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Concerto for Flute and Orchestra

Western audiences owe a great debt to Aram Khachaturian for helping to make
them aware of the colorful folk music of the Caucasus . Though he does not employ
11 C.S
1.71'
actual folk melodies in his music, Khachaturian, who was born in Tiflis, Armenia, on
June 6, 1903, writes mostly in the semi-oriental manner that characterizes the folk
songs and dances of that area .
:lts
Khachaturian did not begin to study music until he was nineteen, when he
went to Moscow to live with his brocher . He studied cello, theory and composition
1 C~
at the music school operated by the composer Mikhail Gnessin, then, from 1929 to
1934, attended the Moscow Conservatory, where
=7t=
his composition teacher was
Nikolai Miaskovsky . Since that time, Khachaturian has been very active as a composer and as a conductor, principally of his own music .
'Khachaturian and his family spent the summer of 1940 near Moscow ; and
during a period of two and a half months, he composed his Concerto for Violin and
Orchestra . When he arrived, he already had the basic plan of the Concerto estab:III
lished in his mind . "I worked without an effort, sometimes my thoughts and
imagination outraced the hand that was covering the staffs with notes," he .recalled
=II
to his biographer, Grigory Shneerson . "The theenes came to me in such abundante
that I had a hard time of it putting them in some sort of order ."
I
When the eminent French flutist, Jean-Pierre Rampal, approached'Khacha~turffan to ask him to compose a concerto for flute and orchestra, Khachaturian
suggested that the Violin Concerto would be adaptable for flute . It was, therefore,
at the composer's own instigation that in 1968 Rampal made this transcription, at
the saure time providing his own cadenza as a substituts for the original violin
II
C
cadenza in the first movement . The orchestral accompaniment throughout the
SI
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Concerto remains unchanged .
.

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PAUL AFFELDER

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ARAM KHACHATURIAN
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