The Opera of The Romantic Period
The Opera of The Romantic Period
The Opera of The Romantic Period
Generally, the features of the nineteenth- century Italian operas are the following:
The themes used by opera composers are not based on supernatural subjects.
Subjects like escape and freedom from bondage are typically used.
The difference between comic opera (buffa) and serious opera (seria) is maintained.
The importance of melody paved the emergence of the bel canto style meaning “the art of beautiful
singing.”
There is some influence of France especially in the use of choirs and orchestration.
A better balance between music and drama is observed.
Skillful showmanship is less frequently observed.
This type of French opera has spoken dialogue that alternates with self-
contained musical numbers. Examples of this genre are:
The White Lady by Francois-Adrien Boieldieu
A lyric opera is a mixture of the French opera comique and grand opera.
Examples of this genre are:
Carmen by Georges Bizet
Although German operas are patterned from France and Italy, distinct
features can still be observed.
Folk tunes and melodies are used.
Stories are based on mystery, mysticism, and supernatural elements.
The themes are derived from folk legends and fairy stories of the Middle Ages.
To enhance the emotion of a scene, dissonant treatment of harmony and orchestral timbre is
employed.
The Fairies
Forbidden Love
Lohengrin
Tannhauser
Gaetano Donizetti
Vincenzo Bellini
Giuseppe Verdi
Italian
Operas
The
Lady
The field of
Honor
LES HUGUENOTS
L’ Africaine
Charles Gounod
The king of Ys
The Mary Wives of
Windsor
Faust by Ludwig spohr
Jessonda by Ludwig