Emily May's Reviews > Rejection

Rejection by Tony Tulathimutte
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it was amazing
bookshelves: short-stories, 2024

Star ratings are an inadequate way of expressing my feelings for this book. It is perhaps best summed up in a single word: WOAH.

The first note I made while reading this was literally "yeah, wow, this is so good" which is funny and also a bit embarrassing next to the eloquence of Tulathimutte.

Rejection is a collection of depressing, intimate portraits largely about lonely, alienated people who just cannot get it right. The characters in the first three stories are desperate for love and connection-- emphasis on the "desperate" --but they keep being met with rejection. These people are cringe, pathetic, try-hard… and, even in their worst moments, somehow sympathetic. We meet people who get destroyed by rejection, allowing being a reject to become their entire personhood.

I feel for characters like this, I really do. Like, in a slightly different life I feel my very socially clueless self could have easily ended up one of them. They are like Sally Rooney characters x1000, super annoying and totally sabotaging their own happiness because they can't get out of their heads, yet there is something compelling about them.

As you move through the stories, it becomes clear they are all interlinked by more than just the theme of rejection. And it also becomes clear that the author is spinning an overarching metanarrative, one that somehow feels both serious and satirical at the same time.

There was a point, I will admit it, when I thought maybe this book was just a bit too mired in pretentious navel-gazing narcissism for me (probably right around the point I was shamed into googling some of the vocab) and I was thinking maybe four stars because, come on, Mr Tulathimutte, you're good, but it's all a bit cringe, a bit desperate and try-hard, isn't it?

And then I read the last story and I had to laugh at myself. Well played, sir. Well played.
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Reading Progress

August 14, 2024 – Shelved
September 18, 2024 – Started Reading
September 20, 2024 – Finished Reading

Comments Showing 1-11 of 11 (11 new)

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Ahjeen (slow-exams) I'm probably not in the right place for this book at the moment, but your review makes the book sound like one that I'd definitely try one day!


Emily May Ahjeen wrote: "I'm probably not in the right place for this book at the moment, but your review makes the book sound like one that I'd definitely try one day!"

Probably the right decision as it gets pretty dark and heavy, but I do hope you're able to enjoy it someday!


message 3: by Ashlyn (new) - added it

Ashlyn You make me want to read it. Amazing review.


Emily May Ashlyn wrote: "You make me want to read it. Amazing review."

Thank you, Ashlyn :)


message 5: by Julia ☆ (new) - added it

Julia ☆ Your review really makes me want to pick up the book immediately


message 6: by Craig (new) - added it

Craig This sounds fantastic. Another fine recommendation!


Susan Mulanax I appreciate your words but feel the opposite.

The pretentious navel gazing narcissism is the crux and truly only axis of this book.. and therefore 1 star.


Emily May Susan wrote: "I appreciate your words but feel the opposite.

The pretentious navel gazing narcissism is the crux and truly only axis of this book.. and therefore 1 star."


I totally understand your perspective. It just worked for me 🤷‍♀️


Jennifer Porter I just finished the first 2 stories and thought about stopping, which I never do. Maybe worth continuing to get to the last story


Emily May Jennifer wrote: "I just finished the first 2 stories and thought about stopping, which I never do. Maybe worth continuing to get to the last story"

Probably not, Jennifer. Yes, I thought the last story was clever but I loved the first two stories, so if you're not enjoying it by this point I'd say it's probably just not for you.


message 11: by Thomas (new) - added it

Thomas Kearnes I just finished Dope Future, and if it weren’t already midnight, this might be the second book-length fiction release I’ve read cover to cover in a single day. (The other? Emma Cline’s The Guest.


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