DEMOCRACY IN CHILE
THE LEGACY OF SEPTEMBER 11, 1973
DEMOCRACY
IN CHILE
THE LEGACY OF SEPTEMBER 11, 1973
Edited by
Silvia Nagy-Zekmi and Fernando Leiva
Silvia Nagy-Zekmi and Fernando Leiva
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Editorial organization and editorial introductions of this volume
Copyright © Silvia Nagy-Zekmi and Fernando Leiva, 2005.
“Sustainable Development or Sustained Conflict? Logging Companies, NeoLiberal Policies and Mapuche Communities in Chile”, Copyright © Diane Haughney.
All other chapters © Sussex Academic Press, 2005.
The right of Silvia Nagy-Zekmi and Fernando Leiva to be identified as Editors
of this work has been asserted in accordance with the Copyright, Designs
and Patents Act 1988.
2 4 6 8 10 9 7 5 3 1
First published 2005 in Great Britain by
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British Library Cataloguing in Publication Data
A CIP catalogue record for this book is available from the British Library.
Library of Congress Cataloging-in-Publication Data
Democracy in Latin America : Thirty Years after Chile’s 9/11 (2003 : University of
Albany)
Democracy in Chile : the legacy of September 11, 1973 / edited by Silvia NagyZekmi and Fernando Leiva.
p. cm.
“Most of the contributions collected here were presented . . . at the October
10–12, 2003 international conference Democracy in Latin America: Thirty
Years after Chile’s 9/11 organized by the editors of the present volume at the
University at Albany”—Introduction.
Includes bibliographical references and index.
ISBN 1-84519-081-5 (h/c : alk. paper)
1. Chile—Politics and government—1973–1988—Congresses. 2. Chile—
Politics and government—1988—Congresses. 3. Democracy—Chile—
History—Congresses. 4. Chile—History—Coup d’état, 1973—Influence—
Congresses. 5. United States—Foreign relations—Chile—Congresses.
6. Chile—History—Coup d’état, 1973—Literature and the coup d’état—
Congresses. 7. Chile—History—Coup d’état, 1973—Motion pictures and the
coup d’état—Congresses. 8. Chile—Relations—United States—Congresses.
9. United States—Relations—Chile—Congresses. I. Nagy, Silvia, 1953–
II. Leiva, Fernando Ignacio. III. Title.
F3100.D45 2003
983.06’5—dc22
2005013609
Typeset and designed by G&G Editorial, Brighton
Printed by TJ International, Padstow, Cornwall
This book is printed on acid-free paper.
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contents
Preface by Marjorie Agosín
viii
Introduction: Three Decades After the “Other” 9/11
Part I
1
USA / Chilean Relations
Empire, Intervention and Historical Memory
1
Finding the Pinochet File: Pursuing Truth, Justice, and
Historical Memory Through Declassified US Documents
14
Peter Kornbluh
2
Chile and the United States Thirty Years Later: Return
of the repressed?
24
Steven Volk
3
Small Earthquakes and Major Eruptions: Anglo-Chilean
Cultural Relations in the Nineteenth and Twentieth
Centuries
41
Kevin Foster
Part II
Legacies
Neoliberal Reconstructing of the Economy and Society
4
Integration without Real Participation: The Chilean
Labor Movement
59
Volker Frank
5
From Pinochet’s State Terrorism to the “Politics of
Participation”
Fernando Leiva
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Contents
6 Sustainable Development or Sustained Conflict? Logging
Companies, Neoliberal Policies and Mapuche
Communities in Chile
88
Diane Haughney
7 Higher Education in Chile Thirty Years After Salvador
Allende: Privatization, Mass Education, Profits
and Exclusion
99
Patricia Tomic and Ricardo Trumper
Part III
Challenges
Human Rights, Impunity and Democratization
8 Pinochet: A Study in Impunity
116
Mark Ensalaco
9 Alternative “Pasts” in Post-Pinochet Chile: the Relation
of History/Fiction and the Subjectification of History
131
Ornella Lepri Mazzuca
10 Ephemeral Histories: Public Art and Political Practice in
Chile, 1970–1973
142
Camilo Trumper
11 Remembering the Future: The Narrative Politics of
José Miguel Varas
154
Gregory J. Lobo
12 The Marginal on the Inside: Nannies and Maids in
Chilean Cultural Production (1982–2000)
163
Julia Carroll
Part IV
Cultural Representations
Repression and Shifting Subjectivities
13 Exporting Chile: Film and Literature After 1973
178
Amy A. Oliver
14 Me moría: Aesthetics, Documentary and the Creation of
Nostalgia in Patricio Guzmán’s Chile, memoria obstinada
Jeffrey R. Middents
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Contents
15 Reception and Censorship of a Chilean Documentary:
The Plight of Fernando Is Back
192
Kristin Sorensen
16 Re/coiling Inscription: Incisive Moments in Diamela Eltit
and Jacques Derrida
202
Andrea Bachner
Epilogue: The Struggle for Truth and Justice in Chile and
the Challenges of Democracy
214
Fabiola Letelier
218
223
Contributors
Index
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preface
Marjorie Agosín
Chile, as a country and a historic site, occupies a privileged space in the
U.S. imagination. Chile was for a long time the only stable democracy in
the Southern part of the Americas. The democratically elected Allende
government, however, lasted only one thousand days and was ended
abruptly by a military coup on September 11, 1973 led by General
Pinochet aided by the CIA. The Pinochet dictatorship lasted until 1990
and it was believed that the General would go unpunished for the atrocities many Chileans suffered during his government, until his arrest in
London and his subsequent arrest back in Chile. These events resulted in
a continuing interest in that faraway country, a country almost at the end
of the world. Perhaps the history of these thirty years since the bloody
coup can be read as a narrative of unusual fables of which the history of
a civil society can emerge steadfastly building a solid democracy and a
memorializing conscience.
Interest in Chile has been generated not only due to political events, but
also by its Nobel Prize winning poets, such as Gabriela Mistral and Pablo
Neruda. Isabel Allende is the author of the international bestseller The
House of the Spirits, which narrates the political history of Chile from the
19th century to the violent defeat of Salvador Allende’s government.
Together with other writers, she has formulated a peculiar mythology for
Chile, a country that has emerged peacefully from one of the most ill fated
dictatorships of the 20th century.
During 2003 academics, artists, and politicians have dedicated countless publications, conferences and lectures to Chile. Some focused on the
country’s history over the three decades since the coup, some explored the
phenomenon of democratic transition, and yet others have celebrated
Pablo Neruda’s 100th birthday. History, poetry, and memory came
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Preface
together to reflect on the incredible paradigm that is Chile today.
However, to restore a long-lasting democracy it is necessary to uncover
the events that led to the coup and to expose those forces that operated
in the background and maintained the dictatorship in power for almost
two decades. Two important books appeared recently that did just that:
The Pinochet Files by Peter Kornbluh and The Condor Years by John
Dinges, two texts that bring to light the conspiracy led by the CIA.
It is a privilege for me to write these initial words dedicated to this
elegantly edited book by Silvia Nagy-Zekmi and Fernando Leiva. The
chapters herein come from literary critics, writers, historians, sociologists,
and political scientists. Each one of them explores from diverse perspectives the Chilean experience during the last few decades.
The writings in this collection explore the cultural production from and
about Chile from literature to film and visual productions produced
before the military’s overthrow of the government in 1973. Each essay
helps us to create a provoking and passionate image of a country that
seems to be constantly reforming itself. Amy Oliver and Ornella Lepri
Mazzuca scrutinize the relationship between Chile’s history, memory and
conscience through Isabel Allende’s books, The House of the Spirits and
Mi país inventado, a collection of vignettes that intersperse the exploration of the personal history of a writer and the history of Chile. These
pieces, as well as many others in this collection, examine the complexity
of memory, its ambiguity and its uncertain textures. The essay dedicated
to the political narrative of José Miguel Varas, whose novel echoes the
concerns in Isabel Allende’s writing, addresses much the same issues. Both
authors, Varas and Allende, transmit the preoccupation with clarifying
historical memory and being able to live with the results. They represent
one of the most intense obsessions in Chile today: remembrance, an obsession causing fragmentations, divisions, and polarizations between those
having made a pact with oblivion and those creating an uncertain past out
of memory. The essays about filmic production in Chile also treat the reelaborations of the fragile threads of memory. In her study, “Exporting
Chile Film and Literature After 73,” Amy Oliver lucidly illuminates the
historic avatars of the visual memory of generations of spectators who
forget or remember. Kristin Sorensen’s essay about Caiozzi’s movie,
Fernando Has Not Returned, follows the history of a boy’s corps, one of
the “disappeared” and relates this journey with memory and history.
Perhaps the title of another movie, Obstinate Memory, helps to elucidate
this passion for Chile as lived by the exiled population, their search for
justice and the international movements that help them in that search.
Diamela Eltit, one of the most renowned and original voices of contemporary Chilean literature, exemplifies the endeavors of writers and artists
that courageously kept creating works during the dictatorship inspired by
the idea of an open and pluralist society.
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Marjorie Agosín
The cultural production in Chile serves as a guide to the exploration of
political structures in the country in multiple cultural contexts in the Chile
of the past and present. Camilo Trumper’s essential article deals with
Chilean mural art, its ephemeral and transitory qualities by conjuring
images of a country immersed in historical turmoil. The essay by Ricardo
Trumper and Patricia Tomic studies the condition of Chilean higher
education over the last thirty years, illustrating what the authoritarian
government of Pinochet has meant for the Chilean University culture.
In addition to the analysis of the past, it is important to address the
present as well: Mark Ensalaco’s contribution details the saga of
Pinochet’s arrest in London and its consequences for international and
internal Chilean politics. This article complements Kevin Foster’s, which
describes the repercussions of Pinochet’s arrest in London in the English
press and the event’s influence on the ever ambiguous relationship
between Chile and England.
This volume gives an overall view of Chile today and it offers the reader
an instructive glimpse into what the future might hold for this country.
TRANSLATED BY JENNIFER C. ROWELL
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acknowledgments
It is with great pleasure that we thank the contributors of this volume for
working with us on successive rounds of amendments and the preparation of their chapters. Their essays were carefully selected from among
many papers given at the international conference “Democracy in Latin
America: Thirty Years After Chile’s 9/11” held in 2003 at the State
University of New York at Albany.
It is our sincere hope that this volume will help to create an intellectual
community that pays homage to those who for the past three decades have
given their life to the struggle for democracy and human dignity in the
Americas. We hope that the spirit of honesty, solidarity and optimism
experienced during the conference has remained embedded in these pages.
Many have contributed to make this book possible, and we wish to
thank them all. The co-editors are indebted to the sponsors of this volume,
namely, the Department of Latin American, Caribbean and US Latino
Studies at the University at Albany and the Department of Classical and
Modern Languages and Literatures at Villanova University. We also want
to thank United University Professions (UUP) and their Professional
Grants program. Special thanks go to Jill Blackstone for her help with the
formatting and editing of the articles, to Susan Salomon for the thorough
indexing, and to the editors at Sussex Academic Press for their
professionalism.
Finally, we would like to express our gratitude to our institutions
(University at Albany and Villanova University, respectively), and to our
colleagues and students. We also thank our respective families for their
unwavering patience and emotional support.
SILVIA NAGY-ZEKMI
FERNANDO I. LEIVA
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introduction
Three Decades After the “Other” 9/11
Silvia Nagy-Zekmi and Fernando Leiva
On September 11, 1973 fighter jets bombed Chile’s presidential palace
setting in motion the bloody military coup that would place General
Augusto Pinochet in power for the next seventeen years. That date marks
the overthrow of Chile’s democratically-elected president, Salvador
Allende, as well as the moment that shattered the lives, families and
dreams for millions of Chileans. The image of billowing orange flames
engulfing La Moneda, the emblem of Chile’s democracy, seared into the
public mind the notion that Chilean society had reached a historic crossroads. In the subsequent days, months, and years, the unbridled forces of
State terror, neoliberal economics and globalizing markets, fundamentally transformed Chile’s socio-economic, political, intellectual and
cultural life. From September 11, 1973 onwards, repression, unemployment, exile, privatization, liberalization of markets and dictatorial rule,
would radically realign power relations in every level and interstice of
Chilean society.
With the return to a civilian elected regime in 1990, Chile along with
the rest of Latin America commenced to emerge from the horror of
systematic human rights violations and the “savage capitalism” associated with the Pinochet era. Many hoped that elections and the transition
to democratic rule would bring significant political, economic and
cultural changes: the rebuilding a more democratic order based on a
“culture of human rights,” a reinvigoration of democratic practices, and
the restoration of social and economic rights to revert the appalling
inequalities engendered by the Pinochet regime. Despite change in the
political regime, such aspirations have repeatedly crashed against the
“recalcitrant realities” of enduring military enclaves demanding impunity
for past crimes, the persistence of neoliberal economics, as well as the
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seemingly insatiable demands of private domestic and international
capital for “flexible” labor, unrestricted access to natural resources and
unregulated capital flows.
This volume traverses the many ridgelines where democratic aspiration and recalcitrant realities come against one another, examining how
democracy is experienced today in Chile’s social, cultural, and intellectual realms. This book assess the current contradictory nature of Chile’s
democratic life by examining the lasting legacy of September 11, 1973
as a historically and symbolically charged event, that thirty years after
Pinochet’s seizure of power, and fifteen years following the March 1990
formal return to civilian democratic rule, continues to shape perceptions
and outcomes. Most of the contributions collected here were presented
at the October 10–12, 2003 international conference Democracy in
Latin America: Thirty Years after Chile’s 9/11 organized by the editors
of this volume at the University at Albany. The event brought together
close to one hundred academics from both the social sciences and the
humanities, alongside artists, musicians, and human-rights advocates, in
order to reflect and commemorate the thirtieth anniversary of the military coup in Chile. In the course of two and a half days, sixteen panels,
plenary sessions, film screenings, poetry readings, concerts, and a final
keynote address by Fabiola Letelier sought to assess the lasting impact
of 9/11/73 upon livelihoods, culture, politics, public discourse and subjectivities of Chileans and Latin Americans. From the approximately 80
papers presented at the conference, and constrained by space considerations, we have culled those papers best representing an interdisciplinary
approach and contributing understanding the multiple legacies of Chile’s
9/11.
US–Chilean Relations: Empire, Intervention,
and Historical Memory
Few informed observers dispute the pivotal role of the US government and
its Central Intelligence Agency (CIA) in the overthrow of President
Allende and consolidation of Pinochet’s power. In Part I of this volume
Steve Volk, Peter Kornbluh, and Kevin Foster examine some of the unexpected links arising from imperialist interventions such as that carried out
in Chile. From the vantage point of the historian, and drawing from his
own lived experience, Steve Volk uses the metaphor of the gothic horror
novel to explore how the wanton destruction of Chile’s democratically
elected government periodically resurfaces to haunt US policymakers,
people throughout the world, and particularly the citizens of the United
States. Such links have grown stronger in the wake of “the other” 9/11,
the one experienced by the US on September 11, 2001. As Volk carefully
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documents and cogently argues, there is a long history in which attempts
to project US power abroad increasingly erode democratic values in the
United States. This argument is echoed in Gergory Lobo’s careful analysis
of José Miguel Varas’ novel, Correo de Bagdad, in Part III. On the other
hand, Peter Kornbluh, director of the Chile Documentation Project at the
National Security Archive and author of The Pinochet File, in turn,
explores a different facet of this relationship. Since 1970, the Nixon
administration did all it could to de-stabilize the democratically elected
Allende government. The CIA was instrumental in the success of the
bloody coup d’état. Kornbluh reviews over 30 years of direct US involvement in Chile’s internal politics and scrutinizes the reasons for the violence
unleashed by the coup, which lasted throughout the years of dictatorship
Kevin Foster suggests that “indifference-cum-arrogance-cum-ignorance” – as he puts it – is not a US monopoly or a late twentieth century
exclusive in imperial relationships. Bi-directional intellectual and political
influences have also linked Britain and Chile during the 19th and 20th
century in complex ways. These connections have created surprising situations between Chile and the erstwhile imperial power: Foster argues that
Chile and Britain have not only functioned “as each other’s political
subconscious” (Beckett qtd. by Foster), but that more recently, in the
wake of neoliberal restructuring, it has become often hard to know
“where Britain ends and where Chile begins.”
Legacies: Neoliberal Restructuring of the Economy
and Society
In Part II, Volker Frank, Diane Haughney, Patricia Tomic and Ricardo
Trumper examine specific dimensions of Chilean society in which the
continuities from the past dictatorial regime are most salient. Frank
analyzes the dismal situation of workers and the labor movement after
the return to democracy. Haughney explores the role of Mapuche resistance to transnational capital and to new forms of governmental
domination aimed at denying Mapuches their autonomy and control over
economic resources. Tomic and Trumper scrutinizes of the impact of the
privatization on the higher education in Chile, an area traditionally
shielded from private profit, which has become a hunting ground for
Chile’s economic conglomerates and their transnational allies. Each of
these authors painstakingly documents how fundamental characteristics
of the Pinochet era continue to thrive under the present civilian democracy. These authors suggest that such extension of the Pinochet era into
the present – the intractability of the Pinochet labor code, the subordination of indigenous demands to transnational corporate profits, and the
commodification of higher education – stem from specific policies
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imposed under the military regime as well from the complicit and sometimes enthusiastic political endorsement on the part of the center-left
coalition in power.
Challenges: Human Rights, Impunity, and
Democratization
The prospects for breaking the restraints of the past are examined in Part
III. Contributions by Mark Ensalaco, Ornella Lepri Mazzuca, Camilo
Trumper, Gregory J. Lobo, and Julia Carroll explore different dimensions
of the obstacles that Chilean society faces. Ensalaco uses the 1998 arrest
of Pinochet in London to construct an “actionable theory of impunity,”
carefully tracing the factors that sustain as well as undermine impunity
over time. His exploration of the role played by fear, by Chilean and international law, institutions such as the Courts, Armed Forces and Secret
Police, as well as the governments of Chile, Spain, Britain, the US and the
Vatican, highlights ways in which impunity can be defeated and the rule
of law strengthened. Ornella Lepri Mazzuca and Gregory Lobo explore
the role of historical memory in the recuperation of democracy. On the
other hand, Camilo Trumper stresses the powerful role of public visual
art in creating a shared imaginary. Trumper examines the role of visual
arts (posters, murals) in social and political mobilization under Allende
during the 1970–73 period as well as during the anti-Pinochet 1988
plebiscite campaign. Finally, Julia Carroll explores the persistence of
profound inequalities embedded in recent representations of the domestic
servant. Carroll insightfully stresses that like Chile’s own post-dictatorial
history, the represented figure of the domestic servant is caught between
the survival of a “patrimonial authoritarian past” and the desire for future
justice.
Cultural Representations: Repression and
Shifting Subjectivities
In Part IV Amy Oliver, Jeffrey Middents, Kristin Sorensen, and Andrea
Bachner offer the possibility of seeing how a younger generation of
scholars read the cultural legacy of September 11, 1973 in recent Chilean
cultural production. Amy Oliver comments on “global memory” that
retains some events in the forefront, while relegating others to oblivion.
Oliver ponders about the same question Marjorie Agosín raises in the
preface: “How has the Chilean story managed to remain in the spotlight?”
She offers several alternatives by examining the role of selected literature
and film in transmitting to the world the coup d’état, Chile’s abrupt
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change from democracy to dictatorship, and a painstaking transition from
dictatorship back to democratic rule.
For his part, Jeffrey Middents reflects on the role of a filmmaker, in this
case Patricio Guzmán, who recorded the last images of a convulsed
country on the edge of a military dictatorship in his trilogy, The Battle of
Chile. Middents’ analysis centers on the cinematographic techniques the
director uses to present his subjects in Guzmán’s later film, Obstinate
Memory. The use of large frames and erratic camerawork create an ambience of post-factum calm, as opposed to the chaos viewed in The Battle
of Chile. Kristin Sorensen’s analysis of the reception and posterior censorship of the documentary Fernando is Back highlights the irony in the
position of filmmakers in Chile facing such censorship. Nevertheless, the
country is endowed with directors of world class-documentaries, such as
Patricio Guzmán (La Batalla de Chile, La Memoria Obstinada, El Caso
Pinochet), Silvio Caiozzi (Fernando ha Vuelto) and Pedro Chaskel,
Gastón Acelovici, and Orlando Lübert, among many others, whose works
deal with memory and reclaim the voices of silenced individuals. Thus
filmmakers threaten the status quo of the political elite, because they
expose the myth that Chile has returned to full democratic normalcy.
Sorensen documents how market forces and a constructed collective will
to ignore the past, or at least construct carefully scripted and sanitized
versions of it, combine to prevent their works from gaining the wide distribution and circulation in the public sphere that they deserve. Finally,
Andrea Bachner uses the metaphor of inscription to connect the works of
the late French philosopher, Jacques Derrida, and Chilean novelist
Diamela Eltit, to explore the different forms of inscription, resistance, and
reenactment that her reading of the Derrida–Eltit connection offers.
Epilogue as an Invitation to Action
Like a modern version of Ariadne’s thread, four recurrent themes run
through the contributions in this volume. These themes enable us to
traverse the maze of Chile’s experience, to extricate ourselves from seemingly hopeless dead ends, and connect efforts to bury past, contest the
present, and imagine a desired future. These are the symbolic power of
twinned September 11s, electoral versus full citizenship democracy, and
the conflict between oblivion and memory.
All of these strands are brought together in the volume’s epilogue by
Fabiola Letelier, one of Chile’s renowned human rights lawyers and an
untiring figure in the struggle for truth and justice for more than three
decades. Blending personal experience with a structural analysis of the
transformations operated upon Chilean society, she poses and answers
three key questions: What have we learned in these thirty years of struggle
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for human rights? What can the human rights movements contribute to
the forging of democratic societies in Latin America? How can we overcome the challenges posed by the struggle for a democratic society?
Bringing Down the Wall of Impunity, Exercising
Historical Memory
In late 2004 and the first quarter of 2005, a sequence of events connected
to the core themes addressed by this volume and the questions raised in
its epilogue, shook Chilean public opinion, galvanized political leaders,
and energized activists. In a rapid-fire sequence, the veil of silence and
half-truths imposed upon Chilean society by complicit civilian political
class and the poderes fácticos (the military, national and transnational
corporate elites, and the media monopoly under their control), was ripped
to shreds.
On November 4, 2004, the Commander in Chief of the Army, General
Juan Emilio Cheyre, formally acknowledged institutional responsibility
for human rights violations and announced the dissolution of the Army
Intelligence Batallion (BIE), responsible for political intelligence gathering
in the post-dictatorship period. Up until then, the Army and the rest of
Chile’s armed forces had maintained the charade that human rights violations had been committed by a few “bad apples.”
Then, on November 10, 2004 the Comisión Valech released its findings, officially listing close to 30,000 Chileans who had been unjustly
imprisoned and tortured, and who would be eligible for compensatory
payments. Thirty-one years had to pass for finally discarding the myth
that Pinochet’s repression resulted in 3,100 victims killed. With the report,
tens of thousands of living victims finally found that their story received
official acknowledgment. The report alerted the younger generations and
Chileans still in denial about the country’s dark past, namely that Pinochet
and the Chilean Armed Forces had, indeed, emplaced a massive machinery
for terrorizing the population.
In early 2005, the top leadership Pinochet’s secret police, the DINA and
its successor the Central Nacional de Informaciones (CNI), was sentenced
to jail terms for human rights violation. On January 28, 2005 General
Hugo Salas Wenzel was condemned to life imprisonment for having
directed “Operación Albania,” an intelligence operation that resulted in
the execution style death of 12 members of the Frente Patriótico Manuel
Rodríguez (FPMR). On that same date, General Manuel Contreras, and
14 members of the DINA leadership, were sentenced to prison terms up
to 12 years for other human rights violations.
These three events evidenced that the carefully maintained wall of
impunity and denial had begun to inexorably and finally crumble.
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Introduction
Chileans would receive two sets of jolting news: On November 20, 2004
the Washington Post published reports announcing that – during a
relationship lasting more than two decades – the Riggs Bank had helped
the Chilean dictator to illegally launder and manage between 8 and 16
million dollars. A series of subsequent stories provided evidence of the
correlation between the activities of international bankers and political
repression. A long-standing collaboration and active servicing of the
dictator and the repressive apparatus revealed that the systematic violation of human rights in Chile and the region has been linked to the
establishment of a particular economic order and policies favoring
transnational productive and financial capital. Riggs agreed to pay a $25
million fine to the US government, and $9 million settlement to victims
of Pinochet.1
In mid February 2005, Judge Guzmán indicted General Benavides and
Montero Marx, thereby opening the way to prosecute the civilian accomplices of human rights violators in Chile. These are not only those
landowners that provided transportation, intelligence and directly participated in the detention and execution of peasant union leaders, but also
the ministers that headed the apparatus of repression for more than 19
years.
These events have been greeted with tremendous joy by human rights
activists and Chilean public opinion in general. Great progress has been
made, but much remains to be done. As Fabiola Letelier so eloquently
argues in the epilogue to this volume:
“We have the right to know the truth, the entire and complete truth of what
happened to our relatives and loved ones. Only then will we be able to
demand full justice – without qualifiers – determining the specific responsibilities of the authors, bringing legal sanction to each case by the
corresponding authorities. In this manner, we will be able to build a future
in which these cruel and illicit acts will never again happen.”
Organization of the Book
This volume is divided into four parts, each with its respective brief introduction, which aims to offer an overview of the chapters in each part;
throughout, a panorama of richly textured analysis is offered by the
contributors from the perspective of both the social sciences and the
humanities.
This volume provides the readers with a set of materials that will allow
them to explore the seemingly contradictory legacies of September 11,
1973, aware that the twin challenges faced by Chilean society, as well as
that of Latin America – the struggle against impunity and the construction of a democratic society with a fully participating citizenry – pose
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Silvia Nagy-Zekmi and Fernando Leiva
tremendous challenges for the future. We can only hope that in the near
future, all will be able to live without having to divorce their political citizenship from their social citizenship, the price that Chileans and other
Latin Americans have had to pay to enjoy the limited benefits of a formal,
electoral democracy. By examining the multiple legacies of 9/11, we wish
to contribute to a greater understanding of how different sectors in Chile
continue to process, challenge and re-signify the harrowing and lifechanging events that, unfolding over the last three decades, continue to
influence their society today.
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P art I
USA/Chilean Relations
Empire, Intervention and
Historical Memory
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introduction to Part I
The concept of “blowback” – the unintended consequences of US imperial policies kept secret from its citizens (Johnson 8) – has become
indispensable for re-examining how the trajectory of US–Chilean
relations has influenced and continues to influence the quality of democratic life in both countries. The historical record clearly reveals how
actions designed at the highest levels of the US government destroyed
Chile’s democracy. However, to suggest the existence of a feedback loop,
namely, that the democratic destiny of the United States, the only
remaining superpower, has become somehow entangled with that of a
small country lodged in the confines of South America, appears as an altogether improbable, if not ludicrous proposition. Yet, the authors in Part
I echo concerns that “monsters midwifed by the United States abroad” –
like the overthrow of President Allende and Operación Cóndor – return
to trouble democracy’s domestic cottage” (cf. Volk). The US invasion of
Afghanistan and Iraq (i.e. Abu Ghraib, Guantánamo, Patriot Act I and
II), maneuverings to extricate Pinochet from London, or more recent scandals regarding the role of US banks in laundering Pinochet’s illegal bank
accounts, suggest that Volk’s suggestions have solid footing. After all, the
“National Security Doctrine” with which US planners so zealously indoctrinated Latin America’s military in the 1960s and 1970s, is becoming the
all encompassing world view of the current US administration.
In Part I, Peter Kornbluh, Steve Volk, and Kevin Foster methodically
explore the theme of the unintended consequences that emerge in the wake
of imperial interventions.
In “Finding the Pinochet File: Pursuing Truth, Justice, and Historical
Memory Through Declassified US Documents,” Peter Kornbluh, director
of the Chile Project at the National Security Archive, analyzes the hopeladen implications that declassification of US official documents has for
the present and future well-being of Chilean and US democracy.
Tragically, the declassified documents show that it was precisely the
democratic nature of the model for change headed by Salvador Allende
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that was perceived as a threat by Kissinger and other US planners. “The
example of a successful elected Marxist government in Chile would surely
have an impact on – and even precedent value for – other parts of the
world, especially in Italy; the imitative spread of similar phenomena elsewhere would in turn significantly affect the world balance and our own
position in it” (National Security Council Meeting 1970 qtd. by
Kornbluh). Access to official documents like this, contributes to revitalize
debates about the morality and objectives of current US foreign policy.
They also have become critical in the struggle to build a genuine democracy in Chile by contributing to establish truth and justice, thereby
neutralizing the corrosive effects of impunity.
Steve Volk’s article “Chile and the United States Thirty Years Later:
Return of the Repressed?” probes how a historic trajectory of consistently
disregarding and undermining democracy abroad, has contributed to
directly and indirectly undermine democratic life in the United States.
Volk’s essay is particularly relevant in the aftermath of the United States’
own tragic September 11. The legacies of the two September 11s entwine
Chilean and US political and cultural life in unforeseen manners.
Revelations about US intervention in Chile during the 1970s punctured
the myth of the US as a paladin of democracy. As Volk demonstrates,
Pinochet’s Chile is held up in US political circles as a neoliberal success
story. The tone of a press conference on globalized US National Security
offered to the visiting Chilean President Ricardo Lagos, eerily mimics the
tone and politics of the Pinochet years. In examining the role that
Pinochet’s privatization of social security is playing to promote the same
policies in the US, Volk suggests that the “US policy elites have drawn
important lessons from the destruction of the liberal state in Chile – the
Pinochet years – for the destruction of the liberal state in the US” (cf.
Volk). Hence, lessons learned from its support of authoritarian experiments abroad are being incorporated in the shaping of current US
domestic policies.
Finally, Kevin Foster’s “Small Earthquakes and Major Eruptions:
Anglo-Chilean Cultural Relations in the Nineteenth and Twentieth
Centuries” examines how a tradition, which he characterizes as “indifference-cum-arrogance-cum-ignorance” on the part of Britain, has had
deleterious consequences for Latin Americans throughout the ages. With
such an attitude, different sectors of British society have been constructing
images of Latin America, Latin Americans and Chile that existed only in
their minds and was far from reality. Foster traces how over the span two
centuries erroneous or outright falsified images were concocted and
inscribed with meanings designed to serve particular narrow political and
material interests linked to a fading and downwardly mobile imperial
project: “assuaging moral anxieties” in the early 19th century, fanning
the fears of a looming “communist threat” to British society in the 1970s,
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sanitized exaltations of the Pinochet regime and the “Chicago Boys” by
conservative neoliberal admirers during the Thatcher era are exampled.
The final result of this two-century long relationship has been that Great
Britain and Chile have become “mirror images of each other,” where each
one reflects the desired political resolution of the other, to the point where
as he puts it, “it has often been hard to know where Britain ends and
where Chile begins” (Foster).
If in the past, studies of imperial intervention sought mainly to diagnose the roots of this “disease,” the three authors in Part I offer us an
antidote that can perhaps be found in “historical memory”. Treasuring
and restoring the historical, collective memory in Chile that the dictatorship attempted to obliterate, as well as nurturing and strengthening
historical memory within US society, so that the citizens can thwart the
destructive effects that empire has on democracy by holding their government accountable, would be necessary steps in reaching a real and lasting
democracy in both countries.
Works Cited
Johnson, Chalmers. Blowback: The Cost and Consequences of American Empire.
New York: Henry Holt and Co., 2000.
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finding the pinochet
file
Pursuing Truth, Justice, and Historical Memory
through Declassified US Documents
Peter Kornbluh
As the 30th anniversary of the Chilean military coup approached in the
summer of 2003, Henry Kissinger invited a conservative scholar to review
his still secret “telcons” – classified transcripts of his telephone conversations while in government – relating to US policy and operations in Chile
in the early and mid 1970s. The purpose was to facilitate an article that
would preempt and counter new, forthcoming, research on the extent of
US involvement in overthrowing the elected government of Salvador
Allende and supporting the consolidation of the repressive Pinochet dictatorship. The fact that Kissinger held very few phone conversations on
Chile demonstrated that it was not of significant interest to US policy
makers, as Mark Falcoff argued in his article, “Kissinger and Chile: the
Myth that Will Not Die.” To prove that the US had no complicity in the
coup, Falcoff cited a key telephone conversation (to which he had been
given exclusive access) between Kissinger and Nixon on September 16,
1973, in which the President asked: “Well, we didn’t – as you know – our
hand doesn’t show on this one through.” According to the article
Kissinger replied, “We didn’t do it” (Falcoff 48).
In truth, Kissinger’s answer was more extensive. Here is his full
response to Nixon: “We didn’t do it. I mean we helped them. [. . . . .]
created the conditions as great as possible.” To which Nixon then added:
“That is right.” In May 2004, when my organization, the National
Security Archive, forced the declassification of this pivotal telcon, among
thousand of others,1 it became crystal clear that the Falcoff article had
blatantly misrepresented the Kissinger–Nixon conversation on the US
contribution to the coup. Far from exposing the “myth” of US culpability
in Chile, the telcon reinforced hundreds of other recently declassified CIA,
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Defense Department and White House records, which reveal that it was
explicit US policy to undermine the Allende government, to create conditions of instability conducive to a coup, and then to provide secret and
substantive support for the new military regime in Chile – despite its
ongoing acts of repression – after General Augusto Pinochet took power
on September 11, 1973.
The Meaning of Chile
More than three decades after that infamous coup, Chile and its history
remain a subject of intense interest and controversy. The country that
Chilean poet Pablo Neruda described as a “long petal of sea, wine and
snow” continues to hold a special place in the hearts and minds of the
United States, and the international community. Since the early 1960s,
Chile has been a focal point for a number of utopian political projects and
economic and social experiments. In 1964, Chile became a designated
“showcase” for the Alliance for Progress – a US effort to stave off revolutionary movements in Latin America by bolstering centrist,
middle-class, Christian Democratic political parties. In Chile, President
Lyndon Johnson announced, lay “our hopes for a very bright future in
the Americas.” With the election of Salvador Allende on September 4,
1970, Chile became the first nation to democratically elect an avowedly
Socialist president. The Chilean “vía pacífica” – peaceful road to reform
– captured the imagination of progressive forces around the globe, while
provoking the consternation of imperial-minded US policy makers.
The declassified documents reveal that it was precisely the democratic
nature of Allende’s model for change that US officials feared. Among the
“very serious threats to our interests” that Henry Kissinger listed in a
SECRET/SENSITIVE memorandum to the President on November 5,
1970, two days after Allende’s inauguration, was that
the example of a successful elected Marxist government in Chile would
surely have an impact on – and even precedent value for – other parts of the
world, especially in Italy; the imitative spread of similar phenomena elsewhere would in turn significantly affect the world balance and our own
position in it. (NSC Meeting)
“We set the limits of diversity,” Kissinger was heard to tell his staff. At
Kissinger’s urging, the Nixon administration initiated a series of covert
actions against Allende which “at a minimum will either insure his
failure,” according to SECRET White House memoranda, “and at a
maximum might lead to situations where his collapse or overthrow later
may be more feasible” (Kornbluh 80).
The sharp contrast between the peaceful nature of Allende’s program
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for change, and the violent coup that left him dead and Chile’s longstanding democratic institutions destroyed, truly shocked the world. The
Pinochet regime’s dictatorial bent, and abysmal human rights record,
quickly became a universal political and humanitarian issue. Revelations
of CIA involvement in Allende’s overthrow, and Washington’s unabashed
embrace of the Junta, raised Chile’s worldwide profile even further, to a
point where US policy makers could no longer ignore the condemnation.
“Chile,” the US Embassy noted in a 1974 Country Analysis and Strategy
Paper stamped SECRET,
has become something of a cause célèbre in both the Western and
Communist worlds. What happens in Chile is thus a matter of rather special
significance to the United States. Distant and small though it is, Chile has
long been viewed universally as a demonstration area for economic and
social experimentation. Now it is in a sense in the front line of world ideological conflict. (Kornbluh xiv)
Indeed, in the United States, Chile joined Vietnam as a catalyst for
national debate over the corruption of American values in the making and
exercise of US foreign policy. During the mid 1970s, events in Chile generated a major political reevaluation on human rights, covert action, and
the proper place for both in America’s conduct abroad. The Kissingerian
disregard for Pinochet’s mounting atrocities prompted an outraged
Congress to pass precedent-setting legislation curtailing foreign aid to his
regime, and to mandate human rights criteria for all US economic and
military assistance. Public revulsion of Washington’s ongoing association
with Pinochet’s brutality prompted a widespread political effort to return
US foreign policy to the moral precepts of American society – creating a
groundswell that helped elect Jimmy Carter as “the human rights president.” As one internal State Department memo conceded in June 1975,
“Chile is just the latest example for a lot of people in this country of the
United States not being true to its values.”
Long after committed Chileans organized a pro-democracy movement
that with the strong support of the international community and the US
public brought an end to Gen. Pinochet’s 17–year dictatorship in 1990,
Chile remained the ultimate case study of morality – the lack of it – in the
making of US foreign policy; Chile continues to resonate today in the
intense debate over Washington’s pursuit of regime change in the 21st
century. “With respect to Chile in the 1970s,” then-Secretary of State
Colin Powell conceded in February 2003 when asked how the United
States could consider itself morally superior to Iraq when Washington had
backed the overthrow of Chilean democracy, “it is not a part of American
history that we are proud of” (Kornbluh xi).
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Chile Declassified
With Gen. Pinochet’s stunning detention in London in October 1998,
Chile once again became the focus of international attention – this time
for pioneering legal efforts to provide an accounting and accountability
for the atrocities that took place during the dictatorship. Although
Pinochet escaped extradition to Spain for crimes against humanity and
initially evaded prosecution after he returned to Santiago in March 2000,
Chilean authorities belatedly began a slow but steady campaign to pursue
justice and truth for human rights crimes committed under his leadership.
Over the next five years, judicial investigations progressed in almost all
categories of human rights abuses. In January 2005, the former head of
Pinochet’s secret police, DINA, along with four of his deputies, was sent
to prison for twelve years. General Pinochet himself became the target of
several major prosecutions; on December 13, 2004 he was actually
indicted and placed under house arrest on charges related to acts of international terrorism.
Declassified US documents contributed a clear historical record of
evidence for the pursuit of justice in Chile, as well as for creating an
enduring memory of the past as it related to Pinochet’s repression and the
actions of those who supported him. The drama of US involvement in
Chile – between 1970 when US intervention escalated against the election
of Allende, and 1990 when Pinochet was finally forced to step down, two
decades which encompassed covert operations, assassinations, political
scandals, cover-ups and controversies over human rights violations –
generated massive amounts of top-secret documentation. But before the
late 1990s, only a handful of the thousands of US documents hidden in
the secret vaults of the national security agencies had been declassified and
made available for public scrutiny.
Pinochet’s arrest in London renewed national and international interest
in the vast secret US archives on Chile. Those records – White House
meeting minutes, CIA intelligence reports, State Department cables,
Defense Department analysis, NSC memoranda among other documentation – were known to contain extraordinarily detailed coverage of
Pinochet’s atrocities, the inner workings of his internal repression and acts
of international terrorism, as well as Washington’s policies toward his
regime. US documentation would provide a wealth of evidence to prosecute Pinochet and his subordinates – if only the Clinton Administration
could be persuaded to declassify thousands of files containing tens of
thousands of pages of secret information compiled during Chile’s military
dictatorship.
The Clinton White House had already pioneered a process of declassifying US documentation to advance the cause of human rights. During his
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first term, President Clinton authorized major declassifications on El
Salvador, Honduras and Guatemala in response to scandals over US
misconduct and repression in those countries. On Chile, the
Administration faced a chorus of strong and poignant voices from the
families of Pinochet’s US victims, as well as pressure from Congress to
release evidence that would assist Spain’s efforts to bring Pinochet to
justice. Both publicly and privately, human rights and right-to-know
groups lobbied Administration officials to declassify the documents – in
the name of human rights, justice, and the creation of an archival monument to historical memory.
The Clinton administration faced a dilemma: White House officials
did not want to assist Spain’s unprecedented application of universal
jurisdiction to Pinochet’s crimes, presumably because such a precedent
could eventually be applied to efforts to prosecute US officials in other
countries. Doing nothing, however, would be perceived as protecting the
vilest of Latin American dictators in recent history. Eventually, the
Administration agreed to conduct a “Chile Declassification Project” –
not to provide documents to Spain but for the benefit of Chilean and US
citizens. The National Security Council drew up a “tasker” that was distributed to the key agencies which kept records on Chile. “On behalf of
the President,” the tasker directed, “we now ask your cooperation in
undertaking a compilation and review for release of all documents that
shed light on human rights abuses, terrorism, and other acts of political
violence during and prior to the Pinochet era in Chile” (Kornbluh 472).
The declassification review, the State Department announced in
February 1999, would “respond to the expressed wishes” of Congress
and the families of Pinochet’s American victims, and encourage “a consensus within Chile on reinvigorating its truth and reconciliation
process” (Kornbluh xvi).
To its credit, the Clinton administration pulled, prodded and pushed
the secrecy system into divulging significant amounts of information.
Under the leadership of Secretary Madeleine Albright, the State
Department appreciated the need for thorough declassification to advance
human rights and historical honesty; the National Archives (in charge of
presidential papers), the National Security Council, Pentagon and Justice
Department in descending degrees also cooperated in the project. But the
“securocrats” in the CIA – the agency with the most revealing documentation to offer, but also the most secrets to hide – proved to be particularly
recalcitrant. For months, Agency officials sought to withhold any document demonstrating covert US involvement in the death of democracy and
rise of dictatorship in Chile. Only significant public pressures from human
rights groups, key members of Congress and dedicated officials inside the
Executive Branch, including President Clinton himself, forced the CIA to
partially open its secret files on covert American ties to the violence of the
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coup and, in its aftermath, to the military and secret police institutions
that systematically carried out Pinochet’s abuses.
The Chile Declassification Project yielded some 2,200 CIA records. In
addition, approximately 3,800 White House, National Security Council,
Pentagon and FBI records were released, along with 18,000 State
Department documents that shed considerable light on Pinochet’s seventeen-year dictatorship as well as US policies and actions in Chile between
1970 and 1990. Stamped “TOP SECRET/SENSITIVE,” “EYES ONLY,”
“NODIS” [no distribution to other agencies] “NOFORN” [No Foreign
Distribution], and “ROGER CHANNEL” [high urgency, restricted
dissemination], among other classification categories, they included
White House memoranda of conversation [memcons] recording the
private commentary of US presidents and their aides; decision directives
and briefing papers prepared for Richard Nixon, Gerald Ford, Jimmy
Carter and Ronald Reagan; minutes of covert action strategy meetings
chaired by Henry Kissinger; high level intelligence reports based on informants inside the Pinochet regime; and hundreds of heavily redacted but
still revealing CIA Directorate of Operations communications with agents
in its Santiago station that detail massive covert action to change the
course of Chilean history. In all, the Declassification Project produced
24,000 never-before-seen documents – the largest discretionary Executive
Branch release of records on any country or foreign policy issue.
History and Memory
Since the final release of the Chile Declassification Project, reporters,
historians, judges, lawyers, and even some of Gen. Pinochet’s many
victims, have consulted these documents for evidence of a dark and sordid
past. Between June 1999 when the first “tranche” of records was declassified, and November 2000 when the final records were released, the
documents generated hundreds of news articles and media stories – in the
United States, Chile and across the world. Articles such as “EE.UU. Abrio
Archivos Secretos Sobre Chile” appeared in the Chilean press; and
“Documents Show U.S. Knew Pinochet Planned Crackdown in ’73” in
the Washington Post. The documents created an informational foundation for new books on the United States and the southern cone, including
John Dinges’ The Condor Years, and my work, The Pinochet File: A
Declassified Dossier on Atrocity and Accountability. Massive coverage of
the revelations contained in the documents made a significant contribution to informing Chileans about the secret structures, decision making
and violent actions of the military dictatorship – information that
continues to be withheld from them by their own post-Pinochet civilian
governments. In the United States, a new generation of citizens, activists,
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scholars and students gained access to a dark chapter of US foreign policy
operations that were conducted in their name but without their knowledge.
Numerous cables and memoranda shed considerable light on the
already known efforts to destabilize the government of Salvador Allende
between 1970 and 1973; but the documents also revealed considerable
new information on the long hidden history of US secret support for the
bloody regime once it took power. CIA memoranda with titles such as
“Chile: Initial Post Coup Support,” and “Western Hemisphere Division
Project Renewals for FY 1975,” recorded covert operations to help
Pinochet consolidate his rule. “The USG [United States Government]
wishes to make clear its desire to cooperate with the military junta and
assist in any appropriate way,” stated a previously unknown State
Department cable sent 48 hours after the coup took place (Kornbluh 201).
From the first days of the military regime, US intelligence reporting also
documented the junta’s machinery of repression – providing a clear
chronology of what Washington knew and when it knew it regarding
General Pinochet’s campaign of terror. The initial bloodshed was so widespread that the CIA’s own sources could not accurately tally the
casualties. “Thus far,” the CIA’s station in Santiago reported on
September 20th, “4000 deaths have resulted from the 11 September 1973
coup action and subsequent clean-up operations” (Kornbluh 153). That
figure turned out to be high, but in late October 1973, CIA agents did
intercept a “highly sensitive figures” on post-coup repression that had
been prepared secretly for the junta, that recorded approximately 1500
civilian deaths in the month following Allende’s overthrow. Among those
were at least 320 civilians who had been “either executed on the spot or
killed by firing squads after military trials.” As the CIA made clear in its
cable traffic to Washington: “severe repression is planned” (Kornbluh
154).
Even more dramatically, the declassified documentation records the
response of US officials to such atrocities. According to the once secret
transcript of Henry Kissinger’s first staff meeting as secretary of state, on
October 1, 1973, his top deputy informed him of the massive bloodshed
and asked what the US response should be. “I think we should understand
our policy,” Kissinger told his officers, “that however unpleasant they act,
this government is better for us than Allende was” (Kornbluh 203).
The declassified transcripts of Secretary Kissinger’s various meetings –
with his staff, the President, and even Pinochet himself – reveal not only
his attitude toward human rights as an issue, but his singular advocacy of
sustaining avid support for the Chilean regime, even as Congress, the
American public, the international community and officials in the State
Department pressed for an end to the US aid to the Chilean military. “If
we cut off arms, the military government will fall,” he told President
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Gerald Ford on December 3, 1974 in the Oval Office. Two weeks later,
as the documents record, he told the President that “I want to do everything possible to get arms to Chile” (Kornbluh 225).
The documents provide ample evidence that Secretary Kissinger
opposed any kind of diplomatic pressure on the Pinochet regime related
to its worsening human rights record. At the height of the junta’s repression, Pinochet sent his foreign minister, Admiral Patricio Carvajal, to
Washington to discuss multilateral bank loans to Chile. The secret memorandum of conversation, dated September 29, 1975, records for posterity
how their conversation began:
Foreign Minister: I want to thank you for giving us this opportunity to talk
to you.
Secretary Kissinger: Well, I read the Briefing Paper for this meeting and it
was nothing but Human Rights. The State Department is made up of people
who have a vocation for the ministry. Because there were not enough
churches for them, they went into the Department of State. (Secretary’s
Meeting)
When Kissinger met with Pinochet in Santiago on June 8, 1976, he
commiserated with him over the pressures that the US Congress was
putting on Chile for its gross violations of human rights. “My evaluation
is that you are a victim of all left-wing groups around the world and that
your greatest sin was that you overthrew a government which was going
communist,” the secret transcript records Kissinger confiding to Pinochet.
“In the United States, as you now, we are sympathetic with what you are
trying to do here. We wish your government well” (Kornbluh 233).
Accounting and Accountability
In the United States, the declassified record on Chile provides an historic
accounting of the making and misconduct of US foreign policy – a voluminous record that will inform citizens for generations to come. In Chile
the documents offer not only an accounting which contributes to a collective historical memory but, perhaps more importantly, an invaluable body
of evidence that empowered efforts to bring legal accountability to human
rights criminals. The memory generated by these cases would be not only
of crimes committed, but also of convictions obtained.
Indeed, in the five years between 2000 and 2005, a new generation of
courageous and activist judges, among them Juan Guzmán Tapia,
Alejandro Solís, and Sergio Muñoz, dramatically accelerated the pursuit
of justice in Chile. As of mid 2005, a number of judicial investigations and
prosecutions had drawn on US declassified documents. Among them:
In December 2003, Judge Muñoz indicted Rafael Gonzalez, a former
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intelligence agent, for the murder of American journalist Charles
Horman, who was seized and executed in the days following the coup.
His case, which was made into the Hollywood movie, “Missing,” generated hundreds of internal US documents, some of which were used to
initiate the legal case in Chile, as well as for the investigation and prosecution.
In March 2005, Paul Schafer, the fugitive leader of Colonia Dignidad,
a cult-like German enclave known for its close collaboration with the
Chilean secret police, was tracked down by Interpol detectives in
Argentina, arrested and expelled to Chile. Drawing on dozens of declassified US records that strongly implied that a missing hiker named Boris
Weisfeiler – the one US citizen among the 1100 Chilean desaparecidos –
had been held prisoner and killed at the Colonia, Judge Alejandro Solís
was able to interrogate Schafer as part of the Weisfeiler investigation.
In December 2004, Judge Guzmán indicted General Pinochet on nine
charges of disappearances and one homicide relating to Operation
Condor – the network of Southern Cone secret agencies, led by Chile, that
collaborated in tracking down, kidnapping, and eliminating their political opponents. The judge used a number of declassified CIA and Defense
Department intelligence reports on Condor as evidence and for investigative leads in his prosecution.
In addition, the declassified documents played a key role in the attempt
by Chilean victims to hold US policy makers, in particular Henry
Kissinger, legally accountable for crimes committed in Chile before and
after the coup. Dozens of declassified CIA memos and cables provided the
basis for a “wrongful death” lawsuit filed in US District Court in
Washington D.C. by the sons of General René Schneider, the former
commander-in-chief of the Chilean armed forces who was killed as part
of a CIA-sponsored coup attempt in October 1970. Similarly, declassified
records provided the basis for a civil suit filed by eleven families of
Chileans killed following the coup that sought to hold US officials
accountable for supporting Pinochet’s repression. Both suits were eventually dismissed, on the grounds that Kissinger was immune from
prosecution for acts committed within the scope of his employment. But
the documents nevertheless provided a permanent record of this human
rights history.
“If, in the end, we are unable to take to trial those who were responsible, at least memory will provide a historical trial for them,” one
survivor of Pinochet’s torture camps concluded with simple eloquence
(Kornbluh 490). In the case of Chile, the declassified documents offered
evidence of truth for both the trials of memory as well as for actual judicial
proceedings. As a paper monument to the past, the US documentation
contributed to much needed court room verdicts, as well as the eternal
verdicts of history.
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Finding the Pinochet File
Works Cited
Dinges, John, The Condor Years, New York: The New Press, 2004.
Falcoff, Mark, “Kissinger & Chile: The Myth That Will Not Die” Commentary,
November 2003.
Kornbluh, Peter, The Pinochet File: A Declassified Dossier on Atrocity and
Accountability, New York: The New Press, 2003.
“NSC Meeting, November 6 – Chile, November 5, 1970.” In: Peter Kornbluh,
The Pinochet File: A Declassified Dossier on Atrocity and Accountability, New
York: The New Press, 2004: 121–128.
“Secretary’s Meeting with Foreign Minister Carvajal,” September 29, 1975.
Internet.
9
March
2005
<http://www.gwu.edu/~nsarchiv/NSAEBB/
NSAEBB110/#doc8>
Note
1
In 1999, the National Security Archive initiated legal efforts to force the US
government to retrieve 30,000 pages of “telcons” that Kissinger had claimed
as “private papers” and taken when he left office in January 1977. The suit
was drawn up, but never filed, as both National Archive and State
Department lawyers agreed that legally the documents needed to be returned
to government control. Eventually Kissinger agreed to allow the collection to
be copied. In May 2004, the transcripts relating to his tenure as National
Security Advisor were declassified. The Kissinger–Nixon conversation on the
coup in Chile can by found on the Archive website: <www.nsarchive.org>
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chile and the united
states thirty years
later
Return of the Repressed
Steven S. Volk
September 11 has become a bond that capriciously (and unintentionally)
joined Chile and the United States. The day begat twins, born on the same
day and date 28 years apart, two children of horror arriving on the wings
of airborne terror – Hawker Hunters diving to bomb the Moneda in
Santiago, commercial jets crashing into the World Trade Center in New
York; twin progeny invoking the same sense of the incredulity– how can
this be happening here? Yet Chile and the United States have been linked
by far more than coincidence, and we are challenged to understand in
what fashion these two histories have shaped or flowed into each other.
Henry Kissinger once famously lectured Gabriel Valdés, Chile’s
Minister of Foreign relations to the United States, on the direction of
history. “You come here speaking of Latin America,” he chided Valdés,
“but this is not important. Nothing important can come from the South.
History has never been produced in the South” (Hersh 263). Indeed,
Washington’s impact on Chile has been profound, whereas neither Chile
nor any other Latin American country, with the possible exceptions of
Cuba and Mexico, can claim to have left an equal mark on the United
States. The Nixon Administration encouraged, countenanced and aided
the overthrow of the government of Salvador Allende in 1973, helping to
manufacture the “first” September 11. US support was vital to the establishment and maintenance of the 17–year long dictatorship of Augusto
Pinochet. But how these actions may have shaped events and cultures in
the United States itself remains largely unexplored.
The return of the repressed is a familiar feature of the gothic horror
novel, the reemergence of dark elements from our past that we have buried
in our unconscious. As a metaphor for the wanton destruction of a democratically elected government, Chile periodically resurfaces to haunt US
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policymakers, as when Secretary of State Colin Powell, attempting to win
Chile’s support for the Iraq war at the UN, conceded that it “is not a part
of American history that we’re proud of” (“Secretary of State,” 2003).
An examination of events that have flowed from the paired 9/11’s
provides us with a good case to explore whether monsters midwifed by
the United States abroad return to trouble democracy’s domestic cottage.
The Operation Condor murders of Orlando Letelier and Ronnie Karpen
Moffitt in Washington D.C., provide dramatic evidence that terror
spawned abroad does work its way back (Dinges, chapter 11). As significant as these specific cases are, I am more interested in probing how an
historic disregard for democracy abroad may serve, explicitly or subtly,
to undermine democracy at home.
The Tranquil Maintenance of Our Distinctive Form
of Government
US political leaders have long invoked the promotion of democracy at
home as a rationale for their foreign policy goals. Most recently, George
W. Bush incorporated this thesis into his second inaugural address,
insisting that “The survival of liberty in our land increasingly depends on
the success of liberty in other lands” (“There is No Justice,” 2005). This
association goes back at least a century. While the drafting and expansion
of the Monroe Doctrine over the course of the 19th century addressed
Washington’s longing to remove European influence from Latin America,
policymakers at the end of the century turned the document to a different
purpose. In 1895, Grover Cleveland’s Secretary of State, Richard Olney,
thrust the United States into the center of a border dispute between Britain
and Venezuela, asserting that it could intervene wherever its “integrity,
tranquility, or welfare,” were at stake, and adding as a postscript that US
intervention was warranted as it entertained “a vital interest in the cause
of popular self-government” in Latin America (Olney 65). Neither of
these points was particularly manifest in this dispute, but Britain’s eventual acquiescence to US demands signaled the displacement of British
power in the Caribbean just as it announced the full birth of Yankee might
in the region. President Cleveland soon incorporated Olney’s arguments
into his foreign policy doctrine, insisting that US intervention in Latin
America was “essential to the integrity of our free institutions and the
tranquil maintenance of our distinctive form of government” (Ishmael,
1998).
By the end of the century, a group of political theorists and historians
had turned their sights to the potential of physical, economic, and cultural
expansion beyond the previously defined continental borders of the
United States. Frederick Jackson Turner explicitly coupled the expansion
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of the US frontier to the development of a vigorous sense of individualist
democracy since it was on the border, where “savagery and civilization”
met, that “Americanization” was forged. Turner made democracy, not to
mention the industrial future of the United States, dependent on expansion abroad.1
Expansionist political leaders at the turn of the 20th century, like their
early 21st century counterparts, often conflated expansionist theories
with a religious insistence that the United States was called by a higher
power to spread its doctrine to the world. Indiana Senator Albert
Beveridge, campaigning in 1898, asked rhetorically, “Shall free institutions broaden their blessed reign as the children of liberty wax in strength,
until the empire of our principles is established over the hearts of all
mankind?” (Beveridge). Theodore Roosevelt’s annual message to
Congress in 1904 provided a somewhat more modest answer, arguing the
case for the United States to exercise “international police powers” the
Caribbean, warning that “freedom is not a gift that tarries long in the
hands of cowards” (Roosevelt).
The Cold War provided further opportunities for US interventions in
Latin America, but previously expressed anxieties about “popular selfgovernment” now explicitly took a back seat to security concerns. In
1950, George F. Kennan concluded that “[W]here the concepts and traditions of popular government [in Latin America] are too weak to absorb
successfully the intensity of the communist attack, then we must concede
that harsh governmental measures of repression may be the only answer
. . . ” (“Memorandum by the Counselor” 598–624). Elections were
dismissed if they produced unwanted results, embraced it they were likely
to return an agreeable outcome.
When Chilean voters elected Salvador Allende in 1970, Henry Kissinger
rejected the outcome, blasted the voters as “irresponsible,” and helped
establish Allende’s demise as the “firm and continuing policy” of the
United States (Kornbluh Doc. 12). The Nixon Administration strongly
backed the subsequent military dictatorship although Pinochet ruled
without the benefit of elections. When later Administrations finally
nudged Pinochet to legitimize his rule by electoral means, Washington
backed his constitutional ban on Communists, worried that Communist
voters might return “another Nicaragua” (Gwertzman A1+).
Underlying the twists and turns of US policy was the century-old argument that democracy at home was directly dependent on active
intervention abroad. To the extent that democratic success often directly
correlates with economic vitality and a healthy standard of living, and that
the extension of US power (not “liberty”) abroad has historically provided
the material basis for a vigorous expansion of the US economy, there is
an undeniable logic to this argument.2 Yet the dual tendencies of neoliberal globalization, one of whose primary success stories unfolded in Chile
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after September 11, 1973, and the demands of a globalized US security
state, propelled forward by the events of September 11, 2001, not only
have weakened democratic projects abroad but now, portentously, in the
United States itself.
The US-supported “experiment” in Chile only unfolded with the prior
destruction of the liberal state. It is fair to ask whether the attacks by
foreign terrorists on September 11, 2001 succeeded in their goals as they
allowed the US government to begin to dismantle its own liberal state.
Chile’s 9/11 did not cause America’s 9/11 – but it is possible to argue that
it helped lead to it. And in that respect we need to explore what US policymakers have learned from the Chilean experiences and whether the
results of the “experiment” of September 11, 1973 encouraged US political leaders to implement a similar project at home in the wake of
September 11, 2001. To answer this we need to assess the impact of the
twin 9/11’s on the quality of democracy in both Chile and the United
States.
Transitional Democracy in Chile
Chile has realized three presidential elections since the 1988 plebiscite
that dislodged Pinochet from the Moneda. They are significant indicators of a return to formal democratic procedures, but the years of
dictatorship have distinctly shaped democracy in post-authoritarian
Chile. Chile’s “pacted” transition, tied in by the so-called amarres
(“mooring lines”) that Pinochet wrote into the 1980 Constitution, produced a passive political system. The persistence of “authoritarian
enclaves” (designated senators, a binomial electoral system that favors
conservatives and discourages constitutional change, the fiscal autonomy of the armed forces and their elevation to the role of legitimate
political actors), has worked against significant political change. Other
measures such as the incorporation of CNI secret police into military
intelligence, the destruction of secret police and military archives, the
civilian governments’ reluctance to challenge the 1978 self-amnesty law,
and the continuation of military-appointed Supreme Court justices, have
worked, until quite recently, to restrain legal attempts to address the violation of human rights under Pinochet.
Taken together, these limitations in the formal democratic system
underscore the fact that Chile returned to civilian rule on terms that
continued to favor strong elite control. Still, elite dominance of Chilean
politics, the acuerdo de caballeros, has been a long-standing phenomenon
in Left, as well as conservative, politics. What is more notable than elite
control in the transition from military dictatorship is the way that political apathy has replaced activism, and consumer culture has replaced the
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involved political society of the pre-Pinochet years. This is not to say that
the turmoil that often comes with an intensely politicized society is always
productive, or that an economy unable to support a consumer market is
somehow beneficial. And yet the violent depoliticization of Chile under
authoritarian rule and its frustrating persistence after the departure of
Pinochet have resulted in a return to civilian rule marked by a greater
adherence to the formal rules of democracy than to a vibrant democratic
culture.3
To the extent that post-authoritarian Chile has replaced citizens with
consumers, the institutions that embodied political culture in the pre-1973
era have withered. Social institutions central to political debate and decision making prior to 1973 have struggled to remain consequential since
the return to civilian government in 1990. Labor unions are most notable
in this respect. Since 1990, only 7–12 percent of workers have engaged in
collective bargaining. Not only has Chile’s neoliberal economy shifted
from unionized, industrial jobs to lower paid, temporary work, but
employers continue to feel empowered to stifle unions when they emerge.
A 1996 survey of union leaders representing more than 5,500 firms found
that nearly one-third of all workers who participated in collective
bargaining – not strikes – had been dismissed within three months of the
negotiations (Frank 103–108).
Political parties, which have effectively articulated connections between
citizens and the State for more than a century, also suffered a substantial
deactivation not just under Pinochet, but since the return to civilian rule
(Garretón, A Chilean . . . 11–13). A number of scholars have concluded
that politics is far less important for a large majority of the Chilean population that it was in the past. Not surprisingly, the prestige and value of
politics, politicians, and political institutions in the eyes of the public,
particularly the young, has suffered a dramatic decline (Silva, cf. also:
Moulian; Arriagada; Stillerman; and Jocelyn-Holt Letelier).
Such a development is troubling to the extent that public misgivings
about politics and politicians are cycling back into a lack of concern for
democracy itself. A 2004 Latinobarómetro poll found that only 35
percent of Chileans were “very” or “fairly” satisfied with the way that
democracy worked in their country while only 57 percent agreed that
“democracy is preferable to any other kind of government.” A United
Nations Development Program survey conducted in May 2001 disclosed
that 32 percent of Chileans did not care if the political system was democratic or authoritarian (qtd. in Silva 67) in a country frequently touted as
having one of the healthiest democracies in Latin America
(Latinobarómetro 2004).
Fully assessing the causes for this swing is beyond the scope of this
chapter, but one can signal a number of factors including the “cautious
politics of elite consensus building” which produced the “pacted” transi-
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tion process, the persistence of “authoritarian enclaves,” and the desire
of political elites to avoid painful reminders of the past and to foster the
illusion of a broad-based, consumerist-oriented consensus (a project that
has been shaken since Pinochet’s 1998 detention in London). (Cf. Wilde,
Garretón, Incomplete . . . , 149–155; and Boeninger). The most important
factor, I would suggest, lies in understanding the relationship forged under
Pinochet between the individual, the economy, and political society – a
relationship which has continued under civilian government. Pinochet
threatened that he would not leave power until Chileans “thought differently.” To that end, the military violently uprooted the collective
structures and communal identities that sustained Chilean political
culture for generations, leaving in their place a neo-liberal economy and
a model of the citizen as consumer, both of which worked to privatize
social relations. Patricio Silva argues that “the expansion of consumerist
behavior in Chile generated a kind of passive conformism among the
population, who eventually accepted the individualistic tenets of the neoliberal economic model based on the search for private satisfactions”
(Silva 69). In Chile the economy, now one of the most unequal in the
world in terms of income distribution, has pulled away from the political
system to such an extent that it undermines notions of a social good.
Margaret Thatcher understood this point when she insisted that “there is
no such thing as society. There are individual men and women, and there
are families” (Women’s Own).4 Pinochet could only attempt to destroy
society by brute force and by removing elections themselves, the mechanisms through which, under the liberal state, economic rewards were
deployed to gain political support, thereby encouraging competing visions
of social goals. The post-authoritarian state in Chile has returned to elections, but by replacing the notion of the citizen with that of the consumer,
political elites have succeeded in preserving Pinochet’s vision. Marketbased models have spilled over into the political sphere; political
“consumers” are expected to make individual decisions based on what
will produce the best outcome for them, much as they might buy shoes in
a store, in total disregard of any notion of a social good, and without the
input of political mediators such as unions, cooperatives, or parties.
The battle over the privatization of social security in Chile – a process
which was implemented under Pinochet at the point of a bayonet and now
has been imported directly into the heart of Bush’s second term presidency
– is a good example of this development. Wage earners, as consumers, are
encouraged to consider only what would be best for them. Even if we leave
aside the question of whether the market will reward their desires, the
consumerization of political choices means that question of whether
society has a responsibility to its elderly remains unanswered, and likely
ignored, as had in fact been the case in Chile (Rohter A1+). Garretón
reminds us that “without society the political regime is a delusion,” and
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the result of the consumerization of politics in Chile has been the weakening of democracy itself (Garretón, Incomplete . . . 153).
The Chilean Laboratory
Transitional processes in Latin America, Asia and Eastern Europe in the
latter part of the 20th century have generated significant scholarship (cf.
O’Donnell et al.; Collier; Pridham). At the heart of the “transition” debate
is the question of the metrics one uses to measure “democraticness,” as
Guillermo O’Donnell calls it, or the quality of democracy, as I have put
it, borrowing from Larry Diamond and Leonardo Morlino (O’Donnell,
”On the State . . . ” 1361; Diamond and Morlino 20–31). On most scales,
Chile appears near the top, as one of the few transitional countries
“clearly en route to becoming successful, well-functioning democracies .
. . ” (Carothers 9). With its thriving economy, a history of three orderly
presidential elections as well as a number of parliamentary and municipal
contests since the return to civilian rule, and growing indications that the
judiciary is willing to pass judgment on those responsible for criminal
actions undertaken during the dictatorship, Chile’s is regarded as a
thriving transition from authoritarian rule.
A critique of such a process, much as a critique of the booming Chilean
economy, can appear both factually suspicious and mean spirited. And
yet as the data presented above would suggest, while the formal aspects
of Chile’s democracy seem healthy, its democratic culture, coming out of
17 years of dictatorial rule, has become anemic, occupied by “dormant”
citizens, depoliticized or politically apathetic, concerned largely with the
problematics of consumption (Silva). This result, I have argued, flowed
directly from events unleashed on September 11, 1973. By 1975 Chile had
become a laboratory of sorts, where observers could scrutinize what
would happen when capital no longer faced serious social or political
obstacles to its accumulation plans, nor the opposition of sectors of the
nationalist capitalists who supported import substitution models and
pushed for domestic protections from foreign investment. “In this societal desert,” Guillermo O’Donnell concludes, “huge social costs were
incurred, and although with various changes and accidents, the neoliberal
program was mostly implemented” (O’Donnell 1366).
September 11 and the Quality of Democracy in the
United States
Washington paid close attention to the results of Chile’s experiment given
its role in overturning the Allende government, a series of on-going
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congressional inquiries as to that role, and the direct part played by US
economists who helped shape the radical neoliberal economy which
unfolded under “controlled” conditions (i.e., by force). A number of
Chilean innovations would later find their way back to the United States
where, much as in Chile, they began to modify the nature of democracy
and the democratic culture, particularly after the “second” September 11
further opened the door to this possibility.
The availability of democratic rights in the United States historically
has correlated with factors such as race, gender and class. Yet the weakening of democratic protections that has occurred since September 11,
2001 has impacted all sectors of society, even though Muslim and
Middle Eastern populations have come under particular scrutiny. As
with any nation threatened with attack, the United States has faced a
series of difficult tradeoffs between liberty and security since September
11. But, as I will argue, the attack on civil liberties and democratic rights
in the past three years has been sustained, and most often unrelated to
legitimate security concerns (National Commission on Terrorist
Attacks).5 My intention here is to apply to the United States those measures frequently used to measure the transition to democracy in formerly
authoritarian regimes, specifically, (1) use of unjustified detention, terror, or torture; (2) challenges to the rights and guarantees of Western
constitutionalism; and (3) ascendance of an apolitical, “dormant” citizenry which is increasingly indifferent to a larger political society and
the concept of the social good.
Torture and the Adoption of Authoritarian Methods
A central value of liberal democracy rests in the protections it provides
individuals from unjustified detention, terror, or torture (Diamond).
Among the most disturbing developments in the United States since 2001
has been the revelation that the Bush Administration has rewritten
internal guidelines and abandoned long-standing precepts of international
law to create a new category of criminal (“enemy combatants”) who can
be detained without charge, denied access to legal counsel, or trial, and
brutalized by “interrogation” methods which were often developed by
US-supported military dictators in Latin America. Administration
officials, including the recently confirmed Attorney General, Alberto
Gonzalez, and the man slated to head the Department of Homeland
Security, Michael Cernoff, redefined “torture” so as to provide legal cover
for agents employing a variety of violent procedures that most authoritative bodies have long considered to be torture, including simulated
drowning (“waterboarding”), sodomy with a broomstick, and electric
shock.6 Evidence has also come to light that US officials are “outsourcing”
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torture, sending detainees to countries that systematically engage in the
practice (Mayer).
The Administration’s decision to detain and hold so-called “enemy
combatants” indefinitely and outside of the framework both of the US
Constitution (as regards American citizens) and the Geneva Conventions
is equally disturbing. Administration lawyers have argued that the
President has “unquestioned authority” to detain enemies during wartime
and hold them without legal protection. In a time of a borderless and
potentially limitless war, the practice of indefinite detention (not to
mention the significant abuses to which prisoners are subjected) surpasses
some of Pinochet’s methods. In dictatorial Chile prisoners who made it to
jail (and many were killed before that step, to be sure) received fixed
sentences once they had been declared enemies of the state. In neither case
were prisoners offered anything approaching fair trials. The Supreme
Court has challenged some, but not all, of the Administration’s most far
reaching claims, but Bush’s advisers continue to search for ways to assert
unlimited presidential authority in a time of war, not an uncommon practice in dictatorships around the world. The fact that presidential authority
derives from a popular suffrage does not weaken the analogy. The
comparison is only challenged to the extent that in the United States a
court system exists to protect citizen’s (and non-citizens) rights. Here, too,
there is cause for concern.
Challenges to the Rights and Guarantees of Western
Constitutionalism – Creating the “Grey Area”
Democracy is a “legal system [that] includes the rights and guarantees of
Western constitutionalism”, including freedom of belief, opinion, discussion, speech, assembly, and petition (O’Donnell 1360). While the United
States can boast a strong record in these areas for many decades, along
with some historic blind spots and periodic weaknesses, legislation passed
in the United States since September 11, 2001 has begun to undermine
some of these basic rights. The Patriot Act, passed shortly after the
attacks, authorizes non-disclosed wiretaps and secret searches in criminal
investigations without probable cause of a crime. It permits government
employees to conduct searches of private library, medical, and student
records, as well as undisclosed searches of private premises. Peaceful
protesters can be charged with the new crime of “domestic terrorism” if
their demonstrations are defined as an attempt to “influence the policy of
a government by intimidation or coercion,” a standard that leave remarkable room for interpretation (USA PATRIOT Act).
Freedom of expression and associational autonomy are among the
seven characteristics of “polyarchy” as defined by Robert Dahl (Dahl
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221). Freedom of association and long-observed practices of cultural,
ethnic, and religious tolerance have been challenged by government policies targeting Muslim men for detention based on minor immigration
violations. More than 1,000 Muslim men were rounded up and detained
for prolonged periods shortly after September 11, 2001. By mid-2004,
that number had grown to more than 5,000. Not a single one has been
convicted; most were never charged. Nor are the associational rights of
Muslims the only ones to be affected. In the summer months preceding
the Republican National Convention in 2004, the FBI visited or subpoenaed dozens of activists to question their intentions. New York City police
assigned teams of six officers to follow those designated as “primary anarchists” around the clock.
The right to vote freely, and to have one’s vote counted fairly, is at the
heart of literally every definition of democracy. Accepting that all largescale elections will likely manifest some irregularities, US electoral
practices in the past two presidential elections have raised fundamentally
serious questions about the quality of democracy in the United States. The
final vote tally in Florida in the 2000 election and the eventual decision
by a sharply split Supreme Court to close down the counting of votes is
well known. Other irregularities are as significant. A report by the Civil
Rights Project at Harvard University found that in the 2000 election,
whether a vote counted depended on where it was cast, that spoilage rates
for ballots varied directly with the percentage of minority voters, that
spoilage could not be attributed solely to technological factors, and that
approximately 2 million votes (2% of the total) went uncounted (Civil
Rights Project).
“Dormant” Citizenship in the United States
As in Chile, the drive to privatize social functions in the United States is
both furthered by and in turn helps encourage the development of a an
apathetic and disengaged citizenry. Participation in US elections declined
significantly and continuously from 1960 to 2000. Whereas 65% of the
adult population turned out for the Kennedy-Nixon contest, only 51%
voted in 2000. In the 2002 congressional elections turnout dipped to
39%, with only 18% voting in congressional primaries.7 While that trend
was reversed in the hotly contested 2004 election, troubling signs remain.
Turnout for the 2004 Republican primary was the lowest ever recorded
(including other non-contested elections), and the third lowest ever on the
Democratic side (Patterson 2004).
At least part of the problem can be attributed to the fact that most
Congressional races are simply not races at all. According to Richard
Pildes, an election expert at New York University, “There are now about
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four hundred safe seats in Congress,” leaving only 35 with any degree of
competitiveness (Toobin).8 In the 2004 Congressional races, only 13 seats
in the House changed hands. As Nathaniel Persily, an election law expert
at the University of Pennsylvania Law School drolly noted, “There is a
problem when the turnover in the United States House of Representatives
is lower than it was in the Soviet Politburo” (Nagourney A1+). Aggressive
redistricting plans, such as those pushed by House Majority Leader Tom
DeLay in Texas in 2004, only solidifies a practice that is supported by
Republicans and Democrats alike.
Ironically, while most adults in the United States don’t vote in elections,
and while most congressional elections are not “real” contests, 60% of
those polled in a November 2003 Gallup poll still define elections as
“crucial” to their own sense of freedom (Carlson). Strong majorities of
those questioned continue to find that the basic “Bill of Rights” guarantees are “very important” to democracy, but polls show a significant
decline in support when asked whether certain rights, particularly those
most closely associated with an active citizenry, are “crucial” to their
freedom. Only 44% of those polled thought that the right to petition the
government was crucial; only 52% defined the right of free speech as
crucial; and only 36% thought a free press was crucial to their own sense
of freedom. These trends, which hint at a public increasingly apathetic to
its citizenship rights and responsibilities, are even more clearly evident
among young people. A 2005 Knight Foundation poll of more than
100,000 high school students found that only 51% of respondents
thought that newspapers should be allowed to publish without prior
government approval of stories (Knight Foundation).
As in Chile, collective identities and the organizations that represent
them have atrophied in the United States. Statistics on union membership
in Chile and the United States are strikingly comparable. Only 12.5% of
US wage and salary workers belonged to unions in 2004 (down from
20.1% in 1983); only 7.9% of private industry workers are unionized
(United States Department of Labor). As in the Chilean case, there are
many factors behind this dramatic decline, and many are similar including
the long decline in industrial employment, government hostility to organized labor, labor laws that don’t encourage collective bargaining, and
the historic preference of many large unions to steal away other groups
of unionized workers rather than organizing among unrepresented
workers. Ideologically, there are also similarities between the two
countries as conservatives in the United States and neoliberal elites in
Chile have focused on redefining workers as “owners,” claiming that in
an “ownership society . . . individuals are empowered by freeing them
from dependence on government handouts and making them owners
instead, in control of their own lives and destinies” (Boaz). President
Bush’s high-stakes push to privatize social security, another page taken
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from Chile’s playbook, is rooted in the political conviction that as labor
abandon its identity and working-class culture and comes to see itself as
“owners,” not only will the Republicans solidify their grasp on political
power for decades to come, but it will allow them to remove the state from
the areas of social responsibility that they have occupied for over 50 years.
In many ways, this is what Pinochet accomplished, albeit with great
violence, in Chile.
In both countries talk of an “ownership society” generally ignores the
vast income inequalities that have expanded in the past 20 years.
Guillermo O’Donnell has argued that “extreme disparity in the distribution of (not only economic) resources, goes hand in hand with
low-intensity citizenship” (O’Donnell 1360). According to recent statistics, the top 20% of American households control 83% of the nation’s
wealth while the bottom 80% only enjoy about 17% of wealth.
Ownership of stocks and bonds is even more concentrated. The wealthiest 1% of taxpayers currently receives more than half of all corporate
profits; the bottom 60% gets approximately 8% (Krugman). Income
inequality ratios in the United States already resemble those of far poorer
countries.
Completing the Circle: Neither Tranquility nor
Democratic Maintenance at Home
In his 2002 National Security Strategy doctrine, President Bush promised,
“In the war against global terrorism, we will never forget that we are ultimately fighting for our democratic values and way of life” (Bush 2002).
In the United States as in Chile, as I have argued, it has become increasingly apparent that those democratic values have eroded significantly. If
at the turn of the 20th century Washington could suggest that the extension of American power abroad would enhance democratic rights at
home, we are now in an era when attempts to further project US force
abroad will likely only further undermine democratic rights at home. In
anything, Washington seems to be learning from authoritarian experiments abroad and shaping internal policies in their fashion.
In a recent and provocatively titled article, “Supremacy by Stealth: Ten
Rules for Managing the World,” Robert D. Kaplan makes the point
starkly, if unintentionally (Kaplan 66–83). Kaplan’s vision is dominated
by the looming presence of state-less terrorists, able to strike the United
States at will. The only successful way to counter such a threat, he argues,
is by rapid response, stealth, aggressive “manliness” and decisiveness. The
reality of the wars that must be fought leaves “no time” for Congressional
consultation; and even if did, politicians are too “timid” and “hamstrung”
by public opinion to be effective. Nor can diplomats respond successfully
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to fast-developing crises. The “element of surprise [has] become the dominant variable” if we are to thwart terrorists, and the military – the Special
Forces in particular – is the only institution capable of conceiving, waging,
and winning those conflicts. In brief, the key to the US ability to manage
the world, for Kaplan, is held by “young majors, lieutenant colonels and
other middle-ranking officers.” These, not elected officials, foreign service
professionals, or the media, are the people who “will need to make lightning-quick decisions” to defend American democracy. If Kaplan’s vision
seems extreme, even apocalyptic, it is useful to remember that even before
September 11, 2001, small teams of Special Forces were carrying out
thousands of operations yearly in nearly 170 countries (Kaplan 68).
Recent press reports have disclosed a small group of “super secret
commandos” operating inside the United States in “extra-legal missions
to combat terrorism”(Schmitt A1+). So the idea that decision-making has
been put in the hands of commando teams operating at home and abroad
is not a conservative daydream. At the same time it is hard to know what
democratic values will remain after democracy’s most instrumental characteristics (including the constitutional role of elected representatives)
have been stripped away and placed in the hands of civilian and military
elites. In the end, democracy itself withers away in Kaplan plan when
insists that the “highest morality . . . must be the preservation – and, wherever prudent, the accretion – of American power” (Kaplan 68).
The repressed have certainly returned when conservatives lobby for a
“Chilean” solution to the challenges faced by the United States in a world
at least partially shaped by its own practices in Chile and similar countries.
Significantly, Kaplan himself turns to Chile, highlighting the importance
of learning from that “experiment.” US actions have not “always been
pretty and, frankly, not always moral,” he admits, but they can produce
desired results at a relatively low cost, and for Kaplan Chile was a cheap
success. Chile succeeded, in Kaplan’s view, because the United States
“defeated a belligerent Soviet and Cuban campaign at its back door”–
even though Nixon Administration aides themselves denied that Chile
was as a national security problem. The true cost of that victory was paid
by Chile’s democratic system, and just as Washington did not stop to
consider the costs of imposing a dictatorship of Chile on September 11,
1973, so now it seems unwilling to calculate the true costs of abandoning
its own democratic values in the wake of September 11, 2001. When the
Nixon Administration crafted its plans to overthrow Salvador Allende
shortly after his election in 1970, Henry Kissinger’s top aide for Latin
America, Viron Vaky, argued that its plan was “patently a violation of
our own principles . . . ”(Kornbluh 11). One wonders if that same argument is given voice in Washington today.
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Garretón, Manuel A. The Chilean Political Process Boston: Unwin Hyman, 1989.
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Hersh, Seymour M. “The Grey Zone: How a Secret Pentagon Program came to
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Hersh, Seymour M. The Price of Power. Kissinger in the Nixon White House.
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Jelin, Elizabeth and Eric Hershberg, eds. Constructing Democracy: Human
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Jocelyn-Holt Letelier, Alfredo. El Chile perplejo: del avanzar sin transar al transar
sin parar. Santiago: Planeta/Ariel, 1998.
Kaplan, Robert D. “Supremacy by Stealth: Ten Rules for Managing the World.”
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Lijphart, Arend. “Unequal Participation: Democracy’s Unresolved Dilemma.”
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Mayer, Jane. “Outsourcing Torture” The New Yorker (14 Feb 2005). 7 Feb 2005
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“Memorandum by the Counselor of the Department (Kennan) to the Secretary of
State (29 March 1950).” Foreign Relations of the United States, 1950, 2: The
United Nations, The Western Hemisphere. Washington, D.C.: GPO, 1976.
598–624.
Moulian, Tomás. Chile actual: Anatomía de un mito. Santiago: LOM-ARCIS,
1997.
Nagourney, Adam. “States See Growing Campaign to Change Redistricting
Laws.” New York Times 7 Feb. 2005, late ed.: A1+.
National Commission on Terrorist Attacks Upon the United States. The 9/11
Report. New York: St. Martin’s 2004.
O’Donnell, Guillermo. “On the State, Democratization and Some Conceptual
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O’Donnell, Guillermo, Philippe C. Schmitter, and Laurence Whitehead, eds.,
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MD: Johns Hopkins University Press, 1986.
Olney, Richard. “The Olney Memorandum.” Latin America and the United
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O’Sullivan, John L.“The Great Nation of Futurity.” The United States
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Democratic Review 6.23 (1839): 426–430.
Patterson, Thomas E. The Vanishing Voter: Public Involvement in an Age of
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Patterson, Thomas E. “Young Voters and the 2004 Election.” 2 Feb. 2005.
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4_Election.pdf>.
Piven, Francis Fox. Why Americans Still Don’t Vote: And Why Politicians Want
It That Way. Boston: Beacon Press, 2000.
Pridham, Geoffrey, ed. Transitions to Democracy: Comparative Perspectives from
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Rohter, Larry. “Chile’s Retirees Find Shortfall in Private Plan.” New York Times,
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Roosevelt, Theodore. “The Duties of American Citizenship. January 26, 1883.”
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Schmitt, Eric. “Commandos See Duty on U.S. Soil in Role Redefined by Terror
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Silva, Patricio. “Doing Politics in a Depoliticised Society: Social Change and
Political Deactivation in Chile.” Bulletin of Latin American Research 23:1
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Stillerman, Joel. “Disciplined Workers and Avid Consumers: Neoliberal Policy
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Victims of the Chilean Miracle: Workers and Neoliberalism in the Pinochet Era,
1973–2002. Ed. Peter Winn. Durham: Duke University Press, 2004: 164–208.
“There is No Justice Without Freedom.” Washington Post 21 January 2005, final
ed.: A24.
Toobin, Jeffrey. “The Great Election Grab.” The New Yorker (Dec. 8, 2003). 1
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Wattenberg, Martin. Where have all the Voters Gone? Cambridge, MA: Harvard
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Wilde, Alexander. “Irruptions of Memory: Expressive Politics in Chile’s
Transition to Democracy.” Journal of Latin American Studies 31 (1999):
473–500.
Women’s Own (London), Oct. 3, 1987.
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Notes
1
2
3
4
5
6
7
8
Turner’s approach competed with arguments rooted in the noxious soil of US
moral superiority, assertions that God had placed the United States on earth
with the task of defeating the “powers of evil” (O’Sullivan 430).
In its latest report on “Freedom in the World” Freedom House correlates
“freedom” and per capita income. While parts of its methodology and terminology can be questioned, the findings are significant. Only 16% of
low-income countries were classified as “free” or “partly free,” in 2004,
whereas 90% of high- income countries were in that category (Freedom
House).
There is an extensive bibliography on these points. See, among others,
Garretón, 2003; Jelin and Hershberg 1996; and Wilde, 1999.
On income inequalities, see the Gini index rankings in the World Institute for
Development Economics Research.
It is notable that the National Commission on Terrorist Attacks Upon the
United States (the “9/11 Commission”) concluded that analysis and intelligence failures created vulnerabilities in the United States, not an “open”
society with abundant civil liberties.
This policy was first uncovered with the publication of photographs of prisoners taken at Abu Ghraib in Iraq. We now know that torture policies were
formulated in the Pentagon and were transferred first to Afghanistan, then to
the Guantanamo prison, and finally to Iraq. Under the new standard, torture
applies only to “abuse that causes pain equivalent to organ failure or death”
(cf. Hersh; Danner).
See, among others, Patterson, Piven, and Wattenberg. While some argue that
turnout should not be used as a definition of democracy, others insist on its
importance to the quality of democracy, as I have been suggesting. See
Lijphart.
The importance of competition in a political democracy is also hotly debated.
I agree with Altman and Pérez-Liñán who argue that a “more competitive
democracy is a better democracy” (Altman and Pérez-Liñán).
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small earthquakes and
major eruptions
Anglo-Chilean Cultural Relations in the
Nineteenth and Twentieth Centuries
Kevin Foster
In the 1930s, sub-editors at The Times of London held a competition to
concoct the most boring headline possible. The winner was “Small
Earthquake in Chile: Not Many Dead” (Beckett 87). As disrespectful as
this may seem it does offer a fair reflection of Chile’s failure to register on
the Richter Scale of British cultural consciousness during this period. As
Andy Beckett notes, the few stories about Chile that made it into British
newspapers “suggested a colourful but insignificant country of impossible
remoteness” (Beckett 87). Chile’s inconsequentiality, it should be noted,
reflected no special mistreatment on its part but extended to British visions
of Latin America as a whole. To most Britons in the 1930s, as The Times’s
mischievous competition implied, Latin America meant, quite literally,
nothing. It did not matter to them because it was, again literally, immaterial. In 1932, preparing for a journey through British Guyana and into
Brazil, the only map that Evelyn Waugh could secure of the country was
a patchwork of “blanks and guesses” (Waugh 13). As the country slowly
began to take shape in his mind, it assumed an accumulated formlessness,
its distinctive featue was a striking array of things it did not have: a
country chock full of nothing:
a large empty territory stretching up three great rivers and their tributaries
to shadowy undefined boundaries; most of it was undeveloped and unsurveyed, large areas quite unexplored . . . there was no railway or road into
the interior . . . the greater part of the colony had no permanent inhabitants
. . . except on the coast there had been practically no European settlement
and little enough there (Waugh 13).
For oblivion embodied, Waugh, and many Britons of his generation
clearly felt, one need look no further than Latin America.
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Yet there was nothing particularly 1930s about this indifference-cumarrogance-cum-ignorance. It was the natural outcome of a long and
venerable tradition of British cultural disinterest in Latin America
stretching back to the revolutionary movements of the early 19th century
and well beyond. This in itself is worthy of remark as Britain exercised a
profound cultural influence over the liberation movements. From the final
decade of the 18th century when Juan de Miranda brought what Karen
Racine has called his “continental consciousness-raising campaign” to
Britain, the list of visitors who passed through his fashionable rooms in
Grafton Street, Bloomsbury, reads like a who’s who of the Latin American
liberation struggle – Fray Servando Teresa de Mier, Carlos María de
Alvear, Simón Bolívar, José de San Martín, Bernardino Rivadavia and
Bernardo O’Higgins (Racine 4). Britain had obvious attractions for the
so-called independence generation. Not only had its inveterate opposition
to Napoleon’s continental expansion, but also its aggressive opposition
to Spain’s commercial monopolies with its empire made it a de facto
proponent of Latin American liberation. Its own program of domestic,
political, economic and industrial modernisation made Britain both a
paragon of and an ideal partner for the continent’s projected republics.
“Although,” as Karen Racine notes, “the United States and France both
offered fascinating experiments for Spanish Americans’ consideration, it
was early 19th century Britain, the home of Adam Smith and the
Industrial Revolution, that most captured their collective imagination.”
(3–4). In search of financial aid, political recognition or military assistance, the fathers of Latin American liberation took the time out to dine
with Jeremy Bentham, visit Robert Owen’s model farms and factories, and
to discuss the merits of the monitorial system of education with one of its
founders, Joseph Lancaster (Racine 5).1 Accordingly, when they made
their way back to South America, whatever goods they stowed in the
ship’s hold, agricultural machinery, educational pamphlets, the odd
constitution, arms and uniforms, it was their mental baggage and the
vision of Britain as a ‘free society of law, order and material progress’
which it enshrined that, it can be argued, and exercised a most pervasive
influence over the subsequent forging of the Latin American Republics.
Britain’s first recruits for the Spanish American Wars of Independence left
London for Venezuela in December 1817, followed over the next three
years by a further fifty sailings which carried more than 8,000 men – and
their families.2 This sudden influx of British military personnel into the
towns and ports of Venezuela, Colombia, Peru and Chile engendered new
and intimate contacts between the two cultures at all social levels,
providing a vital beachhead from which British goods, manners and ideas
could spread their influence throughout the continent. While “the most
visible influence of the increasing British presence in Spanish America was
the introduction of new kinds of machinery, weapons and consumer
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goods to everyday usage,” it was “the tastes, habits and preferences
formed in Europe” which these men and women brought with them, that
subsequently exercised such a profound influence over “local consumption and design patterns” (Racine 16–17). The Creole elites adopted
British innovations in architecture, interior design, table manners, dress,
recreation, education and print publications.3 To adopt British dress,
décor, manners or hobbies was seen not only as the last word in fashion,
but also, during the long struggle for independence, as a bold affirmation
of one’s political colours.
Growing more confident of their victory with each passing day, the patriotic Creole upper classes literally wore their allegiances on their person;
English-manufactured calicoes and jerseys, Irish linens and Scottish woollens . . . Even the poorer classes, who admired some of the exotic imported
colours they were not able to produce locally, purchased Manchester
flannel, picked it to pieces, respun the wool yarn and wove it sparingly into
their own hand-produced fabrics to approximate the desired colour.
(Racine 20)
This image of the poor unpicking the imported cloth and weaving it in
with their own designs, fashioning it to their own traditions and needs
provides a compelling metaphor for just how pervasive British influence
was throughout all levels and all aspects of Spanish American society
during the liberation period and how, despite the adoption and adaptation of British ideals, forms and practices to local uses, the original
patterns remain clearly discernible through the local cut.
Yet notwithstanding this all-pervasive British influence on the emerging
republics it would seem that Latin America – particularly in the early years
of the liberation movements – made little reciprocal impact on Britain.
When one turns to British literary culture of the early 19th century,
besides the occasional travel narrative one finds not a single treatment of
the revolutionary struggle – indeed hardly any mention of Latin America
at all. Edmund Burke, José Blanco White and Robert Southey all made
passing reference to events in South America in their letters, poetry and
political writings. Notably, Ian MacCalman’s state of the art An Oxford
Companion to the Romantic Age: British Culture 1776–1832 contains
not a single entry dedicated to South America.4 The greatest liberation
movement of the century thus made barely a ripple in the world of English
letters, leaving scarcely a mark on the imaginative culture of early-mid
19th century Britain.
There is a range of opinion as to why this might be so. In the early years
of the 19th century British forces were engaged on multiple fronts in
Europe, the US, India and beyond. With so much of the nation’s military
resources engaged elsewhere it is little wonder that politicians, the press
or the public had little time for events that seemed to lie so far beyond the
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realm of its political or material interests. The nation’s one unauthorised
endeavour to establish a colonial presence in South America (with the
exception of Guyana), was Popham and Whitelocke’s raids on Buenos
Aires in 1806–7, which ended in humiliation for the British forces who
were routed in the streets of the Argentine capital by the Creole militias
and the public (cf. Rock, 71–3). Thereafter, as Alan Knight notes: “Britain
in the main avoided formal empire in Latin America,” preferring to “exercise a kind of informal paramountcy” through its domination of trade and
commerce (Knight 4). One of the central consequences of this reluctance
to take on a more overtly political role in Spanish America was the deepening of British ignorance about the continent and its peoples, the
reinforcement of its prejudices and the further entrenchment of the
degrading stereotypes that sustained them. The practical considerations
of government and religious conversion that the Spanish confronted in
Latin America had compelled them “to widen their field of vision (sometimes in spite of themselves) and to organize and classify their findings
within a coherent frame of thought.” Accordingly, as J. H. Elliott
observes:
Officials and missionaries alike found that, to do their work effectively, they
needed some understanding of the customs and traditions of the people
entrusted to their charge . . . The visitas of royal officials to Indian localities therefore tended to turn into elaborate inquiries into native history, land
tenure and inheritance laws; and the reports of the more intelligent and
inquiring of these officials . . . were in effect exercises in applied anthropology, capable of yielding a vast amount of information about native
customs and society. (Elliott 33)
Unencumbered by the burdens of “formal empire,” the British in early
19th century Latin America had no compelling reason to seek or to pretend to have any further understanding of the “natives” than what was
necessary for the conduct of trade. As such, while it was felt that Spanish
America lay beyond, or more pertinently beneath, the sphere of British
interest, there was little to be found there to sustain or reward cultural
engagement. Yet ironically, the complacent conviction that Latin
America was an irrelevance gradually brought it into the mainstream of
British literary culture. The failure of British writers and intellectuals to
engage with the early 19th century liberation movements had a profound
effect on Britain’s subsequent discursive relations with South America.
Their failure to examine the origins, goals and conduct of the differing
revolutions, to profile their leaders – many of whom spent long periods
in the United Kingdom – the strategies they employed, the obstacls they
surmounted, their achievements, as well as the causes and outcomes of
their failures, denied these events an explanatory context and robbed
their architects and main actors of explicable motivation.5 Their failure
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to acknowledge the moral and political substantiveness of the revolutionary struggles, and their readiness to deny or simply ignore their
historical and human import, meant that for the better part of two centuries thereafter Latin America served Britain as a locus of the imaginary,
a theatre of the possible, and was regarded thereby as more a mental
than a geographical space. Signifying nothing, Latin America could be
made to mean just about anything. In this space, the political, economic,
social and moral concerns of importance to Britain at any given time
might be identified and explained, responses to them trialed, and their
consequences played out in a neutral and hygienic environment. The
British refusal to engage in the political, social and cultural transformation of Latin America thus made it an ideal, if not the obvious, locus for
fantasy and speculation about the perils and processes of its own social
and political transformations.
A little less than 150 years later and the situation had barely altered. As
Chile worked its way back into the mainstream of British public
consciousness, it did so less out of any disinterested curiosity about
Chilean politics and society. Allende’s turbulent presidency and
Pinochet’s brutal putsch were of interest to the British because of the
perceived relevance of their economic, political and social consequences
to Britain itself undergoing rapid even revolutionary transformation in the
1970s and ’80s.
Britain in the early 1970s was a nation displaying all the hallmarks of
decline: its imperial possessions dwindling, its military in retreat abroad
and under pressure at home from the IRA’s bombing campaigns, its once
formidable political clout on the world stage now more of a petulant slap,
its economy in free fall, its manufacturing industries bloated and uncompetitive, soaring inflation, fissile industrial relations, deeply entrenched
antagonisms of race and class – the kingdom disunited and Britain,
patently, no longer great (cf. Clarke 358–400, Marwick 184–392).
In 1973, Edward Heath’s Conservative Government was battered by
industrial action from, among others, power workers, dockers, dustmen,
post office employees and miners. Rolling power cuts forced the country
to adopt a three-day week, and the Government was finally defeated at
the polls in February 1974, replaced by Harold Wilson’s Labour administration. Britain was clearly in need of radical economic, industrial and
social reform and the new Government looked, however hesitantly, to be
moving in that direction. Within weeks of its election it increased corporation tax to fund more generous welfare benefits and set up the National
Enterprise Board to take over failing private companies. These modest
reforms sparked panic in a right-wing press that had found even Heath’s
gentle, patrician Conservatism a cause for grave concern. To at least one
observer, the Daily Mail’s Chile correspondent, the projected reforms in
Britain called to mind the upheavals of Allende’s final year in office when
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inflation hit 304% and industrial strife among the workers was matched
by a middle-class revolt. Allende’s experiment, the Mail’s man in Santiago
averred, has “pointed up the dangers a relatively prosperous country faces
when it seeks to reform overnight. And Britain has stood on the brink of
just such rapid change frequently since World War II” (qtd. Beckett 116).
Consequently, it is not difficult to see why Wilson’s reforms sparked
panic, even visions of the apocalypse, on Britain’s political right. As Peter
Wright’s Spycatcher (1986) revealed, the reforms convinced certain
members of the security services – à la Kissinger – that Wilson was a
Russian agent intent on selling out the country to the Kremlin, while elsewhere on the right doomsday suddenly reared into view. In September
1974 the Financial Times columnist Samuel Brittan predicted the collapse
of the British parliamentary system within a lifetime. The Times warned
of what it called a ‘last chance parliament,’ while a year later Robert Moss,
director of the Economist Intelligence Unit published The Collapse of
Democracy (1975), a warning of what was to come for Britain unless stern
countermeasures were adopted. Recent events in Chile played a prominent role in the book as Moss portrayed present-day Britain as a
mirror-image of pre-coup Chile. The middle class was the victim of
economic genocide, with inflation the as the active agent; while
‘Trotskyist school teachers’ brainwashed the nation’s children. Without
robust and aggressive action, Britain, Moss affirmed, would fall to “the
next Allende.” If creeping Allendism was the threat, Britain needed an
appropriately Pinochetista response – the mobilisation of the middle class,
carefully targeted “counter-violence,” the curbing of militant trade
unionism ‘by whatever means are necessary’ and the emergence of ‘a
strong new national leader’ (qtd. Beckett 186–7).
In Pinochet in Piccadilly (2002) Andy Beckett traces the speculative
rumblings on the right wing of the Conservative Party, in the military and
intelligence services around the possibility of armed intervention in the
event of an unacceptably leftward, Allendist drift in the Labour
Government of the mid 1970s. This inchoate reaction found its most
forceful and prominent pronouncement in the work of the nation’s preeminent right-wing scribe of the day, Peregrine Worstehorne. In March
1974, the Sunday Telegraph dispatched Worstehorne to Chile for a tenday visit to see how, six months after seizing power, the Pinochet regime
was shaping up. After visits to Santiago, Valparaiso and a gulag on
Dawson Island in the far south of the country, Worstehorne concluded
that ‘the junta enjoys very widespread popularity among all classes’ (qtd.
Beckett 185). Evidently, not included in Worstehorne’s schedule, were
either the National Stadium, or the clandestine torture centre at Villa
Grimaldi in Santiago. How and why he arrived at this extraordinary judgment is implied in his appraisal of the role and perception of the Chilean
military. They were, he noted:
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Everywhere to be seen, just as in Northern Ireland . . . But they appear
relaxed and friendly, and there is certainly no air of tension in the towns;
still less in the country . . . In talking to senior officers, including members
of the junta, there is no hint of that kind of fanatical ideological commitment out of which true horror springs. Their language is painfully
reminiscent not of Hitler, but of Field-Marshal Montgomery. (qtd. Beckett
185)
These men, like Montgomery and his troops in the Second World War
have, in Worstehorne’s opinion, fought the good fight, defeated the forces
of (left) totalitarianism and so guaranteed the liberty of the people and
the nation. They are, as such, no more oppressors than are, say, the British
army in Ulster. Well, yes. Worstehorne may have visited Chile, but what
he saw there and what he is describing here is a vision of Britain, as it may
yet need to be. It is less the tragic denouement in Chile that concerns him
than what he takes to be the ominous patterns in the political drama at
home. The conclusion to his final article on Chile demonstrates that the
real value of his journey lay not in anything he had learned about
Pinochet’s Chile but in what the conditions precipitating its advent and
entrenchment augured for mid-1970s Britain. “All right,” he conceded,
a military dictatorship is ugly and repressive. But if a minority British
Socialist Government ever sought, by cunning, duplicity, corruption, terror
and foreign arms, to turn this country into a Communist State, I hope and
pray our armed forces would intervene to prevent such a calamity as efficiently as the armed forces did in Chile (qtd. Beckett 185–6).
The coup, of course, never eventuated. The economy struggled back
onto its feet, the Government and unions arrived at an uneasy if sustainable compact, and inflation was gradually reeled in. As the right’s visions
of impending apocalypse proved illusory and extreme action became as
improbable as it was indefensible, Chile too faded from Britain’s front
pages. In 1979, however, Britain underwent its own electorally instigated
revolution and Chile returned to the mainstream of British media and
political debate. The election of Margaret Thatcher, the type of “ strong
new national leader” that Robert Moss and company had fantasised about
just a few years earlier, ushered in the kind of radical reforms in society,
politics and the economy that had right-wing journalists in the mid-1970s
prognosticating the twilight of democracy. Yet on this occasion it was the
Left’s turn for consternation. Right-wing journalists queued up for the
guided tour of free-market Chile, no more an admonitory example of the
strong medicine that Britain might need to swallow, but now a shining
example of the good health of the patient subjected to such a course of
political and economic treatment. Chile had been the laboratory for the
shock therapies now unleashed on British society and the economy by
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Margaret Thatcher’s Conservative Government. It had, as a pamphlet in
defence of General Pinochet conceded, “been Thatcherite before
Thatcher, though with a tougher stance towards the trade unions,” a
“stance,” which, it should be noted, incorporated torture, disappearance
and extra-judicial execution (qtd. Beckett 168). In Britain, the
Government’s recourse to carrots, sticks and riot police in its efforts to
enforce its industrial and economic policies brought opposing visions of
Chile, Allende and Pinochet back at the centre of British political and
media discourse. Unions were legislated into impotence, labour market
flexibility enshrined in law, state enterprises sold off and a whole array of
once sacrosanct public enterprises privatised. Unemployment mushroomed, access to social security more rigorously controlled, and the
National Health Service, the emblem of Britain’s post-war political and
social consensus, was subjected to a degree of actual if not grievous bodily harm. For those on the right, Thatcher’s reforms had rescued Britain
from the slow, almost imperceptible slide towards economic stagnation,
social chaos and political repression as witnessed under Allende. They
promised the sort of spectacular economic recovery that unrestrained
monetarism had brought to Pinochet’s Chile. For those on the left, the
reforms in Britain brought with them all the social horrors that Chilean
workers had endured under the Pinochet regime, falling wages, rising
prices for staple goods, the sudden withdrawal of the social safety net and
the collapse of the state pension system, as well as unsettling echoes of the
junta’s authoritarianism in the assault on trade unionism and the
Government’s preference for confrontation over consensus. Chile’s
renewed prominence thus provided a convenient context for and a language, within which the reforms in Britain might be imagined, analysed
and debated. Little known in and of itself, Chile was deployed as a symbolic battlefield for the political and moral extremes in British politics. It
offered a convenient means of enabling the radical right, the emerging
force in British politics, to push its agenda for economic reform, while
simultaneously furnishing the communitarian left with a nightmare vision
of what was to come, prompting an extended elegy for the demise of the
post-war dream of equality of opportunity, social security and political
consensus. Seen and used in this way, Chile emerges more as a perennially
polarised landscape of moral extremes than a complex and nuanced polity
with its own sophisticated history of social compacts, class antagonism
and traditional rivalries and associations. Indeed, in an otherwise sober
analysis of Anglo-Chilean cultural relations, Andy Beckett repeatedly
insists that political loyalties in Chile are the product not of rational,
informed or enlightened choices but have their origins in “instinctive,
almost tribal” allegiances (Beckett 97, 107). This discourteous analysis of
Chilean politics was given further impetus after the arrest of General
Pinochet in October 1998. As the decision whether or not to extradite
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Pinochet to Spain in accordance with the warrant issued by the Spanish
magistrate, Baltasar Garzón dragged through the British court system, and
pro and anti-Pinochetistas took up their places outside the court of the
day, Bow Street Magistrates Court, the Court of Appeal and finally the
House of Lords. Waving flags, toting posters deifying or damning the former dictator, and hurling abuse at one another, the British public was
treated to a demonstration of what – the popular press averred – passed
for political debate in Chile. Entrenched antagonisms, inflexible opposition, this was visceral hatred masquerading as political process, a clear
demonstration of what Britain had been so nearly reduced to by the
excesses of one of Pinochet’s staunchest defenders, Margaret Thatcher. As
such, every rowdy demonstration for or against the General or the latest
verdict, every clenched fist, every contemptuous sneer, every expression
of irreconcilable hatred, one could hear the faint but fervent echo, ‘there,
but for the grace of God . . . ’6
Beckett’s overarching argument is that over the past 150 years and
more, Britain and Chile have functioned “as each other’s political subconscious. Britain, to a certain sort of Chilean, has always looked desirably
stable and mild. Chile, to a certain sort of Briton, has always looked desirably extreme and volatile” (Beckett 13). Yet, as I have argued here,
through its provision of an ideal environment for the identification,
trialing and resolution of determinedly domestic concerns, it has often
been hard to know where Britain ends and where Chile begins.
Works Cited
An Oxford Companion to the Romantic Age: British Culture 1776–1832.
Oxford: Oxford University Press, 1999.
Balborín, Manuel and Gustavo Opazo Maturano. Cinco mujeres en la vida de
O’Higgins. Santiago: Aranciaba Hermanos, 1974.
Beckett, Andy. Pinochet in Piccadilly: Britain and Chile’s Hidden History.
London: Faber, 2002.
Clarke, Peter. Hope and Glory: Britain 1900–1990. London: Penguin, 1996.
COI, (1982) Britain and Latin American Independence Movements London:
HMSO
Elliott, J.H. The Old World and the New 1492–1650. Cambridge: Cambridge
University Press, 1970.
Knight, Alan. Latin America. What Price the Past? Oxford: Oxford University
Press, 1994.
Lynch, John. The Spanish American Revolutions 1808–1826. New York: Norton,
1973.
MacCalman, Ian. An Oxford Companion to the Romantic Age: British Culture
1776–1832. Oxford: Oxford University Press, 1999.
Marwick, Arthur. British Society Since 1945. 2nd Edition. London: Penguin,
1990.
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Moss, Robert. The Collapse of Democracy. London: Temple Smith, 1975.
Racine, Karen. “A Community of Purpose: British Cultural Influence during the
Spanish American Wars for Independence.” English-Speaking Communities in
Latin America. Ed. Oliver Marshall. London: Macmillan, 2000.
Rock, David. Argentina 1516–1982. Berkeley: University of California Press,
1985.
Southey, Robert. Madoc. [1805]. The Poetical Works of Robert Southey, 10
Volumes, London: Longmans, 1837–49.
——. A Tale of Paraguay. [1825]. The Poetical Works of Robert Southey, 10
Volumes, London: Longmans, 1837–49.
Storey, Mark. Robert Southey: A Life. Oxford: Oxford University Press, 1997.
Waugh, Evelyn. Ninety-two Days: A Journey in Guiana and Brazil, 1934.
London: Penguin, Ltd. 1986.
Wright, Peter. Spycatcher. New York: Viking, 1987.
Notes
1
2
3
4
In 1810 Jeremy Bentham drafted a ‘Proposed Law for securing the Liberty of
the press against persons having exclusive command of the printing presses
of a new country when small in number’ which he gave to Miranda on his
return to Venezuela. In the spare time left to them they cut a dash with the
local ladies. De Miranda, Andrés Bello, Juan García del Río and Vicente
Pazos Kanki all married British women, while poor Bernardo O’Higgins,
Chile’s first Supreme Director, found his would-be father-in-law, a Mr Eels
of Surrey, made of far sterner stuff than the Spanish cavalry or the Andes and
was forced to return to South America without his beloved Charlotte, who
later sickened and died. For more on Charlotte Eels’ relationship with
O’Higgins see Balborín and Opazo Maturano, 102–5.
For more on this and how the troops fared when they got there see COI,
(1982) and John Lynch. Perhaps the most notable of these British recruits to
the South American cause was Admiral Lord (Thomas) Cochrane, 10th Earl
of Dundonald, who was recruited by O’Higgins to establish and lead a
Chilean naval force. Cochrane’s successes were as dramatic as they were
improbable, harassing Spanish ships up and down the Chilean coast,
blockading Callao and in 1819 capturing Valdivia, thus providing Chileans
with a first, secure naval base from which they could liberate the coast and
the country as a whole. In late 1820 Cochrane’s navy transported San
Martín’s troops to Callao from where they marched on Lima, taking the
viceregal capital in July 1821 and declaring Peruvian independence. (For
further bibliographical info on Cochrane see Beckett 259–60). Elsewhere on
the battlefields of Venezuela, Colombia, Ecuador and Peru, the British legions
acquitted themselves valiantly, most notably in the decisive battles of Boyaca
in August 1819 that secured Colombian independence, and two years later
at the battle of Carabobo which brought an end to Spanish rule in Venezuela.
For a more detailed account of British influence on these and other areas of
Latin American life in the liberation period, see Racine14–28.
For example, Robert Southey, “was conscious,” notes Mark Storey, that he
should be attending to events in Spanish America, but that he was too busy
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5
6
to do so, preferring “to concentrate . . . on more immediate concerns than on
what was happening on the other side of the world” (Storey 308–9).
However, Southey did write two ostensibly South American poems, Madoc
(1805) and A Tale of Paraguay (1825).
Apart from Miranda, San Martín and the Uruguayan independence leader
Artigas both spent many years and eventually died in Britain.
For more on this see The Guardian’s coverage of the court process and the
demonstrations through the latter part of 1998 and the greater portion of
1999.
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P art II
Legacies
Neoliberal Reconstructing of the
Economy and Society
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introduction to Part II
In 2004, the United Nations Development Program published Democracy
in Latin America: Towards a Citizen’s Democracy, a groundbreaking
cross-country study documenting how, a quarter of a century after the
retuning to elected civilian governments, Latin American democracies
faced a deep crisis of confidence. Comparative empirical data and public
opinion polls collected from 18 countries evinced widespread political
disenchantment, interpreted by UNDP specialists as a warning that the
region’s democracy was in trouble (La Democracia en América Latina).
The expectations that return to civilian rule would solve the socioeconomic problems faced by the vast majority of Latin American had been
dashed. To avert the looming crisis, UNDP analysts assert that a second
transition from the current “electoral democracy” to a “democracy of full
citizenship” is required. As one of its authors stated during the study’s
launch at the XXXV LASA Congress, the current situation can be characterized as one in which “Democracy is of no value to the market, and
the market is of no value to democracy.”
Any critical observer of Chile’s own, particular transition to electoral
democracy would not have been surprised by the tone of this conclusion.
On the contrary, for the past fifteen years Chileans have lived under a
limited electoral democracy that has consistently failed to deliver full citizenship. Chilean democracy has been hostage to the pressures exercised
first by the military seeking impunity, and later by the requirements of
national and international productive and financial capital, which the
civilian governments have been only too happy to serve (Petras and Leiva).
Thus, for Chile the legacy of September 11, 1973 has been much more
than the unhealed wounds left on the social fabric by past massive human
rights violations. In fact, these were part and parcel of a broader transformation in class and power relations encompassing the economy,
society and the state.
Part II examines the legacies of neoliberal restructuring in three
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important aspects: labor–capital relations, the environment and the rights
of indigenous peoples, as well as the education system; each one of these
pivotal for reproducing the status quo.
The Misplaced Illusions of the Labor Movement
Volker Frank’s assessment of the experience of the Chilean labor movement under the new democracy is that, despite promises to the contrary,
the situation of workers has not significantly improved. On the contrary,
numerous indicators attest to a progressive weakening of the labor movement and its main organization, the Central Unitaria de Trabajadores
(CUT). During the post-Pinochet years, organized labor has gained no
significant political leverage, influence over economic decision, or
progressive reforming of Pinochet labor code. Despite the return to
democracy, Frank concludes that “time has run backwards for the
Chilean labor movement and Chilean workers, and the balance of power
is where it was almost a century ago” (cf. Volker Frank, in this volume).
Such a situation severely questions the alleged success of Chile’s redemocratization. To explain such a dismal outcome, Frank compares the
labor legislations of 1924, 1979 and 1990, examining their historical
context, the purported aims, as well as the outcomes sought. His conclusion is that all three Concertación governments have failed in their attempt
to bring about a fairer and more equal industrial relations system. The
labor code, an enduring legacy of the Pinochet era, continues to curtail
workers’ ability to challenge employers’ prerogatives over the production
process.
The High Cost of Mapuche Right to Autonomy
Diane Haughney’s article, on the other hand, focuses on the reemergence
of indigenous peoples, specifically Mapuches, as a key social and political
actor today. Indeed over the last decade, Mapuche struggles have experienced a dramatic shift, from geographically circumscribed land claims, to
broader demands for collective territorial rights. Egged on by comprehensive and unrelenting threats to their livelihood, property, cultural
practices, and legal capacity to exercise their voice, Mapuche organizations have enacted a significant shift in their demands and strategic
patterns of raising claims.
Haughney’s piece traces how these new demands challenge corporate
profits of transnational lumber multinationals, the neoliberal orientation
of government policies, as well as one of the oldest myths propagated by
Chilean elites and political actors: “the traditional conception of Chile as
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an ethnically homogenous national society.” In the course of their struggles, Mapuche organizations have unmasked the limited nature of Chile’s
current democracy. Concertación governments have resorted to the same
repressive anti-terrorist legislation applied by Pinochet against the legitimate resistance struggle for democracy, in order to repress current
indigenous demands and their organizations.
As Haughney points out, three Concertación governments have unsuccessfully tempted to channel Mapuche demands “into small-scale targeted
assistance programs, while repressing organizations, leaders and activists
who call for political autonomy and territorial control of economic
resources on lands claimed by Mapuche communities.”
The conflict between the logging companies, the Concertación government, and Mapuche communities highlights the contradiction between
the government’s neoliberal priorities and Mapuche demands for collective rights. The consistent subordination to and enforcement of the
rationality of profits over social demands seems to be a second legacy of
September 11, 1973 that has survived the formal termination of the
Pinochet regime. Haughney concludes that “[a]ctors representing corporate capital assert that demands for autonomy, and granting indigenous
peoples the legal status of ‘a people,’ pose threats both to private interests
and national security. Finally, economic elites’ objections to collective
rights claims of indigenous peoples follow historic patterns of state policy
and national ideologies that equate national homogeneity with national
security.”
Higher Education in Service of Profit and
Dominant Ideologies
Patricia Tomic and Ricardo Trumper’s chapter offers a detailed analysis
of how the education system has been thoroughly revamped by the neoliberal logic of the Pinochet dictatorship and the operation of market forces
unleashed after 1990. The accelerated expansion in the number of private
for profit higher education institutions over the last decade, reflect in part
the race for new sources of profits as well as new sources of ideological
and political power on the part of Chile’s business elites. This expansion
reflects both an intense process of commodification of Chilean social life,
as more and more previously prohibited areas are opened up to the profit
motive. Taking advantage of such policies, the last decade has seen
increased competition and penetration of the Chilean higher education
market by transnational corporations operating in this sector.
Tomic and Trumper trace the privatization of Chile’s educational
system to the market-based “modernizations” of 1979 and the 1980
Constitution, both seen by Pinochet and his advisors as pivotal policies
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for bringing about market supporting cultural change. Paradoxically, the
low intensity democracy of the Concertación and their adherence to the
political pacts that they signed with the dictatorship, gave new impetus to
neoliberalism, including the “private” university system. The growing
discursive legitimacy of private interests, the economic boom of the
nineties, and multiple ideological, political, religious and economic
projects, contributed to produce a system of more than sixty universities.
The civilian regime, inaugurated in 1990, embraced the discursive deployments that represent the privadas and a capitalist market for higher
education as innovative and capable to solve the lack of seats in postsecondary education.
No Institutional Paths to a Democracy of
Full Citizenship
The authors in Part II convincingly argue that the deeply embedded continuities surviving from the Pinochet era in the realms of labor–capital
relations, indigenous rights and higher education, cannot be explained as
mere remnants from the military regime. Such continuities have also been
facilitated and actively endorsed by the political choices and development
strategy embraced by the governing Concertación coalition. What needs
to be teased out from their sectoral analysis is the broader conclusion: the
end of such continuities can only come from establishing a different set of
priorities and from the existence of political will in society that actively
seeks to break with these neoliberal legacies. This is evidently absent from
Chile’s civilian political class and has no space in its tightly controlled
binomial political system, where the posts of designated life senators are
today shared not only by those appointed by Pinochet, but also by two
past civilian presidents. For these reasons it would seem that social and
political forces seeking a genuine political democracy for Chile, seeking a
democracy of full citizenship as the one endorsed by the UNDP, are
condemned to an arduous march as outsiders of the current system of
political representation vetted by Pinochet’s 1980 Constitution and the
elitists political pacts along with bringing the end of military rule, ensure
its survival of an increasingly discredited and limited electoral democracy.
Works Cited
Petras James, and Fernando I. Leiva. Democracy and Poverty in Chile. The Limits
of Electoral Polics. Boulder, CO: Westview Press, 1994.
La Democracia en América Latina. Hacia una democracia de ciudadanos y
ciudadanas. Ideas y Aportes. Programa de Naciones Unidas (PNUD). New
York: U.N., 2004. <http://democracia.undp.org/Default.Asp>
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integration without
real participation
The Chilean Labor Movement
Volker Frank
Fifteen years into Chile’s new democracy and the recent commemoration
of the thirtieth anniversary of military coup that brought to a bloody end
the socialist government of Salvador Allende represent two important
milestones in the country’s history, and especially in the history of Chile’s
labor movement.
Officially, Chile returned to democracy on March 11, 1990, with
President Patricio Aylwin receiving the presidential sash handed to him –
via a third person – by the former dictator Augusto Pinochet, who had
been in power since September 11, 1973, all in all sixteen and a half years.
Today, the two dominant parties in the governing coalition are the
Socialists (PS and PPD), and the Christian Democrats (DC). This same
coalition has been in power since 1990: what has changed over the years
are ministers and cabinets, and while the first two presidents were
Christian Democrats (Aylwin 1990–1994, Eduardo Frei 1994–2000), the
current president – Ricardo Lagos – is a Socialist. The fact that a Socialist
could once again assume the nation’s highest office may say something
about the degree of democratic consolidation, however, one would have
to add that today’s Socialists – and Chilean socialism in general – are very
different from those during Allende and the Unidad Popular (UP).
This chapter briefly examines some of the experience of the Chilean
labor movement in the new democracy. In so doing, it argues that the role
and influence of the organized working classes in Chile’s economy and
politics is not altogether that different from the one it occupied during the
20th century – with the exception of the Unidad Popular years. In other
words, despite all promises of the new democratic governments to the
contrary, “things” have not improved much for labor in democracy.
Specifically, perhaps one of the biggest objectives of the Chilean labor
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movement remains an illusion: little or no participation has been granted
the labor movement and its top organization, the Central Unitaria de
Trabajadores (CUT), in the elaboration of relevant labor policies, the
reform of the Pinochet labor legislation being the most prominent
example. If that is the case, CUT and its affiliated unions – the vast
majority of all unions in the country – find themselves in an ambiguous
position. On the one hand, they enter the 21st century facing tremendous
challenges, such as NAFTA, a globalizing and entirely restructured
economy in which mining remains an important sector, though agriculture, construction, service, and finance sectors are today the most dynamic
sectors in which both foreign and domestic capital invest heavily. At the
same time, industry and textile, two sectors that were historically very
important, still employ a considerable number of workers, yet they have
not benefited from the same amount of investment as the previously
mentioned sectors, and thus are ever more ill-equipped to face the challenge of foreign competition. On the other hand, despite major
modernizing processes underway in the Chilean economy (most scholars
agree that this began in 1975 with Pinochet’s implementation of neoliberal economic policies), Chile’s industrial relations system remains
archaic at best and unfair or even undemocratic at worst. Paradoxically,
in a very real sense, Chile’s workers today are perhaps in a weaker position
vis-à-vis employers than they were between the 1930s and early 1970s.
Thus, time has run backwards for the Chilean labor movement and
Chilean workers, and the balance of power is where it was almost a
century ago. Not only does this situation cast a long shadow of doubt on
the presumed success of the Chilean redemocratization. It also makes the
experience of the labor movement during the UP government all the more
interesting and important: what was so different about the Chilean industrial relations system compared to today? What lessons can be drawn
from the Chilean case of labor movement integration and participation in
periods of democratization?
The Labor Movement’s Experience in the
New Democracy
The Central Unitaria de Trabajadores (CUT) had played an important
role in what O’Donnell and Schmitter (1986) have called the “resurrection of civil society” after years of repression by the dictatorship.1 Thus,
beginning in 1983, labor unions had started to stage the first massive
protests demanding an end to the regime. Later, when Center and Left
political parties had once again gained a high public profile but were
unable to overcome their differences over how to defeat Pinochet, it was
the labor movement headed by CUT that demonstrated the need to be
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united politically. Finally, while the same parties were still divided over
what to do in the 1988 plebiscite, CUT had already called upon its affiliated unions and workers to vote no in that plebiscite. These important
contributions to the return of democracy led many CUT leaders, as well
as many rank and file members, to believe that once the new democratic
government was in place (which, would include historic allies), the organized working class would continue to play a significant role in the
elaboration of socio-economic policies. Indeed, the second major agenda
item of the Aylwin government after the tax reform was the reform of the
Pinochet Plan Laboral of 1979. The new government’s formula became
known as “Social Concertation” (not to be confused with the name of the
governing coalition, which is “La Concertación”). Through this social
concertation, the Aylwin government promised labor organizations the
creation of a new industrial relations system in which labor itself (i.e. CUT
and its affiliates) was to play a fundamental role as “equal partner alongside with employers.” In fact, the coalition government promised to
“stimulate a social concertation . . . between employers and workers . .
. so that policies [which labor and employers themselves propose] will be
considered legitimate by all groups and [in this way] conflicts can be
limited . . . ” Thus, the new government had called for the creation of a
social concertation that would enable the country to pursue a “simultaneous commitment to economic growth and social justice” (“Concertación de Partidos” 11).
However, for such a concerted effort at “growth with equity” to
happen, and thus for social justice to come about, the government needed
to reform the labor legislation inherited from the Pinochet regime. Over
the course of the next fifteen years, all three democratic governments
(Aylwin, Frei, and Lagos) promised to deliver reform, yet only Aylwin and
Cortázar (Labor Minister from 1990–94) were able to somewhat reform
the Plan Laboral. Nothing happened during Frei’s six years in office, and
after two years of wrangling with his own Concertación parties as well as
the opposition, Lagos and Solari (his Labor Minister) brought the reform
to a sudden and altogether disappointing end (see Frank 2002).
From the beginning, i.e. 1990, it soon became evident that contrary to
what was said and promised, the Concertación was not going to give CUT
the type of participation the latter had expected. To be sure, union leaders
were at times consulted, and at times encouraged to negotiate directly with
employers, but sooner rather than later the Concertación took the reform
out of CUT’s hands and presented a much scaled down version to
Congress. It should be recalled that while the Concertación had a majority
in the lower House, due to Chile’s electoral law, the opposition controlled
the Senate and did so up until the 2000 elections. Thus, an oft mentioned
argument was that due to the political realities of the transition, the
Concertación could not give labor more, even though this is what the
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Concertación would have liked to do. Yet the government also defended
its behavior by arguing that it could not and would not return to the days
prior to the 1973 coup. In other words, this time, it would no longer allow
itself to be held hostage by civil society’s demands, call it populism or
clientelism. Foxley, Finance Minister under Aylwin, liked to point out that
the “state needed to be decongested” and civil society strengthened so that
the government and the state would not have to constantly intervene on
behalf of a very weak civil society and weak social actors. This scenario
came to an unfortunate climax in 1970–73, and thus one of the major
lessons the Concertación parties drew from history was to avoid making
the same mistake again. This, then, is what the government had in mind
with social concertation, although the reader may notice that this interpretation lacks an important item previously mentioned: civil society’s
freedom to design and propose policies on its own. Concretely, workers’
and employers’ ability to directly participate in the formulation of a new
industrial relations system.
To return to the reform of the labor legislation, under Aylwin CUT once
again became legal, which does constitute a very significant change. The
reform also established a new severance pay in which workers receive
payments for a longer period of time. Unions were once again allowed the
right to stage an unlimited strike (under the Plan Laboral the limit was 60
days). This, too, marks an important change from the past. Unfortunately,
the item most important to unions was not amended. Then as now,
employers still enjoy the right to replace and ultimately (i.e. after two
weeks) fire striking workers, provided they offer wage readjustment that
meets anticipated inflation. Thus, throughout the 1990s, plant level union
as well as CUT leaders attempted to convince the government to change
this provision, yet to no avail. At the same time, they constantly told the
authorities that employer abuse in this and other aspects of the law were
rampant, yet there was little the government (and specifically the
Dirección del Trabajo) could do about it, even though the latter institution may have been inclined to end employer abuses.
Because they are relatively well known, brief mention should be made
of the “Acuerdos Marco,” the so-called Agreements on Fundamentals.
The first Acuerdo took place during the first three months of the Aylwin
government and through it, labor, employers and the state established a
new minimum wage. In addition, some other benefits such as family
assignments were also established. Most importantly, labor abandoned
its historic view of employers as the class enemy, and capital, in turn,
recognized workers’ legitimate interests as well as their right to defend
these through collective action. Undoubtedly, this agreement is of fundamental importance, given Chile’s history of labor–capital relations and
more so in light of what happened between 1970–73 and 1973–1990.
There were three more such Acuerdos; however, apart from establishing
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an annual new minimum wage level, nothing else came out of them, for
which CUT decided to no longer participate in them after 1994. This is
yet another example of the failed social concertation, since the original
idea behind the Acuerdos was more than the creation of agreements on
fundamentals. In fact, the government claimed in 1990 that the Acuerdos
should serve as a departure to profoundly redesign industrial relations,
among others through the creation of permanent bi-partite and tri-partite
commissions. And even though the government never explicitly said any
agreement reached in these commissions would have binding character, it
is understandable that this is how CUT leaders interpreted it, more so if
important governmental documents state that, to repeat, the Acuerdos
Marco (should) “stimulate a social concertation . . . between employers
and workers . . . so that policies [which labor and employers themselves
propose] (my emphasis) will be considered legitimate by all groups.”
Historic Worker Integration into Chile’s Industrial
Labor Relations System
Let us approach the reform of the latest labor legislation (or better: the
outcome of it) from a comparative perspective that includes all three
major legislations of the 20th century: the first, written in 1924 and implemented around 1928, the second, the already mentioned Plan Laboral,
implemented in 1979, and the last one, implemented between 1990 and
2002 (with the Aylwin reform being the more encompassing when
compared to the one produced by Lagos and Solari in 2000–2002).
In addition to severely restricting unions’ ability to defend workers’
interests by making use of the strike weapon, the Plan Laboral of 1979
drastically limited the scope of collective bargaining by making subject to
negotiations only the initial wage readjustments, the time period for inflationary adjustments (usually every three to four months) and the levels of
inflation adjustments. Unions were strictly prohibited from including
other topics in the negotiations that pertained to the “organization, direction and administration of the firm” (Article 82). Such narrowly defined
collective bargaining did not always exist in Chile. In fact, the pre-1979
legislation allowed unions to discuss promotions, work crews, machinery,
and other production-related issues (Valenzuela 1979: 257). What is
more, the state was much more involved in industrial relations. For
instance, between 1968 and 1974 trilateral commissions2 fulfilled an
important function. In the aftermath of the military coup, the Pinochet
regime canceled the binding character and reduced the commission’s
influence to “advisory” status3.
Prior to 1973, the state also exercised an important role in other areas.
For example, labor legislation stipulated that in case the union stages a
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legal strike, the firm was not allowed to continue production (Valenzuela
1976: 151). Moreover, employers were not allowed to hire a new labor
force. Employers’ power to continue production during a strike was established only with the 1979 legislation, as could have been expected. And
while the legislation prior to the Plan Laboral also included incentives for
workers to disaffiliate themselves from their striking colleagues, it made
their reinstatement to the workforce once the strike was over obligatory
for employers (article 348). In sum, the changes brought about by the new
labor legislation of 1979 put great limitations on workers’ ability to negotiate favorable contracts with their employers, forced them to follow
extremely complicated and narrowly defined bargaining processes, and
decreased their possibilities for creating a strong network of organized
unions.
The Aylwin labor legislation has important differences and parallels to
the first labor laws enacted after 1924 and to the 1979 Plan Laboral of
the military regime. First, one of the fundamental reasons for reforming
the labor laws in the 1990s was to institutionalize a legitimate legislation
that would help avoid a dangerous polarization of antagonistic interests
that separated employers and workers. Fearing (or perhaps knowing) that
employers would not fundamentally alter their behavior towards workers
and unions without the control of the state, government authorities in
1924 as well as in 1979 and during the 1990s were fully aware that labor
unions, then and now, would sidestep the legal constrictions and attempt
to defend their interests and demands by other means. Hence, the
1990–92 Aylwin reform was also an intent by the new democratic government to create an instrument that would allow the state to regulate and
oversee labor–management relations despite the government’s statement
to the contrary (i.e. the de-congestion of the state). The primary purpose
was to obtain, or to induce, social peace. The greater the legitimacy of the
labor laws, the greater the likelihood that employers and unions would
abide by them, and the better the chances for peaceful coexistence.
Second, there are also interesting aspects that separate the new legislation (Aylwin’s and Lagos’s) from previous ones. The 1924 laws were
enacted by the Arturo Alessandri regime under pressure from rebellious
military officers who were not so much interested in solving the social
question as in improving their own lot and in depriving the hostile
working classes a fertile soil for their increasing agitations. The Pinochet
regime decreed the laws in 1979 under an authoritarian regime. This
leaves the reforms of the 1990s as the only ones implemented during a
democratic regime. This distinction makes them all the more meaningful.
The 1924 and certainly the 1979 legislation were created in the spirit of
acquiring more state control over the laboring classes, limiting their capabilities of disturbing or threatening social peace, and, most importantly,
reconciling their perceived hostile interests by integrating them into an
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institutionalized system of labor–management relations. The 1990s legislation presumably intended to open up a very closed and unequal
industrial relations system to strengthen workers’ organizations, and to
make this system fairer and more equal. Thus, from a historical perspective, the 1990s reforms to the labor legislation included elements that were
difficult to reconcile with each other. The dilemma for the new democratic governments was thus, on the one hand, to rewrite labor laws that
would maintain state control over the organized working classes and, on
the other, to receive employers’ and workers’ legitimate recognition and
support for social concertation and to provide workers with a more effective weapon to defend their interests.
The previous brief description of the trajectory of Chilean labor legislations complements and at the same time represents the more general
process of labor movement and worker integration into the industrial
relations system. This process has been characterized by an imbalance of
power between state, labor and capital. From the origins of the Chilean
labor movement at the turn of the 19th century, the state has always
enjoyed control over the pace and scope of labor integration into and
participation in the economy and the political process. The very fact that
labor was originally excluded from socio-economic and political
processes resulted in labor’s perceived need to not only express vindicative grievances but to also challenge the very political and social order on
which this exclusion was based. Hence the radical rhetoric of Chile’s early
labor movement leadership. Yet to the degree to which the system granted
labor some concrete concessions, workers and unions soon discovered
that this type of integration did have its advantages even though it implied
fairly little or no labor participation and undermined the potential for
revolutionary action. And yet, as scholars of the Chilean labor movement
pointed out, the great majority of workers has always been more interested in day to day affairs (wages, working conditions, benefits, social
security, etc.) than revolutionary or radical transformation of Chilean
society (Valenzuela, Barrera, Zapata, Angell, Landsberger et al).4
The emergence of political parties of the left did not fundamentally
change the type of “labor movement articulation” put in place by conservative and liberal elites while they were in control of Congress and the
Presidency. Even the rise of the Popular Front and the CTCH as the
successor to FOCH in the mid and late 1930s did not bring about “new
rules of the game,” instead it led to the “full incorporation of unionism
into the legal apparatus” (Valenzuela 156). Thus, as Valenzuela continues
the integration of leftist labor leaders (into agencies and ministries of the
government) resulted in its legitimation (as) labor legislation was no longer
to be perceived as an instrument of fascism, a tool of the bourgeoisie, but
rather a series of complicated procedures containing some beneficial and
some negative aspects for workers. The task of the labor movement was to
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perfect it by means of congressional action (Valenzuela, Chilean Labor
156).
However, this type of party-union “transmission belt” also made the
labor movement even more “dependent” on the political system, hence its
high degree of politicization which often challenged union autonomy5
from the parties of the left, and, as the Christian Democrats gained ground
in the 1950s and 1960s, from the center as well. Thus, the remarkable
aspect of this part of Chilean history is that to the degree to which all sides
accepted the rules of the game (e.g. executives, Congress, employers, the
labor movement), everybody perceived to be able to make gains from the
system, hence no revolutionary challenge arose for almost three decades
and the country witnessed a high degree of political stability.6
Yet the second time the Left came to political power, in 1970, the above
scenario became far more complicated and complex. In a paradoxical turn
of events, it was the Left that had to constrain the workers and the labor
movement while the Center (and sometimes even the Right) buttressed
labor movement demands7. While excluded from political power in the
first decades of the 20th century up until the 1930s, the Left could give
full support to the demands (vindicationist as well as revolutionary) of an
incipient labor movement. This in turn gave the Left strong popular electoral support which allowed it to seize power in the late 1930s (with the
help of the Radical Party, it must be said). Thus, one experience of the
1970–73 UP period is that the historic “roles had reversed” (Valenzuela
1976:164). The Left in power needed to combat inflation and be in charge
of fundamental economic and political decisions that affected the entire
nation. How would workers respond to this dilemma? Had they not been
“socialized” to challenge and, if possible politically, to change the industrial relations system?! To what degree would workers’ or rank and file
union members’ ideological ties to the Socialist or Communist party shape
and induce revolutionary labor activism? What would keep workers from
seizing the historic opportunity, more so since the very UP government
was about to nationalize the economy and create entire so-called Social
Ownership Areas (Area de Propiedad Social)?
Worker Participation in the Unidad
Popular Government 8
The previous section indicated that labor movement integration in Chile’s
industrial relations system was a historic process in which above all the
state and political parties were the major players. To the degree to which
workers and unions could benefit from this system, few if any fundamental challenges to it – as well as to the political system that gave rise to
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the industrial relations system – emerged. Thus, participation was by and
large understood by workers as participation in the fruits of industrialization, i.e. better wages, improved working conditions, social security,
and so forth (see Barrera, Valenzuela 1976). To be clear, then, participation was not understood as directly participating in the design or redesign
of the industrial relations system or in the economic system in which the
industrial relations system was embedded (for example as producermanager). This scenario changed fundamentally with the Unidad
Popular. The interesting aspect of the UP experience is that while worker
participation – as well as plant level union and even CUT participation –
was ultimately still granted by the government, the idea was that once the
system was set up, workers would indeed enjoy unprecedented autonomy
from state control and participate directly in the production process (as
producers) as well as in decisions regarding production, such as productivity, investment, organizational aspects of the factory, and more. Thus,
during the UP government the existing industrial relations system was not
simply abrogated. Instead, representatives of the UP government together
with CUT leaders met in December 1970 to draw up a plan how to modify
the existing labor legislation and how to implement worker participation
in management and enterprise decisions (see Zapata Las relaciones 48).
Interestingly, the role of unions in the APS was secondary and clearly separated from the new participatory structure put in place – which explains
why throughout 1970–73 unions frequently challenged workers’ and
management committees in charge of production. But unions continued
to play an important role in industrial relations as the workers’ representative organ that negotiated wages, working conditions and so forth. The
novelty of the APS resided in the power it was designed to yield to workers
on the shop floor.
It is not possible to go into a discussion of the reasons why the experiment with the APS failed, nor is it possible to even begin an analysis into
the reason for why the UP government failed, although it is possible that
the former (i.e. failed APS) has something to do with the latter (failed UP).
Instead, the significance and thus the exceptional and intended transformative character of the UP’s APS need to be pointed out. In this sense, the
APS represented “more than a change in the organizational character of
the firm” and participation obtained indeed an entirely new meaning
regardless of the fact that it may nor may not have been “understood
correctly” by the majority of workers for reasons that may be found in
the historic articulation of labor movement and worker interests in Chile.
Thus, “the main aim was to give a new economic class access to the
control of the economic apparatus and hence to the overall political
process beyond the confines of the labour organizations”. In short, the
APS was “the embryo of a future socialist state” (Barrera 25).
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Conclusions
Roughly a century has passed since the Chilean labor movement began to
organize workers and demand an integration of their organizations into
the country’s emerging industrial relations system. Over time, they were
integrated and gained important concessions from employers and the
state. In turn, they were willing to postpone their desire for a more immediate transformation of economy and society. Thus, by and large, the
Chilean industrial relations system evolved incrementally and the initial
“shock” witnessed by economic, political and social elites in light of the
“sudden” social unrest disappeared. The social question could be
managed. And managed it was for roughly 70 years, regardless of the fact
that the Left did come to political power. The labor movement, by then a
close ally of the Communist and Socialist Parties, after having been socialized by these same parties as well as a powerful state, did not attempt to
“rock the boat” to bring about a new industrial relations system in which
participation would mean more than economic demands (wages etc.) or
in which participation would challenge the core of the capitalistic
economy: private property and who decides over production, investment,
management, and so forth. The election of Salvador Allende and the UP
in 1970 was therefore a watershed in Chilean politics, economics and
society. Together with the top labor organization CUT, the government
began to dismantle the industrial relations system in place until then,
though initially the idea was to move slowly. The very fact that the experiment at socialism failed should not be ignored, and reasons for it also
have to be found among workers and unions alike. Nevertheless, the UP
government stands out among Chile’s governments not because it failed
(others have done that as well), but because it was the only one to attempt
a different approach to worker participation.
Seventeen years later, the first democratic government attempted to
rectify an industrial relations system that, in the eyes of the government
as well as labor, gave employers unprecedented power of workers. Hence
the idea was to move towards a balance of power in which employers and
workers were “equal.” The most important instrument to accomplish that
was the labor legislation. Yet, all three Concertación governments failed
in their attempt to bring about a fairer and more equal industrial relations
system precisely because the reform of the Pinochet labor legislation did
not improve workers’ ability to challenge employers’ prerogatives over the
production process. This is all the more important in light of the fact that
these governments not only claimed to “correct a historic mistake.”
Elsewhere I have argued that democratization is not well served if
important institutions remain basically undemocratic, and important
social players have little or no say in the modification of these institutions.
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It is furthermore significant because workers and the labor movement
itself had once again “returned” to their original, historic position, within
the industrial relations system. It was thus as if the UP period between
1970–73 had never existed. Today the Chilean labor movement emphasizes autonomy and “apoliticalness” even though history shows that in
today’s situation, the labor movement may indeed be more autonomous
but it is also more abandoned if not ignored by parties and the government.
Today, Chile is once again governed by a coalition government at the
head of which we find a Socialist. As this chapter intended to show, the
reality and experience of the Chilean labor movement shows that this is
anything but a return to the past, i.e. that of the UP. In fact, today and
perhaps tomorrow, the Chilean labor movement may yet have to fight its
biggest struggle of all.
Works Cited
Angell, Alan. Politics and the Labour Movement in Chile. London, New York:
Oxford University Press, 1972.
Barrera, Manuel. “Worker Participation in Company Management in Chile: A
Historical Experience.” United Nations Research Institute for Social
Development, Geneva 1981.
—— and J. Samuel Valenzuela, “The Development of Labor Movement
Opposition to the Military Regime.” J. Samuel and Arturo Valenzuela (eds.),
Military Rule in Chile. Dictatorship and Oppositions. Baltimore, MD: Johns
Hopkins University Press, 1986: 230–269.
Collier, Ruth Berins and David Collier, Shaping the Political Arena: Critical
Junctures, Trade Unions, and the State in Latin America. Princeton, NJ:
Princeton University Press, 1991.
Concertación de Partidos por la Democracia. Programa de Gobierno. Santiago,
1989.
——. Compromiso Económico y Social de la Campaña por el No. Santiago, 1988.
Cook, Maria Lorena. “Toward Flexible Industrial Relations? Neo-liberalism,
Democracy, and Labor Reform in Latin America.” Industrial Relations 37, 3
(1998): 311–337.
Cortázar, René. Política Laboral en el Chile Democrático. Avances y Desafíos en
los Noventa. Santiago: Dolmen, 1993.
Central Unitaria de Trabajadores (CUT). “Las Reformas Laborales. Un Desafío
Para Los Trabajadores.” Mimeo. Santiago, 2001.
——. La CUT frente a la Situación Política del País, Santiago, 1990.
——. Propuesta de la CUT para la Transición a la Democracia. Santiago, 1989.
——. Unión y Trabajo. Informativo de la Central Unitaria de Trabajadores, No.
1 (March 1990) – No. 22 (April 1992).
——. Confederación de la Producción y el Comercio (CPC) y Gobierno. Acuerdo
Marco, Santiago, (April 1991)
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——. Acuerdo Marco, Santiago, May 1990.
CUT and CPC. Marco de Referencia para el Diálogo, Santiago. January, 1990.
Foxley, Alejandro. La Economía Política de la Transición. El Camino al Diálogo.
Santiago: Ed. Dolmen, 1993.
——. “Bases para el Desarrollo de la Economía Chilena: Una Visión Alternativa.”
Colección Estudios CIEPLAN, 26 (1989): 175–186.
——. Latin American Experiments in Neoconservative Economics. Berkeley, CA:
University of California Press, 1983.
——. “Algunas Condiciones para una Democratización Estable: el Caso de
Chile.” Colección Estudios Cieplan, 9 (1982): 139–170.
Frank, Volker. “The Labor Movement in Democratic Chile, 1990–2000.”
Working Paper # 298, June, The Helen Kellogg Institute for International
Studies, University of Notre Dame, IN, 2002.
——. “The Elusive Goal in Democratic Chile: Reforming the Pinochet Labor
Legislation.” Latin American Politics and Society 44, 1 (Spring 2001): 35–68.
——. “Labor Movement Strategies in Democratic Chile, 1990–2000. The Helen
Kellogg Institute for International Studies, University of Notre Dame, IN,
mimeo, Spring 2000.
Frías, Patricio. “Perspectiva del Estado de las Relaciones Laborales en Chile: Del
Gobierno Autoritario a la Transición Democrática.” Dirección del Trabajo,
Departamento de Relaciones Laborales, Santiago, mimeo, 1998.
——. “Sindicalismo y Desarrollo de Acción Contestataria.” PET Economía y
Trabajo 5o Informe Anual, 1994–1995, Santiago (1995): 57–74.
Landsberger, Henry, Manuel Barrera, Abel Toro. “The Chilean Labor Union
Leader.” Industrial Relations and Labor Review 17, 3 April 1964.
O’Donnell, Guillermo; Philip Schmitter; Laurence Whitehead (eds.), Transitions
from Authoritarian Rule, 4 vols. Baltimore, MD: Johns Hopkins University
Press, 1986.
Segundo Gobierno de la Concertación. “Un Gobierno para los nuevos Tiempos:
Bases Programáticas del Segundo Gobierno de la Concertación”, n.d.
Valenzuela, Arturo. The Breakdown of Democratic Regimes. Chile. Baltimore,
MD: Johns Hopkins University Press, 1978.
Valenzuela, J. Samuel. “Labor Movements in Transitions to Democracy: A
Framework for Analysis.” Comparative Politics 21, 4 (1989):445–472.
——. “Labor Movement Formation and Politics: The Chilean and French Cases
in Comparative Perspective.” Diss., Columbia University, NY, 1979.
——. “The Chilean Labor Movement: The Institutionalization of Conflict.”
Arturo and J. Samuel Valenzuela (eds.), Chile: Politics and Society. New
Brunswick, NJ: Transaction Books, 1976: 135–171.
Winn, Peter. Weavers of Revolution: The Yarur Workers and Chile’s Road to
Socialism. Oxford: Oxford University Press, 1986.
Yanes, Lara Hugo. “Las Comisiones Tripartitas.” Serie Documentos, CIASI,
Santiago, No. 4, 1990.
Zapata, Francisco. Las relaciones entre el movimiento obrero y el gobierno de
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Salvador Allende. Cuadernos del CES, 4. México D.F.: Centro de Estudios
Sociológicos. El Colegio de México, 1976.
——. “The Chilean Labor Movement under Salvador Allende, 1970–1973.”
Latin American Perspectives 3,1 Winter (1976): 85–97.
Notes
1
2
3
4
5
Elsewhere I have discussed this and other issues pertinent to labor’s experience at length. See Frank 2001 and Frank in Winn (ed.) 2004. Due to space
and time limitations, I can only focus on the reform of the legislation and on
CUT, ignoring other elements of the labor movement, such as federations and
confederations and plant level unions.
A good historic review of these is given by Hugo y Lara. “Las Comisiones
Tripartitas.” Serie Documentos, CIASI, Santiago, No. 4, 1990. These tripartite commissions lasted for two years, were paritary (3 worker and 3 employer
representatives plus 1 labor official), and had binding character. Prior to ratification in Congress, any new project had to be approved by an absolute
majority. The task of these commissions was to prevent, or solve, labor
conflicts through the creation of sector wide norms. Any side could initiate
the creation of such commissions. In many interviews with this author during
1990–92, union leaders remembered these commissions and expressed hope
for their return. One should also not forget that CUT itself pushed for their
reintroduction after 1990. These commissions should not be confused with
sector wide agreements between a few union confederations (such as
COMACH, FONACC) and their respective employers during the late ’60s
and early ’70s, which are briefly discussed in Alan Angell, Politics and the
Labour Movement in Chile.
Their purpose was to simply study economic conditions and propose to the
labor ministry – which was under no obligation to act upon the recommendations of these commissions. They only had a duration of two years, and
their permanent status was canceled; they were called only into session when
it seemed necessary. Workers and employers could delegate four representatives, the government appointed one president who had also four votes. This
system was once again slightly changed in 1977 before it was dissolved two
years later.
This is the general scenario, despite the existence of sometimes contradictory
statements that seem to depict a different scenario. For example, while originally rejecting the labor reform (of 1924), and recognizing in Justicia (the
official publication of both the Communist Party and the FOCH) that some
or many workers may think that the reforms are “mere scraps of food thrown
at the workers,” Luis Víctor Cruz (Recabarren’s successor) later nevertheless
endorsed the reforms and called upon workers and unions to use them for
their own benefit, emphasizing that if anything, the laws were the fruit of
“revolutionary activities of the proletariat.” Quotes taken from Valenzuela
1976:153.
Union elections at all levels of the labor movement structure are perhaps the
best yardstick to measure the degree of politicization and autonomy from
parties and party ideology. See here also Angell (1972).
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6
7
8
I do not mean to ignore the critical period under Gonzales Videla from 1946
to 1952, which included the outlawing of the Communist party.
See here, for example, the miners’ strike in El Teniente in 1972, which is well
documented in Zapata.
This has been superbly documented by Zapata and Barrera. The discussion
here (specifically on the Public Ownership areas APS) only focuses on aspects
pertinent to the argument of this chapter and must necessarily ignore many
other aspects of labor’s experience in the UP.
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from pinochet’s state
terrorism to the
“politics of participation”
Fernando Leiva
In the fifteen years following the negotiated end to the Pinochet military
dictatorship, three successive Concertación1 governments have creatively
managed social conflicts within parameters prescribed by the neoliberal
economic model and Chile’s restrictive political democracy. Whereas
Pinochet’s regime aimed to reshape the social conduct of Chileans by
coupling the untrammeled forces of the market to State terrorism, the
Concertación has sought to produce Chile’s “new market citizens”
(Schild) through less savage mechanisms. In its effort to establish a new
ensemble of institutions and behaviors supportive of open markets and
restrictive electoral politics, the Concertación has enacted a powerful new
political vocabulary heavily reliant on the strongly evocative if not
contested concepts of “civil society,” “citizen participation” and “social
capital” (cf. Leiva, Schild, Paley, Greaves, and Posner).
Chile’s incoming third Concertación administration, in office since
March 2000, proclaimed urbi et orbi that “[o]ne of the distinctive traits
we want to give to the third Concertación government is that of more and
better citizen participation” (MSGG 1 [emphasis added]). The InterAmerican Development Bank (IDB) endorsed such a goal via a US$ 15
million loan to fund a pioneering “Program to Strengthen Alliances
Between Civil Society and the State.” Post-Pinochet Chile has been transformed into a key site where the nascent “politics of participation” – an
explicit concern for the symbolic and material incorporation of non-State
and non-market actors into varying degrees of consultation and decisionmaking – are deployed in Latin America with the financial and technical
support of international development agencies.
The emergence of this novel discourse stressing the “strengthening of
civil society,” “citizen participation,” and the need to draw upon the
“social capital” of the poor, raises a number of critical questions for the
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future of democracy in both Chile and Latin America. Does this emphasis
on “participation” announce the arrival of a “new epoch,” characterized
by a reshaping of State–Civil Society relations and, as some have argued,
the appearance of “multiple points of leverage” for “new, associative,
forms of popular representation” (cf. Chalmers)? How can such emphasis
on “participation” be reconciled with the consolidation the “neoliberal”
economic model and a deepening of corporate led globalization? This
chapter probes these questions by exploring the historically-contingent
character of the Concertación’s “politics of participation.” I trace below
how “participation” has been conceptualized and redefined over the past
fifteen years in response to a changing set of very concrete economic and
political challenges faced by Chile’s governing coalition. I specifically
focus here on the shifting conceptualizations of Chile’s Ministerio
Secretaría General de Gobierno (SEGEGOB). For the past decade and a
half, SEGEGOB and its División de Organizaciones Sociales (DOS) has
been the leading State agency entrusted with the design, implementation
and evaluation of government relations with social organizations, civil
society and the citizenry at large. Prominent Concertación intellectuals
such as Eugenio Tironi, Enrique Correa and Jose Joaquín Brunner have
occupied key posts in SEGEGOB, thus tracking how “participation” has
been redefined by this specialized State agency and thereby offering valuable insights into how the Concertación’s intellectual elite has envisioned
the changing relationship between the state, markets and civil society in
the post-Pinochet era.
Trajectory of the Politics of Participation,
1990–2005
The three Concertación governments that followed the Pinochet regime –
Aylwin (1990–1994), Frei (1994–2000), and Lagos (2000–2006) –
provide valuable insights into how the transition from “domination to
hegemony” (cf. Vilas) has been accomplished in Chile. When the evolution of “participation” during the past fifteen years is examined, one finds
three different, shifting and contending formulations.2 For the sake of
exposition, I argue that such a shifting trajectory can best be understood
as attempts to deal with successive challenges confronted by legitimating
capitalist restructuring in Chile after 1990: (a) the challenge of governability under Aylwin (Concertación I), (b) the challenge of sacralizing the
market under Frei (Concertación II), and (c) the challenge of producing
legitimacy under Lagos (Concertación III).
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“Participation” and the Challenge of “Governability”
under Aylwin (1990–1993)
In the name of a “protected democracy,” the Pinochet military regime
created a political system “expressly designed to prevent social actors
from tampering with private property rights and the free functioning of
market forces” (Petras and Leiva 55). To ensure the success of the negotiated transition, the Concertación had to provide ample evidence of its
commitment to both the neoliberal economic model as well as Pinochet’s
1980 Constitution. Well before the end of the military regime,
Concertación leaders came to understand that the end of the military
dictatorship could very well lead to increased instability, pitting the reemergence of an autonomous civil society against the basic class power
relations built around the neoliberal economic model imposed by
Pinochet’s Chicago boys. This remained a major concern of leading
Concertación intellectuals in the early and mid 1980s. The dangers of an
“uncontrolled” transition, perhaps were most starkly summed up by
Alejandro Foxley:
the consolidation of democracy in a post-authoritarian setting simultaneously demands the development of civil society, implying greater autonomy
for social organizations, and, at the same time, the development of participation and consensus building mechanisms [Concertación] at the level of
those public decisions that directly affect the living and working conditions
of the population, that is, regarding economic policies. (Foxley qtd. by
Petras and Leiva 56)
Consequently, if the development and greater autonomy of civil society
constituted part and parcel of the return to democracy, then the renewal
of citizen participation could have serious destabilizing consequences for
post-dictatorial governments:
Once the autonomy of social organizations expands – a prerequisite for
strengthening civil society vis-à-vis the state – these organizations may do
nothing more than reproduce the main conflicts in society. If these conflicts
involve class contradictions or antagonistic ideological currents, each
autonomous organization will but passively mirror such conflict. As a
result, these conflicts will be strengthened and amplified, increasing
society’s polarization instead of reducing it. The system becomes more
unstable. (Foxley 161 qtd by Petras and Leiva 56)
During the transitional Aylwin administration, the solution offered by
the Concertación to this dilemma was simple and effective: la “democracia de los acuerdos.” To prevent the autonomy of social organizations
from reaching critical levels, those political parties vetted by the military
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had to previously agree on “fundamentals.” More importantly, ways of
encasing unmet popular demands within parameters fully acceptable to
international investors, local economic conglomerates and the Officer
Corps of the Armed Forces had to be found.
The mechanisms chosen were “Concertación social” and the deployment of an innovative social policy that co-opted the survival strategies
of the organized urban poor, the main social base of the combative antidictatorial mobilizations that rocked the Pinochet regime after 1983.
Concertación social, expressed in a series of “Acuerdos Marcos” in the
early 1990s, successfully subordinated labor demands to the requirements
of a natural resource-based export economy. With respect to the urban
poor, the innovation in social policy under Aylwin’s administration lay in
its capacity to “identify and tap the energy of popular grassroots organizations, particularly the energies deployed by shantytown women in
pursuit of ensuring the social reproduction of the urban poor” (Petras and
Leiva 124). During the military regime, Concertación-affiliated social
scientists systematized the experience of social movements, NGOs and
community organizations, and underlined “the necessity that women
incorporate themselves into the provision and participate in the delivery
of community-based services, supporting such tasks as the delivery of
health, education, childcare, care for the elderly and the sick, and cultural
and recreational activities” (Raczynski 87). Heavily doused with the
rhetoric of “participation,” both such mechanisms – Concertación social
aimed at labor, and a novel social policy that consciously sought to appropriate and re-channel the social energy of subsistence organizations –
proved themselves to be relatively successful in preventing significant
levels of autonomy on the part of social movements, allowing the
Concertación to effectively meet the challenge of “governability” it faced
immediately after the end of the Pinochet regime.
“Participation” and the Challenge of “Sacralizing the
Market” under Frei (1994–1999)
The electoral slogan of the second Concertación government promised
that, if elected, Eduardo Frei Jr. would ring in the “New Times” for Chile.
With a widespread sense of economic triumphalism fueled by almost a
decade of high GDP growth rates, the Concertación leadership in 1993
became convinced that its second government signaled the “end of the
transition.” Human rights as well as “governability” issues were deemed
to have been successfully resolved under the previous Aylwin administration. If it was to successfully confront the challenges posed by the
increasing internationalization of the Chilean economy, then the nation
would have to be able “to turn the page,” leave behind the “ghosts of the
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past” and engage in “forward-looking” public debate. “Governability”
no longer was conceived as a mere “consensus on fundamentals” among
key political forces; rather, it was envisioned as Enrique Correa, a former
SEGEGOB Minister under Aylwin, explained, as the “perception of
shared benefits by all sectors rooted on the existing economic model. Or
stated in negative terms, as a shared sense of the catastrophic damage that
would come to pass from either the end or significant modifications in the
economic model” (Correa [emphasis added]). Within this newly emerging
perspective, an “optimal level” of governability would be accomplished
only if it was based on a “genuine competitiveness” (Calderón).
Thus, with the beginning of the “New Times” under Concertación II,
the concept of “participation” was retooled, moving away from concerns
about the excessive autonomy of civil society, towards the construction
of a “new synthesis between market and the state,” all at the service of
deepening Chile’s international competitiveness (Correa). The re-crafting
of “politics of participation” undertaken under Frei enabled the ascendancy of a new policy discourse aptly described by a DOS researcher as
“sacralization of the market” (Martínez, Modernización).
The glorification of the market and economic model, carried out under
the Frei administration of President Frei, would be a two-step affair.
Initially, between 1994 and 1997, the power of the market was celebrated
as the mechanism that would forcefully incorporate Chile’s poor into
modernity (Leiva). After 1996, however, key Concertación intellectuals
posited that globalization and market forces were not only uplifting the
poor, but also were bringing about a veritable “cultural revolution” in
Chilean society (Brunner, Tironi).
Globalization and Chile´s Market-Based
“Cultural Revolution”
Three “center-left” Concertación intellectuals, Eugenio Tironi, Enrique
Correa and Jose Joaquín Brunner, each one prominent post holders in
SEGEGOB, played a decisive role within the Concertación in articulating
the notion that markets and globalization contained not only the power
to alleviate poverty but to also revolutionize all aspects of Chilean society,
including culture and politics.3 By the mid-1990s, markets, modernization
and globalization were seen as having transformed Chilean society into a
more fluid and complex entity, bringing about significant changes in the
form of participation, association, belonging and identity of social and
political actors (Brunner). According to Eugenio Tironi, the storming of
society by the consuming masses was engendering profound changes in
Chilean society, increasing individualism and the retreat of politics:
“Consumers generally act in a solitary manner. This is the reason why in
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the emerging society, one cannot find evidence of the presence of the large
collective organizations of the past. Consumers’ weapon of choice is not
politics . . . ” (Tironi 226–7).4
In this market consecrating perspective, rising consumption rendered
‘futile’ or ‘romantic’ any attempts at promoting change through collective
action. True, Chilean society was experiencing widespread feelings of
frustration and dissatisfaction, but according to these three intellectuals,
discontent was to be understood either as a reflection of the psychological costs of the transition to modernity or, on the other hand, as
conservative reactions to the uncertainties inherent in a market economy
(Martínez, Modernización).
This second, totalizing, market sacralizing, liberal perspective reconceptualized “participation” within the Concertación. Enrique Correa,
who had been SEGEGOB Minister under Aylwin, warned that the
“profound changes” experienced by the State and society as a result of
globalization, led to significant changes in their relationship: “That is why
we must not identify participation with organized participation, which is
only one of the genres that participation can take” (Correa, emphasis
added).5 Not to be outdone by his FLACSO colleague and ministerial
predecessor, Frei´s SEGEGOB Minister José Joaquín Brunner, countered
rising critiques of the Frei administration, even from within the
Concertación’s own ranks, by rejecting the notion that “participation”
was in crisis. According to Brunner, those who criticized Concertación
policies remained mired in the traditional associative model in which
political parties represented, mediated and mobilized popular demands.
According to Brunner, such critics neglected to acknowledge emergent,
new forms of participation sweeping Chilean society:
First of all, they tend to overlook those forms of participation which have
the market as a foundation. As long as they fail to accept that consumption
practices are vitally important modes of making oneself part of society, one
mode of speaking society’s language, it will not be possible for them to
adequately asses the new forms that social participation is taking (Brunner
12).
With SEGEGOB Minister Brunner arguing that consumption and
watching CNN6 constituted vitally important new forms of social participation, the ‘New Times’ Frei government could confidently delegate to
the realm of market forces, concerns which had previously fallen under
the purview of politics. Fashioned by Brunner, Correa and Tironi, this
conceptualization consummated the “politics of participation” as “sacralization of the market”.
The rhetoric glorifying the market and the rosy image portrayed was
mercifully short-lived however. This overtly optimistic view was cruelly
punctured by a series of events unfolding toward the end of 1998. General
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Pinochet´s arrest in London for “crimes against humanity” evidenced the
wishful thinking behind government assertions that Chile´s transition had
successfully concluded in 1993. Mass human rights protests and
combative mobilizations by indigenous communities, workers and
students, indicated insufficient schooling in the “futility of collective
action.” Furthermore, globalization showed its ugly face even to Chile’s
triumphalist elites: in the wake of the Asian financial crisis, the ‘contagion
effect’ brought Chile’s thirteen-year-long economic boom to a screeching
halt. Clearly, the post-1998 context called for yet another cycle of reconceptualizing “participation.”
The Challenge of Producing Legitimacy Under
Conditions of Globalization under Lagos (2000–2006)
The Concertación III government headed by Ricardo Lagos promised
Chileans a “New Deal” (Nuevo Trato). As the Concertación III electoral
program reasoned,
[i]n order to Grow with Equity, we need to grant greater power to the citizenry, so that it can more actively participate in decisions that pertain to
their neighborhood, their community, their region, with a style of government closer to the people and with a policy more committed to an equitable
distribution of resources” (“Concertación de Partidos por la Democracia,
Programa de Gobierno” 48).
Following-up on these campaign promises, on December 7, 2000
President Lagos signed the Instructivo Presidencial laying out the government’s plan to ensure participation in public policies at all levels of the
executive power. On May 2, 2001, President Lagos announced the
Compromiso para el Fortalecimiento de la Sociedad Civil, committing the
government to new legislation, training, and funding mechanisms for
strengthening civil society. Many of the concrete proposals contained in
the Compromiso were the outcome of the Consejo de Fortalecimiento de
la Participación Ciudadana, a consultative body made up of selected
NGOs, political think tanks, private volunteer organizations and business
foundations (Medioli). Both initiatives enjoyed political support from
Chile’s largest NGOs, as well as technical and financial support of the
Inter-American Development Bank. Indeed, Chile became the first
country where the Inter-American Bank funded something like the US$
15 million CH-0165 project, or “Program to Strengthen Alliances
Between Civil Society and the State” (Yamada). This program was specifically designed for “providing support for generating favorable conditions
so that the citizenry participate more actively in the design and implementation of actions aimed towards the common good” (IDB 7).
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Seemingly reflecting Concertación III’s greater commitment to deepening Chilean democracy such a shift was based on less lofty concerns.
Towards the end of the 1990s, Chile’s governing coalition and international development agencies arrived at a worrisome shared diagnosis:
“[d]espite the efforts of these past years to resolve the main problems of
the citizenry, recent research indicates a growing distancing between
existing institutions and individuals” (MSGG 1 [emphasis added])7. Thus,
under Lagos, we were to see the Concertación perform an elaborate
discursive “double movement”: While on the one hand, it acknowledged
the growing gap between individuals and institutions, on the other, it
theorized such distancing was rooted outside the realm of Chilean politics, locating its source in the “epochal change” brought by the process of
globalization sweeping the planet.
Hence, the mirror upon which Chile’s political class every morning
checked its image became “globalization,” not its own tortuous past.
Hence, with the help of the Concertación III conception of “participation,” the root causes of increasing disenchantment with politics and
political institutions were effectively displaced beyond Chile’s borders.8
The Instructivo and the Compromiso con la Sociedad Civil undertaken
by President Lagos, therefore, reflected the quest for new forms of
producing legitimacy within the governing coalition, but also echo shifts
in the social policy concerns of international development institutions
such as the Inter-American Development Bank, transforming Chile once
again into the laboratory for testing policies that – if successful – could be
later generalized to the rest of Latin America.9
The new politics of participation or “Nuevo Trato” (New Contract)
unfurled by the Lagos administration was produced by a broad array of
ideological and politico-economic factors. On an intellectual level, its
formulation can be explained by the sway held by Europe’s “Third Way”
over Ricardo Lagos´ close advisors (Martínez, Ottone). The formulation
of the Nuevo Trato was also informed by surveys carried out by the UNDP
in preparation for the 1998 and 2000 Chile Human Development
Reports. Both publications explored the marked “asynchronicity”
between Chilean “modernity” and “subjectivity,” evidenced by an
increasing sense of personal insecurity and mistrust detected in the midst
of a booming economy. Additionally, the Nuevo Trato discourse also
gained prominence because it contributed to establishing a common
ground between two Concertación factions, increasingly divided between
“auto-complacientes” (Brunner, Tironi, Correa, Foxley) and the “autoflagelantes” (Ominami, Escalona and others). This new discourse
accomplished this feat by displacing the State/Market debates of the
1990s, towards a new axis: discussions on “civic values”, trust, associability and the strengthening ‘social capital’ needed in 21st century Chile.
It is within such a context that Marcelo Martínez, chief in 2001 of
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SEGEGOB’s Division for Social Organizations’ Research Unit, and one
of the main proponents of Nuevo Trato, argued that,
given the epochal change under way, the only means available for saving
the legitimacy of the State would be an alliance with a strong civil society,
conceived as the articulation of actors capable of building horizontal and
relatively stable networks of trust and cooperation (Martínez, “Nuevo
Trato”).
On a political level, then, Nuevo Trato emerged as the last best attempt
at countering declining support for Chile’s economic and political institutions.
To prevent the emergence of potentially problematic responses to the
uncertainties and risks created by globalization, Jorge Navarrete, head of
DOS, warned that individuals “need a reference line, an explanatory and
argumentative horizon, a proyecto país” (Navarrete 4). The Lagos
government’s politics of participation, the Nuevo Trato, sought precisely
to provide such a horizon by fostering an “ethos of trust.” By enhancing
the capacity to cooperate, it becomes possible for individuals “to acquire
the skills enabling them to . . . live modern life” (4). To achieve such an
objective, the State’s “politics of participation” has to draw on society’s
“social capital,” namely that “set of social relations based on trust and
cooperation that enable people to plan common actions for achieving
socially valued objectives” (p. 4). In the context of globalization, therefore, political intervention by the State becomes crucial in the “battle to
manage the so-called uncertainties and created risks attributable to the
cultural process of present day modernization” (Navarrete 5).
The new “politics of participation” adopted by the Lagos administration were designed to produce legitimacy for political institutions and the
State under conditions of globalization by symbolically – not materially –
reducing individual uncertainty.10 Thus, under Lagos, the “politics of
participation” were fully displaced onto the psycho-cultural level of trust,
cooperation, sociability, and individual management of “lifestyle”
choices. In other words, the shaping of subjectivity, not the material
conditions of existence, became rhetorically the preferred arena for State
intervention.
Conclusion: Contradictions in the Politics
of Participation
Notwithstanding the vast array of intellectual and material forces behind
their conceptualization, launching and management, this latest incarnation of the “politics of participation” evidences serious internal tensions
and inconsistencies.
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Strengthen “Civil Society” or the Profits Rate: While rhetorically
emphasizing the principles of democracy, transparency and accountability, the current “politics of participation” do not promote their
extension to key sites of the economy such as the point of production,
property relations or the sphere of reproduction. The nature of Chile’s
export-oriented model, in which profits are tied to the export of natural
resources with low levels of processing produced by cheap and unprotected labor, places structural limitations to the ultimate plausibility of the
“politics of participation.” “Citizen participation” is banned from all sites
– workplaces, markets, corporations, the private pension companies that
manage the savings of Chilean workers, or institutions like the Central
Bank – where the exercise of such principles could threaten the rights of
international productive and financial capital, the concentration of power
by local economic conglomerates or a labor legislation that guarantees an
ample supply of cheap, malleable male and female labor (cf. Volker
Frank’s chapter in this volume). Destroying the Social Fabric Through
“Participation”: The most salient inconsistency is to be found at the level
of policy outcomes. In their evolving formulation, the “politics of participation” have contributed to destroy, not strengthen, the social fabric of
Chilean society, particularly in popular sectors. Under Aylwin and Frei,
massive governmental programs sought to transform community-based
organizations (communal soup kitchens, talleres, health groups, etc.) into
micro-enterprises. Drawn out, internationally funded micro-enterprise
training programs sought to eradicate traditional values of solidarity,
democracy and collective identity from the consciousness of the membership, replacing them with individualism, competition, hierarchy and
profit-driven rationality that is the mark of the successful entrepreneur.
The outcome has been the destruction and cooptation of the majority of
these community organizations (Petras and Leiva, Leiva, Schild, Paley).
Towards the mid 1990s, the “politics of participation” revolved around
governmental Competitive Funds (Fondos Concursables) tailored for
separate target populations (indigenous people, youth, neighborhood
associations, disabled, cultural workers, etc.). The idea was that leaders
from each of these sectors, in competition with each other, would present
funding proposals for specific community-improvement projects (paving
streets, building a soccer field, establishing a rehab center, etc.). By 1996,
fifty-five different Competitive Funds set up by the State and the Fondo
de las Americas operated in Chile.11 This new mechanism for the allocation of funds – pioneered in Chile under FOSIS – required again extensive
training programs, so that community leaders could become intermediaries – creators and managers – of the “participatory projects” deemed
presentable for funding. However, instead of strengthening the local
social fabric, in many instances the Competitive Funds have had the opposite effect. The director of CORDILLERA, a well-respected Santiago
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NGO that has pioneered work on issues of municipal democratization,
local government and local development, considers that “participatory
policies rain down on people,” but policies like the Fondos Concursables
“have led to the destruction of sociability” in many communities (de la
Jara). First, the Competitive Funds promote a task, project, and efficiencyoriented mentality. “People work in the Participatory Pavements. The
celebration inaugurating the finished work comes, and that’s the end of
social participation. Everybody then goes home” (de la Jara).
Individualistic “User” or Citizenship/Popular Sovereignty: The “politics
of participation” rhetorically emphasizes “civil society” and “citizen
involvement.” Upon closer examination, the “politics of participation”
do so in a ways that hollow out traditional liberal representative democracy. Participation and accountability are exulted only in the limited realm
of selected public policies and programs. At the same time, the new
discourse recasts the political identity of Chileans fundamentally as
consumers and/or the individualistic “users” of limited public services. As
a result, participation is delinked from broader, foundational, collective
concepts of popular sovereignty and socio-economic citizenship. The
persistence of “designated” and “life-long” senators, a binomial political
system under the permanent tutelage of the military, a 1980 Constitution
under the guardianship of a National Security Council and Constitutional
Tribunal that trumps popular sovereignty, make Chile, at best, a “procedural democracy” quite limited by international standards. The
Concertación’s fifteen-year long endorsement of the 1980 Constitution
and of the resulting “low intensity” democracy cannot be ignored
explaining the eroding legitimacy of political institutions. In the December
2001 elections, for example, 40 percent of all Chileans with the right to
vote expressed their discontent with the political system, either by not
registering in the electoral rolls, casting a blank vote, or annulling their
vote.
In sum, the “politics of participation” embraced by the Concertación
and international development agencies should be understood in the
context of consolidating and legitimizing neoliberal restructuring, inoculating against “reform fatigue,” and addressing the loss of legitimacy of
political institutions inherent to the new export-oriented and internationally integrated pattern of accumulation. In such a context, they
constitute part of a hegemonic project of legitimizing neoliberal restructuring, rather than of strengthening of a genuine democracy where Chile’s
popular sectors have voice and effective decision-making over key variables of socio-economic life. Overcoming such a constraint remains one
of the main legacies and challenges of September 11, 1973.
Works Cited
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Brunner, José J., “Participación y democracia: viejos y nuevos dilemas,” Mimeo.,
Santiago: Ministerio Secretaría General de Gobierno. División de
Organizaciones Sociales, 1996.
Cáceres D., Viviana and Jeri, Tamara. “Participación y estado: viejos y nuevos
discursos para el “Nuevo Trato,” Documento de Discusión No. 1. Santiago de
Chile: División de Organizaciones Sociales, Ministerio Secretaría General de
Gobierno, 2000.
Calderón, Fernando. “Governance, Competitiveness and Social Integration,”
CEPAL Review 57 (1995): 45–56.
Chalmers, D., et al., eds. The New Politics of Inequality in Latin America:
Rethinking Participation and Representation. Oxford: Oxford University Press,
1997.
Concertación de Partidos por la Democracia. Programa de gobierno Concertación
III. Santiago: 1999.
——. Más sociedad y más participación. Programa del segundo gobierno de la
Concertación sobre participación social. Santiago, 1994.
Correa, Enrique “Participación ciudadana y gobernabilidad,” Primer Seminario
Conceptual Sobre Participación Ciudadana y Evaluación de Políticas Públicas.
Segunda Sesión. FLACSO, 30 de Junio de 1997, Santiago Chile.
<http://www.eurosur.org/FLACSO/confere2.htm#part4>
de la Jara, Ana María. Executive Director, CORDILLERA. Personal Interview.
August 10, 2001, Santiago.
Foxley, Alejandro “Algunas condiciones para una democratización estable: el
caso de Chile,” Colección Estudios CIEPLAN No. 9 (December). Santiago:
CIEPLAN, 1982.
Greaves, Edward F. “Municipality and Community in Chile: Building Imagined
Civic Communities and Its Impact on the Political” Politics and Society, Vol.
32 No. 2, June (2004): 203–230
Inter-American Development Bank “Chile Country Paper,” February 21, 2001.
——. “Chile: Préstamo de innovación. Programa para fortalecer alianzas entre la
sociedad civil y el estado” (CH-0165).
Leiva, Fernando. Los límites de la lucha contra la pobreza y el dilema de las
ONGs. Santiago: Ediciones PAS, 1995.
Martínez K., Marcelo. “La sociedad civil en Chile. Precisiones conceptuales y rol
de las elites,” El Utopista Pragmático, 2001. Internet. 15 March 2005.
<http://www.primeralinea.cl>
——. “Nuevo Trato: alcances políticos y conceptuales para una política nacional
y transversal de participación ciudadana,” Documento de Discusión No. 2.
Santiago de Chile: División de Organizaciones Sociales, Ministerio Secretaría
General de Gobierno. 2000.
——. “Compresión de la cultura no ciudadana en Chile,” Ciudadanía en chile: el
desafío cultural del nuevo milenio. Ed. Daniel Farcas. Santiago: Ministerio
Secretaría General de Gobierno. División de Organizaciones Sociales.
Departamento de Estudios, 1999.
——. “Modernización, modernidad y participación en Chile: límites y perspectivas para una situación epocal,” Documento de Trabajo No. 3. Santiago 1999
Medioli, Ana María. President of the Asociación Nacional de ONGS, Acción AG,
5. Personal Interview. August 2001, Santiago de Chile.
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MIDEPLAN. Participación de la comunidad en el desarrollo social. Logros y
proyecciones. Santiago: MIDEPLAN, 1992
Ministerio Secretaría General de Gobierno. División de Organizaciones Sociales.
“Plan para el fortalecimiento de las organizaciones sociales de la sociedad civil,”
Mimeo, Santiago, 2 de Mayo de 2001.
——. “Fondos y programas gubernamentales concursables para organizaciones
sociales,” Documento de Trabajo. Santiago, SEGEGOB, 2001.
——. Balance 2000. Santiago: Ministerio Secretaría General de Gobierno.
División de Organizaciones Sociales. Departamento de Información, 2000.
——. “Participación social y estado: elementos conceptuales y programáticos relativos al rol de la división de organizaciones sociales,” Documento Interno de
Trabajo No. 1 (Agosto de 1994)
Navarrete, Jorge. “Presentación” Confianza Social en Chile: desafíos y
Proyecciones. Santiago: Unidad de Investigación y Desarrollo. DOS. MSGG,
2001
Ottone, Ernesto. “Algunas reflexiones sobre la tercera vía: a propósito de la
reunión de Berlin” Colección Ideas No. 1 (Julio 2000)
Paley, Julia. Marketing Democracy: Power and Social Movements in PostDictatorship Chile. Berkeley, CA: University of California Press, 2001.
Petras, James and Fernando I. Leiva. Democracy and Poverty in Chile: The Limits
to Electoral Politics. Boulder, CO: Westview Press, 1994.
Posner, Paul W. “Local Democracy and the Transformation of Popular
Participation in Chile” Latin American Politics and Society, 46, 3 (2004).
Programa de Naciones Unidas para el Desarrollo (PNUD). Informe de desarrollo
humano sobre Chile 2000: mas sociedad para gobernar el futuro. Santiago:
Naciones Unidas, 2000.
——. Informe de desarrollo humano sobre Chile 1998; Las paradojas de la
modernización. Santiago: Naciones Unidas,1998.
Raczynski, Dagmar. “Apoyo a pequeñas unidades productivas en sectores pobres:
lecciones de políticas,” Notas Técnicas CIEPLAN No. 133 (September)
Santiago: CIEPLAN, 1989.
Schild, Verónica. “Neoliberalism’s New Gendered Market Citizens: The
‘Civilizing’ Dimensions of Social Programmes in Chile,” Citizenship Studies 4,
3 (2000): 275–305.
Tironi, Eugenio. La irrupción de las masas y el malestar de las elites. Santiago de
Chile: Grijalbo, 1999.
Vilas, Carlos. “Participation, Inequality, and the Whereabouts of Democracy.”
The New Politics of Inequality in Latin America: Rethinking Participation and
Representation. Ed. Douglas Chalmers et al. Oxford: Oxford University Press,
1997.
Yamada, Gustavo. “Reducción de la pobreza y fortalecimiento del capital social
y la participación: la acción reciente del Banco Interamericano de Desarrollo.”
Paper presented to the Regional Conference on Social Capital and Poverty,
ECLAC, Santiago de Chile (2000) 24–26.
Notes
1
Refers to the political coalition Concertación de Partidos por la Democracia,
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Fernando Leiva
2
3
4
5
6
7
8
9
originally formed in early 1988 and conformed today by the Socialist Party
(PS), the Christian Democratic Party (PDC), the Party for Democracy (PPD)
and the Radical Social Democratic Party (PRSD). It played a key role in
Chile’s negotiated transition and has been elected to office on three occasions
since 1989.
A 1994 internal SEGEGOB document, for example, acknowledged that
attempts to define the limits and scope of the concept of ‘participation’, its
‘operationalization’, and more broadly, “its links with public policies and the
government’s action over civil society” reveal that, “such concepts have
remained an object of debate and continuous change within the Concertación
government” (MSGG, Participación social 2).
Eugenio Tironi was Director of Communications and Press from 1990–1994;
Enrique Correa was Minister of SEGEGOB from 1990–1994; J. J. Brunner
was Minister of SEGEGOB from 1994 to 1998.
All translations are mine, unless otherwise indicated.
The rejection of “organized participation” leads Correa, a member of the
Socialist Party, to champion privatization particularly in the health field for
ensuring citizen participation (Correa). Correa´s increasingly liberal views,
his lobbying activities on behalf of transnational corporations, led to his
abandonment of the Socialist Party in August 2004 due his unwillingness to
antagonize clients and support the Lagos government in the failed efforts to
raise taxes paid by foreign mining multinationals.
Minister Brunner indicates that consumption, “Además de servir una función
vital, el consumo constituye una escenificación de la sociabilidad; una manera
de estilizar la vida en común. De allí que sea en torno a esta experiencia de
participación –la del consumo- donde crecientemente se estructuran nuevas
formas asociativas, que buscan proteger los derechos ciudadanos dentro del
mercado, en términos medioambientales, o de calidad y precio de los
productos, o bajo diversas otras modalidades” (Brunner 12–13).
The 2001 Third Survey on Chilean Youth determined that only 39% of those
in the 18–29 age range had registered in the electoral rolls (La Tercera,
September 2, 2001). This suggests that roughly only two out of every five
18–29 year olds are interested in exercising the “citizenship” offered by the
political system based on Pinochet’s 1980 Constitution. For a country with
historically high rates of electoral participation, these figures caused concern
and public debate.
A report by the Ministerio Secretaría General de Gobierno stated as much:
“Even though the causes for such phenomenon [the distancing between institutions and individuals] are explicable within a global process that
encompasses not only our country, the current government has the conviction and the will to bridge such gap” (MSGG, Plan para el Fortalecimiento
1).
An insufficiently studied factor in the evolution of Chilean politics over the
past decade is the intensely symbiotic relationship established between the
high level staff of international development agencies such as the World Bank,
the Inter-American Development Bank, the IMF, the United Nation’s
Economic Commission for Latin America and the Caribbean (ECLAC) and
the United Nations Program for Development (UNDP) and Concertación
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From Pinochet’s State Terrorism to the “Politics of Participation”
political advisers, leaders and policymakers. Such a relationship facilitates the
circulation, virtually without delay within the Concertación’s intellectual
policy elite of the latest policy discourses elaborated by the international
development establishment. Likewise, it has also allowed for the “lessons of
Chile” to be continually incorporated into the policy formulation of international development agencies.
10 As Marcelo Martínez, chief of the Research Unit of the División de
Organizaciones Sociales, emphasizes: “This is why both the proposals of this
international body [the UNDP] as well as the policies of the Chilean government, what has been called Nuevo Trato, is a proposition that seeks to
strengthen civil society, social capital, care for and deepen the different forms
of sociability, promote relations of trust and cooperation; in sum, to
strengthen social bonds among individuals” (Martínez, “Nuevo Trato” 16).
11 The Fondo de las Americas was set up jointly by the US and Chilean governments as part of the 1991 Bush Initiative for the Americas, the precursor of
NAFTA and the FTAA.
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sustainable development
or sustained conflict?
Logging Companies, Neoliberal Policies, and
Mapuche Communities in Chile
Diane Haughney
Chile has been considered an example of successful economic restructuring and democratic transition.1 Its neoliberal growth strategy and legal
framework, however, have fostered an increase in inequality and concentration of wealth and resources. Moreover, the emphasis on the
exploitation of natural resources has had deleterious economic, social,
and cultural impacts.
The threats to subsistence and cultural integrity of Mapuche communities have helped promote a shift in Mapuche organizations, from
demands focused on the land claims of specific communities, to demands
for collective territorial rights. These new demands challenge corporate
profits, neoliberal priorities of the government, and the traditional
conception of Chile as an ethnically homogenous national society.
Furthermore, some of the most militant Mapuche organizations have
broken with past strategic patterns by adopting an autonomous stance
from partisan alliances.
The Center-Left Concertación government, for its three administrations
since the transition from military rule, has attempted to channel Mapuche
demands into small-scale targeted assistance programs, and has repressed
organization leaders and activists who call for political autonomy and
territorial control of economic resources on lands claimed by Mapuche
communities.
The conflict between the logging companies, the Concertación government, and Mapuche communities highlights the contradiction between
the government’s neoliberal priorities and Mapuche demands for collective rights. The Concertación has defined development as the
simultaneous achievement of three goals:
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1 the highest rate of growth possible;
2 equal opportunities and equitable development; and
3 protection of the environment.2
Government policies, however, have favored the goal of high growth.
The rapid, deregulated, industrial exploitation of natural resources has
led to the demographic collapse of some marine species, the depletion of
native forests and water resources, and the degradation of the environment (Arnold, Claude 83–87, CODEFF).
Chile’s dynamic growth intensifies existing inequalities of income and
wealth. Neoliberal principles and the concentration in ownership negate
social claims to resources vital to life and the functioning of natural
ecosystems. Indigenous peoples’ demand for the right to pursue their own
development model conflict with the tendencies of large capitalist enterprises to exert control over factors of production: land, resources, labor,
investment decisions, and capital.
The Logging Sector: Protagonist of the Neoliberal
Growth Model
Neoliberal development strategy calls for a reduction of the state’s redistributive, regulatory, and productive roles in order to allow market
forces to promote the most efficient use of resources. Chile’s logging sector, however, has become one of the leading economic sectors because of
state support, and, indeed, is a prime example of the extreme concentration of wealth and resources fostered by the military regime’s neoliberal
restructuring.
Before the mid 1970s, the Chilean state had promoted the logging
sector by special incentives beneficial to industry and property holders,
large and small, as well as through state enterprises. After the coup in
1973, the military regime sold state-owned enterprises and lands at “firesale” prices to private investment conglomerates of national and foreign
capital, leading to concentrations of wealth and resources that surpassed
pre-1973 levels (Dahse, Fazio, Rozas and Marín). In addition, and
contrary to neoliberal principles, the military regime gave logging companies enormous subsidies for establishing tree plantations and tax
exemptions for maintaining them. By the 1980s, the logging sector had
become the third most important earner of foreign exchange, after mining
and export agriculture (Banco Central 2000; Instituto Forestal 1992: 10;
1997). Three conglomerates dominate the logging sector, controlling
numerous subsidiaries and subcontractors with a mostly seasonal, lowpaid work force. Approximately 75 percent of the work force in the
forestry sector is hired on a contract basis, with little or no benefits or
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union organization; the organized labor force is in the paper mills and
wood pulp factories (Seguel).3 This structure exemplifies the neoliberal
production pattern, and reproduces the concentration of wealth and the
“socialization” of negative impacts on local and regional economies. In
comparison to the large agricultural and cattle estates, tree plantations
provide much fewer seasonal jobs and no tax revenues to local governments.
Yet the logging sector is a “price-taker” with respect to the world
market. The volume of Chilean forestry exports is miniscule in comparison to other world producers. Chile produces only 3 percent of the
world’s wood pulp exports. The sector concentrates on a few products
(wood pulp, wood chips, and logs) and exports primarily to a few
countries (the United States and Japan are the most important markets),
leaving the sector very vulnerable to fluctuations in price and demand.
Chile’s economy suffered a 2–year recession when the Asian markets fell
into recession in the late 1990s. Government deregulation has weakened
or eliminated legal mechanisms for monitoring and correcting negative
social and environmental impacts caused by the use of chemicals, the
depletion of water tables by fast-growing non-native trees, and the loss of
native plants used by Mapuche communities.
Mapuche Demands for Land
The Mapuche have raised demands for land and other concrete benefits
since 1910, through ethnic organizations linked to the full range of
Chilean parties, from the Right to the Left of the political spectrum. For
the most part, however, these demands have been the claims of specific
communities for the return of reservation lands granted to them by the
state after the Chilean Armed Forces defeated the Mapuche in 1883. Since
the 1930s, Mapuche communities have filed claims in courts demanding
the return of lands granted to them by the state that neighboring estates
had usurped. Generally the courts stalled action on these lawsuits, or ruled
against Mapuche claims. In some cases, rulings favorable to the Mapuche
communities were never carried out because of the political influence of
large landlords.
During the era of Agrarian Reform (1964–1973) many communities
regained lands by taking them over, thus forcing the government to expropriate the estates. This period of mobilization encouraged by the far-left
represents a peak and surpassed efforts by the Allende government to
control the pace of expropriations. These takeovers pressured the Chilean
Congress to pass a new indigenous law in September 1972 that reflected
in part proposals of Mapuche organizations. At the same time, political
conflict increased in Chile. Even before the coup, the military carried out
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a campaign of physical repression of Mapuche and Chilean activists, and
once in power, the dictatorship returned expropriated estates to former
owners. Many of these landlords later sold their properties to logging
companies, as their traditional agricultural activities became less profitable with the lowering of tariffs on imports. In addition, in 1978, the
military regime imposed individual titles on Mapuche lands, and decreed
that in twenty years indigenous lands would no longer be protected from
sale.4 The intention was to promote the end of communal forms of ownership, thereby facilitating the transfer of indigenous lands to large estates
or corporate owners.
Mapuche organizations protested this decree-law, rallying communities throughout the three regions of historic settlement, but the movement
could not stop the subdivision of the communities. Indeed, some Mapuche
willingly accepted private title, hoping for subsidies to improve housing
and more secure landownership. The Mapuche movement, however,
succeeded in getting the issue of the protection of indigenous land on the
political agenda of the democratic coalition, the Concertación, which
became the new democratic government in 1990.
The Concertación succeeded in having Congress pass a new indigenous
law in 1993 that recognized indigenous communities and prohibited the
sale of indigenous lands to non-indigenous. The Concertación, however,
did not undertake a comprehensive review of land conflicts, relegating
them instead to the courts and offering subsidies for purchase of more
lands. Expropriation had been on the political agenda during the 1960s
and early 1970s; it no longer was in the 1990s – except for major industrial projects or public works.
Natural Resources, Social Claims, and Neoliberal
Property Regimes
Neoliberalism restricts the scope of public oversight and decision-making,
and enlarges the range and jurisdiction of private sector actors. Although
the Chilean state continues to “own” subsoil resources, it sells the right
to explore for and exploit mineral resources and water. The military
regime amended the mining and water codes to promote private exploitation, and reduced or eliminated the state’s power to supervise or regulate
private use of these “national” resources. The neoliberal property regime
promotes individually held title, but overlooks inequalities among property owners that leave smallholders vulnerable. The military regime
imposed individual title on Mapuche living in reservations, but they were
not informed about the need to secure private water rights or mineral
concessions. Once communal lands were divided and individual property
rights established, land conflicts would be considered settled.
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The Concertación has trumped its own reforms of indigenous and environmental laws by supporting major industrial and infrastructure projects
over the rights of indigenous communities. Logging companies reject the
land claims of Mapuche communities, and assert that the companies’
prosperity contributes to national development and regional wealth. In
fact, while the logging sector produces roughly 11% of the foreign
exchange, the establishment of tree plantations and wood processing
plants correlates with increases in local unemployment, continued high
percentages of poverty, and migration from those localities (Unda and
Stuarda). Attempts to resolve land conflicts in the courts or through negotiations under the auspices of the new state indigenous development
agency, the Comisión Nacional por el Derecho de la Identidad
(CONADI), mean slow, piecemeal resolution of some of the most difficult situations, but leave many others unresolved.
By the 1990s, many of the plantations of pine and eucalyptus had
reached harvest size, but their rapid rate of growth had also depleted
water tables. Pesticides and herbicides had contaminated soil and water.
Small game animals, livestock, and sometimes humans suffered from toxic
poisonings. The logging companies planted trees over their entire properties, eliminating remnants of native forests and plants that Mapuche
communities used in traditional medicine and religious ceremonies
(Catalán Laborías and Ramos Antiqueo, Grupo de Investigaciones
Agrarias, Identidad Territorial Lafkenche).
Innovations in Mapuche Demands and Strategies
These comprehensive threats to subsistence, property, cultural practices,
and the ineffectiveness of the new indigenous law, have helped promote
a shift in Mapuche demands and in strategic patterns of raising claims.
Beginning in the early 1980s, Mapuche activists reevaluated their
demands and strategies. Some activists began to demand territorial political autonomy and constitutional recognition of the status of “a people.”
These ethno-national demands clashed with party priorities that aimed at
ending the dictatorship. The Mapuche movement, united in one organization when it first re-emerged in 1978 to protest the Pinochet decree law,
split several times during the 1980s in disagreements over the ethnic
versus partisan priorities, as well as over strategies to end the dictatorship.
In 1988, on the verge of the plebiscite over the continuance in power of
General Pinochet, a sector of the Mapuche movement (later known as the
organization Consejo de Todas las Tierras) began a series of land occupations to assert not only demands for the return of specific lands, but
also territorially-based political autonomy.5 A Mapuche non-governmental institution, the Centro de Estudios de Documentación Mapuche
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Liwen, also called for political autonomy, but unlike the Consejo, Liwen’s
proposal called for a statute of regional autonomy and a regional parliament and executive popularly elected by all the population, Mapuche and
non-Mapuche.
By the time of the transition, the fourteen party coalition called the
Concertación had promised a new indigenous law, but rejected demands
for territorial political autonomy. Some party leaders of the Concertación
also objected to demands for the constitutional recognition of the status
of “a people” (for example, current President Ricardo Lagos said “we are
13 million Chileans” in 1990). The Concertación might promote the
recognition of a “multi-cultural” society within the Chilean nation, but
party elites from the Right to the Left opposed the recognition of a “multinational” society or collective political or economic rights.
The new democratic government reacted harshly to the direct action
campaign of peaceful takeovers organized by the Consejo de Todas las
Tierras, eventually detaining and charging 144 members of communities
and activists under the Law of Internal Security of the State.6 Moderate
Mapuche organizations linked to the Concertación, as well as independent Mapuche organizations and Chilean academics, protested the use of
this law, even as they denounced the land takeovers as ill-advised at such
a sensitive moment in the transition.
Mapuche activists and organizations continued to voice demands for
broad, collective political and territorial rights during the 1990s. In the
first half of the 1990s, new organizations worked quietly at the grassroots,
calling for the defense of community lands and territory, or culture and
territory.7 Organizations that had emerged under the dictatorship and had
ties to the parties of the Concertación withered away during the democratic era, while the Consejo suffered a loss of grassroots support. Consejo
would recover some of its base support toward the second half of the
1990s, and in the interim, its colorful, articulate leader, Aucán
Huilcamán, would make a name for himself internationally in forums for
indigenous organizations.
The new, autonomist Mapuche organizations aimed at the revitalization of cultural practices and the affirmation of values such as reciprocity,
solidarity, and the sustainable use of resources, in opposition to the individualistic, consumption-driven values of neoliberalism. These new
claims put concrete material demands in a context of a broader solution
– collective rights to territory and political autonomy (Coordinadora,
Identidad Territorial Lafkenche, Naguil, Toledo).8
Such demands called for innovations in strategy as well. Militant
Mapuche organizations espousing these new demands distanced themselves from their former partisan allies in the Concertación. For these
militants, sympathy with, or membership in, a Concertación party means
subordinating Mapuche claims to government and party priorities,
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which these militants reject as an unacceptable sell-out of principles.
Some oppose neoliberal capitalism outright and use direct action tactics;
others pressure the government in a variety of ways but remain open to
negotiation.
The nature of cultural revival implies a participatory process, not a
vanguard or elitist strategy. Mapuche activists of these organizations meet
with supporters in assemblies in which communities decide upon actions;
they revive traditional ceremonies and incorporate them into protests and
land occupations. Mapuche student organizations and urban organizations join protests and land occupations in solidarity with rural
communities. In this way, younger generations and urban Mapuche who
perhaps never learned traditional ceremonies, practices, or languages
from their parents, have begun to learn them from their rural relatives.
This dynamic – not always easy – has begun to bridge distrust caused by
differences in the level of education, everyday habits, age, and closeness
or distance from “traditional” culture.
New forms of organizations have arisen, based upon traditional territorial settlement in rural areas or on the reality of second- and
third-generation urban residence.9 At times, these organizations establish
coordinating organizations that link grassroots organizations without
denying them autonomy.10 There is a continual effort among activists to
find common ground for confronting the state and the economic model.
To date, however, the movement remains ideologically and tactically
divided. Some militant organizations also asserted their rights in new,
extra-institutional ways – in “productive takeovers” – in which community members planted crops on land they claimed or harvested trees and
sold the wood (in some cases, the communities had actually planted those
trees under government programs in the late 1960s). All age groups participated in the land occupations that generally included traditional religious
ceremonies.
Government Response: Repression and Attempts
to Divide and Co-opt
The burning of three logging trucks on December 1, 1997 marked the
beginning of the radicalization of conflict. Logging company officials
immediately contacted the Regional Executive, demanding the invocation
of the Law of Internal Security of the State and police protection (Lillo).
The Regional Executive (who is appointed by the Chilean President)
complied, and asserted that the burning of the trucks constituted an act
of terrorism. The Minister of Interior claimed that subversive groups were
involved. Police rounded up twelve individuals, held them incommunicado longer than the law permitted, and intimidated them during
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interrogation into signing confessions. Only some of the twelve knew how
to read and managed to alter their statements. They were eventually
sentenced under the Internal Security Law for having committed “actions
contravening the normal activity of private business and transport”
(Informe).
The severity and speed of the government’s response and the tenor of
the statements of public officials and logging company representatives
point to a coincidence of interpretation and interests. Both government
officials and logging executives found threatening the increasing strength
of these militant autonomous Mapuche organizations. Demands for
collective rights as “a people” including territorial control over resources
and political autonomy challenge corporate profits and escape efforts by
the Concertación to channel Mapuche demands into targeted subsidies
and individual legal arbitration.
Since that incident, the Concertación, first under Christian Democrat
Eduardo Frei Ruiz-Tagle, and later under the social-democratic (Party for
Democracy, PPD) Ricardo Lagos, tried to repress militant organizations
and co-opt moderates. Police contingents guarded logging camps and
trucks; violently broke up land occupations with busloads of special
forces; placed intercepts on telephones of activists and lawyers of defendants; and imprisoned and charged numerous activists under both the
Law of Internal Security of the State and, since September 11, 2001, also
under the Anti-Terrorist Law (Castro et al., Coordinadora, El Diario
Austral, 20 January 1998; Human Rights Watch 2004; La Tercera, 19
January 1999: 9).
In an effort to isolate radicals and on the eve of the general elections of
1999, the Concertación launched a series a “dialogues” with Mapuche
communities to hear their demands “directly” without the intermediation
of organizations. Concertación presidential candidate Ricardo Lagos
announced a program of subsidies for productive and social projects,
more student scholarships, promises of more land for Mapuche communities, and a commission that would study the history of Mapuche
demands and make recommendations for “recognition of historic debt”
of the Chilean state.
Privately, a top Socialist party official told a group of Mapuche professionals that the business leaders and the military consider demands for
collective rights and direct action tactics to be threats to national security.
This party leader told the Mapuches that they should not press for these
rights, but rather allow party and government leaders to set the pace and
scope of reform, or they risked losing the newly won democratic regime.
The conflict remains at a stalemate. Currently, the Concertación has
detained over a hundred activists, and condemned several leaders and
activists under the Law of Internal Security of the State and the AntiTerrorist Law. Government policies aim at addressing problems of
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poverty and improving access to education, markets, and subsidies for
purchase of land or starting micro-enterprises. These programs have not
resulted in a lessening of poverty among Mapuche, nor offer sufficient
benefits to establish clientelist ties. In an era of strict fiscal policies and
the promotion of growth via conglomerates, the Concertación’s commitment to neoliberalism undermines its own efforts to placate Mapuche
organizations or co-opt support. All three administrations of the
Concertación have rejected demands for territorially based political
autonomy as a threat to the integrity of the unitary Chilean state.
Militant Mapuche activists reject the neoliberal model and demand the
right to pursue alternative development paths. In contrast to historical
demands raised in the period before 1973 for the restoration of community lands, Mapuche activists now stress collective political and economic
rights, on the grounds of being a distinct people – not Chileans. Mapuche
activists argue that territorial rights over natural resources and land, and
political autonomy at regional or provincial levels, are necessary to
flourish as a distinct culture and people, and point to international norms
regarding the rights of indigenous peoples.
Actors representing corporate capital assert that demands for
autonomy, and granting indigenous peoples the legal status of “a people,”
pose threats both to private interests and national security. Finally,
economic elites’ objections to collective rights claims of indigenous
peoples follow historic patterns of state policy and national ideologies that
equate national homogeneity with national security.
Works Cited
Arnold, Franz. Sustitución de Bosque Nativo en Chile. Destrucción de un valioso
patrimonio natural. Santiago: CODEFF and Amigos de la Tierra – Chile,1998.
Banco Central. Boletín Mensual, 2000.
Castro, Milka. Debbie Guerra, Roberto Morales, Eduardo Parry, Rodrigo
Sepúlvedra. Informe de la Comisión de Observadores de la Comunidad
‘Temulemu.’ Santiago:Colegio de Antropólogos de Chile, A.G.,1999.
Catalán Laborías, Rodrigo and Ruperto Ramos Antiqueo. Pueblo Mapuche,
Bosque Nativo y Plantaciones Forestales. Las causas subyacentes de la deforestación en el Sur de Chile. Temuco, Chile: Ediciones Universidad Católica de
Temuco,1999.
Claude, Marcel. Una Vez Más la Miseria: ¿Es Chile un País Sustentable? Santiago:
LOM, 1997.
CODEFF. El Futuro del Bosque Nativo Chileno: Un Desafío de Hoy. Santiago:
CODEFF, 1992.11
Dahse, Fernando. El Mapa de la Extrema Riqueza. Los grupos económicos y el
proceso de concentración de capitales. Santiago: Editorial Aconcagua, 1979.
Fazio, Hugo. Mapa Actual de la Extrema Riqueza en Chile. Santiago: LOM
Ediciones, 1997.
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Sustainable Development or Sustained Conflict?
Grupo de Investigaciones Agrarias. “Transformación forestal y medio ambiente.”
Agricultura y Sociedad 4, 42–44 (1986).
Haughney, Diane. “Neoliberal Restructuring, Regime Transition, and Indigenous
Peoples in Chile: The Mapuche Movement in the 1990s.” Diss. The City
University of New York, 2001.
Human Rights Watch. “Undue Process: Terrorism Trials, Military Courts, and
the Mapuche in Southern Chile.” Human Rights Watch and the Observatorio
de Derechos de los Pueblos Indígenas Human Rights Watch 16 (5 B), 2004.
Identidad Territorial Lafkenche. De la Deuda Histórica Nacional al
Reconocimiento de Nuestros Derechos Territoriales. Tirúa, Provincia de
Arauco, VIII Region, Chile, 1999.
Informe de la Comisión Especial de Observadores de la Sociedad Civil para
Conocer de los Hechos Ocurridos en las Comunidades Mapuche de Lumaco,
1997. Senén Conejeros, et al.12 Manuscript, 1997.
Instituto Forestal (INFOR). El Sector Forestal en Chile. Santiago: INFOR, 1992.
——. Estadísticas Forestales. IX Región. Santiago: INFOR, 1997
Lillo V, Rodrigo. “Aspectos jurídicos: Rol del Estado en el conflicto del Pueblo
Mapuche” Pueblo Mapuche y Expansión Forestal. (Speech delivered at the conference “Pueblo Mapuche y Expansión Forestal” at the Catholic University of
Temuco, July 1998). Santiago: Programa Chile Sustentable (1999): 13–17.
Naguil Gómez, Víctor. “Desarrollo Mapuche y Derecho de Autodeterminación,”
Liwen 4 (June). Temuco, Chile: Centro de Estudios y Documentación Mapuche
Liwen, (1997): 8–35.
Rozas, Patricio and Gustavo Marín. 1988: El Mapa de la Extrema Riqueza 10
años después. Santiago: Cesoc-Pries-Cono Sur, 1989.
Seguel, Alfredo. El Poder Fáctico de las Empresas Forestales en Chile. ¿A quién
se enfrenta el Pueblo Mapuche? September 2003. Posted on the web page of
Ñuke Mapu <www.mapuche.info.scorpionshops.com/fakta/reportaje030129.
html>
Toledo Llancaqueo, Víctor. “Todas las aguas. El subsuelo, las riberas, las tierras.
Notas sobre las (des)protección de los derechos indígenas sobre sus recursos
naturales y contribución a una política de defensa,” Liwen 4 (June), Temuco,
Chile: Centro de Estudios y Documentación Mapuche Liwen, (1997): 36–79.
Unda, Alfredo and Alejandro Stuarda. Expansión Forestal en la Novena Región
y Desarrollo Sustentable. Study conducted in conjunction with the International
Labor Organization. Santiago: Instituto Forestal, División de Estudios
Ambientales, 1995.
Notes
1
2
This chapter condenses analysis contained in two chapters of a book in preparation by the author, based upon her doctoral dissertation, “Neoliberal
Restructuring, Regime Transition, and Indigenous Peoples in Chile: The
Mapuche Movement in the 1990s,” to be published by the University Press
of Florida. The author spent eight years in Chile from August 1992 to
November 2000.
See the testimony by then Secretary General of the Presidency, Juan Villarzú
(DC) in the Actas of the Eighth Session of the Chamber of Deputies, 12 June
1997: 12.
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3 Jorge González, president of the Chilean Federation of Forestry Workers in
July of 2000 qtd. byAlfredo Seguel.
4 The Chilean state had granted lands in common title to groups of Mapuche,
who then worked the land as individual households, although they often
cooperated in times of harvest, to prepare ground for planting, or pooled
resources. For example, someone with more land but fewer livestock might
offer land as grazing area to another who had less land but more animals.
Relatives and grown children who left to find work in the cities might return
for holidays or to help with work, thus retaining active claims to land and
membership in the community. Subdivison of Mapuche lands threatened
these customs.
5 The Consejo called for autonomy over all the lands “from the Bíobío River
to the south,” because during the colonial era the Spanish crown recognized
the river as the boundary between autonomous Mapuche territory and colonial territory. The Consejo originated in a split from radical leftist parties in
1989.
6 By the late 1990s, the Consejo de Todas las Tierras had brought a lawsuit
against the Chilean government before the Human Rights Commission of the
Organization of American States, which ruled that basic due process had been
violated.
7 Some of these efforts later produced organizations such as the Asociación
Comunal Ñankucheo (now Identidad Nagche), the Coordinadora AraucoMalleco, and Identidad Territorial Lafkenche.
8 The demand for the right to control the natural resources in indigenous lands
was part of the draft law elaborated by Mapuche organizations in 1991 that
was later deleted by the Concertación from the proposal sent to Congress.
9 Identidad Territorial Lafkenche, Identidad Nagche, Identidad Wenteche,
Identidad Williche, Warriache, some of which represent transformations of
organizations that emerged in the early 1990s; others are more recent.
10 For example, the Coordinación de Organizaciones e Identidades
Territoriales.
11 Coordinadora de Comunidades en Conflicto Arauco-Malleco, José
Huenchunao Mariñan, Aliwen Antileo Navarrete, Pedro Cayuqueo
Millaqueo. April 1999: Informe de Derechos Humanos en las Comunidades
Mapuches en Conflicto de Arauco y Malleco, Arauco,VIII Región de Chile.
Presented at the Human Rights Commission of the United Nations. 55°.
Session Period, Geneva, Switzerland.
12 Et al.: President of the Colegio de Periodistas and the Federación de Colegios
Profesionales of Chile; Manuel Baquedano, President of the Instituto de
Ecología Política; José Bengoa, Rector of the Universidad Académica
Humanismo Cristiano; Nelson Caucoto, Human Rights Lawyer; Fabiola
Letelier, Lawyer and President of CODEPU; Adrián Fuentes, representative
of the Central Unitaria de Trabajadores, CUT; Monseñor Jorge Hourton,
Bishop and Rector of the Catholic University of Temuco; Sara Larraín,
Executive Secretary, Programa Chile Sustentable; Hilda Llanquinao, member
of The Consejo Académico of the University of the Frontier; Luis Mariano
Rendón, Coordinator of the Red Nacional Acción Ecológica-RENACE.
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salvador allende
Privatization, Profits, and Exclusion
Patricia Tomic and Ricardo Trumper
“Como si no bastara con todas las negaciones que te dio la vida,
cuando postulaste a esa universidad privada y
el ‘tanto tienes, tanto vales,’ del mercado académico te dijo:
Tú no eres de aquí Conchalí, – No te alcanza Barrancas
A otro carrusel Pudahuel – a la U. del Estado Lo Prado.”
Lemebel, 41
In the 1960s, although parallel private and public systems of education
responding to class segregation existed, public education was hegemonic
particularly for secondary and higher education. As more middle and
working class youngsters completed secondary schooling, the demand
for higher education increased. This demand transformed into political
pressure and eventually into a larger university system. Thus, between
1967 and 1973 the number of university students in Chile doubled
(Castro150).
By1973 there were 100,000 students in eight universities, two of them
public and six private, all publicly funded. The public ones, the
Universidad de Chile (UCh) and the Universidad Técnica del Estado
(UTE), educated 70 percent of all students, distributed in campuses
throughout the country. University fees were nominal. Faculty and students participated in university and public politics. Student unions at the
universities UCh and UTE were controlled by the Communist Party. The
Rector of the UTE favoured the Unidad Popular, while at UCh the
Rector was a Christian Democrat supporter of the military coup. The
Secretary General of UCh, a communist, was assassinated immediately
after the coup. The Rector of the Pontificia Universidad Católica (PUC)
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was a progressive Christian Democrat with links to the left, but the student federation and many in the university senate were right-wing.
The coup reversed Chilean democratization at all levels. Repression hit
post-secondary institutions hard. The torture and death of prisoners taken
from the UTE immediately after the coup were emblematic of the violence
in store for the country. This violence foretold the first seven years of a
military-intervened university system, a system informed by paranoid
policies under the doctrine of ‘National Security’. The dictatorship killed
306 students (117 disappeared and 89 were executed), fired 25 percent of
the faculty and 15 percent of the staff, and expelled 18 percent of the
students. Universities were placed under military control, under Pinochetdesignated presidents and prosecutors, to persecute the potential enemies
of the regime. Student unions also came under strict vigilance. Democratic
processes and institutions were eliminated, academic freedom stifled, free
speech suppressed. Curricula were purged, academic standards eroded
and the university infrastructure deteriorated dramatically. Enrollment
declined and state-financing was soon replaced by self-financing (Lagos,
Brunner, Informe).
In 1979, new changes were introduced. While the doctrine of ‘National
Security’ remained pivotal, universities were neoliberalized. Although
neoliberal policies had begun in 1975, the year 1979 marks the initiation
of the ‘seven modernizations’, a code for hegemonic neoliberalism.
‘Modernization’ came to guide politics, economics, culture, education,
and ethics. Under this code language the welfare state existing before 1973
has been overhauled. Simultaneously, capitalists have been given access
to earn profits in areas previously out of bounds for them.
The ‘modernization’ of education was one of the targeted areas.
Privatization became dominant in elementary and secondary education.
Post-secondary education was also reformed under new ‘legislation’
permitting the creation of private universities. In 1981, the Ministry of
the Interior published the framework to neoliberalize post-secondary
education (Sanfuentes). While upholding and justifying past repression,
this document simultaneously invoked “freedom” to justify the neoliberalization of universities: “a close scheme and virtually a monopoly of eight
universities . . . [all] . . . funded by the state . . . discriminatory, as it left
out . . . other private actors . . . curtailing . . . the practical existence
of academic freedom” (Sanfuentes)
This reform was part of the “Washington Consensus,” a term
describing the convergent opinions of the IMF, World Bank, US
Department of the Treasury, Federal Reserve Bank, lobby groups and
think-tanks financed by transnational corporations to foster neoliberalism (Bond). In fact, until 1979 Latin American governments and
international agencies had met periodically to coordinate educational
policy with the aim of expanding and democratizing education for the
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region (Reimer). In 1979 the meeting drastically metamorphosed
discourse and strategy, prioritizing “structural adjustment.”
Since then, educational policy in many countries has favoured the
private sector, affirming the ideal to eliminate structural limitations to
“free competition.” The Chilean central government transferred public
elementary and secondary schools to municipalities. A three strata system
was created, formed by municipal schools, private-but-subsidized
schools, and private-wholly-paid-by-users schools. The students in
municipal and subsidized schools are streamed to powerless and alienated
futures. The wholly paid private system leads upper-middle- and upperclass students to power, reinforcing a habitus for effecting domination
with ease (Bourdieu). Even apologists of Chilean neoliberal education
recognize its regressive nature (Gauri). Simultaneously, large profits have
been garnered from the private-wholly-paid and private-but-subsidized
systems. Ideological, political and religious projects have also resulted
from the privatization process.
Chilean post-secondary education was also reformed following the
neoliberal logic of the “Washington Consensus.” By 1980 state funding
had been reduced, falling to 1.05 percent of GDP (Brunner, “Políticas . .
. ” 25fn). The UCh and the UTE were weakened by granting independence
to their regional branches, creating new publicly owned regional universities. The UTE became the University of Santiago, at the same time that
the UCh’s Faculty of Education was transformed in 1985 into a separate
professional institute. The eight old universities, plus the new regional
universities, became known as the “traditional universities” or universities affiliated to the Consejo de Rectores (the council that includes all
universities receiving government funding). These continued to absorb
most of the demand.
The 1981 legislation allowed for new private post-secondary institutions under the logic that privatization bred competition, and competition
bred efficiency. These were to be identified as “private” universities –
“privadas” – separate from the private “traditional” ones. The only limits
imposed on free competition were “national security” and what turned
out to be nothing more than a euphemistic prohibition of profits. Three
“private” universities were immediately established by people linked to
the Pinochet’s regime Ministry of Education: the universities Gabriela
Mistral, Diego Portales, and Central. They did not have direct state
funding, nor state financing for their students.
In 1983 strong resistance to the newly created “private” system ensued
from “traditional” universities, their faculty and professional colleges.
Neoliberalism found itself in the midst of an economic crisis. This
decreased demand for “private” universities and reduced interest in their
development. Although the system was halted temporarily, these three
new universities were to serve as model and trial for the future. In the
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“private” system, owners chose the board of directors which, in turn,
chose a Rector(a). Academic credentials were not an essential requirement
for this post. Although legislation forbade profits, these universities were
administered as commercial enterprises. In general, the strategy was to
establish cheap programs, staffed with poorly paid part-time faculty. The
goal was speedy capital accumulation, leaving more prestigious and
expensive programs to be developed later in the process.
By 1987, demand for seats in private universities was lower than
supply, despite the low scores they required in the Prueba de Aptitud
Académica (PAA). For wealthier students who failed to meet the admission standards of “traditional” universities, the privadas were their last
resort. For other prospective students, they were too expensive. That year,
the number of students in privadas reached only 7,652 (Sanfuentes).
Eventually the economic crisis subsided and neoliberalism repositioned
itself in the ideological spectrum, relaunching the privatization of postsecondary education. Small entrepreneurs as well as powerful economic
groups invested in postsecondary institutions for profits and/or for
pushing ideological agendas.
To make this system legitimate, the dictatorship passed Law 18962, the
Organic Constitutional Law of Education (LOCE), which came into effect
the day before Pinochet left office. LOCE created the Higher Education
Council to oversee private post-secondary institutions. This Council was
essential for the accreditation process of “privadas” (Soto). Private
universities must go through a cursory examination or accreditation by
other universities until granted autonomy. Once autonomous, they
operate freely, creating new campuses and programs at will. Campuses
have sprung up in small towns, while existing programs and careers are
duplicated, many of them with poorly trained faculty and little resources.
Before the “transition to democracy,” ideological groups and economic
conglomerates rapidly involved themselves in developing higher education institutions. In 1988, opposition groups started the Universidad de
la Academia de Humanismo Cristiano, the Freemasons opened the
Universidad de la República and other progressives the Universidad
Bolivariana. The right-wing Universidad Finis Terrae also started. In
1989, the Universidad Mayor, associated to pro-Pinochet groups, and the
left leaning Universidad Arcis, were opened. Financial capital from a
supermarket venture was used by a family, the Antillos, to open
Universidad de las Américas (Ampuero y Palacios).
“Private” universities exploded during the governments of the
Concertación. The low intensity democracy of the Concertación and its
adherence to pacts signed with the dictatorship gave new impetus to
neoliberalism, including the expansion of “private” higher education. The
economic boom of the nineties and the discursive legitimacy of private
interests in education have contributed to the rapid growth of a univer-
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sity system currently composed of around seventy institutions. Civilian
neoliberalism has embraced the neoliberal discourse of the dictatorship,
legitimizing a capitalist market for higher education where privadas
appear as an innovative project that responds to the demand for postsecondary education. The Concertación governments have conformed to
this discourse (Brunner “Políticas”), disregarding that “privadas” are
power enclaves (Zegers), and that, contrary to legislation, have become
significant for-profit operations.
Before the dictatorship, secondary and post-secondary public education
was hegemonic. During the dictatorship, private secondary education
supplanted the public system in quality, resources and prestige, while PUC
dislodged the UCh. However, still in the mid-nineties, private universities
were no competition for the “tradicionales.” Since then the privadas have
acquired legitimacy with the backing of a state. The Concertación governments have encouraged the commodification of higher education and the
growth of a system that lacks resources and qualified faculty. While in
1990, 82 percent of students enrolled in traditional universities, in 2001
the privadas had outnumbered the tradicionales in first-year enrolments,
and in 2002 they had attracted 54.5 percent of the student population
(MINEDUC).
At the center of the creation of a new university institutions is religion.
Traditionally the Catholic Church has been attentive to education as an
ideological project and as a source of profits. Until the nineties, the
Church was associated with “traditional” universities. Between 1991 and
1992, three new regional Catholic universities were formed in addition to
the existing ones. However, “private” Catholic ventures have been also
created: Universidad Católica Cardenal Raúl Silva Henríquez,
Universidad Jesuita Alberto Hurtado, and Universidad Internacional Sek,
which has a “moderate religious origin” (Soto). This is not all. Ultraconservative Catholic universities have also prospered: Legionarios de
Cristo´s Universidad Finis Terrae and the Opus Dei´s Universidad de los
Andes. These developed as ideological enterprises to mould overarching
views of the world in their students, as well as being profit-making enterprises. They belong to owners of large economic and financial
conglomerates who collaborated with Pinochet. Both universities have
grown at phenomenal rates, offering medicine, dentistry, and engineering,
among other careers.
Some of Pinochet’s accomplices control Universidad Mayor, and
Universidad del Desarrollo uses its connections with Pinochet-linked
politicians as a marketing strategy. These two enterprises are also formidable profit machines for economic groups and for prominent members
of right-wing parties. Another interesting case is Universidad Andrés Bello
(UNAB), part of Alvaro Saieh’s economic empire. Saieh was a faculty
member at UCh during the military regime, later becoming a powerful
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tycoon (Puente, 2000). He owns Grupo Copesa, one of the two newspaper chains in the country, the bank Corpbanca and has a stake in
Clínica Indisa, the clinical hospital for UNAB. In 2003, 80 percent of
UNAB was sold to the transnational corporation Laureate, formerly
Sylvan Learning Systems Inc.
Sylvan offers tutorial services, distance education, and other semi-academic programs worldwide. In 2000, Sylvan bought a majority stake in
Universidad de las Américas from the Antillo family. In 2003, Sylvan
became Laureate Education Inc. focusing on university education with
130,000 student-clients in a global network of campus-based and online
universities. That year, Laureate and the Antillo family invested US$ 70
million in UNAB, becoming the main operator among the privadas, the
second in enrolment after the UCh (“Desarrollo del mercado universitario,” 11 de junio de 2003). These are only the most striking examples
of private university ventures.
However, there have been a number of smaller entrepreneurs who
have also profited from the system. In addition to the Antillo family,
there are the owners, for example, of Universidad de Artes y Ciencias de
la Comunicación (UNIACC), Universidad Santo Tomás and
Universidad San Andrés. These are small capitalists who have made
large fortunes.
The 1981 legislation established that private universities must be notfor-profit. However, private universities do generate large profits. Only
an Orwellian language makes it possible for those earlier enemies of
profit-making education to be its facilitators today. Among the latter is
Senator Fernando Flores, from the Partido por la Democracia (PPD). He
controls an important amount of stocks of a university, while groups associated with the Christian Democratic Party own another. The prominence
of Laureate operation recently prompted open revelations about profitmaking in university ventures, although no action has followed from them
(Tamblay, 2003). Laureate’s CEO acknowledges that “Chile is a prime
example of how we can profitably expand our campus-based business in
the most attractive post-secondary education markets worldwide”
(Laureate Education Inc., 2003). Laureate’s global revenue was US$
472,806 million. Of this, US$ 97,585 million were made in Chile.
Laureate is by no means the only for-profit “private” university. The loopholes used by these enterprises are simple. Buildings are constructed by
parent companies at large profits (Tamblay). Profits are disguised as
stretched salaries and universities are sold and bought with great gains.
University owners, who also own other companies, receive large taxbreaks from “donations” made by their companies to their universities
(Padilla, 2003). State subsidies consisting of a lump-sum per student are
granted through “Indirect Government Contributions” to universities
attracting the 27,000 highest scores in entrance examinations. In the end,
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the rate of return for privadas is 22 percent (“Desarrollo del mercado
universitario,” 11 de junio de 2003).
Not surprisingly, without adequate funding the tradicionales have been
compelled to join in the “market” model. The government finances
around 20 percent of the budget of the UCh (Fischer, 2003), forcing it to
introduce and legitimize the market language, competition and individualism in public higher education and to hustle for self-financing. Still the
“tradicionales” keep qualified faculty, support research, and strive for
sound library collections; their students unions are also able to press for
financial aid. While they struggle to survive, private universities make
profits.
“Privadas” often do not allow student unions. Their libraries are pitiful.
The Universidad Bolivariana has 16,000 books in four campuses; the
Universidad Tecnológica Vicente Pérez Rosales holds 8,000 books for
1,200 students. Academically they are also lacking. They rely on “profesores taxis,” poorly part-time faculty who run from university to
university to meet their teaching schedules. At Laureate’s Universidad de
las Américas, a minority of the faculty work half-time or more (34
percent), while only 29 percent hold post-graduate degrees. At
Universidad Andrés Bello, where Laureate also has interests, 73 percent
of the faculty work less than half-time and 66 percent lack graduate
degrees. Most “privadas” do not stress research and some snub it.
Universidad Gabriela Mistral’s owner, Alicia Romo, argues:
a university that concentrates only in teaching is as much a university as one
that conducts research. And, to not publish does not detract from their work
. . . the funding system [for research] in this country is perverse because
professors who are financed by a government agency . . . use the time and
installations of the organization that pays for their work. That is the conception of a company and we are private companies (FONDEF).
Privatization would not work if universities were to hire faculty with
graduate degrees or if their libraries were required to meet university standards. Simply, costs would rise and profits would decrease. Worse, there
are not enough people with graduate degrees to meet a labour demand
that has tripled in a short period. Market rules conveniently ignore these
variables, while millions are spent in marketing campaigns to attract new
students (“Rector Riveros”). During 2004, competition massive
campaigns were carried out on television, the written press, billboards,
subways and buses to entice prospective student-clients. Some ads aimed
at the middle- or lower-middle classes, others towards higher income
families. Many wanted to capture students in regions, even small cities.
And, despite the marketing gimmicks and despite “tradicionales” having
lost some ground, they still are the first choice for prospective students
seeking admission.
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As a general rule, few of the poor attend university. In Chile, while 60
percent of the wealthiest youth attend university, only 14 per cent of the
poorest do (Zúñiga). In 2002, 181,455 students completed secondary
education, 52,477 from municipal schools, 44,812 from subsidized
schools and 19,144 from fully-paid private schools. From the last group,
83.5 percent obtained more than 450 points in the PAA, the minimum
score required by “tradicionales.” From subsidized schools only 51.4
percent achieved 450 points or more, while from the municipal system
just 38 percent did. More significantly, just one half of its graduates sat
the exam. In late 2003, the PAA was replaced by the Test of University
Access (PSU) designed to measure knowledge rather than cultural capital
as the PAA did. In practice, little has changed. Of those taking the test,
only a minority (15.4 percent) had graduated from fully-paid private high
schools, but that system fed the largest number of students entering
university. Of the 100 schools with the best scores in the PSU in 2003,
only two were municipal and six subsidized (Universidad de Chile, 2004).
Paradoxically, the “clients” of “traditional” universities are graduates
from fully-paid high schools, despite the aggressive marketing campaigns
of privadas and their vast regional reach. The trend, though, is changing
as privadas have begun to attract prospective students with higher scores.
Forced to compete for clients, tradicionales emphasize their leadership in
research, knowledge and faculty credentials.
Generally, students are supported by their parents to attend university
but lately fees have increased dramatically (41.7 percent between 1997
and 2003) (Rojas). Thus, even if the poor obtain scores high enough to
attend university and their families are willing to help, they simply cannot
afford them. In 2003, 53.6 percent of students who sat the PSU came from
homes with monthly family incomes below $278,000 pesos (Zúñiga). In
2002, 56.2 percent of all families in Chile received incomes under
$3,000,000 pesos a year, 70.7 percent made less than $4,200,000, and
82.3 percent had incomes below $7,200,000 pesos (PNUD, 2002). In fact,
university education is out of reach for many youth, in particular private
universities, as state loans are not a possibility in this sector. Medical and
dentistry students in private universities pay fees of about 3.5 million
pesos a year (or about US$ 5800). The average fee at UNIACC is three
million pesos (US$ 5000), while at Universidad Adolfo Ibáñez it is 2.4
million (US$ 4000).
Other “private” universities target the market of lower-middle and
working-class youth. (Pérez Villamil). For example, Laureate bought
Universidad de las Américas because it caters to this market. Students who
graduate from these institutions end up in powerless positions or unemployed. A similar phenomenon occurs within universities through the
differential fees they charge by career. The programmes of study with
lower fees reflect the salaries and the social standing that graduates from
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these cheaper careers should anticipate.
There are other low cost post-secondary institutions, the “Institutos
Profesionales” (IP) offering “technology” courses and the Centros de
Formación Técnica (CFT) with short vocational programs leading to
diplomas. The main reason for choosing these options is lack of financial
resources. In 2000, almost 40 per cent of university students originated in
the 20 per cent population with higher income (first quintile), a further
19 per cent came from the second quintile. Only 14 per cent of university
students came from the forth and fifth quintiles. Among the IP and CFT
students, very few are from the first quintile; 28 per cent originate in the
second quintile; 22 per cent of the students come from the lowest two.
This distribution has been similar for a decade. (Uribe: 139–40). There
are 48 IPs in total, educating over 100,000 students, and over one hundred
CFTs with 62,070 students (MINEDUC). These numbers are a clear indication of how education reproduces class.
The IPs and the CFTs are frequently owned by universities that see in
them another lucrative market. Laureate bought AIEP, as a move to
“extend our reach beyond our current middle-market focus in Chile. Now
we will serve the full range of student needs, from vocational training all
the way to the most demanding and prestigious university education”
(Laureate Education Inc., 2003). The Universidad de las Américas owns
the Instituto Profesional Campvs with 1,775 students and Campvs
College, a secondary school. In turn, the owner of Universidad Santo
Tomás also owns the Instituto Profesional Santo Tomás with campuses
in 17 cities, the Centro de Formación Técnica Santo Tomás and the
Centro de Estudios Paramédicos de Santiago (CEPSA), serving, in total,
27,633 students. In the pursuit of profits, exploiting low income students
through the provision of devalued skills are as good a market as higher
income students preparing for more prestigious positions.
To conclude, Chilean education changed dramatically since September
11, 1973. Most prominent has been the privatization of post-secondary
education, complying with the neoliberal framework shared by the dictatorship and the Washington Consensus. The educational system has
contradictorily adjusted, emphasizing neoliberal ethics, a habitus of
power for the dominant classes and a streaming process funnelling students into pre-set class categories from primary school to university
education. Yet, the mass of high-school graduates sees in post-secondary
education the means for social mobility, as it used to be the case prior
to the 1973 coup. Of all high school graduates, half was unable to even
apply for post-secondary education in 2003. Many were unable to
achieve the minimum entrance scores. Lack of funding to pay for higher
education is another hurdle at the present time. Yet, demand for entry
places is considerable, a fact that for-profit private institutions exploit to
the maximum.
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Since 1981 private higher education has grown spectacularly, in particular after 1990. The number of students in “private” universities grew
from 2,708 in 1983 to 148,662 in 2003; in IPs from 25,244 in 1983 to
101,674 in 2003; and in CFTs from 39,702 in 1983 to 62,070 in 2003
(MINEDUC, 2004). The number of institutions increased accordingly.
However, post-secondary education does not cover demand and is a
highly segregated “service”. Many youngsters do not sit the entrance
examination, or if they do, obtain scores that are too low to qualify for
entry in universities where they can get state-funded student loans.
Profits, as well as the advancement of ideological/religious projects,
make the university business an attractive endeavour. The large majority
of the private university ‘market’ is in the hands of right-wing institutions,
where people associated with the Pinochet regime proliferate. Their academic connection is even used to legitimize the regime and vice versa. Some
of the institutions of higher learning are secular; others are associated with
extreme fundamentalist Christianity, while some are associated with more
“moderate” Catholic creeds. All follow the logics of capital accumulation
that forces them to constantly grow. Careers and programs are created in
the pursuit of economic gains, overpopulating segments of the job market
with their graduates. In the search for profits, careers and programs,
poorly staffed and with scarce resources, universities emerge even in small
and isolated cities. When youth do gain access to higher education –
especially those who lack financial, cultural and social capital, and for
whom this is the only chance for social mobility – they end up in programs
that are expensive and mostly irrelevant.
The Chilean post-secondary system is out of control. It is oriented by
profit and aggressive marketing, with weak supervision and authority to
oversee it. A new method of accreditation has been negotiated. Perhaps
this change will put limits to exclusive market control. It may also end up
re-invigorating the legitimacy and power of the existing private firms.
Works Cited
Ampuero, L. y Palacios, I. “Junto a la familia Antillo, se convierte en la mayor
oferta privada con la compra de la UNAB. Sylvan: el gigante detrás de la oferta
universitaria en Chile”, El Diario Financiero 13 de junio 2003 (Internet).
Bond, Patrick. “Beyond both the ‘Washington Consensus’ and the ‘PostWashington’ in Zimbabwe and South Africa?” 8 March 2005 Internet Source
<www.globalalternatives.nl/site/voorstudies/docs>
Bourdieu, Pierre, “The forms of capital.” Hashley, A. G. et al. eds. Educación,
Culture, Economy and Society. Oxford: Oxford University Press, 1997: 46–58.
Brunner, José Joaquín, Informe sobre la Educación Superior en Chile, Santiago:
FLACSO (Facultad Latinoamericana de Ciencias Sociales), 1986.
——. “Políticas y mercado de educación superior: Necesidades de información.”
En Brunner, José Joaquín y Meller, Patricio comp. Oferta y demanda de profe-
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Privatization, Profits and Exclusion
sionales y técnicos en Chile. El rol de la información pública. Santiago: Ril
Editores, 2004: 19–86.
Castro, Pedro, La Educación en Chile de Frei a Pinochet, Salamanca: Ediciones
Sígueme, 1977.
“Desarrollo del mercado universitario,” El Mercurio, 11 de Junio de 2003
(Internet Source). <http://www.elmercurio.cl/>
Fischer, Ronald, “La crisis y las posibilidades de renovarse: El dilema de la
Universidad de Chile,” El Mercurio 25 de Mayo de 2003 (Internet)
FONDEF, “Investigadores privados” 22 Febrero 2004 <www.Fondef.cl/noticias>,
Gauri, Varun. School Choice in Chile. Two Decades of Educational Reform.
Pittsburgh, PA: University of Pittsburgh Press, 1998.
Lagos Lira, Claudia, “Universidades bajo arresto.” Rocinante 6. 56 Junio (2003):
15–16.
Laureate Education Inc., Investor Relations, News and Information, “Sylvan
Learning Systems, Inc. Acquires Controlling Interest in University and Institute
in Chile,” June 2, 2003
Lemebel, Pedro, “Carta a la dulce juventud (Por su incansable güeveo transhumante).” Siete + 7, (14 de Marzo 2003): 38–40.
MINEDUC, Compendio de Educación Superior. 3 December 2004.
<www.mineduc.cl/superior/compendio>.
Pérez Villamil, Ximena, “Rocha imbatible.” Capital (2–7 mayo 2001): 79–82.
Padilla, Marcelo, “Dar sin que duela. Secretos del Sistema de Donaciones a
Universidades e Institutos Profesionales.” La Nación (5 de enero de 2003): 4–5.
PNUD, Desarrollo humano en Chile. Nosotros los chilenos: un desafío cultural
2002, Programa de las Naciones Unidas para el Desarrollo, 2002
Puente, Osvaldo, “Uno de cada tres universitarios en Chile es formado por entidades privadas. Los empresarios de la educación superior.” SurDA, X
(junio–julio 2002): 24–26.
“Rector Riveros: ‘Fuerte publicidad de universidades particulares es preocupante,’” La Tercera, (10 de enero de 2004) Edición Internet
<http://www.tercera.cl/>
Reimers, Fernando. “The Impact of the Debt Crisis on Educational Development
in Latin America.”, Paper presented at the Annual Conference of the
Comparative and International Education Society, Anaheim, CA, Marzo 1990.
Rojas, Erick, “El negocio de la educación chilena. Industria de profesionales.” La
Nación, (5 de enero de 2003): 23–25.
Sanfuentes, Andrés, “Desarrollo de las universidades privadas en Chile.
1981–1988.” Apablaza, Viterbo y Lavados, Hugo eds. La Educación Superior
Privada en Chile. Antecedentes y Perspectivas. Santiago: CPU, 1988: 171–210.
Soto, Rodrigo, “El libre mercado de las Universidades Privadas en Chile: Una
tríada de poder económico, político y religioso,” Revista El Periodista, 21 de
diciembre de 2001 Edición Internet <http://www.elperiodista.cl/newtenberg/1722/channel.html>
Tamblay C., María Eugenia, “El lucro de las universidades,” El Mercurio (15 de
Junio, 2003)
Universidad de Chile, Vicerrectoría de Asuntos Académicos, Resultados Proceso
de Admisión 2004, Nómina de Establecimientos Científica Humanista Diurno
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con Promedio PSU (Lenguaje y Comunicación y Matemática) igual o superior
a 513,79 (Promedio Nacional), Santiago: Author, 2004
Uribe J., Daniel, “Oferta educativa y oferta de graduados de educación superior.”
Brunner, José Joaquín y Meller, Patricio comp. Oferta y demanda de profesionales y técnicos en Chile. El rol de la información pública Santiago: Ril
Editores, 2004: 131–70.
Zegers V., María Angélica, “Nuevas Universidades. El saber y el poder.” Capital
(Marzo 1999): 72.
Zúñiga, Victor, “Financiamiento universitario: Mayor acceso a ‘Ues’ presiona por
crecientes fondos del Estado.” El Mercurio (22 de agosto de 2004), Edición
Internet.
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P art III
Challenges
Human Rights, Impunity, and
Democratization
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introduction to part III
In 2003 the Chilean Human Rights Archives became part of the UNESCO
program, Memory of the World (they are part of the same program as the
Slave Trade Archives and the ancient Sana’a Manuscript). The Chilean
archives are constituted by records of human rights abuses between 1974
and 1990. Many organizations participated in the compilation, such as
the Agrupación de Familiares de Detenidos Desaparecidos, the Comisión
Chilena de Derechos Humanos (CODEPU), the Corporación Justicia y
Democracia, the Fundación de Ayuda Social de las Iglesias Cristianas
(FASIC), the Fundación de Protección a la Infancia Dañada por los
Estados de Emergencia (PIDEE), and the Fundación de Archivos de la
Vicaría de la Solidaridad y la Productora Nueva Imagen (“Educación
nuestra riqueza” Internet source). That so many institutions cooperated
to reconstruct the historical memory of the period reflects the broader
challenges of restoring democracy and overcoming impunity, and likewise
require a collective effort.
After 17 years of dictatorship in Chile that resulted in many thousands
of dead, disappeared and tortured, with the reestablishment of democracy
it becomes both possible and necessary to bring about healing and reconciliation.1 Truth and Reconciliation Commissions are now at work in
many parts of the world, as an unprecedented number of countries are
moving from dictatorship to some degree of democracy. The first such
commission was set up in Uganda2 (1974), but did not receive much attention. The first commission to have major repercussion in the international
press was the Truth and Reconciliation Commission established in
Argentina in 1983–84 at the end of the seven-year dictatorship. Today
such commissions operate in many countries, like Rwanda, Bosnia, and
Peru (complete list: <http://www.usip.org/library/truth.html>). Symptomatic of the challenges of the post-Pinochet period is the explicit omission of the word “justice” from the name and mission of the Truth and
Reconciliation Commission in Chile (also known as the “Rettig
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Commission”) established by President Aylwin in 1990. In 1991 it
released its report3 (LA Times) seeking to establish a shared historical
interpretation of the breakdown of Chilean democracy and the repressive
aftermath that followed. While the renowned South African model for the
Commission was directed toward voluntary confession of atrocities
committed during the past, and toward eliciting forgiveness from the
victims (and amnesty for the perpetrator), this approach could not be
followed in Chile. The nature of the politically negotiated transition and
the power retained by Pinochet after the election of a civilian President
(he remained Commander in Chief until 1998), made compromise – the
granting of impunity for human rights violations – the price to be paid for
return to civilian rule. While the military and the political class embraced
the politics of pragmatism, many others firmly believed that there could
be no lasting peace or democracy, without unearthing the truth and
forcing the perpetrators to face their acts in the presence of victims, or
their families, even though legal action may not seem to be possible
(Hatun 12).
Everything changed after Pinochet’s 1998 arrest in London. Of course,
as it becomes evident in the Pinochet affair (cf. Mark Ensalaco), even then
there is formidable resistance on the part of the military and other government entities to the exposure of horrific events. The military’s attitude
towards the human rights issue, the nature and reasons for its resistance
to truth and justice during the transition years and beyond, permits an
understanding of the political and ideological dynamics of the struggle
between the armed forces and the civilian elites attempting to implement
such policies (Brito, Chapter 2). Many people (especially among the
newest generation) believe these troubles are better put to rest, they are
long past and it is better not to disturb the waters, but to concentrate all
efforts on looking toward the future and building democracy (cf. Guzmán,
Memoria obstinada). On the other hand, there are those who resisted the
dictatorship and suffered torture or terrible losses and want to remember
the victims, they should be given their due by bringing out the truth of
what happened to the victims and hope for punishment of those responsible for their fate. Historical record-keeping is much easier now with the
technology available today, thus memory (institutional, historical and
personal) has a whole host of new definitions, as evidenced in Ornella
Lepri Mazzuca’s exploration of historical memory. On an individual level,
as José Miguel Varas’ narrative suggests – as Gregory Lobo puts it: “the
message is for those who are paying attention: don’t forget.”
Public expression is a sine qua non for democratization. Camilo
Trumper reflects upon the “organization of political meaning in a visual
form” during the Allende years. Toward the end of the dictadura in the
plebiscite campaign in 1988 (‘sí’ or ‘no’ to Pinochet’s continuing power),
visual public art again became a powerful instrument of resistance. In
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post-transition Chile, ruled again by democratically elected governments,
it is crucial to explore the evidence for links between accountability and
democratic consolidation.
The democratization process in Chile is viewed by political scientists as
an exemplary case, one that is not only of importance in itself, but is also
instructional for comparativist purposes (cf. Whitehead). The redemocratization aspect of the Chilean experience offers important lessons. While
the pragmatic position of Chile’s political class made the negotiated transition to civilian rule possible, it has been the ethical stance of the victims
and the human rights movement for truth, justice, and legal sanction that
was and still is driving the full democratization of Chilean society.
Works cited
Brito, Alexandra Barahona de. Human Rights and Democratization in Latin
America Uruguay and Chile. Oxford: Oxford University Press, 1997
Educación, Nuestra Riqueza. 8 March 2005. <http://www.mineduc.cl/noticias/
Julio/N200307251907518597.html>
Guzmán, Patricio. Memoria obstinada. (Documentary film). 1997.
Hatun Willakuy: Versión abreviada del informe final de la Comisión de la Verdad
y Reconciliación. Lima: 2004.
Herman, Judith. Trauma and Recovery: The Aftermath of Violence – From
Domestic Abuse to Political Terror. New York: Basic Books, 1992.
Los Angeles Times, 9 July 1990.
Minow, Martha L., Between Vengeance and Forgiveness: Facing History After
Genocide and Mass Violence. Boston: Beacon Press, 1998.
Truth Commissions, 10 March 2005. <http://www.beyondintractability.org/
m/truth_commissions.jsp>
Whitehead, Laurence. Democratization: Theory and Experience. Oxford: Oxford
University Press, 2002.
Notes
1
2
3
Many books analyze the victimhood of political violence. Among them,
Martha L. Minow, Between Vengeance and Forgiveness: Facing History
After Genocide and Mass Violence, and Judith Herman, Trauma and
Recovery: The Aftermath of Violence – From Domestic Abuse to Political
Terror.
There is a chronological list of TRC-s on the Internet: <http://www.beyondintractability.org/m/truth_commissions.jsp>
It was popularly known as the “Rettig Report” after former Senator Raúl
Rettig, president of the commission.
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pinochet
A Study in Impunity
Mark Ensalaco
The imperfections of democracy in Chile – and Latin America – thirty
years after Chile’s 9/11 are well known. This chapter focuses on one of
those shortcomings: impunity for the massive and systematic violation of
human rights in Chile under Pinochet (cf. Ensalaco). There is a consensus
in interdisciplinary literature on transitional justice that impunity constitutes an injustice and undermines the rule of law (cf. Orentlicher,
Zalaquett, Méndez, Sieder, Kritz). But few articles in this growing literature systematically examine the phenomenon of impunity itself. The
efforts to prosecute Pinochet in both Spain and Chile provide insight into
the factors that sustain impunity, as well as the forces that counteract it
over time. The Pinochet prosecution, then, permits us to frame the
contours of an actionable theory of impunity that can assist the human
rights movement’s efforts to defeat it, and thereby rectify injustice and
strengthen the rule of law and transitional and post-transitional settings.
The Prosecution of Pinochet
In October 1998 Scotland Yard police arrested Augusto Pinochet at the
request of a Spanish Magistrate who sought the former Chilean dictator’s
extradition on charges of torture, murder, terrorism and genocide.
Pinochet’s arrest was the cause of great rejoicing for the victims of
Pinochet’s cruel seventeen-year dictatorship and the international human
rights movement, because Pinochet had come to personify the homicidal
military regimes that tyrannized much of Latin America during the final
convulsion of the Cold War in the Americas. The arrest offered hope for
justice in a world where impunity for reprehensible crimes is the rule.
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Pinochet: A Study in Impunity
Not everyone rejoiced at the news of Pinochet’s arrest. Although there
are many who revile Pinochet for having overthrown socialist president
Salvador Allende in 1973, there are those in Chile and elsewhere who
revere him. Margaret Thatcher, who became the British prime minister
late in the Pinochet dictatorship and who developed a personal fondness
for the South American despot, mounted a spirited public defense of her
friend. In an open letter published in the Times of London five days after
Pinochet’s arrest, Baroness Thatcher urged that Pinochet “be allowed to
return to his country forthwith.” “I have better cause than most,”
Thatcher mused, “to remember that Chile, led at that time by General
Pinochet, was a good friend to this country during the Falklands War.”
But the former prime minister’s impassioned pleas did not persuade her
peers in the House of Lords. In a series of precedent-setting rulings, the
Law Lords rejected Pinochet’s claims of sovereign immunity from prosecution for conspiracy to commit torture. Lord Browne-Wilkinson
summarized the ruling this way: “How can it be for international law
purposes an official function to do something which international law
itself prohibits and criminalises?”1 As the world prepared for the millennial celebrations, it appeared as though the British might actually
extradite Pinochet to Spain for what would certainly have been the most
important trial since the trial of Eichman in Jerusalem. So when in March
2000 British authorities decided to repatriate Pinochet for reasons of the
aging former dictator’s failing health, all the hopes for justice crashed
heavily against the wall of impunity that Pinochet, the armed forces, and
an entrenched segment of the political class had erected in Chile.
In fact, the earth had moved beneath the Chilean political landscape
during Pinochet’s enforced absence. Only three days after Pinochet’s
triumphant return to Chile, Judge Juan Guzmán Tapia initiated court
proceedings with the intent of revoking Senator Pinochet’s parliamentary
immunity from prosecution as a prelude to a criminal trial. Guzmán,
selected by lottery to investigate charges of criminal wrongdoing by
Pinochet and his subordinates, actually had been quietly sifting through
evidence against Pinochet in a cluster of cases for almost two years.
Indeed, the first criminal complaint against Pinochet was lodged in
January 1998. More than two hundred criminal complaints were hurled
at Pinochet. By the time Pinochet returned from London with his impunity
apparently intact, Guzmán had developed convincing circumstantial
evidence of Pinochet’s criminal responsibility in the infamous Caravan of
Death case which involved the murder of more than 72 Chileans in
October 1973. That evidence convinced the Santiago Court of Appeals to
revoke Pinochet’s senatorial immunity in June 2000. The Supreme Court
of Justice upheld the Court of Appeals decision in August. The path was
open for a possible criminal trial of the once untouchable former dictator.
Then, in November, the Santiago Court of Appeals ruled that Pinochet
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would have to undergo mental and neurological examinations to determine his fitness to stand trial. In December, Guzmán formally indicted
Pinochet, only to have both the Court of Appeals and the Supreme Court
annul the indictment on a technicality. Pinochet submitted to two days of
medical examination between 10 and 12 January. Guzmán obtained the
medical reports a week later, then on 23 January formally questioned
Pinochet for more than thirty minutes in his home. On January 29 2001,
Guzmán indicted Pinochet on 57 charges of homicide and 19 charges of
aggravated kidnapping related to the Caravan of Death case and ordered
him placed under house arrest. Pinochet was then 86 years of age.
But Pinochet would not stand trial for the Caravan of Death crimes,
even though Judge Guzmán discovered enough probative evidence to
convict Pinochet before an impartial tribunal. On 1 July 2002, the Chilean
Supreme Court in a 3 to 1 ruling definitively dismissed the charges against
Augusto Pinochet in the Caravan of Death case on the grounds of ill
health. It appeared that Pinochet’s defense team had found justification
in the law to permit Pinochet to remain above and outside the law.
The Supreme Court’s ruling in the Caravan of Death matter did not
dissuade Judge Guzmán from pursuing his investigation of Pinochet’s
criminal involvement in other cases. But it did raise the prospect that any
criminal charges brought against the former dictator in the future would
be dismissed for the same reasons the high court dismissed the charges in
July 2002. Then Pinochet made a critical error of judgment that must have
infuriated his attorneys. On the eve of his eighty-eighth birthday in
November 2003, Pinochet granted an interview to a journalist from a
Miami television station. In it, Pinochet appeared lucid. Families of his
victims argued that Pinochet was indeed fit to confront criminal charges
in a court of law. Judge Guzmán pressed ahead with his investigation in
another high profile case involving the death and disappearance of 9
Chileans in the context of a vast criminal conspiracy known as Operation
Condor. Attorneys for the victims presented the evidence in court in early
2004.
In May 2004, the Santiago Court of Appeals stripped Pinochet of his
parliamentary immunity from prosecution for a second time. In August,
the Supreme Court upheld that ruling in a very narrow 9–8 vote. In both
instances, the courts ruled against Pinochet’s attorneys’ motion to block
prosecution, concluding that it would be premature to dismiss a criminal
case against Pinochet on the grounds of ill health before Judge Guzmán
even filed a criminal indictment. The rulings thus permitted Judge
Guzmán to indict Pinochet in the Operation Condor case, providing his
investigation discovered evidence to support an indictment. In fact, Judge
Guzmán had ample circumstantial evidence of Pinochet’s prior knowledge and authorization of the crimes related to Operation Condor.
But the matter of Pinochet’s mental fitness to stand trial again threat-
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ened to prevent a trial from ever taking place. In October 2004, Judge
Guzmán ordered Pinochet to submit to medical, psychological and neurological examinations for the second time in three years. Guzmán had
indicted Pinochet in 2001 when he was still 8 months short of his eightysixth birthday. By the time Guzmán had studied the reports of the three
doctors who examined Pinochet and had begun drafting his ruling,
Pinochet was approaching his eighty-ninth birthday on 25 November.
The deterioration of Pinochet’s physical condition was apparent. In fact,
two of the three doctors determined that Pinochet was neither physically
nor mentally competent to stand trial. Only the medical expert selected
by the families of the complainants in the case ruled that Pinochet was
competent. Under the rules of Chilean criminal procedure, the concurring
opinions of two medical experts regarding Pinochet’s incompetence gave
Guzmán sufficient grounds to dismiss the charges. But under the same
rules, the existence of a dissenting opinion permitted Guzmán to indict
Pinochet. In mid-November, Guzmán appeared to have reached a decision. He would make it public after November twenty-fifth, Pinochet’s
birthday. Then, Guzmán decided to reexamine the video of Pinochet’s
November 2003 television interview.2
On December 13 Judge Guzmán formally indicted Pinochet on 8
charges of aggravated kidnapping and one charge of aggravated homicide
and ordered Pinochet placed under house arrest. Guzmán ruled that,
although Pinochet suffered from multiple physical ailments, his demeanor
in the television interview a year earlier and in his responses to questions
Guzmán posed to him in formal questioning demonstrated that Pinochet
was mentally competent to participate passively in criminal proceedings.
Critical to Guzmán’s conclusion was that Pinochet demonstrated the
ability to distinguish good from bad, and goodness from evil.3
Guzmán’s ruling was the most serious blow to Pinochet’s impunity to
be inflicted at the end of 2004, but there were others. On 2 December,
even before Guzmán published his indictment in the Operation Condor
case, the Santiago Court of Appeals voted 14 to 9 to strip Pinochet of his
immunity from prosecution making possible an eventual indictment for
Pinochet’s involvement in the conspiracy to assassinate the former
Chilean army commander, Carlos Prats, and his wife in 1974. Later that
month, yet another judge filed a motion to strip Pinochet of his immunity
in order to be able to prosecute him for money laundering and tax evasion
uncovered in an investigation of the failed Riggs Bank in Washington.
Then, on 20 December in a unanimous 3 to 0 ruling, the Criminal
Chamber of the Santiago Court of Appeals rejected the habeas corpus
petition filed by Pinochet’s attorneys, challenging the legality of Guzmán’s
indictment on the grounds that it violated Pinochet’s right to due process.
On 4 January 2004, a five-member panel of the Criminal Chamber of the
Supreme Court of Justice, in a narrow 3 to 2 ruling, confirmed the Court
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of Appeals ruling and let Guzmán’s indictment stand. Pinochet’s attorneys have filed a motion to dismiss the charges on the grounds that
Pinochet is not competent to stand trial. It is possible that the Supreme
Court will ultimately dismiss these charges. But as of the time of this
writing [April 2005], there also exists the real prospect that Pinochet will
stand trial. Pinochet’s impunity is in tatters.
Impunity
Impunity connotes agency: it involves the actions undertaken by the guilty
and their accomplices intended to frustrate, impede, and deter investigations, prosecution and punishment. It connotes power: the ability to
execute a conspiracy to obstruct justice through concealment of evidence,
intimidation, and violence. Impunity is most secure when the guilty
manage to create a climate of fear, write the law, dominate critical state
institutions, manipulate politics, and maintain the loyalty influential geopolitical allies.
The Climate of Fear
The measure of effectiveness of the state terrorism in Chile under Pinochet
was the creation of a climate of fear. After Pinochet left the presidential
palace to resume his duties as commander-in-chief of the army in March
1990 he boasted “nobody will touch me, the day they touch one of my
men, the rule of law is ended” (Correa Sutil 14). Pinochet and his loyalists made civil society, including the political class, fear that prosecution
would imperil democracy and the rule of law. Chile’s transition to democracy was not yet a year old when Pinochet ordered the Chilean armed
forces on national alert in December 1990 to unnerve the newly elected
government. In May 1993, he ordered heavily armed Special Forces
troops to deploy near the Moneda palace in an intimidating show of force.
Thus, Chileans had reason to fear Pinochet might resort to force to block
prosecution. Elizabeth Lira, a participant in the Human Rights Dialogue,
documented this in her work with victims of state repression: “fear and
paralysis that result from experiencing repression can be described as a
political reality with personal consequences” (Salimovich 89). In a sense
the reverse is true as well: because so many Chileans experienced the
personal consequences of repression, fear and paralysis became the political reality that sustained impunity.
The fear that paralyzed Chilean society did not endure. After Pinochet
retired as army commander in March 1998, fear that Pinochet could order
the armed forces to reverse Chile’s democratic transition dissipated. More
importantly, Pinochet’s detention in London and Guzmán’s investigation
in Santiago shattered the myth that the ex-dictator was untouchable. The
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lesson in this concerns the power of the courage of those who demand an
end to impunity to reverse a societal dynamic that had once enabled the
culpable to evade justice.
The Law
Chilean Law In 1978 Pinochet imposed a Decree Law granting the
guilty amnesty for human rights violations between 11 September 1978
and 10 March 1978. Human rights advocates condemned the amnesty,
arguing that all amnesty laws or “final stop” laws which they resemble,
guarantee impunity and deny victims the right to a judicial remedy
(Méndez 259). In fact, the manner in which judges appointed by Pinochet
interpreted the 1978 amnesty law, effectively blocked prosecution and
judicial investigations of crimes, including disappearances. The climate of
fear that was the regime’s legacy was so potent that few politicians seriously contemplated annulment of the law.
Another obstacle was the Chilean constitution’s provisions regarding
parliamentary immunity from prosecution. Although the 1980
Constitution prohibited the legislative branch from investigating and
impeaching officials of the executive branch, it did not prohibit the courts
from investigating members of both houses of the legislature (Ensalaco
409–29). The constitution contemplated the revocation of parliamentary
immunity providing a special investigating judge could present a
compelling case that a legislator should be impeached and held over for
trial.
The 1978 amnesty law and Pinochet’s senatorial immunity from prosecution represented formidable obstacles to justice. But Judge Juan
Guzmán managed to overcome them. As to the facts, Guzmán’s investigation uncovered substantial evidence of Pinochet’s culpability in the
Caravan of Death case, (including handwritten notations beside the
names of executed prisoners) and the Operation Condor case (cf.
Verdugo). As to the amnesty law, Guzmán framed an inventive legal
theory that argued that “disappearance” or aggravated kidnapping
should be considered a continuing crime and as such could not be covered
by the amnesty law. The Chilean Supreme Court accepted the theory as
the foundation for the impeachment of Pinochet in both the Caravan of
Death and Operation Condor cases.
These Supreme Court rulings forever undermined the legal obstacles to
prosecution in Chile. In November 2004, the Supreme Court issued yet
another critical ruling in the Sandoval case. In a unanimous ruling, the
criminal chamber of the Supreme Court upheld a lower court’s conviction
and sentence of Manual Contreras, the former head of Pinochet’s secret
state police, for the disappearance of Miguel Angel Sandoval in 1975. The
ruling was consistent with earlier rulings regarding aggravated kidnap-
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ping as a continuing crime. But the ruling went even further by explicitly
citing provisions of Geneva Conventions and the American Convention
on Forced Disappearance of Persons, and by barring application of the
statute of limitations to disappearances cases.4 The effects of these and
other rulings are far-reaching: the courts no longer interpret Chilean law
in a manner that sustains impunity.
International law Baltazar Garzón based his demand for Pinochet’s
extradition to Spain on a claim of universal jurisdiction. Universal jurisdiction for the most serious crimes (war crimes, crimes against humanity
like torture and disappearance, and genocide) is a powerful instrument
against impunity. Garzón’s application of universal jurisdiction was
especially important because it challenged the presumption of the immunity of current or former heads of state. The doctrine of sovereign
immunity is a personalized application of the doctrine of state sovereignty.
Perhaps the single most significant contribution of the international
human rights movement since the end of the Second World War has been
its steady encroachment on the notion that sovereign states cannot interfere in internal matters of other sovereign states even when those states
violate human rights on a massive and systematic scale. The rulings of the
House of Lords in the Pinochet matter represented a culmination of international legal opinion regarding the clash of state sovereignty and human
rights. Lord Browne-Wilkinson’s rhetorical question – “For how can it be
for international law purposes an official function of state to do something that international law itself prohibits and criminalizes?” –
definitively resolved the matter.
There have been other important developments in international law
related to the prosecution of former heads of state. Both the Statute of the
International Criminal Tribunal for the Former Yugoslavia and Rome
Statute of the International Criminal Court are explicit that an accused
person’s official position, including as head of state, does not relieve that
person of criminal responsibility.5 Moreover, the Rome Statute grants the
International Criminal Court jurisdiction to prosecute in those cases
where, as in Chile prior to Guzmán’s 2001 indictment of Pinochet,
domestic courts could not prosecute or would not prosecute in good faith.
Thus, international law no longer offers protection against prosecution or
guarantees of impunity.
Institutions – the Courts, the Armed Forces and
the Secret Police
The Courts Prior to the transition in 1990, Pinochet offered inducements for judges to retire, then appointed new judges to safeguard the
imposed legal order and to preserve impunity. Pinochet’s specific concern
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was to preserve the 1978 amnesty law’s obstruction of justice. Virtually
all Chilean legal scholars agree that the 1978 amnesty law strictly prohibited punishment for human rights violations; but few believe that it
prohibited judicial investigation to determine those responsible prior to
the application of the amnesty. But, the Pinochet and early-post Pinochet
era courts interpreted the law to prevent even the investigation of serious
allegations (Fruhling 10).
At the end of 1997, the Chilean Congress enacted legislation requiring
judges to retire at age 75. The following year, President Eduardo Frei
appointed nine judges to the Supreme Court, altering its composition and
its judicial temperament (HRW “When Tyrants Tremble” 10). Soon after
the appointment of the new judges, the Supreme Court reversed its
position regarding the 1978 amnesty law’s prohibition of investigation
and prosecution as well as punishment, and it permitted the reopening of
disappearance cases. These changes led eventually to the Supreme Court’s
decision to lift Pinochet’s immunity from prosecution in 2001. The trend
to interpret the law to benefit the victims of repression rather than the
perpetrators has continued. Indeed, in the recent Sandoval decision, the
Supreme Court ruled that the amnesty law could not prevent criminal
punishment. By losing control over the Supreme Court, Pinochet and his
loyalists have lost control over the one state institution that is uniquely
capable of sustaining impunity.
The Armed Forces The Chilean officer corps, motivated by personal
fidelity to Pinochet and corporate loyalty to their institutions, vigorously
struggled to deny the truth, impede the search for the disappeared and
obstruct justice after the democratic transition and even after Pinochet
retired as commander of the army. As to the truth, the armed forces categorically rejected the conclusions of the Commission on Truth and
Reconciliation in 1991, and still refused to acknowledge an official policy
of repression at the conclusion of the ten-month long Human Rights
Dialogue, or Mesa de dialogo sobre los derechos humanos, in June 2001.
It was not until November 2004, after the Commission on Political
Prisoners and Torture released its report about the widespread practice of
torture during the regime, that the armed forces formally acknowledged
that torture was an official policy.6
As to the disappeared, the armed forces did not fully honor the agreement reached at the end of the Human Rights Dialogue in June 2001 to
provide information about the fate and whereabouts of the disappeared.
The armed forces had agreed to compile a report on the disappeared, but
only on the condition that the Chilean congress enact into law strict guarantees of confidentiality for military officers who came forward with
information. The families of the disappeared complained that the law only
perpetuated impunity and predicted that the armed forces would not
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provide substantive information. In fact, the report the armed forces delivered to President Lagos in January 2002 contained only fragmentary
information about 200 of the 1,100 disappeared. Some of that information proved to be false. Moreover, of the 200 disappearances clarified by
the armed forces’ January 2001 report to the president, only 27 involved
abductions by the DINA.7
The armed forces high command also attempted to obstruct justice by
intimidating the government and the courts on the eve of the Court of
Appeals ruling on Pinochet’s immunity in 2001. On 15 May 2001, then
army commander General Ricardo Izurieta and other senior commanders
defied President Lagos’s directive against public displays in support for
Pinochet. “Let’s not be naïve,” Lagos said in a televised interview the
following day, “everyone knows what was sought yesterday.” 8 Three
days later, General Izurieta convened a five-hour meeting of the Council
of Generals for the purpose of discussing the ongoing prosecutions of
army officers, as well as the Pinochet proceedings before the Court of
Appeals. Afterwards the army high command issued a public statement
urging the public and the government to act with “prudence,” compelling
President Lagos to seek public clarification of the military commanders’
adherence to the constitution.9 Each of these acts was intended to intimidate. More alarmingly, military intelligence attempted to intimidate or
compromise Juan Guzmán. Guzmán’s telephone, mail and electronic mail
communications were monitored, and efforts were made to lure him into
compromising situations to discredit him (Guzmán Interview 2001).
The fact remains that none of these actions deterred the Supreme Court
from impeaching Pinochet or Guzmán from indicting him. The man who
replaced him as army commander attempted to forestall Pinochet’s prosecution after the former dictator’s return to Chile. General Izurieta’s
pressures probably influenced President Lagos, who acted as though
impunity was the price Chilean democracy would have to pay for political normality. Whether those pressures convinced the Supreme Court to
dismiss the charges against Pinochet in the Caravan of Death case in July
2002 is not known. What is certain is that by May 2004, when the
Supreme Court again impeached Pinochet, the military high command
had concluded that the corporate interests of the armed forces were not
served by defending Pinochet. When Pinochet and his unconditional loyalists lost control of the army, they lost the power to credibly threaten
disruption of the democratic process and the power to preserve their
impunity.
Politics
Three democratically-elected presidents’ failure of political will to pursue
justice has contributed to impunity. One might concede that the Aylwin
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and Frei administration had a reasonable fear that efforts to prosecute
would imperil democracy and the rule of law. But the Concertación set
itself against prosecution even after Pinochet’s detention in London and
Supreme Court’s ruling stripping Pinochet of immunity in 2001. It was
President Eduardo Frei’s foreign ministry that appealed to the United
Kingdom to repatriate Pinochet for reasons of health, not Pinochet’s
family or defense team (“Chile Formally Requests . . . ” BBC). After
Pinochet’s repatriation, representatives of socialist president, Ricardo
Lagos, repeatedly attempted to interfere with the investigative and judicial
processes. In November 2000, a senior member of the Lagos political
team, telephoned Guzmán urging him to order medical as well as mental
examinations for Pinochet – this after the Court of Appeals ruled Pinochet
must undergo mental examinations to determine whether he was insane
or demented, either of which would have exempted him from prosecution. That same month, a senior official of the Medical-Legal Institute
approached him to urge him not to name independent medical experts to
perform those examinations. In December, as Guzmán prepared to indict
Pinochet for the first time, a senior official in the Ministry of Justice called
him to urge him not to indict Pinochet.10 The evidence of the Lagos administration’s attempts to influence Judge Guzmán’s actions raises questions
concerning the possibility that it also attempted to influence the judges of
the Court of Appeals and Supreme Court who ultimately dismissed
charges against Pinochet in the Caravan of Death case in 2002.
The motives behind these efforts to interfere with the prosecution of
Pinochet will remain a matter of conjecture until former officials come
forward to openly acknowledge and explain those efforts. Fear that the
armed forces might disrupt the democratic process was certainly a factor
early in Chile’s democratic transition. Concern that Pinochet’s supporters
in the congress, including especially un-elected senators appointed by
Pinochet, would disrupt the legislative process was probably another. The
Frei and Lagos administrations appeared to be overly concerned that the
Pinochet affair complicated their ability to win the legislative approval of
Pinochet’s political supporters, especially that of Independent Democratic
Union partisans. Thus, the Pinochet loyalists’ ability to manipulate the
political process contributed to impunity. But by the time the Supreme
Court impeached Pinochet again in May 2004, the political dynamics had
changed and another factor sustaining impunity had eroded.
Geopolitical Factors
Throughout the Pinochet affair in London, Pinochet enjoyed the support
of powerful allies motivated by a combination of political concerns and
geopolitical allegiance. The Spanish government opposed Judge Baltasar
Garzón’s independent prosecution from the beginning. (HRW, “When
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Tyrants Tremble,” 15). Moreover, investigative journalists uncovered
evidence of what appears to be collusion between the Chilean, British, and
Spanish foreign ministers to achieve a political settlement. According to
one report, the United Kingdom’s foreign minister reportedly told his
Spanish counterpart, “I will not let him die in Britain,” to which the
Spanish foreign minister reportedly replied “I will not let him come to
Spain” (“Cook in secret Talks . . . ,” O’Shaughnessy; BBC News: “Chile
denies”).
The collusion of the Chilean, Spanish, and British governments appears
to have been motivated principally by fear of the economic consequences
of a disruption of inter-state relations. But geopolitical allegiance forged
during the Cold War undoubtedly was a factor. This could be seen most
clearly from Margaret Thatcher’s (and the Conservative party’s)
campaign to free Pinochet. There can be no doubt that had Thatcher still
been prime minister, there would have been no extradition proceedings in
the United Kingdom.
The Vatican also took sides in the Pinochet affair. In November 1999,
the Vatican sent a letter to the British government, apparently appealing
for Pinochet’s repatriation. The existence of the still secret letter was
revealed by Conservative supporters of Pinochet in the House of
Commons in February 2000, a month before the home secretary
announced his decision to repatriate the aging former dictator (Hooper).
The timing and secretive nature of the letter raised questions about the
Vatican’s sympathies vis-à-vis Pinochet and his victims. The revelation
that the letter was authored by Cardinal Sodano only added to the controversy. Cardinal Sodano, who had served as the papal nuncio in Santiago
during the dictatorship, was generally regarded as tolerant of Pinochet’s
authoritarianism. For his part, John Paul II is known for his legendary
anti-communism, although during a much publicized visit to Chile in
1987, the Pope expressed his preference for an orderly transition to
democracy there. A Vatican spokesman responded to the controversy
stirred by the revelation of the letter by evoking the theme of reconciliation: “The Holy See supports national reconciliation everywhere,
including in Chile” (Hooper).
The Church’s apparent preference for pardon over punishment
continued after Pinochet’s repatriation to Chile. In November 2000, on
Pinochet’s eighty-fifth birthday, the Catholic Archbishop of Santiago celebrated a “liturgy of pardon.” The Vatican sent an envoy to the Mass who
stated publicly that in Chile he had “encountered a people with an historic
will to reconciliation” (“El mapa político . . . ” La Tercera). Regardless
of whether the Vatican’s intervention was motivated by a concern for
reconciliation, or by something else, the fact remains that a critical
moment of the extradition controversy in London, after proponents had
won all the important legal battles, the Vatican in effect became a
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powerful geopolitical ally of those who sought to preserve Pinochet’s
impunity. The efforts of Margaret Thatcher and other Conservative
supporters of Pinochet in the United Kingdom, and the Vatican’s secret
appeal, probably influenced the Blair government’s decision to repatriate
Pinochet. But these erstwhile allies had no ability to influence events in
Chile.
Throughout Pinochet’s seventeen-year dictatorship, the United States
was the Pinochet regime’s single most important geopolitical ally. CIA,
State Department, and other agency documents declassified in 1999 reveal
the Nixon administration’s efforts to incite the 1973 coup, as well as its
knowledge of the Pinochet regime’s human rights violations, including
plans for a campaign of assassinations known as Operation Condor (cf.
Kornbluh, Dinges). Despite those violations, and despite Congress’s
efforts impose economic sanctions on Chile, three American administrations sought to consolidate and preserve the Pinochet regime. But the
United States’ geopolitical interest in the Pinochet regime ended as the
Soviet Union began to collapse, and the Reagan administration urged
Pinochet to honor the results of 1988 plebiscite that compelled him to cede
power.
The Clinton administration had no interest in protecting Pinochet’s
impunity after his arrest in London. But neither did it aggressively seek to
assist in Pinochet’s prosecution. The Democratic administration’s decision to declassify the nearly 24,000 documents in 1999 was a symbolic
gesture. However, some these documents have probative value as they
establish Pinochet’s direct knowledge of the criminal activities of the
DINA. One declassified CIA document explains that “[Manuel]
Contreras [director of the DINA] answers directly to Pinochet, and it is
unlikely that he would act without the knowledge and approval of his
superiors” (Kornbluh 164).
By releasing documents into the public domain, the United States
appears to have abandoned a Cold War ally. But it remains to be seen
what further actions the United States might take to defeat impunity in
Chile. It remains to be seen, for example, whether the United States Justice
Department would cooperate fully with an investigation of a Chilean
judge or a open criminal investigation of its own, if such an investigation
might lead to evidence of the criminal involvement of former American
officials.11
Conclusion
As stated before, Pinochet once boasted, “No one will touch me. They
day they touch one of my men the rule of law is ended.” As this is being
written, Pinochet is a criminal defendant under house arrest. Pinochet may
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never stand trial for his crimes because of his age. But it is certain that he
will die with the threat of serial impeachment and indictment hanging
over him. Moreover, Chilean courts have convicted some of Pinochet’s
subordinates, most notably Manual Contreras, the former head of the
once fearsome DINA. Criminal prosecution of the principal figures of the
Pinochet regime is an obligation that Chile’s restored democracy must
fulfill. And prosecution is now possible, because those who have struggled for justice have eroded the factors that sustained impunity in Chile.
Pinochet is a study in impunity. The lesson is this. The courts have finally
touched Pinochet and some of his men, but the rule of law is not ended,
it has been restored.
Works cited
Cheyre, Juan Emilio. “Ejército de Chile: el fin de una visión.” Internet: 8 March,
2005
<http://www.lanacion.cl/prontus_noticias/site/artic/20041105/pags/
20041105090447.htm>
“Chile denies ‘secret Pinochet deal’” BBC News 4 August, 1999. Internet:
<http://news.bbc.co.uk/1/hi/world/411532.stm>
“Chile Formally Requests Pinochet’s Release,” BBC News October 15, 1999;
Internet:
<http://news.bbc.co.uk/1/hi/uk/475242.stm>
“Home
Office
Statement in Full” BBC News, 12 January 2000.
“Cook in Secret Talks on allowing Pinochet Home,” Electronic Telegraph, 12
September 1999.
“El mapa político frente a un acuerdo de derechos humanos,” La Tercera, 1
December 2000.
Correa Sutil, Jorge. “No Victorious Army has Ever Been Prosecuted: The
Unsettled Story of Transitional Justice in Chile,” in A. James McAdam (ed.),
Transitional Justice and the Rule of Law in New Democracies Notre Dame:
University of Notre Dame Press, 1977, 151, n.14.
“Cook in secret Talks on allowing Pinochet Home,” Electronic Telegraph, 12
September 1999.
Dinges, John. The Condor Years: How Pinochet and His Allies Brought Terrorism
to Three Continents New York: New Press, 2004.
“El Mapa político frente a un acuerdo de derechos humanos,” La Terecera, 1
December 2000.
Ensalaco, Mark. Chile Under Pinochet: Recovering the Truth. (Philadelphia:
University of Pennsylvania Press, 1999.
Guzmán, Juan. Interviews. Santiago, April 2001, 15 November, 2004, and 1
December, 2004.
Hooper, John and Claire Dyer, “Shock at Pope’s Pinochet pleas,” Guardian, 20
February 1999.
Human Rights Watch “When Tyrants Tremble” (October, 1999), 15.
Kornbluh, Peter. The Pinochet File: A Declassified Dossier on Atrocity and
Accountability. New York: The New Press, 2003.
Kritz, Neil J. (ed). Transitional Justice: How Emerging Democracies Reckon with
Former Regimes , 3 Vols. Washington, D.C.: United States Institute for Peace,
1995.
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Méndez, Juan. “Accountability for Past Abuses,” Human Rights Quarterly, Vol.
19 (1997): 255–82.
O’Shaughnessy, Hugh. “Secret UK deal freed Pinochet,” The Observer, 7 January
2001.
Orentlicher, Diane F. “Settling Accounts: The Duty to Prosecute Human Rights
Violations of a Prior Regime,” 100 Yale Law L.J. 2537, 2551–94 (1991).
Salgado, Juan Carlos, Brigadier General. Intervención. 31 de Agosto de 1999” 10
March 2005 Internet <http://www.purochile.org/mesa13.htm>
Salimovich, Sofia, Elizabeth Lira and Eugenia Weistein, “Victims of Fear: The
Social Psychology of Repression,” in Juan Corradi et al. (eds)
Fear at the Edge: State Terror and Resistance in Latin America Berkeley:
University of California Press, 1992: 89.
Sieder, Rachel (ed.) Impunity in Latin America. London: Institute for Latin
American Studies, 1995.
Zalaquett, José. “Confronting Human Rights Violations Committed by Former
Governments: Principles Applicable and Political Constraints,” 13 Hamline L.
Rev. 623 (1990).
Notes
1 Judgment – Regina v. Bartle and the Commissioner of Police for the
Metropolis and Others Ex Parte Pinochet Regina v. Evans and Another and
the Commissioner of Police for the metropolis and Others Ex Parte Pinochet
(On Appeal from a Divisional Court of the Queen’s Bench Division 24 March
1999.)
2 Author’s interviews with Juan Guzmán, 15 November and 1 December,
2004.
3 Resolución dictada por don de Juan Guzmán Tapia, 13 de diciembre, Rol N°
2182–98 “Operación Cóndor,” considerado 14°.
4 Resolución de la Segunda Sala de la Excm. Corte Suprema, Rol N° 517–2004.
5 Statute of the International Tribunal for the Former Yugoslavia, adopted 25
May 1993, article 7 (2); Rome Statute on the International Criminal Court,
adopted 17 July 1998, article 27.
6 Just before the Commission delivered its report to President Lagos, army
commander General Juan Emilio Cheyre published an open letter entitled
“Ejército de Chile: el fin de una vision,” in which he obliquely acknowledged
abuses on the part of the army during the military regime (Cheyre Internet).
7 Interviews with Elizabeth Lira, a participant in the Human Rights Dialogue,
April 2001 and November 2004, and with Lorena Pizarro, president of the
Association of the Families of the Detained-Disappeared, November 2004.
8 “Lagos molesto por almuerzo militar – Rechazada reforma a Ley de Prensa.”
17 May, 2000. <http://www.derechos.cl/>
9 “Gobierno solicita nuevamente explicaciones al ejército – pocas esperanzas
in la Mesa de Diálogo.” 22 May, 2000. <http://www.derechos.cl/>
10 These incidents were brought to the author’s attention in interviews
conducted between November 2000 and April 2001 with a source who spoke
on the condition of anonymity. The author witnessed the November 2002
incident involving the official from the Medical-Legal Institute.
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11 The Justice Department has announced its decision to permit a Chilean judge
to interview Michael Townley, the American-born DINA operative, in
connection with the 1974 assassination of former General Carlos Prats.
Townley, who was convicted in connection with the 1976 assassination of
Orlando Letelier in Washington, is in the Department of Justice’s Witness
Protection Program.
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alternative “pasts” in
post-pinochet chile
The Relation of History/Fiction and the
Subjectification of History
Ornella Lepri Mazzuca
The interaction between history and fiction often causes and supports the
reawakening of memory with respect to episodes belonging to past historical events. During the years that followed the fall of Pinochet’s regime,
Chile had to reconstruct its political, social, economical and intellectual
manifestations in order to reinvent its image internally as well as externally in the face of the global world. In the new era that followed the
elections of 1988, one of the dominant issues still lingering in the
conscience of Chilean people, has been dealing with the events that shattered the nation, mainly political repression.
Todorov writes that “the cult of memory does not always serve justice”1
(58). Nevertheless, past memory is firmly imprinted in the consciousness
of a nation. In literary terms, the fictional dichotomy between past (and
memory) and present, and official and unofficial historical events, shows
the separation in space (more so than in time) of the nation and its
subjects. This effort results in the creation of a boundary between the
(un)forgettable political past and the actual situation of Chile in a global
economy. Until recently, literary production aimed to reproduce the
complexity of the past by representing the present, as the essence and the
absence of catharsis had been lying behind the denial of the horrible events
that affected Chile during the dictatorship by means of collective memory.
In this chapter I will explore the meaning of historical memory beginning with Isabel Allende’s autobiographical experience. In her
autobiographical confession My Invented Country (Mi país inventado),
Allende starts her nostalgic retrospective journey with this remark:
because a terrorist attack destroyed the twin towers of the World Trade
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Center, and starting with that instant, many things have changed. We can’t
be neutral in moments of crisis. (11) 2
A page later she adds:
When I watched the collapse of the towers, I had the sense of having lived
a nearly identical nightmare. By a blood-chilling coincidence – historic
karma – the commandeered airplanes struck their US targets on a Tuesday,
September 11, exactly the same day of the week and month – and at almost
the same time in the morning – of the 1973 military coup in Chile, a terrorist
act orchestrated by the CIA against a democracy. The images of burning
buildings, smoke, flames, and panic are similar in both settings. (12) 3
Reflecting upon the nature of Chilean people, Allende quotes the
commentary of a journalist who affirmed: “We have a bad memory for
crimes of state, but we never forget the peccadilloes of the man next door”
(99).4
For this reason, we find active and well-maintained websites on the
Internet administered by Chileans living abroad who try to preserve the
memory of the past events that shook Chile and its population during the
years of Pinochet’s dictatorship. Past memory has also influenced various
writers in the last decade of the 20th century who, through fiction, explore
the historical period since the events of September 11, 1973. This process
of reinventing history through fiction serves the purpose of placing oneself
in the past with the intent of facing the present, according to Linda
Hutcheon’s postmodern interpretation. Although the postmodern theoreticians maintain that postmodernity is not endorsed by history, the
multilateral narration of past events demonstrates the constant influence
of the past on the present.
The notion of memory has been conceptualized in various ways over
time and has been changed through the uses of writing techniques such as
handwriting, typing with a typewriter or a computer, to the use of digital
images: photography, video and television. According to Aristotle
memory was, metaphorically, an image or mark, represented in a piece of
papyrus or engraved in a stone (Cárcamo Huechante 109).
The techno-cultural change that emerged in Chile at the end of the
1980s corresponds to the transition period to democracy. The television
broadcasts showing images of La Moneda, the presidential palace, in
flames, the national protests, and photos of prisoners /desaparecidos,
were used to denounce the transgressions of the Pinochet dictatorship.
Within this context visual images acquire a privileged role between the
political and historical circles. At this point, politics and history cannot
escape from the memory frame and the audiovisual cultural frame. The
images translate the difficulty of recollecting past events, in a context
that claims actuality in order to avoid oblivion. In a world of images,
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writing is no longer a sufficient means of preserving the memory of the
desaparecidos. Susan Sontag employs the term “image world,” in reference to the impact that photography had in the 20th century in
substituting the direct experience (qtd. in Cárcamo Huechante 103). It is
possible to reconstruct parts of history through images. Nelly Richard
defines this idea in Residuos y Metáforas: “memory needs areas of
inscription on which to engrave itself, so that the relation among mark,
texture and event would live, releasing new meaningful effects (15).5 The
photographic image, with its digital and technological capacity, attempts
to reduce the distance between the present and the past by reinscribing
the memory of human loss within the actuality. The photographic montage creates a grammar of the communication media which reastablishes
the memory of the past.
If memory is not expressed and past events are not recalled, then these
events do not exist in the history of the future. Norman Malcolm, quoting
Russell, points out that when we talk about historical events it is hard to
remember the images when they are not reproduced by visual memory;
nevertheless, this is only a proposition, according to Russell’s definition,
a configuration of images one can believe in, remember, or towards which
one can react with an attitude of doubt or fear (40). Malcolm adds to
Russell’s postulate that the content of memory’s images does not contain
verbal tenses because past, present and future merge into a “belieffeeling,” a process that allows the validity of certain moments rising from
memory and the representation or copy of past events (41). Memory
always carries with it shades of vagueness, insecurity and imprecision.
Fiction narrative is likewise a non-linear process, as well as the writing of
history. As Isabel Allende points out in her autobiography:
There’s a certain freshness and innocence in people who have always lived
in one place and can count on witnesses to their passage through the world.
In contrast, those of us who have moved on many times develop a tough
skin out of necessity. Since we lack roots or corroboration of who we are,
we must put our trust in memory to give continuity to our lives . . . but
memory is always cloudy, we can’t trust it. Things that happened in the past
have fuzzy outlines, they’re pale; it’s as if my life has been nothing but a
series of illusions, fleeting images, of events I don’t understand, or only half
understand. (78–9) 6
Allende’s mnemotechnic process is highly subjective; nevertheless her
testimony is of vital importance in order to transmit the memory of the
past. Pablo Neruda, in his posthumous collection of poetry Iniciación al
nixonicidio y alabanza de la revolución chilena, published in the United
States as A Call for the Destruction of Nixon and Praise for the Chilean
revolution, hurls himself directly against Nixon’s politics during the
period of Salvador Allende’s socialist administration, which will lead to
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the military coup orchestrated by the CIA. Neruda writes in the introduction (“Explicación perentoria”) to his poems:
Nixon has heaped together the crimes of so many who preceded him in
treachery. [ . . . ] He also intervened with an economic blockade in an
attempt to isolate and destroy the Chilean revolution. In this activity he is
using different executioners, some of them already unmasked, such as the
venomous network of I.T.T. spies, and others cunning, hidden and
dispersed among the fascist opposition of Chileans against Chile. Thus, the
long title of this book corresponds to the present state of the world, to the
recent past, and to the menacing and sorrowful spectacle we hope to leave
behind.7
This book was written in January 1973. A few months later the “recent
past” mentioned by Neruda would turn into a nightmare that will last
almost seventeen years. The recent past becomes the future in Neruda’s
vision and it regresses to become the past after the fall of Pinochet’s
regime. Russell’s theory explains this memory process, which precedes
and follows past events.
During the historical course, between anticipated memory and past
memory, another element intervenes: the concealment of memory.
According to Tzvetan Todorov, memory is not in direct opposition to
oblivion:
The restitution of the entire past is something certainly impossible (only
Borges could have imagined it in his short story “Funes, the Memorius”),
therefore it is frightening; memory is necessarily a selection: some aspects
of an event will be retained, others will be eliminated – immediatly or
progressively – and consequently they will be forgotten. (14) 8
Memory does not achieve the complete representation of the official
history, however, it allows myriads of people who witnessed the dictatorship or heard accounts narrated by friends and relatives to reflect upon
and reproduce testimonies.
The selection of particular aspects of history and the way in which they
are engrained into our memory is also determined by totalitarian political
regimes realizing that the conquest and preservation of power is produced
and maintained by the manipulation of information and communication.
The official history is juxtaposed to individual and collective versions of
a community. On the other hand, oblivion is also often voluntary when
confronting terrible and humiliating experience of certain events.
In an interview, Marcela Serrano affirms that after the capitulation of
the Pinochet regime “[T]here was no space for memory when democracy
started in Chile, nobody wanted to remember the past” (qtd. in O’Connell
182).9 The past, with all its violence and brutalization of human values,
wraps itself up in disguise in order to escape and forget the historical
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period that left many Chileans lacking political and civil rights. In the
narrative of José Rodríguez Elizondo, La pasión de Iñaki, the protagonist
Iñaki realizes that “no mirar atrás es un requisito para sobrevivir” (“not
looking back is a requirement in order to survive” (qtd. in O’Connell
183). Todorov asserts that an individual has the right to forget tragic
events (24); however, he also affirms with vehemence that a group or a
nation has a duty to remember: “When events experienced by an individual or by a group are of exceptional or tragic nature, this right becomes
a duty: that of bringing back to memory, that of providing testimony”
(16).10 The opposite process to the voluntary alienation of memory is the
omission, by the historians, of the terrible massacres that caused the disappearance of thousands of people. When some elements of history come to
light, the best way to utilize the information is to denounce the same
horrors repeated in the present times. Isabel Allende’s interpretation is
deeply direct:
The victors write history in their own way. Every country presents its
soldiers in the most favorable light, hides their mistakes and downplays
their atrocities, and after the battle is won everyone is a hero. Since we grew
up with the idea that the Chilean armed forces were composed of obedient
soldiers under the command of irreproachable officers, we were in for a
tremendous surprise that Tuesday, September 11, 1973, when we saw them
in action. Their savagery was so extreme that it’s believed they were
drugged, [ . . . ]. (157) 11
However, as Todorov points out, this does not signify that the past must
rule the present; it is the latter that uses the past at its will.
The individual who cannot overcome what one calls the mourning, who
doesn’t acknowledge the reality of a loss, and the sorrowful shock sustained, who continues to live in the past instead of integrating it to the
present, who is dominated by the memory and cannot tame it [ . . . ], this
individual [ . . . ] condemns himself involuntarily to anguish without exit,
if not to madness. (32–33)12
Todorov affirms that when the events experienced by an individual or
a group of people are of an exceptional or tragic nature, the right to
memory becomes a function and an obligation in order to remember and
witness the past. Far from being prisoners of the past, horrible events
should serve justice, so that past errors will not be repeated.
The 1988 plebiscite in Chile ended the agonizing struggle against dictatorship. However, according to a report on the Chilean electoral system
by Santolay and Iñíguez, “Reforma Constitucional y Electoral en Chile,”
despite almost 56 percent of the population who voted for the deposition
of Pinochet (“No”), the remaining 44 percent (“Sí”) voted for the maintenance of the status quo of the military regime. The invisible trauma
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produced by the concentration of favorable votes to the dictatorship
perhaps was one of the reasons, in the imaginations of the Chilean people,
for denying the memory of the recent past. Public opinion is still divided
between those who consider Pinochet a savior of the homeland and those
who see him as a criminal. Isabel Allende employs enthusiastic and
polemic terms in order to explain this actual contradiction in Chile:
Ways were found to ignore – or pretend to ignore – violations of the human
rights for many years, and, to my surprise, I still find some who deny those
crimes occurred, despite the evidence [ . . . ]. Crimes perpetrated in shadows
during those years have, inevitably, been coming to light. Airing the truth
is the beginning of reconciliation, although the wounds will take a long time
to heal because those responsible for the repression have not admitted their
guilt and are not disposed to ask forgiveness. The acts of the military regime
will go unpunished, but they can no longer be hidden or ignored. (161) 13
Constable and Valenzuela write, in A Nation of Enemies, that the
upper-class Chileans often reacted angrily when mentioning the foodrationing politics that Allende established during his presidency and
trembled when thinking about student and mass uprisings (11). Many
supporters of the Pinochet regime seized the opportunity to build a
“modern state” based on free-market rules and by the application of the
doctrine of wild capitalism, through a neoliberal experiment. In these
circumstances, even the weakest leftist manifestation was destroyed and
political repression was brutal. In this situation, even though political
freedom existed in theory, no one is in a position to enjoy it. In Chile, the
authors of this economic miracle, in an expression introduced by Milton
Friedman, did not believe that political freedom would bring economic
freedom. The “Chicago-boys,” the group of economists educated in
Chicago and entrusted with the economic miracle, emphasized the scientific nature of the program. The use of scientific knowledge, by the
technocrats, reduced the freedom of individuals in order to assure the
creation of an authoritarian state, which consequently created the ideal
environment for the introduction of a free market economy (Rayack 57).
Bakunin perceived the negative effects of a state ruled by technocrats and
based on scientific texts. According to his assessment, “human sciences
are necessarily imperfect, and forcing the individual inside the scientific
conformity will end up with the martyrdom of humanity” (79). The
Chilean experience confirms this viewpoint. The model of free-market
economy was imposed on the Chilean society by Pinochet’s regime,
however only the rich and the powerful enjoyed the results of this experiment (Constable and Valenzuela 192). In order to apply these market
regulations, the government attacked the opposition by repressing human
rights.
Memory is not always dependent upon a personal experience of the
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individual who relates history. As for the exiled, for example, memory
goes through belief and interpretation of accounts from other individuals.
For many political exiles, and for the survivors of imprisonment and
torture during the dictatorship, the necessity to preserve the past caused
the proliferation of web sites on the Internet dedicated to future generations. One of these sites is called Memoria viva (“Live Memory”). The
adjective “viva” signifies and symbolizes the act of storing, preserving and
updating events and information that belong to the past of an individual
or a society. Memory, if it is not reactive, not “alive” becomes oblivion,
like some literary texts, like secondary achievements of people more or
less famous, movies that did not leave an impression on the critics and
public, or similar events that never appeared in history books. In one of
these testimonies, appearing in the site Memoria viva, sponsored by the
“International Project on Human Rights” (Proyecto internacional de
derechos humanos), written in memory of the brother of the anonymous
writer, “Testomonio en memoria de Marco Antonio” (“Testimony in
Marco Antonio’s memory”), the reader finds the following:
I’m now old and I feel I’m dying and at this point in my life only a few things
are left to be started, however I have things that I want to finish. I have seen
many things, a lot of sufferings and friends whom I saw being taken out of
a cell and never come back or disappearing. Now that I’m not afraid
anymore and in memory of my brother I say the things that he couldn’t say
for fear.14 (<memoriaviva.org>)
After the fear infused by the dictatorship, the voices of silenced people
recuperate their vitality in order to denounce the events that many Chilean
had refused to accept or that they ignored. In 1998, when the National
Criminal Court of Spain requested Pinochet’s extradition from England,
the general’s comment was that it would have not served any purpose
opening new wounds among the Chilean society when the truth about
what happened had already disappeared in the past. Nevertheless, despite
many obstacles, the truth is inevitably emerging through history books,
fiction, direct testimonies and images of the dictatorship years. Another
testimony, related by Rosa Gutiérrez Silva, recounts:
By way of this testimony I accuse the military coup government of Augusto
Pinochet for my fourteen years of exile, those who were running the Naval
War Academy for the tortures I received, and those who destroyed my
family leaving my three brothers unemployed. I apologize for editing errors,
but it’s difficult to remember the sorrow that I feel again. I’m omitting
details in honour to my family and daughters and in order to spare tears
that until now were falling in vain, [ . . . ].15 (<memoriaviva.org>)
The past exists, even when it’s difficult to recall brutal events. In a fast
changing sociopolitical and technological context of historical references,
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there is a risk of creating a conflictive record between all the written, visual
and digital sources of memory. Todorov sees this overwhelming amount
of information as a possible obstacle to memory:
Fallen into a faster consumption of information, we would be devoted to
their even faster elimination; cut off from our traditions and brutalized by
the demands of society based on amusement entertainments, lacking spiritual curiosity [ . . . ], we would be condemned to celebrate oblivion
cheerfully and to be happy with the vain pleasures of the moment. Memory
would then be threatened not by the obliteration of memory, but by their
abundance.16
Despite the dangerous path taken by the discourse on memory towards
a possibly endless future, Isabel Allende’s poetic interpretation in My
Invented Country summarizes the significance of individual memory and
history:
I realize as I write these lines that my view is subjective. I should report
events dispassionately, but that would be to betray my convictions and
sentiments. This book is not intended to be a political or historical chronicle, only a series of recollections, which always are selective and tinted by
one’s own experience and ideology. (159) 17
In conclusion, today memory takes advantage not only of the use of
writing, but also the many forms of media offered by technology. Live
memory is not a utopia; nevertheless it is a never-ending process that little
by little employs all the sources available for the gathering of individual
and collective memory, in order to create a multifaceted record reflecting
multiple views and contexts of all histories that construct History.
Works Cited
Allende, Isabel. Mi país inventado. Barcelona: Areté, 2003.
——. My Invented Country. Trans. Margaret Sayers Peden. New York:
HarperCollins, 2003.
Bakunin, Michael. The Political Philosophy of Bakunin. Ed. Gregory P.
Maximoff. New York: The Free Press, 1953.
Cárcamo Huechante, Luis Ernesto. “MEDIAted Memory: Writing, Photography,
and Performativity in theAge of the Image.” Latin America Literature and Mass
Media. Ed. Debra A. Castillo and Edmundo Paz-Soldán. New York: Garland
Publishing, Inc., 2001: 103–16.
Constable, Pamela and Arturo Valenzuela. A Nation of Enemies: Chile under
Pinochet. New York: Norton, 1991.
Gutiérrez Silva, Rosa. “Yo acuso a Pinochet.” Memoria viva 2000. 24 September
2003.
<http://www.memoriaviva.com/testimonios/Testimonio%20de%
20Rosa%20Gutierrez%20Silva htm>.
Hutcheon, Linda. A Poetics of Postmodernism: History, Theory, Fiction. London:
Routledge, 1988.
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Iñíguez, Diego and Pablo Santolaya. “Reforma Constitucional y Electoral en
Chile” Proyecto ACE. 21 August 2003. 11 February 2004.
<http://www.aceproject.org/main/espanol/ lf/lfy_cl.htm>.
Malcolm, Norman. Memory and Mind. Ithaca: Cornell University Press, 1977.
“Memoria Viva.” 8 February 2004. <http://www.memoriaviva.com/>
Neruda, Pablo. A Call for the Destruction of Nixon and Praise for the Chilean
Revolution. Trans. Teresa Anderson. Cambridge: West End Press, 1980.
——. “Incitación al nixonicidio y alabanza de la revolución chilena.”
<http://www.confenats.cl/cultura.htm> January 2005.
O’Connell, Patrick L. “Narrating History Through Memory in Three Novels of
Post-Pinochet Chile.” Hispania 84 (2001):181–92.
Rayack, Elton. Not So Free to Choose: The Political Economy of Milton Friedman
and RonaldReagan. New York: Praeger, 1987.
Richard, Nelly. Residuos y Metáforas (Ensayos de crítica cultural sobre el Chile
de la transición). Santiago: Cuarto Propio, 1998.
“Testimonio en memoria de Marco Antonio.” Memoria viva 2000. 24 September
2003.
<http://www.memoriaviva.com/testimonios/testimoniodeunhermano.htm>.
Todorov, Tzvetan. Les abus de la mémoire. Paris: Arléa, 1995.
Notes
1
2
3
4
5
6
Original text of the quote: “Le culte de la memoire se sert pas toujours la
justice” (58). All of the translations are mine, unless otherwise indicated.
“no hace mucho un atentado terrorista destruyó las torres gemelas del World
Trade Center y desde ese instante algunas cosas han cambiado. No se puede
permanecer neutral en una crisis” (13). All of the English versions of Allende’s
Mi país inventado come from Sayers Peden’s translation.
“Al ver el colapso de las torres tuve la sensación de haber vivido esa pesadilla
en forma casi idéntica. Por una escalofriante coincidencia – karma históricolos aviones secuestrados en Estados Unidos se estrallaron contra sus objectivos un martes 11 de septiembre, exactamente el mismo día de la semana y
del mes – casi a la misma hora de la mañana – en que ocurrió el golpe militar
de Chile, en 1973. Aquel fue un acto terrorista orquestado por la CIA contra
una democracia. Las imágenes de los edificios ardiendo, del humo, las llamas
y el pánico, son similares en ambos escenarios” (14).
“Tenemos mala memoria para los crímenes del Estado, pero nunca olvidamos
los pecadillos del prójimo” (120).
“el recuerdo necesita de superficies de inscripción donde grabarse para que
la relación viva entre marca, textura y acontecimiento, libere nuevos efectos
de sentido” (Richard 15)
“Hay cierta frescura e inocencia en la gente que ha permanecido siempre en
el mismo lugar y cuenta con testigos de su paso por el mundo. En cambio
aquellos de nosotros que nos hemos ido muchas veces desarrollamos por
necesidad un cuero duro. Como carecemos de raíces y de testigos del pasado,
debemos confiar en la memoria para dar continuidad a nuestras vidas; pero
la memoria es siempre borrosa, no podemos fiarnos en ella. Los acontecimientos de mi pasado no tienen contornos precisos, están esfumados, como
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7
8
9
10
11
12
13
14
15
si mi vida hubiera sido sólo una sucesión de ilusiones, de imágenes fugaces,
de asuntos que no comprendo o que comprendo a medias” (98).
“Nixon acumula los pecados de cuantos le precedieron en la alevosía. [ . . . ]
También ha intervenido en un cerco económico que pretende aislar y
aniquilar la revolución chilena. En esta actividad usa diferentes ejecutores,
algunos desenmascarados, como la venenosa red de espías de la I.T.T., y
otros, solapados, encubiertos y ramificados entre los fascistas de la oposición
chilena contra Chile.Así pues, el largo título de este libro corresponde al
estado actual del mundo, al próximo pasado, y a lo que ojalá dejemos atrás
como espectáculo de amenaza y dolor.” (http://www.confenats.
cl/cultura.htm)
“La restitution intégrale du passé est une chose bien imposible (mais qu’un
Borges a imaginé dans son histoire de ‘Funes el memorioso’), et, par ailleurs,
effrayante; la mémoire, elle, est forcémnet une sélection: certains traits de
l’événement seront conservés, d’autres sont immédiatement ou progressivement écartés, et donc oubliés” (14)
“no hubo espacio para la memoria cuando empezó la democracia en Chile,
nadie querría acordarse del pasado”
«Lorsque les événements vécus par l’individu ou par le groupe sont de nature
exceptionnelle ou tragique, ce droit devient un devoir: celui de se souvenir,
celui de témoigner» (16).
La historia la escriben los vencedores a su manera. Cada país presenta a sus
soldados bajo la luz más favorable, se ocultan los errores, se matiza la maldad
y después de la batalla ganada todos son héroes. Como nos criamos con la
idea de que las Fuerzas Armadas chilenas estaban compuestas de obedientes
soldados al mando de irreprochables oficiales, nos llevamos una tremenda
sorpresa el martes 11 de septiembre de 1973, cuando los vimos en acción.
Fue tanto el salvajismo, que se ha dicho que estaban drogados [ . . . ] (173).
“L’individu qui ne parvient pas à accomplir ce qu’on appelle le travail de
deuil, qui ne reussit pas à admettre la réalité de sa perte, à s’arracher au choc
douloureux qu’il a subi, qui continue de vivre son passé au lieu de l’intégrer
dans le présent, qui est dominé par le souvenir sans pouvoir le domestiquer
[. . . ], cet individu [ . . . ] se condamne involontairement lui-même à la détresse
sans issue, sinon à la folie”(32–33).
“durante muchos años y, ante mi sorpresa, todavía suelo encontrar algunos
que niegan lo ocurrido, a pesar de la las evidencias [ . . . ]. Los crímenes perpetrados en la sombra durante esos años han ido emergiendo inevitablemente.
Ventilar la verdad es el comienzo de la reconciliación, aunque las heridas
tardarán mucho en cicatrizar, porque los responsables no han admitido sus
faltas y no están dispuestos a pedir perdón. Las acciones del régimen militar
quedarán impunes,pero no pueden ya ocultarse o ignorarse” (184).
“Yo ya estoy viejo y siento que me estoy muriendo y a esta altura de mi vida
quedan pocas cosas para empezar, pero me quedan cosas por dejar bien terminadas. Son muchas las cosas que he visto y mucho sufrimiento y los amigos
que vi sacar de las celdas y que nunca volvieron o que desaparecieron. Ahora
ya no tengo más miedo y en la memoria de mi hermano digo ahora las cosas
que él no pudo decir por miedo.” (http://www.memoriaviva.com)
“A través de este testimonio acuso al Gobierno del golpista Augusto Pinochet,
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por mis catorce años de exilio; a quienes dirigieron la Academia de Guerra
Naval, por las torturas recibidas, y a quienes destruyeron a mi familia dejando
cesantes a mis tres hermanos. Pido disculpas por los errores de redacción,
pero es difícil rememorar el dolor ya que se vuelve a sentir. Omito detalles en
honor a mi familia e hijas y para ahorrar lágrimas que hasta hoy eran en vano,
[ . . . ].”
16 “Précipités dans une consommation de plus en plus rapide d’informations,
nous serions voués à leur élimination tout aussi accélerée; coupés de nos traditions et abrutis par les exigences d’une societé des loisirs, dépourvus de
curiosité spirituelle [ . . . ], nous serions condamnés à célébrer allègrement
l’oubli et à nous contenter des vaines jouissances de l’instant. La mémoire
serait menacée ici, non plus par l’effacement des informations, mais par leur
surabondance” (13).
17 “Me doy cuenta de que al escribir estos hechos soy subjetiva. Debiera
contarlos despasionadamente, pero sería traicionar mis convicciones y
sentimientos. Este libro no intenta ser una crónica política o histórica, sino
una serie de recuerdos, que siempre son selectivos y están teñidos por la
propia experiencia e ideología” (182).
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ephemeral histories
Public Art as Political Practice in Santiago,
Chile, 1970 – 1973
Camilo Trumper
Haga
Patria,
Muera
De Amor
cuando nadie me ve
escribo tu nombre en las
paredes de mi ciudad 1
The election of Salvador Allende in 1970 marked the triumph of a new,
particularly urban form of Chilean politics. Allende’s presidential
campaign was structured around a combination of traditional political
maneuvering and grassroots mobilization. His victory was largely due to
a new form of politics that incorporated political direction “from above”
with participation “from below.” Allende’s grassroots supporters, organized into Popular Unity Committees, literally took his message to the
streets, saturating city walls with Popular Unity campaign slogans,
posters, and graffiti. Allende fought and won the presidential election
through the murals and posters displayed in Santiago’s public sphere,
including the crumbling walls of downtown areas and working-class
neighborhoods. Allende’s proposal of “new politics” revolutionized
Chilean urban, political and social landscapes.
What form did this “new politics” take, what are its origins, and how
did it become a dominant if contested form of struggle in the early 1970s?
How is it that a presidential election came to be fought and won with the
poster and paintbrush? How do we study urban political struggles that
produce such ephemeral sources as posters, murals and graffiti? What is
the relationship between the city, its public spaces, its streets and walls,
“El Arte al Servicio del Pueblo”, quoted in Ramona, Año 1, No. 30, Martes 23, 1972.
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and political participation? These questions drive my investigation of the
interrelation between urban politics and public art.
Space, Place and Political Change
The distinct subtopics within the rubric of urban history were scrutinized
by a number of North American authors. Cities often become spaces that
house political struggle, flows of capital, and/or the making of conflicting
relations and discourses of “race,” gender, and nationality. However,
another school argues that these are not distinct phenomena that occur
separately in cities, but that, instead, cities are sites in which politics,
economics, social inequalities, and individual agencies intersect, and the
ways in which they come together has important implications for the
construction of history. The city, its public spaces and local places, are
intricately tied to political change, and are themselves worthy of study.
Harvey’s examination of the “annihilation of space by time” and Nora’s
conceptualization of “lieux de mémoire” offer means of thinking about
space and place as intimately tied to political practice. Harvey’s analysis
of the dialectic of space and place is framed by his critique of the capitalist mode of production as a revolutionary system in which space and
time are continually being destroyed and rebuilt by the technologies of
modernity. Nora complements Harvey, understanding the experience of
modernity as defined by the destabilizing eradication of the spaces in
which memory is tied to everyday places, objects, images, and gestures
(Nora 1–3). Like Harvey, Nora examines the annihilation of a “milieux
de mémoire,” of a “space” in which memory is a real part of everyday
experience. This leaves fragmented “lieux,” particular sites that, touched
by the fingerprints of the larger realities of “space,” embody and crystallize memory in specific “places”. The “quest for memory in the
contemporary world,” then, “is nothing more than an attempt to master
the perceived loss of one’s history”; all we are left with is the need and
ability to read the signs of culture in places, objects, and images that are
“marked by vestiges of the past” but “remembered in the vicissitudes of
contemporary consciousness” (xiii). Lieux occupies a relationship
between macro and micro, abstract and material, past and present.
Formed in particular historical, social and political contexts, they are
continually re-interpreted in successive presents, and thrive because of
their ability to resurrect the traces of the past, to re-crystalize meaning and
generate new meanings by making new and unforeseeable connections
(xxi 15). Thus, Nora utilizes a historical methodology to refute positivist
conceptions of history proposing the existence of a coherent, unified
historical narrative. He emphasizes macro structural, social and political
contexts in which place is made and rooted, but argues that these macro
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fields continually inform and are recreated in the particulars of place, and
because of this, our understanding of the macro political processes must
be accomplished in an examination of these particular sites.
This chapter is an exploration of Chilean city streets and city walls as
spaced (“lieux”) in (on) which larger political battles were fought. I
examine the city walls as historically significant places, in which the
murals and posters served as an influential force to execute political
change. In the years surrounding the Unidad Popular (UP) government,
the political posters, murals and graffiti that saturated city walls became
an important means of political participation. They were created in, and
reflected, a larger historical process and political struggle, but also
provided new forms of political expression. The parties of the UP utilized
public art as a means of articulating their political platforms, and diverse
grassroots groups seized and transformed this language to redraw the lines
of the Chilean nation and state, and redefine the terms of citizenship in
order to affirm the pertinent role of each citizen as a legitimate political
actor regardless of class distinction. Part of a physical, grounded experience of political participation located in the bustle of streets, this new form
of Chilean public politics “collapsed the distinction between imagining
community and participating in it” (Henkin 11).2 Indeed, actors from the
right and the left took to the city streets and seized city walls, utilizing
public art to mobilize political and social claims in ways that simultaneously drew upon legitimate artistic and linguistic conventions and
engaged the received symbols and images, translating them in different
contexts, subtly manipulating, displacing, and redefining their meanings.
Thus, city streets and walls are sites “where politics becomes concrete,
physical, corporeal” (Groth 18). I contend that we can read murals,
posters, and graffiti of the period as evanescent historical documents,
means of elaborating a contingent, shifting set of political meanings that
were challenged and changed every time they were ripped down and
painted over, remade in every successive layer.
Public Art: Murals and Posters
The work of Brigadas Muralistas (Muralist Brigades) provide significant
examples of public political art as historical source. From the early 1960s
through the bloody coup of 1973, the Brigadas covered Chilean city walls
with paintings, texts and graffiti. During the UP they took advantage of
the state’s cultural policies, taking to the streets to present their own vision
of politics. Indeed, UP’s platform, published succinctly as a Programa de
Gobierno, devoted a significant section to “a new culture for a new
society.” This segment highlighted the importance of visual media in the
formation of what was claimed to be the final aim of the program, the
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making of “a new culture and a new person”. But this new culture, it
claimed, “will not be created by decree . . . it will only rise from
humankind’s struggle against individualism . . . for national values and
against cultural colonization . . . for the people’s access to art, literature,
and means of communication, and against its commercialization.” Thus,
borrowing from Che Guevara’s idea of the “new man,” the Programa
traced a close link between the transformation of the state, society,
culture, and the creation of a new citizen and person. “The transformations we will seek”, it concluded, “require a socially conscious, committed
proletariat, an educated proletariat able to employ and defend its political power, a scientifically and technically trained proletariat capable of
moving toward a socialist economy, and a creative proletariat open
toward the production and appreciation of the most varied forms of art
and intellect.” The Brigadistas seized upon this connection, challenging
distinctions of high and low culture and claiming the streets as sites of
political and cultural change, as sites of self realization. Roberto Matta,
the renowned Chilean surrealist who worked sporadically with the
Brigadas, articulated a complex understanding of public art as revolutionary, and simultaneously transformative of politics, city and self: “I
decided to work with the guys because, if things are going to change, the
idea of the museum has to change . . . the streets have to be the museums
. . . I want art that comes from below rather than an art that is imposed
from above” (Ramona 6). Indeed, the Brigadas claimed the urban landscape as a central pillar of political participation and communication, a
democratic space where citizens across class, race and gender became
politicized, participatory citizens engaging left- and right-wing party
media and messages, but doing so in order to re-draw the lines of political citizenship and participation.
The Muralist Brigades were born in the early 1960s as part of Allende’s
earlier electoral campaigns. Informal groups of militants, students and
workers eventually coalesced into three major organizations with clear
party affiliations and tied to the UP: the Brigada Ramona Parra (BRP) of
the Juventudes Comunistas (JJCC), the Brigadas Elmo Catalán (BEC) and
Inti Peredo of the Partido Socialista (PS); the centrist Democracia
Cristiana (DC) had successfully utilized ad campaigns featuring organized
displays of political slogans in the 1964 election campaign, while farright-wing groups, most notably Patria y Libertad (PL), quickly formed
paramilitary youth groups that fought violently for control of public
spaces. The BRP rapidly became the most established, organized, innovative and effective representative of this new form of political
organization. Originally formed in response to the DC’s 1964 presidential campaign, the BRP solidified its presence during a 1969 march from
Valparaíso to Santiago in protest of the Vietnam War. In August and
September of 1970, the UP brigades united in an initiative termed
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“Amanecer Venceremos,” and numerous groups of 15 young party
members covered Santiago’s walls with thousands of slogans of “+3
Allende Venceremos Unidad Popular!” Between September 4, 1970 – the
day of Allende’s election – and 1973, the BRP moved away from solely
text-based messages, inaugurating a characteristic style that incorporated
image, color, and text, into a potent means of political communication.
Although these Brigadas drew from Mexican, Cuban, and Eastern
European traditions of public art, their methods and messages were
different. They created an elaborate, ephemeral visual language, which
was “collective, urban, anonymous, and ephemeral, carried out quickly
and furtively, and without any pretension toward longevity, produced
(initially) by militants, non-artists, and conceived not as art but as a tool
of propaganda and political agitation” (Longoni 26). Seizing walls originally built to demarcate private property, the Brigadas perfected a modern
division of labor which emphasized speed and efficiency, ultimately
finishing a simple slogan in minutes and more complex murals in hours
(Kunzle 362, Longoni 23). Trazadores would design the mural and outline
the image and text; fondeadores would paint the background;
rellenadores would fill in the image with the BRP’s characteristic primary
colors, usually yellow and red; and fileteadores would trace the image
with thick black lines (Kunzle 362). As Alejandro “Mono” González, the
artistic director of the BRP, relates of the Brigadas style “we borrow
styles, and with these borrowed styles, we build a language, we reinvent,
and we work this language into a new context, into a new reality with our
own commitments” (qtd. in Sandoval 35). What began in the mid 1960s
as furtive slogans became powerful, hybrid creations, murals that, incorporating various influences, pieced together a distinct visual language, and
using this language, which engaged official political messages and articulated fleeting, changing, alternative political discourse and message.
The Brigada’s place within UP’s “nueva cultura” was institutionalized
in 1971 when parallel exhibits of mural artists were mounted in Santiago’s
Instituto de Arte Latinoamericano and in the Museo de Arte
Contemporaneo. The BRP poster, which was designed by González to
accompany these exhibitions, illustrates the muralists’ visual language
and place within urban politics, synthesizing BRP iconography and
serving as an emblematic object of study.
The most striking aspect of this poster is its deployment of color. Reds
and oranges, offset by thick black lines, dominate its aesthetic. In the first
two levels of the poster’s tripartite structure, the national imagery of the
deep reds parallel the Communist Party reds; the oranges not only recall
the draw of the copper industry, but are also used for the skin-tone of the
lone human figure. This play of color symbolically ties the human form,
the nation, and industry under the harmony and peace represented by a
single dove. At the apex of the image, the Chilean flag has been trans-
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formed into a hand whose thumb and forefinger form the shape of a
wrench. Nation and industry are expressed as related constructs as they
reach for an open flower whose pistils form an upraised fist. Their interaction forms a narrative in which nation and industry are entwined with
hope, determination and resistance. The BRP conveys a message similar
to that of the Programa, in that self-fulfillment emerges as a result of
labor, which is intertwined with the transformation of nature. This
process of self-realization is inextricably tied to the formation of the
nation. Articulating a version of the UP discourse of nation and citizenship, the BRP simultaneously recalls and reminds the viewer of the central
role that the UP citizen can claim in state formation. In short, the BRP
works within discourses of nation, modernity, and progress, but it transforms these discourses into a vehicle to make potent demands regarding
the role of the state in its citizens’ everyday realities. Thus, the move from
the streets to the museum symbolized UP’s democratization of the spaces
of “high art,” but it also symbolized the crucial role that public space and
public art played in the articulation of political discourse, narrative and
meaning: murals and posters are sites in which visual imagery is collected,
coalesced into coherent narratives, where the iconography of modernity,
nation and class are brought together as constituent parts of a larger
framework of meaning, an overarching structure that is fashioned by the
particular juxtaposition of each element, but which add significance to
each isolated term; and it is this particularity of visual language that makes
BRP’s public political art a potent means of political participation and
expression. In this sense, Ramona Parra simultaneously articulated, drew
upon, and shaped UP’s messages and symbolisms. But its art is only one
example of a wider range of popular art which expressed changing,
contradictory definitions of UP’s discourse, its ideas of nationalism and
nation.3 In what follows I examine the political posters produced in
Vicente Antonio Larrea and Luis Albornoz’s graphic arts studio to illustrate the subtle ways in which UP’s definitions of nation and citizenship
were engaged and shaped by the people at the grass-root level in relation
to interlocking discourses of modernity, class, gender and race.4
An examination of a selection of these posters allows me to highlight
the ways in which a variety of actors emerging from diverse places and
sources reshaped the different forms of political and cultural production
of the UP. A poster the Larreas designed for the Conjunto de Música
Popular illustrates their implicit connection to the BRP. The poster highlights the place of public walls (or muros) in a shared political community.
Here, the image of a hillside neighborhood, a typical working-class
población in the port of Valparaíso, is symbolically buttressed by a vast
muro, graced by BRP’s slogans and characteristic colors. It is a community held together by, and inextricably bound to, UP’s cultural production.
In fact, the Larreas subtly elaborate and rework these intertwining ideas
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of politics and community agency throughout their work. They do so by
evoking a wide range of intersecting discourses of nation, class, gender
and race, and are often at odds with official ideologies.
The set of posters produced by the Larreas in the late 1960s and early
1970s draw from a body of symbols that parallels the ones we have seen
in BRP works and in the official Programa – symbols of nation, community, industry, children and harmony. But a salient feature of their posters
is their immediacy. Although they mobilized a recurring set of themes and
symbols, these artists constantly reconstructed the ways in which they put
these images and signs together to articulate their message for different
contexts and times. Their work was often produced immediately after the
events, one day to the next, in response to UP speeches, to other forms of
visual language, or to public demonstrations (Interview with Vicente
Larrea, 07/01). Because of this, their work reveals a subtle, ever shifting
understanding of the national community.
The articulation of nation and community comes through most strongly
in a series of prints produced for the UP campaigns of volunteer labor.
One of these campaigns sought to recruit volunteers to work in the reconstruction of areas outlying Santiago after a violent earthquake struck the
central valley soon after Allende’s election. Evoking themes of solidarity,
national unity and family, the following series of posters transforms this
natural disaster into a metaphor for the reconstruction of a cohesive
national community unified by acts of solidarity that cut across class, race
and gender lines. An initial poster, framed by a simple textual message,
“A TRABAJAR POR CHILE: MOVIMIENTOS VOLUNTARIOS DE LA PATRIA”
(“Working For Chile: National Volunteer Efforts”), places a jumbled
world of agricultural, industrial and urban labor, which is slowly
emerging from the devastation of the earthquake, on the shoulders of a
young child clothed in working-class garments featuring the Chilean flag.
A second in this series, “CHILE RECONSTRUYE UNIDO” (“Chile Re-Builds
United”), presents a second stage to this process of reconstruction. An
ordered community has risen out of initial confusion, one complete with
housing, schooling, and various forms of labor, but still under construction. A third, “CHILE TRABAJA POR CHILE” (“Chile Works For Chile”),
portrays a smiling family in front of a tractor, surrounded by workers and
the Chilean flag. In a subsequent image, an outstretched fist holds a shovel
that is itself transformed into a defiant flag. These examples draw a clear
relationship between volunteer labor, the family, and the construction of
a national community. As Kunzle writes, the “earthquake is interpreted
allegorically, not just as a natural disaster but as the spirit of the new Chile
breaking through the barren rocks of the past” (367). Indeed, the natural
imagery is prevalent, intertwining seamlessly with symbols of labor and
culture. This is true throughout the Larrea brothers’ work: “the cog of the
machine becomes the rising sun, the wrench is like a guitar, the pick is like
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a book” (Kunzle 367). These ideas play out powerfully in this series. A
final image, calling Chileans “A Trabajar” (“To Work”), simply portrays
two birds building a nest together. In these images, the construction of a
cohesive, harmonious national community becomes a natural, teleological result of the labor of individuals, a symbol of national solidarity that
encompasses and subsumes, rather than highlights, class conflict.
These interpretations of the Chilean nation, and the role of the state
and the individual in constructing the nation, appear modified in interesting ways in another series of posters on the nationalization of copper.
For decades, copper had been the main Chilean export and the almost sole
source of foreign currency. Miners had long played a pivotal role in
national political and labor struggles. However, large copper mines had
been owned by transnational corporations that until Frei Montalva’s
Chilenización, had left little to the Chilean economy. For the UP, state
ownership of copper mines was an essential aspect of its nationalist platform. The following poster illustrates the ways in which the Larreas
interpreted this theme. Divided into two semantic fields, its apex is a
textual space:
CHILE
CHILE
DECIDIO
HAS DECIDED
SU DESTINO.
ITS DESTINY.
LA ANACONDA
ANACONDA
QUIERE TORCERLO
WANTS TO TWIST IT
DEFENDAMOS EL COBRE. DEFENDAMOS CHILE! LET’S DEFEND OUR COPPER, LET’S DEFEND CHILE!
This text establishes antimony between Chilean autonomy and the
foreign owned Anaconda Copper Company. It is a play on space and
words. The organization of text and the play on the verb torcer recalls the
serpentine contours of the Anaconda. This stands in direct contrast to the
linear order of the text below, which calls for Chilean autonomy. We
have, then, a dichotomy between the insidious influence of serpentine
international capital, and the well defined sovereign nation whose
autonomy is intimately, naturally tied to the linear shape of its physical
contours and national boundaries. The visual section of the work echoes
this symbolism. The poster’s central axis is a disembodied fist. A key
figure in UP socialist and communist symbolism, the fist stands as an
emblem of community, resistance and determination. In this case, the
emphasis on community is strengthened, as the Chilean flag emerges from
the fist’s apex and makes up the figure’s wrist, bleeding seamlessly into
fingers grasping a copper bar. The fingers themselves are symmetrical,
linear digits, simultaneously evoking the geography of the nation and the
rigid lines of a brick of copper. In this way, the copper bar becomes a
metaphor for the nation. It envelops an array of Chilean ideal types,
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including the rural huaso, the miner and the indigenous peasant woman.
The colors employed strengthen the continuity between national community and copper. The reds of the Chilean flag are mirrored in the red
highlights of the copper bars’ faded oranges; these oranges are themselves
evoked in skin color of Chilean faces and fists. In this way, the Chilean
national community becomes naturally linked with the autonomous
mining industry, their interconnection symbolized by color in physical
contours, marks of ethnicity and the red tinged miners’ hats. This becomes
the image of a national community defined not only in terms of modern
industry, ethnicity, and class, but also by geographical imagery, national
symbols, and the trappings of profession and style of dress.
This poster articulates another image that became a potent symbol of
the nationalization of copper: Chile se pone los pantalones largos (Chile
Wears its Long Pants). Here, nation, modernity, skin color, and class are
tied to natural processes. They are linked either to geography, “race” or
growth, with nationalization as the liminal point between children’s
pantalones cortos (short pants) and the mature nation/mature citizens’
pantalones largos (long pants). Subsumed by and expressed as color and
contour, Chilean nationalism, modernity, and its constituent aspects are
re-intertwined and re-articulated in innovative ways. The poster is a space
in which a linear, unified Socialist narrative of nationality is created, a
space in which existing traditions and symbolisms are displaced and translated into new, coherent discourses. Gathering apparently disjointed,
dissonant symbols into a cohesive portrait, the Larreas fashioned
powerful meanings from juxtaposition. As in the cinematic montage or
the photographic essay, the production of meaning, narrative and truth
lies in the interval, in the moment between pieces. The poster, then, is a
project of re-collection, of remaking an existing historical/political narrative into a cogent, unified image. Political posters perform this task of
re-collection as a means of manufacturing original historical and political
discourse, organizing and reorganizing symbolic imagery, and manipulating a visual grammar to build constellations of legitimate political
meanings.
Another example furthers our understanding of the ways in which
visual language becomes a political medium that creates meaning. Again
celebrating the nationalization of Chilean copper, and drawing upon a
poem by Neruda, this image provides a synthetic image of Chilean society.
It portrays a group of people, a series of ideal types ordered as a rough
pyramid whose apex is a child holding a Chilean flag over his head and
whose base is the ubiquitous copper bars that serve as a literal and
metaphoric foundation for the national community. Arranged carefully,
this pyramid effaces class hierarchy, but maintains other differences. The
Chilean peasant, doctor, miner, and teacher occupy parallel positions.
However, “race” remains a potent means of preserving the presence of
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historical difference. Urban professionals look white, while rural working
classes, including miners, fishermen and huasos (cowboys) look darker.
“Race” has remained an unspoken foil for social relations in Chile – a
“white” country in official and popular discourse, the lines of difference
in Chile are drawn along binary divisions between urban and rural, as
well as the elite and working classes; lines where the subaltern side of these
relationships are touched by unspoken insinuations of indigenous
“racial” background. Moreover, gender roles remain striking and intertwined with class and race, for while male figures hold evident signs of
professional identity, of all possible female figures, only the middle-class
mother features prominently. Indeed, the most interesting aspect of this
poster is the way in which the artists deploy symbols of status, class and
gender distinctions to reveal a complex understanding and active engagement with respect to the importance of color, dress, mannerism and stance
(what Bourdieu calls “habitus”) in creating and marking social distinctions. The articulation of these differences renders the poster’s message
clear: the UP is not a radical or revolutionary break with tradition; it
instead requires a new nationalism, a new form of community that nevertheless grapples with historical inequalities. This national community
stands in contrast to official UP discourse, which calls for the abolition of
class, race and gender difference.
This interpretation already initiates an analysis of the ways in which
ordinary, everyday imaginary, and not only monumental spaces, provides
a basic symbolism and style for the construction of the UP nation (Groth
and Bressi 1–24). The poster accomplishes this task visually and textually.
Neruda offers a network of interconnected terms drawn from everyday
definitions of the boundaries and terms of political discourse.
patria, pampa y pueblo
arena, arcilla, escuela, casa
resurrección, puño, ofensiva
orden, desfile, ataque, trigo
lucha, grandeza, resistencia
nation, plains and peoples
sand, gravel schools, homes
resurrection, fist, offensive
order, march, attack, wheat-fields
struggle, greatness, resistance
Visually and textually public art produced specific constellations of
concepts and interpretations. It structured a “chain of equivalence”
between potentially unrelated symbolisms and terms (Ross 97). In this
poster, nation and community are symbolized in the fist. The unification
of people as a cohesive entity, resistant and strong, is tied to the necessity
of order and sequence. A vertical analysis of Neruda’s poem and the
poster’s imagery together uncovers implicit connections between nation,
urban and rural land, resurrection and political struggle. A horizontal
reading of the poem’s penultimate line integrates the military organization
of ordered troops to the naturally tall, straight, structured contours of
wheat-fields. As Foucault reveals in his analysis of Borges’ classifications,
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establishing hierarchies and relationships between concepts and grammars is a process of suturing relationships of power and discourse (19). I
interpret this as a visual process. These posters elaborate a visual
language, grammar and lexicon that knit together a densely articulated
political discourse in which everyday objects can be understood as ciphers
of larger social “truths.” This language created, in short, a visual system
in which extraordinary monuments and sights, as well as ordinary,
everyday objects, ranging from helmets to shirts and shoes, took on potent
political significance. Certainly, the organization of political meaning in
a visual form is not only an example and means in which embodied agents
act in particular historical contexts to reproduce their political and social
realities, but it is also a practice of power, a technique of re-constructing
discourse, and of re-establishing meaning. Thus, this last poster serves as
a concluding example of the ways in which I have examined the intersection of text and image in public political art as a means of articulating
potent political meaning on city walls and city streets.
Works Cited
Aldunate, Isabel. “Yo te nombro, Libertad.” March 8, 2005. <http://members.
tripod.com/~mgiuras/interprete/ialdunate.html>
Bourdieu, Pierre. The Field of Cultural Production. New York: Columbia
University Press, 1993.
Díaz, Walter. Revista Ramona, Tue. 4 April, 1972,
Foucault, Michel. The History of Sexuality, vol. 1. New York: Vintage Books,
1980.
Groth, Paul. “Introduction.” Understanding Ordinary Landscapes. Ed. Bressi and
Todd. New Haven, CT: Yale University Press, 1997.
Habermas, Jurgen. “The Public Sphere.” Rethinking Popular Culture:
Contemprary Perspectives in Cultural Studies. Ed. C. Mukerji and M.
Schudson. Berkeley: U C Press, 1991.
Harvey, David. The Condition of Postmodernity: An inquiry into the origins of
cultural change. New York: Blackwell, 1989.
Henkin, David. City Reading: Written Words and Public Spaces in Antebellum
New York. New York: Columbia University Press, 1998.
Kunzle, David. “Art and the New Chile: Mural, Poster and Comic Book in a
‘Revolutionary Process’.” Art and Architecture in the Service of Politics. Ed. H.
Millan and L. Nochlin. Cambridge, MA: MIT Press, 1978.
La Bicicleta (journal) No. 6, Dec. 1972.
Larrea, Vicente. “Interview” by Camilo Trumper. El Mercurio, 07, 2001.
Longoni, Ana. “Brigadas Muralistas: La persistencia de una práctica de comunicación político-visual.” Revista de Critica Cultural. 19 (noviembre 1999)
21–27. <http://www.revista-de-critica-cultural.cl/n19.htm>
Mallon, Florencia. Peasant and Nation: The making of postcolonial Mexico and
Peru. Berkeley: U C Press, 1994.
Nora, Pierre. Lieux de Mémoire. Chicago: University of Chicago Press, 2001
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Revista Ramona Editorial (unsigned) 1.30 (February 27, 1972).
Ross, Kristin. Fast Cars, Clean Bodies: Decolonization and the Reordering of
French Culture. Cambridge: MIT University Press, 1995.
Sandoval, Alejandra. Palabras Escritas en el Muro: El caso de la Brigada Chacón.
Santiago: Colección Intervenciones en la Ciudad, 2001.
Winn, Meter. Weavers of the Revolution: The Yarur Workers and Chile’s Road
to Socialism. New York: Oxford University Press, 1986.
Notes
1
2
3
4
Graffiti, photographed in La Bicicleta. As lyrics, interpreted by Isabel
Aldunate, it became a powerful song of opposition to Pinochet’s dictatorship.
In the quotes that follow, all translations are mine.
A significant theoretical debate has evolved around the question of the nature
of the public sphere. Attempting to rescue the positive value of rationality
from Weber’s critique of formal rationalization and disenchantment of
modern public life, Habermas (1991) posits the existence of a public realm
characterized by the possibility of enlightened subjects engaging in transparent communication. What emerges is a theoretical ideal type of public
space structured around the value of democracy, communication and rationality. This is not so much a physical space, or a site of struggles of power,
but an arena of rational communication where private individuals can come
together, free of coercion, to form public opinion from unrestricted conversations. My study of Santiago’s public sphere stands in contradistinction to
this vision of a political public. Located in “physical space rather than in
conceptual abstractions,” in the “bustle of the streets” rather than the
enclosed spaces of governmental politics, political art formed the center-point
of an active struggle over political meaning which had very real, physical
consequences for its participants.
The UP was a tenuous coalition of a wide spectrum of disparate political
parties, which together garnered just over a third of total votes in the 1970
election. The UP was split by internal struggles as the parties sought to further
their own interpretations; this struggle informed and is reflected in public art,
as various Brigadas proposed differing interpretations of nation and state,
drawing sharp differences in relation to the possibility of armed struggle in
the battle over government and streets, differences epitomized by the contrast
of BRP doves to widespread images of rifles and resistance.
As Mallon writes in her introduction to Peasant and Nation, the ways in
which the nation is imagined and the state shaped are not simply defined
“from above” but also informed by the actions of grassroots organizations
and individuals acting “from below.” A number of important works draw on
similar frameworks. Peter Winn’s older Weavers of the Revolution elaborates
a groundbreaking analysis of UP political processes based on this dichotomy.
I propose that a focus on public art moves us away from a rigid analysis that
separates “above” and “below” into separate autonomous categories, and
instead highlights the subtle interconnections between these categories, and
all that lies between them, including the middle classes and professionals.
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remembering the
future
The Narrative Politics of José Miguel Varas
Gregory Lobo
When considering the reasons why anti-capitalist political struggle seems
marked, from the perspective of where we stand now, by failure, we
cannot overlook the explanatory factor of armed struggle . . . on the right.
That other September 11, the attack on the Palacio de la Moneda, should
be seen as part of that struggle – of the armed and violent struggle for
capital, whose roots reach deep. Prior to and since 1911, since 1917, since
1954 and ’59, the response to potential threats against the capitalist world
system has always included a large measure of immoderate violence.
Meanwhile, it is left-wing violence, or the promise of it, that seems to
garner all the attention. Carlos Altamarino, in the introduction to his
book on the failure of Chilean socialism, Dialéctica de una derrota, marks
this reality – actual right-wing violence, the mere dread of left-wing
violence – when he draws the contrast between the peaceful celebrations
of Allende’s victory, which the bourgeoisie so feared, and the celebrations
following the golpe, when that pent up fear was unleashed in the most
spiteful manner. Altamarino writes, when
September was of the people, the police did not register one single outrage.
When it was of the bourgeoisie it [September] died darkened by the stink of
40,000 cadavers. The red terror, persistently announced by the heralds of
the bourgeoisie, didn’t appear then nor in the three subsequent years. The
white terror, on the other hand, came without announcement and its work
did not pause after the popular defeat. Two styles of life, two different
conceptions of society and man. One, of the people, happy, generous, open
to the hope of a better life; the other, of its adversaries, menacing, dehumanized, implacably resolved to defend its privileges. (9) 1
Violence, the always at-hand solution to the problem of popular resistance, seems to have done its job. As Hernán Vidal argues,
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the greatest triumph of the military dictatorship was psychological, in that
it was able to induce in large sectors of the population, in the name of a
“realism,” “pragmatism,” or political “renewal,” the conviction that many
of its objectives were their own, [ . . . ] imposing a reality principle that
would accept capitalist modernization, the dominance of market mechanisms, and the limitation of all political expectations. (303)
The limitation of all political expectations – wrought not by the
inherent deficiencies of alternative social practice but by the practice of
right-wing violence – seems to me to more or less characterize the present
conjuncture. But while the present is, so to speak, a fait accompli, the
future cannot be abandoned to the current dominant discourses, to the
imaginations of the privileged. We need, as it were, to re-member the
future, to put it back together again – that future once animated by ideas
of social progress (socialism), that political future, which once was
thought of as desirable in which – silly as it might sound – each would
contribute according to their abilities and talents, and each might benefit
according to their needs and desires. To be re-membered, however, such
a future needs first to be remembered: the very memory of it needs revitalization. It is with this thought in mind that I introduce the Chilean
author José Miguel Varas, a writer whose recognition by literary criticism,
even in Chile, consists of little more than this, from Raúl Silva Castro’s
Historia crítica de la novela chilena: “José Miguel Varas (1928) published
a first book of short stories, Cahuín (1946), when he was only eighteen
years old. Shortly after, he released a novel, Sucede (1950), which lacked
a properly novelistic structure” (401). This oversight, according to Jaime
Concha, has little to do with aesthetics: “To read [Varas] and compare
his worth with his systemic omission on the part of Chilean criticism [ . .
. ], is to realize the cynical ideological role literary studies have played in
our country, representing [ . . . ] the appetites and avatars of the dominant class” (11).
Recently, nevertheless, LOM Ediciones felt it worthwhile to re-publish
Varas’s Chacón, and Alfaguara, in 2001, released Varas’s Cuentos
Completos, testament to a growing interest in the author, at least in his
native land. I argue that Varas’s work deserves to be read far beyond that
land, and that its inclusion on reading lists would invigorate both our
students’ and our own ideas about what is and isn’t desirable, and what
is and isn’t possible, in this post-everything historical conjuncture.
Varas, who lived in exile in the Soviet Union during most of the
Pinochet dictatorship, writes within two different periods. The first is
determined and shaped to some degree by the struggle between the USSR
and the US. In response to each imperium’s particular claims to universality we can read Varas’s work between 1946 and 1968 for what I
describe as a red nationalism. This is a narrative politics which stakes out
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a position between the empires, neither of which cared a wit for democracy in the struggle for and against “socialism,” and indeed, it is a
narrative politics which helps prepare the way for a democratic Chilean
socialism.2
The second period in which Varas puts out fiction, after the Cold War,
seems to be a period in which US power is unchecked by competitors, be
they military or ideological. The future is to be capitalized, market-driven,
and the entire world, so a discourse of globalization proclaims, is invited
along. Against this, what Varas writes in this period constitutes a narrative politics, which critically recuperates socialist idealism. While the
post-Cold War period gave rise to utopian visions of unrestrained capitalist excess, the literary contributions of Varas can be read as
provocations and even injunctions to remember that earlier future once
animated by notions of something better.
The exemplary novel in this regard is El correo de Bagdad, which tells
the story of a Mapuche painter in Baghdad during the Iraqi revolution of
the 1960s. At the same time, the novel exposes the violent foundations of
the new world order, evidenced by the numerous hot wars which erupted
at the end of the Cold War. Particularly important here is the one against
Iraq, which, we should remember, did not end the first time (I’m referring
to the almost regular but scarcely noted bombings of the country by
British and US warplanes that continued right up to the beginning of the
sequel), and certainly has not ended this second time.
El correo de Bagdad has three main characters. The first is an unnamed
reporter for a left-wing newspaper in Santiago, who is writing from the
early 1990s, having recently returned to Chile from exile. He is now
presenting to the public the contents of a package that his editor gave to
him in the months before the coup. The package had been lying around
the newspaper’s office since the mid-sixties, sent by the second character,
a professor, Doctor Josef Beran (henceforth JB, or the Professor) of the
North Bohemia University, Czechoslovakia.3 The contents of the package
are 14 letters from the third character, a Mapuche painter, Aliro Machuca
(a.k.a. and hereinafter, Huerqueo), to JB, two from Prague, and the rest
from Baghdad. Each letter is followed by an annotation by the professor.
Set in Chile, Czechoslovakia, and Iraq, and for the most part very much
in the middle of the Cold War when revolution was still a part of leftist
discourse, the novel addresses our contemporary global concerns – even
their manifestations at the level of theory. There is, for example, a
tendency by theorists of difference, which ought to be considered part of
the human condition and indeed the presupposition for any political
theory,4 to elaborate it into a theory of irreconcilable alterity or otherness,
which holds that discrete cultures can never be known to each other.
Difference in this sense becomes not the presupposition for politics but its
a priori condition of impossibility. Neil Larsen in Reading North by South
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and Misha Kokotovic in “Theory at the Margins” show how, in a worst
case scenario dealing with the genre of testimonio, this leads exactly to
theorizations of the impossibility of cross-cultural politics, leaving to their
own devices Bolivian mineworkers, free-trade zone maquiladora workers,
and numerous indigenous groups, who we simply can’t even presume to
understand (Larsen 9–18; Kokotovic). The conclusion can only be a political dead-end insofar as politics is the negotiation of plurality, an
impossible proposition if we are all unknowable to one another.
Against this the novel articulates an idea of global resistance that speaks
to our present moment, suggested by a curious solidarity between Kurd
and Mapuche. In El correo de Bagdad Varas re-remembers the desire for
liberation in a narrative which grounds cultural identity in political identification, such that Mapuche Indian and Kurd can unite, such that we
can locate them, I would argue, in the same identity community of people
as different as Karl Marx, Martin Luther King, Jr., Malcolm X, Ho Chi
Min, Rosa Luxemburg; people who otherwise wouldn’t belong together.
The novel thus re-remembers a vision of the future based on a politics of
solidarity against the divisive relations of domination and oppression
which constitute, despite the affirmations of the most optimistic
discourses of globalization, the foundations of the present.
The play on difference and solidarity develops early in the exposition,
when the students, having just arrived in Baghdad, run into a demonstration of about 2,000 women. At their lodgings finally, the leader of the
International Union of Students, a “fat, dark and disdainful” Jir Pelikan,
is asked about the demonstration (51). In response he explains that the
women were protesting the fact that a group of students, among them the
president of the Iraqi Student Union, had been sentenced to death by a
military tribunal. This leads to an outburst of remonstration from the
assembled International Union students, who collectively suggest that a
protest be lodged, and that the congress be postponed. Pelikan explains
that one has to understand that “the matter is in the hands of military
justice and that he cannot do anything” (51). The students continue to
protest, and again Pelikan asks for their understanding: “This is a revolutionary process with many contradictions, but we have to support it”
(52). He goes on: “It’s another broken link in the imperialist chain [ . . .
]. We shouldn’t judge their internal problems” (52). And then the clincher:
“Finally, let’s not forget: they’re Arabs” (52).
What is the reader to make of Pelikan’s justification of the death
sentences on the basis that “they’re Arabs?” We can understand the character to be deploying the orientalist notion that Arab culture is somehow
essentially barbaric and prone to despotism, and to be suggesting then that
the students, being good cultural relativists, ought not to condemn their
way of doing things. However, if their difference demands understanding
or approbation of their actions, what are we to make of Huerqueo’s
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repeated observations that they are, after all, just like us? (that is to say,
him and his). For example, the plane carrying the international students
is received by a line of soldiers upon landing in Baghdad. “They weren’t
very well fed and they could have been Latin Americans based on their
faces and appearance.” Huerqueo observes (48). As for the Iraqi students
who share their buses, Huerqueo notes that their “only apparent exoticism was their guttural language” (48). And walking through the city’s
neighborhoods Huerqueo sees “children, hundreds or thousands of children, between five and twelve years, abundant like flies, hanging around
all over the place, shoeless, dirty, dark, with great big black eyes, only
different from those that proliferate in any poor neighborhood in Santiago
by the greater abundance of curly hair” (53). Even the Kurds “were only
distinguishable from Arabs and Latin Americans because they wore little
round hats” (70). Similar observations run through the novel. They are
really not that different.
Against the use of difference to excuse injustice, Huerqueo’s casual
insistence on how similar the different actually are, brings to the fore that
state or condition – of malnutrition, of poverty – which the great international majority share. I would suggest that this perhaps old-fashioned
internationalism is the novel’s response to the new-ness of neo-liberalism’s
globalization. Cultural difference, in other words, need not obviate political identification, an insight that is developed through Huerqueo, who,
even as his artistic star rises, will become politicized in the context of the
deformed Iraqi revolution. Every day more disgusted with its contradictions, he becomes . . . a revolutionary, though it is not with the
communists per se that Huerqueo will join; it is with the Kurds. The
Kurdish resistance approaches the artist first and they tell him, “[you]
belong in your country to a minority group, discriminated against, like
the Kurds here. Because of this, we believe that you can understand us and
[ . . . ] help us” (118). This line must confound theorists of difference who
maintain that different cultures are fundamentally unknowable to each
other. This appeal to Huerqueo reveals that the problem of understanding
across the cultural divide is not so much an issue of cultural difference,
but one of a differential relation to the experience of domination. Perhaps
it is indeed impossible for an empire’s beneficiary to understand the
mindset of someone on the receiving end of imperial violence, but, as the
novel suggests, these latter could find that despite their differences, they
have much in common.
As the novel continues, Huerqueo, the cosmopolitan Mapuche artist,
leaves everything behind for the Kurdish liberation struggle. We learn his
reasons – which might seem incongruous for 21st century readers like
ourselves – when he meets the professor in Vienna for the last time. The
occasion is a private showing of Huerqueo’s work prior to its tour of Latin
America. His artistic future, in other words, is bright. In a restaurant the
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professor pushes Huerqueo to give voice to the brooding preoccupations,
which on this ostensibly joyous evening have been so obvious. And so we
learn, through the professor, what moves Huerqueo to re-identify: despite
his “very essential commitment to his Mapuche people” (233), Huerqueo
declares, “we’re acculturated. Too much, he thinks, by the world, books,
ideas, cities [ . . . ]. Innocence is lost” (233). Given his acculturation he
feels it would be impossible to spend the rest of his life back where it began
in Curarrehue in the south of Chile; but nor, given his politicization, can
he continue as a cosmopolitan art figure, above the fray. In criticizing
Huerqueo’s decision, the professor seeks to convince him that he is no
longer marginal and oppressed. His artistic talent is every day more recognized and his discretionary income advances apace. But while his
“success,” the “adulatory slaps on the back, the bank account” (233) is
but a “great temptation to forget,” his humble beginnings when he had
intimate knowledge of “hunger and contempt” (233), the reality of the
Kurds in Iraq is an insistence that he should not (forget):
[U]pon feeling fraternal gaze of mustachioed men and dark tender women,
spilling tears with them [ . . . ], on sharing ostracism of eight-hundred
years, listening to their painful undulating songs, to smell the oily steel of
their sacred patriotic rifles [ . . . ], being received with absolute trust in
their stone houses, despite that nothing is in common – save condition of
pariahs – , and above everything on seeing their children who go from the
cradle to combat, one thinks: what do our petty petty-bourgeois dreams of
a little carpeted house with a little cuckoo clock matter and what the hell
(beg pardon, J.B.) does it matter my painting which only the refined understand? (234)
Huerqueo reflects on the contradictions of his identities Mapuche,
Chilean: “Am I not a Mapuche . . . and Chilean on top of that?”
[251] an artist, a husband, an adulterer, a success . . . a Kurd?
Mapuche and Kurd: although different, what brings them together,
however, is what they share, their condition in the world, their understanding of oppression.
If the oppressed are not represented as different, neither are the oppressors. Earlier I suggested that a cursory reading of the novel might give rise
to the impression that it participates in the discourse identified by Edward
Said as orientalism. We have already seen the head of the International
Union of Students justify an apparent act of barbarism by reminding the
would-be protestors that these people are, after all, Arabs. Among other
“orientalist” scenes Huerqueo tells the professor about two of Qasim’s
soldiers who pitilessly beat an obviously deranged man and then laugh
heartily at their exploits. When Huerqueo recounts this incident to his
wife, Eva (J. B.’s niece), she starts to shake and gives voice to the feelings
that the reader might by now be sharing: “We have to get out of here!
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They’re savages. We can’t keep on in this country” (142). But here, all of
a sudden, another sense becomes clear of Huerqueo’s repeated observation that they (the Arabs) are just like us (Chileans, Latin Americans),
marking a shift in the way he sees things. They may very well be savages,
but this is not one more incidence of dehumanizing orientalism; it is rather
a rebuke to the discourses that would always locate the other as the carrier
of barbarism. For the beating Huerqueo describes, as brutal and heartless
as it is, is not endemic to Baghdad. Varas has Huerqueo to respond to
Eva’s outburst by suggesting she think about the Nazis, Stalin, and other
European savages and savageries. They are just like us.
But there is more. Since Huerqueo is writing in the early 1960s, he
cannot make the connection for Eva between the Iraqi military regime’s
assault on ordinary Iraqis and the Chilean military regime’s assault on
ordinary Chileans. There are incommensurabilities, certainly: what you
have in revolutionary Iraq is the military overthrow of a Kingdom and a
clear oligarchy; in Chile, of a socialist movement. But the novel points to
the similarities. With the understanding that in the immediate aftermath
of the coup in Chile, Santiago’s river, the Mapocho, served as a dump for
the bodies of communists and other official enemies, Varas writes a scene
into El correo de Bagdad where Huerqueo and a friend visit the banks of
the Tigris at night. Amongst the impromptu eateries serving fish from the
river, a crowd gathers: “It’s a corpse. There’s a corpse in the river” (146).
The body dragged from the Tigris turns out to be that of a communist,
stabbed over twenty times. Meanwhile, looking from the corpse to the
street above, Huerqueo sees “at a great height, through a wall of glass,
the incandescent room of a big restaurant in which moved waiters with
maroon colored jackets among tables with white tablecloths at which
were sitting men and women in evening dress” (146). The scene renders
perfectly the image of a society divided and at the same time joined by the
relation between those who have too much and those who do not have
enough.
What we witness in Huerqueo is a change in his “geopolitical vision.”
In National Identity and Geopolitical Visions, Gertjan Dijkink identifies
a geopolitical vision as “any idea concerning the relation between one’s
own and other places, involving feelings of (in)security or (dis)advantage
(and/or) invoking ideas about a collective mission,” which “requires at
least a Them-and-Us distinction and emotional attachment to place” (11).
A geopolitical vision is how one sees oneself in relation to the world, and
if Huerqueo begins the novel seeing himself as a Mapuche artist transcending the limiting stereotypes imposed on him by his national context,
he will end the novel seeing himself, if not exactly as a Kurd, then certainly
as one of the earth’s oppressed fighting against a domination which is ultimately international (certainly with regard to the Kurds who inhabit
Turkey, Syria, Iraq and Iran).
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Varas’ novel emphasizes what is shared among otherwise radically
different people. Surrounded by alterity, in a situation in which he feels
“culturally deaf and mute,” there is “all of a sudden, in such a distant
country as Iraq, again the insistent message saying: don’t forget” (233).
The messenger is a Kurd, and Huerqueo recognizes – remembers, as it
were – his people. In reading this novel we too receive the message “don’t
forget.” Don’t forget that shortly after Chile has its first free elections in
about two decades the first allied bombing of Baghdad begins. Consider
here the significance of the novel’s title, which suggests mail, letters, and
thus a message from Baghdad. The author plays on the ambiguity of the
title and his own efficacy as a political agent when he has Huerqueo write
the professor from an increasingly unstable Iraq: “I promise to keep
writing to you, even though I have grave doubts about the efficacy of the
messenger/mail/message” (82). However, we now know what the message
from Iraq is: don’t forget. As, even in the age of terror, we celebrate the
end of history, the fall of communism, the victory of the market, there is
Iraq: bombed, with both Kurds and Iraqis (and US and British servicemen
and women) betrayed, and the message is, for those who are paying attention: don’t forget. Forget what? Don’t forget how this works: there are
those who do not have enough, and those who have too much, and they
will stop at nothing to keep it that way.
Works Cited
Altamarino, Carlos. Dialéctica de una derrota. Mexico, D.F.: Siglo Veintiuno
Editores, 1977.
Arendt, Hannah. The Human Condition. Chicago: University of Chicago Press,
1989.
Cáceres, Gabriela, Lorena Godoy and Daniel Palma. 1890–1990 Almanaque
Histórico de Chile. 2 ed. Santiago de Chile: Editorial Los Andes, 1996.
Collier, Simon, and William F. Sater. A History of Chile, 1808–1994. Cambridge:
Cambridge University Press, 1996.
Concha, Jaime. “José Miguel Varas o un desclasimiento ejemplar.” Varas, Porái,
7–16.
Dijkink, Gertjan. National Identity and Geopolitical Visions: Maps of Pride and
Pain. London: Routledge, 1996.
Kokotovic, Misha. “Theory at the Margins: Latin American ‘Testimonio’ and
Intellectual Authority in the North American Academy.” Socialist Review
27.3–4 (1999): 29–63.
Larsen, Neil. Reading North by South: On Latin American Literature, Culture,
and Politics. Minneapolis: University of Minnesota Press, 1995.
Lobo, Gregory. Narrative Politics in Chile, under and after the Cold War: José
Miguel Varas. Diss. University of California, 2002.
Oppenheim, Lois Hecht. Politics in Chile: Democracy, Authoritarianism, and the
Search for Development. 2nd ed. Boulder, Colorado: Westview Press, 1999.
Said, Edward W. Orientalism. New York: Pantheon Books, 1978.
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Silva Castro, Raúl. Historia crítica de la novela chilena, 1843–1956. Madrid:
Ediciones Cultura Hispánica, 1960.
Varas, José Miguel. Cahuín. 1946. Santiago: LOM Ediciones, 2002.
——. Chacón, Colección Clásicos de la Novela Social Chilena. Santiago: LOM
Ediciones, 1998.
——. Cuentos Completos. Santiago: Alfaguara, 2001.
——. El Correo de Bagdad. Santiago: Editorial Planeta, 1994.
——. Las pantuflas de Stalin y otras historias. Santiago: CESOC Ediciones
ChileAmérica, 1990.
——. Poraí. Santiago: Editorial Nascimento, 1963
——. Sucede. Santiago: Editorial Pax, 1950.
Vidal, Hernán. “Postmodernism, Postleftism, and Neo-Avant-Gardism: The Case
of Chile’s ‘Revista de Crítica Cultural’.” The Postmodernism Debate in Latin
America. Eds. Michael Aronna, John Beverley and José Oviedo. Durham: Duke
University Press, 1995: 282–306.
Notes
1
2
3
4
The total number of dead is not known exactly. More “objective” figures
come from Collier and Sater (360), and Cáceres (137). It would seem,
however, that Altamarino’s 40,000 in the quotation above is high. But would
the figure of 2,300 dead, reported by the Chilean Human Rights Commission
(see Oppenheim 113), negate the rhetorical force of Altamrarino’s words? If
so, what is the threshold beyond which such a tenor would be justified?
For further argument about the ‘place’ of Varas’s work in relation to the
Allende electoral victory see Lobo (2001).
This character speaks a broken Spanish replete with errors that I reproduce
in the translations of quotations that follow.
See for a discussion of difference as the precondition for politics, Hannah
Arendt’s The Human Condition.
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the marginal on the
inside
Nannies and Maids in Chilean Cultural Production
(1982 –2000)
Julia Carroll
“La Nana Teresa era el más querido y respetado miembro de toda la
familia.”
José Donoso, Conjeturas
“ . . . y yo con la vergüenza toda colorada, esperando con la fuente en la
mano que el doctor terminara de servirse y de hablar del guiso y la señora
haciéndole caso en todo al doctor y diciendo perdonen, disculpen, es que
viene del campo, todos venimos del campo si es por eso, dije yo, pero ahí
estaba la política moviendo la cola y resultaba que había que callarse
aunque las cosas estuvieran cambiando y contraten en las fábricas y don
Isma sea ministro . . . ”
Ana María del Río, Tiempo que ladra
In his stage directions for the opening scene of the 1957 play Mama Rosa,
set in a Santiago salon in 1906, the playwright Fernando Debesa explains
that the proper term for domestic workers, at the time of the dramatic
action, was “servant.” He notes parenthetically that “[l]a palabra
‘empleada’ no existe todavía” (106). In this play, which portrays the
customs of an elite Chilean family over the course of a half-century and
chronicles its gradual loss of wealth and status, Debesa’s specification
about the proper way to refer to the domestic servant suggests that the
position of this subordinate figure – like that of her employers – was
undergoing change. In a later scene set in 1947, however, although the
family maid Mama Rosa refers to herself as an empleada, the new title
seems to indicate little real change. She laments to one of the Solar
Echevarría daughters that despite “la famosa ley 4054,” the law granting
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social security to a larger percentage of the Chilean workforce, her situation as a domestic laborer was precarious (197). Debesa’s concern for
historical accuracy in his portrayal of a maid, a traditionally marginalized
subject, demonstrates the appropriateness of drawing on this particular
figure to highlight the vexing social and economic disparities that plagued
Chilean society throughout the 20th century and that persist even today.
By situating its dramatic conflict vis-à-vis a domestic servant who serves
as a conduit for social critique, Mama Rosa is an early example of a
literary text in dialogue with Chile’s complex history of institutionalized,
voluntary servitude. This chapter examines the possible meanings behind
the representation of the domestic worker in three texts produced a bit
later, between 1982 and 2000. The writing of the domestic figure under
dictatorship will be examined in José Donoso’s short novel Los habitantes
de una ruina inconclusa (1982), followed by a reading of Thelma Gálvez
and Rosalba Todaro’s introduction to Yo trabajo así, en casa particular,
the 1985 compilation of testimonies by several live-in maids. Elizabeth
Subercaseaux’s La rebelión de las nanas (2000), a novel written for a large
audience in a democratic context, will serve as counterpoint to the two
earlier texts. I propose that the discursive articulations surrounding the
maid figure in these works, or more precisely, surrounding the conflictive
relations between domestic worker and employer (as these two manifestations are always necessarily linked), allow us to intuit a profound
disquiet regarding the unequal power relations inherent in the political
situations of the time, a disquiet that remains -and is perhaps even exaggerated – in the country’s democratic context.
In recent years, the significance of the domestic worker has been the
concern mainly of labor historians and feminist scholars. These have made
a case for the influence of domestic service – used widely throughout
Europe and the Americas – in shaping culture and society.1 Yet despite
the significant shifts that the scholars examine; such as greater participation of women in the workforce at all levels, increased female migration
due to transnational employment trends and subsequent modifications in
traditional roles of women, an understanding of the role of domestic
service in Chile must consider the historical roots of the practice. As
FLACSO sociologist Carolina Stefoni explains, from as early on as the
colonial period, when servants were considered to be possessions attached
to the elite-owned Hacienda system, the custom of employing a maid to
perform household and/or childcare duties has evolved in accordance with
changes in Chile’s economic and political circumstances. The increased
employment of maids in Chile after the mid-century, for example, results
in part from migration patterns:
The decline of the agriculture, lack of employment in the countryside and
growing cities propelled one of the most important migratory movements
in the country, and with it the increasing number of women ready to work
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in the cities. Likely this increase in availability allowed this service to expand
toward middle class sectors (135).2
Into the 21st century as well, the tendencies in domestic service continue
to correspond with broader national and transnational changes. For the
past few decades, the decreasing participation by Chilean women in
domestic service has caused the job description to no longer resemble, in
most cases, Mama Rosa’s. That is to say, the traditional puertas adentro,
or live-in, employment scenario has been surpassed by puertas afuera –
daytime only work – preferred by many women given the increased independence it permits. In addition, in the past five years an ever-increasing
number of Peruvian women have crossed the border to fill positions as
empleadas in the Chilean capital, thus modifying still further the demographics of this labor sector. These factors suggest that despite legislation
in Chile in recent years that has granted more rights to domestic workers
– a written contract, regular days off, and maternity leave – the job
continues to be little valued by society and by the women themselves,
carrying a deeply-rooted stigma connected to its colonial beginnings and
its association with pre-capitalist development.3
This attempt to shed light on the critical possibilities of a literary character – and particularly on one identified by her submission to the
established patrimonial order – requires some explanation. The domestic
worker, as a “marginal on the inside” situated within the power structure
of the home, labors under the conditions imposed by the official discourse
of her patrones and wields very little power – real or discursive. This
inquiry might also be frustrated by the fact that the author portraying this
figure is often someone who has benefited from the service of domestic
laborers. Such is the case with José Donoso, who devotes a chapter of his
1996 memoir Conjeturas sobre la memoria de mi tribu to his nanny
Teresa. The writer idealizes his childhood maid and attributes to her,
among other important things, his passion for storytelling and writing.
Indeed, the authors and works discussed here adhere to a different, less
radical project than do the contentious voices writing against dictatorship,
such as the writers extolled by Eugenia Brito in Campos minados: literatura post-golpe en Chile (1990). Donoso, despite his self-imposed exile
in Spain, could hardly be considered to be writing from the “borders,” or
“margins” of official culture, as Brito argues is the case for writers like
Diamela Eltit. Similarly, in the context of Chile’s Transición to democracy, it would be problematical to apply Nelly Richard’s concept of an
“aesthetics of residue,” developed in Residuos y metáforas (1998), to an
analysis of the mainstream books of Elizabeth Subercaseaux (Brito 16;
Richard 12).
And yet, even though the inextricable link between the maid figure and
the cultural “institutions” that conserve order is undeniable, such a
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relationship does not preclude the possibility of locating in these narrative enunciations the possibility of resistance. As their interactions take
place within the private sphere of the home, the positioning of the dominant in relation to the subordinate does not constitute a clear opposition
between “outside” and “inside,” but rather, a complex and relatively fluid
set of negotiations. In Domination and the Arts of Resistance (1990),
James C. Scott has categorized these negotiations as constituting the
public transcript and the hidden transcript. For Scott, the public transcript
describes “the open interaction between subordinates and those who
dominate”; in this case, the normative, official dealings between the maid
and her employer. However, Scott is quick to point out that this public
transcript is not fully indicative of the full range of interactions that occurs
between subjects of uneven powers: “The public transcript, where it is not
positively misleading, is unlikely to tell the whole story about power
relations. It is frequently in the interest of both parties to tacitly conspire
in misrepresentation” (2). In the three texts, the relations between
empleada and patron/a can be productively examined for their adherence
to and defiance of the public transcript. The hidden transcript, then,
obscured by the public, “characterizes discourse that takes place ‘offstage,’ beyond direct observation by power holders” (2, 4). Clearly,
detecting the acts of resistance that comprise the hidden transcript is a
more complicated task. Scott’s configuration sheds light on how the
spaces of resistance are almost impossible to locate in the reading of texts
produced in authoritarian Chile or in its wake. Indeed, in the three works
I consider, it is difficult to differentiate the hidden transcript of disenfranchised, marginal subjects from the “official discourse” that inscribes
them.
The indeterminacy regarding the maid figure’s agency is evident in the
novella Los habitantes de una ruina inconclusa, written in 1982 during
Donoso’s expatriate years in Spain, when Chile was undergoing an acute
economic crisis. In the text, many of the author’s typical areas of exploration are present: uncertainty regarding social class, anxiety about the
inevitability of decadence, and intense desire for otherness. The narrative
describes the existential conflicts suffered by an elderly couple of wealthy
santiaguinos upon the arrival of an assemblage of vagabonds in their
exclusive neighborhood. The few interactions between Francisco and
Blanca Castillo (a successful lawyer and a gran señora), who have lived
for decades in the same large home, and the indigent newcomers who seize
control of the unfinished building across the street, are enough to create
in both husband and wife a deep desire to “cross over” as it were, and
experience life as the vagrants do. Though this desire is never fully satisfied for the Castillos, one character who does successfully switch sides is
Rita, the family maid. As it turns out, Rita’s role in fueling the couple’s
anxiety and in pushing the narrative to its peak of conflict is recognized
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only after she has disappeared from the story. After Rita abruptly abandons her decades-long post as empleada, Francisco and Blanca must face
up to their powerlessness. While Rita picks up the strange language of the
vagrants without difficulty, the Castillos’ attempts at communication
come to nothing. Unwilling as they had been for years to have bothered
learning anything about the culture of their puertas adentro maid, the
couple is thus incapable of convincing her to come back and work for
them again: “knew so little about how this human being lived who has
been with them for twenty-five years” (136).4
As the story progresses, the linguistic and cultural codes by which the
Castillos had once lived are eclipsed by the foreign code of their exempleada and the vagabonds with whom she has connected. The public
transcript, in this context the time-honored spoken contract between
employer and domestic worker, has lost all legitimacy. Its breakdown, in
turn, implies the alternative construction of the hidden transcript of the
marginalized subjects across the street, a discourse that can only be imagined by the Castillos and the reader of the story. Donoso’s narrative of
polarization and social exclusion points to the impossibility of negotiation between two wildly different groups while at the same time
demonstrating the relative fluidity of the maid figure’s negotiations within
this rigid framework. Such a bleak outlook, however, constitutes a logical
outcome for the asymmetrical power relations embedded in the story and
in society under dictatorship.
Another work that addresses the disparate relationship between subordinates and dominants in the dictatorship context is Yo trabajo así . . . en
casa particular, published by Centro de Estudios de la Mujer in 1985. The
compilation, edited with an introduction by Thelma Gálvez and Rosalba
Todaro, contains the testimonies of four domestics from the ages of 22 to
58 interviewed in Santiago by Veronica Oxman. In contrast to Donoso’s
work of fiction that presents a maid character via the perspective of her
employers, in Yo trabajo así . . . the voices of the workers – recounting
their opinions of their jobs, employers and personal lives – provide the
material for the narrative. The title, an affirmative statement in firstperson presumably made by one of the interviewees, follows a rhetorical
convention of Latin American testimonial literature (testimonio) from the
1970s and ’80s. As indicated by its conversational title, the text claims to
record authentic discourse that captures the nuances of speech of the four
interviewees, and conveys, among other sentiments, the shame that sometimes accompanies employment as an “indoors” maid. Traditionally, in
testimonio, a lettered, academically trained scribe records in writing the
oral testimonies of a subaltern subject whose voice may not have otherwise been recognized, as he or she often comes from a cultural group with
less access to written discourse. Yo trabajo así . . . is also similar to other
works of testimonio in its contestatorial mode.
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And yet, unlike well-known testimonial subjects such as Rigoberta
Menchú and Domitila Barrios, whose protests against the injustices
committed against their communities are encouraged by their sympathetic
scribes, the injustices described by the domestic workers fit the aims of a
somewhat different project. Given the fact that Luz, Elcira, Patricia and
Magdalena participate voluntarily, as it were, in the occupation that
exploits them, the purpose of their testimony is not to denounce the
system of domestic service or the cultural institutions that support it, but
rather to improve the system of communication between the parties
involved in the relationship. Therefore, in the introduction, the editors
synthesize the workers’ testimonies, and observe that the most difficult
aspects of domestic service revolve around the issue of trato, a word that
can have several different meanings depending on the context, such as
treatment, manner, contract, or agreement. According to the editors, the
workers’ frustrations stem from the inconsistencies and ambiguities in
their trato with their employers. It is interesting to note that Gálvez and
Todaro sympathize with the plight of the employers as well, claiming that
the difficulty of negotiating the trato between empleada and señora can
also negatively affect the power holders. Thus, the sociologists propose
clear communication on both sides as a solution to improve the working
conditions of the live-in maid:
To improve her situation this ambiguous relationship should be changed
for an explicit one where all would know what to expect and what is
expected of them, where misunderstandings would be cleared up and
concerns could be raised if someone does not fulfill the agreement (12). 5
In other words, to improve the lot of the 25 percent of the female work
force in Chile employed in domestic service, a mutually respected contract
is in order.6 The spoken contract wished for by Gálvez and Todaro, indeed
a variation on the public transcript, draws on the need to mend the
conflicted relations between master and servant as a starting-off point for
the insertion of a more legitimate relationship in the context of authoritarian Chile. The authors’ desire to reenact a traditional transcript, and
to furnish the actors – both empleada and patrona – with roles that constitute a ‘fair’ exchange of remuneration for services, illustrates, by the
modesty and relative conformity of the proposal, the extent to which the
reality of dictatorship has reduced the scope within which relationships
of equality can be imagined and articulated.
In the years that pass between these dictatorship period texts and
Elizabeth Subercaseaux’s novel La rebelión de las nanas (2000), written
a decade after the return to a democratic government in Chile, new legislation may well have changed the “official” story of the domestic worker,
but the maid figures in this text demonstrates how, for a large percentage
of Chileans, nothing has really changed. In a rhetorical move similar to
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Debesa’s writing about Mama Rosa, a witness to the political and cultural
changes of the first half of the 20th century, Subercaseaux performs a critical diagnostic of Chilean society and politics in which she chooses to
focus on two communities of subjects who have yet to resolve their
conflicts: the upper-class señoras and their domestics. Subercaseaux, like
Debesa, uses the shifting terminology for the domestic worker to gauge
societal changes, in this case, the increased opulence and consequent
breach between the upper class and the people they hire. She notes: “Hacía
mucho tiempo que [ . . . ] las empleadas domésticas dejaron de llamarse
empleadas y pasaron a ser las ‘nanas’” (10).
The political commentary of the opening pages of La rebelión de las
nanas positions itself in a decidedly middle-of-the-road space, critical of
both the extreme right and left. Set on the eve of the election of Ricardo
Lagos in 1999, the prologue describes in broad strokes the issues leading
up to the present impasse in Chilean society regarding the debate over how
to deal with the authoritarian past and move forward with democracy. In
this multi-perspective novel that switches back and forth between the
empleadas and their señoras, Subercaseaux touches on the broad range of
contemporary phenomena of democracy as experienced by these groups.
For the maids, there is the enthusiasm over the election of a socialist on
the one hand, and on the other, the tense competition with Peruvian immigrants for jobs. Meanwhile, the señoras pine away for the old fashioned,
submissive servant associated with a bygone economic and social era. As
one woman puts it, “scarcity of servants is one of the prices we are paying
to emerge from underdevelopment” (128).7
Subercaseaux’s gloomy message comes through strongest just when her
maid characters appear to have adopted a sense of solidarity. Carmen
Rubilar, Licha Muñoz, and Marina Trilupil decide to organize a peaceful
protest in which they march all the way from downtown to Vitacura,
outwitting the authorities by disguising themselves as momias in their
wealthy employers’ clothing. On the day of the march, the women feel an
excitement and a liberation they have not experienced in years. Yet,
despite the legality of the march, Subercaseaux concludes the empleadas’
protest and the novel with the gratuitous violence exercised against them
by Fernández, a paranoid member of the military who impulsively kills
the empleadas and their dreams of equality. The tragic ending seems to
suggest the continued threat to human rights posed by reactionary
factions like the crazed Fernández, who continues, in a time of supposed
democracy, to carry out the terror of the past. Furthermore, the fate of
these maid characters suggests that the discursive agency supposedly
granted to domestic laborers through increased legislation mandating
written contracts and permitting labor organization, holds little real
weight in the face of reactionary forces that, while no longer synonymous
with the current administration, still impose serious limits on national
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civil and human rights agendas. In the three years since the publication of
Subercaseaux’s novel, cultural engagements with Chile’s past have
continued to unfold and take on new shape, due in part to increasing
temporal distance from Pinochet’s dictatorship as well as additional
events forming part of critical and literary landscapes. Thus, an attempt
at a conclusion might limit the basic purpose of this examination of the
different ways in which power relations are articulated, conserved or
contested in literary production. Therefore, I wish to end with a suggestion for further consideration about the possible meanings behind the
figure of the maid in these works and in others. Though I have traced this
figure in several examples of dictatorship and post-dictatorship cultural
production, the object of analysis has not been the character itself, but
rather the discursive modes through which this character has been articulated and its relationship to historical events. Indeed, as an object of
study, certain tendencies can be noted. Whether it be through allegory,
testimony or contemporary chronicle, in Los habitantes de una ruina
inconclusa, Yo trabajo así . . . en casa particular, and La rebelión de las
nanas, the maid figure has “served” to convey the persistence, to use
Subercaseaux’s phrase, of “a society crossed by severe asymmetries”
(10).8 And yet, in my view the figure of the domestic servant is so
compelling because of its contradictions and its double signification of the
persistence of a patrimonial, authoritarian past on the one hand, and of
a profound dissatisfaction and desire for future justice, on the other. The
domestic servant’s simultaneous complicity and challenge of its context
and cultural practices, in a sense, likens the figure to just about any subject
confronted by the legacy of illegitimate acts of power and faced with the
necessary and ongoing process of negotiating new discursive spaces.
Works Cited
Brito, Eugenia. Campos minados (literatura post-golpe en Chile). Santiago de
Chile: Editorial Cuarto Propio, 1990.
Debesa, Fernando. “Mama Rosa.” Teatro chileno contemporáneo: antología. Ed.
Moisés Pérez Coterillo. Madrid, España: Fondo de Cultura Económica
Sucursal, 1992: 114–214.
Donoso, José. Conjeturas sobre la memoria de mi tribu. Santiago: Alfaguara,
1996.
Donoso, José. “Los habitantes de una ruina inconclusa.” Cuatro para Delfina.
Barcelona: Seix Barral, 1982: 93–147
Ehrenreich, B. and Arlie Russell Hochschild. Global Woman: Nannies, Maids and
Sex Workers in the New Economy. New York: Henry Holt & Co. Metropolitan
Books, 2003.
Gálvez, Telma and Rosalba Todaro. Yo trabajo así . . . en casa particular. Ed.
Verónica Oxman. Santiago de Chile: Centro de Estudios de la Mujer, 1985.
Gutiérrez, Ana. Se necesita muchacha. México. Fondo de Cultura Económica.
1983
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Parrenas, Rhacel Salazar. Servants of Globalization: Women, Migration, and
Domestic Work. Stanford: Stanford University Press, 2001.
Richard, Nelly. Residuos y metáforas: Ensayos de crítica cultural sobre el Chile
de la transición. Santiago: Editorial Cuarto Propio, 1998.
Río, Ana María del. Tiempo que ladra Santiago: Planeta, 1994
Scott, James C. Domination and the Arts of Resistance: Hidden Transcripts. New
Haven, CT: Yale University Press, 1990.
Stefoni, Carolina. “Mujeres inmigrantes peruanas en Chile.” Papeles de
población. 33 (July–September 2002): 117–46.
Subercaseaux, Elizabeth. La rebelión de las nanas. Santiago de Chile: Editorial
Grijalbo, 2000.
“Un trabajo como otros: Las trabajadoras de casa particular.” Argumentos para
el cambio. 25 (June1998). Centro de Estudios de la Mujer <www.argumentos.cem.cl/argu25.htm>.
Notes
1
2
3
4
5
6
7
8
See B. Ehrenreich and Arlie Russell Hochschild’s recent Global Woman:
Nannies, Maids and Sex Workers in the New Economy (2003) and Rhacel
Salazar Parrenas’ Servants of Globalization (2001).
“El deterioro en la agricultura, la falta de empleo en el campo y el crecimiento
de las ciudades provocaron uno de los movimientos migratorios más importantes en el país, y con ello el aumento de mujeres dispuestas a trabajar en las
ciudades. Probablemente este aumento en la oferta permitió expandir este
servicio hacia los sectores medios” (135). (Editor’s translations, unless otherwise indicated).
This legislation is discussed in “Un trabajo como otros: Las trabajadoras de
casa particular,” issue 25 (1998) of Argumentos para el cambio (Centro de
Estudios de la Mujer). For more information on legislation affecting domestic
workers in Chile, see <www.sernam.cl> (Servicio Nacional de la Mujer’s web
site), which has links to a comprehensive legal database.
“sabían tan poco sobre cómo vivía ese ser que estaba con ellos por veinticinco
años” (136).
“Para mejorar su situación tendría que cambiar esa relación ambigua por una
relación de trabajo muy explicitada, donde todos sepan qué esperar y qué se
espera de ellos, donde se pueden aclarar los malentendidos y se pueda
reclamar si alguien no cumple los acuerdos” (12).
Though this percentage continues to decrease, the high proportion of Chilean
women working as domestic servants was once of interest to writers such as
the Mexican Elena Poniatowska, who in her 1981 introduction to Ana
Gutiérrez’ Se necesita muchacha, quoting Gloria Laff, states that “En Chile,
la mitad de la población femenina económicamente activa se dedica al
servicio doméstico” (33).
“[l]a escasez de servidumbre es uno de los precios que estamos pagando por
salir del subdesarrollo” (128).
“una sociedad cruzada por severas asimetrias” (10)
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P art IV
Cultural Representations
Repression and Shifting Subjectivities
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introduction to part iv
After the historical trauma of nearly two decades of ruthless oppression
in Chile, regaining democracy requires a redefinition of Chilean collective
identity. This is carried out partly by self-representation in and by way of
different media. Representation, be it literary or visual, is always closely
linked to questions of cultural identity, its construction, that includes the
processes involved and the end product as well. In relation to the key
markers of individual identity – class, age, gender and ethnicity – representation concerns itself not only with how identities are represented, but
also with the processes though which they are constructed, and with the
reception by people whose identities are also differentially marked by such
demographic factors. Consider, for instance, the “gaze” (Chandler) that
embodies the subjectivity of representation. Those who create (or analyze)
visual art concern themselves with the gaze, particularly, its perspectives,
directions, and the way it produces meaning.
The chapters in part IV deal with the manner and extent to which representation and language (in the widest possible sense) are crucial to the
construction of subjectivity. Repression and dictatorship do not favor the
manifestation of different identities; nevertheless, as a testament to the
deep rooted vitality of art and culture, such manifestations rapidly and
extensively sprung up immediately after the collapse of the dictatorship
(not only in Chile, but also in other parts of Latin America, in Spain, and
elsewhere). During a dictatorship different subjectivities adopt a latent,
subterranean flow, but they explode as soon as the despotism ends to fill
the voids created by the repression of any manifestation of pluralism.
Filmic representation of oppression and dictatorship is the focus of
three of the four essays that constitute part IV. The films in question,
especially the documentaries, are concerned with the desire to bring about
a reflection of the years of dictatorship, and the function of memory in
the democratization process. Such films subtly yet relentlessly propel
participants, as well as viewers, to face the irreversible harm done to the
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society as a whole, and to its members, by the ruthless repression.
Fernando is Back and Obstinate Memory are two examples of documentaries whose premises are based on the stimulating idea of how film could
be used to understand the self as a reflexive project in a society that is just
emerging from the crippling legacy of a long-lasting dictatorship.
Narrative films (such as The House of Spirits mentioned in Oliver’s essay)
may also be considered as catalysts for social change because of their
powerful ability to approximate the appearance of reality more persuasively than any other mass media. Patricio Guzmán’s films, particularly
Obstinate Memory, explore the multiple ways individual and collective
acts of remembrance deal with the horrific legacies of a dictatorship.
However, Amy Oliver turns the question around and aims it toward the
possible didactic aspects offered by these films: “What do those who did
not live through the Allende years in Chile remember about what
happened there, and why do they remember?” (if they do). This crucial
dilemma is at the heart of the debate in Chile today. What is better: to
remember and fight for justice (which was the conclusion reached by
many victims of the Argentine dictatorship also unfolding in the late ’70s:
“ni perdón, ni olvido” – neither forgiveness nor forgetting), or to let the
past be past and place all energy into building a democratic future. The
films do not offer a definite answer, quite the contrary; they seek to
explore the consequences of both positions. However, they do acknowledge the tension and uneasiness created by the coexistence of both
attitudes. The ambiguity or simply the lack of agreement is prolonging the
harmful effects of the trauma suffered by many.
Andrea Bachner, on the other hand, explores the narrative (written)
representation of trauma (both physical and psychological) by scrutinizing Diamela Eltit’s rendering of the traumatized body in her novel,
Lumpérica. Bachner bases her arguments in Derrida’s concept of ‘inscription’ which she parallels with Eltit’s writing that distances the author’s
subjects from value judgment (negative/positive) and thus a more nuanced
representation is delivered in the modality of “performing subjectivities.”
Flesh and discourse are in the centre of this self-reflexive narrative. In the
context of this novel, inscription produces and maintains the communal
memory, and thus serves as an instrument for memorization or conservation. “In this sense, inscription conserves time by keeping the past in
the present” (Jang).
Both filmic and narrative representations of the subjectivities
constructed during and after the dictatorship are intimately related to the
effort of recording the past and conserving it through a memoralistic
gesture as part of Chile’s struggle to come to terms with its recent history.
This recent past of dictatorship is in sharp contrast with Chile’s earlier (or
pre-1973) democratic tradition, a tradition destroyed by seventeen years
of repression, that according to the military and the civilian elites, can only
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be regained in the future at the expense of forgetting the crimes, suffering,
and pain enacted to destroy it. Ironically, this is demanded from the citizens of the new fledging democracy, without acknowledging that it
requires acts of self-denial, self-mutilation, as part of individual and
collective experience. That is one of the reasons why the trauma of dictatorship cannot simply be erased through symbolic and empty
reconciliations. This is also the reason why the representation of these
issues will continue to be part of the different forms of artistic and cultural
expressions, as Chilean society works through the conflicting processes of
redefining its identity.
Works Cited
Chandler, Daniel: “Notes on the Gaze.” 3 March 2005. Internet:
<http://www.aber.ac.uk/media/Documents/gaze/gaze01.html>
Jang, Seungkwon. “The Deconstruction of Programming, and Programming as
Deconstruction.” 25 March 2005 Internet: <http://www.stc.arts.
chula.ac.th/cyberethics/papers/AP-CAP2005–S_Jang.doc>
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exporting chile
Film and Literature after 1973
Amy A. Oliver
The story of the last thirty years in Chile has been engrained in international memory through literature, art, international affairs and activism,
and international attention has focused on the story of Chile to a greater
extent than other, not altogether dissimilar, Latin American stories. For
example, another worthy Latin American story is General Efraín Ríos
Montt’s attempt to become President of Guatemala in 2003. While his
election would have been an unseemly development, little international
public outcry was heard around the Guatemalan events since 1954, at
least in North America. I could enumerate other Latin American situations that are at least as deserving of international attention as Chile, but
for me the questions persist: How has the Chilean story managed to
remain in the spotlight when it, too, might have lost international moral
visibility? What factors have contributed to Chile’s relative success at
exporting its story in the pursuit of justice? Why has the sad tale of this
nation of 15 million people, “so far from God” and so far from the United
States, been relatively more successful at embedding itself in global
memory?
While I would never propose a single answer for such questions, I will
offer several factors that contribute to the staying power of the case of
Chile, and then examine the role of selected literature and film in transmitting Chile’s story. More specifically, I will discuss literature and film
while focusing primarily on the cultural reception of Chile’s story in the
international arena, especially in the English-speaking world. I do not
claim to place the role of literature and film in the transmission of Chile’s
story above other factors that have contributed to international attention
being directed toward Chile, but I do seek to demonstrate that literature
and film can play a role in keeping history alive.
Chile’s 9/11 and its after-shocks have been the subject of much litera-
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ture and film. Patricio Guzmán’s documentary, Chile, Memoria obstinada, examines the question of what those who lived through the Allende
years remember about that period in Chilean history. Here I offer a
distinct/different perspective on the question, “What do those who did
not live through the Allende years in Chile remember about what
happened there, and why do they remember?”
On a foundational level, the efforts of anti-Pinochet activists and
victims in the long and persistent march for justice cannot be overstated.
The abiding love of country and justice found among Chileans and their
allies in human rights endeavors have fueled tireless campaigns that have
not been in vain. Activists include Chileans living in Chile, as well as
Chileans in exile, the so-called 14th region or jurisdiction (there being 13
within Chile itself). More than eight hundred thousand people of Chilean
descent now live abroad, with large numbers in Sweden, the United States,
Argentina, Canada, Australia, Britain, and France. Though not all exiles
are human rights activists, the sheer number of exiles and their diaspora
call attention to why such numbers left Chile in the post-1973 era. In
answer to the obligatory question asked of Chilean exiles, “When did you
leave?” Isabel Allende writes:
If he, or she, says before 1973, it means that person is a rightist and was
fleeing Allende’s socialism; if he left between 1973 and 1978, you can be
sure he is a political refugee; but any time after that, and she may be an
‘economic exile,’ which is how those who left Chile looking for job opportunities are qualified. It is more difficult to place those who stayed in Chile,
partly because those individuals learned to keep their opinions to themselves. (My Invented Country 46–7)
Although activism continues to be seminal in disseminating the story of
what happened in Chile, especially among people who were born after
1973, activism is not unique to Chile’s human rights campaign and it
cannot alone account for why the Chilean story has endured in global
memory. Several international incidents in the United States and in
Britain, which gave Chile’s plight opportune media coverage, demonstrate
the crucial role of events and influences beyond Latin America’s borders
in Chile’s history.
For purposes of contrast, I will first mention an incident that took place
within Latin America’s borders. A historical episode that many Chileans
remember, especially those of a certain age, is the murder of the exiled
General Carlos Prats. Carlos Prats served as minister of the interior and
commander-in-chief of the Chilean armed forces under the late President
Salvador Allende. General Prats resigned on August 23, 1973, and was
replaced by Pinochet, who had presented himself as a political vacillator.
Some scholars claim that the reasons for Prats’s resignation are not clear.
Kyle Steenland writes of Prats:
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It is known that the split between him and the majority of the top officers
was open and bitter. It seems that he wanted to force the resignation of
many of the major conspirators in the Army but that Allende felt that it was
inopportune. Prats then resigned, seeing no way to resolve conflict among
the top officers, and fully understanding that the majority of them were
planning to overthrow the government. (14)
Pinochet ordered Prats into exile in Argentina a few days after the coup.
Living in Buenos Aires and writing his memoirs, Carlos Prats and his wife
Sofía were killed by a car bomb planted by the DINA, Chile’s secret police,
on September 30, 1974. In 1992, the Prats family sought justice through
the Chilean courts, which turned down the request because of a pending
Argentine investigation. It was not until 2003 that five former heads of
DINA were indicted for the assassination of General Prats. Others who
have been implicated include CIA agent Michael Townley, a US citizen
now living in the United States under the witness protection program
(Sánchez 2). Pinochet has not been questioned about his alleged role
because the Chilean courts ruled at the time that he was mentally unfit to
stand trial.
While some people in North America and Europe remember the Prats
murders, I think that this event was almost totally eclipsed in northern
memory by another car bombing that took place on US soil just two years
after the Prats murders. This returns me to the thesis of the importance of
the international role in highlighting events in Chile. On September 21,
1976, DINA planted another car bomb that killed Orlando Letelier,
Allende’s former Foreign Minister who had been lobbying to suspend
loans and to prevent arms sales to Chile. Also murdered was Ronni
Karpen Moffitt, who also worked at the Institute for Policy Studies in
Washington, D.C. Her husband, Michael Moffitt, a co-worker of Letelier
who was riding in the backseat, was injured. The killing of Orlando
Letelier and Ronni Moffitt, on the streets of the Western Hemisphere’s
oldest democracy, was carried out by men who had overthrown its
second-oldest democracy, a democracy that Chileans had thought was at
least as stable as Switzerland’s.
Until 9/11/01, the murder of Letelier and Moffitt was the most famous
act of international terrorism committed in Washington, D.C. The fact
that this act of terrorism took place in Sheridan Circle on Embassy Row,
in the heart of the capital of the United States, again thrust the Chilean
story into the international spotlight. Perhaps in part because of this
spotlight, Manuel Contreras, the former head of DINA, and Pedro
Espinoza, one of his assistants, were sentenced, respectively, to seven
and six-year jail terms (Sánchez 2). The Cuban exiles that assisted in the
bomb plot in Washington were jailed in the US, but Pinochet has yet to
be called to account for the murder. Still, this murder by car bomb in
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Washington, D.C. greatly increased public attention of the events happening in Chile.
A more recent event that had significant international impact was a
leading news story: the efforts of the Spanish judges, Baltasar Garzón and
Juan Guzmán, to prosecute Pinochet. Media coverage of Garzón’s ruling
was somewhat upstaged by the arrest and detention of General Pinochet
in Britain in October of 1998, and the subsequent drama of Pinochet’s
incarceration, its reviews attracted widespread media coverage and once
again thrust Chile into the public eye.
A novelist could not have chosen a better moment than the former
dictator for his hospitalization directly after his arrest. One day Pinochet
was walking in an English garden and the next day he was said to be too
ill to stand trial. Pinochet ruled for seventeen years; another eight passed
before his arrest in London prompted the first truly effective attempts in
Chile to hold him accountable. Reed Brody of the New York-based
Human Rights Watch observed, “The very fact that Pinochet was
arrested, that four countries sought his extradition, that his claim of
immunity was rejected, that his [alleged] crimes were spelled out before
British courts. The world is becoming a smaller place for people who
commit atrocities” (Miller and Rotella 1). Sofía Prats, the daughter of
Carlos and Sofía Prats, argues that Pinochet’s detention in Britain changed
the way he is seen in Chile: “It has meant he is no longer seen as untouchable. It means justice can be obtained and that the effects of things that
happened long years ago are felt around the world” (Campbell 1).
I will turn now to key historical, political, and socially symbolic
moments of cultural production through literature and film, which have
played their own role in keeping Chile in the spotlight. One of the world’s
best-selling novelists happens to be from Chile. The mere fact that she
shares Salvador Allende’s last name and his daughter’s first name, and
repeatedly has had to clarify that she is the niece and not the daughter,
has in itself drawn attention to Chile’s story. Isabel Allende’s best-selling
first novel, La casa de los espíritus, has been translated into more than
thirty languages. The cover of the novel, published in Spain in 1982 by
Plaza y Janés, was not adorned by the iguanas or mangoes that so
frequently appear on the jackets of books by Latin American writers, but
by a woman with green hair. The cover of the English translation,
published in 1985, promised a melodramatic and epic family tale. The
novel blends fact and fiction, eventually setting the Trueba family and
their magic world against the backdrop of the barely disguised Chilean
coup.
This widely read novel has been a significant cultural vehicle for
exporting Chile’s story to the world. The bestseller succeeds in drawing
an international audience into an epic romance that has the added benefit
of educating that audience about the key elements of the coup. For
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example, Allende pointedly includes a date at a pivotal moment in the
novel: September 11, 1973. The character of the president has all the
attributes of Salvador Allende, El Poeta is unmistakably Pablo Neruda, El
Cantante is clearly Víctor Jara, and it is difficult to miss the “augustos
bigotes” of Augusto Pinochet, or “el dictador” as he is known in the novel.
In addition to the historically accurate cast of characters, repression in the
social and political realm is equally well detailed as we learn, for example,
that men sporting beards and women wearing pants are not going to be
tolerated by the dictator’s regime.
Both the text and film versions of La casa de los espíritus have met with
criticism. For example, some critics of the novel have argued that its blend
of fact and fiction is far from smooth and that the magical tone of the first
two-thirds contrasts sharply with the harsh historical reality of the last
third. Some feminist critics have argued that the novel perpetuates sexist
stereotypes despite the supposed centrality of the female characters. Lloyd
Davies has written:
Although critical reception of La casa de los espíritus and subsequent works
has been generally favourable, there remain serious doubts about Allende’s
literary credentials which have led to her exclusion from the canon of
modern Latin American authors: the Chilean critic, Cedomil Goic, excludes
her from his monumental Historia y crítica de la literature hispanoamericana (1988) . . . (17)
Overall, since critical and demonstrable popular acclaim for the novel
arguably far outweighs the perceived flaws, I believe the novel succeeds
both as art and as political education. The far less enthusiastically received
film, with its sadly miscast actors, differs markedly from the novel and
unfortunately fails to capture the novel’s magical realism just as it fails to
provide relevant information about the coup.
The film adaptation of The House of the Spirits was released in 1993
to widespread reviews of the “two thumbs down” variety. Jeremy Irons
and Meryl Streep are miscast in this film as Esteban and Clara. Jeremy
Irons sports more hair gel on screen than Juan Perón used in his entire
lifetime. The copious bronzer on his face is an attempt to make him appear
swarthy and macho, traits that are difficult to accept for those who have
seen Irons in other film roles. Winona Ryder, who plays Blanca, comes
closer to embodying the qualities Clara is supposed to possess than Meryl
Streep does. Glenn Close offers a solid performance as Férula. The starstudded cast did ensure that the film got attention and well-placed
reviews. Indeed, the film could have been of good quality if it had been
conceived differently and had employed different lead actors. However,
the overall poor quality of the film did not detract from the opportunity
to promote the novel again, sales of which surged with the release of the
film, and to advance Chile’s story into the spotlight once again. Books are
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usually better than their film adaptations, and this was emphatically clear
when the House of the Spirits film debuted.
In my estimation, an earlier film, Constantin Costa-Gavras’s Missing
(1982), more forcefully portrays many of the compelling issues
surrounding the Chilean coup. Missing offers a more historically complete
portrayal of the events surrounding the coup. In some ways it complements the novel version of La casa de los espíritus, and it is more successful
at “exporting” the story of the Chilean coup to the world.
Based on Thomas Hauser’s book, The Execution of Charles Horman:
An American Sacrifice, “Missing” is Costa-Gavras’s first Hollywoodproduced film. It presents an only slightly fictionalized account of the
disappearance of American expatriate writer Charles Horman (played by
John Shea) in Santiago (though the city and Chile are never mentioned)
just after a military coup. Upon hearing of his son’s disappearance,
Horman’s conservative father, Ed (played by Jack Lemmon), travels to
Chile to visit Horman’s wife, Beth (played by Sissy Spacek), to sort things
out. Ed and Beth are unlikely political allies as they run into the official
stonewalling of the American embassy and Chilean authorities that insist
there is no trace of Charles.
The film parallels reality so closely that, when it was released in 1982,
then-Secretary of State, Alexander Haig felt compelled to issue categorical denials of the film’s allegations. Missing won an Academy Award for
Best Adapted Screenplay that year and was nominated for Best Picture,
Best Actor, and Best Actress. The film earned nearly $8 million at the box
office, a very respectable though not a “blockbuster” sum by 1982 standards. In contrast, the film The House of the Spirits brought in only $6
million at the box office, eleven years later.
Hollywood films were excellent vehicles to communicate Chile’s story
to a large English-speaking audience. While plenty of worthy Spanishlanguage films have been produced on Chile, Missing is not one of those
“pesky foreign films” that require viewers to read English subtitles. The
drama of the film’s story is sufficient to keep the attention of North
American viewers accustomed to learning about international affairs by
watching “The Global Minute” on CNN. For some, seeing Missing was
the way they learned that Chile had important modern political, specifically at first, “Cold War” stories to tell.
More recently, while people in the English-speaking world might focus
on Christopher Hitchens’s book on Henry Kissinger and the film The
Trials of Henry Kissinger, I think that college courses in the United States
may also have an influence on keeping Chile’s story going. A cursory
review on the internet of courses with content on Chile reveals that the
topic of the 1973 coup arises with considerable frequency in all sorts of
Latin American Studies courses. Even beyond Latin American Studies, the
coup provides an excellent case study for certain types of political science
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courses. The novel The House of the Spirits is featured in many literature
courses and Missing can be found in a variety of film courses. Insofar as
university professors in the United States have any influence over students’
thinking, the inclusion of Chile’s story in courses may be a detail that helps
keep the story alive. My experience has been that students unfamiliar with
what happened find the story riveting and are motivated to do further
reading, talk about Chile with their friends, and even to travel to Chile.
Finally, the coincidence that the Chilean coup and the terrorist attacks
in New York, Washington, and Pennsylvania both occurred on September
11, twenty-eight years apart, establishes an ironically serendipitous link
between the two events that may in the long run turn out to be another
factor that fuels continued focus on the meanings of events thirty years
ago in Chile.
Works Cited
Allende, Isabel. La casa de los espíritus. Barcelona: Plaza y Janés, 1982.
——. House of the Spirits. Trans. Magda Bogin. Boston: G.K. Hall, 1985.
——. My Invented Country: A Nostalgic Journey Through Chile. Trans. Margaret
Sayers Peden. New York: HarperCollins, 2003.
Campbell, Duncan. “Coup Ghosts Wait for Pinochet,” The Guardian, 23 January
2000 <http://www.guardian.co.uk/pinochet/story/0,11993,190616,00.html>.
Hauser, Thomas. The Execution of Charles Horman: An American Sacrifice
(1978). Missing. New York: Avalon, 1982.
Hitchens, Christopher. The Trial of Henry Kissinger. London: Verso Books, 2001.
Davies, Lloyd. Isabel Allende: La casa de los espíritus. London: Grant & Cutler
Ltd, 2000.
Miller, Marjorie, and Sebastian Rotella. “Pinochet is Freed by Britain, Flies Home
to Chile.” Los Angeles Times, 3 March 2000 <http://www.latimes.
com/news/nation/20000303/t0000207 71.html>.
Sanchez, Alicia. “Rights-Chile: Five Ex-Secret Police Leaders Indicted for
Murder.” Global Information Network (2003): 1. Proquest. 26 February 2003
<http://proquest.umi.com/ pqdlink?did=295446761&Fmt=3&clientId =3260
& RQT=309&VName=PQD>.
Steenland, Kyle. “The Coup in Chile.” Chile: Blood on the Peaceful Road. Latin
American Perspectives. 1.2 (Summer 1974): 9–29.
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“me moria”
Aesthetics, Documentary and the Creation
of Nostalgia in Patricio Guzmán’s Chile,
memoria obstinada
Jeffrey R. Middents
One of the things that most irritates me is that people never talk to me about
the language of my films – about the construction of character, about the
narrative, about the narrative agents. It’s as if political facts just happened.
I feel a tremendous responsibility to construct a discussion, to create an
emotionally rich environment, to bring people into the issue.
Patricio Guzmán1
Patricio Guzmán’s 1997 documentary Chile, Obstinate Memory (Chile,
memoria obstinada) opens with an introduction to Juan, one of the few
surviving guards who had been called away on his wedding day to defend
the Chilean presidential palace during the coup d’état on September 11,
1973. Used as a human shield by the army at one point, he is shot in the
stomach and falls with his hands up on a pile of bodies outside the palace
doors – an image captured in a famous photograph. Remembering this
experience 23 years later, he says, “Sentí que en este momento, yo me
moría. (At that moment, I felt as if I was dying).” Memoria, memory; me
moría, I was dying: it is a coincidence that these phrases only differ by
where the stress is placed. Juxtaposing ideas of death and memory with
regard to this film, however, is intentional: the subjects of Guzmán’s film
are asked to confront death and torture triggered specifically from the
images found in his earlier film, the seminal documentary La batalla de
Chile: La lucha de un pueblo sin armas (The Battle of Chile: The Struggle
of an Unarmed People, released between 1975 and 1979). The agitated
images of the film, primarily shot with hand-held camera, convey the
violent turbulence of the Chilean reality; such images contrast, however,
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with Chile, memoria obstinada, which favors simpler shot compositions
and subtler use of mise-en-scène. In this chapter, I would like to argue that
Guzmán constructs an elegant, “quieter” aesthetics in Chile, memoria
obstinada, which seduces the viewer more effectively by placing emphasis
on individual subjects. As such, despite the genuine power of La batalla
de Chile, Guzmán’s sophisticated construction in Chile, memoria obstinada “creates” nostalgia in all viewers, even in viewers unfamiliar with
the Chilean experience.
Notably a Canadian and French co-production, Chile, memoria obstinada records exiled director Patricio Guzmán’s 1996 return to his
homeland where he clandestinely screens La batalla de Chile to audiences
who had not been permitted to view it under the Pinochet regime.2
Guzmán is not the first director to return and film clandestinely in Chile
– ten years earlier, Miguel Littín daringly shot Acta general de Chile
(General Report from Chile), an event famously chronicled by Colombian
novelist Gabriel García Márquez – nor is he probably the first to secretly
screen banned material. Yet the exhibition of the first film becomes the
reflexive subject – and thereby implicitly, the object of critique – of the
second. After opening with images of the bombing of La Moneda, the
presidential palace, both films explicitly acknowledge the filmmakers’
presence and positioning. La batalla begins with sound and image
synchronization checks that would otherwise be edited out of a finished
documentary, thus announcing to the viewer the constructed nature of the
documentary film format. In contrast, after being introduced as one of
Allende’s guards, Juan is then shown in Memoria obstinada to be falsely
posing as a crew member on the film where he is actually the subject.
Apart from this, however, the two films have drastically different
approaches to reflecting the contemporary political and social atmosphere
in Chile. La batalla was clearly not originally conceived as a piece to
record the downfall of a popularly elected government; on the contrary,
as Ana López points out in “The Battle of Chile: Documentary, Political
Process and Representation,” Guzmán and Grupo Tercer Año’s original
plan in 1973 involved filming specific, related events concerning the
shared political viewpoint of Unidad Popular (278). The fact that they end
up inadvertently documenting the violent nature of the coup d’état has led
a number of critics – primarily, but not exclusively, from the West – to
somewhat mistakenly claim the film as “‘pure documentary’, dealing with
facts, history, testimony and so forth” (López 275–76). As such, however,
La batalla has traditionally been treated less as a deliberately constructed
documentary, and more as a clear, factual document.
The aesthetic elements of the film underline this perception, given that
the chaos of the period is reflected through a busy mise-en-scène and
agitated camera movements. The hand-held camera used throughout the
film jerks the image in a relatively violent fashion, even if the subject is
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not moving himself. This is particularly noticeable during the numerous
interviews of people on the street: even when the subject is calmly talking,
the image itself appears frenzied. The camera is constantly searching,
refusing to stick with a single character in order to focus on the collective.
Even when an upper-class woman who is clearly anti-Allende is polled in
her own house, the camera wanders around and catches her son and other
people in her apartment rather than remaining focused on her. When the
camera is placed on a tripod, fluid pans and tilts also emphasize the multitude of people within the frame moving frenetically in situations, such as
a strike, a parade or a rally. For example, a high-angle shot from a balcony
slowly pans to fill the frame with what appears to be thousands of
protesters bouncing up and down.
Nonetheless, Ana López marks notable aesthetic differences between
La batalla de Chile and other political documentaries of the time due its
conscious use of unusually long takes:
In the finished film, these sequence shots so laboriously obtained serve to
alter the traditional relationship between film, filmmakers and spectators.
In the narrative-fiction cinema, the sequence shot increases the film’s credibility and its indirect persuasiveness. It is generally considered more
“realistic” because of its apparent preservation of the unities of time and
space. Its extensive use in the documentary, however, rather than emphasizing a real already ostensibly guaranteed by the documentary form,
paradoxically brings the document closer to the realm of fiction . . . By
revealing the means by which the dramatic action has been structured, the
sequence shot functions within this documentary as a kind of estrangement
device that separates the spectator from the sheer force of rhetoric and that
simultaneously suggests (because of its role in fiction) and prevents (because
this is a documentary) simple identification. (278–79)
It is evident that even in such a “raw” film as La batalla de Chile,
specific aesthetic considerations were taken into account even before
filming3 began.
Patricio Guzmán shoots Chile, memoria obstinada differently by minimizing the erratic nature of the camera and focusing on the individual
within frame compositions. Interviews almost exclusively feature a single
person taking up a large amount of space within the frame, but the
primarily still (i.e. non-moving), uncluttered space surrounds the subjects
being interviewed and does not distract the viewer. As if to emphasize this,
after a woman named Carmen Vivanco is presented with an image of
herself recorded as part of La batalla 23 years ago, we see her unmoving
face reflected in a television screen, which is showing images of constant
movement from the film. Vivanco’s motionlessness is accentuated by the
superimposed ghostlike images of agitation of which she was a part.
Whereas La batalla de Chile emphasizes chaos, the aesthetic nature of
Memoria obstinada stresses an uneasy calm following the storm.
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Guzmán constructs his seduction of the contemporary viewer by beginning with this emphasis on the individual, primarily on the self as reflected
within the very images of the film. Return for a moment to the statement
made by the bodyguard Juan: Me moría, I was dying. However, by being
able to say that, Juan also confirms the fact that he is alive now: “I was
dying, but I am not dead.” Indeed, the first subjects of Memoria obstinada affirm their connections with past images of themselves. Looking at
photographs or watching a movie, they find themselves within these
images, establishing a connection with them. Indeed, the characters do
what we unconsciously do in film: identify with a character in an image.
Literally, these images are the subjects themselves, but they serve to
remind the viewer of the power of the image. This connection/recognition
is jarring, however, when the subject in the image is already dead. Roland
Barthes discusses the intense pain upon the recognition of a dead loved
one in his long essay Camera Lucida: Reflections on Photography, by
admitting that a still photograph of his recently deceased mother only
serves to confirm for him that she is dead; it does not allow him to
remember what she was like when she was alive:
In photography, the presence of the thing (at a certain past moment) is never
metaphoric; and in the case of animated beings, their life as well . . . ; if the
photograph then becomes horrible, it is because it certifies, so to speak, that
the corpse is alive, as corpse: it is the living image of a dead thing. For the
photograph’s immobility is somehow the result of a perverse confusion
between two concepts: The Real and the Live by attesting that the object
has been real, the photograph surreptitiously induces belief that it is alive,
because of that delusion which makes us attribute to Reality an absolutely
superior, somehow eternal value; but by shifting this reality to the past
(“this-has-been”), the photograph suggests that it is already dead. (78–79)
Recognizing oneself as Juan and Carmen Vivanco do, when shown the
photographs and the film respectively twists Barthes’s notion further by
confirming that indeed, the “I” is not dead: “I” am in fact very much alive
by being able to recognize myself in what appears on the screen. The
images bring back the painful memory for the viewer that, while others
did die, he/she is not dead, even if only for random reasons.
Once again, it is important to remember that the subjects of Chile,
memoria obstinada are not just Chileans who experienced what was documented beforehand: they are also spectators, much like us who are
currently watching a documentary. As such, they function in a sort of
associative fashion with us as fellow spectators. As if to instruct us as to
this process, Guzmán inserts a situation in which he is the one recognizing
the person in death by presenting the figure of Jorge Müller, one of the
film’s cameramen who was “disappeared.” We are shown film footage of
Müller, learn from fellow filmmakers how he acted, find his name on the
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wall of remembrance of the desaparecidos, and watch his father’s
wrenching inability to speak about his dead son. If Guzmán has brought
us with him to empathize as viewers of a documentary, he now interjects
his own painful memories, ones that are imbued with loss. By now
focusing on a person who is not seen moving as a part of a film, but who
is inextricably rooted in the past, Guzmán moves from the idea of memory
and into nostalgia. In Home Matters: Longing and Belonging, Nostalgia
and Mourning in Women’s Fiction, Roberta Rubenstein defines nostalgia
as “a painful awareness, the expression of grief for something lost, the
absence of which continues to produce significant emotional distress.
Most individuals experience such loss not merely as separation from
someone or something but as an absence that continues to occupy a
palpable emotional space [:] . . . the ‘presence of absence’” (5). This “presence of absence” becomes tangible when we see images of Müller’s father,
who keeps his son’s bedroom in exactly the same way today as it was
almost 20 years ago, and is utterly incapable of speaking in front of the
camera.
By having his subjects also function as spectators of another documentary, however, Guzmán asks us to associate with their personal, painful
nostalgias, as if he were inviting the viewer to share in the absence. In The
Future of Nostalgia, Svetlana Boym separates nostalgia into two types,
reflective and restorative:
Restorative nostalgia evokes national past and future; reflective nostalgia is
more about individual and cultural memory. . . . Nostalgia of the first type
gravitates toward collective pictorial symbols and oral culture. Nostalgia of
the second type is more oriented toward an individual narrative that savors
details and memorial signs, perpetually deferring homecoming itself. If
restorative nostalgia ends up constructing emblems and rituals of home and
homeland in an attempt to conquer and spatialize time, reflective nostalgia
cherishes shattered fragments of memory and temporalizes space (49).
Although La batalla de Chile alludes to this by informing us of the final
outcome of the film with images of the bombing of La Moneda, it does
not revel in nostalgia, nor does it invite its viewers in as more than
witnesses to an event, because it never establishes personal connections
with the subjects. People are shown to be powerful with a number of shots
of large gatherings, but individual connections necessary to establish
nostalgia are not present. As viewers, we are able to relate to and
empathize with the characters in Memoria obstindada, even if we are not
directly involved with or even cognizant of the events that occur in the
film.
The question comes down to: can we obtain this nostalgia to relate to
the specific Chilean pain if we ourselves are not part of the time period or
location, can we acquire these “obstinate memories” of loss when they
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occur outside our realm of consciousness? Guzmán answers this directly
through the last major sequence of the film, where la batalla is shown to
Chilean students who have either come of age or were born during the
military regime. Pointedly, a group of students at a girls’ high school
fiercely debate the coup in very abstract terms, until the interviewer asks
their teacher about her point of view. Her response is chilling: “When the
coup happened, I supported it and thought it was necessary. I now think
that I was wrong. Even two days afterwards, I thought differently.” The
girls respond to this with a confused silence: the teacher’s words are not
directed at them but they are nevertheless affected. Suddenly, the issue is
not about “them” and “those communists” but about someone they know
personally. By taking the time to present us as viewers with characters and
by showing us viewers of a documentary who are involved in the conflict,
Guzmán invites us to feel the anguish at a subtler, more powerful level
than the shock produced by La batalla de Chile.
In the last sequence of Chile, memoria obstinada, a university class has
just finished watching La batalla de Chile. There is silence before students
haltingly, tenderly begin speaking about their connections to the abstract
people they have encountered in the film. Shot individually in medium
close-ups, each student is on the verge of (if not already) sobbing as they
connect to a nostalgia for a temporal experience they do not have. Their
professor, a friend of Guzmán’s, has the final words: “In these troubled
times, when models have collapsed and ideologies serve for very little, we
must take up the task of turning ourselves into living memory-images,”
or – to use Marjorie Agosín’s words – as witnesses. However, these words
are not directed at the students, for the only time during the film in which
the professor addresses the camera directly, he is talking to us as viewers
of his film. Given that this is a French–Canadian production, not a
Chilean one, his statement seems like a charge to us outside Chile: that
this memory, this nostalgia is not just the responsibility of Chileans, but
also our responsibility. In a highly sophisticated and subtle way, Chile,
memoria obstinada transfers this memory to new viewers who are nonChilean, convincing them far more effectively through identification than
through shock and violence.
Works Cited
Agosín, Marjorie, ed. A Woman’s Gaze: Latin American Women Artists.
Fredonia: White Pine Press, 1998, pp. 145–61.
Aufderheide, Patricia. “The Importance of Historical Memory: An Interview with
Patricio Guzmán.” Cineaste. 27.3 (Summer 2002): 22–25.
Barthes, Roland. Camera Lucida: Reflections of Photography. Trans. Richard
Howard. New York: Hill & Wang, 1981.
Boym, Svetlana. The Future of Nostalgia. New York: Basic Books, 2001.
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Me moria
Guzmán, Patricio. La Batalla de Chile I–II–III. (1975–1979)
——. Chile, memoria obstinada. 1997
——. El caso Pinochet. 2001
López, Ana M. “The Battle of Chile: Documentary, Political Process and
Representation.” The Social Documentary in Latin America. Ed. Julianne
Burton. Pittsburgh: University of Pittsburgh Press, 1990, 267–87.
Rubenstein, Roberta. Home Matters: Longing and Belonging, Nostalgia and
Mourning in Women’s Fiction. New York: Palgrave, 2001.
Notes
1 This quote comes from Patricio Guzmán discussing The Pinochet Case (2001)
with Patricia Aufderheide in Cineaste (23).
2 Guzmán notes in a recent interview that, while it still has never enjoyed a
theatrical release, La batalla de Chile is currently available on video in Chile,
often also packaged with Chile, memoria obstinada. (See Aufderheide, 25).
3 Similar shots are used for the many interview portions in Guzmán’s most
recent documentary Le cas Pinochet (The Pinochet Case, France/
Chile/Belgium/Spain, 2001), which juxtaposes the legal efforts made in
Europe to bring Pinochet to trial in 1998 with first-person accounts of torture
from various Chileans willing to testify for the prosecution. While these
accounts and harrowing and powerful, the aesthetic use is not nearly as effective as in his earlier work.
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reception and
censorship of a chilean
documentary
The Plight of Fernando Is Back
Kristin Sorensen
Annette Kuhn refers to films, photographs and other artifacts that can
help to trigger memory as memory texts. In her book Family Secrets, Kuhn
claims that “memory work” is important because it can reclaim the voices
of individuals who have been silenced or suppressed. From this perspective, a Chilean documentary could serve as a memory text, serving a
crucial function in the post-dictatorship era since Chile’s recent past is
contested and contained by contemporary leaders and divergent sectors
of society.
Kuhn describes family secrets as being shaped by amnesias and repressions. In the case of Chile, acts of violence that were committed during
the dictatorship are family secrets as well. In this case, the “family” could
be envisioned as the Chilean nation, and the violence was “among
brothers and sisters,” committed by Chileans against Chileans. How
Chileans interpret this violence is influenced by what gets presented and
re-presented through these mediated memory texts.
Filmmaker Patricio Guzmán, speaking in the same vein as Kuhn,
explains the importance of documentary to the preservation of memory:
A country without documentary films is like a family without a photo
album. When you see the photo, you remember your past, but the same
photo also redefines your past. So there is a to and fro with memory. You
return to a forgotten story, and in the process you rewrite that story. (Qtd.
in Riding, NYT)
According to New York Times journalist Alan Riding, “[Guzmán’s]
frustration is that Chile seems less interested in his work than the rest of
the world is.” His movies have never been shown on Chilean television
and stay only three or four weeks in theaters. Market forces combined
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with a collective will to ignore the past push Guzmán’s films out of the
public sphere.
Chilean filmmaker Silvio Caiozzi learned quickly, after two of his
colleagues from the production of the film that he co-directed with Pablo
Perelman in 1974, To the Shadow from the Sun (A la sombra del sol),
including cinematographer for Guzmán’s Battle of Chile, Jorge Müller,
“disappeared” the morning after the first screening of the film (cf.
Middents), that if he wanted to continue to make movies inside of Chile,
he would have to work with extreme care and subtlety. His feature films,
including Julio Begins in July (Julio comienza en Julio 1977), The Moon
in the Mirror (La luna en el espejo 1990), and Coronation (Coronación
2000), demonstrate a deep concern for human repression (Bio-filmografía).
The making of Fernando Is Back (Fernando ha vuelto 1998) was the
result of an agreement to videotape for the widow of “disappeared”
Fernando Olivares Mori the official findings of the research team at the
Medical Legal Institute in Santiago. “As those remarkable women (the
forensic doctor and anthropologist assigned to Fernando’s case) went over
every bone in his body, demonstrating every fracture in his ribcage
inflicted through torture, my hands started to shake the camera and I realized the importance of what we were doing” (Personal Interview, 27
March 2002).
After introductory footage of a candlelight vigil, the narrative begins in
the Medical Legal Institute, in an office where the forensic doctor and
anthropologist charged with Fernando’s case explain what type of
evidence they used to ensure that the skeleton belonged to Fernando. Then
Fernando’s widow Agave and her family are led into the room where
Fernando’s remains are located. With sensitive dexterity, the women
uncover Fernando’s skeleton and explain what evidence they found for
Fernando’s execution (gunshot wounds at the base of the skull) and prior
torture and injury (dozens of fractures on the ribcage and gunshot wounds
in the lower back and hip). Finally the skeleton is covered, and the family
is led back into the office to recover from their overwhelming emotions.
“I can’t get over the ability a human being has to do such things to another
human being. It’s incredible,” proclaims Agave. She becomes the moral
conscience within the documentary. After this moment of deep sorrow
and disbelief, we do not hear from her again. She becomes a silent participator and spectator in the funeral proceedings. We are left with her
exclamation of astonishment at the capacity for human cruelty. Her question becomes our own.
Agave is not easy to ignore. Soft-spoken, stylishly dressed, not
expressing the political left’s rhetorical explanations for the Chilean situation, and demonstrating deep love and loss for her husband, she does not
fit the political right’s stereotype of the “human rights agitators.” Instead,
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she poses a moral question that has no political boundaries. The “human
rights question” is removed from the realm of politics and becomes a
humanitarian issue. When the documentary was first screened at the film
festival of Valdivia, it won a prize “for the contribution to the diffusion
of Christian values,” given by the Catholic Organization of Cinema. By
withholding voiceover commentary, Caiozzi accomplishes the same feat
as Agave. Rather than espousing a specific interpretation, Caiozzi lets the
stark images speak for themselves.
Fernando Is Back was a surprise screening at the annual film festival of
Valdivia. When the screening was over, Caiozzi describes the experience
in the auditorium as magical. “You need to keep in mind,” he says, “that
many members of the audience were Pinochetistas.” Many people were
crying. Many stayed silent. As members of the audience started to stir,
several approached him. They told Caiozzi how moved they had been and
how much they appreciated his film. “One woman told me that now after
watching this, she realized that Pinochet had gone too far – that this was
unacceptable” (Personal interview).
Reviews were published in newspapers across the country. The reviews
emphasized the grave importance of its subject matter and the need to
make this documentary available to the public. The headlines read, “Silvio
Caiozzi Moved Audiences Deeply in Festival of Valdivia: “Films that can
Open the Eyes” (La Nación, 29 September 1998), “In the Festival of
Valdivia: Silvio Caiozzi Screens Moving Video over DetainedDisappeared” (El Mercurio, 29 September 1998), and “Caiozzi’s Film
Prized in Valdivia” (La Tercera, 1 October 1998). In the article from La
Nación, Carmen Gloria Muñoz writes, “It will be remembered as one of
the most stirring moments that has lived at Valdivia’s cinema festival.
After the exhibition of Fernando Is Back, a documentary of no more than
a half-hour, the Cochrane Theater was filled with tears . . . The work is
one of bloodcurdling precision.”
When Caiozzi returned to Santiago, he received phone calls from the
press, requesting another screening of the documentary. Caiozzi’s staff
arranged it. Thirty-four parties confirmed that they would attend the
screening. However, at the appointed time and place, only three parties
arrived, and none of them were from the important press of Santiago.
In addition to this incident, Caiozzi has experienced a series of other
odd moments of avoidance, denials, and setbacks in his pursuit to share
his documentary with the public. Caiozzi initially sent the documentary
to all of the major Chilean TV networks so that they might air it. None
of them did. After a newspaper reporter interviewed Caiozzi, who
complained that his documentary was being withheld deliberately from
the public, TVN (Televisión Nacional de Chile) interviewed Caiozzi and
broadcast the interview, along with scenes from the documentary, but the
documentary in its entirety did not appear on the air. It was aired very
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late at night. Fernando Is Back has only been shown in its entirety on
Chilean TV on Sky satellite television, which is not available to most
Chileans. The video of Fernando Is Back can be purchased at the leading
Chilean recorded music store, Feria del disco, but the store does not advertise that they have it.
In Chile, interpreting and constructing meaning about Fernando Is
Back would be based in large part on individuals’ experiences during the
years of Allende’s Popular Unity government and then Pinochet’s regime.
I invited three Chileans who had never seen Fernando Is Back to my apartment on separate occasions. I played the documentary for them, and I
asked them a list of standardized questions, both before and after the
screening, which included inquiries into the experiences these individuals
had had during the years of Popular Unity and the dictatorship. My first
guest, David (Personal Interview, 27 April 2002), is a conservative man
in his early forties. He works as an accountant for a health clinic. My
second guest, Fernando (Personal Interview, 28 April 2002), in his fifties,
identifies with the political left. He works as a mathematical engineer. My
third guest, Trinidad (Personal Interview, 15 May 2002), is a workingclass woman in her fifties and an active member in the Communist Party.
She used to work in a textile factory, and now she works as a caretaker
in a nursing home for retired members of the military. [See the appendix
for the transcript of their interviews.]
The years of Popular Unity were years of fear and instability for David,
and years of utopic dreams and revolutionary social progress for
Fernando and Trinidad. These three years were defining moments in the
formation of personal identities and political alliances. Their social, political, and class positions during this moment in history also largely
determined how they would be able to live during the following seventeen
years of dictatorship. As a member of the privileged class, David would
be left alone by Pinochet, and thanks to Pinochet, his family’s wealth and
security were protected. Fernando and Trinidad lived in constant danger
during Pinochet’s regime, and the relationships and activities with which
they had been involved during the years of Popular Unity had to be
continued clandestinely at great personal risk or curtailed altogether.
David, despite his political differences with those who were the primary
victims of human rights violations, demonstrates deep sorrow and
remorse after viewing the documentary. Of my three interviewees, his attitude and emotional state is most changed between the pre- and
post-screening discussion. His responses during the post-screening discussion demonstrate how he is struggling to negotiate his long-held
convictions towards the Chilean situation with the evidence just witnessed
of human barbarity that was committed by men following orders from a
man that in many ways, David admires. Watching the video was troubling
for him, but he deftly manages to fit what he has watched into a more
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comfortable arena, where those who are to blame are those whom he has
opposed consistently for many years.
Fernando is not much changed after viewing the film. He also does not
have trouble explaining the violence or blaming those responsible. What
is interesting is that his conclusions are not very different from those of
David. He also wishes that Chile would “move on,” and “get over” this
specific human rights issue, although he suggests that moving on is necessary so that current human rights violations are further exposed. He
appreciates the documentary, and was moved while watching it, but, like
David, he does not feel that screening it to larger Chilean audiences is
necessary.
Trinidad has a different response to the documentary than both David
and Fernando. Although her background and experiences are in many
ways similar to those of Fernando, her reactions afterwards and her
convictions regarding the importance of exposing this documentary, as
well as others with similar themes, to larger audiences are diametrically
exposed to his. As an active member in the Communist Party, she is wellversed in contemporary human rights violations – abject poverty,
inadequate health care, failing and insufficient social programs and education systems – but for her, these issues should not be addressed rather than
former state violence, but in addition to that. The result is that Fernando
and David, although from opposite ends of the political spectrum,
conclude their responses in ways that are strikingly similar, namely
pessimistic and ambivalent, while Trinidad, who seems initially to hold
such common views with Fernando, remains the sole espouser of human
rights discourses regarding “truth and justice.”
What do viewer responses to Fernando Is Back tell us about the role of
documentaries and other types of media in re-constructing and re-conceptualizing historical memory? Furthermore, how do traumas, experienced
at the national level, influence historical memories that may be confirmed,
altered, or complicated by exposure to different media? David, Fernando,
and Trinidad all experienced traumas during recent Chilean history. For
David, the trauma was experienced as a child during the years of Popular
Unity. For Fernando and Trinidad, the trauma lasted for decades, as they
saw their ideals crushed and their friends taken away.
At the moment, two layers of obstruction exist in direct confrontation
with Chile’s recent past: lack of access to relevant discourses at the institutional level and resistance at the personal level. While small steps of
progress have been taken to decrease media censorship, the problem of
personal resistance to traumatic historical memory is going to be more
difficult to overcome. In the meantime, filmmakers will continue to
struggle to get their productions seen and heard by those who most
directly affect and are affected by their work – people in Chile.
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Appendix
QUESTIONS
POSED BEFORE THE SCREENING OF
Fernando is Back.
Athough individuals’ responses are grouped together, they were all interviewed separately on different occasions.
Q. Describe what your life was like during the years of Popular Unity.
David
My family had a lot of money, but that didn’t help because there was
nothing in the store. Suddenly the products disappeared. We were all
given coupons to get our portion of food. It was very little. This lowered
our self-esteem. There was no toothpaste, soap, shampoo. They say that
the [political] right with the CIA hid things to help the boycott, to
undermine Allende’s government. Perhaps it’s true. There was a line
two blocks long to buy one loaf of bread. At night my father guarded
the door with his gun because he knew the revolution could take our
house. Our friends’ land was expropriated. School stopped. The police
were shooting gasses. At night, we heard protests of people banging
pots, demonstrating that they were hungry.
Fernando
Those years were full of hope for change, especially for the poor. The
government was undermined by the right and from outside of Chile.
Now there are documents from the CIA that show this. Businesses
closed, but the owners kept on living, the truckers [who striked against
Allende’s government] were supported. As time passed, things became
more violent. In the last months, there was repression. They were
preparing for, expecting the coup. I was a student of engineering.
Trinidad
Those years were filled with happiness, hopes, and freedom.
Q. Describe your experiences during the years of dictatorship.
David
After the coup, no one knew what was happening. There was a lot of
fear. The planes [that bombed the Presidential Palace on the day of the
coup] flew over our house on the way to La Moneda. That government
[Popular Unity] was a corrupt government. After Pinochet arrived, we
were at peace. Then there were the human rights violations. I agreed
with getting them [leftists, Allende supporters] out of the country, but
not with killing them . . . There was a sensation of never having problems. For me it was easy. I felt fine with him. There was security, no
delinquency. There was order. I studied, worked. I don’t have friends
or relatives who disappeared. I understand it was harder for others. I
lament that Pinochet did bad things.
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Fernando
On September 11, 1973, I lived near the General Cemetery. I saw trucks
carrying corpses to the cemetery. It was a massacre, not a war. Only
one side was killing. There was much fear. I didn’t want to leave the
house. When I did, I had to be very careful. I had a box of literature
from Popular Unity. The first thing I did was to destroy these things. If
they came and saw this, they would kill me. There were helicopters
overhead. You couldn’t flee. I burned almost everything. These were
the first few days. We didn’t know where my brother was. At first, he
was disappeared. We all thought, “What do we do now?” Some tried
to cross the mountains. We tried to survive. Go underground. Others
were detained. There was a complete list of the militants of the
Communist Party. One after another, they were taken. We went into
“the air.” I decided to live life: career, get married, have kids. The military killed all my friends; others went into hiding. When I saw a friend
in the street, we couldn’t communicate. Or we gave each other signs.
There were some bits of hope at different times. The Manuel Rodríguez
Patriotic Front (FPMR) tried to overthrow Pinochet’s government.
That movement died also. We eventually realized that there was not any
possibility for change unless the military decided themselves to change.
Trinidad
I felt much sadness, impotence, fear about what would happen. I knew
of the experiences of other dictatorships from other Latin American
countries. There was much pain, suffering. It killed a certain projection
of life, destroyed it.
Q. How do you feel about Pinochet?
Fernando
He’s an animal, but one like many others in the Armed Forces. Only
military men are good servants of the owners of powerful companies.
The powerful don’t get their hands dirty. He’s a man of few intellectual
abilities, but not stupid. He has sufficient intelligence for what he did,
a typical career military man.
Trinidad
Pinochet lives in impunity. I think of him with pain, about the injustice,
not with hate, much impotence, fear.
Q. When people speak of human rights violations, what do you think?
David
I want to know if it’s the truth. Wait to see if it’s really true before justice
is served. I’m not very interested. I just want the country to advance,
live in peace, forget. The issues are over. To talk about it now is to
rekindle the fire. Some people want to rekindle the fire because without
the past, they are nothing. More rapid and certain justice is needed to
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resolve these issues so relatives can know where their disappeared relatives are located. The politics don’t allow for tranquility. There are
people who don’t want these themes to ever die.
Trinidad
I feel pain, sadness, suffering. I think of the victims. The lawyers deserve
much respect and admiration. I feel shame and rage when the right says
that they didn’t know.
QUESTIONS POSED AFTER THE SCREENING OF Fernando is Back
Q. What are your initial reactions to this?
David
What do you think is better, to know what happened to Fernando? Or
not? I don’t know. It’s a very hypothetical situation for me. I lament
the death of Fernando, the same way I lament the death of someone
who got hit by a car or died of cancer. I don’t like when they use these
situations as an emblem. Why do you need to raise this to such a level?
I know the pain is incredible. Someone was burned with a blowtorch.
I find it barbaric. I hope this never happens again, but we only denounce
the military when they are on the right. What about MIR, the Frentistas,
those who killed Senator Jaime Guzmán (an important ally of Pinochet
who was assassinated after the transition to democracy)? It doesn’t
seem like that violence is important. When there are killings, there is no
noble cause.
Fernando
My attitude hasn’t changed much. What I saw, I already knew. It’s a
culmination of things, not a surprise. Until when are we going to pursue
this theme? Of course, the relatives, foreigners are still interested. Will
this stop from happening again? No. There are examples from around
the world. Look at Guantanamo Bay, Yugoslavia, Chechnya.
Trinidad
Many things. Impotence. I was thinking that it could have been my son.
We will fight to the end. Those cowards. I know there won’t be justice,
but we will fight for the truth until the end for those who don’t know.
Members of the Armed Forces and DINA cannot live peacefully.
Q. Should this documentary be shown on TV?
David
No. It won’t help anyone. It just returns to the past. We don’t need this.
It should be placed in a special library where you can go to remember
the past. The theme of death – leave it in peace. Some place with public
access, free, where there is music and documentaries of this epoch. On
TV, no. People are bored with this.
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Fernando
It’s a little strong, strong images for kids. The problem is the themes
that TV and newspapers treat or not treat. Self-censorship. Journalists
know what they can and cannot discuss due to the environment. It’s
important to show Fernando Is Back because some people still deny it
happened. But it’s just as important to discuss poverty. Many themes
are hidden. The country is “successful.” Inflation is controlled. Salaries
are rising a little. These themes are favored on TV.
Trinidad
Of course. It should be shown for all to see. It’s very strong for
consciousness. Absolutely, it needs to be shown. Not just this one.
Many (others).
Q. Should society do more for the relatives of those who were killed?
David
If they can and know something, perfect. Do something. But what else
can be done? All of these things have already taken place.
Fernando
I don’t know. Maybe. But there are many others who need help. The
poverty, misery. Not all human rights victims live that badly now.
There are people who need more help than them. The problems are so
grave. Relatives of the disappeared have their organizations.
Trinidad
Yes. The government after the dictatorship said more needed to be
done. But it wasn’t. The economy is most important. Groups are
demanding truth and justice. The Church is different now, compromised. Society should be dedicated to this, but it’s not. There is very
little coverage in the media because it’s not convenient for them. The
economic structure doesn’t allow it. The history of our country for most
people is not told. This is not acceptable.
Q. Does society need to do more for living torture victims?
David
Society can’t do anything. It depends on you. Vietnam veterans. Does
your country help them? It’s a patriotic debt that they have paid.
Fernando
Possibly, yes. Victims don’t want to talk about it. They feel shame for
informing and don’t want to tell what happened. Something is missing
for them. I don’t have an answer.
Trinidad
We are always fighting for justice. There are so many victims, mental,
physical, psychological. Persecution, internal exile. They went to the
Church, afraid. They also need justice. But this class of human rights
violations doesn’t exist for the State.
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Q. Is there truth and justice in Chile? If not, what needs to happen for
there to be truth and justice?
David
No. The country needs to disappear, start over. There is discrimination
in justice. If you don’t have the money, forget it. It seems like this is the
strangest country on Earth.
Fernando
There is neither truth nor justice. More bodies have been found. We
just had the Table of Dialogue [roundtable discussion among government, military, and human rights groups in 2000]. Lies. Possibly one or
other case will be solved. When something is found, the military goes
and takes it. The military is concerned with hiding, taking, misplacing.
This is a country of “volcanoes.”
Trinidad
The Constitution [written in 1980 by Pinochet] needs to be changed, to
begin with. Freedom of expression: it exists, but it’s not in the media.
We don’t need reform, but a complete change of the Constitution. The
tribunals need complete independence. This contributes to the
impunity.
Works Cited
Caiozzi, Silvio. Fernando ha vuelto (1998).
——. “Personal Interview.” Santiago, Chile, 27 Mar 2002.
——. Bio-filmografía. 5 March, 2005. <http://www.chilecine.cl/ espanol/
detalle_director.php?id_tabla=9&id_persona=40>
Huerta, David. Personal Interview. Santiago, Chile, 27 April 2002.
Kuhn, Annette. Family Secrets: Acts of Memory and Imagination. New York:
Verso, 1995.
Montolio, Fernando. Personal Interview. Santiago, Chile, 28 April 2002.
Muñoz, Carmen Gloria. “Films that Can Open the Eyes,” La Nación, 29
September 1998
Muñoz, Trinidad. Personal Interview. Santiago, Chile,15 May 2002.
Review: “In the Festival of Valdivia: Silvio Caiozzi screens moving video over
Detained-Disappeared” (El Mercurio, 29 September 1998)
Review: “Caiozzi’s Film Prized in Valdivia” (La Tercera, 1 October 1998).
Riding, Alan. “Telling Chile’s Story, Even if Chile Has Little Interest.” The New
York Times, 3 October 2002.
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re/coiling inscription
Incisive Moments in Diamela Eltit and
Jacques Derrida
Andrea Bachner
[Sans] cesse la loi s’écrit sur les corps.
Elle se grave sur les parchemins faits avec la peau de ses sujets.
Elle les articule en un corpus juridique. Elle en fait son livre.
Ces écritures effectuent deux opérations complémentaires : par elles, les
êtres vivants sont «mis en texte», mués en significants des règles
(c’est une intextuation) et d’autre part, la raison
ou le Logos d’une société «se fait chair» (c’est une incarnation).
de Certeau 3 1
That the seemingly abstract concept of inscription is also a contested
ground in a more concrete political context is underlined by its use in
coming to terms with historical trauma, especially in the aftermath of
dictatorship, for example in the (post)dictatorship literature in Chile. The
metaphors of writing play an important role in the discourse on Chile
during the dictatorship, and the transition, but also for a democratic Chile
in the context of its new role within global capitalism. In her book
Residuos y metáforas, published in 1998, the Chilean critic Nelly Richard
represents the Chilean history of the last thirty years in terms of inscriptions and erasures at different levels: During the dictatorship, on the one
hand the regime is seen as imposing a violent and totalizing inscription
onto bodies, to the extreme of bodily torture; but on the other hand, a
part of these very inscriptions is erased in the disappearance of the victims’
bodies, “los desparecidos.” During the transitional period, the program
of consensus and reconciliation can be read as an attempt at erasing the
very erasure of those who had been detained and disappeared, whereas
an effort at resistance, a holding on to memory, tries to reinscribe those
bodies in danger of suffering a double erasure. This new inscription does
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not only confront forgetting, but also new types of bodily inscriptions and
erasures in the context of the unceasing flows of capitalism and mass
media:
The traces of the past suffer today repeated processes of erasure, and not
only of a political and institutional nature. They exist also disguised as the
seduction of television and commercial bliss. A fin-de-siècle globalization
that moves to the evanescent rhythm of commodities without having time
for nor taking pleasure in asking itself what each novelty leaves behind,
dissipates the value of a historicity painfully ciphered in the experience of
the dictatorship and causes that which we thought impossible to erase to
become each time more blurred. (15) 2
This battle, as it is represented as a re-inscription, takes place in a
textual realm and reaffirms the political value of a counter-writing, of a
textualization of reality as it is performed in an academic context by the
theoretical movement of deconstruction. In her book, Richard underlines
the proximity of her own project with such a theoretical tendency:
Even though the abuses of an academic and literary deconstruction made it
necessary, at a certain point, to defetishize the Text as it had become an
emblem of an excessive textualization that seemed to have erased the lines
of a social potential for conflict, today it seems to me equally important to
return to the text [ . . . ] in order to defend a critical textuality against the
reductionism of the industry of the “paper” [in English in the original] and
the academic bureaucratization of a knowledge of a merely pragmatic
consumerism. (18) 3
Even though Nelly Richard effects a return to textuality here, after
having questioned deconstructivist ideas for their erasure of the social
dimension, she seems to regress even farther to a tradition under the influence of the fetish of the text such as it was formulated in the works of
Julia Kristeva, or Jean-François Lyotard in the sixties.4 It seems a return
to the illusion of écriture, of a different, marginal, baroque, dense, excessive kind of writing that flaunts its materiality and disrupts a bureaucratic,
monomorphic, unproblematic communication. Thus, Richard works
within a paradigm of inscription and erasure, but preserves intact the illusion of a dichotomy between two different types of inscription and
erasure: one in the context of oppression, the other one in the context of
liberation.
In his essay “Des outils pour écrire le corps” Michel de Certeau conjures
up a body that is prone to the inscription of the law, or rather, becomes
body only after submitting the unruly folds of its flesh to the painful incision of law’s sharp pen.5 This seemingly simple figuration of the
submission of the individual subject to societal and state power really
opens up a contested space teeming with transitions, transformations, and
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tensions: In a process of incarnation, the text of the law becomes flesh,
while flesh becomes text in an act of inscription which, as it cuts into life
flesh, brings about excruciating suffering, but it also conveys the privilege
of a name and intelligible subjecthood, a wished-for bliss.6 Thus, the body,
this strange hybrid being of flesh and discourse, also embodies the borderlands which are cut through by the dividing line between individual and
society, flesh and writing, pleasure and pain, sub-jection and subjecthood.
The metaphor of inscription, with its long genealogy, seduces by
offering an elegant way for rethinking the coming into being of the societal subject.7 In the context of the linguistic turn in theory and its
textualization of reality, the re-scripting of interiority as the effect of a
writing on the surface, in Foucault’s shorthand in Surveiller et punir “the
soul, the prison of the body” (“l’âme, prison du corps”34), is a spectacular turn, conceptually and stylistically speaking. However, the concept
looses much of its limpid brilliance once one ventures into its grey zones
and fully explores the ramification of its metaphor of writing. Whereas
de Certeau’s explication focuses, as the title of his essay highlights, on the
instruments that do the inscribing, and also, to a lesser degree, on the
surface that is written on/into, the agency of the act of inscription, the
scribe(s), but also the author(s) of the script remain shady concepts.
Only if we grant de Certeau’s “law” and “Logos of society,” and
Foucault’s “power” and “discourse” to be pre-existing, disembodied
forces, which express and incarnate themselves through a forming of a
previously undifferentiated material mass, “the flesh,” is the differentiation between the different components of this scene of writing clear-cut:
the “law” authors the script and authorizes the inscription, the “flesh”
suffers the incision and interiorizes its pre-scriptions. Yet, a dichotomy of
the author’s pen and the flesh-made-parchment would take the revolutionary edge out of the re-scripting of interiority. It would, through a
detour, reinvigorate the reign of form over matter, transcendence over
materiality. Discursive pre-scription, through its act of inscription would
become destiny. This is certainly not what authors like Foucault or de
Certeau try to express through their uses of the metaphor of inscription.
My intentional misreading highlights how the metaphor of inscription
can be construed in different, at times conceptually dangerous ways. In
what follows I will discuss how two very different authors, the French
philosopher Jacques Derrida, and the Chilean novelist Diamela Eltit work
with, through, and beyond the metaphor of inscription. Both Derrida and
Eltit use the figure of inscription, but challenge its binary of active writing
instrument and passive writing surface. Instead, by introducing conceptual circles into the figure – between the agency and the surface of
inscription –, and by thinking about the repetition of inscription, they
open up the metaphor and move away from the concept of inscription as
a universal, unilateral act that is beyond contestation towards a thought
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of the specificity of inscriptive surfaces and acts, the iterability of inscriptions, and the possibilities of putting up resistance against or of altering
inscriptions. In this they go beyond other uses of the metaphor, like JeanLuc Nancy’s concept of excription and Nelly Richard’s political but
essentializing use of inscription, which I will use as contrastive foils for
my discussion of Derrida’s and Eltit’s inscriptions.
In different contexts, Derrida and Eltit re-inscribe inscription in a way
that I want to call a re/coiling of inscription. They use the paradigm of
inscription, but make it undergo change. Their re/coiling is a movement
of acknowledging the importance of the concept and accepting it, but also
an attempt at modifying and questioning it. In this sense, re/coiling translates Martin Heidegger’s concept of “Verwindung,” as working around
and questioning a concept, which is, however, still used and not transcended in a sense of Hegelian “Aufhebung,” as Gianni Vattimo explains
it in Fine della modernità. The term of re/coiling, however, is also appropriate in a second way. Its image of circularity reflects the move these
writers effect on the image of inscription: their questioning and problematization of the notion consist in a connection to figures of circularity.
Re/coiling inscription is conceptually creative, this aspect becomes
especially visible in Diamela Eltit’s use of inscription, which is politically
effective, as well.
In his book Corpus, the French philosopher Jean-Luc Nancy, moved by
a negative reading of inscription, contests the creativity of the metaphor,
protests against its importance for Western thought, and proposes a
counter-concept which he names excription. Echoing de Certeau’s
description of inscription as an intextuation of the body and an incarnation of the law; for Nancy the metaphor of inscription leads to the
conceptual erasure of the body as body, as it creates a textualized nonbody that only serves as the embodiment of incorporeal principles, be it
the law or the mind. It is thus only instrumentalized in the context of signification. The body signifies, but, in its function of signifier, no longer
exists as a body. Nancy thus rejects inscription and calls for an excription
of the body:
The ‘written bodies’ – incised, engraved, tattoed, scarred – are precious
bodies, safeguarded, reserved like the codes for which they are the glorious
engrams: but finally, this is not the modern body, it is not this body which
we have thrown here, in front of us, and that comes to us naked, only naked
and excribed in advance out of all writing. (12) 8
The attempt at avoiding inscription in the writing of the body in Nancy’s
argument is based on his unveiling of inscription and its conventional connection of body and meaning as itself paradoxical, imprisoned in an
impossible circularity, what he also calls a “concentration,” which results
in the elimination of the body as body. The body as signifying body within
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the logic of incarnation signifies itself and is the being of the sign, representing the union of signifier and signified. It is trapped in the (non-)logic
of circularity, which, according to Nancy, preempts it from ever appearing as body. In order to avoid inscription and concentration, the
movement of excription has to result in the re-corporealization of the body
of language through an erasure of signification and the exposure of the
signs as a grouping of “bodies”:
Excription happens in the play of an in-significant/non-signifying spacing:
that which, always anew, disconnects the words from their meaning, and
which abandons them to their expanse. A word, from the moment it is not
absorbed without remains in meaning, remains essentially extended
between the other words, tending towards them without however joining
them: and this is language as body. (63) 9
The conceptually problematic nature of excription becomes evident
with a closer look at the term. Ex-scription still designates a process of
writing. As such, it is not inscription’s opposite, but rather its complementary other – an erasure that takes existence only after and because of
inscription. Such a relationship to “scripting” is not only true for the term
as such, but apparently also for the concept it names. It is less a de-textuation of the elements of writing, but rather a different type of incarnation
of écriture.
Once writing does not signify any longer, but rather becomes visible in
its spatial order, in that sense, it is no longer writing, or markings without
signification, but a body, which, in Nancy’s own words “we have thrown
here, in front of us, and that comes to us naked, only naked and excribed
in advance out of all writing?” Would the excription of writing out of
meaning thus not embody just another way of erasing the corporeal
through reconceptualizing it in the realm of textuality, as something that
exceeds signification? Is this not just another fantasmatic, supplemental
corporeality of the textual that erases the differences between text and
body through an emptying out of the corporeal and its entry on the side
of the textual?10 Nancy, while trying to elude inscription, repeats a movement of the erasure of the corporeal through a corporealization of the
textual which he sees inherent in inscription.
Unlike Jean-Luc Nancy, Derrida does not reject inscription, but rather
seems to mobilize the conceptual violence inherent in the paradigm to its
fullest extent: while the bodily substratum of inscription seems to be
erased, writing is strangely embodied in explicitly gendered metaphors,
texts bleed and suffer.11 What seems a facile transference of a fetish of
corporeality onto the textual under the sign of inscription, however, is
indeed a much more complex process and has to be read in the context of
the philosopher’s thoughts on circularity and iterability.
Iterability, as it is always connected to différance, is never a return of
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the same, but rather, it is thought of as an open circularity. This notion
becomes important in the context of inscription under the figure of the
“marque” with its double face of singularity and universality. A
“marque” of inscription is open towards the past and the future, as it is
always already a “re-marque,” the repetition of the trace of a “marque,”
and itself will become the trace of a future “re-marque.” Thus it permits
the relation between a general, universal pattern, and a singular experience. The singular, violent experience has the structure of a “re-marque,”
of a re-actualization of the fundamental “marque.” In turn, this allows
for the intelligibility and communicability of the singular without
equating it with the universal structure.12 Derrida’s creative circularity,
however, is also uneasily connected to gendered metaphors that are used
to embody it: the folds of the hymen and circumcision.
In “La double séance” in Dissémination, the image of the hymen
embodies the différance of écriture through an ambivalent relation to the
fold of a “re-marque,” as surface and inscription are conceptually contaminated in the context of a circular structure: inscription as a
“re-marque” is always already conceptualized as a figure of the fold.
Furthermore, the result of such a fold of the “re-marque” is itself a fold
in the inscriptive surface which, as does the hymen, is already seen as
multiply folded entity in itself. It is a “fold not just in the veil or in the
pure text but in the folding that the hymen was in itself” (Derrida 281).13
The fold is not only a simple redoubling of the undecidability of the
hymen. It is not only a structure of an inscription of undecidability (the
fold) into undecidability (the hymen), as the very relationship between
them remains undecidable: the fold both is and is not equivalent to the
hymen, it both stands for and does not stand for the pliability of the
hymen; it is thus both in excess of the hymen and equivalent to the hymen.
The inscriptive surface and the act of inscription are thus folded into each
other.
A similar structure is at play in the context of the figure of circumcision, especially in Schibboleth and Circonfessions. Circumcision is also
caught up in the circular structure of the “re-marque”: as a personal
singular experience it symbolizes a sexually and culturally specific
marking, but also the more abstract concept of inscription as the production of a subjectivated, discursive body. Such a circular structure is
accentuated by the movement of this inscription itself, as it is a circular
incision. It is an inscription that cuts into the surface, but also circumvents
a deeper cut through turning around it, even though it is phantasmatically
evoked. It partakes of
[T]he cutting, pointed, concise, but also rounded and circumventing form
of a sickle, also of writing, of a sickle-writing. This sickle-writing does not
turn around that which it cuts, because it does not avoid it, not totally, but
it cuts while turning around it. (Schibboleth 68–69) 14
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Circumcision as inscription is doubly caught up in a paradoxical circle:
as a “re-marque” it always already depends on, and also embodies a “premarque.” Furthermore, in the context of Derrida’s reflexions on
self-circumcision, the relation between surface and inscription has to be
read as much more complex than a bi-partite structure of passive surface
and active inscription. However, are these not just clever metaphors for
abstract concepts that underpin the possibility of talking about texts as if
they were bodies, as if they suffered or experienced pleasure? Derrida’s
take surely is on the side of textuality, as the real is always already
inscribed. However, the recoiling of inscription in the context of specific
bodily metaphors can maybe also be read creatively under the sign of the
“re-marque.” As a universal structure, inscription only exists in its specific
reactualizations, but this does not mean that singular inscriptions are
erased in their differences, but rather that the concept as such is opened
up to multiple differences of styles and surfaces.
Chilean writer Diamela Eltit, even though she writes in the same context
as her compatriot, Nelly Richard, rather affects a re/coiling of inscription
similar to Derrida’s, especially in her 1983 novel Lumpérica. This experimental novel performs the violent bodily interactions, at night, on a
square of Santiago de Chile, between the female protagonist, a group of
homeless, and the illumined advertisement that looms over them. Given
the political context, Eltit is faced with a complex multiplicity of specific
inscriptions: the inscription of a capitalist system which rescripts bodies
as commodities, the inscription of the name of the father and of nationality on marginal bodies – women, social outcasts –, and the all-too-real,
painful inscription of torture under dictatorship. The re-inscription Eltit
works is thus specific, but given that all of these share the paradigm of
inscription, she also questions a general pattern and explores what space
it offers for resistance.
This questioning and re/coiling of inscription is visible in the novel as
a whole, but especially in the chapter “Ensayo general,” which can be
translated as general essay, or dress rehearsal. It describes a series of cuts
that somebody inflicts on his/her own arms with a razor blade, a textual
re-creation (or pre-creation) of a live performance by the author filmed
by Lotty Rosenfeld under the title Maipú. In this chapter, inscription is
multiplied in varied representations of a real act of cutting, as the text
foregrounds that inscriptive production is trapped in paradoxical circularities, by emphasizing the act of cutting, and de-emphasizing its
production of signification. Such a re-inscription – as a re-enactment, not
a re-presentation – challenges the predominance of a universalized act of
discursive inscription and thus underlines the pain, but also the specificity
of each singular incision.
The descriptions of the cuts in the novel emphasize that inscription does
not function in a linear sequence but rather in that of a paradoxical loop
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in an impossible future anterior. The hand is both part of the surface
where the cutting is effected, and is produced by this incision, as it marks
off the hand from the rest of the arm, as the writing of the cut “will separate the hand that frees itself through the line that comes before it” (“va
a separar la mano que se libera mediante la línea que la antecede” 145).
Thus, the hand is both prior to the cut and depends on it for its existence.
The sentence directly following that quoted above, “This is the cut with
the hand” (“Este es el corte con la mano” 145) renders the question of
inscription and surface even more complex. It designates the agent of the
cut; it is done with the hand, so that one hand produces the cut that lends
intelligibility to the other one, and, potentially, vice versa.
This logic is reiterated through the inclusion of intertextual material in
the chapter. The photograph at the beginning of “Ensayo general” shows
the author exhibiting her arms with the cuts she has made on them. As
such, it is already a partial reiteration of her live performance, Maipú
consists of Eltit’s cutting of her arms and reading parts of Lumpérica in
a red light district of Santiago. The text itself reflects on the inclusion of
the photograph in a section of “Ensayo general” that is given the (bracketed) title of “In relation to the cut in/of the photograph” (“En relación
al corte de la fotografía” 149). Such a reflection indicates yet another
paradoxical looping related to the temporal and logical sequence of representations. The comment on the photograph and on its representation of
the “real” cuts suggests a logical sequence of the “original” cut (in the
context of the live performance), as well as its representation in the photograph followed by a secondary representation in the text, which also
thematizes the photograph. On the other hand, such an order is also destabilized. As the performance also consisted in readings of passages from
Lumpérica, at least parts of the text are prior to the act of cutting. Thus,
there is no answer to such questions as if the text is the dress rehearsal for
the live performance or rather its representation.
This blurring of the sequential structure of surface/inscription/production-through-signification is mirrored by the instability of temporal order
in the chapter “Ensayo general” as a whole, as it points to the impossibility of the scene of the “Ensayo general” when the material that is
performed upon is the body. Such a dress rehearsal can never enact the
preparation of its more perfect repetition, the performance as such, as it
radically changes the material such a performance relies upon. Since the
cuts cannot be erased, there is no possibility of a return to the state before
the dress rehearsal, the smooth, unblemished, pristine surface of the skin.
Indeed, such a pristine surface can never exist and has never existed to
begin with.
In another part of the same chapter, Eltit attempts a recreation of the
cuts in the text, using an experimental style, a series of different textual
cuts that underline the subject of the cut on a textual microlevel:
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Muge/r/apa y su mano se nutre final-mente el verde des-ata y maya se erige
y vac/a-nal su forma.
(142)
Anal’iza la trama = dura de la piel: la mano prende y la fobia des/garra.
(143)
Muge/r’onda corp-oral Brahma su ma la mano que la denuncia & brama.
(144)15
This is a baroque écriture, which celebrates the writing of excess,
ruptures the economy of direct communication, and thus seems to get
close to the ideal of a writing of curves and interstices, as it is highlighted
by Richard. However, its re-creation of the cuts is not granted a privileged
role or is seen as a better, more real, more corporeal representation of cuts
made on a body. Rather, each act of cutting, each act of inscription is
singular and irreducibly different. Thus the photograph of the author with
cut arms that is placed at the beginning of “Ensayo general” does not
render the cut, but rather creates a surface for a different cut to act upon:
Does the cut as such represent itself as in the very photo? Rather, it is fixed
as such. The representation is given to the extent that it [the cut] is acted
upon./ For example, the tracing of the cut is a furrow that is worked upon,
and which is thus shown as a sign. However, as it is like a furrow, it becomes
a trench or a parapet under which a performance protects and hides itself.
/As a furrow, it is sunk down below a surface that has been penetrated. If
one re-turns it through a photograph, it is flattened into a new surface,
which will only be broken by the eye that cuts its gaze there. (149) 16
Thus cutting a text is not the same as cutting a body. Cutting one’s arms
in a performance is not the same as undergoing torture, or being inscribed
by nationalism, or patriarchy. But while these cuts can never be erased,
they can be re-enacted and thus be unveiled as performative acts that are
potentially open to re-inscription.
The re/coiling of inscription that Derrida and Eltit work in their very
different contexts, unlike Nancy’s concept of excription, rescripts the
concept as such without evading it, and unlike Richard’s use of inscription, does not return to a dichotomy of positive versus negative
inscriptive acts. It allows for a rethinking of the connection between the
singular and the universal, introduces a destabilization of the difference
between inscriptive agency and surface, renders inscription multiple and
performative, and underlines the differences in surfaces and inscriptive
styles. Yet, the incisions operate within the concept of inscription and
are posited in the realm of the textual, therefore, transferring the corporeal back into the picture is problematic. Thus, they also seem to
question a desire for the return of the corporeal. Maybe, instead of pursuing a phantasmatic corporeality somewhere out there, beyond the
textual, we should refocus our attention on different styles of performing inscription and their politics.
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Works Cited
Butler, Judith. The Psychic Life of Power: Theories in Subjection. Stanford:
Stanford University Press, 1997.
Certeau, Michel de. “Des outils pour écrire le corps.” Traverses 14/15 (April
1979): 3–14.
Derrida, Jacques. La dissémination. Paris: Seuil, 1972.
——. Éperons: Les styles de Nietzsche. Paris: Flammarion, 1978.
——. Le monolinguisme de l’autre, ou: La prothèse d’origine. Paris: Galilée, 1996.
——. Schibboleth: Pour Paul Celan. Paris: Galilée, 1986.
——, and Geoffrey Bennington. Jacques Derrida. Paris: Seuil, 1991. [includes
Circonfession].
Eltit, Diamela. Lumpérica. Santiago de Chile: Las Ediciones del Ornitorrinco,
1983.
Foucault, Michel. “Nietzsche, Genealogy, History.” Language, CounterMemory, Practice. Selected Essays and Interviews. Ed. Donald F. Bouchard,
trans. Donald F. Bouchard and Sherry Simon. Ithaca, NY: Cornell University
Press, 1977. 139–164.
——. Surveiller et punir. Naissance de la prison. Paris: Gallimard, 1975.
Kristeva, Julia. La révolution du langage poétique: L’avant-garde à la fin du XIXe
siècle: Lautréamont et Mallarmé. Paris: Seuil, 1974.
Lyotard, Jean-François. Discours, figure. 5th ed. Paris: Klincksieck, 2002.
Merleau-Ponty, Maurice. Le visible et l’invisible. Ed. Claude Lefort. Paris:
Gallimard, 1964.
Nancy, Jean-Luc. Le sens du monde. Paris: Galilée, 1993.
——-. Corpus. Paris: Editions Métailié: 2000.
Nietzsche, Friedrich. Jenseits von Gut und Böse. Zur Genealogie der Moral. Ed.
Giorgio Colli and Mazzino Montinari. München: Deutscher Taschenbuch
Verlag, 1999.
Richard, Nelly. Residuos y metáforas: (Ensayos de crítica cultural sobre el Chile
de la transición). Santiago: Editorial Cuarto Propio, 1998.
Vattimo, Gianni. La fine della modernità: Nichilismo ed ermeneutica nella cultura
post moderna. Milano: Garzanti, 1985.
Notes
1
2
“The law writes itself ceaselessly on the bodies. It engraves itself onto parchments made from the skin of its subjects. It expresses them in a juridical
corpus. It makes them into its book. These writings carry out two interlocking
operations: through them, living beings are “put into text,” transformed into
the signifiers of the rules (this is an intextuation) and on the other hand, the
reason or the Logos of a society “makes itself flesh” (this is an incarnation).”
Where no reference is given, translations are mine.
“Las huellas del pasado sufren hoy reiteradas operaciones de borradura, y no
sólo político-institucionales. Las hay también disfrazadas de seducción televisiva y de goce comercial. Una globalización de fin de siglo que se mueve al
ritmo fugaz de la mercancía sin tener tiempo ni ganas de preguntarse por lo
que cada novedad deja atrás, dissipa el valor de la historicidad dolorosamente
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3
4
5
6
7
8
9
10
cifrado en la experiencia de la dictadura haciendo que lo que creíamos
imborrable se vuelva cada vez más borroso” (15).
“Si bien los abusos del desconstruccionismo académico-literario hicieron
necesario, en un determinado momento, desfetichizar el Texto porque se
había convertido en el emblema de una textualización a ultranza que parecía
haber borrado de sus líneas la conflictualidad de lo social, me parece hoy
igualmente necesario volver al texto [ . . . ] para defender la textualidad crítica
contra el reduccionalismo de la industria del paper y la burocratización
académica de un saber de mero consumo práctico” (18).
Both writers posit spaces within writing that are not discursive, that is they
are seen as traces of a prediscursive order, not yet submitted to an economy
of communication, Freudian oedipalization or a Lacanian realm of the
symbolic. For Kristeva, especially in her book La révolution du langage
poétique, this is the realm of the maternal, and related to sound and rhythm,
for Lyotard, in his Discours, figure, it is connected to the visual. Both thinkers
thus introduce a dichotomy into writing and nostalgisize about a prediscursive realm which, paradoxically, is only accessible and visible within
discourse. Jean-Luc Nancy’s notion of excription seems to inherit some
features from such concepts of a non-discursive écriture.
Here Michel de Certeau draws on thoughts on the sway power has over the
individual through a discursive fashioning of the body as Michel Foucault
develops them in Surveiller et Punir. Foucault’s thought itself shows a strong
Nietzschean influence. See Friedrich Nietzsche’s Zur Genealogie der Moral.
The French original uses the word “chair” for that which becomes the body
after the inscription of the law. The use of the term shows a theoretical indebtedness to Maurice Merleau-Ponty’s use of the term in Le visible et l’invisible,
which my translation as “flesh” might not render immediately visible.
Drawing on theories by Luis Althusser and Sigmund Freud, among others,
Judith Butler explores the paradoxical structure of subjection (as both subjection and the road to subjecthood) in her book The Psychic Life of Power:
Theories in Subjection.
This genealogy – in a Nietzschean sense, as Michel Foucault foregrounds in
his essay “Nietzsche, Genealogy, History,” is a very important term for the
history of inscription, as it portrays history as a series of inscriptions – reaches
from Nietzsche via Foucault to more recent constructivist theories of gender.
“Les «corps écrits» – incisés, gravés, tatoués, cicatrisés – sont des corps
précieux, préservés, réservés comme les codes dont ils sont les glorieux
engrammes : mais enfin, ce n’est pas le corps moderne, ce n’est pas ce corps
que nous avons jeté, là, devant nous, et qui vient à nous, nu, seulement nu,
et d’avance excrit de toute écriture.” (All translations are mine, unless otherwise indicated.)
“L’excription se produit dans le jeu d’un espacement in-signifiant : celui qui
détache les mots de leur sens, toujours à nouveau, et qui les abandonne à leur
étendue. Un mot, dès qu’il n’est pas absorbé sans reste dans un sens, reste
essentiellement étendu entre les autres mots, tendu à les toucher, sans les
rejoindre pourtant : et cela est le langage en tant que corps” (63).
Such a question seems also called for in the context of Nancy’s notion of
touching. “Toucher,” as the philosopher formulates it in different works, is
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12
13
14
15
16
seen as a non-violent, non-appropriating, non-hierarchising way of relating
different singularities or terms without creating stable linkages, without
having one side swallow the other. It can be seen as non-violent exactly
because it is not a zero of distance, but a minimization of distance, the
creation of an almost imperceptible in-between, the event of a space that is
shared because it is never crossed. As Nancy formulates it in Le sens du
monde, “La limite illimite le passage à la limite” (64). “Toucher” is a figure
for thinking contact between different bodies, but it is also used to rethink
and refashion the connections between body and meaning, and that of body
and writing (in the sense of “écriture”). It is in this sense that “toucher”
partakes of the problematic nature discussed in the context of excription, as
it is a re-incarnation of abstract concepts through a corporeal metaphor.
This becomes evident at the beginning of Derrida’s book on Nietzsche,
Éperons, with its equation of “style” and the sharp point of the “stylus” (cf.
Éperons, p. 29) but also in his own descriptions of his analysis of poems by
Paul Celan in Schibboleth as a wounding and raping of the text (cf.
Schibboleth, p. 84).
Such a fold of the singular with the universal is illustrated in Le monolinguisme de l’autre through the question of linguistic expropriation. The
relationship of subjects to language is described as an alienation from
language, since nobody possesses “his/her” language. This universal structure, however, is one of non-violent expropriation, whereas this holds no
longer true for singular experiences of linguistic expropriation, prohibition,
colonialization, illustrated mainly through Jacques Derrida’s own experience
of triple linguistic prohibition, concerning Hebrew, Arabic, and French. The
connection of those two is so very different, yet parallel experiences of
linguistic expropriation are fashioned through a turn of the fold. It is a refolding onto a fundamental fold that both repeats, but also lays bare the fold
below this refolding (cf. Le monolinguisme de l’autre, esp. 49–50).
“[pli] non plus dans le voile ou dans le texte pur mais dans la doublure que
l’hymen, de lui-même était” (Derrida 281)
“la forme coupante, aiguisée, concise, mais aussi arrondie, circonvenante
d’une faucille, d’une écriture encore, d’une écriture de faucille (Sichelschrift).
Cette écriture-faucille ne tourne pas autour de ce qu’elle trance, puisqu’elle
ne l’évite pas, pas tout à fait, mais elle coupe en faisant le tour” (Schibboleth
68–69).
This passage relies so much on the particularities of its language, that I will
not attempt a translation. I think that the textual cutting is visible in any case.
“¿Se representa en sí mismo el corte como en la propia fotografía? Más bien
se lo fija como tal. La representación se da en la medida que se actúe sobre
él. /Por ejemplo, el trazado del corte es un surco sobre el que se opera evidenciándolo de ese modo como una señal. Empero, al estar como un surco, se
vuelve trinchera o parapeto bajo el cual se protege o se esconde una actuación.
/Como surco, está hundido bajo una superficie que ha sido penetrada. Si se
lo devuelve fotográficamente se lo aplana en el rigor de una nueva superficie,
que solamente será rota por el ojo que corta allí su mirada” (149).
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epilogue
The Struggle for Truth and Justice and the
Challenges of Latin American Democracy
Fabiola Letelier
It is in an honor to speak to you tonight as a part of this conference organized by the Department of Latin American and Caribbean Studies of the
University at Albany that takes place thirty years after the military coup
in Chile. This multi-disciplinary gathering has allowed us to better understand the weaknesses and strengths of the current political, economic and
cultural systems in Latin America. From such an exchange of ideas, I
believe that we have reaffirmed a commitment to deepen our efforts to
build an authentic democracy in the region; a democracy that can put an
end to the suffering and injustices faced by our peoples. The struggle for
human rights is not simply a nostalgic leftover task from the past. Rather,
it constitutes the fundamental foundation for the future of democracy
throughout our continent.
My own history of participation in the struggle to promote and defend
human rights began with the military coup in 1973. On September 21 of
1976, while working in the Legal Department of the Vicaría, providing
legal assistance to victims of repression, I went from being a lawyer to
becoming a victim when I was informed that my brother, Orlando
Letelier, exiled in the United States, had been assassinated in Washington
by an act of state terrorism carried out by the Pinochet’s secret police, the
DINA. I made a commitment to my parents, who have since passed away,
that as both a lawyer and a victim I would do everything possible to obtain
justice.
This essay was the Keynote Speech at the Conference “Democracy in Latin America:
30 Years After Chile’s 9/11” State University of New York at Albany, October 2003.
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In 1980 along with other human rights activists, I founded the
Committee to Defend the Rights of the People (CODEPU). CODEPU was
a secular institution that based its work not only in the international
doctrine of human rights, but also on the 1976 Declaration of Algiers that
proclaimed the right of all peoples to self determination, to control their
own natural resources and to solidarity. CODEPU provided legal defense
to political prisoners who had been denied legal counsel because they had
exercised their legitimate right to defend themselves from oppression.
CODEPU also provided medical attention to victims of torture and their
families and was actively involved in publicly denouncing the violations
of human rights. I spent almost 20 years of my life in this institution.
During these years, I participated in various missions organized by the
International Federation of Human Rights, as an international observer
to Colombia, Ecuador and Peru.
Currently, I am engaged in legal proceedings to determine the responsibility of Pinochet and other officials of the armed forces in crimes against
humanity. Among these, there are the cases of two Spanish priests, Juan
Alsina and Antonio Llidó. Juan Alsina was executed by the military and
Antonio is among the detained and disappeared. Additionally, I am also
working on a case related to Operation Condor. In sum, I am a person
that has spent the last 30 years working to promote and defend human
rights in Chile and the rest of Latin America. Because of this, and everything that has transpired in Chile and Latin America, I think it is relevant
to ask ourselves: What have we learned in these thirty years of struggle
for human rights?
First, like so many other lawyers in Latin America, we had to learn
human rights doctrine at the same time that we were exercising our role
as legal defenders of the victims. Actions to defend political prisoners, to
defend the victims of torture and other human rights violations, preceded
a full knowledge and grasp about international human rights doctrine.
We developed our understanding and constructed our strategy for the
defense of human rights from practice, as we went about our task of
defending political prisoners, victims of torture, and exile.
Second, even though we were aware that the civilian and military
tribunals were subordinated to military power and offered limited possibilities, we turned to them to demand justice, a justice that we still have
not achieved. However, through our actions we were able to maintain the
historical and judicial memory of the crimes committed against humanity
in our countries. Despite repeated legal setbacks, we persevered in our
legal action over years and decades.
Third, we didn’t see our role as confined exclusively within the legal
struggle. To the contrary, we understood our role as linked and part of
the broader social movement to end the dictatorship and rebuild a democratic system.
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Fabiola Letelier
Fourth, as we became more involved with the international doctrine of
human rights, we grew more and more convinced of the importance of
universal over national jurisdiction, especially when national jurisdiction
proved itself incapable of achieving justice. It is for this reason, that in
Chile, we the victims, traveled to Spain to become part of the legal process
against Pinochet for the crimes of genocide, torture and other human
rights violations committed against our people. We did so, with the hope
that international courts would achieve what had been denied to us by the
national legal system of our countries.
Fifth, we also understood the need to grasp the holistic nature of human
rights. That is, that human rights consist not only of civil and political
rights, but also of economic, social, cultural, and environmental rights,
and that all of these are mutually inter-dependent. This helped us understand that the violation of human rights in our countries took place not
only through repression, under dictatorial regimes, but also through the
establishment of the neoliberal economic model that in my country was
imposed by Augusto Pinochet and his “Chicago Boys.”
Perhaps the most important lesson, however, was the following: It was
the victims themselves, and not the civilian elected government nor the
system of political representation, who have been at the forefront and
have led the struggle for human rights in the continent. Given the legitimate demands for truth and justice, the State has responded with
“pragmatic”, “symbolic” policies, and the politics of gestures, all of them
imposed by the victimizers, resulting in the State, becoming an accomplice
with the imposition of impunity.
Building upon, and based on, the experience of the victims and human
rights lawyers and organizations from Chile and Latin America, we have
been able to draw over the years some insights and lessons that gain relevance when we evaluate Latin American democracy, thirty years after the
overthrow of the constitutional government of Salvador Allende. Thus,
as we look toward the future, it is pertinent to ask ourselves: What contribution can the human rights movement make to envision a future
democratic Latin America?
In my opinion, the first contribution is the understanding of importance
of keeping historical memory alive: of standing fast to prevent oblivion
and defeat those forces that seek “to erase and clean the slate” without
truth, without justice, without reparation, and that aim to obliterate from
our hearts and minds, a full awareness of the suffering of our peoples. We
have the right to know the truth, the entire and complete truth of what
happened to our relatives and loved ones. Only then will we be able to
demand full justice – without qualifiers – determining the specific responsibilities of the authors, bringing legal sanction to each case by the
corresponding authorities. In this manner, we will be able to build a future
in which these cruel and illicit acts will never again happen.
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Epilogue
We must maintain the struggle against impunity for crimes against
humanity, because these crimes affect not only the victim and his or her
family, but also society as a whole.
With impunity it becomes impossible to build a genuinely democratic
society. Impunity is a new crime that adds on to the crimes already
committed. Impunity violates the right to equality under the law, since it
grants a specific group of victimizers exclusion from the rule of law, something that should apply to all without exceptions. Achieving truth, justice,
and reparation to the victims is a legal duty of governments, that should
always be demanded, and that does not prescribe with time.
Throughout the conference, we have heard rich discussions about how
to build a truly democratic system in Latin America. This raises great challenges: how can we better understand social reality and bring about
profound changes?
Perhaps, the experience gained by the human rights movement in Latin
America provides us with some orientations about how to begin
confronting these challenges.
First, people have to be the main actors, the main protagonists, in their
history. Second, popular sovereignty must be broadly acknowledged and
exercised by members of society. This implies not only periodically
electing their representatives, but that people organize in a multitude of
organizations – trade unions, cooperatives, neighborhood associations,
political parties, among others – to express their demands, voices, and
values. Third, the respect for all the human rights contained in the
Universal Declaration of Human Rights and other international instruments, provides an ethical framework for all Latin American societies.
Fourth, achieving greater social equality, calls for the transformation
of the current socio-economic system, to address the growing gap between
an increasingly wealthier minority, and a majority living in poverty and
insecurity. The last point that I want to highlight as essential for future
Latin American democracy is the principle of solidarity among peoples.
This is a principle that Chileans know very well, since it was generously
given to us during the 17 years of the military dictatorship. Many governments and peoples opened their borders to give protection, jobs, and
livelihood to thousands of exiles and their families.
I believe that today it has become more important than ever to coordinate the social organizations – what some call civil society – of our
countries. This is a key prerequisite for transforming the present unjust
and undemocratic structures, and for establishing a society where peace,
truth, justice and solidarity prevail. This was the challenge assumed by
Salvador Allende more than three decades ago, and today it remains a still
unfinished task. However, I firmly believe that, each and every one of us
has a role to play in meeting such a challenge.
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contributors
Marjorie Agosín is Professor of Spanish at Wellesley College, a renowned
spokesperson for human rights, and an award-winning author and poet.
Her books include: Scraps of Life: Chilean Arpilleras (1987), Toward the
Splendid City (1994), A Cross and A Star (1995), Las hacedoras (1996),
Always from Somewhere Else: A Memoir of My Chilean Jewish Father
(1998), She also wrote seven books of poetry, such as Brujas y algo más:
Witches and Other Things (1984), Dear Anne Frank (1994), Las chicas
desobedientes (1997) and others. Her latest book is Poems for Josefina
(2004).
Andrea Bachner is a PhD candidate in Comparative Literature at Harvard
University. Her academic interests include postmodern and postcolonial
literatures across the cultures (European, Latin/American, Chinese) and
theoretical focus on the questions of cultural and sexual difference. She
has published in Comparative Literature Studies and is currently working
on her dissertation which investigates different connections between
corporeality and textuality in poststructuralist theories and postmodern
literatures.
Julia Carroll completed her Ph.D. at Emory University in 2005. Her
dissertation deals with cultural production from Argentina and Chile, by
writers such as Diamela Eltit, Pedro Lemebel, Luisa Valenzuela and César
Aira. In addition to her interest in politics, gender and memory in the
Southern Cone, she has also written on the relationships between
language and identity in US Latino literature.
Mark Ensalaco is the founding director of the Human Rights program at
the University of Dayton. He is the author of Chile Under Pinochet:
Recovering the Truth (1999). He is currently working on the sequel, The
Mark of Cain: The Prosecution of Pinochet and the Search for the
Disappeared.
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Kevin Foster is an Associate Professor in the School of English,
Communications and Performance Studies at Monash University in
Melbourne. He has published on a broad range of topics including the
Spanish Civil War, African Autobiography and Brazilian Football and
British Identity. He is author of Fighting Fictions: War, Narrative and
National Identity (1999) and is completing a book on British cultural
constructions of Latin America, Imaginary Continent.
Volker Frank is an Associate Professor of Sociology at the University of
North Carolina-Asheville. His research interests include labor movements
in comparative perspective, democratization, social theory, and globalization. Among his most recent publication is “Politics without Policy:
The Failure of Social Concertation in Democratic Chile 1990–2000,” in
Victims of the Chilean Miracle: Workers and Neolibleralism in the
Pinochet Era 1973–2002, edited by Peter Winn (2004).
Diane Haughney is Visiting Assistant Professor of Political Science at
Bates College. Her book on the Mapuche movement in the 1990s is forthcoming with the University Press of Florida. She spent more than eight
years in Chile, from 1992 to 2000.
Peter Kornbluh is a researcher and a director of the Cuba Documentation
Project, as well as the Chile Documentation Project at the National
Security Archive, George Washington University. He is co-author of The
Iran-Contra Scandal: The Declassified History, and The Cuban Missile
Crisis, 1962, editor of Bay of Pigs Declassified: The Secret CIA Report
and author of The Pinochet File: A Declassified Dossier on Atrocity and
Accountability. His latest book is Low Intensity Warfare,
Counterinsurgency, Proinsurgency and Antiterrorism in the Eighties
(2004).
Fernando Leiva is an Assistant Professor at the Department of Latin
American, Caribbean and US Latino Studies at the University at Albany
(SUNY). His research focuses on theories of economic development, the
political economy of globalization and the impact of internationalizing
capital upon workers. His publications include Democracy and Poverty
in Chile: The Limits to Electoral Politics (1994). Currently he is working
on a book tentatively titled Latin American Neostructuralism: The
Enchantment and Contradictions of Post-Neoliberal Development.
Fabiola Letelier is a leading human rights lawyer in Chile, sister of
Orlando Letelier, the late minister of Foreign Affairs and later Minister
of Defense during the Allende administration in Chile, assassinated by a
car-bomb in Washington DC in 1976. In the 1970s, she worked for the
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Committee for Cooperation for Peace, in 1980 she founded the
Committee to Defend the Rights of the People (CODEPU), and in 2000
co-founded with seven other human rights attorneys Memoria y Justicia,
a non-governmental organization that coordinates exchange of information related to national and international law.
Gregory J. Lobo teaches cultural theory in the Department of Lenguajes
y Estudios Socioculturales at the Universidad de los Andes, Bogotá,
Colombia. His publications on culture as politics include “¡Siempre
politicemos! O, la cultura como política-qua-cultura”, “Pensamientos
sobre el otro 11 de septiembre: en memoria de un futuro justo”, and
“Sorting Out Moral Equivalency and Appropriate Response: Reflections
on ‘Left’ Reactions to September 11, 2001” (available on the web). He is
currently working on sovereignty and discipline in Colombia.
Ornella Lepri Mazzuca is an Assistant Professor of Spanish and Italian at
SUNY Dutchess College. Her research focuses on Latin American literature, Italian literature, and the use of technology in the foreign language
learning process. Her recent presentations include: “Paolo Volponi:
Alienation and Eschatological Process in the Narrative Structure and as
Mirror Image of Social Realities” and “The Internet: Methodology and
Technology in the Foreign Language Classroom.”
Jeffrey R. Middents is an Assistant Professor of literature and film studies
at the American University in Washington, DC, where he teaches cinema
and world literature, specializing in 20th century Latin American narratives. His essay on Peruvian authors Francisco Lombardi and Federico
García will be published in Representing the Rural: Space, Place and
Identity in Films about the Land (2005). His book-length project on the
development of Peruvian national cinema, Hablemos de cine, is forthcoming.
Silvia Nagy-Zekmi is a Professor of Latin American literature and cultural
studies and Chair of the Department of Classical and Modern Languages
and Literatures at Villanova University. Her books include: Historia de la
canción folklórica en los Andes (1989), Paralelismos transatlánticos:
Postcolonialidad y narrativa femenina en América Latina y Africa del
Norte (1996), Identidades en transformación: El discurso neoindigenista
de los países andinos (1997), De texto a contexto: Prácticas discursivas
en la literatura española e hispanoamericana. (1998), Le Maghreb
Postcolonial (2003), and forthcoming: Paradoxical Citizenship: Edward
Said (2005), Moros en la costa: Orientalismo en Latinoamérica (2006).
Amy A. Oliver is an Associate Professor of Spanish at American
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University, her research on Latin America explores philosophical treatments of marginality, feminism, hybridity, alterity, “nepantlismo,” and
“transfronterismo.” She has lived in Mexico, Argentina, Brazil, and
Spain. She serves on the International Editorial Board of Cuadernos
Americanos, and on three committees of the American Philosophical
Association. She has been President of the Society for Iberian and Latin
American Thought and Director of American University’s Women’s and
Gender Studies Program.
Kristin Sorensen is an Assistant Professor in International Studies at
Bentley College. She received her PhD in Communication and Culture at
Indiana University. In her research, she looks at contemporary media in
Chile and how that media addresses the themes of human rights violations that occurred during the dictatorship. More generally, she is
concerned with how human rights, social, and environmental issues get
articulated through the media and the way in which media consumers and
audiences engage with these discourses.
Patricia Tomic is an Associate Professor of Sociology at the Okanagan
Campus of the University of British Columbia. She is currently conducting
research on globalization, culture and neoliberalism with a particular
interest both on Chile and the Canadian hinterlands. Her recent publications include, “The Letter: Racism, Hate and Monoculturalism in a
Canadian Hinterland,” in Carl James (ed.), Possibilities and Limitations:
Multicultural Policies and Programmes in Canada (2005) and “Powerful
Drivers and Meek Passengers: The Public Transportation System in
Santiago, Chile,” in Race and Class (2005), with co-author Ricardo
Trumper. She is presently co-editing with Everardo Garduño and María
Loreto Rebolledo, Imaginarios, identidades e historias. Miradas desde la
antropología del género.
Camilo Trumper is a PhD candidate in Latin American history at UC
Berkeley. He is currently finishing his dissertation which examines urban
politics in the Unidad Popular through visual and ephemeral sources
ranging from political posters and murals to documentary film and
photography.
Ricardo Trumper is an Associate Professor of Sociology at the Okanagan
Campus of the University of British Columbia. His research interests
include globalization, neo-liberalism and post-Fordism. He is currently
working on transportation, fear and sports. Among his recent works are
articles, such as “The Letter: Racism, Hate and Monoculturalism in a
Canadian Hinterland,” “Powerful Drivers and Meek Passengers: The
Public Transportation System in Santiago, Chile,” in Race and Class,
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Contributors
forthcoming, 2005 (co-author: Patricia Tomic); he co-edited with
Rodrigo Hidalgo and Axel Borsdorf, Transformaciones metropolitanas y
procesos territoriales. Lecturas del nuevo dibujo de la ciudad latinoamericana (2005).
Steven Volk is a Professor of History and Chair of Latin American Studies
at Oberlin College. He previously served as the Research Director of the
North American Congress on Latin America (NACLA). He has written
on the formation of the Chilean state in the 19th century, US foreign
policy in Latin America, and Frida Kahlo. He is currently researching the
ways in which Chile has entered into the US political imagination since
1970.
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