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A libertarian-communist gloss on Franz Kafka's essay on the role, purpose, and function of laws.
2020
In the first part of the paper, the author pays close attention to the fact that in Kafka's diaries and correspondence, we find a notable absence of his professional life. If we never knew the famous writer was a law expert, we would hardly be able to determine that from his personal writings. There is no mention of his studies of law, professional aspirations, problems or procedural interests related to judicial practice, or difficulties or achievements in the workplace. Surprisingly, within the complex hierarchy of business interactions, the writer occupied a very high position. The performed analysis uncovers an essential, but a barely recognisable feature of Kafka's works. Above all, they try to alert us that the feudal world is still alive and well, that in the modern times we only see the multiplication of the former sovereigns whose role was to impose the laws onto others but can personally be excused. The works of Rudolf von Jhering, one of the best-known philosophers of the law of the time, and Hans Gross, the famous founder of criminology and Kafka's professor at Charles University, Prague, were thematised in order to determine the dimensions of the writer's crucial preoccupation-to deconstruct the social Darwinist theories of the criminal law.
Coactivity: Philosophy, Communication, 2017
The parable “Before the Law” is a pivotal text in the work of Franz Kafka. It tells of a man who looks for the law as the quintessence of his life. But his quest for meaning comes to a crisis because of a fundamental deception. Instead of interpreting the law as a personal mystery, he somehow objectifies it. His abstract view on life begets the obstacle-character that embodies all those who could bar him from finding the law. In this narrative, the failure of finding the law results in a murder in which human life is reduced to bestial death. In this sense, Kafka’s narrative is a tale of anti-creation. In a close reading we analyze the text with attention for the ternary structure, i.e. the intertwined complex of the I-Thou relation and the I-It relation (Martin Buber). The literary text is interpreted for its philosophical relevance. Franz Rosenzweig and Emmanuel Levinas but also Gilles Deleuze and Jacques Derrida have an important role in this way of reading.
Interdisciplinary Journal for Religion and Transformation in Contemporary Society
Victims of an uncanny legal system pervade Kafka’s writings. Whether the representation of the law in these works implies a sacrificial logic depends significantly on the meaning assigned to Kafka’s idea of the law. Despite the innumerable interpretations of Kafka’s law-related texts it remains uncertain whether the law in his works is to be understood primarily in juridical, social, and political terms or in metaphysical, theological, and religious ones. This uncertainty, besides eliciting myriad, sometimes contradictory, interpretations, has inspired numerous views, themselves often disparate and conflicting, about the relationship between law and sacrifice in Kafka’s works. The present article explores this relationship and how it has been regarded by some of his most important interpreters.
Monthly Review Magazine, 2022
In "Before the Law," Franz Kafka portrays a countryman who can only be forever "before the law," but never entering. "It is possible" to gain entry, says the doorkeeper, "but not at the moment." The man gets old and is about to die-and only now does he understand that the gate was meant for him! "No one else could ever be admitted here, since this gate was made only for you. I am now going to shut it." Kafka takes us to the interplay of surplus investment and lack in our relationship with the law, which propels a spiral of activity approximating a goal that perpetually recedes into the future. At the very least, Kafka suggests that the law into which the protagonist is seeking entry might not be what he thinks it is. Law is a self-referential bubble without concrete determinations of any kind. Jacques Derrida was right when he pointed out Kafka's message: "To be invested with its categorical authority, the law must be without history, genesis or any possible derivation." 1 This can remind us, as Evgeny Pashukanis shows, how Karl Marx held that under conditions of commodity exchange, social relations tend to take the form of juridical relations. The principle of equivalence in the "commodity form" is inseparable from the equivalence underlying "equality of all" before law in a democracy. Juridical relations are not really an abstraction from social relations, but the form of appearance of the social relations. 2 Law's categorical authority, combined with its abstraction, generates a lack-driven over-investment in the imagined future and freedom-futuristic freedom-homologous to the futuristic movements of capitalist accelerationism. 3 Progressive-left politics is ensnared by this futurism, which is bent on the erasure of the past, which is considered to be by definition regressive. Let us not forget that futurism, as it first came through the pen of Filippo Tommaso Marinetti in Italy in the 1910s, subsequently influenced fascism, and not least the communist avant garde of the time. Against this futurism-fascism nexus, we can find the works of those like
Translation and commentary by Samuel Zinner on Franz Kafka's parable "Before the Law" 2019 Draft paper. Updated version, May 2019.
2010
Works of political fiction can and do reflect social problems by highlighting abuses in society. Franz Kafka's novel, The Trial, demonstrates how the societal role of a legal system can be interpreted in a multitude of ways.'In this manner, Kafka's work influences our attitudes and beliefs. This paper examines the concepts of authority and personal well-being as depicted in Kafka's literary work. In short, Kafka's fictional characters consent to legal and familial authority in order to achieve some form of personal familial satisfaction.
This is a short reaction paper in the short parable, Before the Law, included in the novel, the Trial by Franz Kafka. This aims to explain [in my perspective] what are the allegories present in the story and what are their representation.
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