Charlie Chaplin
Charlie Chaplin
Charlie Chaplin
Rough childhood
Charles Spencer Chaplin was born in a poor district of
London, England, on April 16, 1889. His mother, Hannah Hill Chaplin, a talented singer,
actress, and piano player, spent most of her life in and out of mental hospitals; his father,
Charles Spencer Chaplin Sr. was a fairly successful singer until he began drinking. After
his parents separated, Charlie and his half-brother, Sidney, spent most of their childhood
in orphanages, where they often went hungry and were beaten if they misbehaved. Barely
able to read and write, Chaplin left school to tour with a group of comic entertainers. Later
he starred in a comedy act. By the age of nineteen he had become one of the most
popular music-hall performers in England.
Established star
In 1923 Chaplin, D. W. Griffith (1875–1948), Douglas Fairbanks (1883–1937), and Mary
Pickford (1893–1979) formed United Artists (UA) to produce high-quality feature-length
movies. A Woman of Paris (1923), a drama, was followed by two of Chaplin's funniest
films, The Gold Rush (1925) and The Circus (1928). Chaplin directed City Lights (1931), a
beautiful tale about the tramp's friendship with a drunken millionaire and a blind flower girl.
Many critics consider it his finest work. Although movies had made the change over to
sound, City Lights was silent except for one scene in which the tramp hic-cups with a tin
whistle in his throat while trying to listen politely to a concert.
Modern Times (1936), a farce (broad comedy with an unbelievable plot) about the cruelty
and greed of modern industry, contains some of the funniest gags and comic sequences in
film history, the most famous being the tramp's battle with an eating machine gone crazy.
Chaplin's character of Hynkel in The Great Dictator (1940) is a powerful satire (the use of
humor to criticize a person or institution) of German military leader Adolf Hitler (1889–
1945). It was the last film using the tramp, and ends with Chaplin pleading for love and
freedom.
It was with these more involved productions of the 1930s and 1940s that Chaplin achieved
true greatness as a film director. Monsieur Verdoux, directed by Chaplin in 1947 (and
condemned by the American Legion of Decency), is one of the strongest moral statements
ever put on the screen. Long before European filmmakers taught audiences to appreciate
the role of the writer and director, Chaplin revealed his many talents by handling both roles
in his productions.