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A Bridge of Leaves #1
A Suitable Boy
Vikram Seth's novel is, at its core, a love story: Lata and her mother, Mrs. Rupa Mehra, are both trying to find—through love or through exacting maternal appraisal—a suitable boy for Lata to marry. Set in the early 1950s, in an India newly independent and struggling through a time of crisis, A Suitable Boy takes us into the richly imagined world of four large extended families and spins a compulsively readable tale of their lives and loves. A sweeping panoramic portrait of a complex, multiethnic society in flux, A Suitable Boy remains the story of ordinary people caught up in a web of love and ambition, humor and sadness, prejudice and reconciliation, the most delicate social etiquette and the most appalling violence.
1474 pages, Paperback
First published May 1, 1993
About the author
Vikram Seth
72 books1,640 followersVikram Seth is an Indian poet, novelist, travel writer, librettist, children's writer, biographer and memoirist.
During the course of his doctorate studies at Stanford, he did his field work in China and translated Hindi and Chinese poetry into English. He returned to Delhi via Xinjiang and Tibet which led to a travel narrative From Heaven Lake: Travels Through Sinkiang and Tibet (1983) which won the Thomas Cook Travel Book Award.
The Golden Gate: A Novel in Verse (1986) was his first novel describing the experiences of a group of friends who live in California. A Suitable Boy (1993), an epic of Indian life set in the 1950s, got him the WH Smith Literary Award and the Commonwealth Writers Prize.
His poetry includes The Humble Administrator's Garden (1985) and All You Who Sleep Tonight (1990). His Beastly Tales from Here and There (1992) is children's book consisting of ten stories in verse about animals.
In 2005, he published Two Lives, a family memoir written at the suggestion of his mother, which focuses on the lives of his great-uncle (Shanti Behari Seth) and German-Jewish great aunt (Henny Caro) who met in Berlin in the early 1930s while Shanti was a student there and with whom Seth stayed extensively on going to England at age 17 for school. As with From Heaven Lake, Two Lives contains much autobiography.
An unusually forthcoming writer whose published material is replete with un- or thinly-disguised details as to the personal lives of himself and his intimates related in a highly engaging narrative voice, Seth has said that he is somewhat perplexed that his readers often in consequence presume to an unwelcome degree of personal familiarity with him.
During the course of his doctorate studies at Stanford, he did his field work in China and translated Hindi and Chinese poetry into English. He returned to Delhi via Xinjiang and Tibet which led to a travel narrative From Heaven Lake: Travels Through Sinkiang and Tibet (1983) which won the Thomas Cook Travel Book Award.
The Golden Gate: A Novel in Verse (1986) was his first novel describing the experiences of a group of friends who live in California. A Suitable Boy (1993), an epic of Indian life set in the 1950s, got him the WH Smith Literary Award and the Commonwealth Writers Prize.
His poetry includes The Humble Administrator's Garden (1985) and All You Who Sleep Tonight (1990). His Beastly Tales from Here and There (1992) is children's book consisting of ten stories in verse about animals.
In 2005, he published Two Lives, a family memoir written at the suggestion of his mother, which focuses on the lives of his great-uncle (Shanti Behari Seth) and German-Jewish great aunt (Henny Caro) who met in Berlin in the early 1930s while Shanti was a student there and with whom Seth stayed extensively on going to England at age 17 for school. As with From Heaven Lake, Two Lives contains much autobiography.
An unusually forthcoming writer whose published material is replete with un- or thinly-disguised details as to the personal lives of himself and his intimates related in a highly engaging narrative voice, Seth has said that he is somewhat perplexed that his readers often in consequence presume to an unwelcome degree of personal familiarity with him.
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Displaying 1 - 30 of 3,107 reviews
November 24, 2012
After about page 200 I realised this was like eating Turkish Delight morning noon and night and my spiritual teeth were beginning to dissolve under a tide of sickliness which didn't ever let up. All these characters are so unbearably cute, even the less-nice ones. If post-independent India was crossed with Bambi, it would be Vikram Seth's endless gurgling prose.
So I stopped reading and drove several three inch nails into my head, and I've been all right since then.
So I stopped reading and drove several three inch nails into my head, and I've been all right since then.
January 24, 2024
A Mess of A Story That Could Have Been Great
A Suitable Boy is a behemoth book of approximately 1,500 pages by Vikram Seth which is allegedly about a young woman named Lata who is trying to find a suitable boy to marry. The book centers on four different families as well as various political and social movements in India in the 1950’s.
Never have I encountered a book that was more in need of an editor. There were far, far, far too many characters. The book starts off by displaying family trees, four family trees. However, that would not even cover all of the characters by a long shot. There were friends, politicians, teachers, sisters, musicians, and many more. The author really should have focused on a smaller set of characters and written several books rather than this mess.
Additionally, this book was boring. It was like watching paint dry. If you want to read a great book set in India, I would highly recommend A Fine Balance. With so many characters in A Suitable Boy, it was difficult to connect with anyone. After the first one hundred pages, I thought that the pacing would pick up, but it didn’t. As if following 4 families wasn’t enough, this book was also some type of historical fiction. However, it didn’t work for me. The author would talk in excruciating detail about certain religious and political moments, but the reader wasn’t given enough information to put the moments into context. It would have been helpful to summarize the historical context or even hint at some of the context so that the reader could look it up. But I felt like I was thrown into the deep end of the swimming pool, drowning.
After nearly 1,500 pages, the ending felt rather rushed and non-eventful. Lata makes her choice suddenly and with very little fanfare. This was rather disappointing after slogging through so much. The other disappointment with this book is that I could not find an audiobook for this book that was not unabridged, and the prose was not very smooth.
The most interesting part about this book was Cuddles the dog who went around and bit everyone.
Well, another one to cross off the 100 Books To Read Before You Die According the BBC….(62/100)
https://www.listchallenges.com/bbcs-t...
2024 Reading Schedule
Jan Middlemarch
Feb The Grapes of Wrath
Mar Oliver Twist
Apr Madame Bovary
May A Clockwork Orange
Jun Possession
Jul The Folk of the Faraway Tree Collection
Aug Crime and Punishment
Sep Heart of Darkness
Oct Moby-Dick
Nov Far From the Madding Crowd
Dec A Tale of Two Cities
Connect With Me!
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A Suitable Boy is a behemoth book of approximately 1,500 pages by Vikram Seth which is allegedly about a young woman named Lata who is trying to find a suitable boy to marry. The book centers on four different families as well as various political and social movements in India in the 1950’s.
Never have I encountered a book that was more in need of an editor. There were far, far, far too many characters. The book starts off by displaying family trees, four family trees. However, that would not even cover all of the characters by a long shot. There were friends, politicians, teachers, sisters, musicians, and many more. The author really should have focused on a smaller set of characters and written several books rather than this mess.
Additionally, this book was boring. It was like watching paint dry. If you want to read a great book set in India, I would highly recommend A Fine Balance. With so many characters in A Suitable Boy, it was difficult to connect with anyone. After the first one hundred pages, I thought that the pacing would pick up, but it didn’t. As if following 4 families wasn’t enough, this book was also some type of historical fiction. However, it didn’t work for me. The author would talk in excruciating detail about certain religious and political moments, but the reader wasn’t given enough information to put the moments into context. It would have been helpful to summarize the historical context or even hint at some of the context so that the reader could look it up. But I felt like I was thrown into the deep end of the swimming pool, drowning.
After nearly 1,500 pages, the ending felt rather rushed and non-eventful. Lata makes her choice suddenly and with very little fanfare. This was rather disappointing after slogging through so much. The other disappointment with this book is that I could not find an audiobook for this book that was not unabridged, and the prose was not very smooth.
The most interesting part about this book was Cuddles the dog who went around and bit everyone.
Well, another one to cross off the 100 Books To Read Before You Die According the BBC….(62/100)
https://www.listchallenges.com/bbcs-t...
2024 Reading Schedule
Jan Middlemarch
Feb The Grapes of Wrath
Mar Oliver Twist
Apr Madame Bovary
May A Clockwork Orange
Jun Possession
Jul The Folk of the Faraway Tree Collection
Aug Crime and Punishment
Sep Heart of Darkness
Oct Moby-Dick
Nov Far From the Madding Crowd
Dec A Tale of Two Cities
Connect With Me!
Blog Twitter BookTube Facebook Insta
April 8, 2014
This is a magnificent saga, which left me breathless and awaiting the next word, set in India at the beginning of the fifties.
"Suitable Boy" by Vikram Seth's “epic love story set in India. Funny and tragic, with engaging, brilliantly observed characters, it is as close as you can get to Dickens for the twentieth century. The story unfolds through four middle class families - the Mehras, Kappoors, Khans and Chatterjis. Lata Mehra, a university student, is under pressure from her mother to get married. But not to just anyone she happens to fall in love with. There are standards to be met and finding a husband for Lata becomes a family affair in which all the members are to play a part.”
“The richness of this book is remarkable. What with marriage, religion, customs, etc. it has been a really fascinating read for me.”
India's caste system has four main classes (also called varnas) based originally on personality, profession and birth.
I’m eternally grateful to Fionnuala for suggesting that I may perhaps like this author. Do I like Vikram Seth? No, of course not. I just happen to adore him. I think that he’s absolutely splendid. I get the same pleasure reading this book as when I’m eating lobster or tasting a superb Burgundy wine or whatever sublime other pleasures that we have in life…My…
I must confess that I had never heard of Seth before and I wouldn’t if it hadn’t been for Goodreads. It’s one of those remarkable books that becomes a reference book that once read, you can open it at any page and still get that continual enjoyment. It’s a wonderful sensation to savour…
It’s always so difficult for me to write a review on a book that I “love to death” but that has been the case here. This is now my second favourite fiction book after “The Alexandria Quartet” and I could never do that justice. Bravo for the past for Durrell and for the present for Vikram Seth.
In conclusion, Fionnuala and Seth – thank you for giving me so much pleasure. What a serendipitous find. I love this book.
"Suitable Boy" by Vikram Seth's “epic love story set in India. Funny and tragic, with engaging, brilliantly observed characters, it is as close as you can get to Dickens for the twentieth century. The story unfolds through four middle class families - the Mehras, Kappoors, Khans and Chatterjis. Lata Mehra, a university student, is under pressure from her mother to get married. But not to just anyone she happens to fall in love with. There are standards to be met and finding a husband for Lata becomes a family affair in which all the members are to play a part.”
“The richness of this book is remarkable. What with marriage, religion, customs, etc. it has been a really fascinating read for me.”
India's caste system has four main classes (also called varnas) based originally on personality, profession and birth.
I’m eternally grateful to Fionnuala for suggesting that I may perhaps like this author. Do I like Vikram Seth? No, of course not. I just happen to adore him. I think that he’s absolutely splendid. I get the same pleasure reading this book as when I’m eating lobster or tasting a superb Burgundy wine or whatever sublime other pleasures that we have in life…My…
I must confess that I had never heard of Seth before and I wouldn’t if it hadn’t been for Goodreads. It’s one of those remarkable books that becomes a reference book that once read, you can open it at any page and still get that continual enjoyment. It’s a wonderful sensation to savour…
It’s always so difficult for me to write a review on a book that I “love to death” but that has been the case here. This is now my second favourite fiction book after “The Alexandria Quartet” and I could never do that justice. Bravo for the past for Durrell and for the present for Vikram Seth.
In conclusion, Fionnuala and Seth – thank you for giving me so much pleasure. What a serendipitous find. I love this book.
July 16, 2014
I know some GR’ers didn’t really cotton on to the style of this book. And maybe it was because I read this while on vacation in India itself, but wow! Just W.O.W! It’s a fucking long book—1,500 pages. And every single page was worth the time I spent on it and more.
If Midnight’s Children is India’s One Hundred Years of Solitude, then A Suitable Boy must be its War and Peace. It’s got the same melding of personal lives seen in amidst great national events. Instead of the romance of Natasha and Pierre, it’s that of Lata and her three suitors. Instead of the war with France, we have the post-Independence and post-Partition politics of a nation searching for an identity. And instead of descriptions of war, we get exchanges of heated debate on the floor of the state parliament, and the passing of a contentious bill.
Seth looks at the lives of four families intertwined by marriage and friendship. And all the detail—and it is indeed loving detail—is very very necessary to immerse you in the India of the 1950s, and what it felt like to be alive then. We get details of village life, life in the city, life of the different castes, business life, religious life, modern life, traditional life. It’s all there. And it works in tandem with several great stories of love and passion, and what these mean, both at the level of family, romance, and nation.
Word has it that Seth is working on a follow up (not sure if it’s a sequel as such) to be called “A Suitable Girl”. I, for one, can’t wait.
If Midnight’s Children is India’s One Hundred Years of Solitude, then A Suitable Boy must be its War and Peace. It’s got the same melding of personal lives seen in amidst great national events. Instead of the romance of Natasha and Pierre, it’s that of Lata and her three suitors. Instead of the war with France, we have the post-Independence and post-Partition politics of a nation searching for an identity. And instead of descriptions of war, we get exchanges of heated debate on the floor of the state parliament, and the passing of a contentious bill.
Seth looks at the lives of four families intertwined by marriage and friendship. And all the detail—and it is indeed loving detail—is very very necessary to immerse you in the India of the 1950s, and what it felt like to be alive then. We get details of village life, life in the city, life of the different castes, business life, religious life, modern life, traditional life. It’s all there. And it works in tandem with several great stories of love and passion, and what these mean, both at the level of family, romance, and nation.
Word has it that Seth is working on a follow up (not sure if it’s a sequel as such) to be called “A Suitable Girl”. I, for one, can’t wait.
December 4, 2013
*Spoiler alert*
I finally finished reading A Suitable Boy by Vikram Seth. For some reason, I used to avoid picking it up and kept putting it off. I suppose it was mainly the size (it’s one thick book - approximately 1500 pages!) but I also think it had to do with this misconception I had that it would be a tough read, that Seth’s writing would be pompous and saturated with flowery descriptions of rivers winding through the green and yellow village of GraamNagar. Imagine my surprise when I find that the language is smooth, his tone light and his narrative interesting. The fact that Seth managed to keep the threads of the numerous plots and subplots clear in his head is an accomplishment in itself, but even more impressive is how each characters of his story is real; they are people we recognize, with mannerisms we’ve noticed in ourselves and others, and dialogues we’ve heard, thought or spoken.
The title might suggest that it’s the story of finding the perfect marriage candidate for the central character but that would be belittling the grand work that is A Suitable Boy. It is the story of the Mehras, the Kapoors, the Khans, the Chatterjis and a myriad of other characters, such as Saeeda Bai and Kakoli, many of whom are fleshed out substantially, even when their appearance is minimal. The beauty of the story arises from their interactions with each other, their thoughts and their ups and downs. Little details that create vivid images of a decaying courtesan’s world, a cosmopolitan Calcutta, the shoemakers’ rank (as in rancid) neighbourhoods and so on. The story covers about a year of the characters’ lives, detailing the day to day mundanity. Little decisions — a smile here, a letter there, a glass of nimbu pani (lemon-water) every now and then - are what makes the story. Yet these little decisions, these microsteps that are taken, culminate in huge changes that are noticed only in hindsight.
I’m probably not giving away any surprises when I say that I was thoroughly pissed off at Lata Mehra’s decision to marry Haresh Khanna. I shouldn’t have been surprised because Lata does say in the first few pages, ” I always obey my mother” and so the ending wasn’t so much a surprise as it was a disappointment. I did understand why she did it, but I couldn’t help my acute disappointment in her all the same. I was genuinely frustrated at her pigheadedness, her thought process that led her to this decision. I was angry because I am afraid that her reasoning resonated with the coward in everyone, especially south asian girls who have had to, or will have to, at least discuss the concept of arranged marriage at some point in their lives.
Ironically, her mother later suffered a number of qualms herself about whether Haresh would be the right boy for her daughter. Had Lata decided against the marriage, Mrs. Mehra would have been perfectly amenable, especially since Lata’s yuppie brother Arun did not condone the marriage either. So why did Lata decide to snub both Kabir, the Muslim she fell in love with, or Amit, the Bengali poet she could fall in love with easily? Her reasoning in the last few pages was scary because it reminded me of how we would rather our lives be a smooth ride of mediocrity than a roller coaster of brilliance that plummets from time to time. We choose to be mediocre-ly happy - the utilitarian idea that the “aim of action should be the largest possible balance of pleasure over pain or the greatest happiness of the greatest number” (http://www.m-w.com).
She says, “I’m not myself when I’m with him [Kabir]. I ask myself, who is this - this jealous, obsessed woman….I don’t want to [passionately love him], I don’t know want to. If that’s what passion means, I dont’ want it.”
Once Lata makes her decision, we know that she will lead her life contently enough. It upset me because I saw Lata in a number of people I know in real life, including myself. Mind you, I am not advocating against arranged marriage as a whole because I know they can work. Lata’s sister Savita, who marries Pran after meeting him only once in front of her elders, does genuinely fall in love with him and go on to lead a happy life. So it’s not that arranged marriages are wrong. I just felt that Lata was wrong in her decision to marry Haresh. Even if he was considered fair and good looking, confident and ambitious. Ironically, from Haresh’s side, it’s not exactly a traditional arranged marriage. He arranges his nuptials himself because he doesn’t like the parents getting involved in this matter; his parents already know that he will run away (metaphorically speaking) if they try to set him up. So to Haresh, this is a decision he’s making by himself for his own benefit. Haresh had already been in love with someone else before, had neatly folded away his Devdas romanticism for that girl and was ready now to live a contented life with someone else (it just happened to be Lata). He is oh so bloody honest about his feelings for this girl, and that he knows it won’t ever happen and so must move on… Lata wanted his practicality, his forceful ability to get things done, his willingness to help out her family members. What angered me was the underlying assumption that Kabir/Amit couldn’t be all those things, that they would be selfish beings simply because they would also love her, and she would have to him (either him) back.
My favourite characters in the book are Amit Chatterji and Pran Kapoor. I know Vikram Seth denies fashioning Amit after him, but to be honest, for some reason while I was reading about Amit’s tendencies for the necessary inactivity that comes with being a writer, I thought of Seth. What I liked about Amit was that he was the uber intellectual: his tone was oft-sardonic, his amusement frequent, his observations of people accepting and piercing. He talked a lot and said very little. He was cryptic in his cynicism. I loved him. Lata rejects him on the basis of his being "high-maintenance" type - someone who needs his meals laid out for him, who wouldn’t have time for her if he was working on a novel, and whose moodswings are as frequent as her own. I don’t buy that completely. He did make the time for her, he knew how to be charming and behave in society (he wasn’t an absent-minded intellectual), he knew what he wanted and he knew how to get what he wants. Lata was right in that he wouldn’t fall apart at her rejection, but I think it’s not his insensitivity that would allow him to be friends with her after her marriage, but his excessive civility, his sophistication and his writer’s acceptance of life.
My other favourite character, Pran Kapoor - a thin, dark quiet professor - is a sweetheart. The kind of nice guy who doesn’t begrudge his mother-in-law’s long vacations with them, who plays April Fools Day jokes on people because “those who aren��t conscious of the date must take the consequences”. He is the ultimate good son, who quietly accepts his arranged marriage and falls in love with his wife. His was the real arranged marriage, in the true sense of the word, and yet you cannot dislike him or his wife Savita because they are both so lovable people, that you just know that they were destined to be together, no matter how they got together.
For those of you who haven’t read it, do. Trust me, I can’t begin to describe the many shades there are to each character and how nothing I say will completely do justice to them. I got mad at one character’s one decision, not at the book. Seth is amazing. His voice is uninstrusive and style very graceful. That’s the word: graceful. Despite its size, you get a soft feeling reading it. True it is a tad tedious at times. Some of the political parts and some of the characters could have been done without. But in the end, you can’t get angry at someone who gives you the whole cake when all you asked for was a slice.
I finally finished reading A Suitable Boy by Vikram Seth. For some reason, I used to avoid picking it up and kept putting it off. I suppose it was mainly the size (it’s one thick book - approximately 1500 pages!) but I also think it had to do with this misconception I had that it would be a tough read, that Seth’s writing would be pompous and saturated with flowery descriptions of rivers winding through the green and yellow village of GraamNagar. Imagine my surprise when I find that the language is smooth, his tone light and his narrative interesting. The fact that Seth managed to keep the threads of the numerous plots and subplots clear in his head is an accomplishment in itself, but even more impressive is how each characters of his story is real; they are people we recognize, with mannerisms we’ve noticed in ourselves and others, and dialogues we’ve heard, thought or spoken.
The title might suggest that it’s the story of finding the perfect marriage candidate for the central character but that would be belittling the grand work that is A Suitable Boy. It is the story of the Mehras, the Kapoors, the Khans, the Chatterjis and a myriad of other characters, such as Saeeda Bai and Kakoli, many of whom are fleshed out substantially, even when their appearance is minimal. The beauty of the story arises from their interactions with each other, their thoughts and their ups and downs. Little details that create vivid images of a decaying courtesan’s world, a cosmopolitan Calcutta, the shoemakers’ rank (as in rancid) neighbourhoods and so on. The story covers about a year of the characters’ lives, detailing the day to day mundanity. Little decisions — a smile here, a letter there, a glass of nimbu pani (lemon-water) every now and then - are what makes the story. Yet these little decisions, these microsteps that are taken, culminate in huge changes that are noticed only in hindsight.
I’m probably not giving away any surprises when I say that I was thoroughly pissed off at Lata Mehra’s decision to marry Haresh Khanna. I shouldn’t have been surprised because Lata does say in the first few pages, ” I always obey my mother” and so the ending wasn’t so much a surprise as it was a disappointment. I did understand why she did it, but I couldn’t help my acute disappointment in her all the same. I was genuinely frustrated at her pigheadedness, her thought process that led her to this decision. I was angry because I am afraid that her reasoning resonated with the coward in everyone, especially south asian girls who have had to, or will have to, at least discuss the concept of arranged marriage at some point in their lives.
Ironically, her mother later suffered a number of qualms herself about whether Haresh would be the right boy for her daughter. Had Lata decided against the marriage, Mrs. Mehra would have been perfectly amenable, especially since Lata’s yuppie brother Arun did not condone the marriage either. So why did Lata decide to snub both Kabir, the Muslim she fell in love with, or Amit, the Bengali poet she could fall in love with easily? Her reasoning in the last few pages was scary because it reminded me of how we would rather our lives be a smooth ride of mediocrity than a roller coaster of brilliance that plummets from time to time. We choose to be mediocre-ly happy - the utilitarian idea that the “aim of action should be the largest possible balance of pleasure over pain or the greatest happiness of the greatest number” (http://www.m-w.com).
She says, “I’m not myself when I’m with him [Kabir]. I ask myself, who is this - this jealous, obsessed woman….I don’t want to [passionately love him], I don’t know want to. If that’s what passion means, I dont’ want it.”
Once Lata makes her decision, we know that she will lead her life contently enough. It upset me because I saw Lata in a number of people I know in real life, including myself. Mind you, I am not advocating against arranged marriage as a whole because I know they can work. Lata’s sister Savita, who marries Pran after meeting him only once in front of her elders, does genuinely fall in love with him and go on to lead a happy life. So it’s not that arranged marriages are wrong. I just felt that Lata was wrong in her decision to marry Haresh. Even if he was considered fair and good looking, confident and ambitious. Ironically, from Haresh’s side, it’s not exactly a traditional arranged marriage. He arranges his nuptials himself because he doesn’t like the parents getting involved in this matter; his parents already know that he will run away (metaphorically speaking) if they try to set him up. So to Haresh, this is a decision he’s making by himself for his own benefit. Haresh had already been in love with someone else before, had neatly folded away his Devdas romanticism for that girl and was ready now to live a contented life with someone else (it just happened to be Lata). He is oh so bloody honest about his feelings for this girl, and that he knows it won’t ever happen and so must move on… Lata wanted his practicality, his forceful ability to get things done, his willingness to help out her family members. What angered me was the underlying assumption that Kabir/Amit couldn’t be all those things, that they would be selfish beings simply because they would also love her, and she would have to him (either him) back.
My favourite characters in the book are Amit Chatterji and Pran Kapoor. I know Vikram Seth denies fashioning Amit after him, but to be honest, for some reason while I was reading about Amit’s tendencies for the necessary inactivity that comes with being a writer, I thought of Seth. What I liked about Amit was that he was the uber intellectual: his tone was oft-sardonic, his amusement frequent, his observations of people accepting and piercing. He talked a lot and said very little. He was cryptic in his cynicism. I loved him. Lata rejects him on the basis of his being "high-maintenance" type - someone who needs his meals laid out for him, who wouldn’t have time for her if he was working on a novel, and whose moodswings are as frequent as her own. I don’t buy that completely. He did make the time for her, he knew how to be charming and behave in society (he wasn’t an absent-minded intellectual), he knew what he wanted and he knew how to get what he wants. Lata was right in that he wouldn’t fall apart at her rejection, but I think it’s not his insensitivity that would allow him to be friends with her after her marriage, but his excessive civility, his sophistication and his writer’s acceptance of life.
My other favourite character, Pran Kapoor - a thin, dark quiet professor - is a sweetheart. The kind of nice guy who doesn’t begrudge his mother-in-law’s long vacations with them, who plays April Fools Day jokes on people because “those who aren��t conscious of the date must take the consequences”. He is the ultimate good son, who quietly accepts his arranged marriage and falls in love with his wife. His was the real arranged marriage, in the true sense of the word, and yet you cannot dislike him or his wife Savita because they are both so lovable people, that you just know that they were destined to be together, no matter how they got together.
For those of you who haven’t read it, do. Trust me, I can’t begin to describe the many shades there are to each character and how nothing I say will completely do justice to them. I got mad at one character’s one decision, not at the book. Seth is amazing. His voice is uninstrusive and style very graceful. That’s the word: graceful. Despite its size, you get a soft feeling reading it. True it is a tad tedious at times. Some of the political parts and some of the characters could have been done without. But in the end, you can’t get angry at someone who gives you the whole cake when all you asked for was a slice.
This entire review has been hidden because of spoilers.
October 28, 2020
WOW! I didn't want this to end even after reading more than 1400 pages and heartbreakingly it ended but am glad this book made me feel so many emotions. I haven't read something like this in a long time, it was just spellbinding.
October 31, 2019
I don't even know where to begin gushing about this one, so panoramic is its scope and so delightful its literary charms. Vikram Seth's 800,000 word magnum opus is lengthier than War and Peace and more compulsively readable than a well-paced soap opera. It is an event in one's life. I call it a soap opera, because fundamentally, the plot is a family drama, revolving around the wooers of its principal character, Lata Mehra.
Set in the early 1950s and written with a forceful simplicity akin to R K Narayan, it covers 18 months in the entwined lives of four families - the Mehras, Kapoors, Chatterjis, and Khans - and through these characters proffers an intricate peek into a most fascinating (and neglected) period in Indian history. It is an uncertain era; the subcontinent has been Partitioned on religious grounds and India is making its wobbly transition from feudalism to democracy. The First Great General Elections are to be held in 1952 and the central legislative event is the abolition of the oppressive zamindari system, and with it, an entire way of life: courtesans, Hindustani classical musicians and purana khidmatgars. Caste is beginning to make itself felt in electoral calculations, and Nehru remains a force to be reckoned with. On this level, A Suitable Boy is painstakingly researched historical fiction. Seth writes with a level of detail that is unreal. As one reviewer notes, "he writes with the omniscience and authority of a large, orderly committee of experts on Indian politics, law, medicine, crowd psychology, urban and rural social customs, dress, cuisine, horticulture, funerary rites, cricket and even the technicalities of shoe manufacture."
A Suitable Boy is undoubtedly one of the biggest achievements of world literature and will remain one of my all-time favourites. I feel lucky to have read it at this point in time since I can't wait for its sequel coming out next year, the appropriately titled A Suitable Girl.
EDIT: It's been over four years since I wrote this review. Seth still hasn't finished A Suitable Girl, though I'm pretty sure it's going to be worth the wait.
Set in the early 1950s and written with a forceful simplicity akin to R K Narayan, it covers 18 months in the entwined lives of four families - the Mehras, Kapoors, Chatterjis, and Khans - and through these characters proffers an intricate peek into a most fascinating (and neglected) period in Indian history. It is an uncertain era; the subcontinent has been Partitioned on religious grounds and India is making its wobbly transition from feudalism to democracy. The First Great General Elections are to be held in 1952 and the central legislative event is the abolition of the oppressive zamindari system, and with it, an entire way of life: courtesans, Hindustani classical musicians and purana khidmatgars. Caste is beginning to make itself felt in electoral calculations, and Nehru remains a force to be reckoned with. On this level, A Suitable Boy is painstakingly researched historical fiction. Seth writes with a level of detail that is unreal. As one reviewer notes, "he writes with the omniscience and authority of a large, orderly committee of experts on Indian politics, law, medicine, crowd psychology, urban and rural social customs, dress, cuisine, horticulture, funerary rites, cricket and even the technicalities of shoe manufacture."
A Suitable Boy is undoubtedly one of the biggest achievements of world literature and will remain one of my all-time favourites. I feel lucky to have read it at this point in time since I can't wait for its sequel coming out next year, the appropriately titled A Suitable Girl.
EDIT: It's been over four years since I wrote this review. Seth still hasn't finished A Suitable Girl, though I'm pretty sure it's going to be worth the wait.
December 26, 2015
I finished Vikram Seth’s tome A Suitable Boy this Sunday morning while enjoying my coffee and a white chocolate, coconut Christmas cookie that my daughter had baked just last night. All right, all right, I confess it was actually two white chocolate, coconut Christmas cookies. But who can blame me really. They were so good. Not too sweet, she had gone ahead and reduced the suggested amount of sugar, resulting in a perfect blend of sweet with just a hint of salt and a nice moist and chewy texture. And just the right size, one is not enough but two, hmmmmmm just right. Yum yum.
I wish I could say that this book also displayed just the right balance. Set in the early 1950’s in a newly independent India, A Suitable Boy focuses on the lives of four large families, connected by marriage or friendship, though most notably that of Lata Mehra, whose mother Mrs. Rupa Mehra, is intent on conducting an agonizing (hers) search, that pulls in all members of her immediate and extended family, to find a suitable husband for Lata.
The story immerses you into the daily details of these families’ lives and indeed of India at that time and place. No stone is left unturned and no player too insignificant to escape the authors unquestionable skill in drawing rich characterizations and beautifully imagined settings. Through these people the reader is swept into a multiethnic society during an unsettling time of religious fervour and political unrest. It is all here: love, beauty, squalor, hatred, the caste system, prejudice, appalling violence and heart stopping tenderness.
For me however there was just way too much detail. I really did not need to dive so deeply into the political manoeuvrings involved in passing a bill or the entire history of their philosophic or cultural rituals. There was so much detail, so deeply layered into the story that it detracted from, rather than enhanced my enjoyment of it. I found myself remembering John Galt’s speech way too often. I mean there is such a thing as too much icing on what is an already delicious cinnamon bun.
It is unfortunate, I believe that the editors did not cut some of that detail away, allowing the story to blossom in its own right as my daughter did with the sugar in her cookie recipe.
I wish I could say that this book also displayed just the right balance. Set in the early 1950’s in a newly independent India, A Suitable Boy focuses on the lives of four large families, connected by marriage or friendship, though most notably that of Lata Mehra, whose mother Mrs. Rupa Mehra, is intent on conducting an agonizing (hers) search, that pulls in all members of her immediate and extended family, to find a suitable husband for Lata.
The story immerses you into the daily details of these families’ lives and indeed of India at that time and place. No stone is left unturned and no player too insignificant to escape the authors unquestionable skill in drawing rich characterizations and beautifully imagined settings. Through these people the reader is swept into a multiethnic society during an unsettling time of religious fervour and political unrest. It is all here: love, beauty, squalor, hatred, the caste system, prejudice, appalling violence and heart stopping tenderness.
For me however there was just way too much detail. I really did not need to dive so deeply into the political manoeuvrings involved in passing a bill or the entire history of their philosophic or cultural rituals. There was so much detail, so deeply layered into the story that it detracted from, rather than enhanced my enjoyment of it. I found myself remembering John Galt’s speech way too often. I mean there is such a thing as too much icing on what is an already delicious cinnamon bun.
It is unfortunate, I believe that the editors did not cut some of that detail away, allowing the story to blossom in its own right as my daughter did with the sugar in her cookie recipe.
September 8, 2017
Vikram Seth's A Suitable Boy is one of the best books I've ever read in my entire life. It's a long book. But it is very engaging; I managed to read it in one stretch, with a break to sleep, while I awaited the movers to take me and my belongings across the country. To my chagrin I had completed it before my flight, and when it finished I didn't want the book to be over, I wanted to go back and re-read it from the beginning. It is one of the best books about life in India I've ever read, it is the anti-Kite Runner book. There is nothing trite or stereotyped about the characterization; it believably describes elements of society that are even oblique to people within the mainstream of modern Indian society; the plot is not simple, nor is it a convoluted mystery story.
Writing this up I think I should go get it and read it again. Like most of my favorite books I gave it away a long time ago.
Writing this up I think I should go get it and read it again. Like most of my favorite books I gave it away a long time ago.
October 23, 2017
A Suitable Boy describes a year in the life of the fledgling Indian democracy, indirectly told through the experiences of four connected families and a litany of supporting characters, who, due to the diversity of their occupations and social positions, are able to explore various facets – political, legal, social, cultural, religious, artistic – of the India of this period, and the clash of its opposing cultural forces: traditional versus modern values, religion versus secularism, Hinduism versus Islam, Eastern versus Western culture, and democracy versus serfdom, to name a few.
The titular story concerning Mrs Mehra’s search for a husband for her daughter, Lata, though just one of many stories that the novel weaves together, stands out due to what it reveals about the norms and cultural prejudices of the time. We see in Lata an intelligent young woman who has received a modern education, but is pressured by family and cultural expectations to take on a traditional female role (While her plight is no means as bleak, I was reminded of Ishiguro’s Never Let Me Go, in terms of the dissociation between education and eventual societal role). In Lata’s story there is a contemplation of what it means to seek happiness, an evaluation of the importance of love, of the fine balance between passion and security, of the necessary compromise of values that is thrust on an individual by their cultural context, where to either fight or relent to pressure requires in one way or another a sacrifice or self.
As an outsider, I was struck by the stratification of the society, where one must be utterly obsequious to one’s superiors, and trample upon those below, in order to reinforce one’s status. The caste system locks people into the positions they are assigned at birth, preventing social mobility. In this culture status and position are everything. There is a casual, internalised racism, a sensitivity to the degree of darkness of one’s skin, that manifests in all sorts of interactions, from choosing a mate, to business relationships, to deciding with whom to associate. There is an enormous disparity in fortunes between the wealthy and powerful, who occupy great mansions and large estates, and who are all but unreachable by the law, and the majority of the lower castes, who are forced into subservient roles, living on a pittance in utterly squalid conditions, without any hope of improving their lot. To the list of Hitchens’ Religions That Poison Everything, let us not omit the otherwise fairly innocuous Hinduism, whose dogma of karmic rebirth provides religious justification for this horrible system of oppression. There is evidence in this book of a gradual abandonment of these attitudes, which I hope has been precipitated by the last 70 years of democracy.
Striking also is the extent of social and political disunity, which I’m sure is in no small part due to the “divide and conquer” policy of the British. (It’s amazing the extent that the British were able to transform the country in their own image in such a short time, and the degree to which many of the characters would define themselves as, or aspire to be, English. The closer one dresses, speaks and acts as an Englishman, the more refined he is. Conversely, the more “Indian” he appears by his accent or demeanour, the lower his standing and his desirability. Though there are surely lingering benefits of British colonialism, this kind of internalised oppression seems to me to be fairly odious.) The India of this period is depicted as a heterogeneous multicultural society, where the religious, ethnic, linguistic, cultural and ideological differences constantly threaten to disrupt stability. One gets a real sense of the fragility of the young Indian democracy, where there was a real possibility of failure and collapse. Partition was a tragedy that affects the world to this day, but overall the enduring survival of Indian democracy through these times of turmoil has been a wonderfully fortunate benefit to the world. It is easy to imagine a world where things had turned out differently.
In terms of the prose, I did not enjoy Seth’s bland and relentless Realism. In nearly 1,500 pages, there is not a single sentence worth underlining, not a single interesting metaphor, and rarely anything resembling a profound authorial insight. Instead, the story is told in a flat style of alternating description and dialogue, with the omniscient narrator jumping freely between the thoughts of the different characters. This style has caused the book to be compared to some of the great works of the Eighteenth and Nineteenth Century, of which it is reminiscent. Many people seem to like this kind of writing, but it’s not my cup of tea.
I’m rating this book more generously than its literary merits would seem to warrant. This is a very long novel, and though it is arguable whether many sections were essential to include, on the whole it paints a thoughtful, detailed and complex picture of post-independence India, with all the wonderful, as well as the disagreeable aspects of its culture. Indeed, the India of Seth’s novel is a land of contradictions, of inequality, of oppression, and yet of hope through the experiment of democracy. If nothing else, I will miss his characters, who, though they are a little saccharine (I don’t disagree with Paul Bryant's assessment), are delightful companions with whom to undertake such a long journey.
The titular story concerning Mrs Mehra’s search for a husband for her daughter, Lata, though just one of many stories that the novel weaves together, stands out due to what it reveals about the norms and cultural prejudices of the time. We see in Lata an intelligent young woman who has received a modern education, but is pressured by family and cultural expectations to take on a traditional female role (While her plight is no means as bleak, I was reminded of Ishiguro’s Never Let Me Go, in terms of the dissociation between education and eventual societal role). In Lata’s story there is a contemplation of what it means to seek happiness, an evaluation of the importance of love, of the fine balance between passion and security, of the necessary compromise of values that is thrust on an individual by their cultural context, where to either fight or relent to pressure requires in one way or another a sacrifice or self.
As an outsider, I was struck by the stratification of the society, where one must be utterly obsequious to one’s superiors, and trample upon those below, in order to reinforce one’s status. The caste system locks people into the positions they are assigned at birth, preventing social mobility. In this culture status and position are everything. There is a casual, internalised racism, a sensitivity to the degree of darkness of one’s skin, that manifests in all sorts of interactions, from choosing a mate, to business relationships, to deciding with whom to associate. There is an enormous disparity in fortunes between the wealthy and powerful, who occupy great mansions and large estates, and who are all but unreachable by the law, and the majority of the lower castes, who are forced into subservient roles, living on a pittance in utterly squalid conditions, without any hope of improving their lot. To the list of Hitchens’ Religions That Poison Everything, let us not omit the otherwise fairly innocuous Hinduism, whose dogma of karmic rebirth provides religious justification for this horrible system of oppression. There is evidence in this book of a gradual abandonment of these attitudes, which I hope has been precipitated by the last 70 years of democracy.
Striking also is the extent of social and political disunity, which I’m sure is in no small part due to the “divide and conquer” policy of the British. (It’s amazing the extent that the British were able to transform the country in their own image in such a short time, and the degree to which many of the characters would define themselves as, or aspire to be, English. The closer one dresses, speaks and acts as an Englishman, the more refined he is. Conversely, the more “Indian” he appears by his accent or demeanour, the lower his standing and his desirability. Though there are surely lingering benefits of British colonialism, this kind of internalised oppression seems to me to be fairly odious.) The India of this period is depicted as a heterogeneous multicultural society, where the religious, ethnic, linguistic, cultural and ideological differences constantly threaten to disrupt stability. One gets a real sense of the fragility of the young Indian democracy, where there was a real possibility of failure and collapse. Partition was a tragedy that affects the world to this day, but overall the enduring survival of Indian democracy through these times of turmoil has been a wonderfully fortunate benefit to the world. It is easy to imagine a world where things had turned out differently.
In terms of the prose, I did not enjoy Seth’s bland and relentless Realism. In nearly 1,500 pages, there is not a single sentence worth underlining, not a single interesting metaphor, and rarely anything resembling a profound authorial insight. Instead, the story is told in a flat style of alternating description and dialogue, with the omniscient narrator jumping freely between the thoughts of the different characters. This style has caused the book to be compared to some of the great works of the Eighteenth and Nineteenth Century, of which it is reminiscent. Many people seem to like this kind of writing, but it’s not my cup of tea.
I’m rating this book more generously than its literary merits would seem to warrant. This is a very long novel, and though it is arguable whether many sections were essential to include, on the whole it paints a thoughtful, detailed and complex picture of post-independence India, with all the wonderful, as well as the disagreeable aspects of its culture. Indeed, the India of Seth’s novel is a land of contradictions, of inequality, of oppression, and yet of hope through the experiment of democracy. If nothing else, I will miss his characters, who, though they are a little saccharine (I don’t disagree with Paul Bryant's assessment), are delightful companions with whom to undertake such a long journey.
October 10, 2020
4.5 stars: A Great Indian Novel in both scale and scope
Those familiar with the unique dramatic phenomenon that are Hindi television soaps would see why many tend to bring them up in comparison with A Suitable Boy: both are interminably long and contend, prima facie, with the quintessentially Indian concept of arranged marriage. And yet, this is where the similarities largely end, for Vikram Seth's delightful literary behemoth extends its scope beyond the personal destinies of its characters and deals, too, with that of the fledgling democracy within which their lives come together.
At the center of this magnificent saga lies the young Lata Mehra, whose her mother's attempts to find her a suitable husband through love or through exacting maternal appraisal rope the reader into a story that intertwines four families—The Mehras, Chatterjees, Kapoors, and Khans—across a journey spanning vast tracts of Indian society, many of its vibrant cities, and the tumultuous year before the great elections in 1952 that officially turned the country into the world's largest democracy.
The colourful cast of characters reflects people from various sections of society, from academic circles in Brahmpur to a class of anglicised professionals, poets, and foreign diplomats in Calcutta; from enterprising middle-class shoe tradesmen in Kanpur to the caste-oppressed leatherworkers and untouchable tenant farmers; from the Muslim gentry in Baitar to lower-caste muslim peasants in Rudhia; from courtesans and musicians living off of royal patronage to powerful politicians—the story is knitted, plain and purl, to display the diverse, multifaceted, and often tragic social fabric of the country.
The author portrays delicacy and romance, humour and antagonism, rituals and riots, and the tragicomedy of their contingent coexistence through the immensity and realism of his pointed prose—A Suitable Boy is dramatic, but no more than lived reality, informed as it was by the painful memory of a communal Partition and the realities of class, gender, and (more prominently) caste becoming known through the electoral experiment of universal adult franchise. Seth manages to effortlessly weave into his narrative nuanced discussions on a rarely spoken about period in Indian history, including major events such as the passage and contingencies of the Zamindari Abolition Bill and the split in the Congress Party. I was pleasantly surprised to find issues such as coloniality, the oft-ignored intersection of caste with communal divide, and the Sanskritisation of 'Indian' culture and languages being discussed in what is essentially a love story with both effectiveness and subtlety.
Unlike most tales in its genre, A Suitable Boy does not shy away from exploring how politics influences personal decisions, especially those concerning marriage. Arranged marriage, in particular, is a form of maintaining the prevalent hierarchies drawn along the lines of caste, class, ethnicity and religion, and therefore a 'suitable' match for Lata would, according to convention, be a Hindu and a Khatri. Whereas the author breaks prescription in some ways, he reaffirms them in others—is it perhaps too much to ask for a truly happy ending in a story set in the 1950s? Perhaps not, but it sure isn't realistic. In any case, the tale manages ample comedy in another sense of the word: given the richness of contextual humour and subtle play of words, light-hearted cultural commentary, and other deliberate jokes, I found myself laughing out loud at several points during this book, whereas the simplicity of language and fullness of detail certainly made it a delight to read.
One of the most acclaimed books to come from the Indian subcontinent, A Suitable Boy does not disappoint: with its nuanced exploration of a host of serious themes and its serious physical bulk, it nevertheless remains light and well-rounded—much like life itself.
Those familiar with the unique dramatic phenomenon that are Hindi television soaps would see why many tend to bring them up in comparison with A Suitable Boy: both are interminably long and contend, prima facie, with the quintessentially Indian concept of arranged marriage. And yet, this is where the similarities largely end, for Vikram Seth's delightful literary behemoth extends its scope beyond the personal destinies of its characters and deals, too, with that of the fledgling democracy within which their lives come together.
At the center of this magnificent saga lies the young Lata Mehra, whose her mother's attempts to find her a suitable husband through love or through exacting maternal appraisal rope the reader into a story that intertwines four families—The Mehras, Chatterjees, Kapoors, and Khans—across a journey spanning vast tracts of Indian society, many of its vibrant cities, and the tumultuous year before the great elections in 1952 that officially turned the country into the world's largest democracy.
The colourful cast of characters reflects people from various sections of society, from academic circles in Brahmpur to a class of anglicised professionals, poets, and foreign diplomats in Calcutta; from enterprising middle-class shoe tradesmen in Kanpur to the caste-oppressed leatherworkers and untouchable tenant farmers; from the Muslim gentry in Baitar to lower-caste muslim peasants in Rudhia; from courtesans and musicians living off of royal patronage to powerful politicians—the story is knitted, plain and purl, to display the diverse, multifaceted, and often tragic social fabric of the country.
The author portrays delicacy and romance, humour and antagonism, rituals and riots, and the tragicomedy of their contingent coexistence through the immensity and realism of his pointed prose—A Suitable Boy is dramatic, but no more than lived reality, informed as it was by the painful memory of a communal Partition and the realities of class, gender, and (more prominently) caste becoming known through the electoral experiment of universal adult franchise. Seth manages to effortlessly weave into his narrative nuanced discussions on a rarely spoken about period in Indian history, including major events such as the passage and contingencies of the Zamindari Abolition Bill and the split in the Congress Party. I was pleasantly surprised to find issues such as coloniality, the oft-ignored intersection of caste with communal divide, and the Sanskritisation of 'Indian' culture and languages being discussed in what is essentially a love story with both effectiveness and subtlety.
Unlike most tales in its genre, A Suitable Boy does not shy away from exploring how politics influences personal decisions, especially those concerning marriage. Arranged marriage, in particular, is a form of maintaining the prevalent hierarchies drawn along the lines of caste, class, ethnicity and religion, and therefore a 'suitable' match for Lata would, according to convention, be a Hindu and a Khatri. Whereas the author breaks prescription in some ways, he reaffirms them in others—is it perhaps too much to ask for a truly happy ending in a story set in the 1950s? Perhaps not, but it sure isn't realistic. In any case, the tale manages ample comedy in another sense of the word: given the richness of contextual humour and subtle play of words, light-hearted cultural commentary, and other deliberate jokes, I found myself laughing out loud at several points during this book, whereas the simplicity of language and fullness of detail certainly made it a delight to read.
One of the most acclaimed books to come from the Indian subcontinent, A Suitable Boy does not disappoint: with its nuanced exploration of a host of serious themes and its serious physical bulk, it nevertheless remains light and well-rounded—much like life itself.
February 28, 2017
A Suitable Boy takes place over the course of a year in an India which is adjusting not only to independence but to partition. Through the stories of some of the major families of Brahmpur, we observe and participate in not only the day to day activities of individuals but the workings of government, developing industry--some quite primitive, the existence of caste--though outlawed, religious hatred, and the search for love and marriage. There are beauty and violence, squalor and humor, festivals and riots. It is a very full year.
At the center is Lata, searching for that "suitable" boy, the man she will marry.That quest is not finalized until the end of the novel and is worth reading about but so much more is happening. I came to this book with a smattering of knowledge about India and Indian beliefs and customs and come away with a feeling that I have learned enough to want to know more. This is a country both rich and poor: rich in tradition, rich in religious beliefs, rich in an amazing ability to pick itself up from disaster but poor in ability to distribute its wealth and to eliminate its history of castes (I do recognize that this novel is set in the 1950s), poor in eliminating government graft, and poor in eliminating inter-religious strife. All are on display here and have not been eliminated today. (I will not hesitate to say that the country I live in, and most others have many of the same problems to one degree or another.)
But family is at the center of this novel and Lata at the center of one family.
[Lata] wondered what one could do to be born happy, to
achieve happiness, or to have it thrust on one. The baby,
she thought, had arranged to be born happy; she was placid,
and had as good a chance as anyone of happiness in this
world...Pran and Savita, different though their backgrounds
were, were a happy couple. They recognized limits and
possibilities; their yearnings did not stretch beyond their
reach. They loved each other---or, rather, had come to do
so. They both assumed, without ever needing to state it---
or perhaps without even thinking explicitly about
it---that marriage and children were a great good.
( pp 951-952)
This is one of the examples for Lata to observe. Of course there are other, some decidedly less functional.
This book does require a major investment of time and attention but for those who give it, there is a great return. Personally I find well written historical fiction a wonderful road to explore another culture.
Highly recommended!
At the center is Lata, searching for that "suitable" boy, the man she will marry.That quest is not finalized until the end of the novel and is worth reading about but so much more is happening. I came to this book with a smattering of knowledge about India and Indian beliefs and customs and come away with a feeling that I have learned enough to want to know more. This is a country both rich and poor: rich in tradition, rich in religious beliefs, rich in an amazing ability to pick itself up from disaster but poor in ability to distribute its wealth and to eliminate its history of castes (I do recognize that this novel is set in the 1950s), poor in eliminating government graft, and poor in eliminating inter-religious strife. All are on display here and have not been eliminated today. (I will not hesitate to say that the country I live in, and most others have many of the same problems to one degree or another.)
But family is at the center of this novel and Lata at the center of one family.
[Lata] wondered what one could do to be born happy, to
achieve happiness, or to have it thrust on one. The baby,
she thought, had arranged to be born happy; she was placid,
and had as good a chance as anyone of happiness in this
world...Pran and Savita, different though their backgrounds
were, were a happy couple. They recognized limits and
possibilities; their yearnings did not stretch beyond their
reach. They loved each other---or, rather, had come to do
so. They both assumed, without ever needing to state it---
or perhaps without even thinking explicitly about
it---that marriage and children were a great good.
( pp 951-952)
This is one of the examples for Lata to observe. Of course there are other, some decidedly less functional.
This book does require a major investment of time and attention but for those who give it, there is a great return. Personally I find well written historical fiction a wonderful road to explore another culture.
Highly recommended!
July 18, 2015
By the time I got to the end, I wanted to throw this book across the room, but by then I was exhausted. The book was too heavy to lift and heave properly, so I slapped the paperback covers with as much derision as I could manage.
This is the longest book I’ve ever read. It’s the world’s 17th longest novel. Longer than Infinite Jest. Longer than War and Peace.
You’d think they’d give me some sort of prize for reading all that. But what do I get instead?
I was all set to give this book four stars. The boring parts—hundreds of pages of boring parts—would be forgiven because the good parts were so good. Ugh. But then I began turning those last pages with a sick, disgusted, wretched feeling. That cost the book two more stars. Now that I’m finished I have to keep telling myself it’s not real. It’s only a story. So then I should probably add a star back on because if it made me feel that emotional about it, that is effective. On some level. Not the best level, but I guess you can’t have everything.
This is the longest book I’ve ever read. It’s the world’s 17th longest novel. Longer than Infinite Jest. Longer than War and Peace.
You’d think they’d give me some sort of prize for reading all that. But what do I get instead?
I was all set to give this book four stars. The boring parts—hundreds of pages of boring parts—would be forgiven because the good parts were so good. Ugh. But then I began turning those last pages with a sick, disgusted, wretched feeling. That cost the book two more stars. Now that I’m finished I have to keep telling myself it’s not real. It’s only a story. So then I should probably add a star back on because if it made me feel that emotional about it, that is effective. On some level. Not the best level, but I guess you can’t have everything.
June 15, 2013
Remek-delo Vikrama Seta! MUST READ... Odličan prevod Brane Radević... Još jedna indijska priča koja je postala savremeni klasik...
April 17, 2017
Dynasty in India is what this book really is, for all its allusions to Victorian novels. But sure, yes, it's longer than War & Peace, ensuring its place on the Books Your Friends Didn't Finish list:
The Hawking Index according to me
- Brief History of Time
- Jonathan Strange & Mr. Norrell
- Suitable Boy
- Every book published before 1940
- The Bible
And it shares with War & Peace a panoramic, many-charactered view of an entire society, against the backdrop of real events - here, the 1951 abolition of the feudal Zamindari system, and the taut relationship between Hindus and Muslims in post-colonial India, which had just divided itself in two in order to pack most of its Muslims off to Pakistan.
Vikram Seth's real love is for Jane Austen, though, and the major plot is pure Austen: whom will Lata Mehra marry? The suitors include ambitious Haresh, who reads pessimistic Hardy; the poet and Seth stand-in Amit Chatterji, who (along with Lata herself) reads Austen; and the Muslim Kabir, who is in no way suitable and does not read novels (but he does act in Shakespeare's Twelfth Night).
The other major plotline involves the growing up of Lata's brother-in-law Maan Kapoor, who has an affair with musical courtesan Saeeda Bai. These two families, the Mehras and the Kapoors, twine together throughout the book, along with the Chatterjis and the Muslim Khans. It can get confusing. Here are the major characters:
MEHRAS (Rupa & dead husband)
Arun (business douche) -> Meenakshi Chatterji
daughter Aparna
Varun (milquetoast)
Savita -> Pran Kapoor
Lata
KAPOORS (Mahesh and Mrs.)
Pran (professor) -> Savita Mehra
Maan (Saeeda Bai, best friends with Firoz Khan)
Veena -> Kedarnath Tandon the shoe guy
son Bhaskar is good at math
KHANS (Nawab Sahib of Baitar)
Begun Abida Khan, sister-in-law politician
Zainab (daughter)
Imtiaz
Firoz (into Tasneem, Saeeda Bai's younger sister; best friends with Maan Kapoor)
CHATTERJIS (Justice & Mrs.)
Amit - poet
Meenakshi (a shitty person) -> Arun Mehra
Dipankar (the religious one)
Kakoli (silly but fun)
Tapan (nobody cares about Tapan)
EVERYONE ELSE
Saeeda Bai the singing courtesan & her sister Tasneem -
LN Agarwhal (incompetent politician)
Raja of Marh (asshole with gay son)
Dr. Durrani (Muslim mathematician)
Kabir Durrani (potential match for Lata)
Haresh (ambitious shoemaker, potential Lata match)
Malati (Lata's best friend)
Whew. There are of course family trees at the beginning of the book that you should bookmark. My book club has also put together a glossary that may help you. (Thanks Kaion!) And I even made a Suitable Playlist on Spotify! It contains many of the songs mentioned in the book. The "Rise traveler, the sky is bright" song is "Uth, Jaag, Musafir."
That's a lot of stuff, and this is a lot of book. It'll fully immerse you in Indian culture, which is neat. It's not difficult; it's still a soap opera, with lots of gossip and plot, and Seth writes cleanly. I found it hard to put down when I was reading it, but sometimes hard to pick up again when I wasn't. It didn't really grab me in an "I can't wait to keep reading" way until around 75%. But I really liked it. Nothing wrong with an Indian Dynasty.
The Hawking Index according to me
- Brief History of Time
- Jonathan Strange & Mr. Norrell
- Suitable Boy
- Every book published before 1940
- The Bible
And it shares with War & Peace a panoramic, many-charactered view of an entire society, against the backdrop of real events - here, the 1951 abolition of the feudal Zamindari system, and the taut relationship between Hindus and Muslims in post-colonial India, which had just divided itself in two in order to pack most of its Muslims off to Pakistan.
Vikram Seth's real love is for Jane Austen, though, and the major plot is pure Austen: whom will Lata Mehra marry? The suitors include ambitious Haresh, who reads pessimistic Hardy; the poet and Seth stand-in Amit Chatterji, who (along with Lata herself) reads Austen; and the Muslim Kabir, who is in no way suitable and does not read novels (but he does act in Shakespeare's Twelfth Night).
The other major plotline involves the growing up of Lata's brother-in-law Maan Kapoor, who has an affair with musical courtesan Saeeda Bai. These two families, the Mehras and the Kapoors, twine together throughout the book, along with the Chatterjis and the Muslim Khans. It can get confusing. Here are the major characters:
MEHRAS (Rupa & dead husband)
Arun (business douche) -> Meenakshi Chatterji
daughter Aparna
Varun (milquetoast)
Savita -> Pran Kapoor
Lata
KAPOORS (Mahesh and Mrs.)
Pran (professor) -> Savita Mehra
Maan (Saeeda Bai, best friends with Firoz Khan)
Veena -> Kedarnath Tandon the shoe guy
son Bhaskar is good at math
KHANS (Nawab Sahib of Baitar)
Begun Abida Khan, sister-in-law politician
Zainab (daughter)
Imtiaz
Firoz (into Tasneem, Saeeda Bai's younger sister; best friends with Maan Kapoor)
CHATTERJIS (Justice & Mrs.)
Amit - poet
Meenakshi (a shitty person) -> Arun Mehra
Dipankar (the religious one)
Kakoli (silly but fun)
Tapan (nobody cares about Tapan)
EVERYONE ELSE
Saeeda Bai the singing courtesan & her sister Tasneem -
LN Agarwhal (incompetent politician)
Raja of Marh (asshole with gay son)
Dr. Durrani (Muslim mathematician)
Kabir Durrani (potential match for Lata)
Haresh (ambitious shoemaker, potential Lata match)
Malati (Lata's best friend)
Whew. There are of course family trees at the beginning of the book that you should bookmark. My book club has also put together a glossary that may help you. (Thanks Kaion!) And I even made a Suitable Playlist on Spotify! It contains many of the songs mentioned in the book. The "Rise traveler, the sky is bright" song is "Uth, Jaag, Musafir."
That's a lot of stuff, and this is a lot of book. It'll fully immerse you in Indian culture, which is neat. It's not difficult; it's still a soap opera, with lots of gossip and plot, and Seth writes cleanly. I found it hard to put down when I was reading it, but sometimes hard to pick up again when I wasn't. It didn't really grab me in an "I can't wait to keep reading" way until around 75%. But I really liked it. Nothing wrong with an Indian Dynasty.
December 2, 2007
This is one of my five all time favorite books (along with the Handmaid's Tale, On Beauty, the Red Tent, & Corelli's Mandolin). It is a patch work story of many characters' lives; by the end of the story, you see how they all intersect.
This was one of those books where when I finished the book I was completely invested in each of the character's life. The story is set in post-independence India and explores a number of social/political issues of the time (i.e. land reform, muslim-hindu relations, women's rights, arranged marriage, the caste system), but the political commentary doesn't hit you over the head, and the characters really drive the story.
Despite my enthusiastic recommendations, I've had a hard time finding anyone to read this book! At 1379 pages it is apparently the longest book to be printed in English in one volume. However I found it to be a total page turner. Just resign yourself to the fact that you'll be reading this book for a couple of months and give it a try.
This was one of those books where when I finished the book I was completely invested in each of the character's life. The story is set in post-independence India and explores a number of social/political issues of the time (i.e. land reform, muslim-hindu relations, women's rights, arranged marriage, the caste system), but the political commentary doesn't hit you over the head, and the characters really drive the story.
Despite my enthusiastic recommendations, I've had a hard time finding anyone to read this book! At 1379 pages it is apparently the longest book to be printed in English in one volume. However I found it to be a total page turner. Just resign yourself to the fact that you'll be reading this book for a couple of months and give it a try.
May 19, 2014
I was never entirely sure who belonged to what family in this book, but it never really bothered me. I mean, after we switched back to a different group of characters, I was able to reconstruct who they were related to fairly easily, but I never could hold the genealogies in my mind.
Note: The rest of this review has been withdrawn due to the changes in Goodreads policy and enforcement. You can read why I came to this decision here.
In the meantime, you can read the entire review at Smorgasbook
Note: The rest of this review has been withdrawn due to the changes in Goodreads policy and enforcement. You can read why I came to this decision here.
In the meantime, you can read the entire review at Smorgasbook
August 1, 2022
Un buen partido es una novela que transcurre entre 1951 y 1952 unos pocos años tras la independencia de la India, un pais multiétnico en pleno cambio y preparándose para sus primeras elecciones y Vikram Seth, su autor, para contarnos todos estos cambios sociales y politicos, nos la sitúa en la ciudad ficticia de Brahmpur alrededor de cuatro familias: los Kapoor, Khan, Chatterjis y finalmente los Mehra. Tres de estas familias están relacionadas por lazos familiares a través del matrimonio, los Khan, musulmanes, por lazos de amistad. Hindúes y musulmanes unidos y desunidos continuamente por esos lazos familiares y de amistad en una India inmersa en un continuo conflicto religioso y social.
"Mide 1,65. Es alta, de piel no muy clara, pero atractiva e inteligente al estilo indio. Creo que su aspiración es llevar una vida tranquila, sin sobresaltos."
Es la matriarca de los Mehra, Rupa Mehra, el personaje central y el hilo conductor que aúna los cuatro núcleos familiares. La búsqueda de un buen partido para su hija Lata por parte de su madre, Rupa Mehra, es la excusa para mostrarnos a la India de aquella época, un microcosmos en plena ebullición que ha dado el paso de la independencia y que sin embargo todavía está firmemente asentada en un colonianismo traumático, del cual se ven trazas muy firmes en algunos personajes de esta espléndida novela.
Quizás pueden echar para atrás sus 1300 páginas, todo un tocho, y sin embargo, sin esa cantidad de páginas hubiera sido completamente imposible hacerse una idea del personaje principal de la novela, que realmente es la India. Hay muchos personajes pero la claridad en el estilo de Vikram Seth no hace complicado reconocerlos, todo lo contrario, poco a poco los vas reconociendo y te vas encariñando, incluso algunos más secundarios, los reconoces enseguida en cuanto aparecen tras varios cientos de páginas sin aparecer. Un consejo para leerla podría ser tomándotela como una serie de tv; la novela está dividida en 19 partes, cada parte como un capitulo de una serie y leer esa parte como un todo (al igual que vemos un capitulo de una serie del tirón). En fin, una tonteria pero podría ayudar para emprender una novela de estas características.
"Cuando hay que hacer una cosa, hay que hacerla y punto. Un tio mío de Delhi cree que estoy contaminado, que he perdido la casta por trabajar con el cuero. Casta!"
Es una novela además sobre raza y clases sociales, muy marcadas y diferenciadas y sin embargo, algunos personajes sirven como interconexión entre las diferentes clases sociales, personajes que al igual que el pais en pleno cambio, intentan evolucionar y ajustarse a los nuevos tiempos. En ese aspecto me parece espléndido el retrato que hace el autor de Arun, el hermano de Lata, que de alguna forma retrata ese colonianismo (mental) sofisticado y clasista de algunos indios incluso después de haberse independizado de los británicos, y por otra parte Haresh, un hombre hecho a si mismo, no perteneciente a a la élite clasista, y que de alguna forma demuestra lo que significan los nuevos tiempos por venir.
"Lata se asombraba de que Haresh hubiera podido sacar tan buenas notas en la universidad y ganarse la vida al mismo tiempo. Pero su acento seguía molestándola (...) Reflexionó que Haresh, en sentido estricto, no estaba occidentalizado: percibía que en sus modales y su manera de expresarse se hallaban un poco a medio camino entre lo hindú y lo europeo."
Es cierto que en este libro hay partes algo áridas referidas a la politica, al cricket y a la industria zapatera, pero es un problema completamente menor porque una vez que terminas esos capitulos explicativos, vuelves a disfrutar con las redes sociales que se van tejiendo en torno a todos estos personajes maravillosos y que una vez terminada la novela echas de menos como si hubieran formado parte de tu entorno más real. Savita, Maan, Pran, Amit, Kabir, Haresh, Rasheed, Firoz, Meenkashi, Malati, Mahesh Kapoor, Lata, Saeeda Bai ,... por nombrar a algunos, todos y cada uno de ellos muestran un rasgo identificativo de la India. Épica e inmensa novela.
https://kansasbooks.blogspot.com/2022...
"Mide 1,65. Es alta, de piel no muy clara, pero atractiva e inteligente al estilo indio. Creo que su aspiración es llevar una vida tranquila, sin sobresaltos."
Es la matriarca de los Mehra, Rupa Mehra, el personaje central y el hilo conductor que aúna los cuatro núcleos familiares. La búsqueda de un buen partido para su hija Lata por parte de su madre, Rupa Mehra, es la excusa para mostrarnos a la India de aquella época, un microcosmos en plena ebullición que ha dado el paso de la independencia y que sin embargo todavía está firmemente asentada en un colonianismo traumático, del cual se ven trazas muy firmes en algunos personajes de esta espléndida novela.
Quizás pueden echar para atrás sus 1300 páginas, todo un tocho, y sin embargo, sin esa cantidad de páginas hubiera sido completamente imposible hacerse una idea del personaje principal de la novela, que realmente es la India. Hay muchos personajes pero la claridad en el estilo de Vikram Seth no hace complicado reconocerlos, todo lo contrario, poco a poco los vas reconociendo y te vas encariñando, incluso algunos más secundarios, los reconoces enseguida en cuanto aparecen tras varios cientos de páginas sin aparecer. Un consejo para leerla podría ser tomándotela como una serie de tv; la novela está dividida en 19 partes, cada parte como un capitulo de una serie y leer esa parte como un todo (al igual que vemos un capitulo de una serie del tirón). En fin, una tonteria pero podría ayudar para emprender una novela de estas características.
"Cuando hay que hacer una cosa, hay que hacerla y punto. Un tio mío de Delhi cree que estoy contaminado, que he perdido la casta por trabajar con el cuero. Casta!"
Es una novela además sobre raza y clases sociales, muy marcadas y diferenciadas y sin embargo, algunos personajes sirven como interconexión entre las diferentes clases sociales, personajes que al igual que el pais en pleno cambio, intentan evolucionar y ajustarse a los nuevos tiempos. En ese aspecto me parece espléndido el retrato que hace el autor de Arun, el hermano de Lata, que de alguna forma retrata ese colonianismo (mental) sofisticado y clasista de algunos indios incluso después de haberse independizado de los británicos, y por otra parte Haresh, un hombre hecho a si mismo, no perteneciente a a la élite clasista, y que de alguna forma demuestra lo que significan los nuevos tiempos por venir.
"Lata se asombraba de que Haresh hubiera podido sacar tan buenas notas en la universidad y ganarse la vida al mismo tiempo. Pero su acento seguía molestándola (...) Reflexionó que Haresh, en sentido estricto, no estaba occidentalizado: percibía que en sus modales y su manera de expresarse se hallaban un poco a medio camino entre lo hindú y lo europeo."
Es cierto que en este libro hay partes algo áridas referidas a la politica, al cricket y a la industria zapatera, pero es un problema completamente menor porque una vez que terminas esos capitulos explicativos, vuelves a disfrutar con las redes sociales que se van tejiendo en torno a todos estos personajes maravillosos y que una vez terminada la novela echas de menos como si hubieran formado parte de tu entorno más real. Savita, Maan, Pran, Amit, Kabir, Haresh, Rasheed, Firoz, Meenkashi, Malati, Mahesh Kapoor, Lata, Saeeda Bai ,... por nombrar a algunos, todos y cada uno de ellos muestran un rasgo identificativo de la India. Épica e inmensa novela.
https://kansasbooks.blogspot.com/2022...
November 23, 2012
For Thanksgiving 2010 I spent the day finishing up Infinite Jest. For a while there I thought maybe I'd always try to finish up some sort of behemoth on Thanksgiving day, since the day to me means staying in my jammies and watching The Godfather on TV while I read. The food involved can easily be made while reading or the Boyfriend steps up and makes the yummies. But then last year I went with a a shorter book choice which I was able to read all on Thanksgiving. Boy, was that a mistake.
But then it so happened that I wasn't able to finish this book when I had anticipated (which was about a month ago), so it wound up getting to be close to Thanksgiving. Could I finish it off on Turkey Day? You challenging me??
Yeah, I finished it today. And it feels good. It's a different kind of feeling than what I experienced with Infinite Jest. A Suitable Boy is another whopper of a book, but even the parts I didn't necessarily understand still made more sense to me than most parts of Infinite Jest. Infinite Jest was work, albeit a fun flavor of work most of the time. A Suitable Boy felt like I was in a different country (hello, India!), totally immersed in the culture.
When I get right down to it, that's what I have loved about A Suitable Boy - the flavor dripping from each page. This isn't just a story; it's an experience. The reader experiences the music, the food, the costumes, the scents, the emotions, the politics, and the family dynamics. I can't remember the last time I read a book with so many layers. I started out reading this alongside Freedom at Midnight, hoping that book would help me understand some of the politics I didn't know much about going into it. And it did, probably more than I had originally expected.
At first my biggest question was why Seth decided to write a book about the Republic of India in 1952, when it seems the logical (maybe laziest? easiest?) starting point should have been 1947, during the Partition. But then a couple things became obvious to me. One was that 1952 was an important year too, it was an election year. Anyone who pays attention to politics in our own country knows just how important an election year is, and just how effing crazy everything gets. That's not exclusive just to the United States. Now imagine it's the first national election after gaining independence. Yeah, that sounds crazy-making.
The other thing that became obvious was what I read in the author bio at the beginning of the book (which, for some reason, I didn't read at first). Vikram Seth himself was born 1952. Now, maybe that's just a coincidence, but maybe it's not. Maybe Seth was writing his own personal history in these 1400+ pages. It's evident to me he poured his heart and soul into this work. Seems to me this was an important novel for him to write. Makes sense to me.
Somewhere in all this political turmoil and unrest is a love story, or a few different love stories. There's a huge genealogy here - the family tree at the beginning of the book helps considerably, but an understanding of the entire tree is not completely necessary in enjoying the book. The chapters flow by easily, it's not a difficult read, aside from the fact that the book itself breaks your wrists as you hold it. As one reads, the genealogy comes together on its own. My point is, don't stress about it.
I was most invested in Lata's story since that's where the title comes from and also I am a girl and sometimes find myself drawn towards other girls in literature. Lata and I have had completely different upbringings and family dynamics, but I can still relate to her on some level. She's an interesting character, and I believe she's the first woman in her family to have a sense of - and desire for - independence. Finding 'a suitable boy' and getting married is not her goal in life, not at this point. She's educated, going to college, she gets a part in a school play, she has some love interest(s), she's doing her own thing. She's doing her.
But society isn't ready for that. With all of the changes the society is going through, fully independent women is not quite where it is yet in 1952. Lata's family isn't thrilled with it and ultimately Lata needs to make a decision with how she will proceed.
Seth makes it all seem absolutely riveting. I don't know what else to say.
Rumor has it (although I think it's beyond rumor stage at this point) that Seth is working on a sequel, A Suitable Girl. If it's anything as wonderful as A Suitable Boy I think we're all in for a treat. If, however, as I fear, he's just banking on the popularity of A Suitable Boy... then it could be quite the loser and snoozer. But he's won me over with this one and I will be excited to see what comes next. And, because I'm a serious nerd, I hope it's as much a whopper of a book as this one.
But then it so happened that I wasn't able to finish this book when I had anticipated (which was about a month ago), so it wound up getting to be close to Thanksgiving. Could I finish it off on Turkey Day? You challenging me??
Yeah, I finished it today. And it feels good. It's a different kind of feeling than what I experienced with Infinite Jest. A Suitable Boy is another whopper of a book, but even the parts I didn't necessarily understand still made more sense to me than most parts of Infinite Jest. Infinite Jest was work, albeit a fun flavor of work most of the time. A Suitable Boy felt like I was in a different country (hello, India!), totally immersed in the culture.
When I get right down to it, that's what I have loved about A Suitable Boy - the flavor dripping from each page. This isn't just a story; it's an experience. The reader experiences the music, the food, the costumes, the scents, the emotions, the politics, and the family dynamics. I can't remember the last time I read a book with so many layers. I started out reading this alongside Freedom at Midnight, hoping that book would help me understand some of the politics I didn't know much about going into it. And it did, probably more than I had originally expected.
At first my biggest question was why Seth decided to write a book about the Republic of India in 1952, when it seems the logical (maybe laziest? easiest?) starting point should have been 1947, during the Partition. But then a couple things became obvious to me. One was that 1952 was an important year too, it was an election year. Anyone who pays attention to politics in our own country knows just how important an election year is, and just how effing crazy everything gets. That's not exclusive just to the United States. Now imagine it's the first national election after gaining independence. Yeah, that sounds crazy-making.
The other thing that became obvious was what I read in the author bio at the beginning of the book (which, for some reason, I didn't read at first). Vikram Seth himself was born 1952. Now, maybe that's just a coincidence, but maybe it's not. Maybe Seth was writing his own personal history in these 1400+ pages. It's evident to me he poured his heart and soul into this work. Seems to me this was an important novel for him to write. Makes sense to me.
Somewhere in all this political turmoil and unrest is a love story, or a few different love stories. There's a huge genealogy here - the family tree at the beginning of the book helps considerably, but an understanding of the entire tree is not completely necessary in enjoying the book. The chapters flow by easily, it's not a difficult read, aside from the fact that the book itself breaks your wrists as you hold it. As one reads, the genealogy comes together on its own. My point is, don't stress about it.
I was most invested in Lata's story since that's where the title comes from and also I am a girl and sometimes find myself drawn towards other girls in literature. Lata and I have had completely different upbringings and family dynamics, but I can still relate to her on some level. She's an interesting character, and I believe she's the first woman in her family to have a sense of - and desire for - independence. Finding 'a suitable boy' and getting married is not her goal in life, not at this point. She's educated, going to college, she gets a part in a school play, she has some love interest(s), she's doing her own thing. She's doing her.
But society isn't ready for that. With all of the changes the society is going through, fully independent women is not quite where it is yet in 1952. Lata's family isn't thrilled with it and ultimately Lata needs to make a decision with how she will proceed.
Seth makes it all seem absolutely riveting. I don't know what else to say.
Rumor has it (although I think it's beyond rumor stage at this point) that Seth is working on a sequel, A Suitable Girl. If it's anything as wonderful as A Suitable Boy I think we're all in for a treat. If, however, as I fear, he's just banking on the popularity of A Suitable Boy... then it could be quite the loser and snoozer. But he's won me over with this one and I will be excited to see what comes next. And, because I'm a serious nerd, I hope it's as much a whopper of a book as this one.
"Oh, I don't know how it grew to be so long," said Amit. "I'm very undisciplined. But I too hate long books: the better, the worse. If they're bad, they merely make me pant with the effort of holding them up for a few minutes. But if they're good, I turn into a social moron for days, refusing to go out of my room, scowling and growling at interruptions, ignoring weddings and funerals, and making enemies out of friends. I still bear the scars of Middlemarch."
(p 1370-71)
March 22, 2016
I have always been impressed and awed by writers mainly because of the research and effort they put in to write the perfect tale and their imagination in bringing together characters and the details that govern each characters features...
Vikram Seth has to be applauded for his effort (which seems to be such a petty word) when we talk about this Herculean book!
**Extremely Mild Spoilers**
The Basic plot is about Mrs. Rupa Mehra wanting to find a Suitable Boy for her youngest daughter, Lata but the story dwells into a lot lot more...Politics, Religion, intolerance, Shoe Making, Farming, Teaching...its like he has described what India literally would have felt like through the eyes of Mothers, daughters, ministers, Royals (Nawabs), Religious people, Actors, Musicians...You name it and VS has given you at least a hint on their insights to India.
At its heart it really is about India, and how India deals with suddenly having to take care of itself instead of being told how to 'take care' of itself by the British....
The way minute details are dealt with is exemplary and the vocabulary used is very easy to comprehend although some words were totally new to me.
The way he understood Islamic laws for example prove the detailed manner in which he must have spoken to religious scholars. And how he describes the shoe making process starting from the sacrifice of the animal...to the finished product...
The chapters are long (80 pages approx) and they swing between Brahmpur/Calcutta/Delhi/Kanpur.
The court scenes really bored me and more so because i reached the first one on a weekend where i excitedly woke up at 6 to read.
I've never really appreciated poetry because of the cheesiness but i loved some of the poetry included in the book (and VS being a poet couldn't refrain from including dozens) , And i was glad!
Some of the characters you long for while reading and VS made sure you cant get enough of so many of them.
One Character i was so excited about was Zainab but she doesn't really show up later in the book.
My favorites were and you will know why when you read the book - Maan, Zainab's Cameo, Dipankar, Saeeda Begum, Dr. Durrani, Rasheed.
But my absolute favorite hands down was Mrs Rupa Mehra. I have used so many tags to mark pages of hers...! The way i could picture so many of my aunts acting like Rupa Mehra was hilarious....!
That is one fictional Character i could literally relate someone to :)
I don't want to get into too much details and spoil a mammoth book for anyone of you who might be interested in giving away at least a month of your reading time...But i really wish people would read such books to give them not just a great reading experience but a lifetime experience about how life has always been complicated, not just for us but our parents and theirs...
Vikram Seth has to be applauded for his effort (which seems to be such a petty word) when we talk about this Herculean book!
**Extremely Mild Spoilers**
The Basic plot is about Mrs. Rupa Mehra wanting to find a Suitable Boy for her youngest daughter, Lata but the story dwells into a lot lot more...Politics, Religion, intolerance, Shoe Making, Farming, Teaching...its like he has described what India literally would have felt like through the eyes of Mothers, daughters, ministers, Royals (Nawabs), Religious people, Actors, Musicians...You name it and VS has given you at least a hint on their insights to India.
At its heart it really is about India, and how India deals with suddenly having to take care of itself instead of being told how to 'take care' of itself by the British....
The way minute details are dealt with is exemplary and the vocabulary used is very easy to comprehend although some words were totally new to me.
The way he understood Islamic laws for example prove the detailed manner in which he must have spoken to religious scholars. And how he describes the shoe making process starting from the sacrifice of the animal...to the finished product...
The chapters are long (80 pages approx) and they swing between Brahmpur/Calcutta/Delhi/Kanpur.
The court scenes really bored me and more so because i reached the first one on a weekend where i excitedly woke up at 6 to read.
I've never really appreciated poetry because of the cheesiness but i loved some of the poetry included in the book (and VS being a poet couldn't refrain from including dozens) , And i was glad!
Some of the characters you long for while reading and VS made sure you cant get enough of so many of them.
One Character i was so excited about was Zainab but she doesn't really show up later in the book.
My favorites were and you will know why when you read the book - Maan, Zainab's Cameo, Dipankar, Saeeda Begum, Dr. Durrani, Rasheed.
But my absolute favorite hands down was Mrs Rupa Mehra. I have used so many tags to mark pages of hers...! The way i could picture so many of my aunts acting like Rupa Mehra was hilarious....!
That is one fictional Character i could literally relate someone to :)
I don't want to get into too much details and spoil a mammoth book for anyone of you who might be interested in giving away at least a month of your reading time...But i really wish people would read such books to give them not just a great reading experience but a lifetime experience about how life has always been complicated, not just for us but our parents and theirs...
October 23, 2020
a wonderful book, the most beautiful I've ever read. I love it!
March 3, 2014
The book blurb says it all. I will only add my comments.
While reading this monumental novel of 1535 pages, I was wondering how much of the original offering was edited out to end up with this number of pages as the final result! I also wondered, while ploughing through it, how much of the existing book can be cut out and still leave the essential core. Probably half of it. Compared to Barbara Kingsolver and Yung Chang, Vikram Seth needed twice as much pages to tell similar stories as these two authors.
So yes, it was a long-winded journey: a story of India after Partition, that was told through the eyes of four extended families with each member profiled to the last red spot of paan on the teeth. This book really celebrates the good, the bad and the ugly of humankind. Mrs. Rupa Mehra, with her daughter,Lata, get the train rolling when it becomes time to find a suitable husband for Lata. India in all its colorful splendor is presented to the reader to almost the puking stage, to be really honest! But how fascinating the journey!
Enough! Enough! Enough! I often wanted to just run away, and I did, since it is the end of the financial year (February) and what is normally a quiet relaxed month turned out to be one of the craziest in recent history. But each evening I sneaked off to bed and grabbed the book as though my life depended on it.
In retrospect this book was amazing. The drama lasted the entire 1535 pages and that really makes this book outstanding! There's no villains, only ordinary people writing their own histories while living their lives.
I do not want to add too much spoilers and blow the plot, or give away the story. But I cannot leave out one of the most outstanding moments in the book, for me: it was the passing of a mother and it had me crying like losing my own.
Much of India's modern history could have been my own country's. Even the name of political parties, the titles of new bills, the speeches made in parliament, the way landowners got treated, sounded like it was written for South Africa. Much of the events are disturbingly similar. In fact, it is a blueprint and it turned my stomach upside down. Not that it is a surprise, but it is still upsetting to experience.
I liked this book. It was a brilliant presentation of Mother India and all her beautiful children.
While reading this monumental novel of 1535 pages, I was wondering how much of the original offering was edited out to end up with this number of pages as the final result! I also wondered, while ploughing through it, how much of the existing book can be cut out and still leave the essential core. Probably half of it. Compared to Barbara Kingsolver and Yung Chang, Vikram Seth needed twice as much pages to tell similar stories as these two authors.
So yes, it was a long-winded journey: a story of India after Partition, that was told through the eyes of four extended families with each member profiled to the last red spot of paan on the teeth. This book really celebrates the good, the bad and the ugly of humankind. Mrs. Rupa Mehra, with her daughter,Lata, get the train rolling when it becomes time to find a suitable husband for Lata. India in all its colorful splendor is presented to the reader to almost the puking stage, to be really honest! But how fascinating the journey!
Enough! Enough! Enough! I often wanted to just run away, and I did, since it is the end of the financial year (February) and what is normally a quiet relaxed month turned out to be one of the craziest in recent history. But each evening I sneaked off to bed and grabbed the book as though my life depended on it.
In retrospect this book was amazing. The drama lasted the entire 1535 pages and that really makes this book outstanding! There's no villains, only ordinary people writing their own histories while living their lives.
I do not want to add too much spoilers and blow the plot, or give away the story. But I cannot leave out one of the most outstanding moments in the book, for me: it was the passing of a mother and it had me crying like losing my own.
Much of India's modern history could have been my own country's. Even the name of political parties, the titles of new bills, the speeches made in parliament, the way landowners got treated, sounded like it was written for South Africa. Much of the events are disturbingly similar. In fact, it is a blueprint and it turned my stomach upside down. Not that it is a surprise, but it is still upsetting to experience.
I liked this book. It was a brilliant presentation of Mother India and all her beautiful children.
May 1, 2018
I can’t believe that I’ve finished reading this – almost 1500 pages of it. I’ve been daunted by this 3” of book for years but finally I can now look the paper doorstep in the eye/spine and smile. But my life now seems so flat, so quiet, so dull (and cold!) after being in India for so long. Time there certainly didn’t drag!
The British have been gone 3 or 4 years at the outset of the book. The continent has been partitioned and the resulting fledgeling independent states of India and Pakistan are simmering away like two pressure cookers.
For the last few weeks I’ve divided my time largely between Brahmpur, Calcutta and Delhi but I’ve spent time in the sticks too, with all that that entails. I’ve enjoyed my time with various families (well, most of the time) and followed the national and local political scenes closely. I saw the lovely Savita married to a very suitable boy Pran. Then the fun starts all over again with her sister, Lata, as their Ma begins the quest for a suitable partner for her too. Lata is very special and will always have a place in my heart.
Reading this I was reminded of that deliciously camp Bollywood movie, Bride and Prejudice (?)loosely based on Miss Austen’s novel. Plenty of drama, laughter, tears in all three. The story lines in A Suitable Boy are strong, the characters brilliantly drawn, worthy of Jane with even a nod at times to an Indian version of Charlie Dickens. I could easily imagine this mighty tome being written and serialised weekly as was Dickens’ wont.
But, back to Jane again and Pride and Prejudice. The title she gave to her book would work equally well for Vikram Seth’s creation.
I could ramble further but I won’t. Please read this book if you haven’t done so already. It is well worthy of 5 ***** -a mixture of scarlet and gold. But I’m feeling a tad mean about all those Hindu festivals and all the hocus pocus of ceremony/superstition I endured and now feel I must get to grips with.
The British have been gone 3 or 4 years at the outset of the book. The continent has been partitioned and the resulting fledgeling independent states of India and Pakistan are simmering away like two pressure cookers.
For the last few weeks I’ve divided my time largely between Brahmpur, Calcutta and Delhi but I’ve spent time in the sticks too, with all that that entails. I’ve enjoyed my time with various families (well, most of the time) and followed the national and local political scenes closely. I saw the lovely Savita married to a very suitable boy Pran. Then the fun starts all over again with her sister, Lata, as their Ma begins the quest for a suitable partner for her too. Lata is very special and will always have a place in my heart.
Reading this I was reminded of that deliciously camp Bollywood movie, Bride and Prejudice (?)loosely based on Miss Austen’s novel. Plenty of drama, laughter, tears in all three. The story lines in A Suitable Boy are strong, the characters brilliantly drawn, worthy of Jane with even a nod at times to an Indian version of Charlie Dickens. I could easily imagine this mighty tome being written and serialised weekly as was Dickens’ wont.
But, back to Jane again and Pride and Prejudice. The title she gave to her book would work equally well for Vikram Seth’s creation.
I could ramble further but I won’t. Please read this book if you haven’t done so already. It is well worthy of 5 ***** -a mixture of scarlet and gold. But I’m feeling a tad mean about all those Hindu festivals and all the hocus pocus of ceremony/superstition I endured and now feel I must get to grips with.
July 18, 2021
Over 1500 pages - and finally finished! I was looking forward to it in a way, but at the same time, not really, not any more. It took me a while to adjust to the multitude of characters and plots. I wondered occasionally if perhaps both the author and the editor forgot what this work was supposed to be about, but now, having spent a sizable portion of my time of the last two months among the clans of Mehras, Chatterjis, Kapoors and Khans, watching them in private and in official capacities, in politics, business and at home, in sickness and in health, in friendship, joy, love and sorrow - I feel something of a mixture of awe and abandonment.
As the title suggests it is a story of the search for a suitable boy, but perhaps in a truly Indian fashion it is much more than that. It is a saga of India, and Indian society with all its intricate detail, at the time of one mothers search for a suitable husband for her daughter. A perfect description of what it is like, is in the following words of one of the characters:
‘What is it like to write a novel?’ asked Lata.
‘I don’t know exactly,’ said Amit. ‘This is my first novel, and I’m in the process of finding out. At the moment it feels like a banyan tree’
‘I see,’ said Lata although she didn’t.
‘What I mean is,’ continued Amit, ‘it sprouts, and grows, and spreads and drops down branches that become trunks or intertwine with other branches. Sometimes the main trunk dies, and the structure is held up by the supporting trunks. When you go to the Botanical Garden you’ll see what I mean. It has its own life - but so do the snakes and birds and bees and lizards and termites that live in it and on it and off it. But then it is also like the Ganges in its upper, middle and lower courses - including its delta - of course.’
…. Only one thing remains - here is a banyan tree…
As the title suggests it is a story of the search for a suitable boy, but perhaps in a truly Indian fashion it is much more than that. It is a saga of India, and Indian society with all its intricate detail, at the time of one mothers search for a suitable husband for her daughter. A perfect description of what it is like, is in the following words of one of the characters:
‘What is it like to write a novel?’ asked Lata.
‘I don’t know exactly,’ said Amit. ‘This is my first novel, and I’m in the process of finding out. At the moment it feels like a banyan tree’
‘I see,’ said Lata although she didn’t.
‘What I mean is,’ continued Amit, ‘it sprouts, and grows, and spreads and drops down branches that become trunks or intertwine with other branches. Sometimes the main trunk dies, and the structure is held up by the supporting trunks. When you go to the Botanical Garden you’ll see what I mean. It has its own life - but so do the snakes and birds and bees and lizards and termites that live in it and on it and off it. But then it is also like the Ganges in its upper, middle and lower courses - including its delta - of course.’
…. Only one thing remains - here is a banyan tree…
December 3, 2018
Have to remove this one. I know I liked it, but at over 1300 pages, and occupying almost 2 inches of shelf space, it must go.
I have to admit I remember little about the novel, except enjoying the story very much when I read it. (Given that, it could be argued that a 3 rating would make more sense? But no.)
. . . . . . . . . . . . . . . . . . . .
Previous review: Song of Solomon
Next review: The Sweet Forever George Pelecanos
Later review: Inventing the Middle Ages
Previous library review: The God of Small Things
Next library review: The First Man in Rome
I have to admit I remember little about the novel, except enjoying the story very much when I read it. (Given that, it could be argued that a 3 rating would make more sense? But no.)
. . . . . . . . . . . . . . . . . . . .
Previous review: Song of Solomon
Next review: The Sweet Forever George Pelecanos
Later review: Inventing the Middle Ages
Previous library review: The God of Small Things
Next library review: The First Man in Rome
September 26, 2022
An epic where a girl gets a boy. I will miss Lata, her mother, Pran, Arun, Varun, Kabir, Amit, Haresh, Maan, Firoz and all the other characters. The political machinations, the insane caste system and the tension between Muslim and Hindu all create an enthralling story. India four years after independence was a fascinating and entertaining read.
October 15, 2017
India has fascinated me ever since I saw the television adaptation of Paul Scott's The Raj Quartet called The Jewel in the Crown for tv. A Suitable boy takes place in the early 1950s just as India is grappling with her independence from Britain. There is a great deal of history here about Nehru's Congress Party and the Zamindari Act which took land from rich feudal owners and redistributed it to the workers who had lived and worked on it all their lives.
It sounds dry, but is explained well through the story of 4 interconnected, middle class families along with their social mores and religious values, Hindu and Moslem. My favorite character and the main character is Lata. the lovely, college-attending, youngest daughter of the Mehras family. Essentially it is the search for a mate for her and describes 3 young men who may be the one.
It sounds dry, but is explained well through the story of 4 interconnected, middle class families along with their social mores and religious values, Hindu and Moslem. My favorite character and the main character is Lata. the lovely, college-attending, youngest daughter of the Mehras family. Essentially it is the search for a mate for her and describes 3 young men who may be the one.
May 12, 2019
This is a novel of India set in the early 1950s just after the partition. In it, Vikram Seth provides a window into the culture and history of India at an early critical juncture in its history: the political and cultural climate five years after the country gained its independence from Great Britain in 1947. At the center of the novel is a romance about a young girl, Lata, whose mother, Mrs. Rupa Mehra, is searching for a "suitable boy" for her to marry.
The novel's opening section succeeded in immediately arresting my attention. Some of the most notable aspects of the novel include the subtle ways that the author suggests the continuing cultural influence of England, from the impact of literary awards to the reading habits of several of the characters. Whether politics, religion, industry, university life, medicine, or law is the subject, each aspect is motivated by a character who is first and foremost a member of a family. The novel stresses loyalty to the extended family and considers this involvement as protection against a harsh world. The thirty or so family members along with an array of supporting characters emerge as memorable individuals. While Seth reveals their comic and absurd sides, he always treats them humanely. The novel is a tour de force that demonstrates his skill in writing, knowledge of India, and his ability to marry the charms of a classical romance novel within the broad reach of an historical family and national saga.
Without disclosing the plot details I can only assure the reader that it is worth all 1400+ pages. The thematic development of the clash between Hindu and Muslim cultures is particularly well portrayed with the impact of historical events on the national level mirrored by dramatic events among the main families whose lives fill the plot and subplots of the novel. It is rare that such a long book is both an entertaining read and an intellectually satisfying challenge. Vikram Seth has more than succeeded in both areas.
The novel's opening section succeeded in immediately arresting my attention. Some of the most notable aspects of the novel include the subtle ways that the author suggests the continuing cultural influence of England, from the impact of literary awards to the reading habits of several of the characters. Whether politics, religion, industry, university life, medicine, or law is the subject, each aspect is motivated by a character who is first and foremost a member of a family. The novel stresses loyalty to the extended family and considers this involvement as protection against a harsh world. The thirty or so family members along with an array of supporting characters emerge as memorable individuals. While Seth reveals their comic and absurd sides, he always treats them humanely. The novel is a tour de force that demonstrates his skill in writing, knowledge of India, and his ability to marry the charms of a classical romance novel within the broad reach of an historical family and national saga.
Without disclosing the plot details I can only assure the reader that it is worth all 1400+ pages. The thematic development of the clash between Hindu and Muslim cultures is particularly well portrayed with the impact of historical events on the national level mirrored by dramatic events among the main families whose lives fill the plot and subplots of the novel. It is rare that such a long book is both an entertaining read and an intellectually satisfying challenge. Vikram Seth has more than succeeded in both areas.
February 20, 2015
A fact : I never ever understood how postpartum depression works or why women suffer from it.
Yet another fact: Having finished A Suitable Boy arouses similar feelings in a reader as postpartum depression in a new Mum.
Why?
Well, by the you finish reading one of the longest English novels ever written and the longest English Novel written by an Indian and that Indian is Vikram Seth, you're kind of used to the story, the characters, the way their life goes on. So, when you turn the last page of something that has sprained your wrists for days, you certainly feel the sense of accomplishment which matches in effort if not in pain, to delivering a baby but at the same time you're depressed you'd NEVER be able to read this book again for the first time, that its time with you in that unique one to one bond, though cherished, will never be intimate in the same sense as before.
Having expressed my feelings, thus, I will now proceed to review one of my favourite author's biggest masterpiece.
To all those who wonder and have asked me, "Is there a dull moment or dry spells in the book? : NO! Not one! Not half a page and no, my blind love for Vikram Seth doesn't make me say so. In fact, as I said weeks ago about The Color Purple, it is as complete in every sense as a book could be.
I love how Vikram Seth seems to have a laugh at everyone including himself. I love how his mother's life was the theme for this story. And I love how if you're remotely interested in anything in the world, be in Schubert or Classical Indian Music, Post Independence History or Indian Politics, Religion or Riots, English Lietrature or poems by Urdu/Arabic/Persian poets like Mast, Daagh, Minai or Rumi, you will not fail to love this book!
Vikram Seth's characters are a class apart, supremely hilarious even in the gravest of situations, laughably filmy and over dramatic and yet as close to being real as characters could be. They don't claim to be perfect, they all have flaws, you will probably be angry at one or more of them during the course of the novel but you will not fail to love them despite all their faults!
Should you read it?
Certainly! I don't see why being daunted by the length of the novel, you should miss on something so exquisitely well written as this book.
Will you regret spending a thousand bucks/ a couple of pounds/ a few dollars?
Not at all if you claim to love literature for it is the finest piece of contemporary literature there is!
Any tip for how to go about it?
1.If you're Indian, try and think of Bollywood film stars for every character. That makes the book even more fun and more lucid than it already is but that's entirely optional!
2. Have someone else read it with you, a friend or someone from your book club. You need to keep discussing it and gushing about it with someone. It's like Harry Potter that way!
More than just a good read! Rather, a BRILLIANT read and already my novel of the year!
Yet another fact: Having finished A Suitable Boy arouses similar feelings in a reader as postpartum depression in a new Mum.
Why?
Well, by the you finish reading one of the longest English novels ever written and the longest English Novel written by an Indian and that Indian is Vikram Seth, you're kind of used to the story, the characters, the way their life goes on. So, when you turn the last page of something that has sprained your wrists for days, you certainly feel the sense of accomplishment which matches in effort if not in pain, to delivering a baby but at the same time you're depressed you'd NEVER be able to read this book again for the first time, that its time with you in that unique one to one bond, though cherished, will never be intimate in the same sense as before.
Having expressed my feelings, thus, I will now proceed to review one of my favourite author's biggest masterpiece.
To all those who wonder and have asked me, "Is there a dull moment or dry spells in the book? : NO! Not one! Not half a page and no, my blind love for Vikram Seth doesn't make me say so. In fact, as I said weeks ago about The Color Purple, it is as complete in every sense as a book could be.
I love how Vikram Seth seems to have a laugh at everyone including himself. I love how his mother's life was the theme for this story. And I love how if you're remotely interested in anything in the world, be in Schubert or Classical Indian Music, Post Independence History or Indian Politics, Religion or Riots, English Lietrature or poems by Urdu/Arabic/Persian poets like Mast, Daagh, Minai or Rumi, you will not fail to love this book!
Vikram Seth's characters are a class apart, supremely hilarious even in the gravest of situations, laughably filmy and over dramatic and yet as close to being real as characters could be. They don't claim to be perfect, they all have flaws, you will probably be angry at one or more of them during the course of the novel but you will not fail to love them despite all their faults!
Should you read it?
Certainly! I don't see why being daunted by the length of the novel, you should miss on something so exquisitely well written as this book.
Will you regret spending a thousand bucks/ a couple of pounds/ a few dollars?
Not at all if you claim to love literature for it is the finest piece of contemporary literature there is!
Any tip for how to go about it?
1.If you're Indian, try and think of Bollywood film stars for every character. That makes the book even more fun and more lucid than it already is but that's entirely optional!
2. Have someone else read it with you, a friend or someone from your book club. You need to keep discussing it and gushing about it with someone. It's like Harry Potter that way!
More than just a good read! Rather, a BRILLIANT read and already my novel of the year!
July 19, 2021
This is a fat volume, the sort of hefty tome French Canadians call a "brick."
I read this brick during a quiet period, while stuck in bed with a couple of broken ribs and too much pain-filled time on my hands. This incredible book was the ideal distraction. It had been sitting around, its intimidating heft discouraging any previous attempt to get into it. However, once I started, it was perfect. I totally fell in love with this novel!
It feels like a classic, because of its sweep and its massive bulk. Totally worthwhile and fascinating. I hope to read it again, this time preferably on a beach vacation, immobilized by sloth instead of pain.
Rarely does a novel feel this completely rich and satisfying.
I read this brick during a quiet period, while stuck in bed with a couple of broken ribs and too much pain-filled time on my hands. This incredible book was the ideal distraction. It had been sitting around, its intimidating heft discouraging any previous attempt to get into it. However, once I started, it was perfect. I totally fell in love with this novel!
It feels like a classic, because of its sweep and its massive bulk. Totally worthwhile and fascinating. I hope to read it again, this time preferably on a beach vacation, immobilized by sloth instead of pain.
Rarely does a novel feel this completely rich and satisfying.
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