The document defines career levels for opera singers and lists relevant young artist programs (YAPs) for each level. Young professionals are singing leading roles in smaller houses and secondary roles in larger houses. Young artists are currently in or recently completed a year-long YAP. Emerging artists have graduate education and have performed roles in school. They are auditioning for YAPs and training programs. University students may have performed roles and have chorus experience, and can consider pay-to-sing programs to gain experience. The document provides over 50 YAP and training program options for singers at different stages in their careers.
The document defines career levels for opera singers and lists relevant young artist programs (YAPs) for each level. Young professionals are singing leading roles in smaller houses and secondary roles in larger houses. Young artists are currently in or recently completed a year-long YAP. Emerging artists have graduate education and have performed roles in school. They are auditioning for YAPs and training programs. University students may have performed roles and have chorus experience, and can consider pay-to-sing programs to gain experience. The document provides over 50 YAP and training program options for singers at different stages in their careers.
The document defines career levels for opera singers and lists relevant young artist programs (YAPs) for each level. Young professionals are singing leading roles in smaller houses and secondary roles in larger houses. Young artists are currently in or recently completed a year-long YAP. Emerging artists have graduate education and have performed roles in school. They are auditioning for YAPs and training programs. University students may have performed roles and have chorus experience, and can consider pay-to-sing programs to gain experience. The document provides over 50 YAP and training program options for singers at different stages in their careers.
The document defines career levels for opera singers and lists relevant young artist programs (YAPs) for each level. Young professionals are singing leading roles in smaller houses and secondary roles in larger houses. Young artists are currently in or recently completed a year-long YAP. Emerging artists have graduate education and have performed roles in school. They are auditioning for YAPs and training programs. University students may have performed roles and have chorus experience, and can consider pay-to-sing programs to gain experience. The document provides over 50 YAP and training program options for singers at different stages in their careers.
Houston Grand Opera (Studio Artist) YOUNG PROFESSIONAL Los Angeles Opera (Domingo-Colburn-Stein Young -is singing leading roles in B or C Artist Program) houses at least 6 months/year; Lyric Opera of Chicago (Ryan Center) -is singing secondary or comprimario Metropolitan Opera (Lindemann Program) roles in A houses San Francisco Opera Center (Adler Fellow) Washington National Opera (Domingo-Cafritz Young Artist Program) Wolf Trap Opera (Filene Apprentice Artist) YOUNG ARTIST Asheville Lyric Opera (Outreach) Aspen Music Festival (Training) -is currently a Young Artist in a year- Brevard Music Center (Young Artist) long program; Central City Opera (Apprentice Artist) -has completed at least one YAP Chautauqua Opera (Apprentice Artist) (summer or part year) within the past Chicago Opera Theatre (Young Artist) two years; Cincinnati Opera (Young Artist) -is singing at least three roles per year CoOPERAtive Program - Fellow (Training) Des Moines Metro Opera (Apprentice) Fall Island Vocal Arts Seminar (Training) Florentine Opera (Studio Artist) Florida Grand Opera (Young Artist) Ft. Worth Opera Studio (Young Artist) Glimmerglass Opera (Young Artist) Houston Grand Opera (Studio Artist) Indianapolis Opera (Young Artist) IVAI – Montreal, Virginia, Israel (Training) Kentucky Opera (Resident Artist) Los Angeles Opera (Young Artist) Madison Opera (Young Artist) Minnesota Opera (Resident Artist) Music Academy of the West (Young Artist) Nashville Opera (Young Artist) Natchez Opera (Young Artist) Oberlin in Italy (Language/Performance) Ohio Light Opera (Young Artist) Opera Memphis (Artist-in-Residence) Opera Naples (Young Artist) Opera North (Apprentice) Opera San Jose (Young Artist) Opera Saratoga (Apprentice) Opera Theatre of Saint Louis (Resident Artist) OperaWorks - Advanced Artist Program (Training) Opera Theater of St. Louis (Apprentice) Palm Beach Opera (Young Artist) Pensacola Opera (Young Artist)
Compiled by Laura Brooks Rice, co-director, CoOPERAtive Program www.thecooperativeprogram.org 1
in collaboration with Ann Baltz, artistic director, OperaWorks www.operaworks.org Updated with input from OPERA America Singer Training Forum annually DEFINING YOUR CAREER LEVEL & CHOOSING A YAP Pittsburgh Opera (Resident Artist) (continued) Portland Opera (Resident Artist) San Francisco Opera Merola Program (Apprentice) Santa Fe Opera (Apprentice) Sarasota Opera (Resident Artist) Seagle Colony (Training) Santa Fe Opera (Apprentice) Tanglewood Festival (Fellow) Toledo Opera (Resident Artist) Utah Opera Festival (Young Artist) Virginia Opera (Resident Artist Program) Washington National Opera (Domingo-Cafritz YAP) EMERGING ARTIST American Singers Opera Project (Training) Asheville Lyric Opera (Outreach) -has finished at least graduate level Aspen Music Festival (Training) education; Brevard (Young Artist) -has performed at least two leading or Caramoor Bel Canto Young Artist Program secondary roles in school; (Training/Young Artist) -is auditioning for YAPs, Training Central City Opera (Studio Artist) programs and tuition based programs. Chicago Opera Theatre (Young Artist) Cincinnati Opera (Outreach Program) CoOPERAtive Program – Fellow or Young Artist (Training) Fall Island Vocal Arts Seminar (Training) Florentine Opera (Studio Artist) Ft. Worth Opera Studio (Young Artist) Glimmerglass Opera (Young Artist) Green Mountain Opera Festival (Training) IVAI-Montreal, Virginia, Israel (Training) Kentucky Opera (Apprentice Artist) Knoxville Opera (Resident Artist) Music Academy of the West (Young Artist) Nashville Opera (Young Artist) Natchez Festival of Music (Resident Artist) Oberlin in Italy (Language/Performance) Ohio Light Opera (Young Artist) OPERA Iowa Education Touring Troupe (Performance) Opera Memphis (Young Artist) Opera New Jersey (Young Artist) Opera North (Young Artist) Opera on the James (Young Artist) Opera Theater of St. Louis (Apprentice) Opera North (Apprentice) Opera Saratoga (Opera to Go) Winter Residency Opera Theatre of Saint Louis (Resident Artist) OperaWorks - Advanced Artist Program (Training) Pensacola Opera (Resident Artist)
Compiled by Laura Brooks Rice, co-director, CoOPERAtive Program www.thecooperativeprogram.org 2
in collaboration with Ann Baltz, artistic director, OperaWorks www.operaworks.org Updated with input from OPERA America Singer Training Forum annually DEFINING YOUR CAREER LEVEL & CHOOSING A YAP (continued) Pine Mountain Opera (Young Artist) Prelude to Performance-Martina Arroyo Fdtn (Training) Santa Fe Opera Tours (Performance) Seagle Colony (Training) Tri-Cities Opera (Resident Artist) Tulsa Opera (Resident Artist) Utah Opera Festival (Young Artist) Wolf Trap Opera (Studio Artist) UNIVERSITY OR Accademia Vocale Lorenzo Malfatti Vocal Training CONSERVATORY STUDENTS: Intensive Upper Class Undergraduates or American Singers Opera Project (Training) Graduate Students Asheville Lyric Opera (Outreach) -may have performed two operatic Aspen Music Festival (Training) roles, Brevard Music Center (Young Artist) Canta in Italia with Wichita State Univ. (Pay-to-Sing) -may have opera chorus experience Caramoor Bel Canto Young Artist Program with a local company (Training/Young Artist) CCM Spoleto (Language/Performance) Central City Opera (Studio Artist) Cincinnati Opera (Outreach Program) College Light Opera Company (Performance) CoOPERAtive Program - Young Artist (Training) Florence Voice Seminar (Language/Vocal Study) Florentine Opera (Studio Artist) Green Mountain Opera Festival (Training) Houston Grand Opera (Young Artists Vocal Academy) Institute for Young Dramatic Voices (Training) Kentucky Opera (Apprentice Artist) Knoxville Opera (Resident Artist) La Lingua Della Lirica Mannes (Language/Coaching) Music Academy of the West (Young Artist) Natchez Festival of Music (Resident Artist) Oberlin in Italy (Language/Performance) Ohio Light Opera (Young Artist) Opera New Jersey (Young Artist) Opera North (Young Artist) Opera on the James (Young Artist) Opera Saratoga (Studio) Opera Theater of Pittsburgh (Featured Young & Apprentice Artists) OperaWorks - Emerging Artist Program (Training) Pine Mountain Opera (Young Artist) Prelude to Performance-Martina Arroyo Foundation (Training) Scuola Italia Program for Opera Singers (Language/Training) Seagle Colony (Training) Compiled by Laura Brooks Rice, co-director, CoOPERAtive Program www.thecooperativeprogram.org 3 in collaboration with Ann Baltz, artistic director, OperaWorks www.operaworks.org Updated with input from OPERA America Singer Training Forum annually DEFINING YOUR CAREER LEVEL & CHOOSING A YAP The University of Miami School of Music at Salzburg (Language/Performance) Utah Opera Festival (Young Artist) Wolf Trap Opera (Studio Artist)
Compiled by Laura Brooks Rice, co-director, CoOPERAtive Program www.thecooperativeprogram.org 4
in collaboration with Ann Baltz, artistic director, OperaWorks www.operaworks.org Updated with input from OPERA America Singer Training Forum annually