PhotoshopCreative 11 PDF
PhotoshopCreative 11 PDF
PhotoshopCreative 11 PDF
®
Photoshop Creative
Get to know
Photoshop
In the shadows
Expert tips for
Bring out photo details with
getting more from the Shadow/Highlight tool
this great program
Digital
50 e
EASY AS 1, 2, 3
makeover
Apply make up to
f
your portrait shots pages o
creatiiav
Moving pictures
– Photoshop style!
Free plug-in!
Use buZZ.Simplifier
to create art. Free
for every reader! Paint by
VISIT US ONLINE – WWW.PSHOPCREATIVE.CO.UK
Free
CD-ROM! Use Photoshop’s filters to create quick
and easy paintings – no skill required!
70+ High quality stock photos
25 Handwritten fonts
Hundreds of brushes
10 Natural textures ISSUE 11
ISSN 1747-7816 £6.00
9 771747 781002
www.pshopcreative.co.uk
Welcome A glimpse
Use buZZ Simplifier to
create art
page 50
I have a little confession to
of what’s in make: I can’t paint. Over the
store this years I’ve tried desperately
to unlock the stubborn right
issue… side of my brain and unleash
the talent I know has to
be there, but to no avail. I
can copy images and maybe even do the odd
watercolour, but instead of gleefully slapping on
paint in confident strokes, my artistic style is
like someone trying to hobble across a cobbled
street in a Zimmer frame – slow and awkward.
Simulate graduated colour
Which is one reason I love Photoshop so much
photo filters
page 36 Mission Statement – I don’t need to be able to draw! If I can take
Here at Photoshop Creative, we a picture of something I can make it into art.
promise to always give you the best Our digital painting tutorials each issue have
selection of resources to help improve
your Photoshop skills. Whether it’s hopefully shown what can be achieved with
in-depth guides to tools and the program, but if you find these a bit tricky
techniques, or showing how to create or you just want something quick, Photoshop’s
a work of digital art, we’ll make sure
the information you get is accurate filters are all you need to create your own
and informative. We want you to get artwork. Filters have had some bad press, but
the optimum Photoshop experience,
and have as much fun using the
the truth is you can create beautiful images just
program as we do putting the by pushing their sliders about. Don’t believe
magazine together. us? Turn to page 16 where we reveal which
filters will add an arty look to your photos, and
see how we tackled three images to give very
different effects. You can also learn how to use
the Liquify tool to create facial expressions, how
to make a photo filter in Photoshop, and how
to create a sketch animation in ImageReady.
Until next time…
PHOTOSHOP CREATIVE 03
contents
Complete list
What’s in this issue…
06 Contributors
Put a face to the writers’ names
you’ll see in the magazine
08 Creative forum
Share your thoughts and ideas
with other readers
10 Creative hub
16
Get the skinny on the best creative
sites, services and companies
Paint by
reader and see what they get up to
16 Feature: Paint
by numbers
numbers
We see if it’s possible to create
digital paintings just using filters
27 Tutorial intro
All the learning lined up this issue
74 Advice centre
Loads of advice and tips for getting
more from Photoshop
80 Next month
10 81
We lift the lid on what you can
expect next month
81 Creative reviews
Lovely software and peripherals to
get creative with
88 On the CD
Your complete, at-a-glance guide
to what resources are packed into
this issue’s free CD
90
74
Subscribe
Subscribe to Photoshop Creative
today and save up to 40%
94 Exhibit
Don’t be shy – show us what you
Creative hub Advice centre Creative reviews
can do in Photoshop The latest creative news Your questions answered Spend some money…
See which companies and Common Photoshop
98 Readers’ challenge
The new batch of photos waiting
individuals are making the
latest impact in the digital
problems solved and the
best online destinations for
Some tempting products
to help you get more from
Photoshop – whatever your
to be transformed by you imaging world tutorials and advice experience or budget
04 PHOTOSHOP CREATIVE
CD01
11
tutorials
Creative tutorials
Make great art today
50 Use buZZ.Simplifier
Every reader of the magazine can get a full
version of the buZZ.Simplifier plug-in. Use
50
this tutorial to see what it does…
64 ImageReady,
64 ImageReady, steady, go!
If you’ve never used ImageReady before,
steady, GO!
look here for an introduction to using it to
animate your still photos
94
images or creating a focal point
Technical tutorials
Understand your software
PHOTOSHOP CREATIVE 05
Podcast power Well Sienna, we won’t apologise for tipping really helped me out and solved a couple of
I wanted to write in and see if any other you off to the world of Photoshop podcasts niggles I’ve had with Photoshop.
readers subscribe to Photoshop podcasts? I because, as you rightly point out, they are a Whenever I get the magazine I always turn
think I may be getting addicted to them, and hive of useful information. They are also far to these pages first to see what other great
User: pixelgrrl
it’s all Photoshop Creative’s fault! I saw your more interesting than most radio stations! tips I can pick up. So thank you to whoever Post: Game of
news story on the Photoshop TV podcast In terms of favourites, there are quite a few writes them and keep up the good work! tennis anyone?
and now I can’t get enough of them! we really like. Matt Kloskowski’s Photoshop Killer Martin Grammer Since Wimbledon
has got me in the
There’s loads of them out there. Obviously Tips podcast is always full of great content, and mood for tennis, I
the quality varies, but it’s all good Photoshop the One Minute Tip offering is also very good Thanks for the compliment, Martin. The tips are was wondering if
fun. Do you have any favourites? for image-editing fans. But our favourite has provided by our Q&A genius, George Cairns. anyone out there
Sienna Tyler to be Photoshop TV, courtesy of The He’s been using Photoshop for years and would want to
set up a game of
Photoshop Guys. It’s funny, it’s informative years, so is more than qualified to share some Photoshop tennis
– and we got a mention in one of the enlightenment on the program. on my site? I only
episodes! Hoorah! need someone to
kick it off.
Boo to reviews User: feetfirst
I agree with what Persimmon Tsang said last Post: More
free photos!
issue about you keeping your reviews to a I saw the story
minimum. Include books by all means, but you did about that
please don’t feel you need to increase the Yotophoto site a
couple of issues
section. Tutorials are far more important! ago and I love it!
Niles Pearce I’ve bookmarked all
the sites it links to
but want to know
Okay, we promise that the reviews section will if there are more
not take up any more room! websites offering
free photos that
Tip top I can practise my
Photoshop skills
Take Photoshop knowledge with you wherever you go, thanks Hello, I just wanted to thank you for the tips Look out for more clever tips in each issue’s Q&A section on? Thanks.
to Photoshop podcasts in your Q&A section. Some of them have of Photoshop Creative
08 PHOTOSHOP CREATIVE
10 PHOTOSHOP CREATIVE
ADOBE LIVE
Free resources
from AKPro Photoshop CS3
Updates...
THIS
AK Productions Studios
offers visitors great
confirmed at Adobe Live MONTH IN
SHORT
tutorials and templates Tips and tricks and real-world inspiration wow the crowds as
New additions
ith around 3,000 forum Adobe hits London’s Olympia to the world
users and thousands of ros mixed with enthusiasts
of Photoshop
posts, AK Productions at Olympia 2 as Adobe Live
Studios (www.akpro.net) is enjoyed a third successful year
built round a small team of enthusiasts. of celebrating all things creative.
Aysar Khalid, AKPro Administrator, The two-day event saw thousands of visitors,
founded the site in 2003 as a personal with dozens of free events and seminars.
portfolio, but after a few false starts things Despite emphasis on the recent Macromedia
began to grow. Aysar set up a forum, and purchase, Photoshop featured heavily, with
as members joined many offered help, experts on hand to reveal their favourite tips.
and the range of resources began to Photographers Martin Evening, Chris Coe If you missed it this time, make sure you get to next year’s
Adobe Live if only to take advantage of the expert advice
expand. Aimed primarily at webmasters, and Nick Steven highlighted new features in
the site attracted Photoshop enthusiasts CS2 and Lightroom. Wacom evangelist Robin Adobe confirmed the planned launch of Filter Forge
thanks to great tutorials and downloads. Preston, a famed retoucher, wowed audiences CS3 for around May next year, within the usual plug-in beta
New content is added regularly, rated with a demo of the tablet’s ability to get the 18-month upgrade cycle, and reaffirmed Apple Filter Forge
on a scale of 1-10 for difficulty. The best from Photoshop. Third-party partners users will have to wait until then for an Intel has released
Canon, Nikon, HP and Apple were all present, native Mac version of Photoshop. Adobe will a public
and there was a chance to bag a bargain from continue to support GoLive and FreeHand, but beta version of Filter
the large range of Focal Press publications. Dreamweaver and Illustrator will take priority. Forge, a high-end
plug-in for Photoshop
letting users build their
EXPOSURE own filters including
textures, visual effects,
distortions, patterns
and backgrounds. Visit
www.filterforge.com
for a download and the
ILLUSTRATIONMUNDO free online library of
Check out AKPro’s free brushes at www.akpro.net www.illustrationmundo.com user-created filters.
Submit your work to the illustrator
selection of great ‘Extreme Template’ database of this excellent site so people
tutorials explains how to perfect can find you via your medium, style and
web banners and graphics achieving work categories. There’s free advice
professional results – skills that could earn and Q&A sessions with illustrators and
you an income. Free brushes include those who commission the work, as well
snazzy web icons, computer tech-style as the usual forum for illustration-related
chat. With lots of bright and brilliant Photoshop
graphics, and vector-style people with
around 60 brushes in some sets.
work on display there’s plenty to inspire! updated to 9.01
Aysar leads the staff, manages and If you’re a CS2
RETOUCHPRO user it’s time
writes content, and does a lot of coding
www.retouchpro.com to check those
and design work: “AK Productions Studios updates. Adobe has
With 25,000 members, this is a great
is a global digital art and design group, fixed many bugs with
forum to display Photoshop creations.
providing a directory of free webmaster An army of regulars offer advice, this upgrade, including
resources including high quality tutorials,” challenges flex creative muscles, and application hanging,
he says. “We also offer downloads discussions include tips, tutorials, runtime errors, issues
with palettes, text
like Photoshop brushes, patterns and help with scanning, printing, colour
management, the best plug-ins and layers, speed and
styles.” With plans to expand the site overall performance.
and resources over the summer, Aysar is apps. Work on display is a real mix,
so you won’t feel left out if you’re new. www.adobe.com/
looking for new staff to join his team. support/downloads
PHOTOSHOP CREATIVE 11
Make a At a loose end? Here are the must-see events coming your way
date SUPERCHARGED PHOTOSHOP AND TYPECON2006: THE BOSTON T LEAPING INTO DIGITAL WORKSHOP,
16-22ND
JULY
9-13TH
AUGUST
13TH
AUGUST
BRIDGE Participants in this Santa Fe, PARTY If fonts are your thing you’ll ROCKPORT, MAINE Award-winning photo-
New Mexico workshop with Scott Kelby love this conference presented by the journalist Bob Sacha leads a week of training
learn techniques used by leading pro Society of Typographic Aficionados, showing how going digital helps workflow
photographers. Intermediate Photoshop now in its eighth year at the Hyatt and rejuvenates passion for the image-
users visit www.santafeworkshops.com Regency Boston. www.typecon.com making process. www.bobsacha.com
ONLINE TUTORIALS
Two of
the best… World’s bestselling Photoshop
author goes back to school
FREE
IMAGE
HOSTING
NAPP’s Scott Kelby offers new
online class for those in a hurry
ational Association of Photoshop
Professionals (NAPP) President,
Scott Kelby, has launched a fun
and informative training course
aimed at those with busy lifestyles.
ImageShack All Scott asks is that you spend five minutes
www.imageshack.us a day watching his tutorials over a 21-day
To showcase course. The sessions are quick, easy and to the
work on sites point, without boring theory or jargon. Scott,
like Myspace, recently rated bestselling Photoshop author in Photoshop online training for busy people should be popular Benefit from Scott’s wisdom with his online course
galleries or message the world, covers the basics from fixing photos
boards, blogs or to correcting colour, sharpening and adding photo you’ll be working with, along with a www.photoshoptraining.com, with more
journals, try using free
time-enhancing automation to your workflow. PDF outline of that day’s class, complete with a classes planned. Scott’s co-hosts of the Adobe
video and image hosting
sites like ImageShack. With 60 days’ access to your online training bonus tip and a list of shortcuts. Photoshop TV podcast (www.photoshoptv.
You can upload, link and class, you can afford a holiday or a quick break Costing $69.99 ($39.99 for NAPP members) com), Dave Cross and Matt Kloskowski, will also
share images/videos around the bike sheds. You can download the you can sign up or watch the free demo at be adding lessons to the classroom.
including on your own
ImageShack PhotoBlog.
An ImageShack toolbar FREE FONTS
wish list
from your desktop to
the posting fields.
The search for free quality fonts continues, with the best Pure material
collected on one outstanding blog delight…
italy Friedman from Saarbruecken PHOTOFRAME PRO 3
has struck gold in his search for the PHOTOSHOP PLUG-IN
best free quality fonts on the web. New from onOne Software, PhotoFrame Pro
TinyPic.com reaches version 3 with a major update and
www.tinypic.com The German web designer began
thousands of new frames to add artistic flair
the task on his blog (www.alvit.de/blog) some
Owned and to Photoshop work. Create realistic frames,
operated by months ago, but quickly gained a following unique edge effects or select the Random
Photobucket. from font fans eager to pick up some of the Frame Generator to combine several effects.
com, TinyPic.com is best, most elegant free fonts. “Beautiful and
another free hosting professional fonts are quite expensive, and it WE WANT IT BECAUSE…
site with the potential may be a problem to find the best price-quality
to ease bandwidth Maker of respected
solution,” says Vitaly. “So I looked on the Net for plug-ins, onOne
concerns. You can
browse, search and
some nice free quality fonts, and presented the Software scores
view images, and don’t result of my research to readers of my blog.” another hit. Simple
even have to log in. Vitaly confined his search to licence-free and intuitive, a built-
As with all free image fonts he could use in his projects, removing in frame browser
hosting sites, check and multi-frame
any he found to be copyrighted. The cache also a must for web designers, with tips on
everything is free of preview offer added
gives a real professional look to personal creating simple and accessible designs. “I have simplicity and
copyright and unlikely
to upset anyone with
and commercial projects. Vitaly has linked connections with typo-designers willing to functionality. Around $159.95, or download a
regards to decency. many sites covering similar quality fonts, and share work. Maybe it’ll be interesting to have a 30-day trial at www.onOnesoftware.com.
his readers have added a few. The blog is competition, where people can offer fonts.”
12 PHOTOSHOP CREATIVE
With Photoshop
books, websites,
training videos and
THE STORY BEHIND… design awards all
under his belt, Colin
Colin Smith Smith is a master of
the application
olin Smith began as a You’ve spoken at many conventions What Photoshop tool do you value most?
corporate designer and is and expos including the deviantART Layers – they keep getting better with features
founder of PhotoshopCAFE, Summit in 2005. Do you have any plans such as adjustment layers, masks, blending
one of the best-known to lecture at other events in future? modes, clipping groups, Smart Objects and the
Photoshop sites. His skills are Yes I do. I enjoy speaking and teaching, ability to select multiple layers. A close second
superior, and he is author of a vast selection and attend as many events as my schedule is Channels, allowing you to tweak things.
of books, tutorials and training videos. permits. I feel it’s my responsibility to give
PhotoshopCAFE includes fantastic features back some of the knowledge I have gained. Where do you get your inspiration from?
and even integrates videos into the tutorial Movies, magazines, books and the web. I also
section. Colin has also created the Photoshop How did you begin experimenting with love to travel. It opens up the imagination.
Secrets Video training series, PhotoshopCD. digital creations and Photoshop?
com, lectured at conventions and contributed I used to work in a corporate environment Which project have you found most
Colin’s top to a variety of magazines. His design work using a variety of software, but Photoshop enjoyable and which most challenging?
five tips has won numerous awards, including three was my favourite because of its realistic I most enjoy creating 100 per cent Photoshop
Guru Awards and a nomination for the results. I began experimenting with creating pieces and don’t use Illustrator, photos or scans.
Photoshop Hall of Fame at Photoshop World photo-realistic illustrations because this was This is challenging as I have to push the tools,
2005. We caught up with Colin to find out a challenge. There were no tutorials available finding creative ways of using them. Sometimes
more about his work… for the effects I wanted to create, so it was I imagine I’m making something real, not an
like a puzzle. Each image still has its own image, and build it up piece by piece thinking
01 Take your
time! So In addition to the Photoshop tutorials challenges and I enjoy figuring out how to
create them in Photoshop.
how it reacts to light, shadow and environment.
many people rush their on your site, you’ve written books and
projects, trying to do produced videos. What do you think is Are there any areas you’d like to explore?
them in one sitting. You recently updated PhotoshopCAFE.
the best way to learn Photoshop? I’m currently experimenting with combining still
Practise with guidance. I try to prepare What main alterations did you make graphics, 3D, video, motion graphics and Flash.
02 Experiment.
Don’t just
follow a tutorial. Even
my books and videos to encompass each
individual learning style. I write in a simple
and do you plan to launch more sites?
I wanted it to be cleaner and faster but
when working on a way and teach so that the reader’s involved in not so plain it lost the Photoshop feel. The
project, try new things content had outgrown the old framework
creating something. People learn Photoshop
and write them down
so you don’t forget. by performing tasks they’ll use in their so I needed to find a way to organise it,
everyday careers and by working on projects making future updates easier. The first
thing I did was work on the navigation
03 Have a driving
hunger to
learn. Read as many
they’re passionate about and want to excel in.
interface, creating the entire layout in
Your work’s received numerous awards Photoshop and reworking it. I added a lot
books, magazines and to the site, including expanding the gallery,
tutorials as you can,
but what is your greatest achievement?
and watch DVDs. Accomplishing personal goals. If you stick at news, reviews and breaking the tutorials
something you can do whatever you set your into six categories. The tutorials pages were
04 Practise. In
Photoshop
the more you practise
mind to. I’m lucky to work at what I love.
Finding a balance is important. I have many
redesigned to resemble recipes. I’m happy
with the direction of the site and plan
irons in the fire: designing, photography, to add new features. I intend launching
the better you’ll get.
writing, running the site and creating videos. more sites which will be announced on
There was a time when all I did was work. I PhotoshopCAFE. I’m targeting pixeloverload.
05 Explore.
Don’t ignore think that was necessary to get started, but com, my Flash-based design portfolio which
desperately needs a redesign.
Colin enjoys experimenting with Photoshop in order to
new features! also feel it’s important to have balance in life. create photo-realistic illustrations
WEB | SEE MORE OF COLIN’S WORK AND GET LOADS OF INSPIRATION FROM WWW.PHOTOSHOPCAFE.COM
PHOTOSHOP CREATIVE 13
A
the Photoshop Creative forum that’s about it. I’d recommend anyone trying to
(www.pshopcreative.co.uk/ get into Photoshop to check out some tutorial
forum) may already have sites such as pixel2life.com.
seen some of Simon’s work,
or at least seen his postings. What do you enjoy most about the program?
Going by the name of revjessecuster, Simon It’s a fantastic program for anything from small
is an endless source of Photoshop advice and changes like the ‘Pleasantville effects’ to huge
inspiration. We contacted the good Reverend to manipulations such as transforming people into What would you say is you favourite
find out more about his work, what inspires him supernatural creatures or hybrid animals. It’s Photoshop tool?
and how Photoshop fits into the equation. given me such creative freedom – much more My favourite tool is probably the Pen tool.
than I could achieve with pen and paper (or It’s fantastic for cutting items out of pictures
Why did you start using Photoshop? scissors, glue and a stack of old photos). – giving far greater control than the Lasso tools,
I was introduced to a website called B3ta.com as well as being very useful for making shapes.
and subsequently another site called tattyworld. How would you describe your art? It’s an extremely powerful tool and I think I’d be
org – these sites featured lots of pictures that As photo-manipulations, I mainly do horror, lost without it.
had been made using Photoshop. It amazed the macabre and fantasy, although recently I’ve
me what people could do using simple effects been interested in ‘vector’ type pictures. What’s the most useful Photoshop tip you’ve
Make yourself and a bit of skill. I also set up my website www. ever learnt?
known! pompeysworst.co.uk to show of my work. What image are you most proud of? The tip that gave me the most help ever was to
If you would My most recent images that I’m proud of would learn Layer Masks. You would think just being
like to be How did you learn to use it? be Banshee, Nebular (above) and Sax (right). I able to remove or bring back items in a picture
featured in I found lots of tutorial sites on the web that like Banshee for the dark supernatural feel. With wouldn’t be that great – after all, you’ve got the
these pages, send gave me a good idea of how to use Photoshop Nebular it took me a while to make – I had to
us an email to pcr@
Eraser and Undo – but masks give such control
as well as create good effects. Obviously, like create a new way of working, building up clouds over what is shown and what isn’t. I wouldn’t
imagine-publishing.
co.uk with a few lines most people, at first I was amazed by the filters as well as using the Smudge tool, while trying to have progressed without them.
about who you are and and what could be achieved just at the touch give it a 3D feel. Sax was one of my new ‘vector’
what sort of Photoshop of a button. These days I don’t really use a lot of images. I’m proud of it because of its simple If you’d like to see more of Simon’s work, pay a
work you do. filters – blur, clouds and displacement maps are clean nature. visit to www.pompeysworst.co.uk.
Deconstructing an image
Get to the bottom of one of Simon’s images
notes | don’t be shy, get in touch and reveal a bit about your working practices to other readers
14 PHOTOSHOP CREATIVE
Sax (right)
I liked the idea
of musical notes
coming out as
butterflies, stars and swirls. I
wanted to keep parts of
the picture real and other
parts manipulated.
Kneeling print
(below)
I wanted the central
Half stroke figure to be striking
The but faceless; on her right is
inspiration a slightly transparent person
for this came representing hope reaching
from a trailer to the out to her. The plants circling
Fantastic Four movie both figures are a barrier,
(which ironically I still pulling them apart.
haven’t seen!) when
the invisible girl first
becomes invisible. A
tutorial for this is on
my website.
Out of
bounds
You can
clearly see
Simon’s love
PHOTOSHOP CREATIVE 15
Paint by
numbers
16 PHOTOSHOP CREATIVE
You can just apply one filter (left) but for more realistic effects, build up multiple filters (right)
PHOTOSHOP CREATIVE 17
Pastel
also click an eye icon to hide/view a filter so
you can get an accurate assessment of what
needs to be added or removed.
18 PHOTOSHOP CREATIVE
Tip
When using
the Rough
Pastels filter,
try and hang back on
the Relief slider. The
higher it goes the more
07
pull-down menu, make sure Canvas is Cloudy day With your colours selected, ‘strokes’ will be. You’ll
selected and then set Scaling to 90%. Set Relief to 7.
If you set Relief too high, you will get lots of diagonal
lines that look a little too perfect for a pastel
06 The final touch Back in the main
Photoshop interface, double-click on
the Foreground square to access the Color Picker
create a new layer and go to Filer>Clouds.
Set the blending mode to Multiply and lower
end up with uniform
diagonal lines, which
the Opacity slider to 20%. This darkens the whole isn’t a trademark of the
painting. Make sure Light is set to Top and leave and choose a really dark blue. Double-click on the picture slightly and the cloudy pattern gives the pastel style!
Invert unchecked. Now click OK. Background square and pick a mid blue. impression of hand smudges.
PHOTOSHOP CREATIVE 19
About half of the filters are accessed from the Filter Gallery,
but some will bring up their own dialog window
20 PHOTOSHOP CREATIVE
Colored Pencil
One blast of the Colored Pencil filter will rarely Team member: Zoe Mutter
give you the look you want, but all it takes is a Time taken: 5 minutes
couple of layers and you can get a pretty decent I like this filter because:
I find it really difficult to get
result that’s the perfect starting point for all sorts good results from coloured
of creations. If you wanted to take an image pencils – somehow everything
such as this one even further, you could erase a seems to end up looking like a child’s
drawing! But using this filter means I can get
few areas back, have parts of the photo poking the look without getting the stress.
through, smudge different parts… there’s a lot of
choice and potential. This style works particularly
well on portrait shots, especially when the subject
is against a pale background. Turn a photo of a
loved one into a sketch or maybe use it as the
basis of a greetings card.
Tip
If you want to
go for more
of a sketchy
effect, it’s a good
idea to bump up the
contrast a bit before
02 Texture
To stop the
colour looking so flat,
applying the filter. go to Filter>Texture>
This will remove some Texturizer. Change
of the detail in the
photos and give the
filter fewer lines to
01 Coloured paper Open up the ‘pencil
drawing’ file from the CD. Create a new
layer and fill with beige (R=250 G=241 B=217). This
Texture to Canvas,
Scaling to 96%, Relief
to 2 and make sure the
hang on to. will act as our paper colour underneath the Pencil Light is on Top Right,
coloured filter layers. then click OK.
03 Colour
sketching
Go back to the original
Photo layer and double-
click on it in the Layers
palette to unlock it.
Duplicate this layer
and put it on top of
the Paper layer. Go to
Filter>Artistic>Colored
Pencil . Change the
Pencil Width to 3, Stroke
Pressure to 11 and Paper
04 Strengthening tones And that’s
basically it. How easy was that! Obviously
there’s more you could do , but for a great starting
Brightness to 50. Click point this is perfect. Just to finish it off, I duplicated
OK and change this the Pencil coloured layer and put it on top of all the
layer’s mode to Multiply other layers, and then changed the layer mode to
to let the Paper layer Color Burn and its opacity to 33% just to strengthen
show through. the darker tones in the hair.
PHOTOSHOP CREATIVE 21
Watercolor
paints dark areas with short, dark and tight
strokes, and is looser and longer with light
areas. Ink Outlines applies fine narrow lines
over original details. Spatter re-creates the
spatter look of an airbrush. The higher the
options, the more simple the effect. Sprayed The watercolour style of painting will never go out of fashion, so
Strokes repaints using an image’s dominant it’s no surprise that Photoshop has a filter to help you get the same
colours and uses angled strokes. Sumi-e
effect. By careful adjustment of the sliders you can easily get a
good result, and applying a heavy canvas texture will help add to
the effect. A photo of flowers makes the perfect subject – look at
how the water in the vase has turned out. Perfection!
22 PHOTOSHOP CREATIVE
PHOTOSHOP CREATIVE 23
24 PHOTOSHOP CREATIVE
Colored Pencil Dry Brush Fresco Paint Daubs Palette Knife Poster Edges
Gaussian
Accented Edges Angled Strokes Crosshatch Dark Strokes
Noise
PHOTOSHOP CREATIVE 25
tutorials
This issue we look at using a plug-in to get artistic results, applying
digital make-up to photos and animating still images
Photoshop Creative_Issue 11
Big technique
Work with
The Shadow/
Highlight tool 46
buZZ.Simplifier
Don’t worry if you’ve lost detail
in your photos due to adverse
lighting conditions – this
command can retrieve it
Focus on…
Texture filters 34
Brush settings 56
Pattern maker 62
Create crazy Make your own Fake the
Cool plug-ins 28 characters 36 photo filters 42 Cross Process look
Cubism
plug-in 72
Quickly transform a photo
into a lively image that’s made
up of different shapes. It’s a
great way to add interest to a
boring image, or deal with dull
backgrounds. You can also use
Use the Match
it to create digital art!
58 Apply digital make-up 64 Animate in ImageReady 70 Color command
CHECK IT OUT! | TUTORIAL RESOURCE FILES CAN BE FOUND ON THE CD – SEE THE INSIDE BACK COVER
PHOTOSHOP CREATIVE 27
Create crazy
essentials
SKILL LEVEL
Beginner
Intermediate
Expert
characters
TIME TAKEN
20 minutes
YOUR EXPERT
Giles Angel
Welcome to the Liquify filter. Here you’ll be able to push, pull, squeeze
ON THE CD
Starter file
and expand images as if they were made of modelling clay
he Liquify filter in The Liquify filter is capable of a mind- by applying one or more of the tools in
Photoshop is an boggling array of image tweaks and can the Liquify filter Preview window.
KEY SKILLS amazing effects literally melt a photo in seconds. In this Our tutorial will also cover combining
COVERED generator, which has a tutorial you will learn how to prepare the Liquify filter with other tools, for
What you’ll learn complete toolset that faces for the Liquify filter by making example the Free Transform tool, in
is perfect for distorting features. facial parts symmetrical – in this case order to make selective distortions
It will enable you to carry out the mouth. You’ll also use layer masks as well as alter perspective. You will
USE THE freeform pixel distortions on whole or to seamlessly blend the symmetry into soon be able to alter facial features of
LIQUIFY FILTER selected parts of an image. You’ll find your existing image. your friends and change those moody
FREE that it provides some quick and easy You’ll then discover how to subtly frowns into smiley shots, or vice versa.
TRANSFORM methods for altering the look of people, tweak facial expressions using the You could even make them into wacky
TOOL animals, objects or anything else you Liquify filter. This filter will enable you to photo-realistic cartoon characters! So,
may choose. distort, shift, shrink or enlarge the pixels let’s roll up our sleeves and get started!
02 Creating
symmetry
With the Mouth
layer selected, press
Ctrl/Apple+T to enter
Free Transform. Drag
the centre point of the
Free Transform box
03 Blending the symmetrical mouth
Go to Layer>Add Layer Mask>Reveal
All. Select the layer mask in the Layers panel (the
WORKS WITH | PHOTOSHOP 7 AND ABOVE. PHOTOSHOP ELEMENTS USERS CAN HAVE A GO (YOU’LL FIND LIQUIFY UNDER FILTER>DISTORT) BUT THERE ARE NO MASK OPTIONS
28 PHOTOSHOP CREATIVE
SAD SMILE
PHOTOSHOP CREATIVE 29
Expert
Tip LIQUID LUNCH
Dine on the trickster’s tool of choice!
Go forth
and Liquify
– gradually
Like many
Photoshop
effects, a
gradual build-up of
changes is preferable
to a one-click alteration,
so use several brush
strokes. For further
04 06
control use a Wacom Liquify! Now go to Filter>Liquify, select Sad face In this example the edges of
05
graphics pad, as the Warp tool (W), choose a brush size a Frowning face Go to Filter>Liquify, and the mouth are pulled downwards using
the Pen tool will be little larger than the lips and drag the pixels upwards then select the Pucker tool (P) to shrink the Warp tool (W). The base of the eyes is pushed
pressure sensitive once from the corner of the mouth. Do this on both sides pixels. Gradually paint over the mouth, and it will upwards and the edges are pulled down to create
the Stylus Pressure box until the smile looks realistic. If you make a mistake, close the lips to create a frowning unimpressed a droopy, sad face. Use the square bracket keys to
is checked in the Liquify choose the Reconstruct tool (E) and paint the expression. Note that the Show Mesh option is change the diameter of the brush to distort larger
panel’s Tool options.
mouth back to its original state. ticked. This helps see where distortions take place. and smaller details.
Reconstruction options
Reconstruct will revert back to the
undistorted image but preserve any
frozen areas applied by the Freeze
tool. Restore All is a one-click revert
option and ignores frozen areas.
Further options that come into play
after creating frozen areas are Rigid
– a one-click restoration – and Stiff,
Smooth and Loose, which provide
various smoothness transitions between
View options unfrozen and frozen areas when
Show Image toggles image on/off.
Show Mesh toggles mesh on/off. Mesh
size and colour can also be altered.
Show Mask toggles frozen areas on/off.
Colour can also be changed.
Show Backdrop lets you preview a
distortion against a background layer.
TIP | IF YOU’RE AN ELEMENTS USER, TRY THE HEALING BRUSH TOOL WHENEVER WE USE LAYER MASKS. THIS WILL LET YOU BLEND DIFFERENT AREAS INTO EACH OTHER
30 PHOTOSHOP CREATIVE
09 Exaggerate
eyes Now it
is time to exaggerate the
eyes. Select the original
background layer, Tip
pick the Rectangular
Marquee tool (M)
and draw a selection
around the eyes. Press
10 Liquify eyes Select the Eyes layer and
go to Filter>Liquify. Choose the Zoom tool
(Z) on the left and zoom in so the eyes almost fill the
Ctrl/Apple+J to copy it screen. Now select the Bloat tool (B) and choose a
to a new layer. Drag the brush size of 152. Enlarge the eyes to make them
Eyes layer above the bulging and cartoon-like – just hold down on the
distorted Head layer in mouse and they will balloon up. If you hold down Show
the background. the Alt/Option key it will shrink the eyes. Hit OK. backdrop to
compare with
the original
If you want
to create a
before and
after comparison,
simply duplicate the
layer you want to
distort (Ctrl/Apple+J).
Tick the Show
Backdrop checkbox,
then set the mode to
Behind. The default
is 100% opacity, so
reduce the opacity
PHOTOSHOP CREATIVE 31
The Liquify toolbar Twirl Anti-clockwise (hold down Alt/ Pucker Bloat
Forward
Warp
Reconstruct
Twirl
Clockwise
Pucker
Bloat
Push Left
Push Left Push Right (hold down Alt/Option) Mirror
Mirror
Turbulence
Freeze
Mask
Thaw Mask
Move
Zoom
32 PHOTOSHOP CREATIVE
filters
the scale of the effect and how extreme
it will appear on your image. By
increasing both Scaling and Relief, you
can make your image appear to have
more grit. If scaling is set to 100%, the
texture effect on the image appears to
be more realistic.
NEXT ISSUE | SEE WHAT OPTIONS LURK IN THE OTHER FILTERS SET
34 PHOTOSHOP CREATIVE
Tip
PHOTOSHOP CREATIVE 35
Simulate graduated
colour photo filters Create an adjustable graduated colour lens and apply it to a
landscape photo without the cost and hassle of the real thing
BEFORE
hen first getting hooked on fingertips. You lose the will to sleep and caffeine
photography you think it’s the becomes your best friend. You’ve hit the jackpot!
coolest thing to toy with lenses. But here’s the best thing about it. That digital
Then you’re introduced to filters darkroom gives you the ability to re-create most
and find you can play with colour of those filters you once bought. In addition,
effects that can change at a whim. But filters cost you can custom create any colour gradient filter,
money, and good ones aren’t cheap. Plus, you tailoring it to suit your image. Your photographic
have to take them with you when you shoot, and tools have expanded and there’s no limit. What’s
fiddle with them in the viewfinder. more, you can apply the filters to the image in any
Then Photoshop comes along and suddenly way you see fit. All with a few clicks of the mouse!
you have a fully stocked darkroom at your So let’s get started and cut some filter glass…
AFTER
KEY SKILLS
COVERED
What you’ll learn
GRADIENT
FILLS
ADJUSTMENT
LAYERS
GRADIENT
TOOLS
LAYER MASKS
essentials
SKILL LEVEL
Beginner
Intermediate
Expert
TIME TAKEN
Approximately
20 minutes
YOUR EXPERT
Robert
Anselmi
ON THE CD
Starter file
36 PHOTOSHOP CREATIVE
Clear your
01 Select the
right filter
colour While any
mind of
transparency!
colour can be used for There’s
your gradient, matching nothing
the right colour to the stopping
you from kicking the
right scene makes your
transparency out in
image more realistic.
favour of an additional
Orange will enhance a
colour. One of our
sunset. Mauve, violet favourite combinations
and pink enhance a has always been a
sunrise. Brown, yellow dark-blue/gold-yellow
and green create
wonderfully stormy
skies. And blue is great
02 Access the Gradient tool Click
the Gradient tool (G) in the Photoshop
Toolbox. The Options bar changes to reveal a
gradient. The blue
accentuates the sky,
leaving the golden
for midday sky or seas. gradient preview along the left side. Make sure tones to work magic
Start by selecting a sky- the Linear Gradient is selected to the right of the on the landscape
blue colour. gradient preview. This is the default gradient type. below. To re-create
this filter, select blue
for your foreground
colour and yellow
for the background
colour. Then select
the Foreground to
Background gradient
03 Access the
Gradient
Editor dialog Click
from the Gradient
Editor dialog (the first
in the list). Apply the
the gradient preview gradient to your image
to access the Gradient from top to bottom.
Editor dialog. Make sure
the default gradient
list is displayed. If you
have added or deleted
Web
any gradients in the
Gradient Editor, you can
reset them by clicking
04 Select the Foreground to
Transparent gradient Select the
Foreground to Transparent gradient from the
Resources
on the menu arrow at list. This is the second one in the default gradient
the top right corner of list. This gradient picks up the foreground colour
the dialog and selecting you previously selected and automatically adds
Reset Gradients. transparency into the mix.
The real thing
Graduated
filters come
in all shapes
and sizes. Cokin filters
(www.cokin.com)
offers a very flexible
and interchangeable
system; a great place
06 Find a
suitable
image Click the OK
to start. Tiffen (www.
tiffen.com) also
produces very good
button to close the filters at affordable
Gradient Editor. Since prices, though they
graduated filters work tend to be a bit less
PHOTOSHOP CREATIVE 37
Tool
School ADDING THE GRADIENT TO THE IMAGE
Merge for filter harmony
The Editor
At the
bottom of
the Gradient
Editor is a visual
representation of your
gradient. The swatches
(‘stops’) below affect
07 Create a
Gradient
adjustment layer
colours; those above Click the Create New
affect transparency. Fill or Adjustment Layer
Click above or below to icon at the bottom of
add stops. Click a stop the Layers palette and
to select/edit it; drag it select Gradient. Be
from the bar to remove
it. Hold Alt/Option and
drag a stop across the
careful not to confuse
this adjustment layer
with the Gradient
08 Change the blending mode of
the adjustment layer Change the
blending mode of the Gradient adjustment layer to
bar to copy it. To delete
a gradient from the
Map adjustment layer. Overlay. This blends the filter with the underlying
Editor, hold Alt/Option
Change the angle to -90 image, and also slightly underexposes the image in
and hover over it in the and click OK. the non-transparent filter areas – the sky in this case.
list. Click the gradient.
Beware! There’s no
undo for this action.
10 Fine-tune
your colour
adjustments By first
Web grouping the Hue/
Saturation adjustment
Resources layer, you can fine-tune
the colour and watch
the changes affect the
38 PHOTOSHOP CREATIVE
14 Soften
the edges
of the mask Press
Ctrl/Apple+D to
deselect the landscape.
With the Layer Mask
thumbnail on the
Gradient adjustment
layer still selected, go
to Filter>Blur>Gaussian
Blur. Depending on
the resolution of your
15 Change the time of day The beauty
of this technique is that you can change
the mood of your scene by entering the Hue/
16 Final touches to the sunset To
quickly view the scene without any mask
adjustments, Shift-click the Mask thumbnails. This
image, enter a small Saturation adjustment layer at any point in time, toggles them off. Here, both masks are turned off.
number between .5 and adjusting the Color palette. Here, the blue sky As a final step, the image layer is duplicated and the
and 5 for the Radius. We enhancement is turned into an afternoon sunset. sky deleted. Finally, the blend mode is changed to
chose 1.5. Click OK to All these adjustments are non-destructive to the Linear Burn at 25% opacity. This adds to the realism
apply your changes. original image. of the sunset.
Without a filter With Cokin Gradual B1 (122) filter Filter created in Photoshop
PHOTOSHOP CREATIVE 39
CURVES
ADJUSTMENT
LAYERS
CHANNELS
COLOR
BALANCE
CREATE A
PHOTO FRAME
42 PHOTOSHOP CREATIVE
Enhance the
image first
You may
want to
enhance
your image using the
Levels control first.
This effect works best
with images that are
evenly balanced.
Picture
resources
07 Into the
blue Select
the Blue channel and
move the bottom point
to 0, 26 and the top right Finding good
point to 255, 232. When
working with Curves
images
Thanks
the left side of the to Mike
histogram represents
the shadows, the right
side the highlights of
08 Blending experiments Change this
layer’s blending mode to Color, right-click
the adjustment layer and hit Duplicate Layer. Click
Slonecker
for letting us use his
image in this tutorial.
that particular channel, the thumbnail of the new layer to make it active and See more of his
and the middle area is change the blending mode to Overlay. Set Opacity photos on the stock.
where the midtones to 50%. Experiment with the blending mode, as with xchng site.
are altered. some photos it can look effective set to Color.
PHOTOSHOP CREATIVE 43
Tool
School CREATING THE FRAME
Add a film-like border to your image
Ready-made
film frames
After
applying
the Cross
Process effect,
an alternative to
creating the frame in
Photoshop is to pay
for and download
10 Tinting
effect
Choose Layer>New
the 21/4 Film Frame Adjustment Layer>
plug-in to produce Solid Color and enter
photorealistic film
frames. For more info
visit the Auto FX site at
09 Midtone and shadow shifts Choose
Layer>New Adjustment Layer>Color
Balance. Click on the Shadows button and enter
the values 216, 242 and
20 into the boxes for
Red, Green and Blue.
www.autofx.com. the values -70, -15 and +30 in the boxes at the top. Set Opacity for this layer
Select the Midtones button and enter +25, 0 and to 5% for a faint yellow-
+50 into the boxes at the top. Leave the Highlights greenish tint to be
set to 0, 0, 0. added to your image.
Quick alternative
Downloadable actions
If the prospect of adjusting curves
is daunting, there are a variety of
downloadable Photoshop actions that
create the Cross Process effect. Download
and place them into the Photoshop Actions
folder which is found in the Presets folder
of your Photoshop Applications folder. In
Photoshop, open your image and choose
Window>Actions. You can then click on
the arrow to the right of the window and
choose Load Action to locate it. Some 14 Realistic type Slides and film often
have lettering around the edge of a black
border. We chose to use the font OCR A Extended at
15 Customise and place your frame
text Type your text across the top of
the black border. Right-click on this layer and pick
actions you may like to try include the Cross
Process actions by Chainstyle Software a size of 12pt, but other suitable typefaces include Duplicate Layer. Select Edit>Transform>Rotate 90
(www.chainstyle.com) and the Process Courier New and Orator Std. Select the Type tool CCW to spin the text, and drag it with the Move tool
FX action by Red Paw Media (www. and in the top Options panel double-click on the to the left side of the black border. Choose Edit>
redpawmedia.com/processfx.html). colour swatch and enter the values 200, 200 and 0 Free Transform to rescale it. We added more space
into the three boxes. between the words to spread it along the edge.
NEXT ISSUE | DISCOVER HOW TO EMULATE THE FISH EYE LENS EFFECT
44 PHOTOSHOP CREATIVE
Shadow/
Highlight
command
Something from nothing The
Shadow/Highlight command is so
powerful that it can restore detail in
extremely overexposed areas such as
these clouds. You can use the command
to discover hidden detail in areas that look
pure white or pitch black.
46 PHOTOSHOP CREATIVE
02 Delicious
default To
fix a typical backlit
photo go to Image>
Adjustments>
Shadow/Highlight. By
default the Shadows
Amount is set to
50%, which is a good
starting point for
tackling a backlit
shot. The Tonal Width
defaults to 50%.
PHOTOSHOP CREATIVE 47
essentials
SKILL LEVEL
Beginner
Intermediate
Expert
02
TIME TAKEN District landscape was tricky to shoot Open source To restore the to slide the default Shadows Amount
due to the position of the sun. Ideally, the sun details lost by the camera’s exposure down a little to 16% to make a more subtle
20 minutes adjustment. Due to the depth of the scene and
should have been behind the camera in order settings, open ‘Landscape.tif’ from the CD. Go to
to light the landscape effectively. To capture the Image>Adjustments>Shadow/Highlight. By default a touch of mist in the air, there’s a wide spread of
YOUR EXPERT scene we had to shoot with the sun to the left of the Shadow/Highlight command’s sliders will shadows and midtones. Increase the Tonal Width
the frame, causing parts of the sky to burn out and attempt to restore detail lost in the shadows. The slider to 56% in order to make the tool affect a
George Cairns broader tonal range.
making the forest look dark. highlights in the image will remain unaltered.
ON THE CD
Original photo
Bracketing Tip
Shoot different exposures
The Shadow/Highlight command is invaluable of one. Each shot will have a slightly different
when it comes to fixing pictures with problem exposure setting, making it likely one of the images
exposure values. Our landscape was a challenge to will capture the scene effectively. Our screenshot
shoot as it contained a wide range of contrasting shows the result of three different exposure Lovely levels
tones, including bright clouds, light grey distant settings. Each photo was taken with a shutter
You can
hills and dark foreground forests. When shooting a speed of 1/320 sec. Due to bracketing, the aperture
adjust tonal
scene like this it’s common to end up with a photo changed for each shot. The left section is the result
range via
needing help from Photoshop. As image editing of an aperture set to f/5.0. The middle section has a the Levels command
can introduce unwanted artefacts, it makes sense narrower aperture of f/6.3 and the right-hand slice and adjust shadows,
to shoot the source image properly in the first is the result of a wider aperture of f/4.0. The f5.0 midtones and
place. This is easier said than done, though many setting gives a finished photo with detail visible in highlights with
modern digicams offer a way to capture a correctly the hills and in the darker foreground, avoiding the the guidance of a
exposed image. If you set your camera to Auto need for major image editing. The other two create handy histogram.
Bracketing mode it will take three shots instead underexposed shadows or overexposed highlights.
48 PHOTOSHOP CREATIVE
12 Save your
settings If
you have a batch of
similar images that
require their shadows
and highlights to be
adjusted, you can
save time by clicking
the Save As Defaults
button. Photoshop
PHOTOSHOP CREATIVE 49
Use buZZ.
Simplifier to
create art
buZZ.Simplifier is a great plug-in for creating an artistic effect. Each Photoshop Creative
reader can own a full copy of the plug-in, so look here to find out how to use it!
50 PHOTOSHOP CREATIVE
PHOTOSHOP CREATIVE 51
Tool
School FIRE UP THE PLUG-IN
Let the simplification begin!
Increase
saturation or
boost hues 02 Installing
buZZ.
Simplifier Browse this
levels issue’s CD and locate
For the initial the buZZ Installer (PC)
image’s or buZZ.Simplifier
preparation Install.sit (Mac) icons. If
for paint-like effects, you have Photoshop
don’t be afraid to installed, the installers
boost saturation or should install in
push hues levels the plug-in folders.
beyond that normally If Photoshop isn’t
acceptable for recognised, extract the
01
photographic images. Your image You’ll find the starter plug-in to a temporary
The simplification image on this issue’s CD. As you can see, folder and copy the
process will provide a the intention was there to capture a great shot but extracted files to the
levelling effect while unfortunately the camera just hasn’t produced a Photo Editor plug-in
maintaining punchy good effect. No problem, though. folder manually.
colours. You can
adjust saturation
levels towards the end
of the image editing to
optimum levels. 03 Tweak
the initial
image properties
Open ‘woodland.jpg’.
Copy the background
layer by using Layer>
Duplicate Layer. Rename
the layer ‘Saturation
and Hue’. Use the
Image>Adjustments>
Hue/Saturation menu
to adjust the saturation
Tip and hue of the image
and provide a punchy
autumn look: Hue –7
and Saturation +38 (we
04 Apply a soft focus look Duplicate
the Saturation and Hue layer via Layer>
Duplicate layer. Rename the layer Gaussian Blur. In
can be heavy-handed the Filter>Blur>Gaussian Blur menu, set Radius to 5.0.
with these adjustments Click OK to apply the blur. In the Layers dialog change
because we want a the blend mode to Soft Light and set Opacity to 36%.
paint-like effect later). Go to Layers>Flatten Image to collapse the layers.
3D effect
Use the
Emboss
filter with an
Overlay blend mode
to provide a 3D effect
to your image. The
settings need to be
quite low to give an
impression of multiple
paint layers having
been applied. buZZ.
Simplifier provides a 06 Configure
buZZ.
Simplifier Effect 1
realistic paint effect by
image simplification, In the Custom dialog
but the addition of box select Simplifier
Photoshop textures One and click the Add
and Emboss filters button. In the buZZ.
will provide a look
that more closely
resembles that of a
05 Duplicate the layer and
invoke buZZ.Simplifier Select
Layer>Duplicate Layer to duplicate the background
Simplifier One dialog
box enter a value of 222
for the Effect level and
true painting. layer. Rename this layer ‘buZZ.Simplifier’. From the apply for both dark and
Filters menu invoke buZZ.Simplifier>buZZ Stack. light areas.
52 PHOTOSHOP CREATIVE
Show
Selected
07 Configure
buZZ.
Simplifier Effect 2
Effect Only
Use the
Select Simplifier Two buZZ.
in the Available Effects Simplifier
menu and click on the Effect>Show
Selected Effect Only
Add button. We are not
menu to view only the
going to provide any
current filter effect.
additional simplification
The preview pane
in this effect, so leave
the Remove Large
setting set to 0. Add
08 Sensitivity of buZZ.Simplifier
Effect 3 Select Simplifier Three in the
Available Effects menu and click the Add button.
for buZZ.Simplifier
is small and it can
be difficult to get
back detail in the darker Click the Regions checkbox. Cycle through the optimum settings
areas by using a value Sensitivity options until you have the red and green when using multiple
of 164098 (set to Both) areas covering most of the areas in the image that effects. This option
for the Add-back you want the viewer to focus on. In this example, we allows you to see the
Small slider. selected a medium-high level of sensitivity. impact of each effect
and fine-tune it.
10 Apply the
Poster
Edges filter Select
Layer>Duplicate Layer
to duplicate the buZZ.
Simplifier layer. Rename
it ‘Posterization’. In the
Filter>Artistic>Poster
Edges menu, set
Edge Thickness to 1,
Edge Intensity to 1
and Posterization to
09 Configure buZZ.Simplifier 3 levels
Click the Regions checkbox and adjust the
inner, middle and outer sliders to fine-tune the levels
1. Applying this filter
obtains sharper edges,
which gives the image
of simplification across the image. We’ve used minor
more punch. Adjust the
adjustments with values of 0 for the inner, 49 for the
layer to have a Soft Light
middle and 483 for outer regions. You can add more
blend mode and an
filter effects or change the application order using
opacity of 21%.
the current stack panel if required. Click OK.
11 Reduce the sent a key that’ll give you the full version. You
can also take advantage of a 25% discount on
saturation
other buZZ products, details of which you can
level Select the
get when you send your email. All other buZZ
the buZZ.Simplifier
products work using the Stack system – only
layer and use the
you get more stacks to play with, and so have
Image>Adjustments> greater control over the final look.
Hue/Saturation menu So load up the plug-in and see how buZZ can
option to adjust the help you create digital art.
saturation level to –12%.
PHOTOSHOP CREATIVE 53
01 Overview of buZZ.Simplifier
buZZ.Simplifier presents you with two 01 02 03
windows: the left one enables you to configure the
filter effects and preview changes, and the one on
the right lets you select the filter effect and order the
application of effects in the buZZ.Simplifier stack.
02 buZZ.Simplifi er 1 filter
This is the simplest effect, and it allows you to
define the level of simplification to be applied to the
image. You have the option to apply simplification
only to highlights or the darker areas of the image
using the Light/Dark/Both combo box.
03 buZZ.Simplifi er 2 filter
This lets you define both the base level of
simplification (same as Simplifier 1 filter action) using
the Remove Large slider, and also allows you to add
fine detail back into the image using the Add-back 04 05
Small slider. Again, both sliders can be configured to
apply to light or dark areas or the entire image (‘Both’).
04 buZZ.Simplifi er 3 filter
buZZ.Simplifier 3 filter lets you selectively
apply simplification effects across different regions.
The filter automatically analyses the image to identify
visually important aspects and defines three regions
– inner, middle and outer. You can modify the results
in the Sensitivity combo box and view them by
checking the Region checkbox.
54 PHOTOSHOP CREATIVE
15 Tweak the
image using
buZZ.Simplifier Use
the buZZ.Simplifier 3
filter to remove some
highlights in the tree
foliage. Select Layer>
Duplicate Layer to
copy the background
layer. Rename the new
layer ‘buZZ.Simplifier
Tweak’. In the Filters
menu invoke buZZ.
Simplifier>buZZ Stack.
Using just the buZZ.
16 Modify buZZ Tweak layer Once
applied, change the opacity of the buZZ.
Simplifier Tweak layer to 31%. Use the Erase tool to
Simplifier 3 filter, set the fine-tune the application of the buZZ.Simplifier
Inner value to 0, Middle Tweak effect by partially erasing some areas that are
348 and Outer to 87950. now too simplified. Select Layers>Flatten Image.
Foreground layer
buZZ.Simplifier tweak
Emboss
values of Scaling 65%, Relief 3, Light Direction Top. Filter>Blur>Gaussian Blur with a Radius set to 1.1.
Angled brushstrokes
Posterization
buZZ.Simplifier
Gaussian blur
19 Apply
foreground
Dry Brush Use Filter>
Saturation/Hue
PHOTOSHOP CREATIVE 55
Additional
colour is applied to it. For example, to
achieve a smooth stroke reduce the
Flow Jitter setting.
56 PHOTOSHOP CREATIVE
01 No Jitter In
this brush
stroke the Opacity
and Flow Jitter values
Tip have been set to 0, and
therefore there is no
change in the way the
Brush tool paints.
Not just
limited to
painting
02 Maximum
Jitter values
The stroke on the left
The Other has a maximum Opacity
Dynamics Jitter of 100% and the
area also one on the right has a
allows you to vary max Flow Jitter of 100%.
the smudging and The stroke with altered
blurring if using opacity appears fainter
the Smudge and than the other stroke.
Smoothing This option is Blur tools. The
Protect Texture This particularly useful if you are
setting enables consistency setting available will
using a graphics tablet. change to Strength
and allows you to apply your
chosen texture even if you Jitter. However,
change the type of brush that only the Noise and
you’re using. Smoothing settings
are available in the
03 Combine the
settings This
stroke has an Opacity
lower half of the
palette. Instead of
Jitter of 50% and a
affecting the change Flow Jitter of 50%. By
in paint throughout a combining the two we
stroke, the settings have achieved a stroke
will alter the result of that varies in opacity
the smudge or blur and the amount of paint
when applied. used throughout.
PHOTOSHOP CREATIVE 57
KEY SKILLS
COVERED
What you’ll learn
CURVES
COMMAND
ADJUSTMENT
LAYERS
BLUR TOOLS
A digital makeover
Turn a plain Jane into a glamour puss with this comprehensive guide to adding
make-up the Photoshop way
essentials ou only have to pick up a snapped them, or aren’t particularly adept mascara, eyeliner, foundation, concealer, and
copy of Heat magazine to with their foundation and need a helping subtle lipstick and lipliner. But you don’t need
SKILL LEVEL
see celebs looking dog- hand. And yes, that helping hand can come to be so modest – make-up is a thoroughly
Beginner rough without their slap from Photoshop. It’s perfectly easy to apply creative medium, as any make-up artist in the
Intermediate
Expert on to realise just how much Photoshop in post-production – which does fashion industry will tell you, so don’t be
make-up can do. And not just for women make you wonder about the future role of afraid to whack on gold eyeshadow and
TIME TAKEN – this is the era of tinted moisturiser and the make-up artists in magazine shoots. black lipstick if that takes your fancy.
Approximately metrosexual, after all. It’s only a matter of time You might be really surprised to learn what Once you’ve understood the basics and
20 minutes before British blokes will be spooning on the you can achieve the Photoshop way. We’ve worked through the steps, you should find
foundation too – don’t kid yourself. got foundation, concealer, powder, blusher, pretty much any look is within your capability.
YOUR EXPERT
There are, of course, those who look eyeliner, eyeshadow, mascara, lipstick and Pop into a shop and pick up style mags such
Matthew naturally beautiful with perfect skin and lipliner in the retouching armoury, and in as Vogue, iD, Dazed and Confused, Pop or 10
Smith
radiant eyes – but who cares about them. more colours than they could physically stock for some really interesting looks, or trawl
ON THE CD We’re interested in the human majority, in your average high street shop. Cosmopolitan and Elle for less wacky ideas.
Starter file
particularly those subjects who didn’t have This tutorial covers a relatively conservative You can even photograph yourself and try
time to put their make-up on before you make-up look, with some purple eyeshadow, different looks before a night on the town!
58 PHOTOSHOP CREATIVE
Matching
make-up to
the eyes
Matching
eyeshadow
to your eye
colour sounds like
a good idea, but
doesn’t work. Your
beautiful blues will be
lost in a sea of blue
eyeshadow. Go for
04 Painting
eyeliner
in The layer mask
should be highlighted Tip
already, so we just use
Ctrl/Apple+I to invert
it to black. We zoom in
with Ctrl/Apple+Plus,
and paint a line along
the base of the lower
eye-lid, above the
eyelashes, using a white
05 Softening the line The line is still
going to look a little over-defined, but
fortunately we can soften its edges further by using Matching
brush on the layer mask a Gaussian Blur directly onto the layer mask, which make-up
at 0% hardness. You can softens our white line. Go to Filter>Blur>Gaussian
also use some at the top Blur and increase the radius until you’re satisfied to the lips
of the upper lid. with the result. To make lips
appear fuller,
pick a lipstick
and lipliner in matching
shades – go for lighter
colours to get this
effect. Choose darker
shades of both liner
and lipstick to make
lips appear smaller.
06 Choosing
an
eyeshadow colour
To make them look
wider, use a liner that
perfectly matches
Now we’re going to your lipstick and line
add a little eyeshadow. the extreme edges
Add another Solid Color of lips, extending
adjustment layer, and out to corners. Of
pick a colour using the
Color Picker. It doesn’t
matter which colour at
07 Applying your eyeshadow Invert
the layer mask to turn it black with Ctrl/
Apple+I, then take a medium-hardness white brush
course, Photoshop’s
Transform command
gives another very
the moment, because (around 50%) at 100% opacity, and paint along the efficient method of
we can change it later top of the eyelid and into the corner of the eye. altering lip shape
and vary its strength Drop to 50% opacity, and paint the colour into the and size!
with layer opacity. bottom of the eye. Drop the layer opacity to suit.
PHOTOSHOP CREATIVE 59
09
of a very large black brush to soften the
edges of the blusher shape.
Foundation for face
and neck Invert the
layer mask with
Ctrl/Apple+I. Carefully
paint the colour back
Lipstick blending mode It’s Foundation Don’t be tempted into the skin areas,
important that the Lipstick layer to lay on the foundation too thick. including the neck,
blending mode is set to Color, Remember that with a Normal with a white, medium-
so the underlying lightness or blending mode you are affecting edged brush, working
‘luminosity’ is preserved. With a lightness or ‘luminosity’ as well
Normal blending mode, the shade of colour and its as colour, so you can destroy all shading detail if on the layer mask. Once
opacity can also affect the shadows between the used too strongly. This is necessary to a degree to you’ve covered areas
lips – a very light colour would almost neutralise reduce specular highlights and darken shadows with precision, you can
shadows and wouldn’t look realistic. to even up skin tone, but don’t overdo it. drop the layer opacity
down to something like
20% for a realistic look.
60 PHOTOSHOP CREATIVE
13 Fine-tuning
your
blusher Drop the
layer opacity until
the blusher is almost
unnoticeable – you
should be able to tell
when you toggle layer
visibility on and off, but
14
not notice directly with Your choice of lipstick Now we’re
the naked eye. You can going to apply lipstick with the usual Solid
add a little blusher to Color adjustment layer technique. Add the layer and
nose bridge, forehead pick a colour – doesn’t matter which at this stage, as
and chin with a 40% we can alter it later down the line. Use Ctrl/Apple+I
opacity brush too. afterwards to invert the layer mask to black.
Lipliner
Foundation
Eyeliner
17 Softening
the lipliner
The lipliner will
Eyeshadow
PHOTOSHOP CREATIVE 61
potential
rectangular selection. The Pattern
Filter in the Filter menu also allows
you to generate patterns.
Use Photoshop’s preset patterns or create your Pattern Stamp Tool Use this
own to paint with or fill various shapes and sizes tool to paint directly with your
chosen pattern. Alter the blending
mode, opacity and flow of the
hen it comes to pattern handling and pattern in the top options bar.
creation, Photoshop’s capabilities are
often underestimated. There’s a whole
host of ways you can use patterns to create
impressive effects in your work.
Photoshop comes with predefined sets of patterns, but
it’s also easy to create a pattern using any image you wish
with the Edit menu’s Define Pattern command. The way
Photoshop is laid out makes it simple to both save and load
patterns from the Pattern Preset palette. Be creative and
experimental with the patterns you produce, and build up
a large collection of swatches that you can apply to your
projects. The Preset Manager will then allow you to organise
them into files, making it even easier to relocate them.
You’re not limited to applying a pattern to use as a
background – they can also be applied to text and custom
shapes. As patterns are automatically tiled, it can be difficult
to make them seamless when creating them from your own
images. Patterns can be even more creative when using the
Pattern Stamp tool to paint with, and can even be used in
your brushes to give them a grungy patterned effect.
At first glance it may look like there are limitations when
using patterns in Photoshop – such as the ability to scale
them – but we’ll show you a few handy tricks to get around
these and use your patterns to their full potential.
By choosing Edit>Define Pattern You can use your patterns by choosing Edit>Fill and then
you can transform either your whole selecting Pattern from the Use drop-down list. Choose
image or a rectangular selection a custom pattern by clicking on the arrow beside the
made with the Rectangular Marquee swatch. The opacity and blend mode of the fill can then
tool into a pattern. Once you have be altered to achieve a subtler pattern effect, which is
defined the pattern it can be found great for adding texture to an area. Another way to fill
by choosing Edit>Preset Manager. with a pattern is to use the Paint Bucket tool and then
This is the location of all preset choose Pattern from the Fill drop-down menu in the top
brushes, swatches, gradients, styles Options bar. Set Tolerance to 255 if you want the pattern
and patterns, where you can view, to fill everything, select your pattern from the presets
organise and control them in manageable folders. For example, the Photoshop and click in your image to fill it. If you want to create a
preset patterns are divided into sets including Rock Patterns and Nature patterned background, try changing the colour of the
Patterns. When viewing pattern presets, you can bring up a new set by clicking background or creating a gradient before filling it with
on the arrow to the right of the window. your pattern to change its appearance.
62 PHOTOSHOP CREATIVE
03 Further
tweaks It
helps to accentuate your
text if you experiment
with other blending
options. Adding a stroke
or bevel can help to
make your text stand
out. We also added a
colour overlay layer style
to make the pattern
appear blue.
Another idea that you can try out is to We have discovered how patterns
combine patterns into brushes, which can can be used to add texture to
be used to create a great grunge look. For areas you have painted, but they
this effect we chose a simple soft round can also be applied with accuracy
brush. Select Window>Brushes and then as the paint itself. If you want to
click on the Texture option. This enables you paint directly with patterns, select
to choose a pattern by clicking on the arrow the Pattern Stamp tool by clicking
beside the swatch. Adjust the other controls and holding down the Clone
such as the Scale, Mode, Depth and Depth Stamp tool in the toolbar and
Jitter options in order to customise your selecting it from the fly-out menu.
patterned brush even further. You’re not If working on an image such as a
actually painting with the pattern – instead wall, and you have created a pattern preset of the wall, you can use the Pattern
the brush is picking up the brightness levels Stamp tool to paint over unwanted objects. However, the Clone Stamp tool
of the pattern. does a good enough job of this.
PHOTOSHOP CREATIVE 63
64 PHOTOSHOP CREATIVE
03 Duplicate
your layers
Each layer will be a
frame in your animation,
so make sure that they
are in the order you
want them to play.
We will create four
layers – or frames – for
each expression in our
sequence. Right-click
PHOTOSHOP CREATIVE 65
01 Duplicate
image
layers This process
is similar to the one
we’ve covered and
04 05
works by changing Don’t be daunted by the layers Foreground and background Move
the settings of a filter Repeat this process until you have five back to the top of the Layers palette. As
gradually so the layer copies of each expression. Four of the layers for the filter we shall use for this animation works using
image is transformed each expression will be used for the animation and the foreground and background colours, hit the
throughout the the fifth is to add a light tint. The animation looks D key to make your foreground and background
sequence. In smoother if the expressions line up, so lower the colours black and white. White needs to be your
Photoshop, first create opacity of the top layer and use the Move tool to background colour, so if it’s not, click the arrow
as many duplicate align it with the layer below. Increase the opacity. beside the colour swatches to swap them.
layers of your image
as you want to make
up the sequence. We
made five duplicates.
02 Give us
a twirl
Select the first layer
and choose Filter>
Distort>Twirl. You’ll see
that if you move the
slider slightly either left
or right your image is
warped. For the first
layer, enter a value
of 740. Repeat the
process for the second
06 Achieve a sketchy effect We will
work on one expression of the sequence
07 Adjust the settings The Graphic
Pen filter may have a different effect
depending on the image you use, so these settings
but enter 500 in the
Angle box. For the at a time. Click on layer 1 in the palette to activate it. may not be suitable for all photographs. For this
third enter 305, fourth Choose Filter>Sketch>Graphic Pen to bring up the image we left the Stroke Length at 15, moved the
105 and fifth 50. Leave Filter Gallery. Use the + and – buttons at the bottom Light/Dark Balance to 30 and the Stroke Direction as
the sixth untouched. of the window until the whole image is visible. Right Diagonal. Click OK for the filter to be applied.
03 Bring it to
life Click the
button at the bottom
of the toolbar to jump
to ImageReady. All the
layers should be in
the Layers palette in
08 Different
strokes
Click on the second
the order they were in layer down. This should
Photoshop, so go to be one of the copies
Window>Animation. of the first expression
Click the top right arrow we just applied
and hit Make Frames the filter to. Select
From Layers. Adjust the Filter>Sketch>Graphic
delay as you wish and Pen. This time leave all
export the sequence. of the settings as they
The photo will change were before apart from
into a swirl of colour. the Stroke Length. Make
this value one less than
the previous layer, ie 14.
NOTES | IF YOU WERE AROUND IN THE EIGHTIES, YOU MIGHT REMEMBER A-HA’S VIDEO FOR TAKE ON ME. YOU CAN GET A SIMILAR EFFECT WITH THIS TUTORIAL!
66 PHOTOSHOP CREATIVE
PHOTOSHOP CREATIVE 67
Tool
School WORKING IN IMAGEREADY
Time to make the photos dance
Create a
droplet
13 From layers
to frames
Choose Window>
of your Animation to bring up
the Animation panel,
optimisation which will bring your
Once sequence to life! Only
you have one frame appears in
applied the your Animation panel.
optimisation settings Click on the arrow in
to your file, you can
the top right of the
save them as a droplet
and apply them to
other files or images
12 Enter ImageReady! At the bottom
of the Photoshop toolbar, click the
button with a document and an arrow to edit your
Animation window and
select Make Frames
from Layers. You will
to reduce their size.
To create a droplet,
document in ImageReady. Your image size needs now see that each layer
click the Create to be smaller than 40 MB so if this warning appears from the Layers palette
Droplet icon in the top choose Image>Image Size and reduce it. The has been brought
right of the Optimize layout of ImageReady is similar to Photoshop with across in order to the
palette and choose the Layers palette containing all of the layers you Animation window in
a location to save it. created in Photoshop. the timeline.
In order to apply the
optimisation settings
to another file, drag
onto the droplet icon.
It’s also sometimes
worth using the Lossy
14 Set the
delay
Whichever frame you
setting in the Optimize
palette to reduce file click on will appear in
size. The higher the the Preview window
Lossy setting, the so click through to
more info is discarded. check the sequence is
in the order you want.
By default the delay
between each frame
is 0 seconds. Click on
Tip this number below
each frame thumbnail
if you want to select
15 Control your playback Use the
Control panel to play back the animation.
Click on the arrow beside the title Forever – which is
another value from the the default setting for playback to loop continuously
drop-down menu and – if you want to change the playback to Once and
change the delay. We be played a single time. Drag any frames you want
decided to leave the to remove to the Trashcan icon found at the bottom
Extending delay at 0 seconds. of the palette.
your frames
We’ve used
four frames
for each still
photo, but if you want
them to repeat a few
times before moving
to the next selection,
Ctrl/Option-click each
layer, click the arrow in
the right of the palette
and hit Copy Frames.
Select the final frame
of this sequence, the 18 Extra Export options To preview
your animation in a web browser
choose File>Preview. You have saved your
point you want to paste
the frames, click on the file as an animated GIF, which can be opened
arrow and pick Paste
Frames. A window will
16 Saving options Save your work as an
editable PSD file so that you can work
17 Optimise the file Choose Window>
Optimize. It’s best to choose a minimum
number colour of 32, so select this from the Color
and viewed in your web browser. By choosing
File>Export>Original Document, you can also
export your animation in a variety of formats
ask where you want
them pasted: hit Paste on it again, by choosing File>Save As. To see your pull-down in the Color Table section of the window. including a QuickTime file (played using QuickTime
After Selection. animation, you need to save it as a different file Move the Dither value to 0. Select File>Save Player) or a Flash SWF file (played using Flash Player)
format. First you need to make it as small as possible. Optimized As to save as an animated GIF. from the Format pull-down menu.
68 PHOTOSHOP CREATIVE
KEY SKILLS
COVERED
What you’ll learn
MATCH
COLOUR
BETWEEN
PHOTOS S O UR C E
IMAGE
Match colour
between pictures
Turn daylight into dusk using the Match Color control
ver wanted an easy method The capabilities of this area of Photoshop control can even be used to remove a colour
essentials of transforming the mood don’t end here, as it’s also possible to select an cast in a matter of seconds.
SKILL LEVEL of a photo? Well there’s object from one scene, using the Lasso tool The Match Color command saves so much
good news, because this is for example, paste it into another and then set time because you can apply a colour scheme
Beginner
Intermediate exactly what the Match Color the colour attributes so that the pasted image of one image to another in a single mouse-
Expert function makes possible. merges with the existing scene. click, either to change the mood of a photo or
Our image of a tower is already effective, For tighter control over the outcome, you blend parts of an image that have been taken
TIME TAKEN
but what if we want to make the photo look can make a selection in the source image and from separate photos together by setting
5 minutes as though it were taken at a different time of use this area’s colour info to make the colour consistent colour values.
day? By selecting another shot – in our case a adjustment. Simply open up the Match Color Follow our tutorial and discover just how
YOUR EXPERT sunset – we can apply the colours of this sky window and in the Image Statistics area, simple it is to get the Match Color function
Zoe Mutter
to the photo of the tower and force it to take choose Use Selection in Source to Calculate to read the colour statistics from the sunset
on its colour characteristics. Colors option. We’ll also show you that the image and apply them to the tower photo.
70 PHOTOSHOP CREATIVE
Using Match
Color to
remove a
colour cast
The Match
Color
command
PHOTOSHOP CREATIVE 71
AFTER
BEFORE
Use the
Cubism plug-in
Quickly make your images more shapely and artistic
ubism from Auto FX Software The result of the plug-in can be easily to use, so it’s a pleasant surprise to find one
comes as part of DreamSuite tailored to suit the extremity of the effect you that doesn’t include unnecessary and
Series One but you can also wish to produce, and to what extent you want confusing controls.
essentials pick it up as a standalone your image to retain its original form. Cubism If you want a quick and easy way to
SKILL LEVEL plug-in if you prefer. also makes it possible to select where you transform your photographs into artistic pieces,
The plug-in is perfect for giving an artistic want the effect to be applied. For example, then using this plug-in is the best option.
Beginner
Intermediate touch to your photos. It basically applies we’ve shown that some interesting effects Masking is also possible, because by creating
Expert geometric shapes that emerge from the can be achieved when it’s confined to just the a selection within your image in Photoshop
photograph, fading from transparent to solid as background of an image. This has the result of and then loading the plug-in, you can use this
TIME TAKEN
they become visible. The effect created distracting the attention from the background, area as a basis for the mask and have complete
Approximately by the plug-in is particularly well suited to as it softens it in comparison to the sharply control over which areas are affected.
20 minutes
natural images such as landscapes or the outlined foreground image. The simple controls For more information on Cubism or to buy a
YOUR EXPERT photograph of flowers that we’ve chosen, but for settings such as shape and size mean that copy for $50, visit the website at www.autofx.
Zoe Mutter it can be applied to photographs of people just using this plug-in couldn’t be easier. Often com. Alternatively, enter our competition for
as successfully. plug-ins are far too complex and daunting the chance to win your very own copy!
72 PHOTOSHOP CREATIVE
Smaller size,
greater detail
There
01 Locating the image Within the 03 Now for the size The Size slider
is used to control how large or small
are many
different
installation process you will be required
to select an install location. The install location
you should choose is in the Plug-ins folder in your
02 Selecting shapes The first slider in
the plug-in makes it possible to choose
which shape you want your image to be made up of.
the shapes you have chosen will appear in your
image. For a more extreme effect, move your Size
slider to a higher value than the default setting of
variations of settings
you can choose within
the plug-in by altering
Photoshop Applications folder. You will then find There are four options for the shape of your Cubism 10. This image demonstrates the severity of the the size and shape. If
the plug-in in Photoshop, under Filter>Auto FX effect – triangles, squares, pentagons and hexagons. effect if the Size slider is moved up to a value of 18. you want to achieve
Software. Once within the Cubism workspace, Selecting Triangles as the shape seems to have the The photograph is hardly recognizable, and this a more subtle effect
choose File>Open and locate your image. most subtle effect. therefore may not be a recommended Size setting! with more detail seen,
choose a lower setting
for the Size slider. The
shapes you’ve chosen
to make up your
image will be smaller
and less evasive.
effect to a selection
Having the Constrain to Auto FX
Selection box checked Software has
will force the effect to offered to
confine changes to give away copies of
Cubism to five lucky
just the selection. This
readers. The plug-in,
option is only available
worth $50, can be
if you have selected
yours by answering this
a certain part of your
image using your
chosen method in an
08 Artistic background As the Cubism
plug-in can create some attractive
effects when applied to selected areas of an
simple question: How
many different types
of shape are available
application such as image, we experimented with applying it to just to you when using the
Photoshop. To enable the background. For this effect we selected our Cubism plug-in? Email
the effect to apply background using the Magnetic Lasso tool in your answers to PCR@
to the entire image, Photoshop, loaded the plug-in and then created a imagine-publishing.
the box must be masking layer. The Smooth Edge setting was set to co.uk by 16 July 2006.
left unchecked. the maximum for a less harsh edge.
PHOTOSHOP CREATIVE 73
Q+A
Tip
Get to the bottom of your image-
editing woes in this part Action stations
PHOTOFIX Speed up your workflow
Send us your problem shots for advice
on making them all better Our answer to the picture framing
When you question on page 75 covers a variety
use the of steps that enable you to create a
RESOURCES Clone Stamp
We guide you to the best websites for wooden frame from scratch. You can
tool, it’s wise to give apply these steps to photos of any
tutorials and instruction in using the yourself the option of
Photoshop software orientation to enhance them with a
undoing the changes. frame. To save time, turn repetitive
Select the Clone multi-step procedures into a one-click
Stamp tool. In the
Send your Options bar tick the
action. Open the Actions palette
(Window>Actions) and click Create
questions to… Sample All Layers box.
Now you can sample
New Action. Give the action a snappy
name (eg Frame-o-matic!) and hit
pixels from the source Record. Follow the steps then click
Post you questions to Photoshop
image and clone them Stop. You can apply the action to any
Creative Q&A, Imagine Publishing Ltd,
onto the new layer. photo and frame it in seconds.
Richmond House, 33 Richmond Hill,
Bournemouth, Dorset BH2 6EZ.
Alternatively you can email us at
[email protected].
74 PHOTOSHOP CREATIVE
you greater control over the distortion. Click You can add a wooden frame to any
OK and navigate to the Displace.psd file. Hit
OK and the flat flag layer will become distorted
image with a bit of fiddling around in
the Layer style section of the Layers FLATTEN THAT
by the greyscale version of the model’s face.
Lighter areas such as highlights on cheekbones
palette. Kick off by creating a new layer. Press
Select>All. The ‘marching ants’ selection
STOMACH
I want to make a good impression on someone via
will push the flag texture outwards, making it marquee will appear around the edge of your
a photo, but I’ve developed a touch of middle-age
look as if it’s painted on the face. To distort the image. Go to Edit>Stroke. In the Stroke dialog
spread. I’ll lose a few pounds before I meet my friend,
flag even more press Ctrl/Apple+F to reapply box type a value in the Width section. In our
but want to send them a photo now representing how I’ll look
the Displace filter. example we went for 150 pixels, but the value
after the diet. Any tips on trimming the fat using Photoshop?
To make the flag look like it’s made of paint, you’ll need to choose depends on the size of
Max Ingram
change the flag layer’s blending mode to Soft your source image. Larger values will create
Light. This will enable skin texture to show larger frames. Pick a white colour. Set Location
through the flag design. Reduce the flag layer’s to Inside and click OK. This will add a flat white Diets are dull and liposuction sucks. You can lose weight
opacity to around 74% to make the effect border around the edge of the photo. the easy way with a digital nip and tuck courtesy of the
more subtle. Parts of the flag will appear to be To add texture and depth to the white Liquify filter’s Pucker tool. Follow the steps below to firm
painted on your model’s teeth and eyeballs, border, target its layer in the Layers palette. up with a Photoshop workout. We promise no sweat is involved!
which is taking patriotism too far! Use the Go to the bottom of the palette and click on
Eraser and a soft-edged brush to remove the
unwanted details so it only appears on skin.
the Add a Layer Style icon. To add a wooden
texture to the white border, select the Pattern 01 Make a
selection In
our example the stripes
Alternatively, add a layer mask to the flag Overlay layer style. Initially your frame will
accentuate the shape of
layer and use a soft black brush to poke holes
the stomach. Select the
in the flag layer to reveal hidden features like Elliptical Marquee tool
hair. The advantage of using a layer mask is you (M). In the Options bar
can press X and use a white brush to restore set Feather around 12
pixels you’ve hidden earlier, giving you more pixels. This helps make
creative control over the final image. Finish the the blend between the
image off by dabbing a white brush on parts of edited pixels and their
the red flag to fake the look of paint smudges. surroundings more
subtle and therefore
less noticeable.
You’ve been framed
02
I’m using Photoshop to create an Pucker up
online portfolio of photos. Is there a Now go to
way to add a wooden picture frame the Filter>Liquify menu.
to my images to create a classy gallery effect? Select the Pucker tool
Mark Evans Enhance your online galleries by using Layer Styles like Bevel (S). Increase the tool’s
and Emboss to create three-dimensional picture frames Brush Size to cover the
stomach area. Reduce
the Brush Pressure so
you can make changes
One-click fix Tip in smaller increments.
This gives you more
Improve tonal range in a click! control over the image-
editing process.
PHOTOSHOP CREATIVE 75
01 Create a tip
Go to the Brush
Preset Picker and select
more three-dimensional edge. Set Direction to
Down. Your photo will now be mounted in a
yellowing parchment texture.
To age the texture even more, select the
distinctive looking wooden picture frame. Burn tool, set its Range option to Midtones. Set
a star-shaped tip. Apply
that to a new layer and Exposure to 34% so you can build up the aged
use a soft-edged brush Ancient parchment effect gradually. Spray around the edges of the
to add a trail. Make sure I’d like to create a tattered and worn paper to create a darker mottled texture.
your background is treasure map that looks like it’s been To make the edge of the paper look like it’s
transparent. Now make burnt around the edges. What can been partially burnt, create a new layer called
a marquee selection you recommend to get this effect? ‘Black’ and place it under the Parchment layer.
around your design Angus Hewlett Edit>Fill the new layer with black. Target the
and choose Edit> Parchment layer and click the Add a Mask icon
Define Brush Preset.
This combination of techniques will at the bottom of the Layers palette. Choose the
Call it ‘Firework’.
do the trick. Start by creating a blank Brush tool. Click on the Brush Preset Picker and
document in Photoshop. Create a new scroll down until you find the brush labelled
02 Modify the tip
Your firework tip
will be in the Brush Preset
layer called ‘Parchment’. To create an aged
parchment texture, click on the Foreground
‘Oil heavy flow dry edges’. Choose a black
foreground colour and spray this brush on the
Color icon and choose a pale yellow. Choose Parchment layer’s mask. This will poke rough-
Picker. Do a test stroke.
The firework-shaped tips a similar but slightly darker yellow for the edged holes in the Parchment layer revealing
will be bunched up and background. Go to Filter>Render>Clouds. the parts of the Black layer below. Apply a little
pointing in the same
direction. Click the Brushes
palette icon. Increase
Spacing to 130%. Go to Super slices
Shape Dynamics and set
Angle Jitter to Direction. Turn guides into slices
76 PHOTOSHOP CREATIVE
Gaussian blur to the layer mask to add a softer, Open your source file and use the
more realistic texture to the burnt edges.
Amazing automation Art History brush to turn your photo Book
I’m going through the tedious
To give the jagged edges a more burnt look,
process of scanning my 35mm
into a painted masterpiece (see issue Resources
change their colour to darker reds and browns. nine for a full tutorial). To add some cracks,
prints into my PC. To save time I’m
You can do this by targeting the Parchment create a new layer and Edit>Fill it with 50%
scanning several photos in one go. This
layer in the Layers palette and clicking on the grey. Set the foreground to black. Go to
places a batch of three or four pics into one
Add a Layer Style icon. Select the Outer Glow Filter>Texture>Stained Glass. A Cell Size of
Photoshop document. I then have to select
effect. Change the default yellow glow colour 11 should create large enough cracks on an
and copy each photo and paste it into a new For a
to a dark rich red. Change the Spread attribute average photo. Create fine lines by reducing the
document to create individual pictures. Is thorough
to 10% to create a charred edge effect around Border Thickness to 3; reduce the Light Intensity
there a way to speed my scanning workflow? guide to using
the edge of the parchment. Add a light yellow channel to 0. Click OK. To hide the grey pixels
Cathryn Brock filters, have a look at
Inner Glow to the edge of the parchment to on the cracked paint layer, set its blending Ilex’s Photoshop Filter
add a more realistic charred edge effect to your mode to Overlay – only the cracks will remain. Effects Cookbook.
Lurking in Photoshop’s menus is the
treasure map. At this stage the cracks look flat. To give them It covers every filter
perfect tool to help speed up your in the program and
As a finishing touch, you can give your flat some depth go to Filter>Stylize>Emboss. In the
scanning and image-editing workflow. gives an excellent
two-dimensional parchment more depth by Emboss dialog box set Angle to 38, Height to 1
Thanks to Photoshop’s Automate menu you description of what
going to Edit>Transform>Warp. You can then and Amount to 52%. Click OK. Now target the
can slap a pile of photos onto the scanner each one does. It
use the Warp tool’s selection handles to lift up greyscale layer and go to Image>Adjustments> costs £17.95.
without even making sure they’re all straight.
the edges of the parchment and make them Invert. This will make the cracks look more
Go to File>Automate>Crop and Straighten
curve like real paper. realistic as they’ll be sunken instead of raised.
Photos. Photoshop will analyse the document
full of misaligned shots, extract them one by
one, rotate each to straighten it, then place the
shots in documents of their own. All you need
do is give the photos appropriate filenames
then get on with the scanning next batch.
Cracking up
I’m trying to fake the Mona Lisa-style
vintage paint texture effect where
you see jagged cracks in the picture’s
paintwork. I guess these are caused by
changes in temperature making the canvas
stretch. How would you go about faking this
Photoshop can take the tedium out of scanning prints by effect in Photoshop? Once you’ve turned your photos into paintings, use a
rotating, cropping and separating images automatically Michael Peel combination of filters to add cracks to the surface
PHOTOSHOP CREATIVE 77
PHOTO FIX
Send in your troublesome images for us to fix…
BEFORE
Create the
perfect blend
Use this fantastic effect, perfect for collages, to
blend your images together smoothly
he Mask Layer feature is with landscape orientation for the right, but
perfect for connecting you can vary this too. This effect is ideal for
photos smoothly. If you presenting holiday images attractively. The
want to create a collage main principle is revealing underlying layers
effect, this technique will join using layer masks; these can make part of an
them with a subtle transition and make the image transparent if you paint it black, and
edges blend together. We chose three beach reappear if you paint it white. If you use the
scenes that would fuse nicely, but you can Gradient tool, you can get an even transition
AFTER
use any photos you like. We picked one with from one image to another. Follow the three
portrait orientation for the left side and two steps below to achieve a beautiful blend.
TRANSITION TECHNIQUE
Use the Mask Layer feature to blend your images together
Tool
School
Revealing
the image
It’s vital
that the
underlying
image extends further
78 PHOTOSHOP CREATIVE
RESOURCES
The best sites to visit to increase your Photoshop knowledge…
PHOTOSHOP CREATIVE 79
creative reviews
If you like the buZZ.Simplifier plug-in, check out the review of buZZ.Pro 2 and see
what else can be achieved. Also, extend your knowledge with Total Training
“A thorough training
resource that will take
you to the next level”
Software
reviews
Advanced Adobe
buZZ.Pro 2 82
Total Training DVD 84
Book
reviews
The Digital Photographer’s Guide Photoshop
CS2 DVD
to Photoshop Elements 4 86
Photoshop CS2 One-On-One 87
Manga Clip Art 87
Photoshop CS2 RAW 87
PHOTOSHOP CREATIVE 81
SOFTWARE
info
COMPANY
Fo2PiX
WEB
www.fo2pix.com
PRICE (SSP)
£99.99
OPERATING SYSTEMS
PC and Mac
MINIMUM
he buZZ plug-ins are all
REQUIREMENTS centred around a single
Win 95 or higher, 256MB theme – simplification. Each
RAM, 450MHz has a Simplifier that enables
you to remove clutter in a
OS 8 or 9, 256MB RAM,
450MHz photo. But despite removing detail, the focus,
colour and edges are retained so you don’t
end up with a mess of indistinct shapes.
So why would you want to do this? Surely
the whole point of photos is that you can see
buZZ.Pro 2
the detail? Well, once you run a photo through
the plug-in it takes on a distinctly painterly
effect – and you can then experiment and
build up a really interesting image.
Whenever you apply an effect in buZZ.Pro 2,
you build up ‘stacks’. These are much the same
Once you’ve tried out the full version of buZZ Simplifier offered as layers in Photoshop, except each time you
add a new effect stack, it reacts with existing
to every reader this issue, take the next step up the buZZ ladder ones, affecting the result. More on this later.
USING BUZZ.PRO 2
The odds are stacked in your favour…
The 19 stacks enable
you to get all sorts of
results from photos
and will provide hours
of enjoyment
82 PHOTOSHOP CREATIVE
PROS
“IF YOU CREATE A PICTURE YOU’RE PARTICULARLY PLEASED WITH, YOU Quick way to get
CAN SAVE THE STACK TO APPLY TO OTHER PHOTOGRAPHS” painterly results
Plenty of
creative options
DISCOUNT CONS
PRODUCTS
older machines
Amount of options
Not only has Fo2PiX supplied every can be bewildering
reader with a fully-working version of
buZZ.Simplifier, it’s also kindly agreed VERDICT
8.0
to offer a 25% discount on all buZZ
products. When you email mag@
fo2pix.com for the key to unlock the
See it all Quick paintings full version of buZZ.Simplifier, you A good plug-in for
You can see how each stack affects the photo, Simply by using the Simplifier stacks, you can adding new life to
thanks to the Preview window. You can also zoom turn your photographs into images that have a can take advantage of this discount. old photos
in and out of the window to see the bits you need. wonderful painterly effect.
PHOTOSHOP CREATIVE 83
BUY IT FROM
Career Vision,
www.cvision.co.uk
PRICE
£83.43 (inc VAT)
OPERATING SYSTEM
PC and Mac
MINIMUM
REQUIREMENTS
Follow along All of the action
Windows 2000/XP takes place here. You can load
2GHz up the tutorial images from the More help Keep your eyes on
Mac OS X 1GHz disc as well. this area – helpful tips will pop up
occasionally that can save time
and hassle.
Advanced Photoshop
CS2 DVD Sit back, relax and let this Total Training DVD take you
to the next Photoshop level
here are three qualities The lessons kick off with a look at setting up
IN FOCUS necessary for a video tutorial
to be successful. The first is
Preferences – this is packed with useful tips for
speeding up Photoshop and generally getting
Take a closer look... a good host. The second is the best from it. Then it’s on to specific tools
helpful content and the third and techniques. This being a CS2 edition, a lot
is decent production values. We’ve looked at of the content concentrates on CS2-specific
many video tutorials in our time, and trust us tools such as Vanishing Point, Smart Objects
PROS
– if one of these things is a bit shaky, the whole and HDR images. But there’s also plenty for
experience can be a letdown. non-CS2 users, such as retouching images, Easy to understand,
This DVD is a fine example of how video working with colour and sharpening images. plus useful tips
tutorials should be done. Deke McClelland So that’s two of the three criteria met, Photos are supplied
You don’t have to wade Deke McClelland is a so that you can
is a supreme host. He’s friendly, interesting but what about the production values? Two follow along
through intro screens or Photoshop stalwart and
menus to get to specific will appear at the start of and doesn’t patronise. While watching the words sum them up – mighty fine. You can
CONS
content. Simply use the each section to introduce lessons you almost feel as though you’re being do everything within the viewer interface,
drop-down menus. what you’ll learn.
inducted into an Ivy-league Photoshop club including skipping to other lessons and topics. A little on the
pricey side
that will give you the skills you need to tackle There’s the expected navigation controls, but
Viewer size may be
any image-editing task. you also get little extras, such as helpful tips too small for some
Content-wise, this is also a triumph. As the appearing along the bottom of the viewer,
title makes clear, it’s for people who’ve been and if you register you can get free bonus VERDICT
9.0
around the Photoshop block a few times. But learning goodies.
while it assumes a basic knowledge of the Okay, so the DVD costs more than your
Obviously you’ll get the All of the advice on the
most from this disc if you disc will set you up for program, the fact that you can clearly see average film DVD (or box set, come to that),
have CS2, but the lessons the future, including an what’s going on (and if that wasn’t enough, but what you have here is prime Photoshop
on retouching images will in-depth look at how An excellent
appeal to anyone.
you have McClelland’s informative narrative) knowledge in a digestible form, and that’s all-round training
Levels work.
means you won’t get lost. always a welcome combination. resource
84 PHOTOSHOP CREATIVE
BOOKS
IN YOUR ELEMENT
Find out how this book can help you make the most of your digital photos
Enhancing adjustments In addition Retouching photos Learn to retouch Integrating type Type is, of course, Making complex areas easy Project ideas The book also includes
to more creative and complex areas, the not only images of people but also equally as important as images, Many people want to experiment with many suggestions for creative ways
manual includes quick fix solutions to landscape photos, improving lighting and this book covers relevant areas panoramas but don’t know how. Follow to use your digital images, such as
digital imaging problems like adjusting conditions and weather, replacing skies of text styles, drop shadows and the simple steps in the Panoramic in websites, to create CD covers and
and emphasising the colour of a photo. and removing unwanted objects. photographic text. section and they’ll be easily achievable. inserts, and even in web animations.
NOTES | LET US KNOW IF THERE’S A TYPE OF PHOTOSHOP BOOK YOU’D LIKE US TO REVIEW – JUST EMAIL [email protected]
86 PHOTOSHOP CREATIVE
info
AUTHOR Manga Clip Art Photoshop
CS2 RAW
Hayden
Scott-Baron An impressive selection of artwork and
PRICE Manga techniques
£14.99
hat better way to learn the techniques needed to Discover the benefits of working with RAW data
PUBLISHER create your Manga illustrations than by observing on’t be put off if you’re unfamiliar
Ilex Press examples of a range of impressive characters? with the term RAW data. After
ISBN
Manga Clip Art includes a CD that features high- reading this book you’ll not only be
resolution artwork, enabling the reader to use the examples to clued up on what it is, but also its
1-904705-83-9
construct characters complete with backgrounds and accessories advantages, when you should use it in digital
in Photoshop. This book is more than a collection of characters, photography and how to sharpen RAW images.
backgrounds and accessories, though, because it provides Aaland describes it as the ‘digital negative’
valuable information on areas such as the colouring methods, and draws our attention to the importance of
airbrush and filter techniques used. this type of data that comes from your digicam.
Photoshop is the focus throughout the book, with all the He not only discusses colour RAW images, but
brushes, tools and techniques covered in enough detail. The also goes into detail about black and white.
book is also suitable for Photoshop newcomers, since
it caters to both Photoshop and Photoshop Elements,
info Just some of the advantages he alerts us to are
the control it allows over tonal distribution and
and has a good root around the program’s basic AUTHOR
white balance, and the reversible sharpening
functions. The section on choosing colours for your Mikkel Aaland and detail application it permits.
artwork is not only applicable to Manga characters, However, the fact that RAW is not for
PRICE
but all other design work. everyone is also made known, due to the
Following the clear and simple step-by-step £24.99
requirements of a vast amount of storage space
instructions will enable you to fill in block colours PUBLISHER and obviously a camera that both saves and
as well as add highlights and detail – and you can captures RAW. The three working environments,
O’Reilly
even try your hand at creating your own characters Bridge, Photoshop and Camera Raw, the
from scratch. ISBN
primary RAW processing app, are all covered in
0-596-00851-1 detail to give a full understanding of the topic.
PHOTOSHOP CREATIVE 87
T
images supplied on issue
nine’s disc that really
challenged you to come
up with some imaginative
uses for them.
It was good to see that a lot of you tried
your hand at creating a composition from all
the different photos, and some of you put
the Blending Modes tutorial from issue nine
to good use in creating your images. Richard
Kramps stole the show with his butterfly
creation, and really impressed us with his
use of colour to create a mood.
Vortex Visuals also did an excellent job
of using the photos we provided to create
new settings – in this case something that
wouldn’t look out of place in Star Trek! It’s Get your work featured WINN
amazing what Lens Flare and imaginative Gets a ER!
If you’d like to share your c
perspective can achieve. James Donnelly of the opy
did a splendid job of changing the street
work with other readers,
Mask pFluid Web Butterfly
send your pictures in to us lug-in “Decided to use only two of the
scene into a moody night image. Well and you could be featured on these
photos, starting with the butterfly.
done also to Lorri May, who sent in our first pages. Just pop your images onto a
Made it free standing and then
kaleidoscope image. May it herald the arrival CD and send to:
went about chopping and rearranging. One
of many! Exhibit, Photoshop Creative, thing lead to the next, creating buildings
And finally, apologies to James Beer for Imagine Publishing, Alas, we can’t return any CDs. from the bodies of the butterflies. Strong
incorrectly printing his name as James Bear Richmond House, If your entry is under 2MB, you composition creates a feel of depth and
in last issue’s Exhibit. Damn those typing 33 Richmond Hill, Bournemouth, can email it to PCR@imagine- makes it more convincing – that and a lot of
gremlins. Damn them to hell! Dorset BH2 6EZ, UK publishing.co.uk blurring and airbrushing!”
94 PHOTOSHOP CREATIVE
Night Dream
“I tried to show how all we people
who live in big and very busy cities
dream about having contact with
nature – and dream about peace, which
brings nature to our souls… For my idea I
used two of my photos which I added to the
supplied ones. I then used blending modes to
get the soft effect.”
Sanctuary
“After merging the rocky and river
images, I extended the top of the rock
wall. I added in the cave by enlarging
a small crack then used blending modes and
masks to make it fit in. I used a custom-made
brush to make the rain and used the eyes of
my ever-helpful cat for the creature.”
PHOTOSHOP CREATIVE 95
96 PHOTOSHOP CREATIVE
HKS (right)
It seems like there are
some strange and unusual
things going on inside
Chris’ world, with distorted buildings
and what looks like the middle of a
flower appearing in the sky.
Mutiny (above)
“The penguins are being
washed ashore from a
recent storm that sank
their ship during the night. Only six
survivors remain, but the first mate
plans to take over after the captain
led them astray.”
Time Tear
“Through layers and a few
other choice effects, I put
this together as a fiery tear
in time itself. I also think that it
looks pretty.”
PHOTOSHOP CREATIVE 97
WIDIN!SK
FLU G-INMA
PLU H
WORT
£179
Enter our
challenge and
see your work in Readers’
the magazine!
Challenge
More imaging fodder to feed
your imagination
kay, so each issue we bang on about how nice
it is to receive your entries for the Readers’
HOW TO ENTER Challenge, but we really do love seeing what
Access the Readers’ Challenge your imaginations are capable of producing.
folder from the side panel on our CD This issue the possibilities are wide open, with
and copy it to your desktop. Once a collection of completely random and unrelated photographs
you’ve completed your masterpiece, send it to sink your teeth into. For example, there’s a photo of a woman
to us on a CD along with your name, address
and a few words about your creation, to:
who’s crying out for a digital makeover, using the techniques
learned on page 58. Possibly you fancy changing her expression
Readers’ Challenge
completely, using the Liquify filter as seen on page 28. And talking
Photoshop Creative
Imagine Publishing of filters, why not put a few of those highlighted in our feature to
Richmond House good use and turn some of the photos into works of art? Or load
33 Richmond Hill up the full version of buZZ.Simplifier and let that loose on some
Bournemouth of the images.
Dorset, UK You could, of course, pooh-pooh all these ideas and just see
BH2 6EZ
where the Photoshop Creative mood takes you. Whatever you come
up with, your creations will receive a warm welcome here.
NOTES | IF YOUR ENTRY IS UNDER 2MB, YOU CAN EMAIL IT TO US AT [email protected]. UNFORTUNATELY WE CAN’T RETURN CDS
98 PHOTOSHOP CREATIVE