Slow TV: The Experiential and Multisensory Documentary | SpringerLink
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Slow TV: The Experiential and
Multisensory Documentary
Cognitive Theory and Documentary Film pp 205-221 | Cite as
Luis Rocha Antunes (1)
1. Augusta University, , Augusta, USA
Chapter
First Online: 22 August 2018
346 Downloads
Abstract
This chapter examines the aesthetic and perceptual implications of the vestibular
sense in Bergensbanen: Minutt for Minutt (The Bergen Train: Minute by Minute)
(NRK 2009) and thermoception in Nasjonal Vedkveld (National Wood [Fire] Night)
(NRK 2013). These documentaries explore a conception of film ecology in which
landscape and nature are not simply represented audiovisually, but also elicit
perceptual experiences as the primary cinematic appeal. By looking at issues of
experientiality in the documentary film, the chapter seeks to promote an awareness
within the field of cognitive film theory that the senses are as important to our
understanding of film experience as emotions and empathy.
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Notes
Acknowledgements
I would like to acknowledge that part of the research for this chapter was made
during my time as a Visiting Researcher at the University of Texas in 2016/2017. I
would also like to thank the editors of this book, Catalin Brylla and Mette Kramer,
for their valuable feedback and encouragement, and Amy Antunes for her assistance
with the editing of this chapter and her encouragement.
https://link.springer.com/chapter/10.1007/978-3-319-90332-3_12
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© The Author(s) 2018
About this chapter
Cite this chapter as:
Antunes L.R. (2018) Slow TV: The Experiential and Multisensory Documentary. In: Brylla C., Kramer M.
(eds) Cognitive Theory and Documentary Film. Palgrave Macmillan, Cham
First Online 22 August 2018
DOI https://doi.org/10.1007/978-3-319-90332-3_12
Publisher Name Palgrave Macmillan, Cham
Print ISBN 978-3-319-90331-6
Online ISBN 978-3-319-90332-3
eBook Packages Literature, Cultural and Media Studies
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