English Studies
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Coleridge and the Lay Sermon
Simon During & Lisa O’Connell
To cite this article: Simon During & Lisa O’Connell (2017) Coleridge and the Lay Sermon, English
Studies, 98:7, 747-757, DOI: 10.1080/0013838X.2017.1339992
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ENGLISH STUDIES, 2017
VOL. 98, NO. 7, 747–757
https://doi.org/10.1080/0013838X.2017.1339992
Coleridge and the Lay Sermon
Simon During and Lisa O’Connell
IASH, University of Queensland, St Lucia, Australia
ABSTRACT
This essay, a contribution to the study of secularisation, explores
conditions under which a new genre, the lay sermon, emerged
early in the nineteenth century. It does so through a reading of
the texts that inaugurate the genre, Samuel Taylor Coleridge’s Lay
Sermons (1817). In particular, the essay examines Coleridge’s Lay
Sermons’ historical context, that is, to the beginnings of liberal
politics. And it also pays attention to Coleridge’s relation to the
heritage of religious sermons, especially seventeenth- century
sermons. It argues that the lay sermon, unlike the religious
sermon, tends to be directed to particular social groups or
formations rather than, more broadly, to Christians of a particular
denomination.
In this essay we offer an historical analysis of the “lay sermon” as a genre which found a
niche in British intellectual and cultural history for over a century after about 1820. Thus,
for example, the working-class Scottish deist, James Hogg, published a series of lay
sermons on manners in the mid 1830s. Thirty years later, the British idealists, Edward
Caird, W. R. Sorley and T. H. Green chose the genre when they wished to address a
public as practising Christians rather than as academic philosophers. (In Caird’s and
Green’s cases as Anglicans; in Sorley’s case as a member of the Free Church of Scotland.)
It also became a genre in which members of the bourgeoisie could address and advise the
working classes on secular matters as for instance in John Brown’s Health: Five Lay
Sermons to Working People (1862). The lay sermon could also be used to publish less prescriptive pieces, as by the socialite and one time prime minister’s wife, Margot Asquith,
who published a volume baldly entitled Lay Sermons in 1927. Later examples exist, like
E. P. Thompson’s 1969 defence of the young Wordsworth’s and Coleridge’s politics, provocatively named “Disenchantment or Default: A Lay Sermon”. Perhaps the genre’s most
successful example, however, was Thomas Henry Huxley’s Lay Sermons (1870) which consisted mainly of lectures delivered in the mid-1860s. These included the famous “The
Physical Basis of Life”, a widely read essay that made the radically secular case that protoplasm constitutes the material substratum for vitality. It was a contribution to popular
science, but also a sermon because, enounced from a position of some authority, it envisaged and recommended a profound shift in the understanding of consciousness.
However, the genre was first established by Samuel Taylor Coleridge in his two Lay
Sermons, the first published in 1816, the second in 1817. We concentrate on Coleridge’s
CONTACT Simon During
[email protected]
© 2017 Informa UK Limited, trading as Taylor & Francis Group
748
S. DURING AND L. O’CONNELL
contributions here in order to investigate questions relating to the genre’s emergence. In
what context did it first appear? Why? Is it to be understood as a secular form of a fundamentally religious or ecclesiastical mode, or should it be understood, rather, as a sui
generis form, despite its name? To begin to make headway in these inquiries, it is useful
to clarify certain aspects of the sermon form itself, by which we mean the religious
sermon—a task that is made easier by the flourishing scholarship on the topic.
Perhaps the sermon’s most fundamental feature—so fundamental as almost not to
require pointing out—is that it was precisely an ecclesiastical genre. It was typically an
oral address given in the practice of an ecclesiastical office—that of the ordained minister—to parishioners as part of a church service (at least in orthodox churches.) And (to
confine our remarks to Britain) although its central place had not been secure in Anglican
services until the seventeenth century, it was thoroughly sanctioned in Anglicanism’s post1688 regime. That is true even if, from the 1740s on, the sermon was Methodism’s main
instrument in an outreach project that the Anglican hierarchy treated with suspicion.
Nonetheless, and in particular, Edward Stillingfleet’s widely read 1698 advice to the
clergy, which insisted on the sermon’s importance in the primitive Church’s life, and
which thus granted it a constitutive status in Christian practice, was often referred back
to by Anglican writers.1
Because the sermon was delivered by clergymen as part of their ecclesiastical duties,
certain problems of address were bypassed. There was no need to defend its occasion
or legitimacy. This is important because in the early modern period, and indeed up
until the mid-eighteenth century, lay-writing for the public in an exhortative or critical
mode was not always a sanctioned or respectable thing to do. On what authority might
an individual address an audience in that way? To go no further: Jonathan Swift’s A
Tale of a Tub’s mockery of those who set themselves up to lecture the public makes
that clear.
The sermon’s second key feature was that, despite its being anchored in a particular
institutional setting, it was remarkably eclectic in terms of both address and content.
Admittedly, sermons usually cohered to the convention of beginning with a “text”—the
citation of a verse or two from the Bible—and often ended with another such text. Admittedly, too, the sermon tended to a rhetoric of exhortation which, from about 1700 onward,
was usually articulated in a polite version of the old Puritan plain style. Despite this,
however, sermons could be intended for a variety of audiences.2 Thus, at one end of
the spectrum, “public”, “political”, “parliamentary” or (earlier) “court” sermons, often
given by senior churchmen, could be addressed to the nation as a whole basically for
instrumental purposes.3 Fast day sermons, for instance, addressed state of the nation
issues on days that the sovereign had determined should be committed to penitence
and asceticism in moments of national crisis. Their purpose was to draw the nation
together and they often made appeal to Providentialism, that is, they often showed how
national events could be read as rewards, punishments or tests set by God.4 (In Britain,
such Anglican sermons, however, often triggered counter-sermons by Dissenting
1
Stillingfleet, 196–8. See the popular clerical handbook, The Clergyman’s Vade-Mecum (Johnson, 15–16), for recommendations of how clergymen should preach, which indeed refers back to Stillingfleet.
Edwards.
3
See Ihalainen, 25–49.
4
On the fast day Sermon, see Ippel.
2
ENGLISH STUDIES
749
ministers.)5 At the other end of the spectrum, local clergyman—whether rectors, curates
or Dissenting ministers—preached weekly on Sundays to their parishioners, turning to
familiar topics—routinely encouraging charity, piety and clean living—mainly using
highly conventionalised rhetoric.6 Parish clergymen often circulated and shared
sermons amongst themselves. And in between these extremes of crisis and ordinariness,
sermons were given not just to various audiences but on a dazzling array of topics or
all kinds of occasions to all kinds of ends.7
The most important sermons were, perhaps, political. One that provoked a political
storm was Henry Sacheverell’s Guy Fawkes Day 1709 “In Perils among False Brethren”
address, which angrily made the case that the church was in danger from Whigs, deists
and Dissenters. It led to Sacheverell’s impeachment and thus, in turn, to widespread
rioting and indirectly to the election of a pro-Church Tory administration. Another
such case (although, in the first instance, it was concerned with theology) was Benjamin
Hoadly’s 1717 sermon, “The Nature of the Kingdom or Church of Christ”, preached in
front of the King at the Royal Chapel, which fanned the flames of the so-called Bangorian
Controversy on the Church/State relation by taking a radically Erastian position. Some
sermons made serious contributions to theological or philosophical issues. There is a
case to be made that Joseph Butler’s selection of the sermons that he preached at the
Rolls Chapel during the early 1720s, published as plain Fifteen Sermons in 1726, counts
among the most significant contributions to Anglican theology over the long eighteenth
century. Lawrence Sterne’s popular sermons (published under the fictional name of
“Parson Yorick”) mark another significant cultural and theological shift. And recent scholarship has produced some evidence for a late eighteenth-century increase in the number
of sermons that addressed philosophical or even scientific topics with the secular intent of
assisting human or social improvement.8 By the nineteenth century the sermon could
sometimes be, in effect, a technical lecture: we can take as an example Adam Sedgwick’s
1833 sermon, which Boyd Hilton describes as having an impact as great or greater than
John Keble’s sermon on National Apostacy (often thought of as inaugurating Tractariansm).9 Here Sedgwick (having learnt something from Coleridge) argued the case for a
political economy that was driven by more than just private interests.
The third feature of sermons worth remarking on in our context is that they crossed
orature and print, ecclesiastical practice and commerce. Sermons were often printed.
Indeed, in the eighteenth century, they constituted a significant part of the commercial
book trade, and in a few cases a significant portion of parsons’ incomes too.10 (Which
is to say that there were cases where Henry Fielding’s Parson Adams’s hopes to raise
some money by having a bookseller take his sermons were indeed fulfilled.) As James
Rigney has pointed out, this could cause anxiety for a number of reasons, including the
authors’ loss of control over who actually read their sermons once they were distributed
in the print market.11 Nonetheless it would seem that the possibility of print motivated
many of the period’s most important oral sermons—not just political ones like
5
For Dissenting blowback, see Bradley, 126.
See Chamberlain.
7
Farooq’s Preaching in Eighteenth-Century London offers a detailed description of the sermon’s variousness.
8
Ibid., 267.
9
Hilton, 49.
10
Somerville, 10; and Feather, 37–9.
11
Rigney, 200–20.
6
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S. DURING AND L. O’CONNELL
Sacheverell’s or Hoadly’s, and not just philosophical ones like Butler’s or literary ones like
Sterne’s, but exemplary exhortative and meditative ones like John Tillotson’s, perhaps the
most widely read sermons of them all in the eighteenth century.12
This background is important to Coleridge’s Lay Sermons because it reveals the sermon
genre’s flexibility, complexity and reach, as well as its secure institutional underpinnings at
the time he came to publish them. When Coleridge conceived a new kind of sermon, one
detached from an ecclesiastical base, one without institutional religious sanction, he was
still, we would suggest, expecting to draw on the sermon-genre’s received social, moral,
rhetorical and commercial status.
Few figures of the period have received more scholarly attention than Coleridge. Few
have divided opinion so strongly. But it is useful here to try to rise above the scholarly
debate to offer a brief conspectus of the situation in which he came to establish the new
genre.
Born into an Anglican family (his father was a scholarly country parson), he joined the
Unitarians in 1794 as a twenty-two year old. By 1796, he was preaching mainly extempore
sermons which he himself described as “political”, and were indeed expressions of radicalism.13 In one of his later dismissive responses to the Lay Sermons in The Examiner,
William Hazlitt remembers attending a sermon by the young Coleridge, and testifies
not just to the enthusiasm with which it was uttered and received, but also to its intellectual ambitions, combining as it did, philosophy, politics and religion.14 From around 1800,
Coleridge moved away from radical politics, even the kind that had parliamentary representation in the form of the “New Whig” leaders such as Charles Fox and Richard Sheridan. This was clear by the time he began to publish his short-lived essay journal, The
Friend, in 1809, which introduced the methods and concepts of his later work, including
the Lay Sermons. Here, for the first time, he fused a version of German philosophical idealism and Anglican thought (especially seventeenth-century Anglican thought) in a manner
which was utterly his own, but also, surprisingly, extraordinarily influential.15
By the time he came to write The Friend, however, the structural difficulties of the position in which Coleridge found himself as a thinker and writer were clear. He held no office
in any church (which was still the most supportive institution for English intellectuals in
the period). He had now both broken with rational Dissent and political radicalism. He
was not a counter-revolutionary in the high Tory mode represented most influentially
by John Wilson Croker in the recently established Quarterly Review. Contra Alfred
Cobban and a tradition in Coleridge criticism, he was not even quite a Burkean of the
kind that his friend Robert Southey was proving to be.16 (He was, as we might say, too
theoretical for that.) And he had absorbed elements of post-Kantian German academic
philosophy whose lexicon, methods, interests and analytic schema were all but incomprehensible to most Anglophone readerships. Furthermore, he was beginning to renegotiate
Anglican theological history in quite a new way.
12
Dixon, 465–7.
White, 138–9.
14
[Hazlitt], “Mr. Coleridge’s Lay Sermons”.
15
The literature on Coleridge and German philosophy is forbidding, and the literature on Coleridge and Anglicanism is not
far behind. For an excellent recent account of the former, see Hamilton. For the latter, see, for instance, Hedley.
16
For the classic argument that Coleridge (and the other Lake Poets) were Burkeans, see Cobban. For a sensitive revisioning
of this case, see Craig, 5–12.
13
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751
In what terms, then, should he address the public? Which public should he address?
What media, and what genres to use? From the beginning, The Friend, conceived as an
experiment, risked the charge of obscurity. In its first number, it explicitly demanded a
new kind of attention from his readers while sketching out a concept of “reason”
which, at least on the face of it, owed more to Kant’s Vernunft than it did to, say, the
more familiar early eighteenth-century “right reason”.17 And The Friend was indeed
met with indifference: it did not sell and was not understood.
Lay Sermons, published eight years later, was an attempt to rethink and deal with these
issues on new terms by introducing a new genre on the back of an old one. To some degree
the choice of the sermonic mode was explained in the Lay Sermons themselves: that choice
allowed Coleridge to affect an oral delivery which avoided (as he put it) the “usual softenings suggested by worldly prudence, of all compromise between truth and courtesy”,
softenings that he associated with the rapid increase in the reading (not listening)
public, but also, implicitly, with the polite plain style of homiletics, post-Tillotson.18 His
lay sermons aimed to occupy a place between the public and the private, as if delivered
in a parish church, even as they addressed larger readerships and broached new conceptual
and tonal ground. To that end, simulating orality, they were written in the first person as if
from time now; they made appeals to a known and knowable “we”; and switched across a
range of tones from the conversational to the erudite to the poetic to the vatic.19 And they
spilled beyond themselves: paratexts were added to the sermons (an introduction, footnotes, a suite of appendixes) in acceptance of the fact that the project could not be contained within the sermonic mode. Indeed, Appendix C of the first sermon, itself
entitled A Statesman’s Manual, bears a significant proportion of the argument as a whole.
Some further context is helpful here: Coleridge chose to establish the lay sermon as a
genre under circumstances which marked a significant change of direction for British
society. The end of the war with France in 1815 had had devastating economic consequences. Inflation was rampant between 1815 and 1818, in part fuelled by the wheat
crop’s failure in 1816 and in part by protectionist policies on corn put in place by the
landed interest. The national debt was unprecedently high, not least because, under the
younger Pitt, Britain had abandoned the gold standard in 1797 so as to finance the war.
And this debt, alongside the new floating currency, triggered a general sense of national
insecurity, despite the nation’s recent victories. Britain’s first-ever income tax (which
had replaced land taxes) was repealed in 1816, leaving indirect taxes, with their regressive
effects, to take up most of the burden of interest repayments. This was one cause of widespread social and political unrest.
At the same time, industrialisation and the factory system was expanding, and with
them, as Robert Owens seems to have been the first to notice, a “new character in its
inhabitants … quite unfavourable to individual or general happiness”.20 As we might anachronistically say: an immiseration which changed the working-class ethos was understood to be the consequence of new relations of production. For this reason, too,
political efforts towards parliamentary reform which had started in the 1760s were now
17
Coleridge, The Friend, 1:11–17. For a good account of obscurity in The Friend see the first chapter of Epp’s “Coleridge and
the Project of The Friend,”. See also Coleman.
Coleridge, Lay Sermons, 31.
19
Ibid., 110.
20
Cited in Williams, 44.
18
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S. DURING AND L. O’CONNELL
drawing energy from previously barely politicised groups. Another result of this expansion
of manufacturing and increase of political engagement was a renewed sense of vulnerability in the Anglican church itself, as instanced by Richard Yates’s widely read The
Church is in Danger of 1815. Since 1688, the Church’s structures and revenue streams
had expanded with England’s agrarian and urban economies. Yet radicalism and industrialisation took hold simultaneously, encouraging both Irish Catholic immigration and
Evangelicalism. In this situation, as P. G. Cain and A. G. Hopkins have remarked, there
was a widespread sense that the “gentlemanly order” itself was threatened, and radical proposals for reform were mounted even among the propertied interest.21 These included
calls to reform the received British confessional state.
The Lay Sermons were Coleridge’s response to this unstable situation. They were delivered in an effort to strengthen, spiritually and intellectually, the state and Anglican Christianity. They did not, however, constitute a change of direction in Coleridge’s own
thinking. Indeed, his understanding of what the times required had already been expressed
in its most basic form not just in The Friend, but in his famous letter of May 1815 to
William Wordsworth in which he outlined his disappointment with The Excursion.
Wordsworth’s magnum opus was not the “philosophic poem” he had expected it to be.
He had hoped, he wrote, that the poem might
conclude by a grand didactic swell on the necessary identity of a true Philosophy with true
Religion, agreeing in the results and differing only as the analytic and synthetic process, as
discursive from intuitive, the former chiefly useful as perfecting the latter—in short, the
necessity of a general revolution in the modes of developing & disciplining the human
mind by the substitution of Life, and Intelligence (considered in it’s [sic] different powers
from the Plant up to that state in which the difference of degree becomes a new kind
(man, self-consciousness) but yet not by essential opposition) for the philosophy of mechanism, which, in everything that is most worthy of the human Intellect strikes Death, and cheats
itself by mistaking clear Images for distinct Conceptions, and which idly demands Conceptions where Intuitions alone are possible or adequate to the majesty of the Truth—In
short, Facts elevated into Theory—Theory into Laws—and Laws into living and intelligent
Powers—true Idealism necessarily perfecting itself in Realism, & Realism refining itself
into Idealism.22
From this perspective, the Lay Sermons can be understood as Coleridge’s attempt, using a
new genre, to fulfil the requirements of the poem that Wordsworth should, in his opinion,
have written but did not; a poem that proved that true philosophy and true religion were
identical. More generally it proposed a reformist programme based more on spiritual and
intellectual than on social and political transformation. And it did so, of course, not in
poetry, but by reformatting and redirecting sermonic modes of address.
The first difficulty facing such a project was that not all readers could be expected to
receive Coleridge’s arguments with the same degree of comprehension. As we have
seen, The Friend had proved that, if indeed it needed proving. So Coleridge took a bold
and innovative step. He decided to write three lay sermons, each directed towards a different readership. The first (which appeared in December 1816) was to be addressed to the
oligarchy or what he called “the Higher Classes of Society” and more exclusively still “ad
clerum” (i.e., to the learned). The second (which appeared in March 1817) was to be
21
Cain and Hopkins, 83.
Coleridge, Collected Letters, 4:575.
22
ENGLISH STUDIES
753
addressed to “Higher and Middle Classes”. And the last (which, however, never appeared
at all, perhaps because he found it difficult to strike the right tone) to the “Lower and
Labouring Classes of Society”.23 This division is crucial: it breaks with a traditional
feature of the religious sermon, namely, its being addressed to church members of whatever social status or degree. One reason why these sermons are “lay” is because they do not
(or cannot) appeal to the indivisibility of a Christian community.
Coleridge’s sermons were not denominational or ecclesiastical. They were, rather, publications that addressed a national public, albeit one that was not unified. On the face of it,
the classes (as we today say) into which this national public was segmented were divided
by their respective level of educational attainment. But the division was also economic and
political: after all, the Lay Sermons were written in a situation in which sectors of the
labouring and middle classes were being politicised against the oligarchy. There was
nothing especially original in this political-economic concept of class. To cite the title
of one of the chapters of Francis Steuart’s path-breaking An Inquiry into the Principles
of Political Economy (1767) (a work Coleridge admired) economists were routinely interested in “the Distribution of Inhabitants into Classes”.24 So too were Anglican moralists.
John Brown’s Estimate of the Manners and Principles of the Times (1757), one the earliest
texts by an Anglican divine to address a national public on the state of the nation from a
perspective that grasped how important the economy was to social moods and structures,
already understood that there was no single nation but rather different classes—which
Brown thought of as (1) the landed interest, (2) the commercial interest and (3) the
people. As did Coleridge.
By absorbing social divisions into his lay sermonising, Coleridge was also compelled to
confront a traditional problem for Christian apologia—the problem of accommodation.
The problem, that is, of how to tune one’s message to different readerships, perhaps by
reserving the full truth from some readerships or even by telling them “noble lies”. Coleridge (drawing on Lessing) had expressed himself strongly against accommodation (or
“pious frauds”) in The Friend and did so again here, but he now avoided the problem
in effect by accepting spiritual differentiation.25 In a good society, he averred, the
learned and the commercial classes each had their own religio-intellectual concerns and
ends. The learned and aristocratic, whose incomes were secure, were able to concern themselves with deeper and more abstract philosophical and theological issues, while the commercial classes had an immediate interest in politics and the economy. So, for Coleridge, it
was not a matter of concealing truths from those who needed to be protected from them
but of addressing different kinds of interests through analytical frames, each directed
towards a particular class with a particular social function. Yet the profoundest truths,
those reserved for the higher classes, would, so Coleridge believed, never be understood
by the other classes.
Nonetheless, Coleridge had an overarching purpose in the Lay Sermons. It was not just
to insist that the challenge faced by the received social, ecclesiastical order was indeed profound, encompassing what he called a “change … in external relations” (that is, a change
in the relations between things, vital energies and people), but to insist that this challenge
23
Coleridge, Lay Sermons, xxxi and 3.
Coleridge was influenced by Steuart. See Gallagher, 25–6.
25
Coleridge, The Friend, 1:37–8 and Lay Sermons, 58–9.
24
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S. DURING AND L. O’CONNELL
could only be properly resisted and absorbed by a change in the “mind of the Nation”.26 It
was not, for Coleridge, a matter of constitutional fixes. And it was to insist, further, that the
separate and various forces that constituted this challenge were in fact linked, these forces
being, of course, (1) the commercial spirit, (2) the mechanical philosophy that had been
introduced by John Locke in particular and (3) political radicalism. And Coleridge presented a critical response to each of these.
He was not simply dismissive of the “spirit of commerce”. Indeed, against traditional
civic republicanism, he mounted a defence of both public debt and redistribution by taxation. His argument was, rather, that the commercial spirit had become dominant in ways
that allowed “worth” to be replaced by “value”.27 The commercial spirit was necessary to
the nation but it could not be allowed to subsume or shape fundamental ethical and epistemological categories.
In relation to post-Lockean empiricism, Coleridge argued, in a broadly Kantian
manner, that its epistemology was based on the passive “senses”.28 For that reason, it
could not account for its own categories and energies. In particular, it neglected the
vital forces that flowed through the universe—through both subjects and objects—recognition of which was necessary to any “living and spiritual philosophy”. This in turn itself
ultimately required Faith. The key turn in Coleridge’s philosophy, then, was to transcendentalise Faith in broadly Kantian terms, that is to posit Faith as the condition of possibility for knowing the world properly, and then to spiritualise it by conceiving of it not
epistemologically but as an energy, ultimately the energy of Holy Spirit, which was
capable of fully developing Human Consciousness. Without Faith one could not know
the world as it is. An underdeveloped ontological argument is appealed to here since,
for Coleridge, Faith, as revealed to us by God, is also an a priori condition of human
consciousness.
Coleridge’s relation to radicalism was also nuanced since he was both critical and supportive of the status quo. As he saw it, what was required in 1817 was a new religious and
philosophical regime, covering both thought and affect, but which would remain dependent, in particular, on Anglican hegemony, a hegemony which would itself require a
strong state. So Coleridge set himself against two specific groups. First, Dissent, and
especially Unitarians or what we today call Rational Dissent. And second, political radicals—he called them “Demagogues”—as most represented by Thomas Paine, William
Cobbett and Henry Hunt.29 And it is against radicalism that Coleridge appeals not just
to Anglicanism, not just to philosophic idealism, but also to a form of liberalism, a
term that was just then beginning to be attached to a political position. Coleridge’s is
the liberalism implied in the verses from the King James version of Isaiah that he cites
in the first Lay Sermon: “But the Liberal deviseth Liberal things, and by Liberal things
shall he stand.30 It denotes no political programme but an expansive generosity of
thought and action able to be nurtured by both Church and State.
Here liberal thought also implies a willingness to take an intellectual stance that is not
confined to mechanical, literal and instrumental modes of analysis but which is willing to
26
Coleridge, Lay Sermons, 191–2.
Ibid., 211.
Ibid., 89.
29
Ibid., 149, 144.
30
Ibid., 142. Isaiah, 32:8.
27
28
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755
engage hermeneutically. In other words: which is ready to interpret, to think allegorically
and to take imaginative risks. Certainly Coleridge’s first lay sermon, A Statesman’s
Manual, requires all these capacities. And it is there too that the full weight of the
sermon-genre’s heritage is brought to bear, for it makes an argument that was standard,
banal even, for the Protestant sermon. It urges that Christian life should be guided by
the Bible, or rather (and somewhat more unusually) by the Old Testament. But the first
lay sermon also displaces this convention. Here the Bible is treated not so much as a
guide for personal devotion and morality but as “the best guide to political skill and foresight” as the book’s subtitle puts it. This assertion is startling given the outpouring of technical and secular analysis of government, economics and politics in the period, both from
the press and from pulpits. Let the names Thomas Malthus, Jeremy Bentham, Robert
Owen, David Ricardo (whose Principles of Political Economy and Taxation appeared in
1817) and Thomas Chalmers (whose An Enquiry into the Extent of and Stability of
National Resources (1808) had made his name as a Christian economist) stand as evidence
for this. But Coleridge was arguing that the Old Testament counted for more than all these
writers’ works as a practical guide to politics and society.
What Coleridge was asking for, of course, was not a literal application of biblical texts to
current circumstances. The Bible did not provide transparent normative rules for contemporary government and society. Rather it was an inspiring storehouse of stories, poetry
and symbols, focused on narratives about individuals, which, nonetheless, continually
referred back to the Universal, that is to say both to the one true God and to Reason in
its higher sense.31 The Bible “passeth all Understanding”, of course, and thus simultaneously encourages and requires liberalism and faith.32
Coleridge confines this mode of receiving the Bible to the higher classes, but that qualification by no means restricts its intellectual daring. He is, in effect, not so much combining the two names (“lay” and “sermon”) of the genre he is establishing, as using the
tension between them to break epistemic limits. By making a homiletic commonplace
(the Bible is the Christian’s guide to life) apply to situations that required and received
technical analysis, he was able to urge his readers to understand the Bible’s epistemic,
affective and devotional qualities in quite new ways.
The second lay sermon, by contrast, confines itself to secular matters. As already noted,
its primary purpose was to persuade readers to resist all pressures, and especially from the
commercial spirit, to think about and judge social conditions on merely instrumental and
economic grounds. Or, as Coleridge also put it, in a Kantian fashion, not to treat people as
things.33 Implicitly, the ethos he promotes for the upper classes in the first lay sermon will
help shape all society in this way. But his most concrete proposals here in the second lay
sermon concern the state and education. Against laissez faire economics, he argues not just
that “our manufacturers must consent to regulations”, but that the state should be
empowered to act against the misery caused by industrialisation and development
(which, however, he concedes improves the national standard of living taken as a
whole).34 The state’s final purpose is to provide the conditions for all its citizens to
develop “those faculties which are essential to … Humanity, i.e., to rational and moral
31
Coleridge, Lay Sermons, 79.
Ibid., 67.
33
Ibid., 206.
34
Ibid., 229, 208–16.
32
756
S. DURING AND L. O’CONNELL
Being”.35 The rational and moral being that Coleridge proposes for the middle classes is
not that which he proposes for the higher classes, of course. And he is not (à la Helvetius)
suggesting that education will even out intellectual capabilities and orientations, or that
the higher classes have a responsibility to educate those beneath them to their level.
Nor should education provide a path to equality or the conditions for a meritocracy. As
was invariably the case for conservative thought of this time, class difference is a good.
It is, indeed, what enables spiritual and intellectual liberalism by not putting the
whole system under pressure to restructure its institutions for secular and instrumental
reasons.
Let us conclude by summarising our argument. Coleridge invented a new genre—the
lay sermon—by drawing on the religious sermon’s rhetorical and homiletic registers.
He did so not just to address a national audience in a time of crisis but to propose ambitious conceptual and theological innovations. As we know, Coleridge’s lay sermons were
immensely influential in their appeal to the state to play a role in the population’s spiritual
and material well-being—they can even be understood as founding texts for the welfare
state itself as it emerged in Britain over a century later. But their most adventurous and
religious aspects fell by the wayside. If we were to wonder about where Coleridge’s lay
sermon hermeneutic was to end up, one might well say, in the mid-twentieth-century
English department with its nourishing of interpretative practices that often combined
social critique and literary readings. On the face of it, of course, that is an institution
that lies at some distance from Coleridge’s ambitious plans for a hierarchical Christian
society. But making this link may remind us that contemporary literary academics in
fact routinely write what might just be able to be thought of as lay sermons.
Disclosure Statement
No potential conflict of interest was reported by the authors.
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