BODHI
International Journal of Research in
Humanities, Arts and Science
Vol.8
Special Issue 6
August 2024
E-ISSN: 2456-5571
CENTRE FOR RESOURCE, RESEARCH &
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BODHI
INTERNATIONAL JOURNAL OF RESEARCH IN HUMANITIES, ARTS AND SCIENCE
An Online, Peer-reviewed, Refereed and Quarterly Journal
Vol: 8
Special Issue 6
August 2024
Aim & Objectives
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encounters across disciplines and research fields in
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is the unit seeks to develop its scholarly profile in
research through quality of publications. And
visibility of research is creating sustainable
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series of books; motivating dissemination of
research results for people and society.
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on legal bindings and ethical code of publication.
Communication
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CONTENTS
S.No.
Chapters
1
Role of Theories in Institutionalising
Literary Studies
Dr. J. John Sekar
Enhancing English Language Proficiency
through Film: Integrating Cinema into
Language Training
Jerald J Kocherry &
Dr. Asghar Ali Ansari
Crossing Boards: The Evolution of Female
Identity in Manju Kapur’s Fiction
K. Kameswari, Dr. Ranjit Kumar Pati &
Dr. Visweswara Rao Chenamallu
Role of Language in Discerning ‘Unsayable’
and its Relation with Fear in Jon Fosse’s
Novels
Darakhshan Aftab
Post - Colonial Ecology in the Select Novels
of Amitav Ghosh, Chimamanda Ngozi
Adichie and Margaret Atwood
Dr. M. Rajaram, J K Ashwinvarsha,
N. Raja Lakshmi & S. Nandhini
Veiled Tile of a Virgin Princess Sukanya
and her Husband Chyavana in Anita Nair’s
The Puffin Book of Magical Indian Myths
Dr. S. Suganya & S. Govardhini
Theories and Techniques in Chitra
Banerjee Divakaruni’s The Mistress of
Spices
Dr. A. Suganya &
Dr. K.M. Kamalakkannan
2
3
4
5
6
7
be
mailed
to
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Page
No.
1
12
17
22
27
32
38
8
9
10
11
12
13
14
15
16
17
18
Visual Semiotics in Children’s Literature:
A Case Study of David Diaz’s Illustrations in
‘Smoky Night’
Mary Shirley
Generation Conflicts in Gender Roles and
Identity Crisis on Mahesh Dattani’s Dance
Like a Man
S. Sathiya Bama
Sam Selvon’s Those Who Eat the
Cascadura as a Postcolonial Critique
Jeni R.V
Living with the Corpse: A Comparative
Study of William Faulkner’s A Rose for
Emily and Stephen King’s Under The
Weather
Adrin Sanchia Jason D &
Dr. N. Ananthavalli
Voicing Out for Justice: Budhan: A Play by
Denoified Chharas
Agnisri S & Dr. S.V. Karthiga
Peregrination towards Self-Identity of Igbo
Woman in Buchi Emecheta’s Second Class
Citizen and The Joys of Motherhood
Linsheya M Meflin & Dr. Reni Y.G
Repression and the Unconscious: A
Freudian Analysis of Symbolism in the
Yellow Wallpaper
Rebina M & Dr. D. Wilfin John
Scimitar - Wielding Language for Nature
and Man: A Study on Arundhati Roy
Shyla M & Dr J Sheila
Crossing the Boundaries of Social
Conventions: A Study on the Aspect of
Modern Woman in Namita Gokhale’s Paro:
Dreams of Passion
D. Gobi & Dr. V. Suganthi
Fragmented and Fused: Cultural Precarity
and Hybridity in Min Jin Lee’s Pachinko
Muthulakshmi S
Magical Realism: A Literary Genre that
Blurs the Lines between Reality and
Fantasy
Keya Sara Geevarghese
42
19
46
20
49
21
53
22
23
58
24
62
25
66
69
26
73
27
77
28
82
29
Depiction of the Pursuit of Self-Identity in
Shashi Deshpande's Novel 'That Long
Silence': An Analysis
A. Anusuya
Recent Changes in Indian Media’s
Representation of Northeast India.
A Critical Analysis of Films Axone and Anek
Aiswarya P
The Portrayal of Religious Disparity in
Bama’s Karukku
P. Hari Priya
Journey towards Self-Identity:
A Psychoanalytical Study of Rebecca
Walker’s Black White and Jewish
A. Sebastiraj & Dr. D. Rajakumari
A Depiction of Urban Landscape in Raj
Kamal Jha’s The Blue Bedspread and If
You are Afraid of Heights
M. Kanniya & Dr. J. Sobhana Devi
Animalizing the Human: Exploring Power
Dynamics and Social Realism in Seasons
of the Palm and Disgrace
K. Karthickraja & Dr. S. Geetha
Enhancing Engineering Students' Writing
Skills through Blended Learning: A Study
on the Impact of Instructional Technologies
and Collaborative Tools
Divya Deevi &
Dr. Durga Malleeswari Sunkara
Xenophobia among Asylum Seekers in
Abdulrazak Gurnah’s Pilgrims Way
A Harrin Ashney &
Dr S Felicia Gladys Sathiadevi
Indian Literature Hangwoman as a
Feminism Novel
Madhumitha B.A
Vocabularies and Word Games in English
Language Teaching
R. Priyadharshini
Autism and Theatre: Casting Christopher In
Simon Stephens’ Play The Curious Incident
of the dog in the Night-Time
M. Josna Infanta & Dr. P. Prasanna Devi
87
90
95
98
102
105
108
115
119
121
126
30
31
32
33
34
35
36
Nuances of Implicating Technology in
ESL Classroom
K. Johara Nishath
Innovative Teaching Methods in ELT
Dr. J. Uma Samundeeswari &
Arya S Nair
Narrative Structure and Storytelling in
Vikram Chandra’s Love and Longing in
Bombay
D.R. Persis Mahima &
Dr. S. Felicia Gladys Sathiadevi
Changing Dimensions of Gender in Haruki
Murakami’s Hear the Wind Sing: A Study of
Gender Roles and Identity in Contemporary
Japanese Literature
Jenifer M &
Dr. S. Felicia Gladys Sathiadevi
Scrutinizing the Forbidden and the Taboo:
Queer Narratives in Akwaeke Emezi’s
Death of Vivek Oji
M. Bhama &
Dr. S. Felicia Gladys Sathiadevi
Survival and Self-Discovery: The Journey of
Female Characters in Kristin Hannah’s The
Women
K. Sherin Fathima &
Dr. S. Felicia Gladys Sathiadevi
Rhythm of Revolution and Politics in the
Lyrics of Bob Marley
M. Mariaselvam & Dr. S. Karthika
130
37
134
38
136
39
140
40
41
144
147
150
Innovative Methodologies in Content and
Language Integrated Learning (CLIL)
through Content based Approaches
S M Kavitha &
Dr. S. Felicia Gladys Sathiadevi
Power Dynamics: Amalgamation of History
and Friendship in Kamila Shamsie’s Best of
Friends
M. Kalaiselvi & Dr. S. Karthika
Institutional Racism and the Marginalization
of Indigenous People in George Ryga‘s the
Ecstasy of Rita Joe
Kayathri .M
The Depiction of Pragmatism in Aravind
Adiga’s Last Man in Tower
J.Kavitha & Dr.D.S. Parveen Banu
A Study of Third Gender Identity in
Laxmi’s Me Hijra Me Laxmi
M. Abinaya &
Dr. S. Karthika
153
158
161
164
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Vol. 8
Special Issue 6
August 2024
E-ISSN: 2456-5571
ROLE OF THEORIES IN INSTITUTIONALISING
LITERARY STUDIES
Dr. J. JOHN SEKAR
Associate Professor & Former Head, Research Department of English
Former Dean, Academic Policies & Administration
The American College, Madurai
Abstract
This article explores the pivotal role that various literary theories have played in the institutionalization of literary studies.
It argues that these theories have not only formalized the discipline but have also challenged and reshaped its contours. It
has employed a historical method, and traces the evolution of literary theories from structuralism and poststructuralism to
cultural and critical theory. It also demonstrates how each theoretical movement responded to specific intellectual and
cultural contexts and contributed to the establishment of literary studies as a rigorous academic field. The analysis
highlights how these theories fostered interdisciplinary connections, expanded the literary canon, and influenced
curriculum development, thereby transforming literary studies into a globally recognized and influential discipline.
Through a detailed examination of key texts and theoretical developments, the article underscores the necessity of these
frameworks in elevating literary analysis and shaping the future of literary scholarship.
Keywords: literary-critical theories, reading vs. studying literature, post-structuralism, professionalisation of english
studies
Introduction
Appreciating and understanding literature for
pleasure, and critically reading or study of literature
as academic pursuits are distinct yet interconnected
activities in terms of purpose, approach, activities,
and outcome. When engaging with literature, the
experience can vary significantly depending on
whether one is reading for pleasure or studying for
academic purposes. These two approaches, while
both rooted in a love of the written word, differ in
their purpose, method, activities, and outcomes.
Reading for pleasure is driven by personal
enjoyment, an exploration of narrative, and
emotional connection, allowing readers to immerse
Purpose
1
themselves in stories, characters, and themes without
the pressure of analysis. In contrast, academic study
of literature is more structured, involving critical
thinking, analysis, and interpretation, with the goal of
gaining deeper insights into the text, its context, and
its implications. This section explores the
distinctions between these two modes of reading,
examining how they influence the reader‘s approach,
the activities they engage in, and the outcomes they
achieve, ultimately highlighting the unique value
each brings to the experience of literature. The
following table captures the differences:
Appreciation of Lit
Critical Reading or Studying Lit
Understanding, appreciating, and
enjoying the literary work.
Developing a personal, emotional
connection to the text.
Gaining a general understanding of
themes, characters, and plot.
Gaining deeper analytical insight into the text.
Conducting a critical analysis to explore
unexplored aspects of literary works.
Evaluating the text‘s structure, style, themes,
and significance.
Applying various critical theories and
frameworks to understand and critique the
work.
Bodhi International Journal of Research in Humanities, Arts and Science
Vol. 8
Approach
Special Issue 6
Activities
Output
August 2024
Emphasizing personal reaction and
feelings about the work.
Reading at a surface level without
delving deeply into the text‘s
complexities.
Understanding the historical, cultural,
and biographical context of the work to
enhance appreciation.
Close reading to uncover underlying
meanings, patterns, and literary techniques.
Focusing on detailed analysis of the text,
considering aspects like symbolism,
metaphors, and narrative techniques.
Making connections between the text and
other works, theories, or historical contexts.
Employing specific research methodologies.
Extensive reading of various literary
texts.
Reading texts for enjoyment and
overall understanding.
Participating in discussions that
explore different interpretations and
emotional reactions.
Reflecting on how the text resonates
personally or how it connects to
broader human experiences.
Reading texts and existing research relevant
to a specific research question or hypothesis.
Annotating the text to highlight significant
passages, themes, and stylistic elements.
Conducting research to support critical
interpretations and understand the text‘s
broader implications.
Comparing and contrasting the text with other
works or theoretical perspectives.
Collecting data from primary and secondary
sources.
Reviewing existing literature to identify gaps
or areas for further study.
Writing exam essays.
Writing reviews or reflections that
express personal insights and
appreciation.
The study of literature primarily takes place
within academia, where it is pursued through
structured courses, research, and scholarly activities.
Literature is studied within academic programmes,
from undergraduate to postgraduate levels, where
students take courses on various literary periods,
genres, and movements. These courses cover a wide
range of topics, from classical literature to
contemporary works, and from national literatures to
global perspectives. In academia, the study of
literature involves rigorous critical analysis. Students
and scholars examine texts through various
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Writing essays or papers that present a wellsupported critical analysis of the text.
Producing scholarly articles, theses, or
dissertations that present new findings or
interpretations.
Engaging in academic discussions and
presentations that articulate critical
perspectives.
Presenting findings at conferences or
seminars.
theoretical lenses, such as feminism, Marxism,
psychoanalysis, and postcolonialism. This analysis
often focuses on themes, structures, narrative
techniques, and the socio-political contexts of the
texts. Thus, the study often intersects with other
disciplines, such as history, philosophy, sociology,
and cultural studies. This interdisciplinary approach
enriches literary studies by providing broader
contexts and deeper insights into texts.
Academic study of literature also includes
conducting original research, where scholars
contribute to the field by exploring new
Bodhi International Journal of Research in Humanities, Arts and Science
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August 2024
interpretations, uncovering lesser-known works, or
applying new theoretical frameworks. Research is
often published in academic journals, books, and
presented at conferences. Moreover, the study
involves extensive writing, where students and
scholars produce essays, research papers, and theses
that articulate their analyses and interpretations. This
writing is a key component of academic training,
helping to develop critical thinking and
argumentation skills.
Literature is also studied through seminars and
discussions, where students and faculty engage in
dialogue about texts, theories, and interpretations.
These discussions foster a deeper understanding of
literature and encourage the exchange of ideas.
Literature is not only studied but also taught.
Professors guide students through the complexities of
literary texts, helping them develop analytical skills
and a deeper appreciation for literature. Mentorship
is also a crucial aspect, particularly in graduate
studies, where faculty members guide students in
their research and academic development. The
academic study is also often assessed through exams,
essays, and presentations, which evaluate students‘
understanding, analytical abilities, and engagement
with the texts and theories studied.
Review of the Related Literature
The institutionalization of literary studies has been
profoundly influenced by the evolution and
application of literary theories. As Jameson observes,
―Literary theory has played a pivotal role in shaping
the academic discipline of literary studies, framing
its methodologies and guiding its evolution‖
(Jameson, 2005, p. 14). He highlights how
theoretical frameworks have been instrumental in
defining the scope and approach of literary
scholarship within academic institutions.
Scholars argue that literary theories have
provided the foundational structures for curriculum
development and scholarly discourse. According to
Andrew Bennett and Nicholas Royle, ―Theories of
literature have not merely supplemented literary
studies but have become integral to its very
foundation, influencing how texts are taught, studied,
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and understood‖ (2004, p. 58). This integration
underscores the essential role of theory in shaping
the academic landscape of literary studies. They also
assert that ―Literary theory is an unavoidable part of
studying literature and criticism.‖ (p. ix)
Further, the institutionalization process has been
marked by the way literary theories have contributed
to the establishment of literary studies as a distinct
academic field. As Terry Eagleton argues, ―The
academic institutionalization of literary studies is
deeply intertwined with the development of critical
theories, which have provided both legitimacy and
direction to the field‖ (2008, p. 22). This connection
emphasizes the dual role of theory in both
legitimizing and advancing literary scholarship
within educational institutions.
In addition, literary theories have facilitated the
institutionalization of literary studies by promoting
specialized
research
and
interdisciplinary
approaches. As Helen Vendler notes, ―Theories of
literature have encouraged the proliferation of
specialized research areas and interdisciplinary
connections, thus institutionalizing literary studies in
diverse and evolving ways‖ (1997, p. 41). This
diversification reflects the expanding role of literary
theory in shaping and broadening the field.
Literary theory has revolutionized the academic
study of literature by offering scholars sophisticated
tools to analyse not just the content of literature, but
its function and impact within broader social and
cultural contexts. Rather than viewing literature as an
isolated entity, literary theory encourages us to see it
as deeply interconnected with the world we inhabit.
Mary Klages argues that literary texts do not merely
reflect the world but actively shape it, influencing
how we perceive and engage with our surroundings.
This perspective has significantly broadened the
scope of literary studies, moving beyond traditional
methods of close reading and essay writing to a more
politically conscious engagement with social issues
related to race, gender, sexual orientation, and
physical ability. Klages also notes that literary theory
has played a crucial role in the professionalization of
English studies by fostering the development of
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August 2024
knowledge about literature, specifically through
theories that explain how meaning is constructed and
how these meanings influence our daily lives (2008,
pp. 1-9).
Patricia Waugh further explores the impact of
literary theory on the academic landscape,
emphasizing its role in the professionalization of
literary studies. She suggests that the term ―literary
theory‖ itself reflects this shift, as it aligns literary
studies with broader academic developments since
the late 19th century. While literary criticism
traditionally focuses on the close reading, evaluation,
and interpretation of specific works, literary theory
demands that we critically examine the assumptions
underlying these practices. Waugh posits that no
interpretation can be entirely innocent, objective, or
purely descriptive, characterizing literary theory as a
―criticism of criticism‖—a self-reflective practice
that challenges the foundational assumptions of
literary analysis (2006, p. 2).
David Lodge, in the foreword to his book
Modern Criticism and Theory (1988), acknowledges
the increasing influence of theory within literary
studies, particularly through the adoption of terms
and concepts from other disciplines. However, he
also highlights a critique of this trend, noting that the
focus on theory has sometimes led to a departure
from traditional humanistic values. These include
viewing the author as the primary source of a text‘s
meaning, believing in the possibility of objective
interpretation,
valuing
empirical
historical
scholarship, and upholding the authority of the
literary canon (xii). Lodge‘s observations underscore
the tensions that can arise when literary theory
challenges long-established principles within the
field.
Literary theory is often perceived as an ―intraacademic ideological war‖ (Cixous 1999, p. 211)
because it represents a contested space where
different schools of thought, each with its own
methods, objectives, and ideological commitments,
vie for dominance. The rise of certain theories, such
as poststructuralism or postmodernism, has shifted
power dynamics within academic institutions,
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sometimes
marginalizing
more
traditional
approaches. Moreover, many literary theories are not
only concerned with interpreting texts but also with
addressing broader social and political issues, such as
gender, race, class, and colonialism. These theories
often carry explicit ideological commitments, leading
to conflicts within academia as scholars align
themselves with particular theoretical frameworks.
The adoption of literary theories can also shape
the professional identity of scholars. Affiliating with
or rejecting specific theories can signal one‘s
academic allegiance, which can intensify conflicts as
scholars defend their theoretical positions both
intellectually and personally. Besides, the integration
of literary theory into academic curricula has
transformed the way literature is taught and studied,
sparking debates over what should be included in the
curriculum and how literary studies should be
conducted. These debates have further contributed to
the perception of literary theory as an ideological
battleground within academia.
The body of theory that emerged after the 1960s
is particularly notable for its influence beyond its
original disciplinary boundaries. Thinkers like Freud
and Nietzsche, who were once primarily studied
within the fields of psychology and philosophy, are
now more frequently examined in ‗theory‘ courses
within literature departments. This shift reflects the
broader reach of literary theory, which has reshaped
thinking across disciplines and continues to be a
dynamic force within academic studies (Culler,
1987).
Hence, this article explores the role of literary
theories in the institutionalization of literary studies
by examining their influence on curriculum
development, academic
legitimacy, research
specialization, and interdisciplinary connections. An
understanding of these contributions can enable
students of literature appreciate how literary theories
have shaped the academic landscape of literary
studies and continue to influence its evolution.
Thesis Statement
Theories have not only played a crucial role
in institutionalizing literary studies but have
Bodhi International Journal of Research in Humanities, Arts and Science
Vol. 8
Special Issue 6
August 2024
also challenged and reshaped the discipline, asserting
the necessity of structured methodologies,
interdisciplinary approaches, and an expanded
literary canon, thereby elevating literary analysis to a
rigorous and globally influential academic field.
Research Questions
The following research questions guided the
researcher throughout the study:
1) How does the experience of appreciating
literature for personal pleasure differ from the
academic study of literature in terms of
cognitive engagement, interpretive strategies,
and the overall impact on the readers‘/students‘
understanding and appreciation of the text?
2) How did specific literary theories, such as
structuralism, poststructuralism, and cultural
theory, contribute to the formalization and
institutionalization of literary studies as an
academic discipline?
3) In what ways did the evolution of literary
theories throughout the 20th century challenge
and reshape the
curriculum, research
methodologies, and interdisciplinary approaches
within literary studies?
4) How have the shifts in literary theories from
Formalism to Digital Humanities reflected and
responded to changing intellectual, cultural, and
technological contexts, and what impact have
these shifts had on the evolution of literary
studies as an academic discipline?
Method
The historical method involves tracing the
development of literary theories over time and their
impact on the institutionalization of literary
studies. This approach includes a chronological
analysis of key movements (e.g., structuralism,
poststructuralism, cultural studies) and their
influence on the academic discipline. The article
explores how specific theories emerged in response
to particular historical contexts and how they
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contributed to the formalization of literary studies
within universities.
This article draws upon Terry Eagleton‘s
insights from Literary Theory: An Introduction,
particularly the introduction section titled Rise of
English Studies: ―Literary studies as a formal
academic discipline can be traced through the
historical emergence of critical theories, each
contributing to the shaping of the field by providing
new interpretative frameworks that reflect the
intellectual and cultural contexts of their time.‖ In
this foundational text, Terry Eagleton explores the
historical development of literary theory, from
formalism and structuralism to poststructuralism and
beyond, arguing that these movements are not only
responses to literary texts but also to broader
historical and ideological shifts. Eagleton‘s work
exemplifies the historical method by situating literary
theories within their specific historical contexts and
demonstrating how these theories have shaped the
institutional landscape of literary studies.
Results
The study identified the following reasons for the
pivotal role of literary theories in institutionalising
literary studies during the twentieth century:
1) The rise of structuralism and poststructuralism
2) Interdisciplinary influence
3) The growth of cultural and critical theory
4) Institutionalisation of curricular development
5) Globalisation of literary studies
6) Impact on research and scholarship.
The study also identified the following timeline
of literary theories and their cultural backgrounds
that provides an overview of the major literary
theories, their origins, and the cultural contexts that
shaped them. Each theory has contributed to the
evolution of literary studies as an academic
discipline, and offers new perspectives on how
literature can be understood, interpreted, and
critiqued.
Bodhi International Journal of Research in Humanities, Arts and Science
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Theory
Formalism
1. Russian
Formalism
2.
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Timeline
1910s1930s
New Criticism
Marxist Literary
Criticism
1920s1930s
Psychanalytic
Theory
1930s1950s
Structuralism
1950s1960s
Poststructuralism
1960sPresent
Reader-Response
Theory
1960s1970s
Feminist Theory
1970s1980s
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Cultural Background
Origins
Focus
Emerged in the postIs on the formal aspects of literature
revolutionary period in Russia.
such as narrative techniques, language,
and structure, rather than content or
Developed in the United States
social context.
and Britain as a reaction against
the biographical and historical
It emphasizes close reading and textual
approaches to literature.
analysis.
Rooted in the ideas of Karl Marx It analyses literature through the lens of
and Friedrich Engels, it
class struggle, economic systems, and
developed during the interwar
ideologies, viewing texts as products of
period, influenced by the rise of
the material conditions of their time.
socialist and communist
movements.
Influenced by the work of
Literature is analysed in terms of the
Sigmund Freud, who explored
psychological motivations of characters
the unconscious mind, dreams,
and authors, as well as symbolic
and repression.
elements that reveal unconscious
desires.
Emerged from the linguistic
Structuralists analyse literature as a
theories of Ferdinand de
system of signs, and explores how
Saussure, it emphasizes
meaning is generated through binary
underlying structures in language oppositions and deep structures.
and culture.
Emerged in France as a response It focuses on challenging and
to and critique of Structuralism,
deconstructing the fixed structures,
which was dominant at the time.
binary oppositions, and assumptions
The political and intellectual
about meaning, knowledge, and
climate was shaped by the events identity that were central to
of May 1968 in France, which
Structuralism and other earlier
questioned traditional authority
theoretical frameworks.
and structures in both society
and academia.
Developed as a reaction against
It emphasizes the active role of the
formalist and structuralist
reader in creating meaning, considering
approaches that focused solely
how individual experiences, cultural
on the text, without considering
background, and psychology influence
the reader‘s role.
interpretation.
Arising alongside the secondIt analyses literature through the lens of
wave feminist movement, which gender, exploring representations of
focused on gender equality,
women, gender dynamics, and the role
women‘s rights, and the critique
of literature in perpetuating or
of patriarchal structures.
challenging gender norms.
Bodhi International Journal of Research in Humanities, Arts and Science
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Deconstruction
1960s1980s
New Historicism &
Cultural
Materialism
1980s1990s
Postcolonial
Theory
1980s1990s
Gender & Queer
Theory
1990sPresent
Ecocriticism
1990sPresent
Postmodern Theory
1980sPresent
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Developed by Jacques Derrida as
a response to structuralism,
influenced by postmodern
scepticism about the possibility
of fixed meanings and absolute
truths.
Emerged in the context of poststructuralism and the renewed
interest in the relationship
between literature and history.
Influenced by the decolonization
movements and the writings of
Frantz Fanon, Edward Said, and
others who critiqued the cultural
and political legacies of
colonialism.
Gender theory grew out of
feminist theory while queer
theory emerged in the context of
the gay and lesbian rights
movement and poststructuralist
critiques of identity.
Arising from environmental
concerns and the growing
awareness of ecological crises,
influenced by earlier nature
writing and environmental
philosophy.
Began to permeate various
cultural fields, including
literature, architecture, and the
visual arts. It was characterized
by a rejection of rigid boundaries
between genres and disciplines,
playful intertextuality, irony,
pastiche, and the blurring of
reality and fiction.
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It challenges the idea of stable meaning
in texts, and exposes contradictions,
ambiguities, and the instability of
language itself.
New Historicism emphasizes the
historical context in which literature is
produced and received, while Cultural
Materialism focuses on the political
implications of texts and their role in
cultural production.
It analyses literature produced in or
about former colonies, and explores
themes of identity, power, resistance,
and the effects of colonialism on
culture and language.
Gender theory examines how literature
constructs and deconstructs gender
roles while queer theory challenges
normative sexual identities and
explores the fluidity of gender and
sexuality in literature.
It explores the relationship between
literature and the environment, analyses
how nature is represented, and how
literature can contribute to
environmental consciousness.
Rejects the overarching narratives and
ideologies, such as Enlightenment
rationality, Marxism, or religious
dogma that claim to explain all aspects
of human experience.
Embraces the idea that reality is
constructed through language, culture,
and power, leading to a plurality of
perspectives rather than a single,
objective truth.
The concept of hyperreality, where
simulations or representations become
more real than reality itself, is central
to postmodern thought,
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Digital Humanities
& Digital Literary
Studies
Special Issue 6
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Emerged with the advent of
They incorporate computational tools
digital technology and the
and digital methods to analyse texts,
internet, transforming how
explore large datasets, and investigate
literature is studied, accessed,
new forms of textuality in digital
and analysed.
media.
concept of ―deconstruction‖ challenges the idea of
Discussion
Literary theories played a pivotal role in
stable meanings and fixed structures in texts,
institutionalizing literary studies in the second half of
emphasizing the fluidity and multiplicity of
the 20th century. This period saw a significant shift in
interpretations. Poststructuralism‘s impact on literary
how literature was studied and taught, largely due to
studies institutionalized a more critical and
the rise of various literary theories that offered new
questioning approach to texts, encouraging scholars
and diverse ways of interpreting texts.
to interrogate the assumptions underlying literary
Structuralism, influenced by linguist Ferdinand
analysis and to explore the complexities of language
de Saussure, introduced the idea that meaning in
and meaning.
language and texts is derived from underlying
Literary theories increasingly drew on concepts
structures rather than individual words or sentences.
from other disciplines, such as psychology
This approach was extended to literary studies,
(psychoanalytic theory), sociology (Marxist theory),
where scholars began analysing the structures that
philosophy (existentialism), and anthropology
govern narratives and genres. Roland Barthes‘ S/Z
(cultural theory). This interdisciplinary approach
(1970) exemplifies the rise of structuralism in
made literary studies more robust and relevant,
literary studies. Barthes analyses the short story
attracting scholars from diverse academic
―Sarrasine‖ by Honoré de Balzac using structuralist
backgrounds. For example, Sigmund Freud‘s
principles, breaking down the text into units of
psychoanalytic theory, particularly his ideas on the
meaning called ―lexias‖ and examining the
unconscious, Oedipus complex, and dream analysis,
underlying structures that govern the narrative. This
had a profound influence on literary criticism.
approach demonstrates how structuralism provides a
Freud‘s work encouraged literary scholars to explore
scientific methodology to literary analysis, moving
the psychological dimensions of characters and
beyond mere interpretation to uncover the deep
narratives, leading to the development of
structures that shape meaning in texts. The
psychoanalytic literary criticism. For example, the
th
prominence of structuralism in the mid-20 century
application of Freud‘s theories to Shakespeare‘s
played a crucial role in formalizing literary studies as
Hamlet reveals the deep psychological conflicts
an academic discipline, influencing curricula and
within the protagonist, providing insights into themes
research methods.
of desire, repression, and identity. This
Poststructuralism, which followed structuralism,
interdisciplinary connection between psychology and
challenged the idea of fixed meanings and
literary studies contributed to the institutionalization
emphasized the fluidity of language and
of literary criticism by integrating methods and
interpretation. Thinkers like Jacques Derrida
insights from other academic fields.
(deconstruction) and Roland Barthes (the death of
The second half of the 20th century saw the
the author) questioned traditional notions of
emergence of critical theories that focused on power,
authorship and textual meaning, leading to a more
ideology, and identity. The Frankfurt School‘s
dynamic and complex understanding of literature.
critical theory, feminist theory, postcolonial theory,
Derrida‘s Of Grammatology (1967) is a seminal text
and queer theory, among others, began to inform
in poststructuralism, which emerged as a response to
literary studies. These theories emphasized the role
the perceived limitations of structuralism. Derrida‘s
of literature in shaping and reflecting social norms,
8
2000sPresent
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power dynamics, and cultural identities. For
example, Raymond Williams‘ Culture and Society
(1958) is a foundational text in cultural studies, a
field that examines the relationship between culture,
society, and literature. Williams argues that literature
should be studied not just as an aesthetic object but
as a cultural artifact that reflects and influences
social values, power structures, and historical
contexts. Moreover, cultural studies, by integrating
critical theory and social analysis into literary
studies, has expanded the scope of the field to
include popular culture, media, and everyday
practices. This growth of cultural and critical theory
has been pivotal in shaping the curriculum and
research agendas within literary studies departments.
Literary theories became central to the
curriculum in university English departments. The
study of literature was no longer just about
appreciating great works for their aesthetic value; it
became a critical examination of texts within their
social, historical, and cultural contexts. Courses in
literary theory became standard offerings, and
understanding different theoretical frameworks
became essential for students and scholars. New
Criticism, a dominant critical approach in the mid20th century, emphasized close reading and the
analysis of the formal elements of a text, such as
imagery, symbolism, and irony. Works like Cleanth
Brooks‘ The Well-Wrought Urn (1947) exemplify
this approach, and argues for the intrinsic value of
the text itself, independent of historical or
biographical contexts. New Criticism‘s focus on
textual analysis led to the development of
standardized methods of literary interpretation,
which became central to the curriculum in English
departments. This formalization of literary studies
helped institutionalize the field by providing clear
methodologies and criteria for literary scholarship.
With the rise of postcolonial theory and cultural
studies, literary studies began to incorporate texts
from a wider range of cultures and traditions. This
global perspective, supported by various literary
theories, challenged the Eurocentric canon and
promoted the study of diverse literatures, further
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institutionalizing the field. For example, Edward
Said‘s Orientalism (1978) is a key text in
postcolonial theory, which examines the ways in
which literature has been used to construct and
perpetuate colonial power dynamics and cultural
stereotypes.
Said‘s
critique
of
Western
representations of the East has had a profound impact
on literary studies, prompting scholars to reconsider
the global implications of literary texts and to include
non-Western literatures in their curricula. The
globalization of literary studies, driven by
postcolonial theory, has expanded the field beyond
its traditional Eurocentric focus, encouraging a more
inclusive and diverse approach to literary
scholarship.
Finally, literary theories provided new
methodologies for research and scholarship.
Theoretical frameworks allowed scholars to produce
more rigorous and systematic analyses of texts,
which contributed to the professionalization and
institutionalization of literary studies as an academic
discipline. For example, Judith Butler‘s Gender
Trouble (1990) is a landmark work in queer theory,
which challenges conventional understandings of
gender and sexuality in literature and culture.
Butler‘s concept of gender performativity has
influenced a wide range of literary research,
encouraging scholars to explore the fluidity of
identity and the ways in which literature constructs
and subverts gender norms. Queer theory‘s impact on
research has led to a proliferation of studies that
question traditional categories of identity and
representation, making it a vital area of enquiry
within literary studies. This ongoing scholarship has
further institutionalized literary theory as an essential
component of academic research.
Scope for Further Research
Research on the role of theories in institutionalizing
literary studies can explore several promising areas.
These areas can help illuminate the dynamic
relationship between literary theories and the
institutional structures that support and shape literary
studies.
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1) Investigation of how different literary theories
have influenced the institutionalization of
literary studies over time, and examination of
specific periods or movements like New
Criticism and Postmodernism and their impact
on academic institutions.
2) Analysis of how various literary theories have
been integrated into curricula and how this
affects the structure and content of literary
studies programs.
3) Exploration of how shifts in dominant theories
impact the focus and direction of literary studies
within institutions.
4) Researching how academic policies and
governance structures shape the adoption and
emphasis of certain theories within literary
studies departments.
5) Examining how prestigious institutions‘
endorsement of specific theories influences their
wider acceptance and application in literary
studies.
6) Study of how literary theories interact with and
influence other disciplines (e.g., cultural studies,
gender studies), and how these interactions
contribute to the institutionalization of literary
studies.
7) Investigation of how collaborative research and
teaching across disciplines impact the
development and application of literary theories.
8) Exploration of how different theories are taught
and how pedagogical approaches affect students‘
understanding and application of these theories.
9) Analysis of student responses to various theories
and how this shapes their engagement with
literary studies.
10) Researching how literary theories are
represented and promoted in academic journals,
books, and conferences, and how this impacts
their institutionalization.
11) Examination of how trends in academic
publishing influence the prominence and
adoption of certain theories.
12) Investigation of how different cultural and
regional contexts influence the adoption and
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institutionalization of literary theories, and the
study the impact of globalization on the
dissemination and institutionalization of literary
theories across borders.
13) Exploration of how resistance to certain theories
and critical debates contribute to the shaping of
literary studies.
14) Investigation of how new or emerging theories
challenge existing frameworks and impact
institutional practices.
Limitations of the Study through Historical
Method
The historical method, while valuable for tracing
the development of literary theories and their impact
on the institutionalization of literary studies, has
several limitations:
1) The historical method often relies on selected
texts that may not represent the full spectrum of
literary theory. Important contributions might
have been overlooked if they do not fit the
dominant narrative or were not recognized at the
time.
2) Historical analysis does not fully account for the
diverse socio-political, cultural, and economic
contexts in which literary theories developed.
Theories are often products of their time, and
their evolution might be better understood
through the complexities of their specific
historical contexts.
3) Tracing the development of literary theories
over time might lead to oversimplification. The
development of literary theory is often nonlinear and can involve complex, overlapping
influences that are not always easily captured in
a historical narrative.
4) When examining the impact of literary theories
on the institutionalization of literary studies, the
focus is on formal institutions like universities
and journals. This is likely to have neglected
informal networks, grassroots movements, and
other influential factors that have shaped literary
studies.
5) Literary theories often intersect with other
disciplines and intellectual movements. A
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historical approach fragments the development
of theories by isolating them from these broader
interactions,
missing
out
on
how
interdisciplinary exchanges have influenced
literary studies.
6) Historical narratives can be shaped by the
perspectives and biases of historians themselves.
This can lead to a distorted representation of
how literary theories evolved and their actual
impact on the field.
7) The historical method focuses more on the
production of literary theories rather than their
reception
and
adaptation
over
time.
Understanding how theories were received and
transformed in different contexts is crucial for a
comprehensive view of their impact.
Conclusion
The second half of the 20th century was a
transformative period for literary studies, with
literary theories playing a central role in reshaping
the field. These theories not only broadened the
scope of literary analysis but also helped
institutionalize literary studies as a critical and
interdisciplinary field of academic enquiry. The
impact of this shift is still evident in contemporary
literary scholarship and pedagogy. The examples
demonstrate how various theories have played a
pivotal role in the institutionalization of literary
studies.
Through the
provision of new
methodologies, the fostering of interdisciplinary
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connections, the expansion of the scope of analysis,
and the influencing of curriculum development, these
theories have helped establish literary studies as a
rigorous and dynamic academic discipline.
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