Elle (ellexamines on TT & Substack)'s Reviews > Bitterblue
Bitterblue (Graceling Realm, #3)
by
by

Elle (ellexamines on TT & Substack)'s review
bookshelves: x-coverporn, z-read2015, fantasy, x-series, 5-star, elle-recs-list, z-favs2015
Sep 07, 2016
bookshelves: x-coverporn, z-read2015, fantasy, x-series, 5-star, elle-recs-list, z-favs2015
This book is a narrative about how colonization can fuck you over. Starring a biracial and ambiguously queer woman of color, it follows Bitterblue as she tries to bring back the traditions, culture, & liberty her dictator father took away from the country of Monsea. Along the way, she must come to terms the legacy of a genocidal, terrifying monster as a ruler, one who wiped away every detail of the country and replaced it with his own imagined world. But she must also come to terms with the legacy of that monster being her father.
Never heard it pitched that way before? Me neither. But I’m serious about this, and I’m ready to write a serious fucking literary analysis here. Good morning, guys.
So, what is Bitterblue about, you ask? Well, I don't think it can be fully summed up. In one way, it's a mystery– Bitterblue spends this book trying to discover what really happened during her father's reign, to both her people AND herself, and what is happening now. In one way, it's a character journey– Bitterblue's journey of agency and growing up. But in another way, it's the journey of a whole world– the story of an entire country's journey to free itself from a legacy of colonialism and brutality.
I've seen many say they had trouble with this book due to boredom. While I found this story incredibly compelling, it should be said that the first half is somewhat slow. And yes, there are a multitude of sideplots in Bitterblue, but here's the thing: I think the book works because of the pace. The slightly slow beginning of the first half is nicely offset by the slow-build mystery and character development of the book, and it completely pays off towards the second half.
And with all these different interlocking plots, the book still feels tied together and coherent. Why? Primarily because of Bitterblue's character. Bitterblue is one of the realest characters I've ever come across. She's not the type of fighter we tend to see in the role of a strong female character, but also not the type of sweet and simpering character we tend to see in weaker female characters. Bitterblue is clever, manipulative, and willing to fight for the people she loves, yet is given moments of being reckless, underconfident, and petty. This isn't a simple plot device; she's sixteen, and the narrative both explores that and lets her be a character beyond it. I also adore how her character connects the narrative; her inner conflict and outer conflict form a gorgeous map.
Hoooooo, boy, so I guess it's time to talk about the narrative now, huh?
Monsea’s dictatorship all but mirrors the legacy of colonial dictatorships. It is a world in which a culture of openness, a wealthy economy, and a structure of living tested for years has been completely overturned by a despicable, tyrannical leader, and now the people of the realm must pick up the pieces. And it’s all the more frightening because of the legacy of Leck - as a monster who could cloud the judgement of others, he has left the country’s old traditions all but forgotten. This is something neither Bitterblue nor much of the country has any way of being aware of, especially as the older generation has died out. The country’s old culture of casual queerness is something few are still aware of. The architecture is forever changed. Freedom of the press is nonexistent.
I've been sitting in front of a computer screen for around ten minutes because I truly do not know how to begin this review. This book is so, so deeply important to me, in so many ways. I've read very few books in my life that made me feel every emotion on the spectrum, and this is perhaps one of the best. This book is many things, but above all, it's a story of hope; a story of joy in the face of so much pain.
So let's sum it all up: Butterblue features a cast of well-written, compelling side characters, a hilarious appendix written by an actual character, a cast that is around 70% queer and 90% characters of color, a fucking glorious slow-burn mystery, a fucking glorious character arc for a young woman in a tight space, and a narrative around colonialism that sticks out in my mind to this day. I cannot get past how much I adore this book.
Blog | Goodreads | Twitter | Instagram | Youtube
Never heard it pitched that way before? Me neither. But I’m serious about this, and I’m ready to write a serious fucking literary analysis here. Good morning, guys.
“But that's how memory works,” Bitterblue said quietly. “Things disappear without your permission, then come back again without your permission.” And sometimes they came back incomplete and warped.
So, what is Bitterblue about, you ask? Well, I don't think it can be fully summed up. In one way, it's a mystery– Bitterblue spends this book trying to discover what really happened during her father's reign, to both her people AND herself, and what is happening now. In one way, it's a character journey– Bitterblue's journey of agency and growing up. But in another way, it's the journey of a whole world– the story of an entire country's journey to free itself from a legacy of colonialism and brutality.
I've seen many say they had trouble with this book due to boredom. While I found this story incredibly compelling, it should be said that the first half is somewhat slow. And yes, there are a multitude of sideplots in Bitterblue, but here's the thing: I think the book works because of the pace. The slightly slow beginning of the first half is nicely offset by the slow-build mystery and character development of the book, and it completely pays off towards the second half.
And with all these different interlocking plots, the book still feels tied together and coherent. Why? Primarily because of Bitterblue's character. Bitterblue is one of the realest characters I've ever come across. She's not the type of fighter we tend to see in the role of a strong female character, but also not the type of sweet and simpering character we tend to see in weaker female characters. Bitterblue is clever, manipulative, and willing to fight for the people she loves, yet is given moments of being reckless, underconfident, and petty. This isn't a simple plot device; she's sixteen, and the narrative both explores that and lets her be a character beyond it. I also adore how her character connects the narrative; her inner conflict and outer conflict form a gorgeous map.
Hoooooo, boy, so I guess it's time to talk about the narrative now, huh?
Monsea’s dictatorship all but mirrors the legacy of colonial dictatorships. It is a world in which a culture of openness, a wealthy economy, and a structure of living tested for years has been completely overturned by a despicable, tyrannical leader, and now the people of the realm must pick up the pieces. And it’s all the more frightening because of the legacy of Leck - as a monster who could cloud the judgement of others, he has left the country’s old traditions all but forgotten. This is something neither Bitterblue nor much of the country has any way of being aware of, especially as the older generation has died out. The country’s old culture of casual queerness is something few are still aware of. The architecture is forever changed. Freedom of the press is nonexistent.
I've been sitting in front of a computer screen for around ten minutes because I truly do not know how to begin this review. This book is so, so deeply important to me, in so many ways. I've read very few books in my life that made me feel every emotion on the spectrum, and this is perhaps one of the best. This book is many things, but above all, it's a story of hope; a story of joy in the face of so much pain.
So let's sum it all up: Butterblue features a cast of well-written, compelling side characters, a hilarious appendix written by an actual character, a cast that is around 70% queer and 90% characters of color, a fucking glorious slow-burn mystery, a fucking glorious character arc for a young woman in a tight space, and a narrative around colonialism that sticks out in my mind to this day. I cannot get past how much I adore this book.
Blog | Goodreads | Twitter | Instagram | Youtube
Sign into Goodreads to see if any of your friends have read
Bitterblue.
Sign In »
Quotes Elle Liked
“But that's how memory works," Bitterblue said quietly. "Things disappear without your permission, then come back again without your permission." And sometimes they came back incomplete and warped.”
― Bitterblue
― Bitterblue
“Suddenly Po shot into the courtyard from the north vestibule whooping. Katsa, seeing him, broke into a run and they tore at each other through the wash. Just before the moment of impact, Po shifted to one side, crouched, scooped Katsa up, and, with admirable precision, propelled them both sideways into the pool.
...
Katsa and Po were trying to drown each other and, judging from their hoots of laughter, enjoying it immensely.”
― Bitterblue
...
Katsa and Po were trying to drown each other and, judging from their hoots of laughter, enjoying it immensely.”
― Bitterblue
“IT ALL BEGAN with the High Court case about the madman and the watermelons. The man in question, named Ivan, lived along the River Dell in an eastern section of the city near the merchant docks. To one side of his house resided a cutter and engraver of gravestones, and to the other side was a neighbor’s watermelon patch. Ivan had contrived somehow in the dark of night to replace every watermelon in the watermelon patch with a gravestone, and every gravestone in the engraver’s lot with a watermelon. He’d then shoved cryptic instructions under each neighbor’s door with the intention of setting each on a scavenger hunt to find his missing items, a move useless in one case and unnecessary in the other, as the watermelon-grower could not read and the gravestone-carver could see her gravestones from her doorstep quite plainly, planted in the watermelon patch two lots down. Both had guessed the culprit immediately, for Ivan’s antics were not uncommon. Only a month ago, Ivan had stolen a neighbor’s cow and perched her atop yet another neighbor’s candle shop, where she mooed mournfully until someone climbed the roof to milk her, and where she was compelled to live for several days, the kingdom’s most elevated and probably most mystified cow, while the few literate neighbors on the street worked through Ivan’s cryptic clues for how to build the rope and pulley device to bring her down.”
― Bitterblue
― Bitterblue
Reading Progress
January 1, 2014
–
Started Reading
January 1, 2014
–
Finished Reading
September 7, 2016
– Shelved
January 22, 2017
– Shelved as:
x-coverporn
March 19, 2017
– Shelved as:
z-read2015
May 4, 2017
– Shelved as:
fantasy
May 4, 2017
– Shelved as:
x-series
August 27, 2017
– Shelved as:
5-star
August 27, 2017
– Shelved as:
elle-recs-list
July 19, 2018
– Shelved as:
z-favs2015
Comments Showing 1-35 of 35 (35 new)
date
newest »




I get that issue with the treatment of darker elements here. I think the subtlety is what I like about the book, though. I remember it really hit me in grade six (?) when I read this book first, and when I reread it in grade nine, I just got even more out of it. I like that!!



@Sarah glad to see I'm not the only one!! I think Graceling is my favorite, but honestly I go back and forth. I love this one so much.


@Nikki I love that everyone has different faves from this series, it's truly so awesome that the books are all high-quality enough to be favorites



Lol, I'm Jenn. I try not to advertise. :)


oh my god, I'm so glad you loved and I'm flattered it was partially because of my review!!


I hope you love it, Mira! and yes, the diversity is really nice <3


thank you so much, Jacklyn! I hope you love it <3




it's heavily implied within text and Kristin apparently alluded to it at a talk one of my friends went to - she sort of crushes on Katsa, and also kisses a girl at the party she goes to with Saf. it's definitely a slightly more subtle element but really great nonetheless!!

As for the party kissing, it all caught her by so much surprise that although she was open to varrying levels of kissing from both boys and girls (actually from pretty much anyone who attempted to kiss her at the party), I don’t feel like it’s really the same as being bi and wanting to kiss both boys and girls. Fire was like definitely 100% bisexual because she sought out an explicit sexual relationship with another woman. I just don’t see Bitterblue doing anything that shows explicit attraction to women, even though there are many scenes where she’s open about other characters’ same sex attraction.

I do think Fire is more explicitly bisexual, but I honestly think the text of the series is pretty clear for both. But of course opinions can totally differ!!

There is also no mention of Bitterblue herself being queer, although many people around her are. While I understand why you wrote those statements, I think you are misattributing what the author actually wrote.


I think it is dangerous to give a book credit for something it is clearly not trying to do or falsely pin something on a book. Although this book made you think about Nazi Germany, it is clearly not invoking a similar regime. Among other details, there is no genocide on the scale of the Holocaust. Therefore, if you go around saying that Bitterblue is about a Nazi-esque regime, you are misrepresenting what the book is about.
While Cashore's statement makes sense, she surely didn't mean that it's okay for readers to completely and wildly misattribute forms of tyranny to her novel. If Cashore stated that her book is about child abuse in the Catholic church, it's too much of a stretch to say that it's about colonialism.
I'm sure that there are other great novels that explore the effects of colonialization with perhaps a queer and biracial main character, or novels that explore the terrible impact of the Nazi regime. However, Bitterblue is not one of them.


Absolutely agree. Also there was no mention of "people of color" except that people from Lienid are dark from the sun. The covers have seemed to feature white women, and medieval fantasy usually connotes Europeans.
I feel like I've been recommending it and pushing it for eternity to people who look at me and say "yes but you haven't read TOG or ACOTR yet..." which is true. But ahhh Graceling!
Great review!