Antiquities From The Ophiuchus Collection (2010)
Antiquities From The Ophiuchus Collection (2010)
Antiquities From The Ophiuchus Collection (2010)
Catalogue
Chroma Design Associates
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Photography
Stefan Hagen
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Oliver Forge and Brendan Lynch Limited
Exhibition
of
Antiquities from the Ophiuchus Collection
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1.
A Cycladic marble kandila
Standing on a tall conical foot with a high hollowed base, with four
fragmentary suspension lugs, with cylindrical neck and wide open mouth
Provenance
Eli Borowski (1913-2003)
Acquired by a private collector prior to 1973
Ophiuchus Collection, New York, 1982
Exhibited
The Virginia Museum of Fine Arts, Richmond, Virginia,
10th November 1987 - 10th January 1988
The Kimbell Art Museum, Fort Worth, Texas,
5th March - 15th May 1988
The Fine Arts Museum of San Francisco, California,
25th June - 25th September 1988
On Loan
The Metropolitan Museum of Art, New York, 1992-2010
Published
P.Getz-Perziosi, Early Cycladic Art in North American Collections,
1987, p. 277, no. 101, figs. 101a-d
I. Love, Ophiuchus Collection, Florence, 1989, p. 10, no. 1
P.Getz-Gentle, Stone Vessels of the Cyclades in the Early Bronze Age,
Pennsylvania, 1996, p. 249, no. B29
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2.
An Attic black-figure Hydria
With four warriors departing, each wearing a helmet and three carrying circular shields and
swords, a bearded charioteer wearing a long white chiton, and standing in the chariot holding
a whip and the reins of the four horses, the shoulder with a combat scene between hoplites and
horsemen, with nonsense inscriptions, the whole framed by a double row of ivy leaves and a
tongue pattern above, rays above the foot, with added red and white paint
Provenance
Mme. Issac Preire, Paris
Jean Mikas, Paris, 1950s
Acquired prior to 1975
Ophiuchus Collection, New York, 1982
Published
Tableaux Anciens ..... provenant de lHotel de Madame I.P., Galerie Jean Charpentier, Paris 4 June 1937,
no. 28, pl. 9
J.D.Beazley, Attic Black-figure Vase-painters, Oxford, 1956, p. 299, no. 22
I.Love, Ophiuchus Collection, Florence, 1989, pp. 12-19, no. 2
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3.
An Attic black-figure amphora
The neck decorated with a double palmette and bud chain, with a tongue
pattern, below the ground line is a key pattern, intertwining lotus and rays
below
Provenance
Acquired prior to 1975
Ophiuchus Collection, New York, 1982
Published
I.Love, Ophiuchus Collection, Florence, 1989, pp. 20-26, no. 3
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4.
An Attic red-figure column krater
Scene bordered by rays and ivy, lotus buds on the neck (side A)
and on top of the rim
Provenance
Jean Mikas, Paris, 1950s
Acquired prior to 1975
Ophiuchus Collection, New York, 1982
Published
J.D.Beazley, Attic Red-figure Vase-painters, Oxford, 1963, vol. 11, p. 1101, no.2
I.Love, Ophiuchus Collection, Florence, 1989, pp. 28-34, no. 4
Prof. Beazley when attributing this vase writes one hesitates between the Naples
Painter and the Ariana
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5.
An Attic red-figure bell krater
Side B: Three draped youths, the central one holding a staff, a basket in the field
Provenance
Sir William Hamilton (1731-1803)
Thomas Hope (1769-1831).
Sold Christies, Ancient Greek & Roman Sculpture and Vases, July 23, 1917, lot 79
Feuardent Brothers, Paris
Acquired prior to 1975
Ophiuchus Collection, New York, 1982
Published
J.H.W.Tischbein, Collection of Engravings from Ancient vases .........., Naples, 1791, p. 78, pl. 17
J.D.Beazley, Attic Red-figure Vases in American Museums, Cambridge, 1918, p. 197 (appendix)
E.M.W.Tillyard, The Hope Vases, Cambridge, 1923, pp. 89-90, no. 149, pl. 23
J.D.Beazley, Attische Vasenmaler des Rotfigurigen Stils, Tbingen, 1925, 4. 466, no. 5
J.D.Beazley, Attic Red-figure Vase-painters, Oxford, 1942, p. 847, no. 12
J.D.Beazley, Attic Red-figure Vase-painters, Oxford, 1963, vol. 11, p. 1334, no. 18
I.Love, Ophiuchus Collection, Florence, 1989, p. 36-43, no. 5
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6.
A Roman marble statue of Cybele
Provenance
L.Palma di Cesnola (1832-1904)
The Metropolitan Museum of Art, New York, (1873-1926)
Acquired by Mr and Mrs E.W.Harden, New York City, 1926
Acquired by a private collector prior to 1966
Ophiuchus Collection, New York, 1982
Published
L.Palma di Cesnola, Cyprus, Its Ancient Cities, Tombs and Temples, 1877, p. 229
L.Palma di Cesnola, A Descriptive Atlas of the Cesnola Collection of Cypriote
Antiquities in the Metropolitan Museum of Art, New York, 1885,
vol. 1, p. CXXII, no. 903
S.Reinach, Rpertoire de la Statuaire Grecque et Romaine, Paris, 1908,
vol. 11, p. 270. fig. 7
M.Vermaseren, Corpus Cultus Cybelae Attidiscque, Leiden, 1987,
vol. 11, p. 227, no. 722, fig. 25
I.Love, Ophiuchus Collection, Florence, 1989, p. 66-8, no. 11
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7.
A Roman marble statue of Aphrodite
Her weight resting on right foot, her left leg forward, her tasselled cloak falling
down her back
Provenance
Cavaliere Marinucci, Rome, early twentieth century
The Minneapolis Institute of Arts, 1925-1958
Sold Parke Bernet, New York, 15 May 1958, no. 67
Acquired by a private collector in 1958
Ophiuchus Collection, New York, 1982
Published
Bulletin of the Minneapolis Institute of Arts, 1925, pp. 96-7
S.Reinach, Rpertoire de la Statuaire Grecque et Romaine,
vol. VI, Paris, 1930, p. 84, no. 5
A.Andreomenou, Chronika, Archaiologikon Deltion, Athens, 1972,
vol. XXVII, p. 697, no. 5, pl. 650, fig. a
G.Touchais, Chronique des Fouilles 1976, Bulletin de Correspondance Hllenique,
Paris, 1977, vol. 101, p. 521-2, fig. 28
I.Love, Ophiuchus Collection, Florence, 1989, p. 70-5, no. 12
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8.
A Roman marble group of Eros and Psyche
Embracing each other, Eros standing to the right of Psyche, drapery around
the lower part of her body
Provenance
Joseph Sayag Collection
Sold Palais Gallieta, Paris, 16 June 1961, lot 8
Acquired by a private collector prior to 1963
Ophiuchus Collection, New York, 1982
Published
I.Love, Ophiuchus Collection, Florence, 1989, pp. 90-5, no. 15
This group, derived from an original of the second century B.C., is a smaller
version of the wingless group of Eros and Psyche in the Capitoline Museum,
Rome, see H.S.Jones, A Catalogue of Ancient Sculptures Preserved in the
Municipal Collections of Rome, Oxford, 1912, p. 185, no. 3, pl. 45. For another
example, (now lost) and formerly in the Hope collection see G.Waywell, The
Lever and Hope Sculptures, Berlin, 1986, pp. 86-7, no. 29.
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9.
A fragmentary Roman marble head of Apollo
A laurel wreath in his hair, with large almond-shaped eyes and wavy hair
Provenance
Acquired by a private collector prior to 1973
Ophiuchus Collection, New York, 1982
Published
I.Love, Ophiuchus Collection, Florence, 1989, pp. 52-5, no. 8
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10.
A Roman marble head of a warrior
Twisted to the left, with open mouth, deep set eyes and furrowed brow,
with thick curly hair
Provenance
Acquired by a private collector prior to 1973
Ophiuchus Collection, New York, 1982
Published
I.Love, Ophiuchus Collection, Florence, 1989, pp. 56-9, no. 9
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11.
A Roman marble statue of a satyr teasing a panther
Provenance
Acquired by a private collector prior to 1972
Ophiuchus Collection, New York, 1982
Published
I.Love, Ophiuchus Collection, Florence, 1989, pp. 76-83, no. 13
For a closely related example now in the Muse Cinquantenaire, Brussels see
A.Furtwangler, Sammlung Somze, Munich, 1897, no. 42, pl. XXIII; and another
in the Albani Collection , see M.Bieber, The Sculpture of the Hellenistic Age,
New York, 1955, fig. 568
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12.
A Roman marble torso of Poseidon
Standing with his weight on the left leg, with strong musculature, with the
remains of his long hair falling onto the back of his neck, the tail of a sea
creature to his left, remains of a support on his right
Provenance
Acquired by a private collector prior to 1974
Ophiuchus Collection, New York, 1982
Published
I.Love, Ophiuchus Collection, Florence, 1989, pp. 96-101, no. 16
Lexicon Iconographicum Mythologiae Classicae,
vol. VII, Zurich, 1994, p. 458, no. 11
A.Klckner, Poseidon und Neptun. Zur Rezeption griechischer Gtterbilder in der
rmischen Kunst, Saarbrcker Studien zur Archaologie und Alten Geschichte, 1997,
vol. 12, p. 268, ill. 60
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