William Ames Collection PDF
William Ames Collection PDF
William Ames Collection PDF
Description of Collection 3
Description of Series 5
INVENTORY
2
DESCRIPTION OF COLLECTION
Biographical Sketch
William Thayer Ames, composer and pianist, was born on March 20th, 1901 in
Cambridge, Massachusetts. During his upbringing in the Boston area, the young Ames began
piano studies at age eight. From 1921 until 1924 he attended Harvard University, earning the BA
degree in music. During that time he began to compose, eventually deciding to concentrate on
composition. After graduating from Harvard Mr. Ames travelled to Paris, where he studied with
Nadia Boulanger for three years (1924-27). After his return to the U.S., he was appointed to the
faculty of the Eastman School of Music, where he taught music theory for ten years (1928-38).
During that time he made his residence in Woodstock, New York, where he composed many of
his first important works. Mr. Ames eventually left Eastman to pursue graduate studies at his
alma mater, receiving the MA degree in 1940. In 1940-41 he taught music theory at the
Maverick Chamber Music School (Woodstock, New York), and then returned to New York City
where he would stay until 1954. During that time he taught theory and composition privately and
also taught at the Brooklyn Conservatory of Music (1948-50). One of the highlights of his time
in New York City was a concert of his works performed at the Carnegie Chamber Hall.
In 1954 Mr. Ames was named composer and pianist for the dance department at Cornell
University, a position that he would hold for eight years. In that same year he also received a
Woodstock Foundation Grant. In 1962 Mr. Ames returned to New York City, where he
continued to work professionally as a pianist for the dance. In addition, on the strength of a
MacDowell Award, attended the MacDowell Colony in New Hampshire for three summers.
During this period he was recognized in performance with a concert of his music at Town Hall in
May, 1964. In 1965, desirous of a change of pace, Mr. Ames retired to Mendocino, California,
where he continued to compose, and where he enjoyed the benefit of local performances of his
music and also the opportunities to organize performances. In his later years he made return
visits to Woodstock, where his music received numerous performances. He died on January 14th,
1987 in Fort Bragg, California. He had been married twice: first in 1930 (annulled), and then in
1942 (ended in 1965).
Mr. Ames was a prolific composer whose works cover numerous chamber and orchestral
genres. His chamber music output includes works for solo instrument, duo sonatas, trios, string
quartets, and songs. His large-scale works include two symphonies, a clarinet concerto, and two
operas, as well as music for film, theater, and dance. His life and work were the subject of a
short monograph, William Ames, Composer, edited by Bruce Levene (The Mendocino Review,
1974), with an introduction by his nephew Norman L. de Vall, who would later become the
executor of his estate.
3
Provenance
The William Ames Collection was received from Marcia Sloane (Navarro, California) in
several installments between 1993 and 1996. In the years following Mr. Ames’ death, Ms.
Sloane had exercised curatorial responsibilities over the collection on behalf of The William
Ames Estate.
Restrictions
There are no restrictions on the use of this collection except for those imposed by the
U.S. Copyright Law and its revisions.
Associations
The Ruth T. Watanabe Special Collections department holds the papers of numerous
other Eastman theory and composition faculty and alumni, including Samuel Adler, Wayne
Barlow, Warren Benson, Howard Hanson, Homer Todd Keller, Burrill Phillips, Bernard Rogers,
Burrill Phillips, Malcolm Seagrave, P. Peter Sacco, and others. Also in the departments
possession is the collection of Stanley Sussman, an Eastman composition alumnus who, like Mr.
Ames, enjoyed a professional a
association with dance.
The Archive of Recorded Sound at the Braun Music Center of Stanford University also
holds a William Ames Collection, comprised of sound recordings of performances of works by
Mr. Ames.
4
DESCRIPTION OF SERIES
The William Ames Collection is subdivided into series and sub-series according to
format as outlined below. Within each sub-series of Series 1, 2, and 3, the manuscripts are
arranged chronologically insofar as an accurate chronological sequence could be established.
5
Series 3: Theater, Film and Dance Scores and Sketches
This series includes a small diary, some address books, and other items, among which the
most prominent is a scrapbook chronicling performances of Mr. Ames’ music in 1940-58.
This series is comprised of recordings of works by William Ames made during live
performances, radio broadcasts, and studio recording sessions. Most were originally recorded on
magnetic reels. Although the original reels reside in the collection, their contents have also been
transferred to audio-cassette tapes. The series also includes several LP recordings. Altogether,
the recordings offer a representative, although not a fully comprehensive, sampling of Ames’
music.
Sub-series A: LP Records
6
INVENTORY
Box 1
folder 5 Three Preludes for piano (Group I). 1939. 11 pp. of music.
folder 8 Three Preludes for Piano (Group 2). 1944. 11 pp. of music.
folder 9 Two Etudes for Piano (Group B). 1945. 11 pp. of music.
folder 10 Three Preludes for Piano (Group 3). 1946. 12 pp. of music.
folder 12 “The Wake of Wrath” for Piano (from Sonata in One Movement). 1947. 24 pp.
of music.
folder 15 Two Preludes for Piano (Group 3). 1948. 7 pp. of music.
7
folder 19 Random Sketches for Piano. 1974. 31 pp. of music.
folder 33 “Shadow Dance” from Evening Suite for Guitar. 1978. 4 pp. of music.
Box 2
folder 1 Rhapsody for Oboe and Piano. 1943. 23 pp. of music including oboe part.
8
folder 2 Suite for Cello and Piano. 1944. 40 pp. of music including cello part.
folder 3 “Dust of Snow” for Cello and Piano. 1944. 4 pp. of music including cello part.
folder 5 Sonata for Cello and Piano. 1948. 42 pp. of music. 2 copies of the cello part
enclosed.
folder 6 Sonata for Violin and Piano. 1952. 65 pp. of music including violin part.
folder 7 Sonata No. 2 for Violin and Piano (Bound). 1953. 51 pp. of music.
folder 8 Sonata No. 2 for Violin and Piano (Bound Copy #2). 1953. 51 pp. of music.
folder 9 Sonata No. 2 for Violin and Piano. 1953. 51 pp. of music.
folder 10 Sonata No. 2 for Violin and Piano. 1953. Cut concert version.
folder 11 Sonata No. 2 for Violin and Piano. 1953. 2 copies of the violin part.
folder 12 Sonata No. 3 for Violin and Piano. 1955. 36 pp. of music. 2 copies of the
violin part enclosed.
folder 13 Sonatina for Flute and Piano. 1957. 32 pp. of music. Flute part enclosed.
folder 15 Sonatina for Trombone and Piano. 1963. 35 pp. of music. Trombone part
enclosed.
folder 17 Sonata No. 2 for Flute and Piano. 1968. 23 pp. of music.
folder 20 Suite for Flute and Viola. 1969. 29 pp. of music. Flute part enclosed.
folder 21 Threnody for Flute and Piano. 1969. 11 pp. of music. Flute part enclosed.
folder 22 Sonatina for Double Bass and Piano. 1969. 35 pp. of music.
folder 23 Two Sketches for Flute and Bassoon. 1972. 16 pp. of music.
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folder 24 Two Pieces for Flute and Oboe. 1973. Parts.
folder 25 Duo for Flute and Viola. 13 pp. of music. Flute part enclosed.
folder 28 “Saturday Morning” for Trombone and Piano. 6 pp. of music. Trombone part
enclosed.
folder 31 Sketch for Flute and Violin. 6 pp. of music. Parts enclosed.
folder 35 Prelude and Dance for Violin and Cello. 7 pp. of music.
folder 39 Fantasy for Two Flutes. 5 pp. of music. 2 copies of the score enclosed.
folder 40 Untitled works for piano and unidentified melody instruments. 15 pp. of music.
Box 3
folder 1 Trio for Violin, Cello and Piano. 1952. 28 pp. of music. 2 copies of the score
enclosed.
10
folder 3 Trio for Flute, Oboe and Cello. 1957. 51 pp. of music.
folder 5 Trio for Violin, Viola and Cello. 1958. 25 pp. of music.
folder 7 Trio No. 2 for Violin, Viola and Cello. 1964. 65 pp. of music.
folder 9 Trio for Oboe, Violin and Cello. 1966. 88 pp. of music.
folder 11 Threnody for Flute, Viola and Piano. 1969. 36 pp. of music.
folder 12 Composition for flute, viola and piano. 1969. Flute and viola parts.
folder 13 Trio for Flute, Violin and Viola. 1970. 26 pp. of music.
folder 15 Emanation for Flute, Viola and Piano. 1970. 46 pp. of music.
folder 16 House Celebration Piece for Flute, Cello and Piano. 1972. 11 pp. of music. 2
copies of the score enclosed.
folder 18 Untitled trio for flute, oboe and bassoon. 1973. Parts.
Box 4
folder 1 Trio for Violin, Cello and Piano. 35 pp. of music from the score and sketch.
folder 2 Ode for Flute, Cello and Harp. 19 pp. of music from the score and sketch.
folder 3 Incantation for Flute, Violin and Viola. Violin and viola parts.
11
folder 7 Trio for Flute, Oboe and Harpsichord. Parts.
folder 8 Trio for Flute, Oboe and Bassoon. 33 pp. of music from sketches.
folder 9 “Midnight Happenings” for Flute, Oboe and Bassoon. 34 pp. of music from two
copies of the score.
folder 11 Colloquy for Flute, Oboe and Viola. 12 pp. of music from score and parts.
folder 14 Little Suite for String Trio. 30 pp. of music from 2 copies of the score and
sketches.
folder 16 Scotch Folk Songs for Violin, Cello and Piano. Incomplete parts.
Box 4
folder 21 String Quartet No. 3 “Declamation.” 1946. 30 pp. of music from two copies of
the score.
12
folder 26 Rhapsody for String Quartet. 1947. Parts.
folder 27 String Quartet No. 5. 1948. 60 pp. of music. 2 copies of the score enclosed.
Box 5
folder 1 Quartet for Piano and Strings. 1950. 119 pp. of music.
folder 2 Quartet for Piano and Strings. 1950. 64 pp. of music. Movements 1 and 2 only.
folder 8 Quartet for Oboe, Violin, Viola and Cello. 1958. 43 pp. of music. 2 copies of
the score enclosed.
folder 9 Quartet for Oboe, Violin, Viola and Cello. 1958. Parts.
folder 10 Quartet for Oboe, Violin, Viola and Cello. 1958. Additional parts.
folder 15 Two Movements for Four Bassoons. 1963. 22 pp. of music. 2 copies of the
score.
13
folder 19 String Quartet No. 7. 1969. Parts.
Box 6
folder 2 “Apparition” for Flute, Violin, Viola and Piano. 1970. 23 pp. of music.
folder 4 “Cummings Lane” for Flute, Oboe, Clarinet and Cello. 1984. 34 pp. of music. 2
copies of the score and sketches.
folder 6 Suite for Flute and Percussion. 41 pp. of music from the score and sketch.
folder 9 Quartet for Flute, Oboe, Clarinet and Cello. 35 pp. of music.
folder 11 Outdoor Suite for Flute, oboe, Clarinet and Cello. 20 pp. of music.
folder 14 Works for guitar, bass, drums and piano. 10 pp. of music.
folder 16 Movement for Violin, Viola, Cello and Piano. 21 pp. of music.
14
Sub-series E: Works for five instruments
Box 7
folder 1 Quintet for Piano and Strings. 1935. 103 pp. of music.
folder 2 Quintet for Piano and Strings. 1935. 130 pp. of music.
folder 4 Quintet for Clarinet and Strings. 1938. 111 pp. of music.
folder 6 Woodwind Quintet. 1939. 120 pp. of music. 2 copies of the score.
folder 10 Quintet No. 2 for Piano and strings. 1953. 88 pp. of music.
folder 14 “Lane’s End” Quintet for Flute, Oboe, Clarinet, Cello. 1984. 47 pp. of music.
Box 8
folder 1 Untitled woodwind quintet. 64 pp. of music from the score and sketch.
folder 2 Prelude and Dance for Four Cellos and Double Bass. 22 pp. of music.
15
folder 4 Untitled quintet for percussion. 11 pp. of music.
folder 5 “Two Planets in Conference” Quintet. 34 pp. of music from the score and sketch.
Box 8
folder 9 Suite from Brass Sextet. 1984. 24 pp. of music. Parts enclosed.
folder 10 Concertante for Oboe, Viola and String Quartet. 75 pp. of music from the score
and sketches.
Box 9
16
folder 3 Composition for Ten Instruments. 1961. 73 pp. of music.
folder 8 Piece for brass choir, tympani and organ four hands. 1972. 35 pp. of music.
Box 10
folder 4 Rigmarole for Soprano and Winds. 1949. Text by William Carlos Williams. 8
pp. of music. 2 copies of the score enclosed.
17
folder 5 Rigmarole. 1949. Parts for flute, oboe, clarinet, and bassoon.
folder 6 November Night Song Cycle. 1951. Text by Adelaide Crapsey. 14 pp. of music.
2 copies of the score enclosed.
Contents: November Night; Susanna and the Elders; The Guarded Wound;
Amaze; and, The Warning.
folder 7 “Among the Gods” for soprano, clarinet, two violins, viola, and ‘cello. 1955. 13
pp. of music and parts.
folder 8 “Junk” for tenor or soprano and 8 ‘cellos and percussion (tympani, bass drum,
gong, cymbal, triangle, and xylophone). 1962. Text by Robert Wilbur. 27 pp. of
music.
folder 9 “Summer’s Elegy” for high voice, violoncello, and piano. 1963. Text by Howard
Nemerov. 12 pp. of music. Two copies of the score and parts enclosed.
folder 10 “The Chamber” and “The Gardens Heart” for mezzo soprano. 1973. 16 pp. of
music. Arrangement for piano and voice.
folder 11 “The Chamber” and “The Gardens Heart” for mezzo soprano. 1973. String parts.
folder 14 “Haiku Poems” for soprano, flute and piano. Text by Margo Gross. 32 pp. of
music.
folder 15 Three Songs for high voice, clarinet and cello. 16 pp. of music.
18
Contents: August Night (text by Elizabeth Harrod); As Birds are Fitted to the
Bough (text by Louis Simpson); and, Bears (text by Adrienne Rich).
folder 16 “Me” for voice, flute, oboe, clarinet, and cello. 16 pp. of music. 2 copies of the
score.
folder 18 “A White Moth Flew.” 1965. And, “I Know Not These My Hands.” 1965. Texts
by Adelaide Crapsey. 5 pp. of music.
folder 19 Random sketches for voice, flute, oboe, and clarinet. 6 pp. of music.
Box 11
folder 1 Two songs for soprano and tenor. “Sand Paintings” (text by Alice Corbin); and,
“Outwitted” for soprano and tenor. 1947. 10 pp. of music.
folder 2 Psalm 131 for women’s voices and piano. 1944. 14 pp. of music. 2 copies of
the score.
folder 3 “The Sound of the Trees” for two sopranos, two altos and piano. 1945. Text by
Robert Frost. 8 pp. of music. Arrangement for two voices and piano also
enclosed.
folder 4 Psalm 13 for women’s voices and piano. 1946. 15 pp. of music.
folder 5 Psalm 24 for mixed voices a cappella. 1947. 12 pp. of music. 2 copies of the
score.
folder 6 Psalm 125 for women’s voices and organ. 1947. 12 pp. of music. 2 copies of
the score.
folder 7 “The Three Sons” for two sopranos, alto and piano. 1947. 6 pp. of music. 2
copies of the score.
folder 8 “Dance to your Daddy” for two sopranos, alto and piano. 1947. 4 pp. of music. 2
copies of the score.
folder 9 “Salute” for a cappella women’s chorus. 1948. Text by Archibald MacLeish. 15
pp. of music.
19
folder 10 “Sing, O Daughter of Zion” for women’s voices and organ. 1948. Text:
Zephaniah 3:14-17. 14 pp. of music.
folder 11 “Oread” for men’s voices and brass choir. 1950. 12 pp. of music.
folder 12 Psalm 117 for women’s voices and organ. 1953. 13 pp. of music.
folder 13 “Agnus Dei” for mixed voices a cappella. 1960. 4 pp. of music.
folder 14 Three Irish Folk Songs for mixed chorus and piano. 1962. From Songs of the
Irish Gaels, ed. Margaret Hannagan. 32 pp. of music.
Contents: Young Charlie; Lament for Owen Roe O’Neill; The Maid of the
Branching Tresses.
folder 15 “An Essay on Man” and “May Night” for 2 voices and piano. 4 pp. of music. 2
copies of each song.
folder 16 Mors Dei for mixed voices a cappella. Text by Lokar Raley. 42 pp. of music.
Ozalid masters.
folder 17 Mors Dei for mixed voices a cappella. 42 pp. of music. Printed copy, spiral-
bound.
folder 18 Claritas for soprano, alto, women’s chorus and piano. Text by Denise Levertov.
24 pp. of music. Sketches and 2 copies of the score also enclosed.
folder 19 “The Lord is in His Holy Temple” for mixed voices. 6 pp. of music.
folder 20 Agnus Dei. Anthem for mixed voices. 7 pp. of music. Accompanied by the
individual vocal parts.
Box 12
20
folder 6 Untitled sketches for piano, bass, drums and other.
21
folder 30 “Reyna’s Song.”
22
Series 2: Large Ensemble and Operatic Scores and Sketches
Box 13
folder 5 Nocturne and Scherzo for 2 Pianos and String Orchestra. 1942. 18 pp. of music.
folder 6 Nocturne and Scherzo for 2 Pianos and String Orchestra. 1942. Parts.
Box 14
folder 1 Concerto for Piano and Orchestra. 1949. 104 pp. of music.
folder 2 Concerto for Piano and Orchestra. 1949. 104 pp. of music.
folder 3 Concerto for Piano and Orchestra. 1949. Two-piano reduction. 79 pp. of
music.
folder 4 Concerto for Piano and Orchestra. 1949. Two-piano reduction. 79 pp. of
music.
23
folder 7 Rhapsody No. 2 for Orchestra. 1951. Parts.
Box 15
folder 4 Prologue for String Orchestra and Tympani. 1957. 14 pp. of music.
folder 9 Prelude for String Orchestra. 1962. 6 pp. of music. Parts included.
24
folder 15 Night Sounds for Orchestra. 1969. Parts.
Box 16
folder 6 The First Point of Aries for Mezzo-Soprano and Orchestra. 28 pp. of music.
folder 7 The First Point of Aries for Mezzo-Soprano and Orchestra. Parts.
Box 17
folder 1 Granite and Cypress for Mixed Chorus and Orchestra. 1948. 61 pp. of music.
folder 2 Granite and Cypress for Mixed Chorus and Orchestra. 1948. Parts.
25
folder 8 Dream Vault for Mixed Ensemble. 1982. Sketch.
Box 18
folder 9 Excursion 4 and 5 for Orchestra. 28 pp. of music. Sketches also enclosed.
26
folder 13 Coastal Dunes Memory for Orchestra. Sketch.
Box 19
folder 1 Harwood Hill for oboe and four cellos. 1984. Parts.
folder 2 Harwood Hill for oboe and four cellos. 1984. Sketch.
folder 10 Canticles for Two Pianos and Percussion. 31 pp. of music. Sketch.
27
folder 11 Canticles for Two Pianos and Percussion. Parts.
folder 12 Impromptu I for string quartet and mixed ensemble. 9 pp. of music. Sketch.
folder 14 Rhapsody for Woodwinds, Cello and String Quartet. 5 pp. of music.
folder 15 Impromptu No. 2 for woodwinds and strings. 4 pp. of music. Sketch.
folder 17 Preamble for Flute, French Horn and Percussion. 12 pp. of music.
folder 18 Three Songs for Voice, Flute, Horn and Percussion. 17 pp. of music.
folder 19 Three Songs for Voice, Flute, Horn and Percussion. Parts.
Box 20
folder 11 New York after Midnight for wind ensemble. 17 pp. of music.
28
folder 13 “Berger Work” for orchestra. 16 pp. of music.
Box 21
folder 2 Augurs: Opera in One Act. 1959. 96 pp. of music. Two-piano reduction.
folder 3 Augurs: Opera in One Act. 1959. 97 pp. of music. Two-piano reduction.
folder 4 Augurs: Opera in One Act. 1959. 52 pp. of music. Piano reduction.
Box 22
Box 23
Box 24
29
Series 3: Theatre, Film, and Dance Scores and Sketches
Box 25
folder 1 Main theme from the film Philip Evergood. 1952. 12 pp. of music.
folder 2 Introduction from the film Philip Evergood. 1952. 7 pp. of music.
folder 3 “Lazarus” from the film Philip Evergood. 1952. 13 pp. of music.
folder 4 Incidental music to Henry IV. 1962. 23 pp. of music. Score, 2 copies.
folder 6 Background Music for Act 2 of The Mad Woman of Chaillot. 1967. Flute part
only.
folder 7 Ode for Flute (Prologue to The Phoenix). 1968. 4 pp. of music.
folder 8 Entr’ Acte Pieces for Flute and Oboe. 7 pp. of music.
Box 25
folder 9 “Where is it?” and “On a Cracked Mirror.” 1955. 9 pp. of music.
folder 14 “Reach for the Wind”, “Circle” for piano. 1960. 9 pp. of music.
30
Series 4: Personal Papers
Box 26
folder 1 Address books (2), and a diary (kept on a Mead spiral-bound memo book, into
which Ames jotted details over 18 months of his life)
Contents:
(A) Four photographs. William Ames, ca. 1930, B&W; William Ames outdoors
in winter, undated, B&W; William Ames in his mature years, undated,
color (2).
(D) Notes in Mr. Ames’ hand about his life chronology and his musical education
(7 leaves, manuscript)
(F) List in Mr. Ames’ hand of his compositions and their first performances (9
pages, manuscript)
(N) Notes in Mr. Ames’ hand in preparing a list of first performances (4 leaves)
31
folder 3 Reviews and articles about William Ames.
Contents:
“The Music of William Ames” and, “An Interview with William Ames.”
Woodstock Times, June 5, 1975
Two reviews of performances of his music. Woodstock Times, July 22, 1976 and
November 25, 1976.
folder 4 Programs.
Represented are performances of works by Mr. Ames between 1958 and 1992.
folder 5 Poems by friends and by others (numerous leaves, typescript and manuscript)
folder 6 Lists of books, recordings, and other possessions. Compiled by Marcia Sloane
(numerous leaves, typescript and manuscript)
folder 9 Correspondence.
Contents include letters to and from publishers, including the firms Lawson-
Gould, Henri Elkan, Theodore Presser, Summy-Birchard, Southern Music, Frank
Music, and others; and also from various musical agencies and organizations,
including the Paul Taylor Dance Company.
Box 27
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folder 2 The Marcia Sloane Catalogue of Ames’ Work. March 1st, 1993.
A catalogue of Mr. Ames’ manuscripts and other personal effects, compiled by
Marcia Sloane on behalf of the Estate of William Ames while the collection yet
resided in California.
Sub-series A: LP Records
Box 28
item 2 Works of William Ames. Contents: Composition for Ten Instruments; Psalm 24;
Sonata for Cello and Piano; and, Piano-Percussion Sketches. Privately made.
item 4 Works of William Ames. Contents: Trio for Flute, Viola, and Piano; Phantasm
for Piano; and, Threnody for Flute and Piano. Privately made.
item 5 Folio #1 of 78 rpm discs. Contents: Suite for Cello and Piano; Pygmalion; Songs
for Contralto Duet; Prelude Sanctus; Sonata for Cello and Piano; and, Rhapsody
and Songs. Privately made.
Box 29
folder 1 Folio #2 of 78 rpm discs. Includes Concerto for Clarinet and Orchestra,
Prologue for flute and String Orchestra, Procession for Band, Movement for
Woodwind Quintet, Piano Quintet No. 1, Quartet for Oboe and Strings, etc.
folder 2 Folio #3 of 78 rpm discs. Includes Trio for Flute, Oboe, and Cello, Trio for
Violin, Viola and Cello, Trio for Violin, Cello and Piano, Sonata for Violin and
Piano, and Sonata for Cello and Piano.
33
Sub-series C: Audio-cassette Tapes
Box 30
item 1 Tape 1. Apparition; Quartet for Flute, Violin, Viola and Piano; and, Threnody
for Flute and Piano.
item 2 Tape 2. “Stopping By the Woods on a Snowy Evening,” “Blue Butterfly Day,”
“Now Close the Window,” “Autumn” and “Freedom of the Moon.”
item 3 Tape 3. Threnody for Flute, Viola and Piano; and, Trio for Flute, Violin and
Viola.
item 4 Tape 4. Unknown work for violin and piano; Movement for Woodwind Quintet;
and, Trio for Violin, Cello and Piano.
item 5 Tape 5. Compositions for Modern Dance featuring flute, percussion, and piano;
and music from the film Philip Evergood, The Jester I-IV.
item 8 Tape 8. Piano Improvisation; Piece for Small Ensemble; Five Pieces for 2
Recorders; Piece for Women’s Chorus and Flute.
item 9 Tape 9. Prologue for Flute, French Horn, Timpani and Strings; and, Waltz for
Small Orchestra.
item 10 Tape 10. Piano Percussion Sketches; and, Phantasm for Piano.
item 12 Tape 12. Rigmarole for Tenor, Flute, Oboe, Cello and Bassoon; and, Psalm 24
for mixed voices.
item 13 Tape 13. Rigmarole; Among the Gods; The Pool; “Stopping By the Woods on a
Snowy Evening;” “Blue Butterfly Day;” “Now Close the Windows;” “Autumn;”
“The Freedom of the Moon;” and, “Summer's Elegy.”
item 15 Tape 15. Quartet for Piano, Violin, Viola and Cello.
item 16 Tape 16. Trio for Violin, Viola and Cello; and, String Quartet No. 5.
34
item 17 Tape 17. String Quartet No. 6; and, Rhapsody for String Quintet.
item 18 Tape 18. The Tree of Bane; Two Preludes for Piano; Rhapsody for Piano; The
Darkness Rolls Upward; Pygmalion; Now Close the Windows; Star Moss; A
Patch of Old Snow; Meeting, and, Rapid Transit.
item 19 Tape 19. Trio for Flute, Oboe and Cello; Six Songs; String Quartet #6; and,
Summer’s Elegy.
item 20 Tape 20. Piece for Flute, Oboe, and Bassoon; 2 Pieces for Flute and Oboe; 2
Sketches for Flute and Bassoon; Ode for Flute; Piece for Piano; Prelude for
String Trio; Two Pieces for Flute, Oboe and Piano; etc.
item 21 Tape 21. String Quartet No. 6; Composition for Ten Instruments; Declamation
String Quartet; 2 Invocations for Piano; and, assorted songs.
item 22 Tape 22. Composition for Ten Instruments; Psalm 24; Sonata for Cello and
Piano; Piano Percussion Sketches.
item 3 Tape 23. Composition for 10 Instruments; Psalm 24; Sonata for Cello and Piano;
and, Piano Percussion Sketches.
item 24 Tape 24. The Wake of Wrath; and, Suite for Cello and Piano.
item 25 Tape 25. Sonata No. 2 for Violin and Piano; Movement for Woodwind Quintet;
and, Concerto for Clarinet and Orchestra.
item 27 Tape 27. Allegro and Scherzo for Band; and, Procession for Band.
item 28 Tape 28. Augurs; and, Music from The Madwoman of Chaillot.
item 29 Tape 29. Concerto for Clarinet and Orchestra; and, Composition for Ten
Instruments.
item 30 Tape 30. Concerto for Clarinet and Orchestra; and, Studies for Piano
Percussion.
item 32 Tape 32. No City; Dream Pang; Miscellaneous Studies for Piano and
Percussion; and, Piano Improvisations.
item 33 Tape 33. Piano Percussion Sketches; and, Piano Percussion Scenes.
35
item 34 Tape 34. Piano Percussion Sketches Series 2 and 3.
item 35 Tape 35. Piano Percussion Sketches Series 3; Studies for Piano and Percussion;
and, 3 Pieces for Dance.
item 36 Tape 36. Short Modern Dance Works for Piano; Flute and Percussion;
additional dance works; and, Piano Improvisations.
Box 31
item 2 Tape 38. Music for Ballet Movements; and, Dance Workshop Music for
Percussion and Piano.
item 4 Tape 40. Compositions for Modern Dance; and, unknown works for oboe and
clarinet, for cello and piano, and for violin and piano.
item 8 Tape 44. Piano Improvisations; Excursion II; and, unknown work for vibes and
piano.
item 9 Tape 45. Piano Improvisations; unknown song; String Quartet No. 6; Excursions
II, III, and IV; and, Ode No. 4 for Flute, Violin and Cello.
item 10 Tape 46. Ode No. 4 for Flute, Violin and Cello; Cummings Lane for Flute, Oboe,
Clarinet and Cello; Songs with texts by Rachel Rice; and, Lane’s End for Flute,
Oboe, Clarinet, Cello and Piano.
item 11 Tape 47. Trio for Violin, Cello and Piano; and, Sonata for Violin and Piano.
36
item 16 Tape 52. Contents unknown.
Box 32
items 1-13 Thirteen 7-inch reels. Contents are either unknown or else were previously
transferred to audio-cassettes. A detailed assessment of the reels is provided in the
Sloan catalogue housed in Box 27.
Box 33
Box 34
Box 35
Box 36
Box 37
Box 38
Box 39
37
items 1-12 Twelve 5-inch reels
Box 40
38