Academia.eduAcademia.edu

When "The Unknown” Are Us

The Cultural Symposium 'THE UNKNOWN' 2024 12-13 October, Plovdiv At the center of this study are Bulgarian cultural practices abroad, which build and feed representations of/for ourselves while simultaneously building portraits of the "imagined" Bulgaria. Personal stories (narratives) of people from Bulgarian communities in the USA and Canada are discussed when they contain the "before-and-after" threshold of engaging in an activity or activities related to Bulgaria. What happens, realizes, changes when someone who has never danced folk dances or played a traditional instrument (at all paid attention to folklore in its various manifestations) suddenly feels attracted by the sound of a bagpipe, a pattern of embroidery, or dance steps after some living abroad? Or unexpectedly (for oneself), one sees her/himself as a participant in a Bulgarian literary (or film) club? What exactly is happening? How? What does such a person discover about her/himself and her/his country? Does this person manifest such an awareness, and if so, how? Does she/he involve her/his children, and how? What does all this mean in the more general framework of "imagined communities" (after Benedict Anderson) when we talk about national identity while living in another country? This paper suggests that cultural activities, such as music, dance, literature, and other artistic pursuits, play a pivotal role in self-discovery and self-making for individuals living abroad. These activities have the power to unearth latent qualities and aspirations that may have remained dormant otherwise. The process mentioned above goes in parallel with a re-examination of the merits of one's native culture, often via the Internet, thus feeding a somewhat idealized image. "Documents" shared on social networks have a double value; they represent an archive (personal and collective of the respective community) but also a bridge-with the hope of being seen and recognized as such.

The Cultural Symposium ‘THE UNKNOWN’ 2024 12-13 October, Plovdiv WHEN THE “UNKNOWN” ARE US (Summary) Daniela Ivanova-Nyberg Bulgarian Cultural and Heritage Center of Seattle At the center of this study are Bulgarian cultural practices abroad, which build and feed representations of/for ourselves while simultaneously building portraits of the “imagined” Bulgaria. Personal stories (narratives) of people from Bulgarian communities in the USA and Canada are discussed when they contain the “before-and-after” threshold of engaging in an activity or activities related to Bulgaria. What happens, realizes, changes when someone who has never danced folk dances or played a traditional instrument (at all paid attention to folklore in its various manifestations) suddenly feels attracted by the sound of a bagpipe, a pattern of embroidery, or dance steps after some living abroad? Or unexpectedly (for oneself), one sees her/himself as a participant in a Bulgarian literary (or film) club? What exactly is happening? How? What does such a person discover about her/himself and her/his country? Does this person manifest such an awareness, and if so, how? Does she/he involve her/his children, and how? What does all this mean in the more general framework of “imagined communities” (after Benedict Anderson) when we talk about national identity while living in another country? This paper suggests that cultural activities, such as music, dance, literature, and other artistic pursuits, play a pivotal role in self-discovery and self-making for individuals living abroad. These activities have the power to unearth latent qualities and aspirations that may have remained dormant otherwise. The process mentioned above goes in parallel with a re-examination of the merits of one’s native culture, often via the Internet, thus feeding a somewhat idealized image. “Documents” shared on social networks have a double value; they represent an archive (personal and collective of the respective community) but also a bridge – with the hope of being seen and recognized as such. Keywords: Bulgarians, North America, identities, cultural practices, “imagined community.” About the Symposium: The fifth edition of the Cultural Symposium 'THE UNKNOWN' 2024 will be held in Plovdiv on October 12 and 13, 2024. The main goal of the forum is to present the cultural diversity of Bulgaria and to promote its research, knowledge, and preservation. The scientific conference will take place in two days. The first day is dedicated to the Armenian, Jewish, Turkish, and Roma communities, which are traditional for Bulgarian society. The second day of the symposium we delve into the topic of ‘Heritage: Forms of Cultural Expression’ thus adding to the more in-depth comprehension of community heritage of the different ethno-religious, ethnographic, cultural, linguistic, and other groups in Bulgaria and worldwide. ‘THE UNKNOWN’ offers a platform to meet and touch upon different cultural elements and practices which are of great importance to show that heritage and inter-cultural understanding matter. Official Symposium partners are the Institute of Ethnology and Folklore Studies with Ethnographic Museum at the Bulgarian Academy of Sciences (IEFSEM-BAS); the Department of Ethnology at the Faculty of Philosophy and History - ‘Paisii Hilendarski’ University of Plovdiv, Academy of Music, Dance, and Fine Arts ‘Prof. Asen Diamandiev’ - Plovdiv as well as the Plovdiv Regional Ethnographic Museum. Source: https://www.researchgate.net/publication/376409610_Call_for_Papers_for_the_5th_International_Conference_'THE _UNKNOWN'_2024_PLOVDIV