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WOODEN STRUCTURE OF HISTORIC 19TH C HOUSES IN BULGARIAN LANDS
Regina RAYCHEVA
Forestry University, Faculty of Wood Industry
10, Kliment Ochridski Blvd, 1793 Sofia, Bulgaria
Tel: +3592 962 4198, Fax: +3592 962 4198, E-mail:
[email protected]
Abstract
The paper introduces a historically established wooden structure, used in dwelling houses
building in Bulgarian Lands in the Revival Period (end of 18th C – second half of 19th C). Features
that exemplify structural peculiarities of 19th C dwelling houses in rural and urban conditions are
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considered. These buildings, studied in the 20 C by authors in order to preserve the knowledge of the
patrimony of Bulgarian national architecture and construction, represent the works of an art that has
been totally supplanted by different building techniques today. It has remained as vernacular heritage
to be conserved and seen as national identity. In the paper, different vernacular regions in Bulgaria, in
France and Turkey were considered in order to give an idea of structural diversity. The paper
introduces comparisons with wooden structures in the above mentioned countries in order to reveal
the differences and establish general features in the studied regions. General house architecture,
functional requirements, climatic conditions, construction materials for wood and half-timber structure
were studied. More specifically, foundations, stonework walls, half-timber and wooden walls, roofs,
cantilever overhangs and bracings are considered.
Key words: rural and urban timber houses; vernacular architectural types; timber structure; roofs and
roof cover; overhang system, bracing, timber wall.
INTRODUCTION
Vernacular wood structures became a particularly interesting subject in the last years due to
the fact that wood is considered to be a renewable construction material. Authors investigated
traditional methods of building in order to find out sustainable solutions that emerge from historical
tradition and their implementation today, in search for identity of a given region. Such scientific
research was done initially with the aim of preserving and restoring national architectural heritage, but
it has also encouraged new architecture in countries like France. The paper focuses on principal
characteristics of wooden structures in Bulgarian lands during a period of century and a half before the
Liberation from Ottoman Rule (1878). Case studies of wood structures in other countries were
included with the aim of comparing methods and local indigenous features and pointing out important
common principles.
OBJECTIVE, METHOD
The objective of the paper is to present a concise architectural description of different regional
types of dwellings. A general analysis is made of the structure, including foundations; basement walls,
upper story wooden frame structure, and roof. Five vernacular types were selected from different
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areas in Bulgarian lands in the 19 C, compared to examples from other regions in Europe (French
Alps, Normany, Bresse) and Turkey (Sariyer, Safranbolu), aiming at finding similar features and
outlining major differences. A synthetic approach was used, based on comparisons between wooden
houses from the above mentioned countries. Examples were selected from mountainous and plane
regions, on the one hand, and structures in rural and urban conditions, on the other. The former were
chosen to clarify basic structural types and their conditioning, the latter for explaining the elaboration
and development of functional or representative types. Graphically plans, sections, façades,
perspective views and photographs were juxtaposed for visual comparison.
EXPOSITION
Historical Evolution
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Wooden structure of 19 C dwellings in Bulgarian lands has been studied in the past by
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numerous authors. Todor Zlatev (1955) stated that till the end of the 17 C mountain houses were built
with log structure: walls consisted of thick joists, or logs with removed bark, superimposed one over
the other. Joists were locked by ‘saddle notch’ in the corners; the superimposing included grooving in
the lower side, so that sealing was achieved between two logs. Stefan Stamov (2004) writes that log
structure was eventually supplanted by wooden skeletal structure with thick horizontal planks inserted
in grooves, cut into the vertical bearing members. This structure also had notching in the corners,
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where the two sets of planks met. This structure was typical, among other places, for Strandja Mt.
region to the East of the country (Stefan Stamov 2004). Log construction was supplanted by timber
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structure in the 18 and the 19 C, due to deforestation of the land. It consisted of joists and posts that
divide the wall into separate spans, filled with planks or knitted wooden branches (wattle), rendered on
both sides with clay, mixed with straw; or covered with board cladding etc. (Zlatev1955). In Bulgarian
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lands during the 19 C, both all-wooden type and mixed-structure type existed; the foundation and the
basement of the buildings were usually made of stonework, while the living storey plus chardak (or
wooden gallery) were of a mixed structure with wooden skeleton. Roof and cover varied considerably
in different regions. In rural areas in planes, as well as in towns they featured a ridge to cover a
rectangular plan, with traditional roof tiles (“Spanish tiles”). In mountain areas, roofs were hipped with
four slope shape and had to be much heavier to resist strong mountain winds. Stone slabs were used,
fixed over heavy oak roof structures with a pitch of 20°to 22°, to keep them from slipping. Thatch or
plank cover existed, but were an older extinct form; such houses had a steep roof pitch (Stamov
2004).
Fig. 1.
A. Timber structure of a house in Plovdiv; B. Bay window overhang (Rhodope Mt.); C. Corner
overhang with a diagonal timber; D. Carpenter joints (drawings Hr. Peev)
Wooden wall structure consisted of vertical and horizontal members, locked together to form
frames. Stiffness was achieved by diagonal bracing on the façade that was jointed to the vertical and
horizontal structural members (Fig. 1). The filling was made of different inert materials, such as mud
bricks, fired bricks, broken roof tiles, stone rubble, inserted into the formed triangulated spaces.
Instead of making a filling, the wooden posts would also be nailed on both sides with weatherboarding, in-filled inside with cinder; in such cases they could have diagonal members (braces) on top
of the boarding to secure stiffness. The filled wall was plastered on both sides with a mixture of clay,
lime and straw. This rendering covered the wood skeleton completely. Wooden structure, Hr. Peev
points out, proved to be sturdy and long-lasting and resistant to weathering and earthquakes, common
in our lands. Being light, wood structure turned out to be especially appropriate for bay overhangs,
wide eaves, porticoes, arches etc. Accessibility and low cost of the material allowed a fast and cheap
construction of buildings (Peev 1956).
This structural scheme resulted in a typical architecture and view of the façade. T. Zlatev
classified the types of buildings according to their location into: rural houses, built in agricultural areas
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with flat terrain; mountain houses, built in stockbreeding mountainous regions, and urban houses,
which were usually owned by craftsmen, merchants etc. According to location, he classified traditional
dwellings into six separate typological groups of houses, each featuring local peculiarities according to
geographic context and the way of earning a living: Eastern, Central and Western Stara Planina, Black
Sea Coast, Rhodope Mt., and Plovdiv houses of the Late Revival Period. Apart from these large
territories, he outlined towns such as Melnik, Bansko, Arbanassi, for their specific building tradition.
Other authors add Strandja Mt. region, with characteristic wooden houses (Stefan Stamov 2004).
Vernacular Types of Houses
We have selected 5 vernacular types for their important distribution: Eastern and Central Stara
Planina, Black Sea Coast, Rhodope Mt. and Plovdiv urban type. They were built in different historical
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periods; the rural examples were built during Early Revival Period (end of 18 – beginning of 19 C),
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while Plovdiv urban houses illustrate the High Revival period (second half of 19 C).
Eastern Stara Planina Mt. (Kamtchiya House)
In the past, this used to be a densely forested mountainous region, part of the „Great Sylva
Bulgarica”. Wooden houses were built all over due to abundance of structural material. The so-called
Kamtchiya house inherited features of a medieval structure.
Sheep-breeding and weaving were basic crafts in this region. The house in Zheravna was
used for textile production.
The house type is two-storeyed, basement is built with stone masonry, and the main storey
has timber frame. The frame structure includes in-fill of sun-dried bricks and daub in the bays between
structural members (posts) with wooden cladding of large boards.
Stonework basements had different height, depending on the slope of the terrain; while the
upper floor had a constant height of 2.20m. The bay overhangs protect the stone masonry and floor
beams from moisture. In other instances, when the basement plan has an irregular form due to lot
irregularity, the overhang completes the plan to a regular rectangle. The roof eaves are wide and
formed by the rafters and joists of the ceiling, supported by diagonal wood braces that are a feature of
the façade architecture. The overhang joists are doubled, and their butt ends are beautifully carved to
a decorative effect.
Central Stara Planina and Sredna Gora Mt.
The area is rural, with developed crafts. The house type is two-storeyed, with basement built
of stone masonry, and the upper floor features half-timber frame, like Kamtchyia house type. Timber
spans are filled in with mud-brick on clay composition, or are covered by wattle, plastered on both
sides by thick clay plaster, mixed with straw; another structure is nailed wood boarding on both sides
of the posts, while the space between the two layers is filled in with cinder, bulrush or other insulation.
The substitution of wood cladding of the wall with mud-brick changed the view of the house: walls
plastered with lime mixture are an important compositional element. Thus, a rectangular façade is
formed by the basic structural members: bottom and top beam and corner posts form a frame; façades
have a predominantly horizontal proportion (Fig. 2. B). The underlaying stone wall of the basement is
treated like an extension of the terrain, with the same material – stone (Zlatev 1955), the santrach
levelling timbers add more horizontals. Heavy roof eaves bring more horizontals as well as the shade
on the white façade, interrupted only by the vertical bracings. Three materials participate in the façade
composition with their colours: whitewashed walls, dark wood and stone.
Rhodope Region
Due to severe mountain climate, the Rhodope house features a ‘poton’ (closed chardak). The
stair is either closed in the poton, or in a smaller space called ‘kliot’. The whole basement is used as a
farming yard. The urban house has a broken hipped roof to cover the symmetrical plan. The illustrated
house (Fig. 3. B, C) originally had a single large poton; the heirs of the property divided it into two
halves, as Matei Mateev wrote (Mateev 2004). ‘Twin’ symmetrical houses are a feature of this region.
Urban houses had ‘washbasins’ and a ovens on exterior overhang supports as a typical architectural
feature. Inside, wall closets formed a wooden wall including the door in a niche; they are called
‘musandri’. Because of sloping terrain and Muslim religion, the houses had two entrances: one from
the ‘kliot’ and a separate one for the upper floor.
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Fig. 2.
A: Eastern Balkan Houses: Plans and facade of a house in Bojentzi (after T. Zlatev); B. Central
Balkan Houses: plans and picture of Raykov House in Tryavna
Black Sea Coast House
Black sea coast house is a Kamchiya house variation, with a closed architecture, to protect
from sea winds. The basement features a cow-shed, storage or cellar; with stonework walls on clay
composition and levelling timbers (santrach). The stair leading to the main floor is closed in a separate
space. A workshop or small shop can be part of the basement, looking onto the street. The chardak is
replaced by a closed hall, used as a circulation space leading to the rest of the rooms; it may be in the
corner or the centre of the composition of the floor, surrounded by rooms. The facade has many
windows and shorter eaves for better sun-lighting. The floor has a skeletal wooden structure with a
wood cladding of horizontally placed oak planks. This cladding is made in two layers: the inner layer is
nailed directly on the bearing posts and closes the inner spaces. The second layer, which consists of
narrow split wooden slats, is nailed on top of the thick planks in order to protect them from
atmospheric conditions (Georgi Arbaliev 1977). Such is the case with the house of Anna Batinyoti in
Sozopol, where the facade boards hide the skeleton completely; short eaves and ceramic „Turkish”
tiles finish up the facade on top. The curved bracings under the bays of the main floor create
memorable architecture.
Plovdiv Town Houses
The dwelling and representative needs of urban house-owners have placed higher
requirements to the builders; the floor plan structure, the spatial structure and decoration were
correspondingly changed.
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Fig. 3.
A. Drawing of a wall with wooden skeleton and stone infill.
B, C. Plans of basement and first floor and facade of a house in Smolyan (after T. Zlatev)
The main entrance is a formal one, always in the axis of movement. It is placed under a
portico formed either by the upper storey bay overhang or a bow pediment, typical for urban buildings.
Behind the main entrance, the basement reception hall is situated on the compositional axis, as a
centre of the basement rooms. The inner staircase is the third compositional element on the other end
of the compositional axis. The basement plan is a symmetrical arrangement on both sides of the hall,
including two or three rooms: kitchen, soba, closets. Functionally, the basement is the actual living
space, while the upper floor is a reception space. It features a large hall, which is the last element of
the axis; it is bigger and higher than the adjacent rooms. This reception room is formal in character: it
is the place for major family festivities and gatherings (marriages, baptisms), with a podium for
musicians. Rich colourful painted decoration, both on the facades and the interior walls, gives a festive
character to the house.
Other Examples of Rural Vernacular Architecture
France
Six regions of vernacular architecture are outlined by Schweitzer (2002) in a study of wooden
indigenous architecture. Two basic building techniques are studied: of long and short beams. The
technique of long beams is considered to be archaic, since it uses long and heavy beams that have to
be lifted and housed in place. It is used in farm houses in the Alps; walls are built of round logs with
peeled bark, piled on top of one another, and are jointed (notched) in the corner of the building. These
walls are self-supporting and carry the loads of ceiling and roof, and besides insulate inner space. The
building technique with short beams supplanted the long beams method, allowing the use of lighter
pieces, better jointing between the elements, a more sturdy structure, and the cantilever overhanging
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Fig. 4.
Plovdiv. Georgiadi House (1846). Second floor plan and street facade, picture of street façade
of the upper floor as well as building a multi-story structures. Finding wood resources and long beams
with large section became difficult, because they were supplied for shipbuilding. The short beam
technique is used for the skeletal building system with wooden posts and horizontal spans of inserted
secondary timbers between them. The wooden elements have two different functions to play:
supporting skeleton and filling elements between posts of outside/inside wood cladding. The other
system is a skeletal one that forms spans of wooden frame with an infill of inert materials, such as
clay, plaster, brick masonry. With regard to roofs, two big zones are established: the South of France:
there, flat roofs are used, with 20° to 30° pitch angle, covered with ‘Spanish’ roof tiles; the North,
where steep roofs of straw or clay tiles cover is typical. On Fig. 5, an alpine chalet of the Haute-Savoy
region is illustrated. The structure is principally used for stock breeding; it is built on a sloped terrain
with a stone mason basement and log bearing walls with a large two-sloped roof housing a vast space
for barn. The roof is covered by wooden tiles, kept in place by long wooden poles, anchored by heavy
stones. The pyramidal chimney is made entirely of wood; the fireplace beneath is of stone. The roof
ridge is perpendicular to the slope, on the southern side, the building is three storeys high, on the
northern side it has just one floor with access directly from terrain to the roof barn. The gabled facade
is looking south and features wide vertical boards cladding nailed on top of the structural wall and a
separate roof awning to guard the wall under the gable. The lateral facade has strongly projecting
eaves, supported by a horizontal beam and diagonal bracings under it, each one of which is supported
by shorter cantilever horizontal beams projecting from the wall.
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Fig. 5.
A: Plans and section of a ‘chalet d’alpage’ at Grand-Bornand, Haute-Savoie, the French Alps
(after Roland Schweitzer); B: Plans and facades of a farm house in Bresse-courtes (after
Roland Schweitzer)
A second typical zone is Bresse; one example of a timber rural house is shown here (Fig. 5.
B). Typical features of Bressan houses include: rectangular plan, low wall height and a great volume
of the roof. The roof has three slopes, the gable being on the southern facade. The roof features wide
overhangs, at the gable and lateral façades. They protect the structure, and constitute a real extension
of the building. The structure of the eaves of the barn includes a regular rhythmical structural bracing
under the eaves corresponding to the columns of a gallery. The Sarrasine chimney, a feature of
Bressan habitat, demonstrates respect to tradition and resistance to external influences. Certain
dwellings integrate an upper floor with a gallery (Fig. 5 B). The structural system consists of a wooden
structure, wooden spans with infill of mud-bricks. The roof cover is with „Spanish tiles”. Structures are
large and overpowering. Buildings are situated in scattered groups in the rural terrain (Roland
Schweitzer 2002).
Normandy is another region of characteristic traditional wooden structures. The abundance of
woods (the valley of Seine is covered with large forests of oak), the lack of hard materials for in-fillings
and the fantasy of builders have encouraged the richness and variety of wooden structures of houses
in the Pays d’Auge and Haute-Normandy. Facades are enlivened by motifs of repeated verticals,
chevrons, crossings, and oblique timbers.
Wooden structures have their origin in the Middle Ages and Renaissance. Urban structures of
houses are characterized by tall proportions, and the rhythm of vertical pieces, broken by cantilever
braces, sculptured corner posts and X-form timbers of the walls. Construction with wood and mudbrick is an ancient technique; the discovery of remnants of Gallo-Roman building testify in this sense.
Free-standing rural houses develop in large terrains and tend to grow in length, while urban houses
that develop in a limited lot between two neighbours, have to grow in height and gain floor area by
cantilevering overhangs to the street. Houses at Bayeux, Normandy, illustrate the architectural view
with towering proportions, densely spaced timbers and a steep roof. Schweitzer describes two
different systems of cantilevering. The first one uses beams that project perpendicularly to the façade
wall, they are fixed over the plate beam from the lower storey. Between the beams, shorter timbers
are mounted to prevent lateral movement and sacking of the beam of the upper storey. The second
system uses doubled beams, parallel to the façade, placed on braces fixed on vertical timbers. In this
way, the floor joists remain hidden on the façade. Roof cover features straw, but in the 19th C, this
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was changed to slate and tiles, which caused the reduction of roof structure, because the higher load
of ceramic tiles and lesser need of storage roof space.
Turkey
The historical development of dwelling structures in Turkey is the result of adopting the
existing Byzantine architectural types and adding features of nomadic life, brought from Central Asia
by Turks. The houses differ widely according to their locality: from North Anatolia to Black Sea Coast,
wooden houses from forested regions; Central Anatolia with stone and mud-brick houses; West
Anatolian stone and in South Anatolia, stone and wooden structures (Akurgal 1980). Turkish houses
are two- or three-storey structures. The upper storey constitutes the main living area; the ground floor
generally has a high, solid stone wall, almost like a fortification; this floor is blind to the street and open
to an inner court behind high walls. The upper floor extends over the street; it is open to the outside
world by many windows toward the street. The main storey is usually the summer living area and
features greater height for climatic reasons; similar to the antique concept of atrium space in Roman
houses. Windows have a double row arrangement on the facade, the lower row equipped with
shutters, the upper row of fixed smaller windows is built for lighting purposes; sometimes of decorative
stained glass. The roof is a hipped one, of a simple form, avoiding indents or extensions. Eaves are
wide and horizontal. The basic structural system is half-timber, with in-fill of rubble, bricks and plaster.
The plan types of Turkish houses feature arrangement of the rooms around a sofa (hall).
Rooms follow social requirements of extended family: in traditional Turkish society the house is
divided into men’s quarter (selyamlik) and women’s quarter (haremlik). The arrangement of rooms
around a central space follows the nomadic custom of building up tents around a central courtyard.
Rooms have a multi-functional role: in the day, they are used for eating, resting; the basoda (the
houseowner’s room) receives guests; in the night, they are used for sleeping. This central zone
developed into an open space (called in Turkish ‘sofa’), and eventually into a closed space with
eyvans (recesses) that form a cross-like configuration of the main living floor (Fig. 6 B).
Turkish houses feature wooden structure, especially in the regions to the north (Black Sea
Coast) and Thracian Region. Due to seismic conditions, wooden structure is preferable. Fast
construction was suited to the needs of an expanding society which is always on the move. The
structure is simple: nailing and simple joints are preferred. Quick repairing within a short time after
destroying fires was also an objective. It was only natural for people that a house should be built to
last for a temporary period only (Andrew Finkel). Timber frame allowed projections to be built
(cantilever overhanging bay windows), more windows on the upper floor and wider eaves. The house
could be aerated more easily in moist conditions and prevent condensation in rooms. Facade
treatment with wood cladding was done to fight corrosion of plaster in humid sea coastal areas. (Reha
Günay 1998).
RESULTS AND DISCUSSION
The following conclusions were established: depending on local material in forested regions,
structure falls into two categories: half-timber or all-wood structure. Structures differ in height: one or
two-storey for rural purposes, versus two-, three- or more storey structures for urban buildings (or
villages built on a strong sloping terrain). The two-storey morphology is kept throughout Europe and
Asiatic part of Turkey especially for rural structures; typically based on ancient Roman or ancient
Greek archetypes. Cattle-shed at the basement is a feature for rural houses, also for terrain
adaptation and the use of warmth generated by animals. Structurally, stone masonry (with santrach, a
hidden wooden under-structure to level the stonework) for foundations/basements is ubiquitous. Plans
are square or oblong. Structurally, timber frames or spans form a system of in-fill wall, used all over
Europe in mountainous or plane regions. All-timber is the more archaic case (chalet in the Alps) with
log structure, now extinct.
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Fig. 6.
A. Façade of a house on the Bosphorus; B. Plans of a Turkish house with sofa with
eyvans (after S. Eldem); C. Hüseyin Köprülü Pasha (Amcazade) House on the
Bosphorous (1698)
Organization of plan reveals rooms surrounding a wooden gallery (chardak) or hall (urban
houses). This is typical for the Balkans and Anatolian houses; French farm houses have different
organization: basically cattle-shed and barn plus smaller living zone; although a wooden gallery as
circulation device/shaded working space is also present in French rural houses. Roof structure is foursloped or hipped roof with a ridge; wide eaves to guard walls are indigenous to Bulgarian mountainous
regions (Tryavna, Zheravna), wide eaves feature at Bressan and Alpine rural chalet. This is due to the
tendency to extend the roof structure to protect the underlying walls. Stone, ceramic tiles (“Spanish
tiles”, called “Turkish tiles”), wooden tiles and thatch (Normandy) feature as roof cover.
Roof slope is another persisting antique feature: southern regions against northern feature
gentle slopes, the cases studied fall mostly into the „Roman” type of roof with a gentler slope. Eaves
reach to 2m width, in such case, support bracings are developed as structural feature, resulting in
characteristic architectural view. Terrain is sloped or flat; buildings tower on the lower side; in planes
rural houses feature a tendency to grow in length. Upper floor façade overhangs to overcome odd lot
shape, while French rural houses feature really monumental simple geometry with a massive roof
volume for barn storage. Roof cover varies from stone slabs (Bulgaria) to roof tiles (Turkey), wooden
tiles, anchored on top with stones, and thatch (France). Architecturally, the facade from the lower
terrain side is a grand one in all examples, featuring typical white-washed overhanging walls framed
with dark wood under heavy roof and large eaves with bracing (Bulgaria), to high structures with
braced overhanging main storey with beautiful window treatment and horizontal eaves (Turkey,
Bulgarian towns), and massive triangular facade of wood cladding (Alpine Chalet in France), to tall
structures with rhythmical repetition of vertical wood posts (Normandy). Lime plaster hides the timber
members in Bulgarian houses, while façade treatment differs in Normandy, France, by leaving wood
braces and posts uncovered and even painting them dark red to contrast with the plastered in-fill,
creating a geometric pattern on the surface. Proportions differ from horizontal low houses in Bulgaria
to high towering structures of white rectangles sitting on high stone walls in Turkey, Safranbolu, to
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large wood-covered structures with huge roofs in rural France and high urban wooden houses to the
North.
CONCLUSIONS
Vernacular wooden structures in historical aspect have attracted attention lately; for this have
been found several reasons: wood is a sustainable material that can be grown and used for
construction. Structures can withstand earthquakes; those on Balkan Peninsula and Turkish Anatolia
are an example, some having survived for more than 200 years. Building is fast and so is repair, when
this is the case. Wood is a light material that provides simple and effective construction solutions.
Typical architecture was achieved of projecting main floors and wide eaves over the walls, supported
by braces. The wall structure demonstrates the best use of mechanical properties of wood to build the
load-bearing frame, which is in-filled with inert materials. Wood has good insulating properties that
achieve appropriate microclimate. Wooden cladding is a known solution to supplant corrosion of
façade plasters in coastal cities. As a widely versatile structural system, timber proves to generate a
range of original architectural vernacular languages and construction solutions.
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