) Address : Shri. Riyaz Ahmed,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Abdul Waseem S/o Shri. Abdul Kareem at No. 54, Mailoor Road, Bidri
(A) Applicant : Shri. Abdul Waseem
(B) Address : Shri. Abdul Waseem,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Prabhakar Rao Pise S/o Shri. Kishan Rao Pise at No. 69, Mailoor Road, Bidri
(A) Applicant : Shri. Prabhakar Rao Pise
(B) Address : Shri. Prabhakar Rao Pise,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Abdul Hakeem S/o Shri. Md Multani at No. 2/3/78, Kulsum Galli, Chowbara
(A) Applicant : Shri. Abdul Hakeem
(B) Address : Shri. Abdul Hakeem,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Abdul Khaleed S/o Shri. Abdul Khadar at No. 5/2/417, CMC Colony, Mailoor
(A) Applicant : Shri. Abdul Khaleed
(B) Address : Shri. Abdul Khaleed,

No. 5/2/417, CMC Colony, Mailoor Road,
Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Smt. Zeheda Begum W/o Shri. Abdul Aziz at No. 5, Mailoor Road, Bidri Colony,
(A) Applicant : Smt. Zeheda Begum
(B) Address : Smt. Zeheda Begum,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Ramesh S/o Shri. Mohan Rao at No. V20, Mailoor Road, Bidri Colony,
(A) Applicant : Shri. Ramesh
(B) Address : Shri. Ramesh,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Smt. Rekha Bai W/o Shri. Prabhakar Rao at No. 69, Mailoor Road, Bidri Colony,
(A) Applicant : Smt. Rekha Bai
(B) Address : Smt. Rekha Bai,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Gulam Yaseen Siddiqui S/o Shri. Gulam Samad Siddiqui at No. 10, DAP,
Mailoor Road, Bidri Colony, District: Bidar - 585 401, Karnataka, India. dated December 11, 2019 for
1999.
(A) Applicant : Shri. Gulam Yaseen Siddiqui
(B) Address : Shri. Gulam Yaseen Siddiqui,

No. 10, DAP, Mailoor Road, Bidri Colony,
Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Rafeeq Ahmed S/o Shri. Md Abdul Samad at No. 2/3/79, Kulsum Galli,
Chowbara Road, District: Bidar - 585 401, Karnataka, India. dated December 11, 2019 for Registration in
(A) Applicant : Shri. Rafeeq Ahmed
(B) Address : Shri. Rafeeq Ahmed,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Syed Basheer Uddin S/o Shri. Syed Shafiuddin at No. 7, Mailoor Road, Bidri
(A) Applicant : Shri. Syed Basheer Uddin
(B) Address : Shri. Syed Basheer Uddin,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Smt. Rasheeda Begum W/o Shri. Md Shafiuddin at No. V 27, Mailoor Road, Bidri
(A) Applicant : Smt. Rasheeda Begum
(B) Address : Smt. Rasheeda Begum,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Md Shafiuddin S/o Shri. Md Faizuddin at No. 27, Mailoor Road, Bidri Colony,
(A) Applicant : Shri. Md Shafiuddin
(B) Address : Shri. Md Shafiuddin,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Abdul Shukoor S/o Shri. Abdul Wahed at No. 52, Mailoor Road, Bidri Colony,
(A) Applicant : Shri. Abdul Shukoor
(B) Address : Shri. Abdul Shukoor,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

Application is made by Shri. Shaik Chand S/o Shri. Shaik Mahiboob at No. 27, Mailoor Road, Bidri Colony,
(A) Applicant : Shri. Shaik Chand
(B) Address : Shri. Shaik Chand,

Karnataka, India.



Limited

Limited,
Karnataka, India.
(G) Class : 6, 21 & 34

Metal;
*--------*-------*---------*

G.I. Authorised User Application No. – 5864 in respect of Channapatna Toys and Dolls
Application is made by, M/s. Channapatna Crafts Park Represented by Shri. M. Bhupathy at Sathanur
Road, Thagachagere, Channapatna, District: Ramanagara – 562 160, Karnataka, India dated September
23, 2019 for Registration in Part-B for Authorised User in respect of Registered Geographical Indication
Channapatna Toys and Dolls under Application No - 23 in respect of Toys and Dolls falling in Class 28 is
hereby advertised as accepted under sub-section (1) of Section 13 of Geographical Indications of Goods
(A) Applicant : M/s. Channapatna Crafts Park
(B) Address : M/s. Channapatna Crafts Park,

Sathanur Road, Thagachagere, Channapatna,
District: Ramanagara – 562 160,
Karnataka, India.

User Application : September 23, 2019

Indication : Channapatna Toys and Dolls
(E) Registered Proprietor : Karnatka State Handicrafts Development

Corporation Limited
(F) Address : Karnatka State Handicrafts Development

Corporation Limited,
Karnataka, India.
(G) Class : 28
(H) Goods : Class 28 – Toys and Dolls
*--------*-------*---------*

G.I. Authorised User Application No. - 6370 in respect of Mysore Traditional Paintings
Application is made by, Smt. Vijayalakshmi. M W/o Shri. Munimohan. M, at No. 159/17, 2nd Floor, 5th
Cross, Saraswathipuram, Nandini Layout, Bangalore – 560 096, Karnataka, India dated December 11,
Mysore Traditional Paintings under Application No - 32 in respect of Paintings falling in Class 16 is
(A) Applicant : Smt. Vijayalakshmi. M
(B) Address : Smt. Vijayalakshmi. M,

No. 159/17, 2nd Floor, 5th Cross,
Saraswathipuram, Nandini Layout,
Bangalore – 560 096,
Karnataka, India.


Indication : Mysore Traditional Paintings
(E) Registered Proprietor : Karnataka State Handicrafts Development

Corporation Limited
(F) Address : Karnataka State Handicrafts Development

45, Mahatma Gandhi Road, Bangalore - 560 001,
Karnataka, India
(G) Class : 16
(H) Goods : Class 16 – Paintings
*--------*-------*---------*

G.I. Authorised User Application No. - 6371 in respect of Mysore Traditional Paintings
Application is made by, Shri. Munimohan. M S/o Shri. Krishna, at No. 4/1, 5th Cross, Saraswathipuram,
Nandini Layout, Bangalore – 560 096, Karnataka, India dated December 11, 2018 for Registration in Part-B
for Authorised User in respect of Registered Geographical Indication Mysore Traditional Paintings under
Application No - 32 in respect of Paintings falling in Class 16 is hereby advertised as accepted under sub-
section (1) of Section 13 of Geographical Indications of Goods (Registration and Protection) Act, 1999.
(A) Applicant : Shri. Munimohan
(B) Address : Shri. Munimohan,

No. 4/1, 5th Cross, Saraswathipuram,
Nandini Layout, Bangalore – 560 096,
Karnataka, India.


Indication : Mysore Traditional Paintings
(E) Registered Proprietor : Karnataka State Handicrafts Development

Corporation Limited
(F) Address : Karnataka State Handicrafts Development

45, Mahatma Gandhi Road, Bangalore - 560 001,
Karnataka, India
(G) Class : 16
(H) Goods : Class 16 – Paintings
*--------*-------*---------*

G.I. Authorised User Application No. - 6132 in respect of Feni
Application is made by, M/s. Cazcar Represented by Shri. Gurudatta D. Bhakta, at D3-26 Tivim Industrial
Estate, Karaswada, Mapusa, North Goa – 403 507, Goa, India, dated November 29, 2019 for Registration
in Part-B for Authorised User in respect of Registered Geographical Indication Feni under Application No -
120 in respect of Alcoholic Beverages falling in Class 33 is hereby advertised as accepted under sub-
(A) Applicant : M/s. Cazcar
(B) Address : M/s. Cazcar,

D3-26 Tivim Industrial Estate,
Karaswada, Mapusa, North Goa – 403 507,
Goa, India.
C) Date of Authorised
User Application : November 29, 2019

Indication : Feni
(E) Registered Proprietor : 1. Goa Cashew Feni Manufacturers and Bottlers

Association,
2. Department of Science, Technology &
Environment (DST & E), Government of Goa
(F) Address : 1. Goa Cashew Feni Manufacturers and Bottlers

Association,
D 3/26, Tivim Industrial Estate, Karaswado
Mapussa, Goa - 403 507,
Goa, India
2. Department of Science, Technology &
Environment (DST & E), Government of Goa,
Opposite Saligao Seminary, Saligo,
Bardez, Goa - 403 511,
Goa, India.
(G) Class : 33
(H) Goods : Class 33 – Alcoholic Beverages.
*--------*-------*---------*

G.I. Authorised User Application No. - 6001 in respect of Alphonso
Application is made by, Shri. Uday Damaji Rahate S/o Shri. Damaji Raghunath Rahate at 284, Partwane,
Post: Watad Saitavada, Taluk: Ratnagiri, District: Ratnagiri – 415 613, Maharashtra, India dated October
Alphonso under Application No – 139 in respect of Horticulture (Mango) falling in Class 31 is hereby
(A) Applicant : Shri. Uday Damaji Rahate
(B) Address : Shri. Uday Damaji Rahate,

284, Partwane, Post: Watad Saitavada, Taluk: Ratnagiri,
District: Ratnagiri – 415 613,
Maharashtra, India.

User Application : October 29, 2019

Indication : Alphonso
(E) Registered Proprietor : 1. The Director of Research, Dr. Balasaheb Sawant

Konkan Krishi Vidyapeeth;
2. M/s. Konkan Hapus Amba Utpadak Ani Utpadak
Vikrete Sahkari Sanstha;
3. M/s. Devgad Taluka Amba Utpadak Sahakari
Sanstha Maryadit;
4. M/s. Kelshi Parisar Amba Utpadak Sahakari
Sangha Maryadit Kelshi
(F) Address : 1. Dapoli Taluk., Dapoli, District: Ratnagiri - 415712,

Maharashtra, India.
2. Regional fruit research station, Vengurle,
Sindhudurg, Maharashtra, India.
3. Jamsande, Taluk: Devgad,
District: Sindhudurg - 416612, Maharashtra, India.
4. Taluka: Dapoli, Ratnagiri - 415717, Maharashtra,
India.
(G) Class : 31
(H) Goods : Class 31 – Horticulture (Mango)
*--------*-------*---------*

Application is made by, Shri. Krishnanath Maruti Todankar S/o Shri. Maruti Todankar at Post:
Ganeshgule, Taluk: Ratnagiri, District: Ratnagiri, Maharashtra, India dated October 29, 2019 for
Registration in Part-B for Authorised User in respect of Registered Geographical Indication Alphonso
under Application No – 139 in respect of Horticulture (Mango) falling in Class 31 is hereby advertised as
(A) Applicant : Shri. Krishnanath Maruti Todankar
(B) Address : Shri. Krishnanath Maruti Todankar,

Post: Ganeshgule, Taluk: Ratnagiri,
District: Ratnagiri,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, Shri. Abhishek Arun Todankar S/o Shri. Arun Todankar at Todankar Wadi, Post:
Ganeshgule, Taluk: Ratnagiri, District: Ratnagiri – 415 616, Maharashtra, India dated October 29, 2019 for
(A) Applicant : Shri. Abhishek Arun Todankar
(B) Address : Shri. Abhishek Arun Todankar,

Todankar Wadi, Post: Ganeshgule,
Taluk: Ratnagiri, District: Ratnagiri – 415 616,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, Smt. Mrunal Ravindra Katre at Ratamshenda, Bhalawali, Taluk: Rajapur, District:
Ratnagiri, Maharashtra, India dated October 29, 2019 for Registration in Part-B for Authorised User in
respect of Registered Geographical Indication Alphonso under Application No – 139 in respect of
Horticulture (Mango) falling in Class 31 is hereby advertised as accepted under sub-section (1) of Section
(A) Applicant : Smt. Mrunal Ravindra Katre
(B) Address : Smt. Mrunal Ravindra Katre,

Ratamshenda, Bhalawali, Taluk: Rajapur,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, Shri. Ganesh Madhav Alawani S/o Shri. Madhav H. Alawani at H. No. 127,
Juiwadi, Hatkhamba, District: Ratnagiri, Maharashtra, India dated October 29, 2019 for Registration in Part-
B for Authorised User in respect of Registered Geographical Indication Alphonso under Application No –
139 in respect of Horticulture (Mango) falling in Class 31 is hereby advertised as accepted under sub-
(A) Applicant : Shri. Ganesh Madhav Alawani
(B) Address : Shri. Ganesh Madhav Alawani,

H. No. 127, Juiwadi, Hatkhamba,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, Shri. Sagar Chandrakant Gadekar S/o Shri. Chandrakant Gadekar at 293,
Khutawal Wadi, Post: Adeli, Taluk: Vengurla, District: Sindhudurg, Maharashtra, India dated October 29,
(A) Applicant : Shri. Sagar Chandrakant Gadekar
(B) Address : Shri. Sagar Chandrakant Gadekar,

293, Khutawal Wadi, Post: Adeli, Taluk: Vengurla,
District: Sindhudurg,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, Shri. Sachin Eknath Gawade S/o Shri. Eknath Gawade at Chavhatwadi, Post:
Shiroda, Taluk: Vengurla, District: Sindhudurg, Maharashtra, India dated October 29, 2019 for Registration
in Part-B for Authorised User in respect of Registered Geographical Indication Alphonso under Application
No – 139 in respect of Horticulture (Mango) falling in Class 31 is hereby advertised as accepted under sub-
(A) Applicant : Shri. Sachin Eknath Gawade
(B) Address : Shri. Sachin Eknath Gawade,

Chavhatwadi, Post: Shiroda, Taluk: Vengurla,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, Shri. Santosh Kamlakant Gadekar S/o Shri. Kamlakant Gadekar at 3/49, Torane
Stop, Main Road, Post: Bhatwadi, Taluk: Vengurla, District: Sindhudurg, Maharashtra, India dated October
(A) Applicant : Shri. Santosh Kamlakant Gadekar
(B) Address : Shri. Santosh Kamlakant Gadekar,

3/49, Torane Stop, Main Road, Post: Bhatwadi,
Taluk: Vengurla, District: Sindhudurg,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, Shri. Bhooshan Padmakar Nabar S/o Shri. Padmakar Nabar at 153, Kudal Titha,
Post: Math, Taluk: Vengurla, District: Sindhudurg, Maharashtra, India dated October 29, 2019 for
(A) Applicant : Shri. Bhooshan Padmakar Nabar
(B) Address : Shri. Bhooshan Padmakar Nabar,

153, Kudal Titha, Post: Math, Taluk: Vengurla,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, M/s. Vengurla Producer Company Limited Represented by Shri. Bhooshan
Padmakar Nabar at House No. 598, Kudal Titha, Satye, Post – Math, Taluk: Vengurla, District: Sindhudurg
– 416 516, Maharashtra, India dated October 29, 2019 for Registration in Part-B for Authorised User in
(A) Applicant : M/s. Vengurla Producer Company Limited
(B) Address : M/s. Vengurla Producer Company Limited,

House No. 598, Kudal Titha, Satye, Post – Math,
Taluk: Vengurla, District: Sindhudurg – 416 516,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, Shri. Anil Laxman Vedare S/o Shri. Laxman Vedare at 998, Vedare Wadi,
Karabude Kond, Taluk: Ratnagiri, District: Ratnagiri – 415 639, Maharashtra, India dated November 07,
(A) Applicant : Shri. Anil Laxman Vedare
(B) Address : Shri. Anil Laxman Vedare,

998, Vedare Wadi, Karabude Kond,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, Smt. Prachi Padmakar Gogate W/o Shri. Padmakar Gogate at Shrikrishna Nagar,
Post: Jamsande, Taluk: Devgad, District: Sindhudurg – 416 612, Maharashtra, India dated November 08,
(A) Applicant : Smt. Prachi Padmakar Gogate
(B) Address : Smt. Prachi Padmakar Gogate,

Shrikrishna Nagar, Post: Jamsande, Taluk: Devgad,
District: Sindhudurg – 416 612,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, Shri. Prasanna Padmakar Gogate S/o Shri. Padmakar Gogate at Shrikrishna
Nagar, Post: Jamsande, Taluk: Devgad, District: Sindhudurg – 416612, Maharashtra, India dated
November 08, 2019 for Registration in Part-B for Authorised User in respect of Registered Geographical
Indication Alphonso under Application No – 139 in respect of Horticulture (Mango) falling in Class 31 is
(A) Applicant : Shri. Prasanna Padmakar Gogate
(B) Address : Shri. Prasanna Padmakar Gogate,

District: Sindhudurg – 416612,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, Shri. Padmakar Pandurang Gogate S/o Shri. Pandurang Gogate at Shrikrishna
Nagar, Post: Jamsande, Taluk: Devgad, District: Sindhudurg – 416612, Maharashtra, India dated
(A) Applicant : Shri. Padmakar Pandurang Gogate
(B) Address : Shri. Padmakar Pandurang Gogate,

Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, Shri. Prakash Vetalrao Gaikwad S/o Shri. Vetalrao Gaikwad at Jagtap Complex,
Taluk: Devgad, District: Sindhudurg – 416613, Maharashtra, India dated November 08, 2019 for
(A) Applicant : Shri. Prakash Vetalrao Gaikwad
(B) Address : Shri. Prakash Vetalrao Gaikwad,

Jagtap Complex, Taluk: Devgad,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, Shri. Sandip Vithoba Raghav S/o Shri. Vithoba Raghav at 561-a-1, Post: Pural -
Hurshi, Taluk: Devgad, District: Sindhudurg – 416805, Maharashtra, India dated November 08, 2019 for
(A) Applicant : Shri. Sandip Vithoba Raghav
(B) Address : Shri. Sandip Vithoba Raghav,

561-a-1, Post: Pural - Hurshi, Taluk: Devgad,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, Shri. Mahesh Narayan Waniwadekar S/o Shri. Narayan Waniwadekar at 337,
Gadadewadi, Hurshi, Pural, Taluk: Devgad, District: Sindhudurg – 416805, Maharashtra, India dated
(A) Applicant : Shri. Mahesh Narayan Waniwadekar
(B) Address : Shri. Mahesh Narayan Waniwadekar,

337, Gadadewadi, Hurshi, Pural, Taluk: Devgad,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, Shri. Anaji Appa Zarkar S/o Shri. Appa Zarkar at 7/7 Bhagat Chawl Road, No. 4,
Pandurang Wadi Near Santoor Building, Goregaon East, Mumbai – 400 063, Maharashtra, India dated
(A) Applicant : Shri. Anaji Appa Zarkar
(B) Address : Shri. Anaji Appa Zarkar,

7/7 Bhagat Chawl Road, No. 4, Pandurang Wadi Near
Santoor Building, Goregaon East, Mumbai – 400 063,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, Shri. Balkrushna Tukaram Mulam S/o Shri. Tukaram Mulam at Post: Kalambai,
Taluk: Devgad, District: Sindhudurg – 416805, Maharashtra, India dated November 08, 2019 for
(A) Applicant : Shri. Balkrushna Tukaram Mulam
(B) Address : Shri. Balkrushna Tukaram Mulam,

Post: Kalambai, Taluk: Devgad,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, Shri. Santosh Govind Manchekar S/o Shri. Govind Manchekar at 42, Karanjiwadi,
Girye, Taluk: Devgad, District: Sindhudurg – 416806, Maharashtra, India dated November 08, 2019 for
(A) Applicant : Shri. Santosh Govind Manchekar
(B) Address : Shri. Santosh Govind Manchekar,

42, Karanjiwadi, Girye, Taluk: Devgad,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, Shri. Mahesh Pandurang Tirlotkar S/o Shri. Pandurang Tirlotkar at 679, Hurshi,
Pural, Taluk: Devgad, District: Sindhudurg – 416805, Maharashtra, India dated November 08, 2019 for
(A) Applicant : Shri. Mahesh Pandurang Tirlotkar
(B) Address : Shri. Mahesh Pandurang Tirlotkar,

679, Hurshi, Pural, Taluk: Devgad,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, Shri. Ganpat Shankar Devalekar S/o Shri. Shankar Devalekar at 607, Hurshi
Gadadewai, Pural, Taluk: Devgad, District: Sindhudurg – 416805, Maharashtra, India dated November 08,
(A) Applicant : Shri. Ganpat Shankar Devalekar
(B) Address : Shri. Ganpat Shankar Devalekar,

607, Hurshi Gadadewai, Pural, Taluk: Devgad,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, M/s. Shree Mango Devgad Represented by Shri. Shailesh Vijay Gholap at 1005/3,
Flat No A6, Shiv Gouri Society, Rajendra Nagar, Near PMC Colony, Pune – 411 030, Maharashtra, India
dated November 08, 2019 for Registration in Part-B for Authorised User in respect of Registered
Geographical Indication Alphonso under Application No – 139 in respect of Horticulture (Mango) falling in
Class 31 is hereby advertised as accepted under sub-section (1) of Section 13 of Geographical Indications
of Goods (Registration and Protection) Act, 1999.
(A) Applicant : M/s. Shree Mango Devgad
(B) Address : M/s. Shree Mango Devgad,

1005/3, Flat No A6, Shiv Gouri Society,
Rajendra Nagar, Near PMC Colony, Pune – 411 030,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, M/s. Pallavi Enterprises Represented by Smt. Pallavi Prasann Gogate at
Shrikrishna Nagar, Post: Jamsande, Taluk: Devgad, District: Sindhudurg – 416612, Maharashtra, India
dated November 08, 2019 for Registration in Part-B for Authorised User in respect of Registered
(A) Applicant : M/s. Pallavi Enterprises
(B) Address : M/s. Pallavi Enterprises,

Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, Shri. Dilip Anant Dadarkar at 65 Harmony, 302, 3rd Floor, Ranade Road, Dadar,
Maharashtra, India dated November 19, 2019 for Registration in Part-B for Authorised User in respect of
Registered Geographical Indication Alphonso under Application No – 139 in respect of Horticulture
(Mango) falling in Class 31 is hereby advertised as accepted under sub-section (1) of Section 13 of
(A) Applicant : Shri. Dilip Anant Dadarkar
(B) Address : Shri. Dilip Anant Dadarkar,

65 Harmony, 302, 3rd Floor,
Ranade Road, Dadar,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, Shri. Ravindranath Vinayak Khot S/o Shri. Vinakay Khot at Shirvane, Taluk:
Dapoli, District: Ratnagiri – 415 711, Maharashtra, India dated November 29, 2019 for Registration in Part-
(A) Applicant : Shri. Ravindranath Vinayak Khot
(B) Address : Shri. Ravindranath Vinayak Khot,

Shirvane, Taluk: Dapoli,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, Shri. Omkar Vishwanath Khot S/o Shri. Vishwanath Khot at Shirvane, Taluk:
Dapoli, District: Ratnagiri – 415 711, Maharashtra, India dated November 29, 2019 for Registration in Part-
(A) Applicant : Shri. Omkar Vishwanath Khot
(B) Address : Shri. Omkar Vishwanath Khot,

Shirvane, Taluk: Dapoli,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, Shri. Pramod Bhaskar Patankar S/o Shri. Bhaskar Gopal Patankar at Dabhole –
Raut Wadi, Taluk: Devgad, District: Sindhudurg, Maharashtra, India dated December 05, 2019 for
(A) Applicant : Shri. Pramod Bhaskar Patankar
(B) Address : Shri. Pramod Bhaskar Patankar,

Dabhole – Raut Wadi, Taluk: Devgad,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, Smt. Suhag Ajit Shirodkar D/o Shri. Ajit Shirodkar at Post: Padel, Taluk: Devgad,
District: Sindhudurg, Maharashtra, India dated December 05, 2019 for Registration in Part-B for Authorised
User in respect of Registered Geographical Indication Alphonso under Application No – 139 in respect of
(A) Applicant : Smt. Suhag Ajit Shirodkar
(B) Address : Smt. Suhag Ajit Shirodkar,

Post: Padel, Taluk: Devgad,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, Shri. Suresh Shrikant Chirputkar S/o Shri. Shrikant Chirputkar at Post: Mutat-
Palekarwadi (Warikvadi), Taluk: Devgad, District: Sindhudurg 416 803, Maharashtra, India dated December
(A) Applicant : Shri. Suresh Shrikant Chirputkar
(B) Address : Shri. Suresh Shrikant Chirputkar,

Post: Mutat-Palekarwadi (Warikvadi),
Taluk: Devgad, District: Sindhudurg 416 803,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, Shri. Vasant Shantaram Jadhav S/o Shri. Shantaram Jadhav at Post: Wada-
Mulbandh, Taluk: Devgad, District: Sindhudurg – 416 805, Maharashtra, India dated December 05, 2019
for Registration in Part-B for Authorised User in respect of Registered Geographical Indication Alphonso
(A) Applicant : Shri. Vasant Shantaram Jadhav
(B) Address : Shri. Vasant Shantaram Jadhav,

Post: Wada-Mulbandh, Taluk: Devgad,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, Shri. Baban Arjun Ghatye S/o Shri. Arjun Ghatye at 517, Ghatyewadi, Girye,
Taluk: Devgad, District: Sindhudurg – 416 806, Maharashtra, India dated December 05, 2019 for
(A) Applicant : Shri. Baban Arjun Ghatye
(B) Address : Shri. Baban Arjun Ghatye,

517, Ghatyewadi, Girye, Taluk: Devgad,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, Shri. Harishchandra Ramchandra Bhatle S/o Shri. Ramchandra Bhatle at Post:
Girye-Karanjiwadi, Taluk: Devgad, District: Sindhudurg, Maharashtra, India dated December 05, 2019 for
(A) Applicant : Shri. Harishchandra Ramchandra Bhatle
(B) Address : Shri. Harishchandra Ramchandra Bhatle,

Post: Girye-Karanjiwadi, Taluk: Devgad,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, Shri. Sunil Dhondu Bandabe S/o Shri. Dhondu Bandabe at 389, Post: Padel-
Nargol Wadi, Taluk: Devgad, District: Sindhudurg – 416 804, Maharashtra, India dated December 05, 2019
(A) Applicant : Shri. Sunil Dhondu Bandabe
(B) Address : Shri. Sunil Dhondu Bandabe,

389, Post: Padel-Nargol Wadi, Taluk: Devgad,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, Shri. Nandaram Mahadev Mulam S/o Shri. Mahadev Mulam at Post: Hurshi –
Gadadewadi, Taluk: Devgad, District: Sindhudurg, Maharashtra, India dated December 05, 2019 for
(A) Applicant : Shri. Nandaram Mahadev Mulam
(B) Address : Shri. Nandaram Mahadev Mulam,

Post: Hurshi – Gadadewadi, Taluk: Devgad,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, Shri. Anil Dattatray Desai S/o Shri. Dattatray Desai at 35/B, abhijit co op hou
society, MTNL Road, Agar Bazar, Dadar west. Mumbai – 400 028, Maharashtra, India dated December 05,
(A) Applicant : Shri. Anil Dattatray Desai
(B) Address : Shri. Anil Dattatray Desai,

35/B, abhijit co op hou society, MTNL Road,
Agar Bazar, Dadar west. Mumbai – 400 028,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, Shri. Anant Shankar Teli S/o Shri. Shankar Teli at Post: Kunkeshwar, Taluk:
Devgad, District: Sindhudurg – 416 612, Maharashtra, India dated December 05, 2019 for Registration in
Part-B for Authorised User in respect of Registered Geographical Indication Alphonso under Application
(A) Applicant : Shri. Anant Shankar Teli
(B) Address : Shri. Anant Shankar Teli,

Post: Kunkeshwar, Taluk: Devgad,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, Shri. Satyavan Shivram Vanivadekar S/o Shri. Shivram Vanivadekar at 398,
Sadewaghotan, Mouje Waghotan, Waghotan, Taluk: Devgad, District: Sindhudurg – 416 804, Maharashtra,
India dated December 05, 2019 for Registration in Part-B for Authorised User in respect of Registered
(A) Applicant : Shri. Satyavan Shivram Vanivadekar
(B) Address : Shri. Satyavan Shivram Vanivadekar,

398, Sadewaghotan, Mouje Waghotan, Waghotan,
Taluk: Devgad, District: Sindhudurg – 416 804,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, Shri. Sakharam Shantaram Pujare S/o Shri. Shantaram Pujare at Post: Padel-
Shivadiwadi, Taluk: Devgad, District: Sindhudurg – 416 804, Maharashtra, India dated December 05, 2019
(A) Applicant : Shri. Sakharam Shantaram Pujare
(B) Address : Shri. Sakharam Shantaram Pujare,

Post: Padel-Shivadiwadi, Taluk: Devgad,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, Shri. Anil Dattatray Monde S/o Shri. Dattatray Monde at Post: Kotkamte-
Dabhalwadi, Taluk: Devgad, District: Sindhudurg – 416 611, Maharashtra, India dated December 05, 2019
(A) Applicant : Shri. Anil Dattatray Monde
(B) Address : Shri. Anil Dattatray Monde,

Post: Kotkamte-Dabhalwadi, Taluk: Devgad,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, Shri Yashwant Ragho Chorge S/o Shri. Ragho Chorge at 92, Khariwadi (Sakhari)
Post: Chichghar, Taluk: Mandangad, District: Ratnagiri – 415 203, Maharashtra, India dated December 11,
(A) Applicant : Shri Yashwant Ragho Chorge
(B) Address : Shri Yashwant Ragho Chorge,

92, Khariwadi (Sakhari) Post: Chichghar,
Taluk: Mandangad, District: Ratnagiri – 415 203
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, Shri. Shrikrishna Anil Joshi S/o Shri. Anil Narayan Joshi at 744, Navendra Wadi,
varavade, Taluk: Ratnagiri, District: Ratnagiri - 415 620, Maharashtra, India dated December 12, 2019 for
(A) Applicant : Shri. Shrikrishna Anil Joshi
(B) Address : Shri. Shrikrishna Anil Joshi,

744, Navendra Wadi, varavade, Taluk: Ratnagiri,
District: Ratnagiri - 415 620,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, Shri. Sadanand Chandrakant Amberkar S/o Shri. Chandrakant Amberkar at
565/B, Post: Kasheli, Taluk: Rajapur, District: Ratnagiri – 416 707, Maharashtra, India dated December 12,
(A) Applicant : Shri. Sadanand Chandrakant Amberkar
(B) Address : Shri. Sadanand Chandrakant Amberkar,

565/B, Post: Kasheli,
Taluk: Rajapur, District: Ratnagiri – 416 707,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, M/s. R & D Global Consultants Private Limited Represented by Shri. Deepak
Kisandas Rohra at 106/108, 1st Floor B Wing, Hamilton Bldg, Hiranandani Estate, Patlipada, G. B. Road,
District: Thane – 400 607, Maharashtra, India dated December 12, 2019 for Registration in Part-B for
Authorised User in respect of Registered Geographical Indication Alphonso under Application No – 139 in
respect of Horticulture (Mango) falling in Class 31 is hereby advertised as accepted under sub-section (1)
(A) Applicant : M/s. R & D Global Consultants Private Limited
(B) Address : M/s. R & D Global Consultants Private Limited,

106/108, 1st Floor B Wing, Hamilton Bldg, Hiranandani
Estate, Patlipada, G. B. Road, District: Thane – 400 607,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, Shri. Sanjay Bhaskar Patankar S/o Shri. Bhaskar Gopal Patankar at Dabhole –
Raut Wadi, Taluk: Devgad, District: Sindhudurg – 416612, Maharashtra, India dated December 20, 2019
(A) Applicant : Shri. Sanjay Bhaskar Patankar
(B) Address : Shri. Sanjay Bhaskar Patankar,

Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, Shri. Pradeep Bhaskar Patankar S/o Shri. Bhaskar Gopal Patankar at Dabhole –
(A) Applicant : Shri. Pradeep Bhaskar Patankar
(B) Address : Shri. Pradeep Bhaskar Patankar,

Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, Smt. Jayashri Bhaskar Patankar W/o Shri. Bhaskar Gopal Patankar at Dabhole –
(A) Applicant : Smt. Jayashri Bhaskar Patankar
(B) Address : Smt. Jayashri Bhaskar Patankar,

Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, Shri. Uday Balkrushna Mirashi S/o Shri. Balkrushna Mirashi at Post: Vareri –
Dharanewadi, Taluk: Devgad, District: Sindhudurg – 416611, Maharashtra, India dated December 20, 2019
(A) Applicant : Shri. Uday Balkrushna Mirashi
(B) Address : Shri. Uday Balkrushna Mirashi,

Post: Vareri – Dharanewadi, Taluk: Devgad,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, Shri. Nimesh Bhaskar Rane S/o Shri. Bhaskar Rane at B-405, Sai Shrushti CHS
Ltd. New Link Road Chikuwadi, Opp. ICICI Bank Borivali West S.O. Mumbai – 400 092, Maharashtra, India
dated December 20, 2019 for Registration in Part-B for Authorised User in respect of Registered
(A) Applicant : Shri. Nimesh Bhaskar Rane
(B) Address : Shri. Nimesh Bhaskar Rane,

B-405, Sai Shrushti CHS Ltd. New Link Road Chikuwadi,
Opp. ICICI Bank Borivali West S.O. Mumbai – 400 092,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, Shri. Ganesh Jaywant Pujare S/o Jaywant Pujare at Post: Pural-Kalambai, Taluk:
Devgad, District: Sindhudurg – 416805, Maharashtra, India dated December 20, 2019 for Registration in
Part-B for Authorised User in respect of Registered Geographical Indication Alphonso under Application
(A) Applicant : Shri. Ganesh Jaywant Pujare
(B) Address : Shri. Ganesh Jaywant Pujare,

Post: Pural-Kalambai, Taluk: Devgad,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, Shri. Ramkrishna Aba Jadhav S/o Shri. Aba Jadhav at Padavane, Post: Wada,
Taluk: Devgad, District: Sindhudurg – 416805, Maharashtra, India dated December 20, 2019 for
(A) Applicant : Shri. Ramkrishna Aba Jadhav
(B) Address : Shri. Ramkrishna Aba Jadhav,

Padavane, Post: Wada, Taluk: Devgad,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, Shri. Sadashiv Hari Gaonkar S/o Shri. Hari Gaonkar at Post: Devgad – Mungekar
Nagari, Taluk: Devgad, District: Sindhudurg – 416613, Maharashtra, India dated December 20, 2019 for
(A) Applicant : Shri. Sadashiv Hari Gaonkar
(B) Address : Shri. Sadashiv Hari Gaonkar,

Post: Devgad – Mungekar Nagari,
Taluk: Devgad, District: Sindhudurg – 416613,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, Shri. Sachin Sudhakar Nene S/o Shri. Sudhakar Nene at 464, Rameshwar –
Kate, Post: Vijaydurg, Taluk: Devgad, District: Sindhudurg – 416806, Maharashtra, India dated December
(A) Applicant : Shri. Sachin Sudhakar Nene
(B) Address : Shri. Sachin Sudhakar Nene,

464, Rameshwar – Kate, Post: Vijaydurg, Taluk: Devgad,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, Shri. Vinit Chandrashekhar Bhale S/o Shri. Chandrashekhar Bhale at B-1004,
Rohan Garima, Survey No. 103 A/10 and 11, Senapati Bapat Road, Behind ICC, Shivajinagar, Pune – 411
016, Maharashtra, India dated December 20, 2019 for Registration in Part-B for Authorised User in respect
of Registered Geographical Indication Alphonso under Application No – 139 in respect of Horticulture
(Mango) falling in Class 31 is hereby advertised as accepted under sub-section (1) of Section 13 of
(A) Applicant : Shri. Vinit Chandrashekhar Bhale
(B) Address : Shri. Vinit Chandrashekhar Bhale,

B-1004, Rohan Garima, Survey No. 103 A/10 and 11,
Senapati Bapat Road, Behind ICC,
Shivajinagar, Pune – 411 016,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31

*--------*-------*---------*

Application is made by, Shri. Suresh Khandu Talekar S/o Shri. Khandu Talekar at A-101, Landmark
Exotica, Deep co op Housing Society, Baner Pashan Link Road, Opposite PMC School, Pashan Pune –
411 021, Maharashtra, India dated December 20, 2019 for Registration in Part-B for Authorised User in
(A) Applicant : Shri. Suresh Khandu Talekar
(B) Address : Shri. Suresh Khandu Talekar,

A-101, Landmark Exotica, Deep co op Housing Society,
Baner Pashan Link Road, Opposite PMC School,
Pashan Pune – 411 021,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31

*--------*-------*---------*

Application is made by, M/s. Ruchi’s Mango Represented by Shri. Rahul Bhagirath chavan at A2/6, Zala
Complex, Bibvewadi Kondhawa Road, Market Yard, Pune – 411 037, Maharashtra, India dated December
(A) Applicant : M/s. Ruchi’s Mango
(B) Address : M/s. Ruchi’s Mango,

A2/6, Zala Complex, Bibvewadi Kondhawa Road,
Market Yard, Pune – 411 037,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, Shri. Santosh Pandurang Dhavare S/o Shri. Pandurang Dhavare at Atgaon
(Bhat), Post: Kelshi, Taluk: Dapoli, District: Ratnagiri – 415 717, Maharashtra, India dated December 23,
(A) Applicant : Shri. Santosh Pandurang Dhavare
(B) Address : Shri. Santosh Pandurang Dhavare,

Atgaon (Bhat), Post: Kelshi,
Taluk: Dapoli, District: Ratnagiri – 415 717,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, Shri. Santosh Dattatray Mahajan S/o Shri. Dattatray Mahajan at Kalambat, Taluk:
Dapoli, District: Ratnagiri – 415 712, Maharashtra, India dated December 23, 2019 for Registration in Part-
(A) Applicant : Shri. Santosh Dattatray Mahajan
(B) Address : Shri. Santosh Dattatray Mahajan,

Kalambat, Taluk: Dapoli,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, Shri. Sunil Pandurang Zore S/o Shri. Pandurang Zore at 1974, Dhangar Wadi,
Golap, Taluk: Ratnagiri, District: Ratnagiri – 415 616, Maharashtra, India dated December 23, 2019 for
(A) Applicant : Shri. Sunil Pandurang Zore
(B) Address : Shri. Sunil Pandurang Zore,

1974, Dhangar Wadi, Golap,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, Shri. Rakesh Vidyadhar Mahadik S/o Shri. Vidyadhar Mahadik at Ril, Post:
Kespuri, Taluk: Ratnagiri, District: Ratnagiri – 415 620, Maharashtra, India dated December 23, 2019 for
(A) Applicant : Shri. Rakesh Vidyadhar Mahadik
(B) Address : Shri. Rakesh Vidyadhar Mahadik,

Ril, Post: Kespuri, Taluk: Ratnagiri,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, Smt. Rajashri Anand Marathe W/o Shri. Anand Prabhakar Marathe at 1406, B,
Kanak, Gujarali, Taluk: Rajapur, District: Ratnagiri – 416 702, Maharashtra, India dated December 23, 2019
(A) Applicant : Smt. Rajashri Anand Marathe
(B) Address : Smt. Rajashri Anand Marathe,

1406, B, Kanak, Gujarali,
Taluk: Rajapur, District: Ratnagiri – 416 702,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, Shri. Anand Prabhakar Marathe S/o Shri. Prabhakar Dattatray Marathe at 1406,
B, Kanak, Gujarali, Taluk: Rajapur, District: Ratnagiri – 416 702, Maharashtra, India dated December 23,
(A) Applicant : Shri. Anand Prabhakar Marathe
(B) Address : Shri. Anand Prabhakar Marathe,

1406, B, Kanak, Gujarali, Taluk: Rajapur,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, M/s. A1 Mango Supplier Represented by Shri. Siraj A. Latif Nakhwa at 564,
Pawas Bazarpeth, Pawas, Taluk: Ratnagiri, District: Ratnagiri – 415 616, Maharashtra, India dated
(A) Applicant : M/s. A1 Mango Supplier
(B) Address : M/s. A1 Mango Supplier,

564, Pawas Bazarpeth, Pawas,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, M/s. AM. AR. Fruits Represented by Shri. Israr Ahmed Abdul Aziz Ansari at Plot
No. H 9, MIDC, Mirjole, Taluk: Ratnagiri, District: Ratnagiri – 415 639, Maharashtra, India dated December
(A) Applicant : M/s. AM. AR. Fruits
(B) Address : M/s. AM. AR. Fruits,

Plot No. H 9, MIDC, Mirjole,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

Application is made by, M/s. C Raj Fruits & Foods Represented by Shri. Ikrama Siraj Nakhwa at 564,
Pawas Bazarpeth, Pawas, Taluk: Ratnagiri, District: Ratnagiri – 415 616, Maharashtra, India dated
(A) Applicant : M/s. C Raj Fruits & Foods
(B) Address : M/s. C Raj Fruits & Foods,

564, Pawas Bazarpeth, Pawas,
Maharashtra, India.



Sanstha Maryadit;

Maharashtra, India.
India.
(G) Class : 31
*--------*-------*---------*

G.I. Authorised User Application No. - 3641 in respect of Kashmir Paper Machie
Application is made by, Shri. Mohammad Hassan Akhoon S/o Shri. Akhoon Ali Mohammad, at Nabdi
Pora Hawal Srinagar - 190 011, Jammu & Kashmir, India dated January 03, 2017 for Registration in Part-B
for Authorised User in respect of Registered Geographical Indication Kashmir Paper Machie under
Application No - 181 in respect of goods made from paper and paper pulp and embellished with traditional
hands painted motifs and designs, and good of utilitarian and decorative nature in particular boxes, bowls
vases, lamps, trays, candleholders, photo frames, Christmas decoration, furniture, jewelry boxes all made
of light weight base material like paper pulp, paper board or wood and embellished with traditional hand
painted motifs and designs. falling in Class 16 & 20 is hereby advertised as accepted under sub-section (1)
(A) Applicant : Shri. Mohammad Hassan Akhoon
(B) Address : Shri. Mohammad Hassan Akhoon

Nabdi Pora Hawal Srinagar - 190 011,
Jammu & Kashmir, India.
User Application : January 03, 2017

Indication : Kashmir Paper Machie
(E) Registered Proprietor : TAHAFUZ, Srinagar
(F) Address : TAHAFUZ, Society Registered under the J & K Societies

Registration Act, 1998. CDI Campus, Opp J&K Bank,
Baghi - Ali - Mardan Khan, Nowshera, Srinagar,
Kashmir - 190 011, India
(G) Class : 16 & 20
(H) Goods : Class 16 & 20 - goods made from paper and paper pulp
and embellished with traditional hands painted motifs and
designs, and good of utilitarian and decorative nature in
particular boxes, bowls vases, lamps, trays,
candleholders, photo frames, Christmas decoration,
furniture, jewelry boxes all made of light weight base

material like paper pulp, paper board or wood and
embellished with traditional hand painted motifs and
designs.
*--------*-------*---------*

Application is made by, Smt. Uzma Showkat W/o Shri. Mir Shuaib Masdooq Kamili at H. No. 14,
Rehamatabad Hyderpora, Srinagar - 190 014, Jammu & Kashmir, India dated January 03, 2017 for
Registration in Part-B for Authorised User in respect of Registered Geographical Indication Kashmir Paper
Machie under Application No - 181 in respect of goods made from paper and paper pulp and embellished
with traditional hands painted motifs and designs, and good of utilitarian and decorative nature in particular
boxes, bowls vases, lamps, trays, candleholders, photo frames, Christmas decoration, furniture, jewelry
boxes all made of light weight base material like paper pulp, paper board or wood and embellished with
traditional hand painted motifs and designs. falling in Class 16 & 20 is hereby advertised as accepted under
sub-section (1) of Section 13 of Geographical Indications of Goods (Registration and Protection) Act, 1999.
(A) Applicant : Smt. Uzma Showkat
(B) Address : Smt. Uzma Showkat,

H. No. 14, Rehamatabad Hyderpora,
Srinagar - 190 014,
User Application : January 03, 2017


(G) Class : 16 & 20

designs.
*--------*-------*---------*

Application is made by, Shri. Altaf Hussain Parra S/o Shri. Mohammad Akbar Parra, at Hassan Abad
Rainawari, Sirnagar - 190 003, Jammu & Kashmir, India dated March 15, 2019 for Registration in Part-B for
Authorised User in respect of Registered Geographical Indication Kashmir Paper Machie under
Application No - 181 in respect of goods made from paper and paper pulp and embellished with traditional
hands painted motifs and designs, and good of utilitarian and decorative nature in particular boxes, bowls
vases, lamps, trays, candleholders, photo frames, Christmas decoration, furniture, jewelry boxes all made
of light weight base material like paper pulp, paper board or wood and embellished with traditional hand
painted motifs and designs. falling in Class 16 & 20 is hereby advertised as accepted under sub-section (1)
(A) Applicant : Shri. Altaf Hussain Parra
(B) Address : Shri. Altaf Hussain Parra

Hassan Abad Rainawari,
Sirnagar - 190 003,
User Application : March 15, 2019


(G) Class : 16 & 20

designs.
*--------*-------*---------*

G.I. Authorised User Application No. - 6149 in respect of Kashmir Walnut Wood Carving
Application is made by, M/s. Peerzada Professionals Represented by Shri. Peerzada Zakir Hussain, at
146, Sir Syedabad Sector 01 Bemina, Srinagar – 190 018, Jammu & Kashmir, India, dated November 29,
Kashmir Walnut Wood Carving under Application No - 182 in respect of Hand tools and implements
including wooden mallet and chisels; Furniture like table desk, dinning tables, dressers, side tables,
cabinets, wardrobes, (door panels), chairs sofas, stools, beds, folding screens, bookracks, mirror frames,
dry fruits bowls, trays, lamps, candle stands, incense burners, snuff boxes, jewellery boxes, including boxes
for holding bracelets, powder, shoe, rings, perfume, handkerchief, cigarette case, pen case, book case,
watch box, wooden knives, spoons, forks, sculpture, models of house boats, goods of utilitarian nature and
decorative nature that are made of walnut and embellished with hand carving, mirrors, picture frames,
goods (not included in other classes) of wood, cork, red, came, wicker, horn, ivory, whalebone, shall,
amber, mother of pearl, meerschaum and substitute for all the these materials, of plastics; made from
Paper and Paper pulp and wall hanging falling in Class 8, 20 & 27 is hereby advertised as accepted under
(A) Applicant : M/s. Peerzada Professionals
(B) Address : M/s. Peerzada Professionals,

146, Sir Syedabad Sector 01 Bemina,
Srinagar – 190 018,

Indication : Kashmir Walnut Wood Carving
(F) Address : TAHAFUZ, (Registered under the J & K

Societies Act, Registration Number: 5611-S/2007)
C/o. CDI Campus, Opp. J & K Bank Ltd. BAMK,
Nowshera, District: Srinagar – 190 011,
(G) Class : 8, 20 & 27

(H) Goods : Class 8, 20 & 27 – Hand tools and implements
Including wooden mallet and chisels; Furniture like table
desk, dinning tables, dressers, side tables, cabinets,
wardrobes, (door panels), chairs sofas, stools, beds,
folding screens, bookracks, mirror frames, dry fruits
bowls, trays, lamps, candle stands, incense burners,
snuff boxes, jewellery boxes, including boxes for holding
bracelets, powder, shoe, rings, perfume, handkerchief,
cigarette case, pen case, book case, watch box, wooden
knives, spoons, forks, sculpture, models of house boats,
goods of utilitarian nature and decorative nature that are
made of walnut and embellished with hand carving,
mirrors, picture frames, goods (not included in other
classes) of wood, cork, red, came, wicker, horn, ivory,
whalebone, shall, amber, mother of pearl, meerschaum
and substitute for all the these materials, of plastics;
made from Paper and Paper pulp and wall hanging.
*--------*-------*---------*

G.I. Authorised User Application No. - 6437 in respect of Joynagar Moa
Application is made by, Shri. Ashok Kumar Kayal S/o Shri. Abhimanyu Kayal at Uttar Kalikapur, Dakshin
Barasat, Joynagar Block – 1, South 24 Parganas – 743 372, West Bengal, India dated December 18, 2019
for Registration in Part-B for Authorised User in respect of Registered Geographical Indication Joynagar
Moa under Application No – 382 in respect of Sweet Meat Products - Food Stuff falling in Class 30 is
(A) Applicant : Shri. Ashok Kumar Kayal
(B) Address : Shri. Ashok Kumar Kayal,

Uttar Kalikapur, Dakshin Barasat,
Joynagar Block – 1, South 24 Parganas – 743 372,
West Bengal, India.

Indication : Joynagar Moa
E) Registered Proprietor : Joynagar Moa Nirmankari Society
(F) Address : Joynagar Moa Nirmankari Society,

Radhaballavtala Road,
Joynagar - 743337, South 24 Parganas,
West Bengal, India.
(G) Class : 30
(H) Goods : Class 30 – Sweet Meat Products - Food Stuff.
*--------*-------*---------*

Application is made by, Shri. Gopal Halder S/o Shri. Sanjit Halder at NIMPITH, Tulshighata, Joynagar,
South 24 Parganas – 743 338, West Bengal, India dated December 18, 2019 for Registration in Part-B for
Authorised User in respect of Registered Geographical Indication Joynagar Moa under Application No –
382 in respect of Sweet Meat Products - Food Stuff falling in Class 30 is hereby advertised as accepted
1999.
(A) Applicant : Shri. Gopal Halder
(B) Address : Shri. Gopal Halder,

NIMPITH, Tulshighata, Joynagar,
South 24 Parganas – 743 338,
West Bengal, India.


West Bengal, India.
(G) Class : 30
*--------*-------*---------*

Application is made by, Shri. Gopinath Das S/o Shri. Dulal Chandra Das at Baharu Mallavpur, South 24
Parganas, Joynagar – 743 372, West Bengal, India dated December 18, 2019 for Registration in Part-B for
1999.
(A) Applicant : Shri. Gopinath Das
(B) Address : Shri. Gopinath Das,

Baharu Mallavpur,
South 24 Parganas, Joynagar – 743 372,
West Bengal, India.


West Bengal, India.
(G) Class : 30
*--------*-------*---------*

Application is made by, Shri. Dhananjoy Das S/o Shri. Parikshit Das at Baharu Mallavpur, South 24
Parganas, Joynagar – 743 372, West Bengal, India dated December 18, 2019 for Registration in Part-B for
1999.
(A) Applicant : Shri. Dhananjoy Das
(B) Address : Shri. Dhananjoy Das,

Baharu Mallavpur, South 24 Parganas,
Joynagar – 743 372,
West Bengal, India.


West Bengal, India.
(G) Class : 30
*--------*-------*---------*

Application is made by, Shri. Bimal Das S/o Shri. Palu Das at Baharu Mallavpur, South 24 Parganas,
Joynagar – 743 372, West Bengal, India dated December 18, 2019 for Registration in Part-B for Authorised
User in respect of Registered Geographical Indication Joynagar Moa under Application No – 382 in
respect of Sweet Meat Products - Food Stuff falling in Class 30 is hereby advertised as accepted under
(A) Applicant : Shri. Bimal Das
(B) Address : Shri. Bimal Das,

Baharu Mallavpur, South 24 Parganas,
Joynagar – 743 372,
West Bengal, India.


West Bengal, India.
(G) Class : 30
*--------*-------*---------*

Application is made by, Shri. Mahadeb Das S/o Shri. Dhananjay Das at Baharu, Daspara, South 24
Parganas – 743 372, West Bengal, India dated December 18, 2019 for Registration in Part-B for Authorised
(A) Applicant : Shri. Mahadeb Das
(B) Address : Shri. Mahadeb Das,

Baharu, Daspara, South 24 Parganas – 743 372,
West Bengal, India.


West Bengal, India.
(G) Class : 30
*--------*-------*---------*

Application is made by, Shri. Bechulal Ghosh S/o Shri. Nantu Ghosh at Baharu, Mallavpur, South 24
Parganas – 743 372, West Bengal, India dated December 18, 2019 for Registration in Part-B for Authorised
(A) Applicant : Shri. Bechulal Ghosh
(B) Address : Shri. Bechulal Ghosh,

Baharu, Mallavpur,
West Bengal, India.


West Bengal, India.
(G) Class : 30
*--------*-------*---------*

Application is made by, Shri. Bapan Mondal S/o Shri. Panchu Gopal Mondal at Sripur, South 24 Parganas
– 743 372, West Bengal, India dated December 18, 2019 for Registration in Part-B for Authorised User in
respect of Registered Geographical Indication Joynagar Moa under Application No – 382 in respect of
Sweet Meat Products - Food Stuff falling in Class 30 is hereby advertised as accepted under sub-section
(1) of Section 13 of Geographical Indications of Goods (Registration and Protection) Act, 1999.
(A) Applicant : Shri. Bapan Mondal
(B) Address : Shri. Bapan Mondal,

Sripur, South 24 Parganas – 743 372,
West Bengal, India.


West Bengal, India.
(G) Class : 30
*--------*-------*---------*

Application is made by, Shri. Saurajit Mandal S/o Shri. Sankar Deb Mandal at Sripur, Kashimpur,
Joynagar-1, South 24 Parganasl – 743 372, West Bengal, India dated December 18, 2019 for Registration
in Part-B for Authorised User in respect of Registered Geographical Indication Joynagar Moa under
Application No – 382 in respect of Sweet Meat Products - Food Stuff falling in Class 30 is hereby
(A) Applicant : Shri. Saurajit Mandal
(B) Address : Shri. Saurajit Mandal,

Sripur, Kashimpur, Joynagar-1,
West Bengal, India.


West Bengal, India.
(G) Class : 30
*--------*-------*---------*

Application is made by, Shri. Pijush Kanti Mandal S/o Shri. Bhupendra Mandal at Tulshighata, Nimpith
Ashram, South 24 Parganas, Joynagar Block-Il – 743 338, West Bengal, India dated December 18, 2019
for Registration in Part-B for Authorised User in respect of Registered Geographical Indication Joynagar
Moa under Application No – 382 in respect of Sweet Meat Products - Food Stuff falling in Class 30 is
(A) Applicant : Shri. Pijush Kanti Mandal
(B) Address : Shri. Pijush Kanti Mandal,

Tulshighata, Nimpith Ashram,
South 24 Parganas, Joynagar Block-II – 743 338,
West Bengal, India.


West Bengal, India.
(G) Class : 30
*--------*-------*---------*

Application is made by, Smt. Pampa Halder W/o Shri. Surajit Halder at Nimpith, Tulshighata, Joynagar
Block-II, South 24 Parganas – 743 338, West Bengal, India dated December 18, 2019 for Registration in
Part-B for Authorised User in respect of Registered Geographical Indication Joynagar Moa under
(A) Applicant : Smt. Pampa Halder
(B) Address : Smt. Pampa Halder,

Nimpith, Tulshighata, Joynagar Block-II,
South 24 Parganasl – 743 338,
West Bengal, India.


West Bengal, India.
(G) Class : 30
*--------*-------*---------*

Application is made by, Shri. Gauranga Mondal S/o Shri. Dhananjay Mondal at Nimpith Ashram, Joynagar
(A) Applicant : Shri. Gauranga Mondal
(B) Address : Shri. Gauranga Mondal,

Nimpith Ashram, Joynagar Block-II,
West Bengal, India.


West Bengal, India.
(G) Class : 30
*--------*-------*---------*

Application is made by, Shri. Ramprasad Purkait S/o Shri. Ganesh Purkait at Nimpith Ashram,
Tulshighata, Joynagar Block-II, South 24 Parganas – 743 338, West Bengal, India dated December 18,
Joynagar Moa under Application No – 382 in respect of Sweet Meat Products - Food Stuff falling in Class
30 is hereby advertised as accepted under sub-section (1) of Section 13 of Geographical Indications of
Goods (Registration and Protection) Act, 1999.
(A) Applicant : Shri. Ramprasad Purkait
(B) Address : Shri. Ramprasad Purkait,

Nimpith Ashram, Tulshighata, Joynagar Block-II,
West Bengal, India.


West Bengal, India.
(G) Class : 30
*--------*-------*---------*

Application is made by, Shri. Jagadish Mondal S/o Shri. Subal Mondal at Nimpith Ashram, Tulshighata,
Joynagar Block-1, South 24 Parganas – 743 338, West Bengal, India dated December 18, 2019 for
Registration in Part-B for Authorised User in respect of Registered Geographical Indication Joynagar Moa
under Application No – 382 in respect of Sweet Meat Products - Food Stuff falling in Class 30 is hereby
(A) Applicant : Shri. Jagadish Mondal
(B) Address : Shri. Jagadish Mondal,

Nimpith Ashram, Tulshighata, Joynagar Block-1,
West Bengal, India.


West Bengal, India.
(G) Class : 30
*--------*-------*---------*

Application is made by, Shri. Dashu Mondal S/o Shri. Sadhan Mondal at Nimpith Ashram, Joynagar Block-
II, South 24 Parganas – 743 338, West Bengal, India dated December 18, 2019 for Registration in Part-B
for Authorised User in respect of Registered Geographical Indication Joynagar Moa under Application No
– 382 in respect of Sweet Meat Products - Food Stuff falling in Class 30 is hereby advertised as accepted
1999.
(A) Applicant : Shri. Dashu Mondal
(B) Address : Shri. Dashu Mondal,

West Bengal, India.


West Bengal, India.
(G) Class : 30
*--------*-------*---------*

Application is made by, Shri. Tapan Kumar Das S/o Shri. Annada Prasad Das at Nimpith Ashram,
Joynagar, South 24 Parganas – 743 338, West Bengal, India dated December 18, 2019 for Registration in
(A) Applicant : Shri. Tapan Kumar Das
(B) Address : Shri. Tapan Kumar Das,

Nimpith Ashram, Joynagar,
West Bengal, India.


West Bengal, India.
(G) Class : 30
*--------*-------*---------*

Application is made by, Shri. Hemanta Mistry S/o Shri. Nimai Mistry at Ghosh Para, Baharu, Joynagar,
1999.
(A) Applicant : Shri. Hemanta Mistry
(B) Address : Shri. Hemanta Mistry,

Ghosh Para, Baharu, Joynagar,
West Bengal, India.


West Bengal, India.
(G) Class : 30
*--------*-------*---------*

Application is made by, Shri. Biswajit Maity S/o Shri. Sanjay Maity at Nimpith Ashram, Tulshighata,
Joynagar Block-II, South 24 Parganas – 743 338, West Bengal, India dated December 18, 2019 for
Registration in Part-B for Authorised User in respect of Registered Geographical Indication Joynagar Moa
under Application No – 382 in respect of Sweet Meat Products - Food Stuff falling in Class 30 is hereby
(A) Applicant : Shri. Biswajit Maity
(B) Address : Shri. Biswajit Maity,

Nimpith Ashram, Tulshighata, Joynagar Block-II,
West Bengal, India.


West Bengal, India.
(G) Class : 30
*--------*-------*---------*

Application is made by, Shri. Raju Das S/o Shri. Panchu Das at Tulshighata, Joynagar, South 24 Parganas
– 743 338, West Bengal, India dated December 18, 2019 for Registration in Part-B for Authorised User in
respect of Registered Geographical Indication Joynagar Moa under Application No – 382 in respect of
Sweet Meat Products - Food Stuff falling in Class 30 is hereby advertised as accepted under sub-section
(1) of Section 13 of Geographical Indications of Goods (Registration and Protection) Act, 1999.
(A) Applicant : Shri. Raju Das
(B) Address : Shri. Raju Das,

Tulshighata, Joynagar,
West Bengal, India.


West Bengal, India.
(G) Class : 30
*--------*-------*---------*

Application is made by, Shri. Khokan Mondal S/o Shri. Rasbihari Mondal at Baharu, Joynagar Block-1,
1999.
(A) Applicant : Shri. Khokan Mondal
(B) Address : Shri. Khokan Mondal,

Baharu, Joynagar Block-1,
West Bengal, India.


West Bengal, India.
(G) Class : 30
*--------*-------*---------*

Application is made by, Shri. Amit Ghoshal S/o Shri. Shambhu Ghoshal at Nimpith Ashram, Joynagar
(A) Applicant : Shri. Amit Ghoshal
(B) Address : Shri. Amit Ghoshal,

West Bengal, India.


West Bengal, India.
(G) Class : 30
*--------*-------*---------*

G.I. Authorised User Application No. - 6158 in respect of Himachali Chulli Oil
Application is made by, Shri. Pritam Lal Negi S/o Late Shri. Nardub Ram Negi at VPO Hango, Sub -
Tehsil: Hangrang, District: Kannauri, Himachal Pradesh, India dated December 03, 2019 for Registration in
Part-B for Authorised User in respect of Registered Geographical Indication Himachali Chulli Oil under
Application No - 468 in respect of Chulli Oil falling in Class 31 is hereby advertised as accepted under sub-
(A) Applicant : Shri. Pritam Lal Negi
(B) Address : Shri. Pritam Lal Negi,

VPO Hango, Sub - Tehsil: Hangrang,
District: Kannauri,
Himachal Pradesh, India.

Indication : Himachali Chulli Oil
(E) Registered Proprietor : M/s. Kinnaur Chulli - Bhemi Oil Producers & Processor
Society,
(F) Address : M/s. Kinnaur Chulli - Bhemi Oil Producers & Processor
Society,
District: Kinnaur, C/o Dyerton Cottage No - 3,
Below Shimla bypass, Shimla,
Himachal Pradesh, India.
(G) Class : 31
(H) Goods : Class 31 – Chulli Oil
*--------*-------*---------*

General Information
What is a Geographical Indication?

 It is an indication,
 It is used to identify agricultural, natural, or manufactured goods originating in the said area,
 It originates from a definite territory in India,
 It should have a special quality or characteristics unique to the geographical indication.
Examples of possible Geographical Indications in India:

Some of the examples of Geographical Indications in India include Basmati Rice, Darjeeling Tea,
Kancheepuram silk saree, Alphonso Mango, Nagpur Orange, Kolhapuri Chappal, Bikaneri Bhujia etc.
What are the bebefits of registration of Geographical Indications?

 It confers legal protection to Geographical Indications in India,
 It prevents unauthorized use of a registered Geographical Indication by others.
 It boosts exports of Indian Geographical indications by providing legal Protection.
 It promotes economic Prosperity of Producers.
 It enables seeking legal protection in other WTO member countries.
Who can apply for the registration of a Geographical Indication?

Any association of persons, producers, organization or authority established by or under the law can apply.
The applicant must represent the interest of the producers.
The application should be in writing in the prescribed form.
The application should be addressed to the Registrar of Geographical Indications along with prescribed fee.
Who is the Registered Proprietor of a Geographical Indication?

Any association of persons, producers, organization or authority established by or under the law can be a
registered proprietor. There name should be entered in the Register of Geographical Indications as
registered proprietor for the Geographical Indication applied for.
Who is an authorized user?

A producer of goods can apply for registration as an authorized user, with respect to a registered
Geographical Indication. He should apply in writing in the prescribed form alongwith prescribed fee.
Who is a producer in relation to a Geographical Indication?

A producer is a person dealing with three categories of goods
 Agricultural Goods including the production, processing, trading or dealing.
 Natural Goods including exploiting, trading or dealing.
 Handicrafts or industrial goods including making, manufacturing, trading or dealing.
Is registration of a Geographical Indication compulsory?

While registration of Geographical indication is not compulsory, it offers better legal protection for action for
infringement.
What are the advantages of registering?

 Registration affords better legal protection to facilitate an action for infringement.

 The registered proprietor and authorized users can initiate infringement actions.
 The authorized users can exercise right to use the Geographical indication.
Who can use the registered Geographical Indication?

Only an authorized user has the exclusive rights to use the Geographical indication in relation to goods in
respect of which it is registered.
How long is the registration of Geographical Indication valid? Can it be renewed?

The registration of a Geographical Indication is for a period of ten years.
Yes, renewal is possible for further periods of 10 years each.
If a registered Geographical Indications is not renewed, it is liable to be removed from the register.
When a Registered Geographical Indication is said to be infringed?

 When unauthorized use indicates or suggests that such goods originate in a geographical area
other than the true place of origin of such goods in a manner which misleads the public as to their
geographical origins.
 When use of Geographical Indication results in unfair competition including passing off in respect
of registered Geographical indication.
 When the use of another Geographical Indication results in a false representation to the public that
goods originate in a territory in respect of which a Geographical Indication relates.
Who can initiate an infringement action?

The registered proprietor or authorized users of a registered Geographical indication can initiate an
infringement action.
Can a registered Geographical Indication be assigned, transmitted etc?

No, A Geographical Indication is a public property belonging to the producers of the concerned goods. It
shall not be the subject matter of assignment, transmission, licensing, pledge, mortgage or such other
agreement. However, when an authorized user dies, his right devolves on his successor in title.
Can a registered Geographical Indication or authorized user be removed from the register?
Yes, The Appellate Board or the Registrar of Geographical Indication has the power to remove the
Geographical Indication or authorized user from the register. The aggrieved person can file an appeal
within three months from the date of communication of the order.
How a Geographical Indication differs from a trade mark?

A trade mark is a sign which is used in the course of trade and it distinguishes good or services of one
enterprise from those of other enterprises. Whereas a Geographical Indication is used to identify goods
having special Characteristics originating from a definite geographical territory.

THE REGISTRATION PROCESS
In December 1999, Parliament passed the Geographical Indications of Goods (Registration and Protection)
Act 1999. This Act seeks to provide for the registration and protection of Geographical Indications relating
to goods in India. This Act is administered by the Controller General of Patents, Designs and Trade Marks,
who is the Registrar of Geographical Indications. The Geographical Indications Registry is located at
Chennai.
The Registrar of Geographical Indication is divided into two parts. Part ’A’ consists of particulars relating to
registered Geographical indications and Part ‘B’ consists of particulars of the registered authorized users.
The registration process is similar to both for registration of geographical indication and an authorized user
which is illustrated below:
Filing an Application
Examination Objection Opportunity Refused

for Hearing
Acceptance
Advertisement of Opposition, Allowed or Appeal to

Application in GI Journal If any refused IPAB
Application
allowed
Entry in GI Register Particulars of Registered GI entered in
Part A of the Register
Particulars of Registered AU GI entered in
Part B of the Register
Registration Certificate
issued

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GI Journal No.

129 1 January 10, 2020

JANUARY 10, 2020 / CHAITRA 23, SAKA 1941

GI Journal No. 129 2 January 10, 2020

S. No. Particulars Page No.

2 New G.I Application Details 5

5 GI Authorised User Applications

6 General Information 308

7 Registration Process 310

GI Journal No. 129 3 January 10, 2020

GI Journal No. 129 4 January 10, 2020

App.No. Geographical Indications Class Goods

641 Tirur Betel Leaf (Tirur Vettila) 31 Agricultural

642 Harmal Chilli 30 Agricultural

643 Judima 33 Agricultural

644 Pithora 2 & 19 Handicraft

645 Mau Saree 24 & 25 Textiles

646 Coconut Vinegar 30 Food Stuff

647 Lahaul Socks and Gloves 23 Textiles

648 Uttarakhand Aipan Craft 27 Handicraft

649 Uttarakhand Jyan Salt Tea 30 Agricultural

650 Kumaon Chyura Oil 30 Agricultural

651 Munsyari Razma of Uttarakhand 31 Agricultural

652 Uttarakhand Ringal Craft 27 Handicraft

653 Uttarakhand Tamta Product 27 Handicraft

654 ttarakhand Thulma 27 Handicraft

655 Goan Khaje 30 Food Stuff

656 Manjusha Art 16 Handicraft

657 Tikuli Art 16 Handicraft

658 Sohrai Painting 16 Handicraft

659 Soh-Shang 31 Agricultural

660 Kuttiattoor Mango (Kuttiattoor Manga) 31 Agricultural

661 Agra Stone Craft 19 & 20 Handicraft

662 Edayur Chilli (Edayur Mulaku) 31 Agricultural

GI Journal No. 129 5 January 10, 2020

664 Aligarh Lock 6 Handicraft

665 Bakhira Metal Product 21 Handicraft

666 Banda Shazar Patthar Craft 14 Handicraft

667 Nagina Wood Craft of Uttar Pradesh 20 Handicraft

668 Pratapgarh Aonla 31 Agricultural

669 Nagri Dubraj 30 Agricultural

670 Amroha Dholak 15 Handicraft

671 Mahoba Gaura Patthar 14 Handicraft

672 Hathras Hing 30 Food Stuff

673 Mainpuri Tarkashi 20 Food Stuff

674 Sambhal Horn Craft 20 Food Stuff

675 Kanyakumari Cloves 30 Agricultural

676 Bengal Muslin 24 & 25 Textiles

677 Patchwork of Rampur 24, 25 & 26 Textiles

678 Bareilly Terracott 21 Handicraft

679 Kovai Kora Cotton Sarees (Logo) 24 & 25 Textiles

680 Myndoli Banana 31 Agricultural

681 Morena Gajak 30 Food Stuff

682 Assamese Gamocha 24 & 25 Textiles

683 Osmanabadi Goat 31 Agricultural

GI Journal No. 129 6 January 10, 2020

No.GIR/CG/JNL/2010 Dated 26th February, 2010

Registrar of Geographical Indications

GI Journal No. 129 7 January 10, 2020