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I argue that modal realism is unable to account for fictional discourse. My starting point is an overview of modal realism. I then present a dilemma for modal realism regarding fictional characters. Finally, I provide responses to both horns of the dilemma, one motivating modal dimensionalism, the other motivating a disjunctive analysis of modality.
Philosophical Studies, 2014
In this paper, after clarifying certain features of Gideon Rosen's Modal Fictionalism, I raise two problems for that view and argue that these problems strongly suggest that advocates of a ''Deflationist Strategy'' ought not to endorse, or adopt Rosen-style Modal Fictionalism. Keywords Fictionalism Á Modality Á Possible worlds Á Deflationism Á Revolutionary fictionalism Á Hermeneutic fictionalism Á Universals Á Properties Many philosophers are uncomfortable with the very notion, let alone accepting the existence, of possible worlds. At the same time, however, they recognize the benefits of the possible-worlds analysis of modal discourse. 1 In particular, they appreciate the rigor and clarity that this analysis brings to an otherwise complicated and unclear way of talking. While the concreteness or ''worldliness'' of so-called possible worlds is a matter of debate, it is widely accepted that the quantification over possible worlds that this analysis of modal discourse involves brings with it an ontological commitment to some kind of entity, picked out with the expression 'possible worlds'. While David Lewis has argued mightily for what he (1986) calls modal realism-the view that possible worlds should be understood as separate, individual, concrete universes that are as fully genuine and realized as the cosmos we inhabit-many find this view of possible worlds (as opposed to the view that the things modal discourse involves quantifying over are abstract, complex properties or
Axiomathes, 2017
I argue that modal realism is unable to account for fictional discourse. My starting point is an overview of modal realism. I then present a dilemma for modal realism regarding fictional characters. Finally, I provide responses to both horns of the dilemma, one motivating modal dimensionalism, the other motivating a disjunctive analysis of modality.
Accounts of modality in terms of fictional possible worlds face an objection based on the idea that when modal claims are analysed in terms of fictions, the connection between analysans and analysandum seems artificial. Strong modal fictionalism, the theory according to which modal claims are analysed in terms of a fiction, has been defended by, among others, Seahwa Kim, who has recently claimed that the philosophical objection that the connection between modality and fictions is artificial can be met. I propose a new way of spelling out the intuition of artificiality and show that strong modal fictionalism should be rejected.
Analysis, 1995
Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Oxford University Press and The Analysis Committee are collaborating with JSTOR to digitize, preserve and extend access to Analysis. http://www.jstor.org MODAL FICTIONALISM-A SIMPLE DILEMMA 67 semantics of which imports no commitment at odds with anti-realism about possible worlds. But if there is, then there is no evident reason why it should not be employed in giving the truth-conditions of modal statements quite generally. This would not preclude the employment of possible world semantics for modal logics, but there would remain no reason whatever for viewing this style of semantics as somehow capturing the real meaning of modal claims, or for regarding it as anything more than a merely algebraic device entirely devoid of philosophical significance. There would thus be no more call for a fictionalist account of it than there is for a fictionalist account of other kinds of algebraic semantics for modal logic.
This article examines a popular complaint against the fictionalist account of possible objects bruited by Gideon Rosen. This is the complaint that modal fictionalism is, in some sense or other, hopelessly artificial. I shall separate two different strands to this worry and examine each in turn. As we shall see, neither strand to the objection is intractable.p apq_1411 535..550
Recent work on the development of a dialogical approach to the logic of fiction stresses the notion of existence as choice. Moreover, this approach to existence has been combined with the notion of ontological dependence as deployed by A. Thomasson’s artefactual theory of fiction. In order to implement such a combination within the dialogical frame several predicates of ontological dependence have been defined. However, the definition of such predicates seems to lean on a model-theoretic semantics for modal logic after all. The main of the present paper is to set a dialogical frame for the study of fictions in the context of the dialogical ap-proach of CTT recently developed by S. Rahman and N. Clerbout where a fully-interpreted language is unfolded. We will herewith develop the idea that in such a setting fictional entities are understood as hypothetical objects, that is, ob-jects (functions), the existence of which is dependent upon one or more hypotheses that restrict the scope of choices available. We will finish the paper by suggesting that this provides both a natural and genuinely dialogical way to un-derstand R. Frigg’s take on scientific models as fictions and a new perspective on Thomasson’s notion of generic onto-logical dependence.
Grazer Philosophische Studien, 2010
There is much controversy surrounding the nature of the relation between fictional individuals and possible individuals. Some have argued that no fictional individual is a possible individual; others have argued that (some) fictional individuals just are (merely) possible individuals. In this paper, I offer further grounds for believing the theory of fictional individuals defended by Amie Thomasson, viz., Artifactualism, by arguing that her view best allows one to make sense of this puzzling relation. More specifically, when we realize that the view allows for an identification of merely possible individuals with fictional individuals, we see that the utility, and hence the level of credence lent to Artifactualism, is increased. After arguing for this thesis, I respond to three of the most pressing worries.
This paper attacks the modal ontological argument, as advocated by Plantinga among others. Whereas other criticisms in the literature reject one of its premises, the present line is that the argument is invalid. This becomes apparent once we run the argument assuming fictionalism about possible worlds. Broadly speaking, the problem is that if one defines “x” as something that exists, it does not follow that there is anything satisfying the definition. Yet unlike non-modal ontological arguments, the modal argument commits this “existential fallacy” not in relation to the definition of ‘God’. Rather, it occurs in relation to the modal facts quantified over within a Kripkean modal logic. In brief, we can describe the modal facts by whichever logic we prefer—yet it does not follow that there are genuine modal facts, as opposed to mere facts-according-to-the-fiction. A broader consequence of the discussion is that the existential fallacy is an issue for many projects in “armchair metaphysics.”
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