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(Eng) The dynamic Tree of Jesse

Illustrating indeed a Messianic prophecy by Isaiah, the Tree of Jesse is however a far more elaborate image, since it aggregates a number o correlated issues that were carefully merged into a composite symbol.

THE DYNAMIC TREE OF JESSE PAULO MARTINS OLIVEIRA A significant example of the interpretative flexibility of old artworks is the Tree of Jesse, whose overlapped meanings can be decomposed as follows: 1. The fulfilment of Isaiah’s prophecy (Isa.11:1-2), “A shoot will come up from the stump of Jesse; from his roots a branch will bear fruit. The Spirit of the Lord will rest on Him [the future Messiah, who would come to be Jesus]…” 2. Christ presented as a royal figure, descending from King David (the son of Jesse, who in turn is equivalent to St. Joseph). 3. The duality of Christ: His blood family on the one hand (the family tree under Him), and God the Father on the other (the light upon Jesus). See also Psalm 85:11, “Truth sprouts up from the ground, while righteousness looks down from the sky”. 4. The link between the Old Testament (OT) and the New Testament (NT). 5. The evolutive hierarchy between the two Testaments, by means of a sleeping Jesse (OT), still unaware of the enlightening revelation at the top of the Tree (Christ, NT). 6. Jesse as a sleeping Adam (OT, Gen.2:21), from whose side will emerge “Eve”. This name means “life; living” (OT, Gen.3:20) ≈ the earthly tree of mankind, to be redeemed by “Jesus”, meaning the Saviour (NT, Matt.1:21). 1/4 Comparative examples A) The Tree of Jesse Cathedral of Porto Detail on the sleeping Jesse, as a root. B) The creation of Eve from Adam Cathedral of Monreale, Sicily (Eve ↔ tree) 7. In several cases, the Tree of Jesse culminates in the figure of Jesus Child held by the Virgin Mary. In an overlapped layer of meaning, the Virgin actually alludes also to the created Eve, who was the primordial earthly, life-giving tree of mankind (in turn emphasized by the infant, who in this layer symbolizes each new generation to come). 8. Jesse as the dead original Adam (OT, Gen.5:5), in contrast to the reborn, immortal new Adam at the top, i.e. Jesus, NT 1Cor.15:22, “For as in Adam all die, so in Christ all will be made alive”; NT 1Cor.15:45-47, “So it is written: the first man Adam [≈below] became a living being; the last Adam [≈above], a life-giving spirit. The spiritual did not come first, but the natural, and after that the spiritual. The first man [Adam] was of the dust of the earth; the second man [Christ] is of heaven”. 9. Moreover, in Luke 3:23-28, the evangelist traces back the lineage of Christ to Adam (via David and Jesse). Adam himself is here called “the son of God” (i.e. the first, whereas Jesus is the ultimate, purified and purifying the Tree of Jesse ≈ the Cross1). 1 On the Tree/the Cross, see Anne Simon, The Cult of St. Khatherine of Alexandria in Late-Medieval Nuremberg [n.8]. 2/4 Comparative example2 Detail from the Ceiling of the Sistine Chapel Layer A: the creation and earthly empowerment of the original Adam by God the Father. Layer B: God the Father and the new Adam (Christ) generating the Holy Spirit. 10. Following this logic, the Virgin at the top of the Tree of Jesse also represents a new, purified Eve ≈ the Virgin Mary overcoming original sin (compare with #7). 11. The miraculous pregnancy of the new immaculate woman (the Virgin Mary) was initially questioned by his suspicious husband Joseph, who only believed her after as revealing dream (Matt.1:19-25). Due to this, sometimes Joseph is depicted sleeping Comparative example Detail from The Altar of Our Lady Gemäldegalerie, Berlin 12. Thereby, the Tree of Jesse also symbolizes the revealing dream of St. Joseph about his virgin wife with the expected Saviour of mankind (moreover, compare with #2). 13. Because of these overlappings (Adam/Joseph; Eve/Virgin Mary), the main figures of Jesse (at the bottom of the Tree) and of the Virgin with the Child (at the top) are often much 2 See Leonardo x Michelangelo, pp.107-109, and the paper titled The Sistine Chapel and the Holy Spirit. 3/4 larger than the intermediate Kings of the Old Testament (the successors of Jesse, starting with David and progressing up towards Jesus). 14. However, in some cases even these Kings played alternative roles in superimposed narratives, as seen for instance in the Cathedral of Porto: The larger main figures connect directly in accordance with the different layers of meaning (see all previous points). Superimposed meanings of the 13 intermediate smaller figures: A) Kings of the Old Testament, representing the progression towards Jesus; B) 13 figures alternatively representing an adult Christ (immediately below the great Virgin) along with his 12 apostles (John, James, Peter and Judas are easily identifiable). This artifice elegantly emphasizes the link between the two Testaments. Concluding, the Tree of Jesse must be considered as being made of different but relatable meanings, following principles of ingenuity and economy. Available online for consultation September 2015 4/4