Wesley Imms · Thomas Kvan Editors
Teacher Transition
into Innovative
Learning
Environments
A Global Perspective
Teacher Transition into Innovative Learning
Environments
Wesley Imms Thomas Kvan
•
Editors
Teacher Transition
into Innovative Learning
Environments
A Global Perspective
123
Editors
Wesley Imms
The University of Melbourne
Parkville, VIC, Australia
Thomas Kvan
The University of Melbourne
Parkville, VIC, Australia
ISBN 978-981-15-7496-2
ISBN 978-981-15-7497-9
https://doi.org/10.1007/978-981-15-7497-9
(eBook)
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Preface
Occasionally, events in research conspire to move our thinking ahead with a jolt.
This book is an outcome of such serendipitous events. For more than a decade the
Learning Environments Applied Research Network (LEaRN) from The University
of Melbourne’s faculties of Education and Architecture conducted high-level
research projects, many for the Australian Research Council. Each added another
layer of knowledge to what we knew about good design and use of learning
environments in schools, hospitals and the like. These were always done in consultation with relevant industry groups, but its Innovative Learning Environments
and Teacher Change (ILETC) project leveraged those accomplishments to an
unprecedented collaboration with industries and education departments across four
nations, and equally importantly, to early career and established researchers in more
than 12 countries. As part of this, and in addition to co-generating knowledge
across borders, ILETC was unique in hosting learning environment research conferences in Melbourne (Australia), Michigan (USA), Copenhagen (Denmark),
London (England) and Phoenix (USA). Each drew on Ph.D. projects or recently
completed research projects from a mass of countries to gain, to some degree, a
global understanding of the latest evidence being found on the good use of innovative learning environments.
Teacher Transition into Innovative Learning Environments—A Global Perspective
comes from the 2017 Transitions suite of conferences in three countries. Its purpose is
firstly to illustrate the extraordinary range of projects that constitutes an effective agenda
of ILE research; and secondly to showcase examples of that work. The message is
clear—if we are intending to provide an evidence base of ‘what works’, simple solutions do not exist. The task of maximising the effectiveness of ILEs is complex and
multi-faceted, it requires research across the paradigms, it requires an international
approach, it requires collaboration between industries and education organisations, it
requires imaginative and lateral thinking, and most critically it requires a great deal of
support and time.
v
vi
Preface
The book in part celebrates accomplishments along this journey; it is reassuring
to see this quality of work being done internationally, and across a breadth of
topics. It also helps us ‘stream’ or categorise the complexity of this work.
Transitions is structured according to the predominant themes that emerged from
these conferences; Inhabitation of Design, Change and Risk, Measuring Impact,
and Teacher Practices. The sections contain three or four examples of the research
that addresses each respective issue. Each does so while reflecting the context of
particular countries. Each does so from the perspective of a range of professionals
such as architects, acousticians, academic researchers, educators and designers.
This is, indeed, a rare publication; a cornucopia of perspectives, foci, contexts
and research approaches. It takes advantage of a rare combination of situations and
events to advance our thinking on a complex but critically important topic. Teacher
Transition into Innovative Learning Environments—A Global Perspective focuses
on the need to know as much as possible about the way teachers can be helped to
maximise the unique qualities of ILEs. This was a focus of the hosting ILETC
project and reflects evidence from educational research that quality of teaching is
the single factor that exerts the greatest influence on improving students’ learning
experiences.
Acknowledgements
The co-editors would like to acknowledge the support given by the Australian
Research Council’s Linkage Projects scheme; the ILETC Partner Organisations are
listed below and that project’s research team. This includes Chris Bradbeer, Terry
Byers, Joann Catlin, Marian Mahat, Lachlan Stewart and Sarah Healy. The input of
ILETCs seven Ph.D. students is acknowledged.
Special thanks are due to Kenn Fisher for his assistance in the writing of the
section introductions.
Innovative Learning Environments and Teacher Change project; Partner
Organisations
Ministry of Education, New Zealand (NZ)
New South Wales Education Department (Aus)
Queensland Education Department, (Aus)
Australian Capital Territory, Education Department, (Aus)
Catholic Education Office, Parramatta, (Aus)
Learning Environments, Australasia, (Aus & NZ)
Churchie (The Anglican Church Grammar School), (Aus)
Australian Science and Mathematics School, (Aus)
Woodleigh School, (Aus)
Hayball Architects, (Aus)
Powerhouse Museum, Sydney, (Aus)
Microsoft Education, (USA & Aus)
DLR Group, (USA)
Preface
vii
Ecophon, (Sweden)
Steelcase Education (USA & HK)
Telstra Australia, (Aus)
Marshall Day Acoustics, (Aus)
Parkville, Australia
Wesley Imms
Thomas Kvan
Contents
Space Are Places in Which We Learn . . . . . . . . . . . . . . . . . . . . . . . . . .
Thomas Kvan
Co-creating Innovative Learning Environments: LEaRN’s Decade
of Discovery . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Kenn Fisher
1
9
Change and Risk
Introduction to Part I: Change and Risk . . . . . . . . . . . . . . . . . . . . . . . .
Thomas Kvan and Kenn Fisher
Creating a Space for Innovative Learning: The Importance
of Engaging the Users in the Design Process . . . . . . . . . . . . . . . . . . . . .
Bodil Bøjer
The Enactment of Teacher Collaboration in Innovative Learning
Environments: A Case Study of Spatial and Pedagogical
Structuration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Chris Bradbeer
School Change: Emerging Findings of How to Achieve the “Buzz” . . . .
Raechel French
Increasing Teacher Engagement in Innovative Learning
Environments: Understanding the Effects of Perceptions of Risk . . . . . .
Tamara K. Jones and Deidre M. Le Fevre
Pedarchitecture: Which Learning Environments for the
Personalisation of Teaching and Learning? An Educational
Architecture for the Schools of the Future . . . . . . . . . . . . . . . . . . . . . . .
Mariagrazia Francesca Marcarini
27
33
47
61
73
85
ix
x
Contents
Using Fällman’s Interaction Design Research Triangle
as a Methodological Tool for Research About Reading
Spaces in Schools . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109
Emma Dyer
Inhabiting
Introduction to Part II: Inhabiting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125
Thomas Kvan and Kenn Fisher
The Mobility of People, Not Furniture, Leads to Collaboration . . . . . . . 129
Mie Guldbæk Brøns
The Gadfly: A Collaborative Approach to Doing Data Differently . . . . . 139
Sarah Healy and Caroline Morrison
Innovative Learning Environments, Are They Inclusive?
Why Evaluating the Speaking, and Acoustic Potential
of the Space Matters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 151
Leanne Rose-Munro
What About Interaction Geography to Evaluate Physical
Learning Spaces? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 167
Ben Rydal Shapiro
Measurement
Introduction to Part III: Measurement . . . . . . . . . . . . . . . . . . . . . . . . . 183
Wesley Imms and Kenn Fisher
What Does Teaching and Learning Look like in a Variety
of Classroom Spatial Environments? . . . . . . . . . . . . . . . . . . . . . . . . . . . 187
Terry Byers
Design with Knowledge—Light in Learning Environments . . . . . . . . . . 203
Imke Wies van Mil, Olga Popovic Larsen, Karina Mose, and Anne Iversen
Exploring the Relationships Between Learning Space
and Student Learning in Higher Education: A Comparative
Case Study in China . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215
Ji Yu
The Creative Learning Spiral: Designing Environments
for Flaring and Focusing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 227
Jane Zhang
Teacher Practices
Introduction to Part IV: Teacher Practices . . . . . . . . . . . . . . . . . . . . . . 245
Wesley Imms and Kenn Fisher
Contents
xi
Envisaging Teacher Spatial Competency Through the Lenses
of Situated Cognition and Personal Imagination to Reposition
It as a Professional Classroom Practice Skill . . . . . . . . . . . . . . . . . . . . . 249
Vicky Leighton
The Spirit of ‘WE’ in the Learning Environment: ‘WE LEaRN’—A
Space for Students and Teachers to Become . . . . . . . . . . . . . . . . . . . . . 277
Anat Mor-Avi
Addressing the Socio-Spatial Challenges of Innovative Learning
Environments for Practicum: Harmonics for Transitional Times . . . . . . 291
Emily Nelson and Leigh Johnson
Hack the School: A Creative Toolkit to Transform School Spaces . . . . . 305
Sílvia Sasot and Esther Belvis
Conclusion
Where to Now? Fourteen Characteristics of Teachers’ Transition
into Innovative Learning Environments . . . . . . . . . . . . . . . . . . . . . . . . . 317
Wesley Imms and Marian Mahat
Editors and Contributors
About the Editors
Wesley Imms (Australia) comes to learning environments research from a long
period as a teacher, then through a Ph.D. in Curriculum Studies from the University
of British Columbia in Canada. His teaching spanned art and design education, his
practice for decades has included designing and building ‘crafted’ homes, and his
artworks have focused on bespoke purposeful furniture construction, which he
exhibits annually. For the last decade, these interests have conflated into applied
research programs, where he specialises in assisting schools conceptualise, inhabit,
refine and evaluate learning environments. This work has focused extensively on
large-scale collaborative projects that draw heavily on international industry participation, and with an emphasis on Ph.D. and Masters level input to this knowledge
generation. He is a co-Director of the LEaRN group, manages LEaRN@MGSE,
and through selected consultancies he works closely with schools in the Asia-Pacific
region on improving the use of innovative learning environments. Wesley is currently an Associate Professor at The University of Melbourne, Australia.
Thomas Kvan (Australia) is recognised for his pioneering work in design, digital
environments and design management and has held senior leadership roles in
several universities as Dean and Pro Vice-chancellor. He was the founding
co-Director of LEaRN (the Learning Environments Applied Research Network)
delivering multidisciplinary research on learning and architecture, and was
founding Director of AURIN (the Australian Urban Research Information Network)
that developed a national digital infrastructure, both networks hosted at The
University of Melbourne. He has published over 180 publications in academic,
professional and popular channels. He is currently founding Dean of the School of
Design at the South University of Science and Technology (SUSTech) in China.
xiii
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Editors and Contributors
Contributors
Esther Belvis Universitat Autònoma de Barcelona, Barcelona, Spain
Bodil Bøjer Institute of Visual Design, The Royal Danish Academy of Fine Arts,
Schools of Architecture, Design and Conservation (KADK) and Rune Fjord Studio,
Copenhagen, Denmark
Chris Bradbeer The University of Melbourne, Melbourne, Australia
Terry Byers The Anglican Church Grammar School, Brisbane, Australia;
The University of Melbourne, Melbourne, Australia
Emma Dyer Independent Scholar, London, UK
Kenn Fisher The University of Melbourne, Melbourne, Australia
Raechel French The University of Melbourne, Melbourne, Australia
Mie Guldbæk Brøns Independent researcher, Copenhagen, Denmark
Sarah Healy The University of Melbourne, Melbourne, Australia
Wesley Imms The University of Melbourne, Melbourne, Australia
Anne Iversen Sustainability and Landscape Design, Copenhagen, Denmark
Leigh Johnson Eastern Institute of Technology, Taradale, New Zealand
Tamara K. Jones The University of Auckland, Auckland, New Zealand
Thomas Kvan The University of Melbourne, Melbourne, Australia
Deidre M. Le Fevre The University of Auckland, Auckland, New Zealand
Vicky Leighton The University of Melbourne, Melbourne, Australia;
Anglican Church Grammar School, Brisbane, QLD, Australia
Marian Mahat The University of Melbourne, Melbourne, Australia
Mariagrazia Francesca Marcarini University of Bergamo, Bergamo, Italy
Anat Mor-Avi College of Architecture, Illinois Institute of Technology, Chicago,
IL, USA
Caroline Morrison The University of Melbourne, Melbourne, Australia
Karina Mose The Royal Danish Academy of Fine Arts -Schools of Architecture,
Design and Conservation (KADK), Copenhagen, København, Denmark
Emily Nelson Eastern Institute of Technology, Taradale, New Zealand
Olga Popovic Larsen The Royal Danish Academy of Fine Arts -Schools of
Architecture, Design and Conservation (KADK), Copenhagen, København,
Denmark
Editors and Contributors
xv
Leanne Rose-Munro The University of Melbourne, Melbourne, Australia
Sílvia Sasot Universitat Ramon Llull, Barcelona, Spain
Ben Rydal Shapiro Georgia Institute of Technology, School of Interactive
Computing, Vanderbilt University’s Peabody College of Education, Nashville, TN,
USA
Imke Wies van Mil The Royal Danish Academy of Fine Arts -Schools of
Architecture, Design and Conservation (KADK), Copenhagen, København,
Denmark
Ji Yu Peking University, Beijing, China
Jane Zhang Harvard Graduate School of Design, Cambridge, MA, USA
Space Are Places in Which We Learn
Thomas Kvan
Abstract We make and occupy spaces for purposeful activities. Significant investments are made in learning spaces in schools without adequate consideration of
pedagogical and architectural issues. This chapter notes that it is a broad and multifaceted challenge to guide capital investments that deliver better learning outcomes
in schools. It introduces the research presented in this volume and some of the underlying concepts and considerations embedded in the work of LEaRN and the projects
described in following chapters.
At the start of the twentieth century, John Dewey published great insights into the
state of education and the experience of children in schools (Dewey 2001). In particular he wrote of the benefits of organising learning around activity and purpose and
that the school rooms (as he called them) needed to provide for active occupation. He
observed that the rooms he knew necessitated behaviours of the children that were
not conducive to that mode of learning, instead promoting passivity and thus disengagement. The obvious connection between the design of places of learning, schools
and their outcomes has been widely engaged from both design and pedagogical
perspectives.1
The work of our research network, LEaRN,2 was initiated at a time when considerable financial capital was being directed to extending school facilities in our local
community, that of the state of Victoria in Australia. You can find similar programmes
of building and refurbishing schools across the world at various times, and unfortunately the converse, periods of neglect. Communities and governments appear to
act periodically, responding to such factors as demographic shifts, reprioritisation
1 For example, Sanoff, H. (1994). School Design. John Wiley & Sons, Inc., 605 Third Avenue, New
York, NY 10158, and Uline, C. L., & Tanner, C. K. (2009). Effects of school design on student
outcomes. Journal of Educational Administration.
2 More information on the learning environments applied research network can be found online at
https://research.unimelb.edu.au/learnetwork/home (accessed 10 December 2019).
T. Kvan (B)
The University of Melbourne, Melbourne, VIC, Australia
e-mail:
[email protected]
© The Author(s) 2021
W. Imms and T. Kvan (eds.), Teacher Transition into Innovative Learning Environments,
https://doi.org/10.1007/978-981-15-7497-9_1
1
2
T. Kvan
of budgets, political manifestos or as a capital stimulus for a faltering economy or
perhaps simply shame. The investment in Victoria (a State of Australia) in 2008 was
prompted by several such factors and was accompanied by questions of how to make
such an investment effective for the declared purpose, that of learning.
The challenge of identifying if the investments have been effective is a complex
one, as illustrated by the range of projects undertaken by our research network. All
of these research projects have enquired into the large question of how to ensure that
capital investments are well used by considering the diverse aspects of the question,
drawing on the knowledge, ways of enquiring (sometimes called ways of knowing),
methodologies and assumptions of different disciplines. The editors and authors in
this book reflect the value of such diversity; my co-editor, Wesley Imms, draws on
his deep knowledge of pedagogy and I from my experience in design.
Gaining strength from this diverse multidisciplinary background, projects in
LEaRN have considered learning environments from a range of perspectives. We
might summarise these as what we do, how we do it and how do we know what we
have done. Some projects have examined construction techniques to understand if
the most sustainable and cost-effective means are deployed to enable rapid response
to changes in education demand. Other projects addressed the need for robust assessment criteria and methods for completed projects so that the lessons learned can be
cycled back into the future school building. We have been commissioned to write
guidelines for such future projects and we have assisted schools to use their facilities
to achieve better learning outcomes.
Other projects have taken a more pedagogical perspective across different stages
of learning, extending to examining the learning of students in primary up to tertiary
systems, including particular cohorts such as special needs students or medical
students on the wards. Recognising that schools serve broader purposes beyond
the tasks of learning; we are also looking at how the sites can better serve as community hubs. All the projects are conducted collaboratively with partner schools, school
districts, designers, industry suppliers and communities, with academic researchers
taking the lead to organise and run the research.
The Innovative Learning Environments and Teacher Change (ILETC) project,
which is the formal context from which this book emerges, is one project within this
portfolio of projects. It was framed specifically at how we can help teachers to use the
untapped potential of Innovative Learning Environments (ILEs) to improve learning
outcomes for students. In particular the project wished to probe the contentious
questions as to whether there is a link between quality teaching and effective use
of the spaces in which they teach. In answering that question, the project sought to
develop practical tools to assist teachers to adapt their teaching practices to maximise
deeper learning.
The unspoken assumption in the work presented in this book is that we are all
describing a place in which learning takes place. The participants, whatever their
roles, congregate in one location to engage collectively in the activities, and the
place is developed to facilitate these activities. We use resources to invest the site
with features, facilities and meaning that enable the outcomes to be realised. We
make these places, the schools, into sites where we can learn. We also know that
Space Are Places in Which We Learn
3
this is not a work that can be completed, every insight brings opportunity and new
questions. It is action research that informs work in progress. As such, we publish
what we know, incomplete and unresolved. This book reflects a state of knowledge
and opportunities in the next steps.
It’s Where We Are
Instinctively, we all care about the spaces in which we conduct our daily lives. We
seek out cafés that we find comfortable, we prefer certain parks or gardens when
looking to relax, we complain to co-workers about the offices we are assigned, we
spend our resources to make homes that respond to our needs. In all of these we
are making an implicit assumption that space affects the way we behave and think,
whether relaxing or concentrating, whether conducting mundane tasks or creative
invention, whether we are learning or performing rote actions.
These instinctual decisions recognise that the spatial setting of our activity has
some influence on our performance, that we relax more effectively in one place than
in another or learn better in one school than another. This tacit understanding is often
illustrated by a quote from Winston Churchill in 1943, ‘We shape our buildings, and
afterwards our buildings shape us’ (United Kingdom 1943). In that debate about the
proposed reconstruction of the House of Commons that had been severely damaged
by German bombs in 1941, Churchill argued that the narrow rectilinear form of the
chamber forced debaters to take clear positions, unlike a semi-circular space that
facilitated subtle nuances by displacements along an arc. He argued too that there
should be fewer seats than members so that there were no reserved seats, members
had to respond to circumstances in their seating arrangements and hence could not
retreat behind convention but could engage in spontaneous conversation. At key
moments, the space would be overcrowded, the overcrowding itself adding urgency
to the debate underway. In these comments, Churchill identified that the theatre of a
space, its habitation, was a key and that the way the space affected the community
engaged within it was an essential component to the particular practice of British
parliamentary democracy.
It’s the Way We Act
The connection that Churchill had identified is that the act of gathering to engage in
a purpose is affected by the space in so far as the way the members of the particular
community disport and participate is influenced by the geometry. In his argument,
he addressed the conventions, cultures and conveniences, connecting these to the
location in which they were enacted. Specifically, he was arguing for the reconstruction of a narrow debating chamber too small for the number of members and thus
not meeting our contemporary understanding of ‘functional space’ but reinterpreting
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T. Kvan
‘functionality’ to consider behaviours that may emerge because of the particularities
of the space, its crowdedness, the narrowness. His argument was that our behaviours
in the space make us, not the space itself. This is indeed the perspective we take, that
the users of the spaces are in control, they make decisions about the use of the space
and the experiences within.
What Is It About the Space?
The influence of the space on behaviour may be considered in a formal sense—if we
are in a library, we behave as we should by some sense of convention of that library.
It may be the semiotics of the spaces that bring behavioural change about—we can
be conditioned to read the sign Library and react by lowering our voices and adopt
other behavioural norms.
In effecting such a reaction, we have relied on our sight to read the sign and interpret this to behaviour. Our eyes can inform us of intentions through colour choices,
sharp delineations between contrasting colours noting purposeful boundaries, or
shifts from primary colours to pastels to indicate more subtle changes.
Other human senses can also be conduits for the message. An auditory threshold
between a ‘bright’3 space and a more muted one can lead to a tacit reaction of
dropping the volume of your voice and adjusting action such as adjusting your pace.
Each of our senses can be engaged in this way. Bakeries that vent onto the street
the smells of freshly made goods encourage us to linger or move on, as can sound
and light qualities in other contexts.
While such factors are considered in the design of learning spaces, there are often
more subtle factors than those registered by our primary senses. Several papers in this
volume have explored the implicit enablers of spatial engagement, the affordances
of a space.
It’s Our Choice
While Dewey did not write explicitly about innovations in classroom design, his
ideas have been influential in the emergence of other forms of learning environments
and classroom designs. As Cuffaro (1995) notes, ‘within a Deweyian framework the
classroom environment demands primary attention’. She notes that few teachers will
ever participate in the design process for new facilities, typically finding themselves
assigned to an existing space and ‘dealing with the unyieldingness of plumbing
features and doorways’. She summarises with the observation that the important
3
A term used to describe a space that has surfaces that reflect noise readily, privileging noises in
the upper registers, so the space comes to be filled with competing sharp sounds.
Space Are Places in Which We Learn
5
contribution of the teacher is in ‘the choices we make, the physical and social
arrangements we create’.
A common misunderstanding of Churchill’s statement is that architectural design
is deterministic, that space can cause an outcome. While we might respond to spaces
by lowering our voice or moving slower, the effect is not determined, it is interpreted
and suggested. The human actor in the space determines how they will behave. In
summary, whether we respond to the opportunity offered by a particular space or
collection of spaces is our choice, individually and collectively.
Our response can be to physical properties of the spaces, such as the light or
sound, but also how we act or perform within the space. In all these the geometry of
space and surface properties will influence us. Transparent walls connect our space to
others; transformable or moveable items, furniture, walls, lights, allow us to control
the experience. We can engage with space actively by using these properties, or
passively and continue as ever.
What we do within the space is also to be considered. In daily life, we adapt
our actions to a setting and in others we use the setting to enhance our actions. The
act of teaching is not immutable; even the most seasoned of teachers are constantly
reacting and responding to changes in demography, curricula, popular culture and
professional insights. If we perceive an opportunity in a room, we use it. When the
physical space no longer suffices, we adapt, we workaround, we hack.
Our reaction though is a choice and with that we consequently take on responsibility. The decision we make is driven primarily by the intention; whatever our
role, we are in the place to help students learn. The goal is an alignment for purpose
and outcome. There are multiple guides to our decisions such as prior experience;
tacit and conveyed knowledge; cultural assumptions and constraints; and our perception of inherent risks and the potential. Schools are a collective engagement, so the
action in one learning space is not isolated from those elsewhere in the school. The
collaboration is within the class and across the classes, conveyed by the culture of the
institution and the behaviours within. A significant challenge though is that of undertaking change. Change is imbued with risk and our reaction is in part a mitigation of
this risk, a constructive engagement of the risk.
If spaces are not determinist, the design of learning environments is therefore
focussed on the provision of opportunity, delivering spaces that have the potential to
accommodate, satisfy or enable a variety of desired experiences.
Making Informed Choices
While I have been writing this from the perspective of the teacher rather than the
student, both students and teachers react to the space in which they are engaged
in learning. The chapters in this book reflect both perspectives, as well as those of
school leaders. At the centre of our focus is what happens in the space at the moment
of learning. Everyone in the room will respond to the task, the space and the moment.
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T. Kvan
For some, their role is to anticipate and prepare for the task, for others it is to engage
in the performance of the task.
A key purpose of the research in LEaRN is to inform our choices and to assist
in change. The following chapters have been grouped loosely into four sections that
reflect dimensions in which choice is made: Change & Risk, Habitation, Measurement and Teacher Practice. The contents of papers naturally cross between the
sections, so an interest in one aspect may lead you to read papers in another section.
Each section is introduced with a brief overview of the papers, here you might find
guidance to related topics.
The collection starts with a consideration of the change that teaching practice
is undergoing when it is adapted to new environments. As I noted above, change
is inherently risky, although stasis is also imbued with risk but often assumed to be
risk-free. Seldom is change wholesale; instead, changes can be made across the range
of factors. In our focus, it may be practices, physical features or temporal. Obviously,
change must also be made in a coherent and coordinated manner, otherwise change
in one aspect is obviated by lack of change elsewhere. While we observe that good
teachers can teach well in almost any setting, even their effectiveness can be hobbled
by poor leadership or frustrated by inadequate settings. Thus, we can conclude that
some changes are positive advances, other changes might be undertaken in mitigation.
When we enter a space new to us and our intended activity, we naturally engage in
some assessment of the environment. Some may do so explicitly, testing the acoustics
or manipulating the lighting or changing the disposition of the furniture. Others
may be less explicit in their adaptation, reacting tacitly to features and feedback.
Howsoever we do this, we are inhabiting the space but also to cohabit with those
around us, either the students in the room or the teachers and students in adjoining
spaces. The act of habitation is a negotiation with animate and inanimate, conversing
with the mutable and accommodating the immutable.
Choice must be informed, otherwise it is blind. A central driver of the research
within LEaRN has been to inform our choices by providing means to measure change
so that future change can be understood. The metrics must address the broad range
of factors that affect outcomes of change.
Ultimately, the goal of change is to enable more effective learning and to assist
teachers with these responsibilities by providing research-based insights as to what
improved learning might be, how it might be supported and how new learning environments offer opportunities for such outcomes. Most immediately, therefore, the
insights in the chapters will be of use to teachers in their particular contexts, complementing their portfolios of capabilities they draw upon to guide students towards
good learning outcomes.
The chapters will also be of value to school leaders and education policymakers as
they provide perspectives on how opportunities for change are realised provided that
policies allow for the initiative. The benefits need not be driven by capital investments
but where those are necessary, the interpretation for action might lead to other than
prescribed.
Space Are Places in Which We Learn
7
With the multidisciplinary team that has conducted the research, we are able
also to offer insights in the design of innovative learning environments, discussing
examples from several places in the world and examine their use.
While each of these aspects is in itself of importance, perhaps the most valuable consequence of the research presented here is the integration of perspectives.
Wesley Imms addresses this specifically in his chapter where he writes about the
interpretation and application of the research insights and how these suggest our
next challenges. The summative lesson to be drawn from the work presented here is
that this is a work in progress and that the field is ever-evolving.
This chapter has illustrated that guiding capital investments in schools to deliver
better outcomes is a broad and multifaceted challenge. The value of the investments
may be primarily intended to help students learn more effectively or more deeply,
but that outcome can be affected by many factors. While that is a primary focus, the
many other ways in which schools contribute to communities can also be considered.
Research has an important role in illuminating this and helping us to make our
choices.
References
Cuffaro, H. K. (1995). Experimenting with the world: John Dewey and the early childhood
classroom. Teachers College Press.
Dewey, J. (2001). The school and society & the child and the curriculum. NY: Mineola.
United Kingdom. (1943). House of Commons. Debates: 28 October.
Thomas Kvan (Australia) is recognised for his pioneering work in design, digital environments
and design management and has held senior leadership roles in several universities as Dean and
Pro Vice Chancellor. He was the founding co-Director of LEaRN (the Learning Environments
Applied Research Network) delivering multidisciplinary research on learning and architecture,
and was founding Director of AURIN (the Australian Urban Research Information Network) that
developed a national digital infrastructure, both networks hosted at The University of Melbourne.
He has published over 180 publications in academic, professional and popular channels. He is
currently founding Dean of the School of Design at the Southern University of Science and
Technology (SUSTech) in China.
8
T. Kvan
Open Access This chapter is licensed under the terms of the Creative Commons Attribution 4.0
International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing,
adaptation, distribution and reproduction in any medium or format, as long as you give appropriate
credit to the original author(s) and the source, provide a link to the Creative Commons license and
indicate if changes were made.
The images or other third party material in this chapter are included in the chapter’s Creative
Commons license, unless indicated otherwise in a credit line to the material. If material is not
included in the chapter’s Creative Commons license and your intended use is not permitted by
statutory regulation or exceeds the permitted use, you will need to obtain permission directly from
the copyright holder.
Co-creating Innovative Learning
Environments: LEaRN’s Decade
of Discovery
Kenn Fisher
Abstract This forward provides an overview of earlier LEaRN work carried out
leading up to this book. It also explores some of the pedagogy and spatial tropes
which have emerged over past decades. Whilst there have been many explorative
innovations over that time, very few have been scalable and sufficiently resilient to
dislodge the primordial hold that the Industrial Age classroom has taken in school
design for over a century. Many attempts have been made to align pedagogy and
space, but the classical classroom learning container remains in large part due to
teacher mindsets. The Transitions suggested in these chapters may well be a seminal
moment in the history of school design as the ILETC project nears its final stages of
discovery.
Context
The work that this book covers is the latest manuscript emerging from a succession
of nested projects commencing in 2007 at The University of Melbourne. This series
of connected projects carried out since 2007 were largely directed towards understanding and developing an evidence-base on the nature of the relationship between
student learning and the design of learning environments. These studies included
various Australian Research Council Grant-funded projects, a number of large
research consultancies with education departments, and several University-funded
seed grant projects.
The projects were all completed under the aegis of the cross-disciplinary Learning
Environments Applied Research Network (LEaRN) which was founded in 2008 by
the Melbourne School of Design; the Melbourne Graduate School of Education; and
the Melbourne Medical School. Collaborating institutional industry partners included
schools and ministries of education, with industry professional practice partners
consisting of various companies from the school building procurement sector.
K. Fisher (B)
The University of Melbourne, Melbourne, VIC, Australia
e-mail:
[email protected]
© The Author(s) 2021
W. Imms and T. Kvan (eds.), Teacher Transition into Innovative Learning Environments,
https://doi.org/10.1007/978-981-15-7497-9_2
9
10
K. Fisher
These research and consulting studies have sequentially tackled the emergence
and the effectiveness of innovative learning environments with a view to seeking
links to their impact on student learning outcomes. However, few of these studies
focused significantly on the practice of teachers. Furthermore, much of the literature
in the educational discourse does not consider the impact of the physical learning
environment on teacher practice. Indeed, there is a significant silence in the role of
space in educational environments and how space and place may be integral to the
whole teaching and learning process (Dovey & Fisher, 2014).
Teaching and Learning Theories
Nevertheless, there is a massive amount of peer-reviewed research on both teaching
and learning and currently there are many models of both in practice in schools
worldwide. Teaching and learning are both at the heart of school education, supported
by the curriculum and various complementary systems as illustrated by Zierer (2015)
(Fig. 1).
Zierer’s (2015) use of the term didactic is, in German parlance, related to teaching
being based on post-enlightenment evidence-based content and knowledge. Moving
into the twenty-first century, where increasingly dialectic or Socratic models of
teaching are being used to promote active learning practices, there needs to be significantly more focus addressed to the supporting structures in education, of which both
the physical and virtual environments combined are a critical part.
Zierer’s (2015) use of the term ‘mind frames’ (after Hattie, 2012) is important here
as it highlights the connection between historic teaching practices—which are now
habituated—and current attempts at a more progressive teaching practice. Indeed
the word innovation is now ubiquitous in education, yet such an approach—i.e.
Fig. 1 Teacher ‘expertise’
domains (Zierer, 2015). Used
with permission from Klaus
Zierer and the publisher:
Taylor & Francis Ltd, http://
www.tandfonline.com)
Co-creating Innovative Learning Environments …
11
innovation—seems to evade the principle of scalability. These innovations whilst
widespread remain isolated examples of what is possible. It has been said1 that ‘the
future is here it is just not widely distributed’.
This edited book on innovative learning environments and teacher change research
builds on the succession of studies carried out through LEaRN, but is now turning
the lens towards teacher practice and ways in which the ‘habits of mind’ of teachers
can be transitioned in both the virtual and physical worlds to support an innovative
teaching practice. In these prior studies by LEaRN it was found that the attributes of
Hattie’s (2012) eight Socratic led teacher mind frames suggest that teachers aspire
to:
– Believe that their fundamental task is to evaluate the effect of their teaching on
students’ learning and achievement.
– Believe that the success of students is based on what teachers do (or don’t do).
– Want to coach and model different ways of learning, rather than teaching.
– See assessment as feedback about their impact.
– Engage in dialogue, not monologue.
– Enjoy a challenge and never retreat to just ‘doing their best’.
– Believe that it is their role to develop positive relationships in learning spaces and
staffrooms.
– Inform parents about the nature of learning.
In drawing on both Hattie’s (2012) and Dovey & Fisher’s (2014) work on the
spatiality of these potential Socratic teaching approaches, it was proposed that
teaching practices—or activities—could be summarised as follows, although clearly
there are many more activities that are possible which are not itemised in this
simplistic listing:
–
–
–
–
–
–
Teacher facilitated presentation, direct instruction or large group discussion.
Teacher facilitated small group discussion or instruction.
Team teacher facilitated presentation, direct instruction or large group discussion.
Collaborative/shared learning, supported by teachers as needed.
One-on-one instruction.
Individual learning.
These activities imply related learning spaces or affordances to support those
pedagogical practices. What is now very well established in school operations is the
use of data to inform teaching practice. Put another way, teaching practice should be
evidence-based. But, as noted above, there is little extant evidence on how teachers
use space in contemporary practice.
There is, however, a long history of attempting to link pedagogy and space going
back over a millennium.
1
Attributed to William Gibson in a radio interview in 1993.
12
K. Fisher
A Brief Genealogy of the Evidence-Based Design of Learning
Environments
Early evidence first emerges when the then growing Islamic faith developed madrasa
schools associated with mosques in the 8thC (Esposito, 2003). Some of these
schools later evolved into the earliest universities e.g. the University of Al-Karaouine
(859AD). A century or so later in the Western world cathedral schools emerged
in association with monasteries. Some of these also transformed into universities
including the Universities of Bologna (1088), Oxford (1096) and Cambridge (1209).
Abassi (2009)2 notes that it was at the earliest stages of the Industrial Revolution
(with the invention of the steam engine in circa 17123 ) that a more formal spatial
approach to school education emerged in villages and cities with the acquisition
and adaptation of various existing buildings. These soon morphed into the form of
monitorial classrooms of the late 18thC, led by Drs Bell (1752–1832) and Lancaster
(1776–1838). In the United States these were known as Lancastrian Schools4 . These
schools consisted of larger halls for 300 or so pupils seated in rows of desks with
(student) monitors allocated to each section, together with space provided in the
access ways at the sides for students to stand in semi-circles to observe lesson boards
attached to the hall walls. These early arrangements were more focussed around
student discipline management rather than student needs or teaching practice. Markus
(1993, p92.) notes that:
In the monitorial schools the prescription for individual posture, gesture and eye contact
were as detailed as those for groups of bodies controlled by painted lines or brass strips
on the floor and monitors’ rules. The face, and especially the eyes, signified character and
willingness to learn. The sloping floor, the raised master’s platform, the raked gallery and
the tiered desks were direct instruments for visual surveillance.
In 1870 the United Kingdom Elementary Education Act introduced compulsory
primary school education, whilst this also became the norm in the USA in 19185
(this policy delay was most likely due to the State-based control of schooling in the
USA). In this early UK building ‘boom’ the halls were subdivided into classrooms,
where double desks were spaced so that teachers could move between them. Window
sills were kept above eye level to minimise distractions.
Parallels existed in the United States, until Dewey (1916) sought to stimulate
students through a more socially engaged form of learning related to lived experiences
and the social construction of knowledge. This suggested more progressive building
typologies such as Hillside Home School (Lloyd-Wright, 1902)6 , which developed in
parallel with a (global) health and hygiene approach in an attempt to combat disease
epidemics at that time.
2
A number of doctoral graduates from LEaRN have reviewed the historical development of school
planning and design.
3 http://www.softschools.com/timelines/industrial_revolution_timeline/40/.
4 https://www.raceforward.org/research/reports/historical-timeline-public-education-us.
5 https://people.howstuffworks.com/public-schools1.htm.
6 https://www.flwright.org/researchexplore/wrightbuildings/hillsidehomeschool.
Co-creating Innovative Learning Environments …
13
After the First World War, as early modernism evolved, so did the concepts and
theories of Freud and Jung, resulting in a suite of more radical school designs linked
to the ideas of Montessori, Steiner and Isaacs, particularly in relation to early childhood development (Graham, 2008). Subsequent to the Second World War ‘open air
schools’ emerged essentially modelled on modernist democratic principles although
not really articulating a more democratic internal spatial arrangement. They were
more about the outdoors. This was accompanied by the advent of ‘bells and cells’
or the ‘eggcrate’ spatial arrangements that proliferated at that time, many of which
exist and persist to this day.
These post Second World War developments are covered by Abassi (2009) and
also Darian-Smith & Willis (2016) with the latter’s book on 20thC school design and
pedagogy. This book leads the evidence-based trajectory into the exemplary work
of the Educational Facilities Laboratory (Marks, 2009) which was established in the
United States in 1958, operating until 1986. This was more or less replaced a decade
later in 1998 by the Educational Facilities Clearinghouse (EFL, 2019) a national US
Government imitative attempt to provide some national ‘guidelines’ to the fifty or
so State government school systems.
Mention is made by Abbasi and Darian-Smith & Willis (2016) of many innovative
examples which were not scaled but, apart from the massive expansion of modularised
often precast ‘cells and bells’ schools in the 1960s to accommodate the emerging
‘baby boomer’ growth in student numbers, the most significant scaled innovative
development was the ‘open plan schools’ movement of the 1970s. This (what turned
out to be a flawed) experiment has had much written about the reasons for its failure
(Logan, 2016).
The concept was originally conceived to reflect the democratised ‘open’
curriculum of that time—some readers will remember the civil unrest of the late
1960s—in the design of the school i.e. a ‘school without walls’. But the spatial
innovation came without teacher professional development, no proper attention to
acoustics in the open plan areas, and little access to the technologies that are becoming
ubiquitous today, which are increasing the ability of students to work in personalised
and self-directed ways.
Fast forward to Chap. 18 (Dussel, 2016) in Darian-Smith & Willis (2016), and
we now encounter the same open classroom problematic—how to make schooling
authentic and connected to the outside world in a physical sense, whereas in a virtual
sense connection is immutable?
This digital and Socratic (re-)evolution was specifically targeted by Australia’s
Victorian Department of Education when the Blueprint for Government Schools was
developed in 2003 (Pike, 2005). Since then the Department has invested some AUS$4
to 5 billion in new school designs, many—if not all—being innovative and bespoke
to their local community following the previous Premier Jeff Kennett’s launching
of self-governing schools, whilst also cutting 7,000 school jobs and closing 350
schools (Knight, 1998). To this day all Victorian Schools have a self-Governing
Council which has the power to select their architects.
14
K. Fisher
Such a Blueprint for space change warranted a deep consideration and reevaluation of the 1970s open school movement. The Victorian Department of Education initiated a study (Fisher, 2005) which aimed at ‘linking pedagogy to space’.
This approach received some international attention and was adapted for use in the
United Kingdom’s GBP55 Billion ‘Building Schools for the Future’ capital works
programme in 2007 (BSF, 2019).
Subsequently, the establishment of LEaRN heralded a highly successful succession of research projects including Federal, State and Independent Sector grant
funding totalling some $5 million over the first decade (LEaRN, 2019).
This edited book, and the ILETC project—along with the additional LEaRN
studies—has built upon the earlier work developed for the Victorian Education
Department.
Linking Pedagogy to Space
It was decided by the ILETC team to use the spatial typologies of Dovey & Fisher
(2014) as a key framework to survey 800 schools across Australia and New Zealand
to ascertain the extent to which each school advised that they were using innovative teaching and learning practices, and to what extent they were applying these
approaches in matching innovative learning spaces. These spaces ranged from traditional classrooms (Type A, Fig. 2.) through a mix of classrooms and breakout spaces
(Type B) to combined environments illustrated in Type E. The classroom layouts and
the resulting data from the 800 schools are illustrated in Figs. 2, 3 and 4. The ILETC
study then went on to explore the relationship between perceived ‘deep learning’ of
students’ and the teacher mind frame extent of adaptivity as shown in Fig. 3.
Finally, the relationship between teacher practices, deep learning and the spatial
typology were examined as illustrated in Fig. 4.
The editors of this book—both Chief Investigators on this ILETC project—thus
were able to build on the progression of the LEaRN body of work from its founding.
This led to two successive parallel ILETC international Transitions conferences
(held in the USA and Europe) to gain a greater global understanding of the emerging
evidence of these relationships. The transitions conferences were attended by 80–100
participants on each continent with the invited peer-reviewed conference presentations transformed into book chapters. These were in turn peer-reviewed to finalise
the shortlist of chapter authors herein.
Having gained an international oversight of teacher mind frames, deep learning,
teacher practice and spatial typologies it was then necessary to refocus the lens to a
more granular level in examining the integral components of teaching and learning
educational systems.
The 16 selected final chapters were clustered into four themes, namely (1) Change
& Risk—Creating a space: users and design; Agency and teacher collaboration in
ILE; Achieving ‘buzz’; Mitigating risk & improved impact of ILE; Pedarchitecture;
Interaction design research triangle for reading spaces; (2) Habitation—Mobility
Co-creating Innovative Learning Environments …
15
Fig. 2 Classroom typologies and School preferences in which to teach in an ILE format (Source:
Imms, Mahat, Byers, and Murphy (2017). Reprinted with permission from the ILETC Project)
Fig. 3 Relationship between ‘deep learning’, teacher mind frame and spatial typology (Source:
Imms et al. (2017). Reprinted with permission from the ILETC Project)
16
K. Fisher
Fig. 4 Means of teacher mind frames and student deep learning categorised by most prevalent
teaching approaches (Source: Imms (2017). Reprinted with permission from the ILETC Project)
of people for collaboration; Gadfly Collaborative data; Inclusive ILE’s re acoustics;
Interaction Geography; (3) Measurement—What does teaching and learning look like
in ILE’s; Lighting; Learning spaces and student learning; and Flaring and focusing.
The last section is a culmination of the research into praxis i.e. (4) Teacher Practice—The spirit of ‘we’; ILE and socio-spatial entanglements for practice; and the
‘Hack the school’ toolkit.
What is very evident in the concept of Transitions is the wholistic nature of the
variety of activities and enterprises into what is arguably a Transitions Ecosystem
(Fig. 5).
Fig. 5 Key interactions
within the ILETC
Transitions Ecosystem for
teacher practice
Co-creating Innovative Learning Environments …
17
The ILETC Transitions Ecosystem
Figure 5 illustrates how all of the elements in a Transitions Ecosystem interact with
each other as articulated by the Editors in the structure of this book. Each element must
be considered synchronously with each other for the ILE outcome to be triangulated
and resilient. The four key categories are considered by the Editors in a particular
order and are discussed in this order by the editors as preambles to each of the four
book sections.
It is also necessary to agree on an internationally shared understanding of what
an innovative learning environment is. Working against this notion is the primarily
culturally specific nature of education at the school level. Every nation—and indeed
many provinces and states of those nations—have their own specific educational
approaches, nomenclature and agreed standards. It is thus difficult for a project such
as this to use an agreed terminology for ILE’s.
Fortunately, there are two global organisations which can assist in identifying a
shared definition.
Firstly, the Organisation for Economic Co-operation and Development (OECD)
had embarked on an innovative learning environments project around the same time
as this ILETC project. Thus, the Editors were able to draw from that work to obtain
an accepted term for ILE which could be shared by the international participants in
the project. Rather than a single statement of what an ILE ‘is’, the OECD suggested
seven principles that serve to shape an ILE. These are the learning environment:
– Recognises the learners as its core participants, encourages their active engagement and develops in them an understanding of their own activity as learners.
– Is founded on the social nature of learning and actively encourages well-organised
co-operative learning.
– The learning professionals within the learning environment are highly attuned to
the learners’ motivations and the key role of emotions in achievement.
– Is acutely sensitive to the individual differences among the learners in it, including
their prior knowledge.
– Devises programmes that demand hard work and challenge from all without
excessive overload.
– Operates with clarity of expectations and deploys assessment strategies consistent
with these expectations; there is strong emphasis on formative feedback to support
learning.
– Strongly promotes “horizontal connectedness” across areas of knowledge and
subjects as well as to the community and the wider world.
(Source: OECD, 2017, p25)
The OECD study also asks about ILE’s:
– Learning focused: How learning focus is the network and how far might it be
characterised as innovative?
18
K. Fisher
– The means of innovation “contagion”: The nature of the diffusion within networks
and how they spread learning innovation.
– Formal/non-formal balance: How informally networked are formal learning environments; how visible is the non-formal and do the formal and non-formal
combine in new “hybrids”?
(Source: OECD, 2017, p81)
Many of these issues are covered neatly in the matrix in as illustrated in Table 1.
Indeed, the Chapters in this edited book could be considered to be implementing the
transformative Phase 4 of Table 1.
The second global institution, the United Nations Educational, Scientific and
Cultural Organisation (UNESCO 2019), developed a Learning Portal to cover many
of the same issues as the OECD, although they do tend to cover different socioeconomic demographics, that is to say, developing countries. That said, it is important
to consider what innovation means in different countries. In some countries innovation may simply be just having a school to go to, let alone the sophistication of some
of the more elite private schools we see in Australia, for example.
The UNESCO Institute for Information Technologies in Education (IITE, 2019) is
increasingly tackling some of the more global issues through the lens of innovation.
For example, a Ministerial Forum (UNESCO, 2019) picks up on the ‘leap’ of the use
of technology in the developing world, where the virtual is perhaps becoming more
viable than the physical in terms of available capital expenditure.
Perhaps the ‘elephant in the room’ in all of these above observations is how to
scale up the concept of an ILE across a national or state school ecosystem.
As noted earlier, the chapters in this book explores some of the issues I have
raised, particularly in the Transforming phase of the table above. The contributed
research chapters are bookended by chapters from the co-editors—Chap. 1 sets the
scene and contextualises the work of LEaRN; Chap. 20 reflects on the contributions
in that context and points to the next steps. The other chapters are presented in four
sections, each with an introductory essay authored by the editors and myself. This
structure will assist the reader to delve into the issues found most pertinent to each
reader.
Concluding Remarks: Evidence-Based Design
and Translational Research
This edited book showcases some very innovative research projects-in-progress
focussing on transitioning strategies. Within the ILETC project there is emerging
a very solid evidence-base of learned material on innovative learning environments.
Such a scholarly body of work is difficult to inscribe in the literature, as much learning
environment research does not meet sufficient Evidence-Based Design standards or
is so multidisciplinary the publication venues can become very opaque.
Co-creating Innovative Learning Environments …
19
Table 1 Phases of Transition in implementing an ICT strategy (Source: Groff, 2013)
Phase Criteria
Phase 1 Emerging Phase 2 Applying
Phase 3
Integrating
Phase 4
Transforming
Vision
Limited,
pragmatic,
dominated by
interested
individuals
Driven by ICT
specialists
Driven by subject Entire learning
specialists
community
Teaching,
Learning &
Pedagogy
Teacher centred
Teacher centred,
ICT is a separate
subject
Learner centred,
collaborative
Critical thinking,
preferred learning
styles
Development
Accidental,
Plan & Policies restrictive, no
planned funding
Limited,
centralised
policies
Individual subject
plans for ICT,
permissive
policies
ICT is integral to
overall school
development plan
(budget,
professional
development,
etc.)
Facilities &
Resources
Limited and
non-current
digital resources,
restricted access
Diverse and
varying in model,
platform; aligned
with specific
content and
pedagogies
Diffused access
to various digital
resources;
supports to
implement these
in various ways
Whole school
learning and
diverse learning
environments;
web-based
learning spaces,
distance
education, student
self-management
software
Understanding
of Curriculum
ICT literacy,
responsibility of
individual
teachers
Use of software
and applications
in discrete subject
(isolated)
Integrated,
resource-based
learning,
problem-solving,
project
methodology
Virtual and real
time contexts,
modelling,
integrated
curriculum
delivery via the
web
Professional
Development
Individual interest Training on ICT
applications
unplanned
Subject specific,
evolving
Integrated
learning
community,
innovative,
self-managed,
personal vision
and plan
(continued)
20
K. Fisher
Table 1 (continued)
Phase Criteria
Phase 1 Emerging Phase 2 Applying
Phase 3
Integrating
Community
Accidental
Some parental and Subject-based
community
community,
involvement
providing
occasional
guidance; global
and local
networked
communities
Broad-based
learning
community
involving
families, business,
industry,
organisations,
universities;
school as a
learning resource
for the
community
Assessment
Responsibility of
individual
teacher, didactic,
paper and pencil
based
Teacher centres
and subject
focussed
Continuous,
holistic,
open-ended,
project-based,
learning
community
involvement
Learner centred,
subject oriented,
integrated,
multiple media to
demonstrate
alignment
Phase 4
Transforming
This compares to evidence-based medicine which is accepted globally, as a given.
This medical concept—known as ‘translational medicine’—has been adapted over
the past couple of decades within health planning practice (HERD, 2019). But, in
educational architecture, a deep evidence-based body of research knowledge on
human–environment interaction in school education is still emerging. More importantly, the interaction between research and practice is even less evident in educational
architecture. Although this dual-sector is not alone:
‘Research is research, and practice is practice, and never the twain shall meet. The gap
between these two communities is real and frustrating’. (Norman, 2010)
In response to this dilemma, Norman argues for an integrative approach to research
theory and practice through the modality of ‘Translational Development’.
Between research and practice a new, third discipline must be inserted, one that can translate
between the abstractions of research and the practicalities of practice. We need a discipline of
translational development. Medicine, biology, and the health sciences have been the first to
recognise the need for this intermediary step through the funding and development of centres
for translational science. This intermediate field is needed in all arenas of research. It is of
special importance to our community. We need translational developers who can act as the
intermediary, translating research findings into the language of practical development and
business while also translating the needs of business into issues that researchers can address.
Notice that the need for translation goes in both directions: from research to practice and
from practice to research (Norman, 2010).
Co-creating Innovative Learning Environments …
21
For school design practitioners, we thus would have:
Translational Research ⇒ Translational Development ⇒ Translational Engineering ⇒
Translational Design
There is currently a cross-disciplinary practice emerging of ‘Educational Planning’ (A4LE, 2019), which is modelled on the abovementioned health planning
sector7 . This development is reflecting the complex cross-disciplinary processes
that underpin the development of effective resilient (complex adaptive) innovative
learning environments. This edited book is arguably a compilation of the Educational
Planning research efforts of the invited authors, the majority who mix research and
practice on a daily basis.
A final word on ‘culture’. It seems to this writer that much of the above is bounded
by cultures—tribal, territorial, discipline and a host of others which will impact on
transitions. Indeed, there are no doubt multiple teacher cultural mindsets (Nahavandi,
2019) which have to be considered when we head—or transition—into the relative
unknown in developing innovative learning environments.
May there be many more such scholarly books to accompany this exhaustively
researched one.
References
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school design in adolescents’ identity formation. Unpublished Doctoral Dissertation, University
of Melbourne.
A4LE. (2019). The Association for Learning Environments.
BSF. (2019). UK Building Schools for the Future capital works programme. https://www.nao.org.uk/
report/the-building-schools-for-the-future-programme-renewing-the-secondary-school-estate/.
Darian-Smith, K., & Willis, J. (Eds.). (2016). Designing schools: Space, place & pedagogy. London
& New York: Routledge.
Dewey, J. (1916). Democracy and education: An introduction to the philosophy of education. New
York: MacMillan.
Dovey, K., & Fisher, K. (2014). Designing for adaptation: The school as socio- spatial assemblage.
The Journal of Architecture., 19(1), 43–63.
Dussel, I. (2016). Digital classrooms and the new economies of attention: Reflections on the end of
schooling as confinement. In: Darian-Smith, K., & Willis, J. (Eds.), Designing schools: Space,
place & pedagogy. London & New York: Routledge.
EFL. (2019). Educational facilities clearinghouse. http://www.ncef.org.
Esposito, J., & Burgat, F. (2003). Modernizing islam: Religion in the public sphere in the middle
east and Europe. Rutgers University Press. New Jersey.
Fisher, K. (2005). Proposed planning principles: Linking pedagogy and space. Melbourne: Victorian
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vic.gov.au/documents/school/principals/infrastructure/pedagogyspace.pdf.
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34(1), 5–22.
7
In regulating such planners, there is now a move to accreditation: The Accredited Learning
Environment Planner (ALEP)
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K. Fisher
Groff, J. (2013). Technology-rich innovative learning environments. OECD Innovative Learning
Environments project. https://www.oecd-ilibrary.org/content/publication/9789264203488-en.
Hattie, J. (2012). Visible learning for teachers. London & New York: Routledge.
HERD. (2019). Health Environment Research and Design Journal.
IITE. (2019). UNESCO Institute for information technologies in education. Ministerial Forum.
Global dialogue on ICT and education innovation—Towards a sustainable development goal for
education (SDG4). Proceedings. Moscow.
Imms, W., Mahat, M., Byers, T., & Murphy, D. (2017). Type and use of innovative learning environments in Australasian schools. In: ILETC Survey No. 1. Melbourne, Australia: University of
Melbourne, LeARN. Retrieved from http://www.iletc.com.au/publications/reports.
Knight, T. (1998, August). Struggle for a new public democracy: School community and the State.
In: Paper Presented at the British Education Research Association Annual Conference. Belfast:
The Queens University.
LEaRN. (2019). The Learning Environments Applied Research Network. https://research.unimelb.
edu.au/learnetwork/home and https://research.unimelb.edu.au/learnetwork/home#projects.
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https://www.flwright.org/researchexplore/wrightbuildings/hillsidehomeschool
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Darian-Smith & J. Willis (2017). (Eds)., Designing schools: Space, place & pedagogy. London
& New York: Routledge.
Marks, J. (2009). A history of Educational Facilities Laboratories (EFL). National Clearing House
of Educational Facilities. http://www.ncef.org.
Markus, T. (1993). Buildings & power: Freedom and control in the origin of modern building types.
London & New York: Routledge.
Nahavandi, A. (2019). https://www.culturalmindset.org/partners and https://catcher.sandiego.edu/
items/soles/Cultural%20Mindset_Nahavandi.pdf.
Norman, D. (2010). The research practice gap. Association for Computing Machinery (ACM)
Journal ‘Inspirations’, 17(4).
OECD. (2017). The OECD Handbook for Innovative Learning Environments. Paris: Centre for
Research and Innovation.
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nload/Vic-2005-BlueprintforGovernmentSchools2003.pdf.
UNESCO. (2018). Proceedings of the Ministerial Forum: Global dialogue on ICT and education
innovation—towards sustainable development goal for education (SDG 4), April. Moscow.
UNESCO. (2019). https://learningportal.iiep.unesco.org/en/issue-briefs/improve-learning/sch
ools-and-classrooms/the-psycho-social-school-environment; https://iite.unesco.org/about-une
sco-iite/.
Zierer, K. (2015). Educational expertise: the concept of ‘mind frames’ as an integrative model for
professionalisation in teaching. Oxford Review of Education, 41(6), 782–798.
Kenn Fisher (Australia) is recognised as one of the leading learning environment specialists practising locally, nationally and internationally for over three decades. He has practised in
Australia, Asia, the Middle East and Europe and as a consultant to the OECD (where he held the
post of Head of the Programme on Educational Building in Paris in 1997/8) and UNESCO. He
is multiskilled in a range of disciplines having practised in all education sectors as a teacher and
academic, a strategic facility and campus planner and as a project, facility and design manager.
He has been engaged by more than universities worldwide, over a dozen vocational training and
community college clients, a number of State and National Government Ministries of Education,
many school organisations and Government and corporate entities. Kenn is an Associate Professor
in Learning Environments at The University of Melbourne’s School of Design (MSD).
Co-creating Innovative Learning Environments …
23
Open Access This chapter is licensed under the terms of the Creative Commons Attribution 4.0
International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing,
adaptation, distribution and reproduction in any medium or format, as long as you give appropriate
credit to the original author(s) and the source, provide a link to the Creative Commons license and
indicate if changes were made.
The images or other third party material in this chapter are included in the chapter’s Creative
Commons license, unless indicated otherwise in a credit line to the material. If material is not
included in the chapter’s Creative Commons license and your intended use is not permitted by
statutory regulation or exceeds the permitted use, you will need to obtain permission directly from
the copyright holder.
Change and Risk
Introduction to Part I: Change and Risk
Thomas Kvan and Kenn Fisher
Abstract This section presents research in managing change and risk inherent in
the introduction of new learning environments. The topic is introduced, and a brief
review is given for each chapter in the following section.
A focus on new learning outcomes provokes changes in teaching practice and calls us
to consider new types of spaces in which the learning takes place. Change is fraught
with risk yet, obviously, the opportunity cannot be realised without engaging that
risk.
New learning environments might be an outcome of desired change in a school,
they may be imposed by funding agencies that have adopted new standards as yet tried
by a particular school, or they may arrive by other routes. While risk management
might typically seek to minimise risk, the schools and their communities (leaders,
teachers, students and more) might ‘grasp the nettle’ and seek to realise benefits from
change. As Bradbeer notes in his contribution in this section, ‘teachers often finding
themselves in a space between practicality and potential’. How then might they go
about developing the potential and seek the practicality.
The process might start ahead of the delivery, if all is going well. Design literature has noted that good design outcomes are delivered when designers, clients
and users are active in their participation. As Bojer writes in her chapter that in
ILEs, these players are the architects, the institution and the teacher. The aspiration is difficult to realise unless actively engaged. She asserts that for an ILE to be
‘intentional’, the process of inclusive design must ensure the alignment of creative
teaching, the school organisation and the space. The actual spatial formative process
is a learning process. This is described as ‘research through design’ although this is
not a simple process as it is participatory and co-constructed/designed. Five phases
are posited: research, define, ideate, prototype and handover. Bojer proposes that the
T. Kvan (B) · K. Fisher
The University of Melbourne, Melbourne, VIC, Australia
e-mail:
[email protected]
K. Fisher
e-mail:
[email protected]
© The Author(s) 2021
W. Imms and T. Kvan (eds.), Teacher Transition into Innovative Learning Environments,
https://doi.org/10.1007/978-981-15-7497-9_3
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T. Kvan and K. Fisher
last is an ‘activation phase’ in which the players engage in a participatory process of
activation, that is to bring a project into use once it is constructed. This extends the
participatory design process by carrying responsibilities to occupancy. There is often
a considerable period of time between design briefing, during which the players will
be engaged in describing what they wish to achieve in a project, and by the handover
after construction the individuals involved may have moved on and others taken
their places. Thus, projects often experience discontinuities of intent and practice,
resulting in diminution of value in the result and no change in practices to enable
better learning outcomes. Bojer concludes by noting that space itself will not change
pedagogy but better engagement in the process of delivering learning spaces will
benefit outcomes: ‘the teachers cannot be expected to know how to use the ILEs as
a tool if they are not involved directly or indirectly in the design process to match
pedagogical practices with the intentions of the space’.
Bradbeer then examines ‘the role of pedagogical and organisational structures
alongside levels of autonomy experienced by teachers on adapting to new spaces’
and observes ‘tensions may be felt between predominating or created structures, and
aspired or idealised practice’. An action research-based practising deputy primary
school principal, Bradbeer recognises that successful innovative learning environments require equally successful collaborative teachers. This team or co-teaching
approach, in contrast to the very habituated model of school education we all still
live with, requires significant curating of agency, autonomy and adaptation with
teachers to transition to an alignment between pedagogy and space. Bradbeer coined
the phrase ‘differentiated teaching requires differentiated spaces’, a comment that
is effectively the motto for the significant change management program of the New
Zealand Ministry of Education Modern Learning Environments project (NZ MoE,
2019). Bradbeer’s research is an essential contribution in understanding the extensive transitions efforts in change management and risk mitigation. His chapter in
this book examines the transition that teachers must navigate as they leave teaching
practice conducted in a context of autonomy and spatial isolation and embark in ILEs
on a practice of collaboration and proximity to others. He addresses the agency and
self-management that support these different modes of practice through structuration
theory, identifying that temporal, spatial, organisational and linguistic structures are
active in addition to the physical, spatial structures. By approaching these structures
as enabling rather than constraining, Bradbeer illuminates how the transition into
ILEs can be better understood and therefore enacted.
While appropriate structures of the kinds Brabeer identifies are essential, so too are
specific structures to address risk and to assist the participants through its successful
translation from negative consequences to positive outcomes. French in a similar vein
wonders what a successful innovative learning environment looks like. She examines
the transitions into ILE and seeks to characterise successful transitions. Aspects of
such transitions examined include four key facets: organisational enablers, such as
a shared language with which to engage; the relationships between the key actors
(students, teachers); purposeful structures; and maintaining a culture of risk. Her
chapter develops further examination of purposeful structures, what she calls ‘layered
scaffolding’, that provide the appropriate degree of support and guidance required
Introduction to Part I: Change and Risk
29
for successful transitions. She describes these as multi-layered, from policy bodies
(government departments, school councils) to those developed at the individual level.
It is the presence of these scaffolds that characterise contexts of successful transitions
and she notes that these scaffolds and the transitions they enable are powerful tools
to develop further change to support innovative learning.
Key players in these transitions are the teachers and the chapter by Jones and
Le Fevre seeks to identify teacher perceptions of risk—with associated barriers—in
endeavouring to establish ways of mitigating these through communities of practice
(Wenger, McDermott & Snyder, 2002) and address how teachers can be equipped
to manage the risk of change. In particular they consider ‘perceptions of risk’ and
how these can be barriers to change. Success in change is therefore considered
through a better awareness of these perceptions. The authors define risk as ‘loss,
significance of loss and uncertainties’. All three of these can have a profound impact
and effect on individual teachers and a mitigation strategy is essential to enhance the
likelihood of an innovative learning environment succeeding in a resilient fashion.
They note that ‘the unquestioning acceptance of ingrained personal practical theories
of teaching may result in teachers closing themselves off to learning how to work
in ILEs’. The chapter explores risk and uncertainty, importantly noting that risk is
a social construct (risk in one community may not be considered such in another)
and the ways in which such risks are validated and addressed are also situated.
In this framing, realising the potential of a new situation (the change to an ILE)
will have locally defined risks, including those perceived by the teacher and school
leaders. Their research articulates these risks and the contexts in which they are
perceived, concluding with observations on implications for policy and practice.
Their conclusions include adopting a ‘communities of practice’ approach to share the
risk taking and mitigation strategies, thereby avoiding the self-induced risk aversion.
With the background on the contexts and management of risk to deliver improved
learning experiences, we turn in the final two chapters to the practice within the
places created. Marcarini considers schools in Italy and Denmark to reflect on the
duality of space and learning and how the two aspects are both actively engaged in
enabling better learning. This learning experience can be personalised for a student
as the teacher recognises the opportunities in a space and draw upon their practice to exploit the opportunities. She identifies that the two are inter-related. New
approaches to teaching permit the better use of new spatial opportunities and new
spatial opportunities enable new approaches to teaching. Her analysis illustrates that
an awareness of the duality and the contributions of the leadership and the students
themselves are necessary in translating the challenges of change into opportunities
for discovery. She sees the development of a ‘bridge culture’ as an enhancement of
co- and team- teaching, as it posits a broader organisational and systemic shift in
school culture overall, not just in the co-teaching cohorts of students. In summary she
suggests that such a ‘collective practice that builds together shared social meanings’
re-purposes the school culture itself as ‘real’ third educator.
By focusing on a specific learning activity, Dyer considers the contribution of
spatial affordances to the specific activity of learning to read. Engaging with the idea
of affordances (Gibson 1977), she draws on Fallman’s (2008) ‘interaction design
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T. Kvan and K. Fisher
research triangle’, a model which forms a three-way relationship between design
practice, design studies and design exploration. Dyer uses literacy education which
itself seeks to connect beginner readers to the content, their emotions/bodies and the
spaces they are inhabiting. The connection of literacy to spatiality is rarely made so
this is a unique and risky change strategy to take. However, Comber & Nixon (2008)
do offer a ‘safety net’ for this approach. This review thus illuminates a design process
linked to a learning outcome. As such, it illustrates how teaching practice can inform
the conceptualisation and realisation of pedagogical space and design activity.
References
Comber, B., & Nixon, H. (2008). Spatial literacies, design texts, and emergent pedagogies in
purposeful literacy curriculum. Pedagogies: An International Journal, 3(4), 221–240.
Fallman, D. (2008). The interaction design research triangle of design practice, design studies, and
design exploration. Design Issues, 24(3), 4–18.
Gibson, J. (1977). The theory of affordances. In R. Shaw & J. Bransford (Eds.), Perceiving, acting
and knowing. Hillsdale, NJ: Lawrence Erlbaum Associates.
NZ MoE. (2019). New Zealand Modern Learning Environments. http://www.education.govt.nz/sch
ool/property/state-schools/design-standards/flexible-learning-spaces/.
Wenger, E., McDermott, R., & Snyder, W. (2002). Cultivating communities of practice. Harvard
Business School Press.
Thomas Kvan (Australia) is recognised for his pioneering work in design, digital environments
and design management and has held senior leadership roles in several universities as Dean and
Pro Vice Chancellor. He was the founding co-Director of LEaRN (the Learning Environments
Applied Research Network) delivering multidisciplinary research on learning and architecture,
and was founding Director of AURIN (the Australian Urban Research Information Network) that
developed a national digital infrastructure, both networks hosted at The University of Melbourne.
He has published over 180 publications in academic, professional and popular channels. He is
currently founding Dean of the School of Design at the South University of Science and Technology (SUSTech) in China.
Kenn Fisher (Australia) is recognised as one of the leading learning environment specialists practising locally, nationally and internationally for over three decades. He has practised in
Australia, Asia, the Middle East and Europe as a consultant to the OECD (where he held the
post of Head of the Program on Educational Building in Paris in 1997/8) and UNESCO. He is
multi-skilled in a range of disciplines having practiced in all education sectors as a teacher and
academic, a strategic facility and campus planner and as a project, facility and design manager. He
has been engaged by more than 30 universities world-wide, over a dozen vocational training and
community college clients, a number of State and National Government Ministries of Education,
many school organisations and Government and corporate entities. Kenn is currently an Associate
Professor in Learning Environments at The University of Melbourne’s School of Design (MSD).
Introduction to Part I: Change and Risk
31
Open Access This chapter is licensed under the terms of the Creative Commons Attribution 4.0
International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing,
adaptation, distribution and reproduction in any medium or format, as long as you give appropriate
credit to the original author(s) and the source, provide a link to the Creative Commons license and
indicate if changes were made.
The images or other third party material in this chapter are included in the chapter’s Creative
Commons license, unless indicated otherwise in a credit line to the material. If material is not
included in the chapter’s Creative Commons license and your intended use is not permitted by
statutory regulation or exceeds the permitted use, you will need to obtain permission directly from
the copyright holder.
Creating a Space for Innovative
Learning: The Importance of Engaging
the Users in the Design Process
Bodil Bøjer
Abstract Based on an empirical case study, this chapter puts forward the thesis that
in order for an innovative learning environment (ILE) to work as intended, three
things must be aligned: teaching (the teacher), space (the designer) and organisation
(the school management). Ideally, when designing new ILEs all three factors are
considered in the design process in order to ensure a common goal: creating the best
space for innovative learning. In reality, this rarely happens and the users are left with
a physical learning environment where the intentions do not always match educators’
expectations and established practices. To remedy this dilemma, the chapter proposes
an additional activation phase in the design process after implementation—that is,
the early use phase of a new build—where the intentions of the space are translated
into actions, and refinements negotiated through discussions with the users through a
participatory process. The purpose of this phase is to match pedagogies with spatial
possibilities. The methodology used is Research through Design.
Introduction
Space shapes us but we are also affected by the way we interact with and act within
the space. Within learning environment contexts, the interdependence between the
physical space, innovative teaching and the organisation of a school is often overlooked when designing ILEs. This may be because there are often expectations that a
new spatial design will automatically change the way we teach and learn. However,
we know that simply changing the space is not enough (Imms & Byers, 2017); the
intentions of the space can only be fully realised if the users of the learning environments are aware of and support the pedagogical principles informing the provision of
these spaces (Burke, 2016). Unfortunately, the pedagogies that a project is expected
to facilitate often remain unstated, or may even be unknown by those who are to use
the facilities (Jamieson, Fisher, Gilding, Taylor, & Trevitt, 2000).
B. Bøjer (B)
Institute of Visual Design, The Royal Danish Academy of Fine Arts, Schools of Architecture,
Design and Conservation (KADK) and Rune Fjord Studio, Copenhagen, Denmark
e-mail:
[email protected]
© The Author(s) 2021
W. Imms and T. Kvan (eds.), Teacher Transition into Innovative Learning Environments,
https://doi.org/10.1007/978-981-15-7497-9_4
33
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B. Bøjer
Blackmore, Bateman, Loughlin, O’Mara, & Aranda (2011) argue the way a
building is inhabited is at least as important as the quality of its design. But on this,
there is no convincing body of research that proves any causal link between a new
learning space and pedagogic change (Mulcahy, Cleveland, & Aberton, 2015); space
and furnishing do not automatically lead to certain actions or learning processes. That
is because such change is mostly about relationships and changing cultures and practices (Blackmore et al., 2011). Arguably, the use of space depends on the receiver
(Kirkeby, 2006) and the organisation of the school. Beghetto & Kaufman (2014)
point out that the organisation of, or leadership within a school plays a key role in
establishing an environment supportive of creativity, which is why just changing the
physical settings or pedagogical methods does not guarantee innovative learning. A
good learning environment requires congruence between physical space, pedagogical
practices and the organisation of the school (Ricken, 2010).
In this chapter, an ILE is understood to be the combination of an innovative
space that supports a wide range of learning needs and situations, often through
the provision of a highly flexible interior and purpose-built furniture and innovative teaching and learning. The terms ‘innovative teaching’ and ‘innovative learning’
are used throughout this chapter to denote teaching and learning activities that in
combination and through their focus on deep-learning foster the so-called ‘Twentyfirst Century learning skills’ of creativity, collaboration, communication and critical
thinking in students and assist in the best possible student learning outcomes, as
explained by Mahat, Bradbeer, Byers, and Imms (2018). Hence, innovative teaching
and learning strategies are about engaging the students in situated and inquiry-based
learning, allowing for experimentation and immersion in subjects of interest (Tanggaard, 2014). The physical design of ILEs range from large open spaces to highly
flexible arrangements of classrooms that can be reconfigured into different kinds of
learning spaces (Imms, Mahat, Byers, & Murphy, 2017). Imms and Byers (2017)
describe three types of learning spaces that are found in many educational institutions today:’formal’ or traditional classrooms focused on largely didactic pedagogies,
student-centred spaces focused on transactional approaches to instruction and a ‘third
space’, where social activities overlap informal and active learning activities. These
new learning environments provide the infrastructure to inspire teachers to reconceptualise and rethink their teaching. It seems clear that ILEs require a new way of
teaching (Imms, Cleveland, & Fisher, 2016) due to their particular spatial layouts that
do not support ‘classical’ teacher-centred teaching. Instead, ILEs provide a physical
setting for collaboration, experimentation and exploration, which are central activities (amongst others) in learning processes that foster creativity and innovation (Craft,
2005; Cropley, 2001; Tanggaard, 2014).
Creating a Space for Innovative Learning …
35
A Participatory and Practice-Based Research Approach
Designers tend to be separated from the final users of the physical environment by
facility management professionals, which makes the renegotiation of architecturepedagogy assumptions quite difficult, according to Jamieson et al. (2000). However,
to establish the best conditions for innovative learning, it is my thesis that alignment between teaching (the teacher), space (the designer) and organisation (school
management) is necessary, as illustrated in Fig. 1.
To create this alignment, I propose a participatory form of design processes
where both users (teachers and students) and school management are included in
the design process regularly to align needs, wishes and intentions continuously in
order to assure ownership and use of the space. Blackmore et al. (2011), drawing
on Higgins, Hall, Wall, Woolner, and McCaughey (2005) and others, emphasise that
‘participatory or generative design involving students and teachers needs to continue
throughout all phases—from design to evaluation—in order to achieve sustainable
impact within a rapidly changing context’ (p. 37). User involvement tends to improve
the understanding of needs, resulting in a more suitable building (Clark, 2010; cited
in: Könings, Bovill, & Woolner, 2017). I will elaborate on this in the following
chapter, based on a specific case where a new ILE was designed at a municipal
primary and lower secondary school near Copenhagen, Denmark in collaboration
with the design agency Rune Fjord Studio. To maintain the privacy of the employees
and students the school is only referred to as the municipal school.
The research approach used in this particular case is Research through Design
(RtD), which allows the researcher to generate new knowledge through processes that
simultaneously develop, test and improve design in relation to a specific spatial environment. The role of the designer is thereby merged with the role of the researcher.
The methodology of RtD was first described by Christopher Frayling in 1993 and
covers a research approach where the design process in itself becomes a way to
Fig. 1 An alignment
between teaching (the
teacher), space (the designer)
and organisation (the school
management) is necessary in
order to establish the best
conditions for innovative
learning. Diagram by Rune
Fjord Studio
36
B. Bøjer
acquire new knowledge. RtD investigates the research inquiry from the practitioner’s
methods and acknowledges practice as a means of gaining new knowledge, which
in this project means developing concrete spatial environments while working in
an iterative dialogue with a physical material and the users that reflect back on the
research. Research reflections are generated in action (Schön, 1983) through the
design process and concrete design proposals.
The Assignment and the Intentions of the New ILE
In 2016, the design company Rune Fjord Studio was asked to design an ILE in a
street-space connecting classrooms used by 3rd to 5th-grade students at a municipal
school in Copenhagen, Denmark. The street-space can be explained as an open
learning space, big enough for activity and circulation, that cannot be closed into
classrooms and is exposed to major traffic as the primary access to other learning
spaces (Dovey & Fisher, 2014). The new premise was as for this development to be
used for both formal and informal learning and free play during regular school hours
and after school activities, which meant that it had to cover many different functions
and transform easily.
Jamieson, Dane and Lippman (2005) claim that spaces outside the classroom
cease to exist as transition spaces and become learning spaces in their own rights
when they are layered for different ways of learning. Learning environments outside
the classroom tend to be less constrained by the educational traditions and habits
that often reign in the classroom, I would argue. Transformed into a layered environment with various workstations, these spaces potentially provide opportunities for
promoting individual, one-to-one, small group and large group activities where the
student takes on a more active role in the learning process. According to research,
certain pedagogical strategies allow the students to actively engage in the learning
process and become immersed in a topic of interest over a longer time as well as
experiment, play and examine open-ended problems promote critical thinking and
help develop creative and innovative skills (e.g. Craft, 2005; Cropley, 2001; Tanggaard, 2014). To support this, the space was redesigned with different activity zones,
flexibility and diversity in workstations that allow for many types of activities and
learning styles as opposed to the original interior consisting only of groups of chairs
and tables (see Figs. 2, 3, 4 and 5). A set of purpose-built furniture aimed at supporting
the needs and ideas of this particular school as well as innovative learning was especially developed for the space. This included two transformable co-creation cabinets
designed as potential tools in innovative processes, one as a mobile design studio
and the other as a tool for presentation (see Fig. 6).
Creating a Space for Innovative Learning …
37
Fig. 2 The original learning environment at the municipal school. Drawing by Rune Fjord Studio
A Participatory Design Process to Align Teaching, Space
and Organisation
The triad of relations between teaching (teacher), space (designer) and organisation
(school management) served as the starting point for the design process of the new
ILE. A graphic diagram of the design process, inspired by the Double Diamond
model by the British Design Council (Council, 2007), served as a tool to keep track
of when to involve the different stakeholders in the project. The diagram visualised
the four phases of the design process (see Fig. 7), Understand & Discover, Analyse
& Define, Develop & Design and Production & Implementation, which respectively
opened and closed the process through divergent and convergent thinking (for more
information about design processes see for example Lawson, 2006).
The intentions were to involve all key stakeholders directly or indirectly during
the design process on a regular basis. In reality, this was not possible because of
budgets, tight deadlines and teachers’ workloads. Könings et al. (2017) describe how
participation in the design of learning environments is crucial in order to account for
the different expectations and perceptions of stakeholders, but might be limited by
contrasting expertise, cultures and priorities—or in this case, project restrictions and
other circumstances.
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B. Bøjer
Fig. 3 The innovative learning environment at the municipal school, divided into 3 activity zones:
Quiet Zone, Social Zone and Group Zone with a diversity of workstations and flexible furniture.
Drawing by Rune Fjord Studio
Initial insights into the needs, wishes, organisation and pedagogies of the municipal school were obtained from the school management prior to the design process,
and regular communication between school management and designers were held
throughout the project. In addition to this, ethnographic methods such as photomapping and observations were performed during the pre-design phase to collect
empirical data that served as a groundwork for the spatial design.
Most user involvements took place during the first phase in which two workshops
were held with a group of users to collect information that could lay the foundation for
the designing of the space. Only one teacher, two pedagogues (the teachers working
in the afterschool club) and school management participated in the first workshop
(all teachers were invited) and approximately 30 students and parents took part in
the second workshop. The other teachers were informed about the design process
regularly by the school management with an invitation to comment on the design but
had no direct contact with the designers.
Creating a Space for Innovative Learning …
39
Fig. 4 Diners for collaborative work in the group zone. Photographer: Filipa Pita, Rune Fjord
Studio
Without Keys the Spaces Are Hard to Unlock
The ILE at the municipal school was designed as an active street-space, connecting
the nine classrooms with the rest of the school and the outside playground. This
typology, where classrooms still play the main part in the teaching and learning
situations, arguably requires less from the teachers in terms of changed pedagogies
compared to open-plan learning spaces. Still, the teachers in this case experienced a
high level of difficulty adjusting to the possibilities and limitations of the new space
(personal communication, 17 Aug, 7 Nov, 11 Nov 2017), which will be explained
further in the following sections. In contrast to this, the students intuitively adapted
to the possibilities of the ILE, choosing freely amongst workstations when given the
chance (vice-principal, personal communication, 13 June 2017).
Three months after implementation the designers returned to observe the use of
the ILE and experienced a large variation in how much space was used by the different
classes. Whereas one teacher took advantage of the variety of workstations in the
ILE by working in a dynamic flow between the classroom and the ILE, others stayed
inside the classroom for the whole day or used it sporadically. The transformable
co-creation cabinets remained unused.
Subsequently, the designers met with the teaching team during one of their
monthly departmental meetings to discuss and evaluate the intentions behind the
design. During this meeting, the designers discovered that not only were many
teachers unaware of the intentions behind the spatial design, they did not even know
that they were allowed to use the co-creation cabinets, to the extent of not having
access to the units’ keys. Furthermore, the teachers found it hard to manage the use
of the ILE, being nine classes sharing the new facilities. In an attempt to activate the
40
B. Bøjer
Fig. 5 Learning landscape and high table in the social zone where many learning activities can be
accommodated simultaneously. Photographer: Filipa Pita, Rune Fjord Studio
ILE, the teachers were subsequently encouraged to use the space and purpose-built
furniture according to intentions and to share experiences with each other on their
monthly team meetings in order to inspire and create a joint work culture.
One year later, when revisiting the school, very little had changed in terms of
pedagogical practices. Before redesigning the space, the teachers had fixed rules
about where and how many students from each class to let out into the street-space.
These rules were back in use, which meant that the ILE was not being used according
to activity and affordance of the space or learner needs, but according to a teacher
made division and teacher needs. The co-creation cabinets remained unused. Lackney
(2008) explains this retreat to old practices as a result of the teachers not being trained
in how to utilise the affordances of the space; they retreat to the safety of default
practices (Cited in: Byers, Imms, & Hartnell-Young, 2014).
Creating a Space for Innovative Learning …
41
Fig. 6 Co-creation cabinets. Photographer: Filipa Pita, Rune Fjord Studio
Fig. 7 A design process model in four phases by Bodil Bøjer and Rune Fjord Studio, inspired by
the Double Diamond model by the British Design Council
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B. Bøjer
Participatory Processes Are not Uncomplicated
In retrospect, more effort should have been made to involve the teachers in the
design process that would arguably create a common vision and perhaps facilitate
the proposed alignment illustrated in Fig. 1. School management easily engaged in the
process, presumably because they were the contracting authority, but it was difficult
to engage the teachers. This resulted in very limited direct communication between
teachers and designers. The exact reasons for this are unknown, but prospectively the
challenge will be to secure the involvement of all parties during the design process
of new learning environments.
The difficulty of aligning the space with the teachers’ usual way of teaching
indicates that the intended partnership between teaching, organisation and space
did not happen during the design process. With the exception of one teacher, they
were neither directly nor indirectly involved in the design process, resulting in a
mismatch between design intentions and pedagogical practices, limited awareness
of the intentions of the space, and a lack of ownership for the new design. While any
transition from one teaching method to another is complicated, greater involvement in
the design process arguably makes this transition easier and increases the chance that
new designs and pedagogies correspond. Jamieson et al. (2005) stress the importance
of bringing together the key stakeholders during the design process, which demands
a visionary strategy for the project prior to the design phase to establish a common
language and an overall understanding of the teaching strategy and different learning
activities. Furthermore, they claim that the teachers should be guided into using the
new types of learning spaces, which is backed up by Lackney (2008). Similarly,
Blackmore et al. (2011) emphasise that new built spaces will not move teachers
to innovative pedagogies unless they are prepared and provided with the necessary
skills, tools and resources to change their practices.
An Additional Phase to Activate the Space
Therefore, I propose that a fifth phase, called here Delivery and Activation, is added
to the design process (see Fig. 8) with the purpose of handing over and activating
the project in collaboration with the users. The aim of this phase would be to match
spatial possibilities with pedagogical practices. Very often, the interaction between
creators and users of learning spaces abruptly ends as soon as a new design has been
implemented, which leaves the users with a spatial design they might not know how
to use. Without a strong leader and a common vision to push the project forward, the
new design risks becoming an obstacle instead of an asset for teachers and students.
As explained earlier, the intentions of a new spatial design can be difficult to
decode. During ‘Delivery & Activation’ the intentions of the space are translated
into actual pedagogic and learning actions, the nature of these negotiated with the
users, preferably students and teachers, through a participatory process. This needs
Creating a Space for Innovative Learning …
43
Fig. 8 The design process model with a fifth phase for delivery and activation by Bodil Bøjer and
Rune Fjord Studio
to be recognised as an ongoing process where a common language and culture are
established because activation is never totally finished. School design is ongoing
(Blackmore et al., 2011) as it constantly develops and transforms with its users. As
concluded by Higgins et al. (2005, p. 3)
…in a changing world no design solution will last forever, so the process of user involvement
must be continually refreshed and iterated to support ongoing change. This approach has the
added benefit of sustaining the meta-cognitive and motivational power of user involvement
in creating the environment over time.
The actual content of this phase requires further development. It is likely there is
no one way to do this, with the phase looking different in each learning space and
according to different pedagogical strategies. Könings et al. (2017) propose facilitation and visual activities as a means to engage participants and encourage the sharing
of ideas. In this particular research project, a participatory toolkit to help unlock the
potential of ILEs based on perspectives of co-design is currently being explored
in several Danish schools. The aim is to examine whether co-design methods can
help create a higher level of spatial awareness and competencies, thereby potentially becoming a tool in the design process when designing new learning spaces,
or a tool for activation of already existing spaces in appropriation with the users.
The term co-design refers to design activities where designers and non-designers
work together to develop new designs. The co-design approach has been chosen as
it actively includes the participants in the design activities and has the potential to
initiate a discussion about abstract pedagogical philosophical issues through a very
concrete subject like e.g. the layout and experience of a learning space. Co-design
differs from other discussions about possible futures by actively exploring what to
44
B. Bøjer
achieve and how to achieve it in combination, using a broad repertoire of tools and
techniques (Brandt, Binder, & Sanders, 2012; Sanders, Brandt, & Binder, 2010).
Conclusions
ILEs are being built across the world in order to foster twenty-first- century learning
skills such as creativity and collaboration. In this chapter, I have proposed that in
order for the ILEs to work as intended and to become a tool for improved pedagogical
practices, three things must correspond: teaching (the teacher), space (the designer)
and organisation (the school management). This has been exemplified in a case
study at a Danish school, where a design process model was used in an attempt to
engage all participants in the design process of a new ILE and through this create
accordance between teaching, space and organisation to ensure a common goal:
innovative learning.
Experience from the process showed that changing space did not automatically
change pedagogical practices. The teachers never really participated in the design
process and as a consequence, they did not know the intentions of the space nor how to
use it. Based on this, I propose that, ideally, all stakeholders should be involved in the
design process from the start-up phase to align teaching, space and organisation. In
reality, this might not be possible due to the size of the school, budgets, time, workload
and other factors. In this particular case, the teachers did not have time to participate
in the design process, a product of the teachers’ heavy workloads. To compensate
for this, the chapter proposes that the design process should also include a process
of activation after implementation of the physical design. In this phase, the users and
the designers would work together to activate the new physical frames in relation
to pedagogical practices. The purpose would be to match pedagogies with spatial
possibilities and to provide the teachers with the necessary skills, tools and resources
to change their practices in order to be able to use the space as a pedagogic tool for
teaching and learning. The goal would be to help the teachers experience the space
as an asset of their pedagogical practices, and not an obstacle. For this to happen,
it is necessary to gain more knowledge about the interplay between the physical
environment and pedagogical practices in order to create a common language and
ways to activate the ILEs.
Acknowledgements Data utilised in this research was obtained in adherence to the required ethical
protocol of the author’s host institution. All images and diagrams are the property of the author, or
the author has obtained consent to use them from the appropriate copyright owner.
Creating a Space for Innovative Learning …
45
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Bodil Bøjer (Denmark), PhD, is a Research Fellow at The Royal Danish Academy of Fine Arts,
School of Design. Her research examines the relationship between learning space design and
pedagogical practices from a design perspective with a particular focus on participatory design
processes, methods and tools. Bodil completed her Industrial PhD, ‘Unlocking Learning Spaces
– an examination of the interplay between the design of learning spaces and pedagogical practices’ in 2019, where she used a Research through Design approach in several design experiments in collaboration with the Danish design agency Rune Fjord Studio and The Royal Danish
Academy of Fine Arts, School of Design. She is a member of the European research network
Drapes (Design, Research and Practice in Educational Spaces) and currently involved in the European research project, CoReD (Collaborative Redesign with Schools). Moreover, Bodil holds an
MA in Art History and Aesthetics and Culture and has 10+ years of practical experience working
with spatial design.
Open Access This chapter is licensed under the terms of the Creative Commons Attribution 4.0
International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing,
adaptation, distribution and reproduction in any medium or format, as long as you give appropriate
credit to the original author(s) and the source, provide a link to the Creative Commons license and
indicate if changes were made.
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Commons license, unless indicated otherwise in a credit line to the material. If material is not
included in the chapter’s Creative Commons license and your intended use is not permitted by
statutory regulation or exceeds the permitted use, you will need to obtain permission directly from
the copyright holder.
The Enactment of Teacher Collaboration
in Innovative Learning Environments:
A Case Study of Spatial and Pedagogical
Structuration
Chris Bradbeer
Abstract Implicit within the design of many Innovative Learning Environments
(ILEs) in New Zealand primary schools is the intention of a group of co-located
teachers working together with an ‘up-scaled’ community of students. To some
these socio-spatial settings are suggestive of pedagogical and spatial freedom, of
high levels of professional and student agency, and a transformation away from
routines established in previous traditional classroom environments. The shift into
ILEs may therefore encourage possibilities for novel approaches, the utilisation of
individual strengths and opportunities for teachers to determine together how facets
of learning, time and space are organised. However, the level of structure required
by teams to successfully and collaboratively achieve this presents as a complex, and
time-consuming task, with teachers often finding themselves in a space between practicality and potential. This paper draws on observational and interview data from one
primary school ILE—part of a wider case study of teacher collaboration in six New
Zealand schools. It considers the role of pedagogical and organisational structures
alongside levels of autonomy experienced by teachers on adapting to new spaces.
The findings indicate that while the occupation and ongoing inhabitation of Innovative Learning Environments may well present opportunities for teachers, tensions
may be felt between predominating or created structures, and aspired or idealised
practice.
Introduction
The development of Innovative Learning Environments (ILEs) (OECD, 2013) and
Flexible Learning Spaces (Ministry of Education, 2011) in New Zealand schools
presents a significant shift in educational discourse and school space design. Conceptualised as progressive and relevant socio-spatial assemblages for contemporary
approaches to learning and teaching, ILEs and the pedagogical affordances they offer
are considered to more readily support diverse requirements of ‘twenty-first Century
C. Bradbeer (B)
The University of Melbourne, Melbourne, Australia
e-mail:
[email protected]
© The Author(s) 2021
W. Imms and T. Kvan (eds.), Teacher Transition into Innovative Learning Environments,
https://doi.org/10.1007/978-981-15-7497-9_5
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C. Bradbeer
learners’ than traditional classroom-based environments. Hence, their systematic
rollout (Bradbeer et al., 2017) is intended to contribute to the Ministry of Education
goals of raising student performance and outcomes (Ministry of Education, 2011,
2016). This alignment of pedagogical intentions with spatial design has resulted in the
development of up-scaled primary school spaces containing zones attributed to activities such as presentation, making, collaboration and reflection; as well as settings
for both individual and group learning (Dovey & Fisher, 2014; Fisher, 2005).
In the transition into ILEs, it is apparent the spatial and pedagogical shifts
required have been demonstrated to demand new competencies of teachers, whether
in adopting new pedagogical approaches or in navigating new and up-scaled spaces
(see for example Alterator & Deed, 2013; Cleveland, 2011; Cox & Edwards, 2014;
Deed & Lesko, 2015; Deed, Lesko, & Lovejoy, 2014; Saltmarsh, Chapman, Campbell, & Drew, 2015; Woolner, Clark, Laing, Thomas, & Tiplady, 2012). Research has
drawn attention towards the way that teachers are required to demonstrate adaptability
in these situations, and to ‘question classroom convention and routine’ (Alterator &
Deed, 2013 p. 327).
In addition, and notwithstanding the significance of these changes, teachers in
ILEs are anticipated to work communally and collaboratively. Identified as leading
to a higher degree of pedagogical variation, professional learning and teamwork
(OECD, 2013), this mirrors a more general initiative towards engendering higher
levels of collaborative professionalism within education and schools. Architecturally
this intention is often explicitly articulated; larger spaces designed with larger cohorts
of teachers and students in mind, and an absence of individual traditional classrooms
where teachers have historically experienced considerable autonomy. Pedagogically
though the enactment of effective collaborative practice within ILE appears less
well understood. For many teachers it is this aspect of the move into ILE that may
constitute the most significant transition on the professional landscape, and one that
will entail considerable navigation and negotiation. It is in this space that the present
study is situated, with a purpose towards focusing on how one team of teachers
conceptualised pedagogical and spatial structures within an ILE.
Teacher Collaboration
The fostering of deeper levels of multilevel collaboration has long been considered instrumental in leveraging large-scale shifts in students’ educational outcomes
(Fullan & Langworthy, 2014; Goddard, Goddard, & Tschannen-Moran, 2007; Hattie,
2015; Stoll, Bolam, McMahon, Wallace, & Thomas, 2006). Much of this success
is attributed to the reduction of teacher isolation, increased motivation and morale
(Vangrieken, Dochy, Raes, & Kyndt, 2015); in turn leading to higher levels of Collective Teacher Efficacy (Donohoo, 2017; Eells, 2011). However, as Hargreaves and
The Enactment of Teacher Collaboration in Innovative Learning …
49
O’Connor (2017) determined, the level and relative success of collaborative strategies has ebbed and flowed through recent educational history, resulting in the conclusion that, ‘not all forms of collaboration are equally strong, desirable, or impactful’
(p. 77).
Considered to be a step above situations of cooperation and coordination, collaboration is definitionally concerned with giving something up for the greater good in
order to achieve something that is not possible individually (Gray, 1989; Thomson
& Perry, 2006). Incumbent within this is a level of formal commitment, planning
and organisation towards a commonly held mission, a factor that inherently requires
the relinquishment of some individual autonomy and a proportional level of risk to
personal reputation (Mattessich, Murray-Close, & Monsey, 2001; Peterson, 1991).
Here, and following Hoekstra, Korthagen, Brekelmans, Beijaard, and Imants (2009),
autonomy is taken as a degree of control over one’s own environment. To successfully
accomplish this, the process of collaboration identified by Wood and Gray (1991)
outlined a need for shared rules, norms and structures, a clear intention towards action,
and a shared orientation towards the purpose that brought people together in the first
place. Furthermore as Thomson and Perry (2006) concluded, although the collaborative process required structures in order to make decisions and to manage ways
of working, parallel attention to participants’ autonomy is needed so that individual
identity could be retained, strengths utilised and mutual benefits recognised.
For teachers the literature is unapologetic in arguing that collaboration requires a
re-imagining of sometimes long-held teaching identities, a redefining of established
‘rules’ of teaching, and various degrees of sacrifice of autonomy. An obvious tension
therefore surrounding the application of collaborative principles into the context of
ILEs is how they might be enacted. That the relative success of an ILE is dependent
on strong collaboration between teachers appears obvious, yet its form may present
outside many teachers’ professional experience.
Furthermore, when examined from a spatial perspective, scenarios of teacher
collaboration are often revealed to have taken place outside the classroom with
collaboration more usually practiced as a ‘visited activity’ (Forte & Flores, 2013;
McGregor, 2003). More likely, collaborative professional activities have taken place
in the staffroom, team meeting or faculty office (McGregor, 2003). In the discourse
regarding the transition of teachers into ILEs, the enactment of teacher collaboration from a spatial perspective therefore appears something of an absent presence; it
appears underresearched and under-theorised, yet provides a lynchpin underpinning
the prospective success of ILEs.
Teacher Collaboration in ILE: The Need for Structure
A consistent theme through the literature on collaboration is the balancing of individual autonomy with structures required to ensure that collaboration works. For
many teachers this may present as new learning, in particular when related to concessions of time and space. Historically, within the traditional classroom situation,
50
C. Bradbeer
the establishment and operationalisation of organisational structures such as daily
routines, student grouping, time allocation and spatial practices have largely remained
under the jurisdiction of relatively autonomous individual professionals (Clandinin &
Connelly, 1996). In contrast, and implicit in the move into ILEs, is that team-teaching,
sharing of resources, space, distribution of roles and pedagogical organisation will
occur (Saltmarsh et al., 2015). Frequently this takes place with larger numbers of
students than previously encountered in a classroom setting. For example, Campbell,
Saltmarsh, Chapman and Drew (2013) observed a learning environment designed for
75 students and three teachers to note a need for teachers to demonstrate ‘willingness to try new things’ and to ‘take responsibility for their designated tasks’ (p. 219).
With similar numbers in a high school context Cox and Edwards (2014) observed
how timetabling was employed to schedule blocks of subject learning, alongside
ability grouping of students; ‘this organisation was viewed as a more effective use
of the space and more manageable for teaching’ (p. 69).
In their case studies Saltmarsh et al. (2015) determined that teachers operating
in ILEs appeared to navigate a fine line between the relative levels of structure (or
not) in realising responsive pedagogies. They identified a tension between a desired
need for innovation and flexibility, alongside the creation of an environment that
was ordered enough for learning, that enabled teachers’ ‘demonstration of professional competence’ (p. 324). In their observations they found that ‘teaching teams
reliant on an over-emphasis on structure and order at times experienced considerable
difficulties in achieving the learning goals they had set out’ (p. 325). An additional
structural tension appears to be in the form of applying previously successful modes
of operation into new environments. For Deed and Lesko (2015) although the relative
openness of ILEs signified what they refer to as a ‘physical and social unwalling of
authority and routine’ (p. 220) the capacity for teacher adaptation to remain hampered
by institutional memory and previously adopted routines remained strong.
In contrast to historically persistent portrayals of classroom teaching as a lonely
and isolated profession (Butti, 2016; Lieberman & Miller, 1990; Little, 1990), ILEs
represent anything but. The re-scaling of school spaces brought about by the development of ILEs brings teacher collaboration into the front and centre of attention.
While a wealth of literature informs challenges and supports the development of
collaborative teaching practice, what is noteworthy is the seeming lack of any spatial
perspective in this research. For this reason, the case study focuses on describing a
set of practices established in a Year 7–8 ILE with a team of three teachers.
The Case Study: Treeside Intermediate
The case study research, part of a wider three-phase Ph.D. study examined the intersection between teacher collaboration and one ILE. The research used a qualitative,
collective instrumental case study design (Stake, 1995), so that the issue became the
focus rather than the group being studied. Data in this case was collected through
observations, semi-structured interviews with the principals and focus groups of
The Enactment of Teacher Collaboration in Innovative Learning …
51
teachers and students. It was analysed using thematic narrative analysis (Riessman,
2008), and interrogated through the lens of the theorisation of collaborative process
(Thomson & Perry, 2006). The data presented in this paper was gathered from one
of the Phase 2 sites, Treeside Intermediate.
Treeside Intermediate is a suburban Year 7–8 school built originally in 1976
with a student roll of 290. The school was divided into three ‘communities’, each
occupying a building (recently refurbished on a tight budget), containing a set of
rooms (previously individual classrooms), aside from a central ‘corridor’. The move
into communities had been a relatively recent change prompted by a desire to create a
more collaborative teacher culture, and a consideration of how space across the school
might be more optimally utilised. The principal reflected that the spatial changes had
resulted in a feeling of calmness through the school, and a sense of excitement
among teachers to explore what was possible in a new team setting. Within their
communities, teams had been given a high level of autonomy to decide how they
would operate. Pivotal to the school’s vision was the idea of building agency and
self-management skills in students, something regularly reinforced through a schoolwide set of values. Students were encouraged to take responsibility for their actions,
learning and relationships, as well as to feel proud of who they were and what they
had achieved.
Findings: Pedagogical, Spatial and Collaborative Practices
The Whio community of learners was home to 94 students. It was staffed by three
teachers, (one a ‘beginning teacher’), and a teacher aide who worked predominantly
with students requiring additional support. At the beginning of the year the teachers
acknowledged that they had mainly worked individually with their own ‘class’, but
over the first term had identified ways in which they could work more closely as
a team, play to their strengths, and better build levels of self-management with
students. They had subsequently divided curriculum responsibilities so that two
teachers were responsible for teaching literacy to ability groups across the whole
cohort, with the third teaching all the mathematics. Teachers were largely responsible for designing learning and selecting resources for their particular groups. This
approach was considered by the team to be pedagogically advantageous as well as
a means of creating organisational efficiency. Of concern to teachers under the new
structure was over how well they would ‘know’ individual student’s learning across
the curriculum, particularly when it came to having conversations with parents. They
also noted it reduced their ability to respond spontaneously to learning opportunities
and to take more time than had been allocated. However, teachers considered that the
new approach had shifted some management emphasis onto the students to ensure
they were in the right place at the right time for particular learning groups and activities, something that was supported by a regular routine and reminders in the form
of centrally placed timetables. Additionally, this required the students to navigate a
structure of spatial usage.
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C. Bradbeer
The four rooms adjacent to the central passageway had been named, assigned
specific usage and furnished accordingly (see Fig. 1). Room 1 was designated as the
Quiet Space, and minimally furnished with only a few tables and chairs. In here,
‘you can whisper to your buddy, but not loud talking’ (Isobel, Year 8). The lack of
furniture meant that students often sat on the floor, but it enabled the same room to
also function as the larger team meeting space, used particularly to begin the day.
Room 2 (Paired Space) was allocated for students to work in pairs and was furnished
with tall tables and stools. Room 3 was set up as the Teaching Space, furnished with a
whiteboard on one wall with a set of tables in front of it (for one teacher), and on the
other side of the room a teaching station with soft seating around it (for another). In
addition, a row of individual desks ran down the outside wall on both sides, facing the
front. It was in here that the two teachers teaching literacy or mathematics groups at
any one time were based. As one teacher commented: ‘The kids know their timetable,
and they just come to us. We’ll just stay in the room. If we’ve got two lessons in a
row, I’ll just sit there all morning and they’ll come to me’ (Nick, teacher).
Room 4 was referred to as the Group Space furnished with tables and chairs
designed for small group use. Additionally, a centrally located workspace provided
a meeting and storage space for staff. Internal glazing meant there was visibility
into Rooms 1 and 2, and to the central passageway. Previously set up as a small
science room, teachers and school leaders noted that removing teacher’s desks from
classrooms and collocating into a shared space had been a deliberate move towards
decreasing ownership of space, and the creation of a more collaborative workplace.
Fig. 1 Spatial layout and
designation in ‘Whio’
community
The Enactment of Teacher Collaboration in Innovative Learning …
53
Teachers viewed it as a key assemblage. It often formed a place for formal and
informal meetings during the course of the day. Material evidence of their collegial
activities was apparent in a series of Polaroid photographs suspended on a string
across the room, these being taken on school trips, during team-building sessions
and within the community.
The opportunity for one or two teachers to remain in the Teaching Space for any
duration was enabled through a set of co-constructed team protocols. Students were
assigned activities following maths and literacy sessions that they were expected to
complete either individually or with a partner. In addition, a weekly activity sheet
contained a number of ‘must-do’ and ‘can-do’ tasks. For some students these tasks
were differentiated, and support made available from the teacher aide. An established
norm within the community was that students knew not to disturb teachers who were
engaged working with a group. Instead the expectation was that they would talk
to the third teacher, the roaming ‘Learning Coach’ for assistance. The Learning
Coach’s role was to respond to queries from individual students, monitor levels of
self-management and independence, as well as to ‘sign-off’ completed activities on
the weekly sheet. The practice provided immediacy and timeliness of support that
students felt would be lacking if they were all teachers were working with groups
simultaneously. As one of the students reflected, ‘it’s really good because all the
time there’s a teacher roaming in our block, so you can always ask for help. You’re
never alone to do your work’ (Wiremu, Year 8). Observations distinguished that the
Learning Coach’s mobility (and that of the teacher aide) was in strong contrast to
those teaching in the Teaching Space.
For individual students, their opportunity to use the different spaces in Whio
was determined through a perceived measure of their level of self-management.
This was mediated through the ‘Independence Wall’ and applied the language of
SOLO (Structure of Observed Learning Outcomes) taxonomy of learning (Biggs
& Collis, 1982) to levels of individual independence. Used primarily across the
school as a meta-cognitive framework to describe levels of understanding, teachers
in the community had adapted it to this context. Students’ positioning on the display
board contributed directly to their levels of permissible spatial access. Decided by
the teachers, the further to the right their photograph was placed on the display, the
greater the range of spaces accessible to them. Consequently, some students were
limited to staying in a room with their ‘home-room’ teacher, while others were able
to work away from direct supervision from any teachers, and ultimately to have the
freedom to work anywhere through school. During one observation two students
moved a small table into the broader central corridor to work together. On noticing,
the Learning Coach asked them to move it into the Quiet Space instead. Subsequent
questioning explained that only one of the students was able to select to learn in any
part of the community, hence they had been asked to move. Teachers acknowledged
that opportunities for spatial independence provided a level of incentive for many
students.
The development of collaborative forms of working (including the use of
synchronous and asynchronous online documentation), had formed a significant
investment for the team of teachers in Whio, including the scaling-up of a number
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C. Bradbeer
of routines that were required over and above those required by teachers working on
their own. Much like Saltmarsh et al. (2015) had identified, the need to spend time
together had placed some constraints on teachers. Collaborative decision-making
together had been, ‘definitely not something you can rush’ (Helen, teacher). Planning,
and consideration of how the community was going to function on a day-to-day basis
had occupied much of their time. Similarly, time dedicated towards meeting each
other during the week, to reflect on, and adapt practices to suit their new arrangement
was acknowledged as having been considerable and ongoing.
Discussion: Towards Structuration as Enactment of Teacher
Collaboration
For the experienced teachers in the study, colocation with colleagues in shared spaces
represented a significant departure from their previous spatial experiences within
schools. Similarly, for the teacher new to the profession it was appreciably different
from the spaces she had trained in and had prepared for. For both, individual classrooms had represented jurisdictional domains, where teachers were relatively free to
set structural frameworks (Clandinin & Connelly, 1996). Much as Saltmarsh et al.
(2015) had previously concluded, it was evident that there was a high level of organisational sophistication, professional inquiry and collective learning in this shared
learning environment that, had teachers been working on their own, would not have
been required. In this case much of the need for organisational sophistication appeared
concerned with the enactment of teacher collaboration.
Central to the model of collaborative process posited by Thomson and Perry
(2006), is the development of structures with which to facilitate decision-making,
and reach ‘agreement on collaborative activities and goals through shared power
arrangements’ (p. 24). In this case, through their collaborative process, teachers had
created a way of working that would support the enactment of teacher collaboration at
the interface with students, and at the same time signalled a shared intention towards
action and orientation (Mattessich et al., 2001). Emblematic of ‘giving something
up for the greater good’, and achieving something that was not possible individually (Thomson & Perry, 2006), here the ‘greater good’ was determined to be a set
of values and learning outcomes that could perceivably be better achieved through
teachers working in modified spatial settings. In so doing, initial establishment and
ongoing maintenance of these through the collaborative process had appeared to
require the relinquishment of some individual autonomy (Peterson, 1991). Decisions that teachers might in the past have made about the use of time and space
were now negotiated with colleagues. However, the team at Treeside Intermediate
had been given a high level of decision-making autonomy to develop an approach
to achieve what they were ultimately aiming for; the development of student agency
and self-management skills. Consequently, teachers considered the resulting limitations to individual professional autonomy as accepted limitations. Furthermore,
The Enactment of Teacher Collaboration in Innovative Learning …
55
although teachers expressed the idea that some aspects of their agency were limited
by the structures in place, (generally articulated in conjunction with aspects of the
curriculum, being able to communicate broad knowledge of individual learners
with parents, or capacity to be pedagogically responsive in the face of temporal
boundaries), they did not necessarily see it as overly problematic. What they considered they could achieve together outweighed the perceived disadvantages. Data also
suggested that the professional culture of inquiry and improvement within the team
of teachers also allowed room for ongoing refinement and redesign of practice over
time. This is suggestive of Hargreaves and O’Connor’s (2017) reflection that collaborative cultures were characterised by trust, openness about problems, independence,
collective effort and shared responsibility. In time, perceived limitations could and
might be addressed.
The team of teachers in Whio community had developed an assemblage of temporal
and spatial structures that deliberately articulated and reinforced organisational
routines and pedagogical practices. Routines to encourage both agency and selfmanagement were operationalised and accomplished within boundaries of behaviour
and well-defined parameters. Teachers’ use of time and space was strongly governed
by those parameters and included limits on time spent with student groups, the
requirement to adhere to timetables and responsibilities, and the need to meet regularly to collectively make decisions. Additionally, teacher spatial mobility depended
on the role they were playing; in turn the level of mobility they permitted students
was similarly dependent on an additional structural framework. Taken together, these
structures were viewed as means to enact both school-wide intentions, conceptualised
in terms of developing levels of learner agency and self-management, and to respond
to the needs of the current cohort of students. In addition, they were considered by
participants to support the transition of teachers and students to new ways of working.
Specifically, the practices and structures teachers employed also ensured that they
maintained a level of control over a larger cohort of students while at the same time
theoretically providing room to develop more self-managing skills among them. Here
there appears a fine line between agency, self-management and the requirements for
structures in ‘amplified’ (Alterator, 2015) environments, that may in turn conjure
images of Foucaultian control mechanisms. Justification for this was connected with
the idea that intermediate schools are ‘80-week schools’ (Principal), and that there
is a need for the quick establishment of expectations and routines. A useful next
research step could be in understanding the type of agency afforded in Whio community in conjunction with the school’s idealised vision. Engagement with a recent
case study by Charteris and Smardon (2017) could assist in creating a more granular
perspective of the agency afforded: sovereign, relational, ecological or new material
(Charteris & Smardon, 2017).
Analysis of the structures that were evident in the Whio community teachers’
joint work suggested classification into three broad categories: structures that existed
beforehand, structures that didn’t and those that existed beforehand but required
modification. The former could perhaps be termed Heritage structures in that they
had been carried across over time (and space). In this category they were seen to
include a language of educational values and vision common across the school, the
56
C. Bradbeer
practice of timetabling subjects, the allocation of students to a specific ‘home-room’
teacher. Modified structures included the use of ability groups (now shared between
more than one teacher), the utilisation of SOLO taxonomy (used in an alternate
context) and the removal of individual teacher desks (into a shared space). Novel
structures were seen to include the practice of the ‘roaming’ Learning Coach, the
use of synchronous and asynchronous collaborative teacher documentation, and the
relationship between self-management levels and individual spatial access.
In considering organisational and pedagogical structures encountered in the case
study it is important not to view them necessarily as imposed, immovable and
forming a barrier between what the teachers idealised as desirable student outcomes
(increased independence and self-management), and what they found themselves
doing. Conspicuously it was the team of teachers themselves who had instigated
particular ways of working and the structures that would enable them to do so, rather
than them being externally dictated. The resultant structures had therefore largely
emerged from the collaborative process itself; some replicating existing practices,
some modified versions of what had gone before and others, in this context, new. As
an example, the reflexive relationship between learning space and the assemblage of
structures presented as pertinent in supporting the enactment of collaborative practices. Spaces and activities were articulated as mutually associated. The usage has
been decided by the teachers according to levels of group size, requirements for adult
intervention or supervision, and preferred levels of visibility and sound. The resultant
typology had become a pedagogical structure that determined which students (and
sometimes which teachers), could occupy particular spaces, and under what conditions they could do so. Explicit naming or referencing the spatial typology offered
teachers and students a shared language within Whio that both were expected to
adhere to.
Structure and agency have often been portrayed as opposite ends of a continuum,
perhaps because simplification and binary thinking often offer a means of more
simply comprehending the world we live in (Cloke & Johnston, 2005; Gregson,
2005). For social theorist Giddens (1984) however, structure, and its relationship,
particularly with agency, is considered less of a dualism and more of a duality. He
warns against visualising ‘structure’ as external to human action, ‘akin to the skeleton
or morphology of an organism or to the girders of a building’ (p. 16). Instead he
considers that structure is ‘both constraining and enabling’ (p. 25) and necessarily
co-constitutive. His theory of structuration holds that through their existing structures
allow and enable behaviour, and so too, behaviour can potentially influence and
modify structures. The infinitely cyclical manner through which this is seen to occur
is described as structuration, a process that according to Archer (1982) never reaches
an endpoint, and only momentarily a product. With structuration used to describe
the interplay between structure and agency, formation and deformation, it echoes
the notion of ‘serial re-design’ used by Thomson and Blackmore (2006) to describe
ongoing improvement in schools.
As a theoretical framework, structuration appears to hold a useful role in professional learning regarding the enactment of teacher collaboration in ILEs. It presents as
three-fold. Initially, in articulating multifarious forms of structure, be they temporal,
The Enactment of Teacher Collaboration in Innovative Learning …
57
spatial, organisational or linguistic. Their role when working with multiple adults
and a larger cohort of students appears vital to the establishment and ongoing navigation of pedagogical approaches for both teachers and students. Secondly, there
is space to incorporate, modify or innovate on existing structures, and to adapt,
modify and redesign on an ongoing basis as required. Thirdly, that by viewing structures as enabling rather than constraining, their utilisation may foster approaches that
leverage practices rather than limit them. Collectively these seem a useful framework
to consider aspects of teachers’ collaborative work as they undertake a transition from
familiar to less familiar teaching and learning environments. It also responds to the
theme that although much has been made of the potential of teacher collaboration
in education, research detailing its enactment and reification in ILEs rather than in
conceptual or theoretical form remains elusive, and a significant space for researchers
to work within.
Conclusion
The requirement to work collaboratively in ILEs presents teachers with new challenges. Many stem from the need to develop pedagogical and organisational practices consistent with a team approach and larger cohort of students, rather than those
previously utilised in traditional single teacher classroom settings. Determining how
learning is articulated and enacted, the way space and time are navigated, and mechanisms for enabling consistency, continuity and communication, form decisional
components that first create structure, and then support enactment. However, structures may both encourage as well as prevent subsequent practices. In the case illustrated here the structures designed to promote learning, self-management and agency,
were considered by teachers to meet the needs of students and the vision of the school.
However, the self-same structures viewed through a structure/agency dualism lens
were also observed to create tensions in the way they limited the use of both time and
space for teachers and students alike. As teams of teachers in ILEs develop increasingly sophisticated approaches towards teaching and learning in ILEs, structuration
theory may provide a beneficial lens through which to examine the balance between
levels of structure required to foster successful collaboration, and that of maintaining
desirable levels of individual autonomy.
Acknowledgements Data utilised in this research was obtained adhering to the required ethical
protocol of the author’s host institution. All images and diagrams are the property of the author, or
the author has obtained consent to use them from the appropriate copyright owner.
58
C. Bradbeer
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Chris Bradbeer (NZ) is an Honorary Research Fellow (part-time), on the Innovative Learning
Environments & Teacher Change Project 2016–2020 being run by The University of Melbourne,
an Associate Principal at Stonefields School in Auckland, Chair of Learning Environments
Australasia and currently completing a Ph.D. focusing on the nature of teacher collaboration in
Innovative Learning Environments in New Zealand primary schools.
Open Access This chapter is licensed under the terms of the Creative Commons Attribution 4.0
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the copyright holder.
School Change: Emerging Findings
of How to Achieve the “Buzz”
Raechel French
Abstract This chapter explores emerging findings from the research question,
“What characterizes a successful transition of a school from traditional classrooms
to an innovative learning environment in the context of the design and construction
process?” Many schools today are trading in their identical classroom model for
activity-driven, technology-infused spaces and envision a future in which teaching,
culture, and space align seamlessly resulting in the intangible “buzz” of engaged
learning. However, research and experience show many of these schools fail to
supplement the design and construction process with initiatives to align teaching
practices, organizational structures, and leadership with the intended vision. This
often results in a misalignment between the pedagogical goals of the building and
its subsequent use. To provide a research-based course of action for transitioning
schools and a basis for future Ph.D. study, exploratory case studies were completed
of schools operating in new buildings and having achieved this “buzz”. Emerging
best-practice processes and tools are shared.
Introduction
Alignment of School Design and Use
When categorizing spaces by the alignment of pedagogy and design intent, four
scenarios emerge (Fig. 1). One represents the “status quo” in which teachers
teach with predominantly direct instruction in a school with a traditional design
(for example, double-loaded corridor, identical classrooms, rows of desks facing a
teaching wall). The reverse of this is what this chapter deems “the buzz” in which
teaching is predominantly student-led and multi-modal in a school with an innovative
learning environment design, or ILE (defined as being multi-modal, activity-based,
and technology-infused). There is also the “square peg, round hole” scenario in which
R. French (B)
The University of Melbourne, Melbourne, Australia
e-mail:
[email protected]
© The Author(s) 2021
W. Imms and T. Kvan (eds.), Teacher Transition into Innovative Learning Environments,
https://doi.org/10.1007/978-981-15-7497-9_6
61
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R. French
Fig. 1 Matrix of alignment
and misalignment between
the design and use of schools
there is student-led teaching and learning occurring in a traditional space and the
“wasted investment” scenario in which there is an ILE design but still predominantly
teacher-led, direct instruction.
Many schools end up in this “wasted investment” quadrant when they invest in
new spaces but do not invest in developing new teaching and organizational practices
(Saltmarsh, Chapman, Campbell, & Drew, 2015). Through case studies answering
the question, “What characterizes a successful transition of a school from traditional classrooms to an innovative learning environment in the context of the design
and construction process?” this research seeks to identify strategies to help schools
and teachers transition from the “status quo” to “the buzz” while avoiding “wasted
investment”.
Literature Review
When considering the transition into new spaces, the literature often focuses on
the design with little regard for the “implementation and transition phase” (Blackmore, Bateman, O’Mara, & O’Loughlin, 2011). Blackmore et al. (2011) identified
seven areas requiring further inquiry, three of which will be addressed through the
Ph.D. research of which this chapter is the first step: “the processes and preparation required to transition…the types of practices that emerge in new spaces…(and)
the organisational cultures and leadership that facilitate or impede innovative pedagogies” (Blackmore et al., 2011, p. v). Teaching and learning often remain traditional
and explicit despite inhabiting new space types with broader teaching and learning
School Change: Emerging Findings of How to Achieve the “Buzz”
63
potential (Saltmarsh et al., 2015). This is anticipated to be due to lack of focus
on organizational structures, leadership, relationships, and/or teacher professional
development. Previous research completed on school design often ignores these
factors while literature on whole school change often ignores the impacts of school
design.
It is important to note that this research does not focus on the design of space
itself nor its impact on teaching and learning. Research here is well covered and
ongoing (Barrett, Davies, Zhang, & Barrett, 2015; Blackmore et al. 2011; Cleveland
& Fisher, 2014; HEFCE, 2006). Instead, this chapter operates under the assumption
that the design team has created a space that, if used as intended, has the potential
to function properly in regard to pedagogy, acoustics, technology, air quality, and
lighting, among others. The focus instead is on the transition process implemented
to shift the school organization and support educators to align their practices with
the intended functions of the new space.
Research Design
The research question, “What characterizes a successful transition of a school from
traditional classrooms to an innovative learning environment in the context of the
design and construction process?” aligns with Yin’s (2014) scope of a case study in
that the phenomenon of school transitions is a contemporary, real-world phenomenon
highly impacted by its organizational, social, and political contexts. Further, the
features of a case study apply in that multiple variables (rather, the characteristics of
the transition) overlap and thus, multiple sources of evidence connected through theoretical basis are required to properly triangulate data and come to valid conclusions.
The research process was both reflective with examination of the previous design and
transition process and real-time with examination of the ongoing transitional efforts
being made in the early years of occupying the school.
The unit of analysis is the entire school or in the case in which only part of the
school was redesigned, the portion of the school residing in new space. The teachers
are an embedded unit of analysis. The transition process includes, but is not limited to,
the following elements: leadership; professional development; educator perceptions;
presence and type of students; teacher, stakeholder, and community engagement; and,
strategic messaging. The initial bounds were fluid due to the exploratory nature of
the case studies.
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R. French
Site Selection
To successfully answer the research question, participating schools must have (1) a
new1 ILE design; (2) been initially staffed with teachers used to teaching in traditional
settings; (3) an indication that it is operating as intended or on track to do so (rather,
on track to achieve “the buzz”); and (4) the ability to provide access to documentation
of the design and transition process. For the research and analysis to remain feasible
within the ten-month timeline of the Fulbright scholarship program, case study sites
were limited to four. Case study sites were selected by applying these requirements to
data collected through a survey conducted by the Innovative Learning Environments
and Teacher Change (ILETC) research project led by the Learning Environments
Applied Research Network from The University of Melbourne (Imms, Mahat, Byers,
& Murphy, 2017). The main research question of the ILETC is “Can altering teacher
mind frames unlock the potential of innovative learning environments?” (ILETC,
2016). A central component of this research is the relationship between types of
learning environments, teaching practices, teacher mind frames, and student deep
learning (Imms et al., 2017).
The ILETC survey was completed by 822 school principals and/or leaders
throughout Australia and New Zealand. The survey classified the school’s physical
environment design and measured its teacher mind frames, the presence of student
deep learning, and teaching approaches, among other items (Imms et al., 2017). ILE
design was determined by respondents indicating a learning space type of C, D,
or E2 from Dovey and Fisher’s spatial typologies (2014). Case studies with likely
successful operations were identified as those scored with above-average ratings for
teacher mind frames and student deep learning and having a predominantly studentcentred teaching approach. An internet search on schools fitting the criteria was
completed to rule out schools not residing in new facilities. A subsequent telephone
census was conducted with schools passing the internet search to identify if teachers
had come from traditional settings, that documentation of the design and transition
process was feasible, and confirm willingness to participate as a case study site.
Schools were approached for participation in descending order of their teacher mind
frame scores.
The first four schools that passed the telephone census and expressed willingness to participate were selected for case studies, one of which contained multiple,
separate ILE sites. Two of the schools were located in Australia and two in New
Zealand. One was a Catholic school and the others were government schools. They
support communities of varying levels of socio-economic backgrounds and were
all at different points of their transition with some more established than others.
1 Two
of the case study sites were within their first 2 years of occupation. One opened in 2011 and
another in 2009. Participants in the older school were involved prior to opening and the design and
transition process was well documented.
2 Type C—Traditional classrooms with flexible walls and breakout space; Type D—Open plan with
the ability for separate classrooms; Type E—Open plan with some adjoining spaces.
School Change: Emerging Findings of How to Achieve the “Buzz”
65
Some were brand new schools to support population growth and others replaced
existing facilities. Regardless, all schools were trying to take teachers from traditional teaching in traditional facilities to successfully inhabit an innovative learning
environment.
Methods
Participants from each case study site included teachers, school leaders, and school
designers. A total of 20 teachers, 4 school leaders, and 3 designers have participated
in the study. Teachers participated in a focus group consisting of a transition game,
the creation of a Journey Map, and completion of a letter written to a future teacher
transitioning to an ILE. This focus group format was developed through workshops
as part of the ILETC and tested through a pilot study at a school in Victoria, Australia.
Images of these tools can be found in Figs. 2 and 3. Teachers also participated in a
one-on-one interview following the focus group. School leaders participated in an
interview and led a tour of the school. School designers, which encompass architects
and/or educational planners or members of the establishment board, participated in
an interview.
This chapter represents initial thematic analysis from the interviews and focus
groups. Interviews and focus groups were transcribed by the researcher and inputted
into Nvivo qualitative analysis software. A grounded theory approach was taken.
The first step involved the assignment of one or more codes to each data point in the
transcripts. These codes evolved from the data and were not pre-determined. As new
codes were created throughout the process, the second round of coding was completed
to ensure that all transcripts benefited from the full set of codes. These codes were then
aggregated into broader themes and finally organized into the three broad categories,
discussed later in this paper. Figure 4 indicates one example of the coding process
followed by the researcher, using the example of Organizational Enablers. Indicative
quotes are provided along with initial codes and their alignment to the final themes. It
is anticipated that further theoretical sampling will be undertaken along with followup interviews and supplemental data collection.
Defining the “Buzz”
Defining success is not a goal of this research. Instead, this research sought to understand the alignment between what the school wished to see as success and the subsequent reality of the space and its use. Thus, one of the questions asked of all research
participants at the four selected case study sites was how they personally define
success in their new spaces. Deduced from the data was the concept of “the buzz”
or rather, the palpable presence of student-driven, engaged learning. The following
interview quotes are indicative of the conversation at all four schools around the
definition of success in an ILE.
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R. French
Fig. 2 Transition game
…it’s the start of the unit where they’re going off and doing a bit of searching about something
they’re interested in—there’s a real buzz in the room and I think that’s a sign of success
The measure of success is in how it “just works”. Sometimes it’s not tangible. But the place
is always alive and buzzing…I see a really cohesive group of people working together for
the benefit of the students and that’s, that is tangible.
It’s like an idling engine so it kinda just hums along and (teachers) don’t have to be there for
it to go like that but when (they) want it to accelerate then that’s where (teachers) come in.
(success is) that one on one individual, moving around…it’s the hum of learning together
and discussing and you think, where’s the teacher?!
School Change: Emerging Findings of How to Achieve the “Buzz”
Fig. 3 Journey map
67
68
R. French
Fig. 4 Coding and quote examples—Organizational enablers
The “buzz” is not a prescriptive term, yet it elicits clear understanding regarding
what expectations and activities underlie the word. It also lends itself as being broad
enough to encompass an array of pedagogical goals of a school. Many things can
result in the “buzz”; it is not created through the building itself but in the inhabitation
of the facility and its corresponding culture, leadership, organizational structures,
and teacher mindsets that coincide.
School Change: Emerging Findings of How to Achieve the “Buzz”
69
Emerging Themes
This paper reflects findings from early stages of analysis of exploratory case studies.
At the moment, themes are aligning into three categories: pre-occupation enablers
which are steps schools took before moving into their new facilities, organizational
enablers which represent the ongoing cultural, leadership, and structural variables,
and spatial enablers which are moments in which the spatial design itself plays a
key role in helping teachers and students shift their practice. It should be noted that
there are few clean breaks between themes. They interrelate with one another as the
pre-occupation steps help set the stage for the culture to take hold or the space to
have the leverage required. Further, their effectiveness depends on many moderating
factors. Unpacking this process will occur through future Ph.D. research.
Pre-occupation Enablers included prototyping space and pedagogy, forming
clarity around the purpose of the spatial design, and indoctrinating the “why” of the
design through research. Organizational Enablers included establishing and embedding a shared language; focusing on relationships between teachers, between teachers
and students, and between students themselves; maintaining a culture of risk; and
purposeful structure across each level of the organization. The latter is what this
chapter is calling “layered scaffolding” and is explored in more detail below. Spatial
enablers included transparency and openness allowing for visible teaching, ongoing
authentic observation, and implicit student behaviour management. The sense that
spatial inflexibility could ‘nudge’ a teacher to shift pedagogically also arose from
the data. Figure 4 uses the example of Organizational Enablers to provide indicative
quotes and show initial codes and their alignment with the eventual themes.
An Example Strategy: Layered Scaffolding
All case study sites utilized an ongoing process this chapter calls “Layered Scaffolding”. This is the notion of providing the ideal amount of structure at each layer of
the organization so that the level below experiences “just enough” guidance to allow
innovation to flourish. The government level, which may be the Department/Ministry
of Education or the establishment board, provided structure over which the principal
was appointed and mandated to innovate. This may be the school design itself and/or
a prescribed pedagogical direction, among other possibilities. The principal and other
school leaders establish timetables, evaluation metrics, or other non-negotiables that
align with this vision and provide a basis through which educators can have autonomy
over their courses. These educators then establish routines for students or leverage
purposeful relationships to guide student behaviour and allow appropriate amount of
choice and self-regulation in their learning. One school leader interviewed summed
this concept up well by saying “If you want the freedom at the student level then you
need to be super structured up top”.
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R. French
In schools or learning spaces in which such scaffolding was not done, or structure
was not provided, teachers created their own which would trend towards the traditional. This concept aligns with other recent work on structuration in which teachers,
when perceiving a lack of order, imposed their own inflexible spatial practices and
didn’t make best use of either the space or materials. “Teachers see the imposition of
(their own) additional structuring of both lessons and the daily timetable as the most
appropriate pedagogic response to what they perceive as a lack of order” (Saltmarsh,
et al., 2015, p. 322).
One example of such “layered scaffolding” is a strategy employed by one of the
schools to assist teachers in modifying their pedagogy. This principal, when preparing
teachers to inhabit a school with a prescribed vision of team teaching and spaces with
flexible, non-traditional furniture developed a series of expectations for educators
through the language of David Thornburg’s archetypes (Thornburg, 2001, revised
2007). These archetypes compare learning spaces to campfires, watering holes, caves,
and the like and provide a shared language for space. The archetypes were then
used as part of educators’ cultural and spatial induction. They were incorporated
into teachers’ lesson planning, ongoing classroom management, and teachers’ own
evaluation. With the expectation of their students sharing this language as well,
some teachers created tangible icons, manipulatives, and displays. The discussions
of space were thus ingrained in the daily operations and routines and became effective
proxies for the envisioned pedagogy and student behaviour. For example, students
knew that when they were in a “Watering hole” they should not just be socializing
but sharing knowledge. Teachers as well were being challenged by leadership to
reduce their “Campfire” time which effectively guided them from less lecture to
more student-centred instruction. This use of archetypes as structure was effectively
change management in disguise.
This strategy aligns with recent work on the sociomaterial view on the inhabitation of space in which “New school buildings matter…as effects of materializing
processes in which school personnel and objects take part. The building gives the principal above ‘licence…to ask those bigger questions’ and to ‘crowbar’ the process of
curriculum and pedagogic change” (Mulcahy, Cleveland, & Aberton, 2015, p. 10).
The space is linked to text, technology, and artefacts in a circulatory fashion as
pedagogic change and spatial change come to being together.
Next Steps and Future Application
The themes and examples presented here reflect early findings from initial thematic
analysis and form the basis for further exploration. For example, the body of knowledge can be extended by broadening the suite of case studies beyond Australia and
New Zealand and developing more in-depth analysis linking these to the original
case studies. The highlighted example of “Layered Structuring” can be deepened,
exploring both the relationship between the concentric layers of structure and identifying specific tools and strategies to be applied in each. The three categories of
School Change: Emerging Findings of How to Achieve the “Buzz”
71
enablers can also be unpacked, each containing multiple specific strategies and tools,
only one of which was highlighted in this chapter, that can inform future school design
and transition processes. Another trajectory may be the refinement of these enablers
and exploration of their relationships to one another to propose a systems-based
approach to the school transition process.
While all of these proposed directions, among others, are feasible, it is desired
that the next step for this research does focus on the applicability of this burgeoning
knowledge. One opportunity is aligning with Phase 2 and 3 of the ongoing ILETC
research in which tools and strategies to support the teacher transition process will
be piloted and then disseminated at scale to test their efficacy (ILETC, 2016). This
research focus is especially suited to the creation of tools to be applied alongside the
design process of the ILE, leveraging most intensely the often-under-utilized period
during construction to assist with the forthcoming educational transition. When done
right, the goal is for schools to find their “buzz” sooner, rather than later.
Acknowledgements Data utilized in this research was obtained in adherence to the required ethical
protocol of the author’s host institution. All images and diagrams are the property of the author, or
the author has obtained consent to use them from the appropriate copyright owner.
References
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environments? Retrieved from https://www.flipsnack.com/iletc/flyerlayoutwebv1.html.
Imms, W., Mahat, M., Byers, T., & Murphy, D. (2017). Type and use of innovative learning environments in australasian schools. ILETC Survey No. 1, University of Melbourne, Melbourne.
LEaRN, Retrieved from http://www.iletc.com.au/publications/reports/.
Mulcahy, D., Cleveland, B., & Aberton, H. (2015). Learning spaces and pedagogic change: envisioned, enacted and experienced. Pedagogy, Culture & Society. https://doi.org/10.1080/14681366.
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Thornburg, D. (2001, revised 2007) Campfires in cyberspace: Primordial metaphors for learning
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Raechel French (USA) earned a BEd. in Architecture and a BSc. in Psychology from Texas A&M
University and a Masters in Human-Environment Relations, with a focus on Facility Planning and
Management, from Cornell University. In her professional work as an educational planner in the
United States, Raechel finds that many new school facilities are not leveraged to their full educational potential. Her goal is to help expand the role of school architects and planners and better
align the use of a new facility with its intended vision through work at the organizational and
pedagogical level. This research was completed as a Fulbright Postgraduate Scholar as part of the
Innovative Learning Environments & Teacher Change Project 2016–2020 project at The University of Melbourne. This work has now been integrated into her Ph.D. studies with The University
of Melbourne’s Graduate School of Education.
Open Access This chapter is licensed under the terms of the Creative Commons Attribution 4.0
International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing,
adaptation, distribution and reproduction in any medium or format, as long as you give appropriate
credit to the original author(s) and the source, provide a link to the Creative Commons license and
indicate if changes were made.
The images or other third party material in this chapter are included in the chapter’s Creative
Commons license, unless indicated otherwise in a credit line to the material. If material is not
included in the chapter’s Creative Commons license and your intended use is not permitted by
statutory regulation or exceeds the permitted use, you will need to obtain permission directly from
the copyright holder.
Increasing Teacher Engagement
in Innovative Learning Environments:
Understanding the Effects of Perceptions
of Risk
Tamara K. Jones and Deidre M. Le Fevre
Abstract School systems around the world are investing in a transition to Innovative Learning Environments (ILEs). Many policies and resources are being directed
towards this change. However, if the effects of innovative educational initiatives are
to be positive for our students, the onus will ultimately be on teachers to integrate
learner-centric pedagogies and digital technologies in flexible learning environments.
Educational innovations are dependent upon what teachers think, feel and do in classrooms (Fullan 2001). This chapter examines how teacher perceptions can influence
their engagement in ILEs.
Internationally, many education policies are promoting ILEs as a way of better
meeting the needs of twenty-first-century learners. The introduction of flexible
learning spaces is intended to provide teachers with opportunities to employ
creative and innovative teaching practices that can lead to more robust, continuously improving communities of practice. For this shift to occur teachers will need
to change how they think and how they teach, and this is likely to generate a range
of reactions. Reactions to change may include “perceptions of risk”, which recent
research suggests may be a fundamental barrier to change (Jones, 2014; Le Fevre,
2014; Twyford, Le Fevre, & Timperley, 2017). This chapter examines what perceptions of risk are and why they may be prevalent in the context of developing ILEs.
Our view is that if researchers, policymakers, educational leaders and practitioners
are aware of, and responsive to teachers’ feelings of uncertainty, this may mitigate
teachers’ perceptions of risk. Mitigating teachers’ perceptions of risk may result in
teachers adapting their practice to maximise the learning opportunities possible in
ILEs.
Shifts towards ILEs have been informed by learning theories which reveal traditional teacher-centred transmission models of teaching do not align with how people
learn (Dumont, Istance, & Benavides, 2010). An OECD ILE framework has been
developed with seven guiding learning principles “proposed as fundamental to all
T. K. Jones · D. M. Le Fevre (B)
The University of Auckland, Auckland, New Zealand
e-mail:
[email protected]
© The Author(s) 2021
W. Imms and T. Kvan (eds.), Teacher Transition into Innovative Learning Environments,
https://doi.org/10.1007/978-981-15-7497-9_7
73
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T. K. Jones and D. M. Le Fevre
schools and learning settings as offering the building blocks of design, improvement and innovation” (OECD, 2017, p. 22). The guiding principles focus on the
learners as the core participants, encourages their active engagement and stresses the
social nature of learning. The principles also focus on the importance of recognising
individuals’ differences, motivations and emotions.
In order to fully realise ILEs, changes to physical learning environments are
requisite. Flexible learning spaces are identified as a key resource in ILEs, and are
intended to be motivating, facilitate engagement and recognise the social nature of
learning. However, Fielding and Nair (2005) claim flexible learning spaces will only
enable more innovative approaches to learning if the teachers have an understanding
of the guiding principles of ILEs and a flexible, risk-taking attitude.
The Concept of Risk
The term risk has been used in numerous ways and in various contexts for many years.
In the corporate world, the term “risk” is commonplace; risk management, capital
risk and systematic risk all focus on the identification, assessment and prioritisation
of commercial risk (Stulz, 1996). In the education sector, the concept of risk is only
beginning to be acknowledged in the context of working to understand processes of
innovation and change.
A broad definition of risk includes loss, significance of loss and uncertainties
(Aven & Renn, 2009; Ponticell, 2003; Trimpop, 1994). Loss, which can be performance related, social, psychological or status related is considered foundational to
risk-taking (Ponticell, 2003) and is often discussed in relation to the significance or
severity of potential loss to a person (Aven & Renn, 2009). If a teacher perceives
certain actions may lead to a greater severity of loss, then he or she will correspondingly react with higher levels of caution. The third element associated with risk is
the nature of the uncertainty of an outcome. Uncertainty is inherent to perceptions
of risk (Trimpop, 1994).
Why an Understanding of Perceptions of Risk Matters
Teachers are commonly expected to be “doing something that others are suggesting
they do” (Richardson, 1990, p. 11). Some teachers willingly trial or implement these
suggestions for change, while many others avoid engagement, or are accused of being
resistant to, or resilient to change. Forms of resistance such as refusal or withdrawal
are commonly reported, yet there appears to be little agreement on either the cause
or nature of what is commonly called “teacher resistance”, or how to respond to
such reactions effectively. The most likely outcomes of what is often perceived
Increasing Teacher Engagement in Innovative Learning …
75
as resistance is that it gets in the way of enabling teachers to effectively explore
innovation and change.
More recent research recognises that accusing teachers of being resistant to change
may be counterproductive to developing a culture of collaborative and sustainable
improvement. Rather than blaming teachers, it is important to understand the challenges they experience in order to better support them. Research by Jones (2014), Le
Fevre (2014), and Twyford (2016) suggests that teachers’ perceptions of risk may
influence their engagement in educational change. What might look like resistance
may, in fact, be teachers’ perceptions of risk. Perceptions of risk which include feelings of uncertainty about change and feelings of vulnerability in relation to engaging
in change may cause people to be reluctant to engage in change (Le Fevre, 2014).
For example, teachers may perceive engaging in ILEs to be risky to their identity as
an educator, or they may lack an understanding of the guiding principles of ILEs and
be uncertain about the outcomes for their students’ learning.
Theories of Risk-Taking in Education
Why focus on perceptions of risk? Understanding how and why people react to change
in the ways they do is essential if we are to support people to change. Theories
about risk and risk-taking are powerful levers in seeking to understand how and
why teachers react to change in the ways they do. For example, research indicates
perceptions of risk can interrupt teachers’ engagement in change initiatives and may
be “a significant roadblock to engaging in educational change” (Le Fevre, 2014,
p. 64).
Research has suggested that the degree of teacher willingness to engage in change
initiatives may be a personal trait and stem from personal practical theories or an individual teacher’s risk attitude. Teachers develop strong identities and “personal practical theories” throughout their careers (Maaranen, Pitkäniemi, Stenberg, & Karlsson,
2016). Personal practical theories are formed through experience and reflection; they
forge a teacher’s identity and with more teaching experience become ingrained; they
are “something they just do, and are a part of who they are as teachers” (Levin, He,
& Allen, 2013, p. 213). Personal practical theories are significant when we come to
consider what happens when teachers are expected to change the way they teach. The
unquestioning acceptance of ingrained personal practical theories of teaching may
result in teachers closing themselves off to learning how to work in ILEs. However, it
may also be that an individual teacher’s risk attitude influences risk-taking behaviour
(Baylor & Ritchie, 2002; Le Fevre, 2014), which Baylor and Ritchie (2002) claim is
difficult to influence.
An alternate theory of risk-taking in education is that groups and cultures, which
have diverse social principles, guide risk behaviour and judgement of what is deemed
a risk and who should be allowed to take risks. Rosa (1998) suggests that, “since
identification of risks is entirely a social process, risks do not exist in objective reality,
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T. K. Jones and D. M. Le Fevre
but in the collective consciousness of cultures” (Rosa, 1998, p. 21). What one school
culture perceives as a risk may not be deemed a risk for another.
While ILEs may have many affordances for more effective pedagogies, their
success will depend on teachers taking risks to exploit their potential. Understanding
how affective factors such as perceptions of risk, or feelings of uncertainty can cause
teachers to react is an important area for research (Jones, 2018) and is the focus of
the empirical research explored in this chapter.
To capture the complex connections between school leaders’ and teachers’ understandings of ILEs, and their reactions to expectations to transition to ILEs, the first
author employed a three-school case study approach. The research also investigated
forms of support that mitigated teachers’ perceptions of risk and enabled teachers to
work collaboratively in ILEs. The research explored three key questions:
(1) What are school leaders’ and teachers’ understandings of Innovative Learning
Environments?
(2) How do teachers react to expectations to engage in Innovative Learning
Environments?
(3) What forms of support do teachers perceive enable them to develop their
understanding of Innovative Learning Environments, and engage in innovative
practices?
Methods
The qualitative empirical study this chapter draws on involved three New Zealand
elementary schools. Teachers in the three schools selected were expected to explore
or implement ILE teaching approaches. The data collection methods included semistructured interviews, observations, document analysis of online teacher journaling
and publicly available school documentation.
Interviews were conducted with eighteen teachers from the three schools twice
during the year. During the initial interview, participants were asked to explain their
understanding of ILEs, share innovative practices they had recently implemented,
and discuss what had supported or challenged them to change their practice. In the
follow-up interview participants were asked to identify any changes in their understanding of ILEs, discuss their feelings about being expected to engage in innovative
practices, and share professional learning opportunities that had impacted on their
understanding of, and practice in ILEs. Four school leaders were also interviewed
to ascertain their understanding of ILEs and gain an insight into their processes for
supporting teachers to transition into ILEs.
Prolonged engagement and numerous observations in the field provided an understanding of how teachers had developed their perceptions of ILEs and why they
reacted the way they did to expectations to engage in innovative practices. Data
were analysed using an inductive and deductive thematic approach and coded using
NVivo. Thematic maps were developed based on teachers’ and leaders’ understandings of ILEs, leaders’ expectations of teachers to engage in ILEs, teachers’ reactions
Increasing Teacher Engagement in Innovative Learning …
77
to the expectations, and to the professional support provided. Member checking,
triangulation of data, negative case analysis and inter-coder reliability ensured the
trustworthiness of findings.
Understandings of the Rationale for ILEs
All school leaders in the study understood that economic, social and technological
developments were driving educational change, however, the depth of the leaders’
understandings of ILEs differed and the nature of their understanding influenced how
they supported the teachers in their schools.
In the school where teachers made the biggest transition to ILEs (School One), the
school leaders shared a mutual understanding that traditional models of teaching and
learning were no longer adequate to equip students. The leaders’ rationale for change
was that students would need twenty-first-century learning skills to survive and thrive
in an unknown future. The leaders in School One also understood that leading change
necessitated engaging in dialogue with staff about their understandings and how they
aligned with the school vision. Rather than pontificating about the world changing
and the need to be “leading edge”, these school leaders focused on why they perceived
ILEs could better suit their learners. The leaders referred to the guiding principles of
ILEs and provided literature on twenty-first-century learning competencies. Teachers
were encouraged to share their understanding of ILEs and their perceptions of risk
engaging in practices that promote the principles of ILEs.
How the School One leaders discussed the rationale for change influenced the
teachers’ engagement. Through ongoing discussions about the rationale of ILEs
many teachers were able to articulate deep understanding of ILEs. Having opportunities to engage in dialogue about the reasoning for the shift to ILEs enabled teachers
to question their pre-existing conceptions about teaching and learning and to think
through the implications for their beliefs, values and pedagogies (Hargreaves, 1994).
Such discussions enabled many of the teachers to consider the possible benefits
to students’ learning if they stepped away from their familiar and “safe” teaching
methods.
The professional conversations about ILEs had an additional benefit of enabling
many of the teachers to develop a deeper level of collegial trust. Having opportunities
to share perceptions of risk, and having these acknowledged by the school leaders,
empowered the teachers to step into a degree of uncertainty and engage in the change
process. This finding supports conclusions drawn in Twyford’s (2016) study that
found supportive relationships were essential for teachers to take risks when they
lacked confidence or were uncertain in their state of knowledge.
In contrast, the school leaders in School Two and School Three could not articulate a clear rationale for why there was a global drive to establish ILEs. One of
these school leaders expressed her perception that promoting student agency while
being responsive to students’ motivations could distract teachers from the “essence of
education, what is important to learn”. The other leader perceived it to be the teachers’
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T. K. Jones and D. M. Le Fevre
(not the leaders’) professional responsibility to unpack what “innovative” could look
like for their students. Discussions about why ILEs may better suit the needs of
twenty-first-century learners were absent in both of these schools. Instead, conversations focused on teachers’ perceptions of what ILEs should look like. Circumventing
conversations with leaders about the rationale for change resulted in many teachers
in these schools focussing on surface features such as furniture while maintaining
vague, inaccurate or conflicting understandings of the underlying principles of ILEs.
The ways teachers engage in new initiatives are shaped by their personal practical
theories (Maaranen et al., 2016). Teachers use their past experiences and existing
knowledge to notice, construe, construct and implement change (Spillane, 1999). In
the context of ILEs, if teachers have limited experience or knowledge of the guiding
principles of ILEs they may struggle to effectively engage in innovative practices.
School leaders need to be aware of teachers’ pre-existing frames and existing knowledge and provide professional support to enable teachers to develop shared, and
accurate, understandings of ILEs. Obviously, this is problematic if leaders themselves
cannot articulate a clear rationale for ILEs.
Developing Expectations to Engage in ILEs
When teachers understood why they were being expected to engage in ILEs, and
how or what to change, they were more willing to take risks, tolerate uncertainty and
explore new practices. Teachers’ reactions were also generally more positive when
they were provided with autonomy and control of the change process and when they
had opportunities to work with school leaders to clarify expectations.
The leaders and teachers in School One, where change was most evident, worked
together to generate expectations that they perceived could be achieved, and which
aligned with the school’s vision of ILEs. During meetings, the teachers discussed their
understanding of ILEs and collated a list of innovative actions that they felt demonstrated their understanding. They discussed implications for practice and potential
challenges that might thwart the success of the innovations. Through this process, the
teachers worked alongside the leaders, they clarified and refined their understanding
of ILEs and had opportunities to connect new theoretical learning with their existing
pedagogical knowledge. These teachers had input into, and ownership of, the way
ILEs were established in their school. The ongoing discussions made visible the
potential merits of ILEs and also the challenges. The act of acknowledging the
challenges and planning for them reduced many teachers’ feelings of uncertainty.
Establishing clear expectations did not completely mitigate these teachers’ perceptions of risk but resulted in them working towards achieving the expectations and
feeling more positive about exploring ways to work in ILEs.
Increasing Teacher Engagement in Innovative Learning …
79
For decades, scholars have emphasised the importance of teachers perceiving
themselves to be change agents and having a level of control over the change process
for educational reform to be successful (Fullan, 2011; Hargreaves, 2004). When
teachers lack an understanding of what, why or how to change, and perceive that
they are viewed only as implementers, the implementation will often be superficial
(Ungar, 2016). Such superficial engagement was evident in the two schools where
the rationale for ILEs and expectations were not understood, transparent or shared.
Supporting Teachers to Engage in ILEs
Targeted professional learning support may increase teachers’ engagement in ILEs
(Jones, 2018), however, teachers working in seemingly similar conditions may
perceive forms of support differently. Different perceptions of support were influenced by teachers’ prior experiences, learning needs and perceptions of what constitutes professional support. This finding highlights how fundamentally complex
educational change can be, and supports Ungar’s (2016) suggestion that school
leaders offer teachers different forms of support depending on teachers’ needs and
the needs of their students.
School leaders who make tactical choices about the professional learning available
to teachers are in a better position to support teachers to engage in ILEs. In School
One, leaders understood that teachers could be distracted by extraneous professional
learning. Consequently, they identified which professional learning initiatives should
be prioritised and which should cease. The leaders in this school also accepted that
teachers were at different stages of comfort, transitioning from traditional practices
to ILEs, and had different learning needs. To better support the teachers’ individual
needs, the leaders encouraged the teachers to source professional learning that they
perceived would assist them to develop their understandings of ILEs. The teachers
valued the opportunity to self-select what they perceived to be of value to their
specific needs and context.
In contrast, leaders in Schools Two and Three implemented a one-size-fits-all
approach to professional learning. These programmes consisted of a multitude of
unrelated and episodic professional learning sessions which did not take into account
the different needs of the teachers. The fragmented, short-term professional learning
sessions resulted in a disjointed diffusion of effort. Furthermore, teachers in these
schools lacked an understanding of how the professional learning connected to the
school vision and described feeling overloaded, uncertain, frustrated and ultimately
disengaged from the change process.
In addition to the extensive professional learning, teachers in Schools Two and
Three were expected to explore innovative practices in collaborative professional
inquiries. The literature on professional collaborative inquiries points to key characteristics of effectiveness. These characteristics include shared values and vision,
collective responsibility, clear expectations, promotion of group and individual
learning, and a culture of collaboration within the school (DeLuca et al., 2015). It
80
T. K. Jones and D. M. Le Fevre
was evident in this study that most of these characteristics for effective collaboration
were absent. Inquiry meetings consisted of teachers having congenial conversations
that focused on sharing stories of practice and suggestions for adapting practices.
Nelson, Deuel, Slavit, and Kennedy (2010) caution that when teachers have superficial conversations about practice, “fault lines can be avoided because an examination
of the value of those ideas remains private” (p. 176). However, the lack of professional
probing into practice resulted in teachers not inquiring deeply into their practice or
that of their colleagues.
Supporting teachers to shift from “congenial but relatively superficial conversations to dialogue that is more productive for improving student learning entails
risk-taking and trust” (Nelson et al., 2010, p. 176). Nelson et al. (2010) suggest
that intentional and transparent actions are required to enable teachers to engage
in substantive and specific dialogue about teaching and learning. Teachers require
support to learn how to have productive conversations, reflect on evidence and act.
Revisiting Perceptions of Risk and Uncertainty
Teachers were hesitant to use the term “risk” to describe their reactions to expectations
to engage in ILEs. A teacher explained, “risk sounds dangerous, I don’t think there is
danger”. Instead, teachers described feeling concerned or uncertain about engaging
in ILEs, reactions they perceived to be less severe. As discussed earlier, uncertainty
is inherent to perceptions of risk. Uncertainty is a key element often associated with
risk because there is uncertainty of an outcome, and uncertainty in the perceived
probability of its outcome value (Trimpop, 1994).
Perceptions of risk or feelings of uncertainty were acknowledged by teachers
in the three schools. Teachers were uncertain how to effectively monitor student
learning and were uncertain how to establish close relationships with students and the
students’ families in ILEs. Teachers also expressed feeling uncertain of ways to work
collaboratively with colleagues. Their feelings of uncertainty stemmed from being
expected to work with colleagues who had different understandings of ILEs, different
pedagogical practices, incompatible personalities or different interpretations of what
collaboration entailed.
In summary, many teachers were uncertain whether the benefits of ILEs
outweighed the challenges. However, teachers’ perceptions of risk and feelings of
uncertainty were mitigated when school leaders provided a clear rationale for why
a shift to ILEs might better suit twenty-first-century learners, and provided with
explicit expectations of what or how to change, and targeted support to engage in
ILEs. As Dinham (2000) explains, “often, it is not change per se that is the problem
for teachers and schools, but the way that change is introduced” (p. 32).
Increasing Teacher Engagement in Innovative Learning …
81
Implications for Policy and Practice
Enacting change “requires tremendous sophistication as well as some risk-taking”
(Fullan, 2007, p. 2). It demands leadership with a clear understanding of the rationale
for innovation and the capacity to lead change. The school leader’s role is generally
accepted as being “a central component in securing and sustaining school improvement” (Muijs & Harris, 2003, p. 437), and it is pivotal in situations when an externally
mandated reform, such as ILEs, is being imposed. Leaders in this study who understood why a shift to ILEs might better suit the needs of twenty-first-century learners
were able to “create a fit between policy and practice, or at least lessen the misfit”
(Razzaq & Forde, 2013, p. 67). Managing change by integrating it with the priorities of their context and engaging in ongoing dialogue about the change enabled the
school leaders and teachers in School One to work more purposefully. This reduced
teacher perceptions of risk. Portoghese et al. (2012) state that providing changerelated information is fundamental to the success of any reform. Information can
mitigate feelings of uncertainty and anxiety, which is essential for creating openness
towards change initiatives: “Information is crucial in shaping employees’ expectations and providing a basis for developing attitudes (positive and negative) toward
change” (Portoghese et al., 2012, p. 584). This reflects the situation in School One.
In contrast, findings from Schools Two and Three indicate that leaders who
cannot articulate the rationale for change, align their reasoning with realistic and
explicit expectations, and remove distractions will struggle to motivate teachers to
engage in ILEs. From this research, one could point the finger of blame at school
leaders, however, a better solution may be to use a wider lens. If policymakers,
professional learning facilitators, school leaders and teachers work together to understand the different challenges of implementing ILEs and design ways ILEs can be
implemented, student outcomes are more likely to improve.
Acknowledgements Data utilised in this research was obtained in adherence to the required ethical
protocol of the author’s host institution. All images and diagrams are the property of the author, or
the author has obtained consent to use them from the appropriate copyright owner.
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Tamara Jones (NZ) Tamara is an Assistant Principal with over twenty years’ experience in the
primary sector. Her PhD research explored teachers’ perceptions of risk associated with the transition to Innovative Learning Environments, and forms of support which mitigate perceptions of
risk and increase engagement.
Deidre Le Fevre (NZ) is an Associate Professor in the Faculty of Education and Social Work at
the University of Auckland in New Zealand.
Open Access This chapter is licensed under the terms of the Creative Commons Attribution 4.0
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the copyright holder.
Pedarchitecture: Which Learning
Environments for the Personalisation
of Teaching and Learning?
An Educational Architecture
for the Schools of the Future
Mariagrazia Francesca Marcarini
Abstract This project investigates how to overcome traditional learning environment’s rigidity; those established practices that may hinder full use of what we
might call new learning environments. It addresses how teachers adapt their teaching
to changing learning environments, what impact new educational spaces have on
teachers and students, how to organise students with different criteria, and how
learning environments can be redesigned in old schools with limited investments.
The research studies four schools: in Denmark, the Hellerup Folkeskole in Gentofte
and the Ørestad Gymnasium in Copenhagen; in Italy, the Enrico Fermi High School
in Mantua and IC3 Piersanti Mattarella secondary first grade in Modena. New
learning environments are intended to enhance teacher collaboration and stimulate the exchange of new teaching methods, enabling learning personalisation. This
is often facilitated by team teaching, which in this chapter is seen as a “bridgeculture” concept, offering a wider vision including structural and organisational
details. The chapter discusses how this strategy lead to students improved learning
skills, them taking on greater personal responsibility and displaying aptitude to study
in different ways. In this sample of “architecture feeds pedagogy” schools, some
key concepts are explored that might guide future learning environments design:
readability, “semantic-topical”, flexibility, invisible pedagogy and affordances.
Introduction
The cultural background that characterises societies is undergoing a steady transformation, and schools are involved in this change. Teachers are increasingly being
asked to evolve their disciplinary knowledge and teaching methodology according
to the integral growth of the student and her/his understanding of new social and
employment needs. This is only possible if there is an anthropological vision of
education that adopts a global and comprehensive approach, so that the individual’s
development is central and integral to the schooling structure. This can be done in
M. F. Marcarini (B)
University of Bergamo, Bergamo, Italy
e-mail:
[email protected]
© The Author(s) 2021
W. Imms and T. Kvan (eds.), Teacher Transition into Innovative Learning Environments,
https://doi.org/10.1007/978-981-15-7497-9_8
85
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M. F. Marcarini
many ways, but surely the organisation of the spaces and new school architecture,
where the school is a “third teacher”, are elements that need to be taken in account?
Although at first sight architecture and pedagogy fields of study seem distant
from each other, the collaboration between the two disciplines is being more widely
studied and analysed. This chapter will tackle the fundamental question of whether
it is possible to overcome the traditional spatial rigidity which views “schools as
a factory, the child as its product, the teacher as a worker and curriculum as its
management system” (Imms, 2016a, pp. 151–52) and propose “new ways of doing
school” with new learning environments helping to drive new teaching methodologies
(OECD, 2009).
Why is the relationship between person, education and space so important? Education is a global process involving all the supportive structures for human life (Ruini,
2009). In this scenario, the school’s role is to support personal development in a
process where “the person shapes himself in order to become a person” (Maritain,
1943, p. 12). Teachers must be able to apply disciplinary knowledge and teaching
methodologies according to the integral growth of the student (Bertagna, 2006) so
that beyond just learning, dignity creativity and the basic right to schooling and
education are recognised for everyone (Mounier, 1935).
The relationships between education and schooling are complex because one
cannot educate without teaching, while it is easy to teach without educating (Arendt,
1961); the relationship that exists between the teacher and the learner is critical,
and this chapter argues that the spaces within which this relationship is enacted is
an element of this complexity (Byers, Imms, & Hartnell-Young, 2014). In the eighteenth century Jean Jacques Rousseau identified the importance of physical spaces
as the “third teacher” (Rousseau, 1762, p. 10), and wrote that “each of us is therefore made up of three kinds of masters” and that “education comes from nature or
from people or things” (Rousseau, 1762, p. 10). Later the educational philosophies of
Maria Montessori, Loris Malaguzzi and Trung Le reinforced this by emphasising the
importance of space working in partnership with the instructor in effective learning.
For example, in terms of furniture, the location of student and teacher desks can
influence students and regulate their behaviour (Foucault, 1975; Hall, 1959). The
teacher can be conceived as a theatre director who, by changing the teaching environment, can produce a different scenario and therefore introduce a new teaching
model (Gamelli, 2001).
Flexible school spaces are argued to allow adaptation to the different needs and
“multiple intelligences” (Gardner, 1993) of students; teachers can be modified over
time through an educational relationship involving all those participating in the
educational process. The analysis of data presented in this chapter starts with the relationships between people, education and learning environments, through the lens of
its potential to stimulate personalised learning. The student must be considered as a
human being (Bertagna, 2012) in a position to make choices, be independent, responsible, self-sufficient (Hoz, 1988) and conscious of his or her learning (Collins, 1991;
Dent-Read & Zukow-Goldring, 1997; Lippman, 2010; Santoianni, 2010). Personalised learning is the most useful strategy (Hopkins, 2008), so that each student
reaches the best possible results (Miliband, 2006).
Pedarchitecture: Which Learning Environments …
87
In order to understand how new learning environments can facilitate this type of
teaching methods and learning, it is important to study the complex interaction of
people, actions, education and school spaces. The school building can be seen as a site
for this; they represent a “pedagogical problem” because “the school environments
assume a fundamental importance for the educational process … and environment
in this sense means equipment, furnishings, teaching supports” (Coèn, 1965, p. 5)
as well as the relationships between the teachers and students. Any interpretation
of pedagogy must recognise an encompassing overall view of the total educational
phenomena, and within the chosen methodological orientation to accept that people
are the subject-object of research, and they are involved in all educational actions
related to them in concrete situations.
In the relationship between education and school “the building sets the method”
(Romanini, 1962, p. 21). “The question of the epistemological pre-requisite on the
person’s centrality” is fundamental (Pavan, 2003) according to those philosophical assumptions (Mertens, 2014) that recognise a strong orientative value (Mortari,
2012).
The analysis of educational actions is very complex and for this reason this chapter
argues it is a perspective that requires one “to base one’s intentionality on clear and
explicit paradigms, capable of nourishing the reading and interpretation of experiences” (Sandrone, 2010, p. 6). This is because the reality in which pedagogy takes
place is multifaceted, ephemeral and complex. So too must research be flexible;
“Every research takes place within the framework of a paradigm” that “guides action”
(Mortari, 2012) or may, explains Mertens, be “the way of looking at the world” (2014)
with a perspective that orients it. For this chapter an ecological paradigm has been
chosen using the lens of the European Personalist Movement (Emmanuel Mounier,
1935; Jacques Maritain, 1943; Paul Ricoeur, 1983) drawing on epistemological and
anthropological structures of the individual and the influence that learning environments have, along with proxemics dimension and strong symbolic value of furniture
present in the classrooms.
The research informing this chapter is aimed at understanding if learning spaces,
built according to an innovative pedagogical vision or modified at the organisational
and structural level, might (1) bring a change in teaching methodologies, (2) allow
greater collaboration and sharing of work among teachers and (3) improve the wellbeing, motivation and attitude of students at school. In order to get an understanding,
even if partial, of how learning environments can be structured in an innovative
flexible, beautiful and pleasant way, four schools, two in Denmark (Gentofte and
Copenhagen) and two in Italy (Mantua and Modena), have been analysed. As the
cultural context is different, we do not intend to make a comparison but rather analyse
how the educational spaces have been designed and/or reorganised with new technologies and new teaching that allows each person’s abilities development in personal
skills.
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M. F. Marcarini
Methodology
This research has an explorative character using qualitative survey techniques and
case study methodology. It is also focused on specific analysis by “mixing” the
Phenomenological-Eidetic and Grounded Theory methods, with a “hermeneutical
approach” (Mortari, 2012, p. 193). This has allowed a thorough understanding of
the situation in its uniqueness and specificity (Trinchero, 2002) and to simultaneously safeguard the features of real-life events (Yin, 2003). The research considered
numerous existing factors as well as some factors that were not fixed beforehand
(Trinchero, 2002). Four schools were chosen as examples which represented unique
situations (Merriam, 1998). The choice of multiple techniques was made to grasp
the multifaceted and varied reality of the analysed situations, but with the awareness
that the analysis is certainly partial and focuses only on some aspects rather than the
complete picture (Silverman, 2000).
An initial exploratory survey was made to choose the epistemic instruments and
better identify the research aspects and the interview questions. This included papers
and documents supplied by the schools (Staff of Hellerup Skole, 2012) or found
on-line, videos and photographs, direct observation of the school premises as well
as the observation of the interactions on the field. In this research, single and group
interviews were used, allowing the interviewer to give explanations in case of interpretative difficulties and, thanks to the group dynamics stimulating the interviewees,
allowing the researcher to obtain more detailed information. Trinchero (2002) makes
a distinction between “between group” interviews, in which the interviewer asks
questions to more than one person and more than one person responds, and “in a
group” interviews in which the interviewer asks questions to a person at a time, in
the presence of the whole group and only that person responds.
The questions were formulated quite homogeneously, with variations for some
questions depending on the different study years of students, thus the professional
focus of the teachers. The questions included in the survey concerned the possibility
of overcoming the traditional spatial rigidity to propose “new ways of doing school”,
and potential educational actions based on the concept of personalization of teaching
and learning.
The aim was to answer the following questions:
– How have teachers adapted their teaching to changing learning environments?
– How can the educational setting be changed for teaching and learning personalisation?
– What impact might new learning environments have on teachers and students’
perception?
– How can learning environments be redesigned in old schools with limited
investments?
Pedarchitecture: Which Learning Environments …
89
Case Study Sites
In essence, the schools presented in this research are very far from a functional
determinism that typifies the majority of schools built in the past. They are, each
in differing ways, experimental or progressive schools; this has allowed the stakeholders to appropriate the spaces and to change their role from “users” to “inhabitants” (Faiferri, 2012). They also allow teachers to propose new teaching methods
to students, and above all to develop a sense of belonging, feel well-being and feel
good at school as at home. This purposive sampling allows the research to properly
explore the stated research questions.
Denmark
In Denmark, the case study sites were the Hellerup Folkeskole in Gentofte, for
students 6–15 years old, and the Ørestad Gymnasium in Copenhagen for teenagers
aged 17–19. The choice of Denmark was made for three reasons. The first relates to
investments that have been made in the school architecture after the poor results in
the OECD-PISA 2000 survey. The second concerns the choice of two schools that
interpreted the Danish Government’s directions on education to design new schools
where it was possible to propose an innovative teaching method with the student as
the centre of the education process, acknowledging and utilising various learning
styles (McGrane, 2012). The third is historical: in Denmark since 1844 laws have
been issued requiring adequate and clean classrooms, stressing the influence of the
educational spaces on child development (Vindum, 2007). The “2000 Debate Paper
on Folkeskole Vision 2010”—states that a “radical change” of building projects is
needed so that there is an inevitable break with the traditional organisation of teaching
methods (Undervisningsministeriet-UVM, 1999).
The ambition was to change the school culture by changing the physical environment, so that teachers were put in a position to rethink their teaching practices and
forced to change the teaching methodology and their way of “doing school”. As a
result of that document the design and building of new schools has included input
from the various stakeholders, including children, because it is part of the school
change process to listen to the voice of the pupils with the intent of understanding
how the environment can be structured to make them feel calm, serene, peaceful and
able to learn (Juelkjær, 2012).
Hellerup Skole
Hellerup has about 650 students and is entirely an open space, spread over three
floors with the students distributed according to age. There are nine Home Areas
where students’ daily life takes place. The large central staircase, the “heart” of the
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M. F. Marcarini
school, connects the floors as a metaphor of life: one step a day to reach the goal
(AA.VV., 2012). Hellerup was built through the SKUB (The School of the Future)
programme developed in Gentofte and inaugurated in 2002. SKUB was a restricted
programme, but very significant because it created a trend in Europe proposing a
new vision of the school (Juelkjær, 2012).
The design of the building started with a pedagogical vision of an inclusive project
that involved the whole community (Woolner, 2010, 2015). The environmental qualities of the space now creates a pleasant and familiar atmosphere with muffled and
diffused sound, natural light from a ceiling skylight and no bell to demark lesson
times. At the corners of these areas there are the Home Bases, two by two-metre
hexagonal moveable structures where pupils sit to listen to teachers’ explanations
for about twenty minutes. They then choose where to sit and work where it suits
them at the tables, lying on the floor, on the sofas in the relaxation areas or on the
hexagonal-shaped steps.
Through observation one can see that thanks to careful planning and teachers’
collaboration, each student is engaged in their small or large group activities or alone
in complete freedom [1]. This enables the personalisation of student learning and
empowerment [2] and the teachers promote learning by trying to identify the nearest
zone (Vygotsky, 1980) of each student.
Ørestad Gymnasium
The Ørestad Gymnasium was built in 2007 in response to the Danish governments
new vision for the organisation of spaces in school buildings. With about 1200
students, Ørestad was designed on the principle of “one room, one school” [3].
Visiting the school for this project, it now presents as a large cube-shaped building
with several floors connected by a helix staircase, what feels to be the throbbing
centre of the school. The pedagogical goals of the school provide an interdisciplinary
synergy supported in part through the use of information technology to create a “paper
free school” with all the educational material being digital, and students only using
iPads.
The central core of the school is dominated by a large spiral staircase that dramatically links the floors. It is a space for relationships, a place for meeting and socialising.
There are few classrooms compared to the number of students because “school takes
place outside school” [4]. Through a network of companies, students have the opportunity to take some lessons outside the physical boundaries of the school. The school
is an “exploration ground where teachers constantly develop new methodologies
allowing each student to learn, be independent, develop their own opinions and to be
able to work in a team” [5]. There are several possible space lay-outs/settings available to teachers and students: open spaces for individual work; a meeting room where
students work in teams monitored by teachers; a classroom with glass walls; where
students attend brief quite didactic lessons; open areas that can be transformed into
large spaces where, for example, three teachers can work with about ninety students;
and a large room that can hold a very large number of students.
Pedarchitecture: Which Learning Environments …
91
Italy
Enrico Fermi Institute
In Italy, the Enrico Fermi High School in Mantua caters for teenagers aged 14–
19. Known as a high school of applied sciences, it is now an example of what is
possible in old schools with limited investment, but with concerted attention given
to innovative pedagogies and teaching methodologies. Fermi was the first school in
Italy to organise school spaces with “Readable Subject Classrooms” (Fig. 1) in the
2011/2012 school year.
The Fermi Institute has around 1800 students. It used to be a school with very
traditional teaching methodologies centreed on the teacher. In recent years, the headmaster’s vision has led to significant change, beginning with updating technological
infrastructure to allow for modern computer technologies. Following that, subject
classrooms were created and assigned to the teachers so that the students move at the
change of lessons instead of the reverse. Subject teachers share the same classroom
and have all the materials (personal computer, multimedia interactive whiteboard,
books) available for their lessons. The headteacher created in teachers a “sense of
urgency” (Kotter, 1996, p. 35) and an awareness of the need to change so that teachers
can “collectively” create this change (Armenakis, Harris, & Mossholder, 1993).
By dismantling the partition walls of some classrooms during the 2012/2013
school year, TEAL (Technology Enabled Active Learning) (Dori & Belcher, 2005)
classrooms (Fig. 2) with origami desks and Debate classroom were created (Fig. 3).
Redesign of some unused areas created informal spaces for relaxation and individual
Fig. 1 Languages classroom
Fig. 2 TEAL classroom
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M. F. Marcarini
Fig. 3 Debate classroom
Fig. 4 Widespread library
study. Financial investment has been limited, but what has been forthcoming has
assisted the development of revitalised pedagogical approaches, resulting in new
teaching methodologies and higher motivation and student learning [6].
In the 2020 school year, the new headteacher wanted to further improve some
areas of the school to meet emerging student needs, so new learning environments
were created. Spaces that had remained largely unused have become a widespread
library (Fig. 4), relaxing areas, and spaces for individual and small group study.
The headteacher, the teachers and the students were interviewed about the impact
of modifications and general reorganisation of the school spaces to make them more
innovative. In her interview the head teacher explained how she approached the
transition from a traditional situation to an innovative situation by trying to involve
some teachers. The important thing was that the headteacher had support from a group
of teachers who helped her in the reorganisation, and this motivated even the most
reluctant teachers. This is consistent with leadership’s need to create a fundamental
educational community (Sergiovanni, 1994).
IC3 Piersanti Mattarella
The IC3 Piersanti Mattarella in Modena, catering to students aged 11–14, is a comprehensive middle school. It was inaugurated in September 2016, and has become known
as an aesthetically pleasing and innovative institution. It now maintains tradition with
subject classrooms allocated to the teachers, with some spaces such as the library and
Pedarchitecture: Which Learning Environments …
93
the computer lab open to general use, and with an architectural project that reflects
the pedagogical project shared among teachers.
The IC3 Piersanti Mattarella in Modena has about 180 students and was inaugurated in September 2016, but its project dates back several years earlier. The building
was intended to be a primary school, but the needs of the neighbourhood changed
and consequently the project had to be revised.
A group of teachers proposed a review that included the creation of classrooms
assigned to teachers. Some of these “breakout or quiet area” (Nair & Fielding, 2005;
Sandri & Marcarini, 2019); named “L’isola che c’è—The island there is” (referring
to a famous Italian song titled “L’isola che non c’è”), (Figs. 5, 6 and 7), with a soft
corner enables the possibility of using them for individual study moments or very
small or peer group activities or for student with disabilities, so they can stay inside
the classroom with their classmates and not outside in a special room. Students’
personal lockers play an important role in the pedagogical project, as they stimulate
student autonomy and decision-making capacity. According to Romanini (1962),
the individual didactic locker must be comfortable and “inviting” similarly to the
affordance concept by Gibson (1979). Students are obliged to plan the organisation
of their teaching materials according to the lessons in the morning when they arrive
at school, at the interval and at the end of the lessons.
Fig. 5 Classroom plan with
“L’isola che c’è—The island
there is”
Fig. 6 “L’isola che
c’è—The island there is”
seen from the front
94
M. F. Marcarini
Fig. 7 “L’isola che
c’è—The island there is”
seen inside
Fig. 8 Spazio
L.E.O.—L.E.O. space
In May 2019 the L.E.O. (Learning Expression On-the-job) space (Fig. 8) was
created by the architect Francesco Bombardi. It is based on a design by Leonardo da
Vinci. It is a large space adapted to a multifunctional laboratory organised on four
“knowledge” rafts: Technological (Robotics/Virtual Reality/FabLab); Performance
(Videomaking, Radio, Podcast); Agri-food (Hydroponic Greenhouses, Microscopes,
Extractors, 3D Food Printing); Stage (Theater, Cinema, Debate).
The space is truly innovative and aesthetic, incorporating some specific technical
solutions: an industrial style ventilation system that keeps the room warm in winter
and cool in summer; the vertical sound-absorbing panels hanging from the ceiling
that allows each group of students to not disturb the others and the Carnovsky RGB
curtains (by Francesco Rugi and Silvia Quintanilla art designer) that favours a visual
separation of the different rafts and areas of activity, creating surfaces that interact
with different chromatic stimulus.
Method
The results are a selection of narrative material collected during the interviews from
the perspective of the interviewer. Regarding the interviews in Denmark, English
was used as the language during the interviews as it was a medium between the
mother tongue of the respondents, Danish, and the mother tongue of the researcher,
the Italian. Then there was a subsequent task of transcription and translation, with a
further interpretative passage.
Pedarchitecture: Which Learning Environments …
95
In Denmark, at the beginning of the interviews, photos of old schools or of very
traditional teaching methods were shown as a lead-in. At Hellerup the interviews
involved the headteacher, one teacher for 7–9 year old children (1st–3rd grade), one
for 10–12 year olds (4th–6th grade), one for 13–15 year olds (7th–9th grade), the
Coordinator of Students with Special Needs and a group of five students of different
ages (7th–9th grade). We also participated as observers in two primary school lessons.
At Ørestad the interviews involved the rektor, two teachers and a group of six
students of different ages, from first to third years. We also participated as observers
one large group lessons involving two classrooms students.
At Istituto Enrico Fermi in Mantua, videos of Danish schools were shown before
the interviews. The interviews focused on headteacher and on a group of six teachers
of the first and second years, a group of six teachers from third to fifth years. Both
groups consisted of high school and technical institute teachers. We participated as
observers in some classrooms and TEAL space during the lessons.
At IC3 Mattarella, the interviews focused on the vice-headteacher, two different
groups of five teachers and three groups of students; two groups of first and second
year, and a mixed group of first and second year. We participated as observers in
math and science classrooms during the lessons.
The survey questions were developed to address key issues’ through a literature
review and by reading and analysing the initial pedagogical projects of the two
Danish schools (Hellerup and Orestad) and Mattarella Institute. For Fermi Institute,
which had no written projects, but only educational practices related to activism,
we interviewed the headteacher and read some documents written by her. Some
indicators were identified to be able to detect during the observations, how teachers
carried out their didactic activities.
For the first question, the indicators aimed at observing: the duration of frontal
lessons; the use of new teaching methods (cooperative learning, individual activities,
work in pairs, in large groups or between two groups-class), ICT and new furnishings;
the use of alternative spaces depending on the activities to be offered to students (open
space, classrooms, relaxation areas) and doing the schoolwork given by the teachers.
For the second question the indicators concerned: the flexibility of the furnishings,
both in new schools where the furnishings had been chosen based on the activities
to be carried out and in the old school where have the same old furniture; the ease
reconfiguration of furnishings in new schools according to the activities proposed by
teachers, the objectives and the needs of the students; the teachers’ ability to “govern
the spaces” in an expert manner and not “suffer them passively”.
With the third question, through the observations and interviews, the reflections
and perceptions of the teachers and the students were captured. The teachers were
asked about the impact and effects of innovative learning environments in open space
schools and about the space reorganisation with “readable subject classrooms” at
Fermi Institute on: the students’ learning and motivation; the teachers’ work in terms
of ease of use of the spaces according to the proposed activities; the collaboration
among teachers for building the “bridge culture” and an educating community
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M. F. Marcarini
The students in the open space school were asked if the innovative and very
beautiful environments were: comfortable, motivating and useful to study better and
socialise with schoolmates.
The students in the Italian schools with “readable subject classrooms” were asked
if the new organisation, that expected their movement from one class to another,
was positive and useful and allowed for a better use of school space and a better
socialisation with schoolmates.
With regard to the last question for the Fermi Institute only, in addition to the
headteacher interview questions were asked about the masonry work to build the
TEAL classrooms, relaxation areas and spaces for individual study, and in the interviews to the teachers and students regarding the decoration of the subject classrooms
to make them readable, the space changes were also detected with a survey using the
school planimetry.
In terms of how the questions were addressed in the method, the first question “How have teachers adapted their teaching to changing learning environments?” was linked to observations conducted in each school. The teachers alternated
short lectures with explanations or slides of school work given to the students, or
programmed activities of cooperative learning. In the four schools the flexibility of
the spaces allowed teachers to programme activities in an innovative way: in small
groups, in large group with two or more classes, individually or even through new
methodologies by the flipped classroom or other methodologies.
The second question “What impact might new learning environments have on
teachers and students?”, asked teachers to explain what happened between them.
The new learning environments had “forced” them to collaborate with each other
and to use with the students a more empathic and less formal relationship. The same
happened with the interviews with the students: moving from one class to another,
allowing greater socialisation, and a factor of re-motivation and pleasure in the study,
as reported by the students interviewed.
The question “How can the educational setting be changed for the personalisation of teaching and learning?” highlighted the change that occurs in the setting
of learning environments, the teachers change the setting depending on the use of
different teaching methods that consequently allow to customise learning.
The last question “How can learning environments be redesigned in old schools
with limited investments?”, reflected the importance of highlighting that the fact that
there are many old but functioning schools, and explored how to adapt them to new
educational needs given that they cannot knocked down.
Results
Hellerup Skole and Ørestad Gymnasium
The teachers of Ørestad pointed out that the innovative architecture of the school and
the new technologies “nurtured pedagogy and allowed the flexible and structured use
Pedarchitecture: Which Learning Environments …
97
of learning environments” [7]. At Hellerup and Ørestad there appeared to be on-going
collaboration, facilitating new teaching strategies and collaborative lesson planning,
resulting in the recognition of the students utilising different learning styles (Dunn
& Dunn, 1978) [8]. Working closely together, the teachers of Hellerup shared their
knowledge and skills available in a way that built a Peer Education modality among
colleagues, as well as a mentality of sharing the materials produced, the teaching
strategies used, and the potential to personalise both learning and teaching [9].
In both schools the open spaces meant teachers had to be very open minded and
flexible because what one did was visible to everyone. It was an important aspect
from a psychological point of view as it helped teachers support each other and
share challenges. Teachers understood from the periodic tests and the results of the
examinations that this organisation allowed students to learn more, better and with
pleasure.
This developed a “bridge-culture” linking different levels (Sandrone, 2007), which
was seen as a more sophisticated strategy than team teaching (where teachers meet
in groups at predetermined times) (Bair & Woodward, 1964; Dean & Witherspoon,
1962). This bridge-culture also included structural and organisational components,
and allowed teachers to overcome the fragmentation of disciplines and the lack of
a unifying centre. According to students of both schools, the Cooperative Learning
and Peer Education methods allowed rapid, personalised and informal learning, as
theorised by Roger Cousinet (1952) [10].
To unpack this further, it should be noted the organisation of learning and teaching
spaces can be found in pedagogical activisms theorised by John Dewey (1915),
Maria Montessori (1921), Roger Cousinet (1952), Célestin Freinet (1946) and Loris
Malaguzzi and Reggio Children (1998), and supported by new technologies [11].
Here, the students are closely monitored by teachers who stimulate their learning
in different ways by trying to empower them in order to make them independent in
their itinerary and aware of their own learning characteristics, leading to personal
responsibility and a sense of meaning in their learning (Bonhoeffer, 1951). How
this looks in practice is students being grouped by teachers, sometimes working
in small groups, other times in large groups. This enhances socialising, learning to
collaborate, recognising that young people learn quickly and efficiently when they
work with a group of peers, and when they can take part in making decision on what
goals they want to achieve and how (Gòrkiewicz, 2016). In terms of this translating
to the physical environment, students are seen to be very good at interacting with
the environment, adapting to spaces, using every corner, and making the school a
place that feels like home (Volpicelli, 1964). In the school structures in this study,
they appear to feel totally free to choose the place where to study and move and they
think an open space “broadens the spaces of the mind” [12].
In both schools, students are not considered as a homogenous mass, but as unique
and original individuals, which reflects the concept of the Danish pedagogist Nicolai
F. S. Grundtvig (De Natale, 1980). In order to teach in these schools, it is imperative
to believe in the pedagogical project and work closely with colleagues at multiple
levels since this sparks a strong synergy among them. Consequently, design flexibility
that is aligned to these pedagogic principles allows students to leave the traditional
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M. F. Marcarini
“isolation and control school, governed by authoritarian transmitters of closed and
undisclosed knowledge” (Iori, 1996, p. 120). There is a flow of informal exchange
between teachers and students, creating a collaborative atmosphere and educational
community.
Enrico Fermi Institute and IC3 Piersanti Mattarella
In Italy the new organisation of learning spaces by switching to “Readable Subject
Classrooms” and TEAL classrooms obliged teachers to revise their teaching methods.
Traditional frontal teaching was reduced, and new methodologies introduced such
as Cooperative Learning, Debate and EAS (Episodi di Apprendimento Situato—
Located Learning Episodes) (Rivoltella, 2016) [13]. The use of new technologies
allowed teachers to bring the “school to children’s rooms” [14].
The teachers of both schools appreciated the opportunity to share the classroom
with their colleagues because they had their material available without having to
move continuously from one classroom to another [15]. Again, this modality created
the bridge-culture referred to earlier in this chapter. The drawback was the lack of
informal exchange with the colleagues of the same class. Teachers helped by students
personalised their classrooms and it allowed them to better enhance the creativity of
the students and to keep the rooms beautiful and tidy (Fianchini, 2017).
Teachers agreed, however, that new teaching methods increased the students’
attention and motivation, and enhanced positive learning, learning behaviours and
discipline management [16].
In the interviews students appeared thrilled because they could move from one
classroom to another at the change of a lesson, and allowed for a break of “decompression” and an increase in relational exchange and socialisation with students of
other courses [17]. The classrooms became “readable” because the students could
personalise them with their teachers. Students claimed they were enthusiastic to go
to school because they found it to be a comfortable, familiar environments where
they learned without anxiety. It was, they claimed, an environment that made them
feel comfortable, being “the fuel of motivation” [18].
The same was found at IC3 Mattarella school. The possibility of using flexible
spaces allowed changes to the physical classroom setting and the capacity to propose
different organisational solutions and teaching methods [19]. Thus, space became
“…a pure form of intuition that anticipates every representation of sensibly given
objects” (Heidegger, 1996, p. 29). In this school at the time of the research every
teacher had their own classroom, but in upcoming years, the intention was the teachers
had to share their classrooms, due to increasing students number from 180 students
to about 300 [20].
The student lockers were very important because they represented a place of
meeting, exchange and socialisation [21], as well as a symbolic space; a kind of nest
that was immediately associated with the image of the house (Bachelard, 1957). These
Pedarchitecture: Which Learning Environments …
99
were seen as an intimate space and also a “vital space” (Lewin, 1936), where, behind
the objective vision, there was the vision “of the imaginary” (Moles & Rohmer,
1982).
Discussion
Looking closely at how the organisation of learning spaces interacts with the didactics (pedagogy) of teaching, it is possible to identify the pedagogical activism of
John Dewey, Maria Montessori, Roger Cousinet, Célestin Freinet and Reggio Children. The structure of an environment in a rigid and disciplined way can be considered an artificial device which, acting on the student, “forces him to operate and
behave in a certain way” (Bertagna 2010, p. 301). Changing learning environments
requires a change in methodology to personalise teaching and learning, so a very
important factor is how teachers think about their teaching role in the new learning
spaces. Hattie and Zierer (2018) have defined ten mental frames or behaviours
that teachers should adopt to maximise student success. In essence, the quality of
professional action depends on critical reflection on professional practices, so as to
constantly, consciously and critically modify one’s actions, and innovative learning
environments help the teacher to reflect on their teaching practices (Schön, 1983).
Data collected for this project in selected progressive schools where a symbiosis
exists between special design and teaching practices, puts the teachers as proponents
of a new vision of “doing schools”. Here, teaching and learning are increasingly
placed within a dimension of collective practice that builds together shared social
meanings (Zuccoli, 2017) to make the school a real third educator. Therefore, the
professionalism of the teacher and his or her actions between theory and practice
are in a constant dialectic relationship: the teachers’ reflection on her or his actions
can help them become aware of their tacit professional practice so as to place them
in a critical analysis of their actions and to intervene promptly when difficulties
arise. The idea of reflective practice “leads to new conceptions of the relationship
between teacher and pupil and would certainly lead to an improvement in professional
practice” (Schön, 1983, p. 336).
Artificial, natural, biological, family or community devices can be considered
as a set of practices able to capture, orient, determine, intercept, model, control
and ensure not only gestures and behaviours, but also opinions, beliefs, discourses,
and meanings expressed by “human beings”. Each device acts and plays a decisive
role, albeit with different modes and forces depending on the situation, in subjecting
the people who are born to the already existing and established natural, technical,
artificial, family and community rules and balances of such institutions. However,
it is possible the teacher’s role is emptied of emotional contents because it ends up
becoming “teaching without saying anything about oneself, complaining of a too
superficial and passive listening on the part of the students who retire at the margins
of the formative process” (Gamelli, 2001, p. 110).
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M. F. Marcarini
The school spaces are not only the places of “teaching practice”, but are “places
of life” in which one establishes “educational relationship” and “existential relationship” (Gennari, 1988; Iori, 1996). For these reasons it is very important that the school
spaces are beautiful, where students and teachers feel well, in serenity and well-being
(Iavarone, 2008; Avalle, 2009). In fact, neuroscience research tells us that space and
objects presented in an environment are mapped by our body that physiologically and
emotionally empathises with the surrounding environment through mirror neurons
and then coded through the sense-motor, emotional and hedonic circuits and only
then we have the positive or negative awareness of our experience (Gallese, 2013;
Gallese & Gattara, 2015; Mallgrave 2013).
All these experiences remain in our emotional memories through emotional short
circuits. A mechanism of connection between cognitive and emotional aspects is
regulated by the amygdala. If, while learning, we have positive emotions, we will
easily and with pleasure remember what we have learned, but if learning is linked to
painful memories, the suffering linked to that negative situation will emerge in the
memory because, with this information negative emotions are also coded (Goleman,
1995).
The amygdala manages the basic emotions and it is the archive of emotional
memory, in situations of anxiety and fear stimulates the escape, even from memory.
An educational caress and a feeling of well-being command the production of neurotransmitters in the hypothalamus linked to the oxytocin hormone that regulates
anxiety and produces feelings of well-being. For this reason, it is necessary to associate positive feelings when learning because only in this way the memory will be
pleasant (Ledoux, 1996; Lucangeli, 2017).
In learning environments that are pedagogically focused but also designed to be
beautiful and with flexible furnishings that meet and educational needs of students,
everyone feels recognised, supported, appreciated and valued. Students feel good
and this improves study and school performance (Barret et al., 2015; Horne-Martin,
2002, 2006). In a new organisation of learning environments with an idea of school
as a third teacher, the classroom can be thought of as a backstage of theatre and
the teacher as an educational director who can propose a new didactic model with a
plurality of proposals that can stimulate learning personal itineraries (Gamelli, 2001;
Rivoltella, 2012).
According to Rivoltella, “teaching is technology of performance” (2012, p. 159)
and there are two instances that link the text to teaching. The first concerns the text
intended as a lesson or laboratory activities that must be programmed according to
a precise scheme, as a theatrical or cinematographic script; the second is related to
the text intended as a “textbook” or other medium that serves the teacher in his own
didactic action.
In these schools the perspective has been inverted compared to the past in which
the teacher was at the centre of the teaching-learning process; it is now necessary to
focus on the student and on her or his educational dimension, through appropriate
educational choices that are in relation to his or her real educational needs.
The design of an educational environment represents the process of attributing
meaning to environments, defined as “semantotopic” (Franceschini & Piaggesi, 2000,
Pedarchitecture: Which Learning Environments …
101
p. 55). In order to design a physical space, that is, a “topical text”, the designers
and the beneficiaries of the space must share the same meaning as well as refer
to semantics. The environments offer “affordances” (Gibson, 1979, p. 205), which
is a kind of “invitation” through the existing objects that guide actions. The environmental organisation acts in an invisible way through the “invisible” (Bernstein,
1979, pp. 192–224) or “latent pedagogy” (Bondioli, 2008, p. 14) which is passively
accepted and experienced by teachers.
This chapter uses data from four exquisite schools to emphasise fundamental
concepts that guided the design and/or reorganisation of the spaces: readability, flexibility, semantotopics, affordance and invisible or latent pedagogy. The readability of
the spaces refers to the possibility of categorising and recognising them immediately
through certain elements that allow their orientation (Kaplan, 1987; Lynch, 1960).
There must be an “intrinsic flexibility or actual variety” that is what architects call
“built-in-flexibility” (De Bartolomeis, 1983, pp. 188–94). And these qualities must
be measurable (Imms, Cleveland, & Fisher, 2016).
Conclusion
Célestine Freinet claims that, if modernisation is made possible in the classrooms
and learning spaces, it is also possible to modernise teaching (Freinet, 1946). In the
schools presented in this chapter, learning environments and new technologies are
seen to help teachers to modify teaching. But not all teachers take advantage of their
potential. The temporal quality of change may be the key—time may allow some
teachers to use these new environments in positive ways and move away from the
certainty of established practices (Imms, 2016b). This step is complex because it
does not represent an adjustment of methodologies, but a total transformation that
challenges every aspect of the system: from identifying the roles that are played
within the school (Osborne, 2016), to the duration of the lessons that would be less
fractionated. Time and space go hand in many circumstances and they are assimilated
by expressions such as “measure”, “distance”, “interval” that are applied to both
(Minkowski, 1968); for this reason, changing the spaces means it also becomes
almost necessary to modify and merge the way we address timetabling in schools.
The innovative structure of learning environments with the high-tech classroom
and “variable geometry” settings (Ferri, 2011) has allowed the introduction of new
teaching methodologies and learning personalisation. In the four schools presented in
this chapter, the students agreed that teachers were not always expert in technologies,
nor in arbitrating types of learning.
It becomes important to start from the space, its organisation and new technologies
in order to propose a new teaching model where at the centre there is no longer the
teacher but the learner, as the conscious protagonist of his own learning. Teacher adaptation to new learning environments requires changing teaching practices because
the knowledge must be constructed by the learner (Jonassen & Land, 2012). Success
will be more likely if headteachers build change processes, adopt a leadership style
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M. F. Marcarini
appropriate to the context and engage in participatory planning, problem solving and
promoting the creation in the teachers a sense of utility (Osborne, 2016).
In this study some categories have been identified in a way that they describe
pedagogical facts, opinions and behaviours representing the meaning they expressed.
Although the results of this study cannot be generalised, they represent a useful
point of specific analysis of pedagogical architecture and heuristic value for any
subsequent investigation. “Pedarchitecture” seems to be the right word to highlight
the link between pedagogy and the architecture of learning spaces.
Part of this research was published in the book “Pedarchitettura. Linee storiche
ed esempi attuali in Italia e in Europa—Pedarchitecture. Historical lines and current
examples in Italy and Europe, Studium, Rome 2016”.
Data utilised in this research was obtained in adherence to the required ethical
protocol of the author’s host institution. All images and diagrams are the property
of the author, or the author has obtained consent to use them from the appropriate
copyright owner.
Endnotes
[1]
[2]
Hellerup—observation protocol.
Hellerup—pedagogical project: https://hellerupskole.aula.dk/ last visit
10.04.20.
[3]
Ørestad—rector’s protocol interview and information on: https://www.oer
estadgym.dk/in-english/about-oerestad-gymnasium/ and https://www.you
tube.com/watch?v=dEla4CltzmI last visit 10.04.20.
[4, 5] Ørestad—rector’s protocol interview and pedagogical project: https://
www.oerestadgym.dk/in-english/about-oerestad-gymnasium/ last visit
10.04.20.
[6]
Fermi—headteacher’s protocol interview.
[7]
Ørestad—teachers’ and rector’s protocol interviews and information on:
https://www.oerestadgym.dk/in-english/out-teaching/ last visit 10.04.20.
[8]
Hellerup and Ørestad—teachers’ protocol interviews.
[9]
Hellerup—observation protocol.
[10]
Hellerup and Ørestad—students’ protocol interviews.
[11]
Hellerup and Ørestad—observation protocols.
[12]
Ørestad—students’ protocol interview.
[13]
Fermi—observation protocol.
[14]
Fermi—headteacher’s protocol interview.
[15, 16] Fermi and Mattarella—teachers’ protocol interviews.
[17, 18] Fermi students’ answers to protocol interview.
[19]
Mattarella—observation protocol.
[20]
Mattarella—teachers’ protocol interview.
[21]
Mattarella students’ protocol interview.
Acknowledgements I would like to acknowledge, many people who have helped me: A/Prof.
Wesley Imms, Joann Cattlin, Dr. Marian Mahat, Prof. Giuseppe Bertagna; Prof.ssa Giuliana
Pedarchitecture: Which Learning Environments …
103
Sandrone; Alessandra Cenerini, Norberto Bottani and ADi (Italian Teachers and Headmasters Association); Prof. Alastair Blyth, Lene Jensby Lange; Cristina Bonaglia, Marianna Pavesi, Marilena
Paolino and the teachers and students of Enrico Fermi Institute (Mantua); Allan Kjær Andersen and
the teachers and students of Ørestad Gymnasium (Copenhagen); Jørn West Larsen, Lasse Reichstein
and the teachers and students of Hellerup Skole (Gentofte), Daniele Barca, Cecilia Rivalenti and
the teachers and students of IC3 Mattarella (Modena). Data utilized in this researchwas obtained in
adherence to the required ethical protocol of the author’s host institution. All images and diagrams
are the property of the author, or the author has obtained consent to use them from the appropriate
copyright owner.
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recently published the book “Pedarchitettura. Linee storiche ed esempi attuali in Italia e in Europa.
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Using Fällman’s Interaction Design
Research Triangle as a Methodological
Tool for Research About Reading Spaces
in Schools
Emma Dyer
Abstract This chapter describes the innovative use of a pre-existing framework
from the field of Human–Computer Interaction to explore and reimagine reading
spaces for beginner readers in primary schools in England. The chapter details the
four phases of the research study, from a conceptual level to a physical outcome (a
reading nook), the latter providing secondary findings about the value of secluded
reading spaces for students in two English classrooms. In adapting and developing
a design methodology within an educational context, it is hoped that this research
will stimulate communication and dialogue between architects, educators, policymakers and students. It also offers a contribution to the challenge of improving
school design for pupils and practitioners by offering a framework through which
education, specifically reading, can be viewed through the prism of design.
Introduction
The curriculum, the rule book, the head teacher’s policy, the staff hierarchy, the
punishment regime and other socially prescribed matters may appear to exert a far
stronger influence on the way a school works, but the spatial setting is nevertheless
ever present and never neutral, for it always makes some patterns of use easier and
others more difficult. We become blind to this once habituated in the use of a building,
for it seems just to be there, and we have to make an imaginative leap to envisage
how it might be otherwise (Blundell Jones, 2014, p. 13).
In this short extract from a chapter about the historical development of the school
building and the articulation of territory, the architect and academic Peter Blundell
Jones reminds us how significant but also how easily overlooked the role of spatial
setting is in schools. In this chapter, I describe how I adapted a framework from the
field of Human–Computer Interaction (HCI) to document and record a particular type
of unattended-to space in school: those where young children learn to read. Blundell
Jones suggests that an imaginative leap needs to be made in order to re-envisage
E. Dyer (B)
Independent Scholar, London, UK
e-mail:
[email protected]
© The Author(s) 2021
W. Imms and T. Kvan (eds.), Teacher Transition into Innovative Learning Environments,
https://doi.org/10.1007/978-981-15-7497-9_9
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forgotten spaces like these but taking such a creative leap is not easy and requires
support and inspiration. Here, I demonstrate how I was supported in this through
this HCI framework; how this resulted in new knowledge about beginner readers in
school; and how this led to the development of a tangible, physical reading space for
young children.
This methodologically innovative framework was originally developed by Daniel
Fällman in collaboration with his colleagues at the Umeå Institute of Design in
Sweden. The framework, described explicitly in Fällman’s 2008 paper The Interaction Design Research Triangle of Design Practice, Design Studies, and Design
Exploration, reflects the complex and interactive nature of design research while
maintaining a strong focus on the relationship between design and the end-user.
Throughout this chapter, I use the example of my doctoral research about the relationship between inexperienced readers and the school environment to show how
this framework can be used to reimagine spatial settings and practices in school
buildings. However, since this study was completed, I have begun to investigate the
design of therapeutic spaces in schools, where children might receive counselling or
therapies, using the same framework.
In exploring the use of this methodology, my doctoral research benefited from a
collaboration with an architecture practice, SCABAL and an industrial partner, Jenx.
These partnerships enabled me to realise a level of design that would not have been
possible without their insight and support.
The Methodological Framework
Figure 1 shows a simplified version of a diagram from Fällman’s 2008 paper that
gives an overview of his framework. It consists of three non-hierarchical elements or
activities: design studies; design practice and design exploration, each of which has
a distinct character. Design studies is a discipline familiar to academic researchers,
necessitating a comprehensive, multi-disciplinary review of the literature, but it also
requires precedents of design innovations to be reviewed. Design practice brings
matters of budget, materials, time, communication with stakeholders and other realworld problems into the equation, while design exploration asks “What if…?”,
prompting the researcher to imagine benefits to the individual end-user and to society
at large through experimentation and subversion of objects and practices that are taken
for granted and habituated.
The separation of these three elements of design into their triangular formation
with a single element at each vertex allows the researcher to choose which combination of two elements of design research they wish to explore at any one time. By
isolating one element, the researcher is free to explore the remaining two research
activities that may be compromised or complicated by the third. For example, when
moving between design studies and design exploration, the researcher can explore
new designs and draw on existing precedents without having to focus on the practicalities of the available budget or suitable materials. As there is no prescribed order
Using Fällman’s Interaction Design Research Triangle …
111
Fig. 1 An overview of Fällman’s interaction design research triangle of design practice, design
studies, and design exploration Source Daniel Fallman, ‘The interaction design research triangle
of design practice, design studies, and design exploration’, Design Issues, 24:3 (Summer, 2008),
pp. 4–18. © 2008 by the Massachusetts Institute of Technology
for using the framework, the researcher can move between activities as they see
fit and at their own pace. The only stipulation for using the framework is that one
outcome of the research process must be a designed artefact. This may be virtual or
physical.
Three Initial Research Phases
The use of the conceptual research model from the field of Human–Computer Interaction (HCI) highlights the interaction and the interdependence between the physical,
sensory requirements of the pupil in school and their surroundings. Literacy education in schools has commonly accorded little importance to the bodily and emotional
needs of the novice reader but, as Mayall, Bendelow, Barker, Storey and Veltman
remind us, “[c]hildren bring their bodies and emotions to school every day not just
their minds” (1996, p. 1). In my study, the body and emotions of the beginner reader
were carefully considered through the design of an artefact, a child-scaled classroom
reading space, known as a nook.
Edgerton, McKechnie and McEwen argue that “in assessing the impact of education, researchers have tended to focus on what is taught or how it is delivered. Limited
attention has been paid to where pupils learn” (2011, p. 34, emphasis added). This
prompted the first of two research questions, “Where do beginner readers read in the
contemporary English, mainstream primary school?” This question identified a gap
in knowledge about the types of spaces where beginner readers read in school and
the qualities of those spaces. My second research question, “Where could beginner
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Fig. 2 Three phases of Fällman’s triangular model
readers read in the contemporary English, mainstream primary school?”, addressed
a propositional design approach, emphasising the complex interaction between the
body of the reader and the environment in which they read.
Figure 2 illustrates the way in which I used Fällman’s triangular model to frame
my study with the arrows demonstrating the direction of the research. Phase one and
three were imaginative interpretations of academic and empirical research while the
latter was the focus of phase two. Figure 3 maps how the methodology guided the
specific activities undertaken during my doctoral research as a whole and includes a
fourth, post-doctoral research phase that I describe briefly at the end of this chapter.
Phase One: Design Studies and Design Exploration
Phase one of the study entailed assembling a rich body of relevant academic research
and precedents to use when designing a propositional reading space. This initial
research was inspired by my work as a Reading Recovery teacher in a London
(UK) district notable for social and economic deprivation which had prompted me to
consider the vital importance of the school building for children who have little space,
attention or comfort in their own homes. My pedagogical, spatial and emotional experiences of teaching reading with children aged five and six were poorly represented
in the literature of reading and literacies or that of school design, leading me to
identify a significant gap that needed to be explored further. Although I encountered many excellent articles dedicated to a developmental analysis of inexperienced
readers, there was little acknowledgement in the literature as a whole that inexperienced readers are more dependent upon a supportive physical environment while
they learn to read than fluent readers or that the body of the reader is a significant aspect of reading. Despite this absence of scholarship about the spaces where
Using Fällman’s Interaction Design Research Triangle …
Fig. 3 Phases of research
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beginner readers read and of the reading body, I discovered several useful texts about
aspects of reading that, when applied to beginner readers, helped me to build a picture
of their needs within the school environment. I then examined the current reading
curriculum and system of assessment for reading and standards for the design of
school buildings with respect to qualities of design, such as acoustics, that might
adversely affect beginner readers, who generally learn to read in school by reading
aloud. Although I had difficulty in finding any examples of spaces in schools that had
been designed specifically by designers and architects for beginner readers, I found
examples of design for quiet, nurturing spaces in schools and library spaces that,
while not specifically attending to the needs of beginner readers, were well-designed
to accommodate all readers.
Fällman’s framework, having been developed to aid Ph.D. students in his department, also supported a more traditional approach to doctoral research in this phase of
the framework by supporting the development of a comprehensive literature review
that identified three significant gaps in scholarship relating to reading and spatial
settings:
– The relationship between reading pedagogies, practices and routines and the
spatial arrangements inside and beyond the classroom for beginner readers
– A conceptualisation of reading in relation to the physical body of the beginner
reader in school
– The current practice of designing reading spaces by teaching staff in primary
schools.
The requirement of the framework to explore design studies in tandem with the
second element of the framework (here, design exploration) led to an investigation
in this phase of how readers might respond to the physical environment of the school
building and how they use their bodies to read. Reading demands a high level of
concentration and when this has not yet been habituated, non-fluent readers are often
easily distracted and prey to interruption. They also rely on good acoustics to distinguish between the sounds (phonemes) being taught to them by their teachers and to
relate these to the letters (graphemes) that they are learning. Despite this, it appears
that school buildings are often poorly designed for novice readers, who often learn
in open, noisy spaces with challenging acoustics. Scholars of reading often take
for granted the assumption that the body of the fluent reader is absent, cocooned
and unaware, whereas my own theoretical perspective of reading, influenced by the
phenomenological texts of Merleau-Ponty, draws on a conception of reading as physical and sensory, as expressed very powerfully by McLaughlin in Reading and the
Body (2015). Having contextualised my own understanding of fluent reading as a
physical, bodily activity during which the reader learns to habituate and conceal
the physicality of the experience to themselves in order to promote full concentration upon the text, I extrapolated the qualities that differentiate expert readers
from beginner readers. I then sought precedents of reading spaces inside and beyond
the school building that could compensate for the differences between experts and
beginners, primarily attending to the vulnerability of beginner readers to unwanted
Using Fällman’s Interaction Design Research Triangle …
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distraction and interruption within the school building. These precedents formed the
basis of the first design of the nook.
The design studies element of Fallman’s framework prompted a review of the
literature of how reading is taught in English schools and of policies relating to the
reading curriculum and to assessment. This provided rich, contextual information
that supported the design of a reading artefact. I found that a dominant paradigm for
the teaching of reading in contemporary English primary education had become
increasingly strong since a change of government in 2010. Fundamental to this
paradigm is a programme of synthetic, systematic phonics. In the first year of formal
education, Year One, when students are five or six years old, the reading ability
of all students is assessed by a statutory, national pass or fail examination. Every
child in school in England must pass this test or retake it in the following year(s)
until they do pass, with few exceptions made for children with special educational
needs. Schools that administer the test incorrectly can be reported to the national
maladministration hotline and their status as a school may also be under threat. Any
physical, material designs for reading activities and for readers in the primary education system in England therefore needs to take account of this model and delivery
of the teaching of reading. Although I disagree with this cognitive-developmental
paradigm for the teaching of reading, I recognise that this model of literacy education in England is delivered through a central government-controlled curriculum and
assessment model that punishes any school that fails to enforce it to the letter. My
aim in moving between the design studies (academic research) and exploration (an
imaginative response to this knowledge) phases during this part of the project was to
propose design interventions to ensure that every reader could succeed within that
pedagogic model. Consequently, the nook design reflects this paradigm of reading
education but also attempts to create, through design, a more reflective, nurturing
environment for reading for the children who are currently moving through this stage
of the educational system.
The design exploration element of this phase, prior to the realisation of the first
version of the nook, was primarily achieved through the development of a design
brief for the nook, a designed artefact being a requisite of the framework. During
this first phase, I needed to find a method of communicating aspects of the academic
research I had undertaken about reading and readers to the architects who were codesigning the nook. They suggested that I created a design brief for them: a medium
with which they were familiar and which inhibited the possibility of an esoteric
explanation of reading and readers in schools. They responded imaginatively to the
brief with sketches and drawings. Using Fällman’s framework also allowed us all
to temporarily put aside the practicalities of the materiality, assembly and financing
of a prototype nook. Eventually, the architects created a series of two-dimensional
plans of the nook and a computer aided design programme (CAD) was used to create
a virtual model of the design, marking the end of phase one.
Phase one concluded with the synthesis of the design studies and design exploration activities as shown in a preliminary plan of the nook designed with SCABAL
architects. The nook design addressed findings from the academic research, including
evidence gathered from several fields to suggest that young readers are directly and
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adversely affected by the poor design of school buildings, in particular, poor acoustic
design. Several cohorts of children who are learning to read are particularly disadvantaged by noise in their school due to impaired hearing; autistic spectrum disorder
(ASD); and those for whom English (in English-speaking schools) is not the first
language. It also became apparent that acoustic standards vary within English schools,
according to the types of space where readers learn. Designated teaching spaces, such
as classrooms and small group rooms must be constructed to a higher acoustic standard than non-teaching spaces, like dining halls and gyms and if there are few small
group rooms available, then beginner readers are far more likely to be learning in the
reverberant acoustic of a hall or corridor.
Phase Two: Design Exploration and Design Practice
In the second phase of the project, with the idealized, imaginative concept of a reading
nook in mind (the design exploration element), I began my empirical research in
schools (design practice). This phase had two main objectives: firstly to ascertain
exactly where within the school building beginner readers read and secondly to
consider whether these spaces met the needs of readers and teaching staff. Having
already completed an initial design for a nook, this phase allowed me to investigate whether this prototype would be suitable for schools and contribute to a better
experience of reading for young readers.
Seven schools in London were chosen to reflect diverse eras of building (between
1887 and 2012) and socio-economic circumstances of pupils. In each school I
observed teaching and spatial practices of reading in a Year One classroom; recorded
conversations with children and teaching staff about reading and reading spaces;
measured and photographed examples of reading spaces designed or commissioned
by teaching staff. I was led on individual guided tours of the school by six children
from one of each of the Year One classes. I also investigated whether children who
were identified by their teachers are less proficient than their peers in Year One class
were more likely to be withdrawn for extra tuition to a space beyond the classroom
and where each of these children was taken for reading tuition.
To fulfil my first objective of locating the reading spaces where readers read, I
documented every space that a child indicated to me on their tour as somewhere
they had read. They guided me to reading spaces in classrooms and corridors; to
screened-off corners of assembly halls; to bespoke, hand-crafted reading pods and
to Perspex pods in full view of anyone who might pass by. Some beginner readers
showed me to beautifully designed, secluded structures that afforded privacy and
comfort while others pointed out dusty corners and plastic crates of books.
I also discovered that the qualities of designated reading spaces sometimes varied
greatly between classes in a single school. Although the classroom footprint was
generally broadly similar, the design skills and experience of the teaching staff and
their ability to access resources (both material and financial) meant that reading
spaces in different classes in the same school could be quite different in intention
Using Fällman’s Interaction Design Research Triangle …
117
and execution. Many of the teachers I spoke with did not make a connection between
the qualities of reading spaces and the child’s experience of reading although each
one of them expressed a deep enthusiasm for promoting reading and were passionate
about children’s literature.
The co-ordination of design for reading across the school outside the classrooms
was haphazard in every school I visited. Library spaces, with poor acoustics but often
beautifully designed furniture, were often used for the tuition of beginner readers.
Classroom spaces, by contrast, usually had superior acoustics but were generally
poorly provided with comfortable furniture or sufficient display and storage of books.
Additionally, teachers were often unsure where their pupils had been taken for their
supplementary reading tuition by teaching assistants and had little or no input into
the design of these spaces.
A strong recommendation arising from this study is that schools should be encouraged to make an audit of reading spaces outside the classroom as the first step towards
improving design to support all readers in the school building. A simple taxonomy,
such as the one below, summarising the spaces where children read across the seven
schools I researched, could be a starting point for such an audit (Fig. 4).
Fig. 4 Mapping the types of spaces where readers read in school
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E. Dyer
Phase Three: Design Practice and Design Exploration
In the third phase of the research, I returned to the nook artefact and to the second
design phase while also attending to the practical considerations of budget, materials,
time and dimensions of the nook so that it could be realised as a physical object to be
used in further research in schools. Having created a virtual nook during the design
exploration phase, I was able to assess the viability of the design in each of the seven
schools visited during the course of the study. Following these visits, I made the
decision that the final nook design should be viable in each of the seven schools to
ensure equality of opportunity for all pupils, no matter which school they attended.
Two of the classrooms visited were notably smaller than the other five and this led
to significant design changes in its dimensions, including the removal of the bulky
seat/bench and the introduction of a far smaller entrance to the nook. The latter
meant that the nook would no longer double as a teaching space since access would
not be possible for some adults. In my survey of Year One classrooms I had also
observed that only three of the seven schools would have been able to accommodate
the ventilation system designed by the architects for version one of the nook because
it depended upon access to an outside wall. This, in turn, substantially limited the
affordance of the nook as a soundproof space. To compensate for this adaptation, a
greater focus on visual seclusion was introduced. Having witnessed children reading
in a large, transparent pod, which reminded me of a goldfish bowl, this increased
visual seclusion also eased my worry about the transparency of Perspex in the original
design. No one wants to be watched when they are learning a new skill.
Having completed the second design, I was aware that the cost of financing a
physical model of the nook to scale would be well beyond my means as a graduate
researcher. A postural support manufacturer, Jenx, generously offered sponsorship
at this point to complete the final design and modelling of a series of nooks made in
their factory. They also ensured that all safety specifications were fully met so that
the nook could be researched in schools (Fig. 5).
The second version of the nook now offered an alternative, protective space within
the classroom where students could share books together or enjoy reading alone.
During my empirical research in schools I had also found that storage and display
for picture books were poorly provided for in classrooms. Ample provision for the
display of books of all sizes that were easily accessible to students therefore became
a priority during this redesign.
An Extension of the Project into a Fourth Phase of Study
Children make a beeline for it. It’s something children would never get bored with.
We have powers in here!
We’re on a spacecraft. Everyone in their seats? I’m ready to blast off and see some stars!
(Comments about the nook by staff and children)
Using Fällman’s Interaction Design Research Triangle …
119
Fig. 5 The reading nook
Following the completion of my doctoral research project, but continuing with the
design exploration and practice elements of Fällman’s framework, two nooks were
funded, built and installed by Jenx in two inner-London schools. Neither school had
taken part in the original study. I visited each school on six occasions to observe how
children and staff responded to their nook. Each nook was set up in a corner of a
Year One classroom but since they were fabricated from cardboard, the nooks were
easy to move within the classroom and teachers were able to experiment with their
positioning.
The application of Fällman’s framework supported this fourth phase of research
in its five aims:
– To observe where, when and how beginner readers read within the Year One
classroom inside the nook.
– To observe how the reading nook space is inhabited and managed by children and
teaching staff.
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E. Dyer
– To evaluate the designed qualities and affordances of the reading nook through
observation and conversations with children and teaching staff.
– To record uses of the reading nook beyond reading.
– To consider the viability of further applications of the reading nook beyond
reading.
The opportunity to construct a physical outcome to the research project led to the
second set of research findings about the ways in which the nook was used in a real
school setting. The nook offered a non-narrative, imaginative space in which children
could read, reflect, rest or play. Although reading was encouraged in both of the two
classrooms researched, it was not enforced. I observed that children’s interactions
inside the nook were often notably more playful than in other areas of the classroom.
Children’s use of language inside the nook, in which they were visually but not orally
concealed from the rest of the class, was also playful: sometimes pre-verbal, poetic
and sung rather than spoken.
The nook was used and enjoyed by the class in different ways in the two schools.
The personality and teaching style of the class teacher were particularly influential in
dictating how the nook was received and used. In School A, the teacher used the nook
in a more limited way, mostly for guided reading sessions and some free play. The
timetable in this school was rigorous and less exploratory than in School B, where
the teacher used the nook in many different and imaginative ways: for reading, for
imaginative play and to help the children to learn how to negotiate boundaries and
spaces and to learn how to get on with each other in the classroom. She also made
the arrival of the nook into an exciting event for the children and this resulted in an
imaginative response through drawings and stories about the nook by the children.
As a result, the nook in School B seemed to be a more integral part of the classroom
and several children in the class were eager to use it as often as possible. It may
be, as the teacher suggested, that some of the quieter children found the nook too
overwhelming as a space when other children were playing inside and only ventured
in when they could be alone or with one other child.
In one of the schools, the premises manager was extremely enthusiastic about the
project and began to create his own version of the nook so that other classes could
share in the experience. Additionally, children with special educational needs from
other classes were sometimes brought to the Year One classroom where the nook
was located, when the class was absent from their own room, to spend time there
with a member of staff. On one of these occasions, it was reported to me that a child
with elective mutism had begun to speak inside the nook for the first time.
The nook fulfilled a dual role in both classrooms, as a reading space with accessible
display shelves for books on its exterior walls and as a role-play area. The dimness
of the light inside the nook also provided a space where children could find solace
and calm down when they were feeling overwhelmed or overstimulated.
Using Fällman’s Interaction Design Research Triangle …
121
Conclusion
The framework described in this chapter offered a creative, real-world and conceptual
way of exploring how reading spaces are designed and used in schools and how they
might be improved. The artefact that resulted from the research may now be used
to research reading using a different methodology and framework. The primary aim
of the doctoral research was not only to design an alternative reading space but also
to re-evaluate and reimagine the way in which education in general and reading in
particular can be viewed through the prism of design. This can ultimately encourage
practices, routines and spaces to become more visible to the end-user and to designers,
architects, building contractors and policy-makers and to promote change.
Beyond the contribution to knowledge about the types and qualities of spaces
where students learn to read in primary schools—an aspect of educational research
that has long been neglected—I hope to have demonstrated that Fällman’s framework can be used and adapted as an innovative method of rethinking many aspects
of school design. Using this framework, I argue, can challenge habituated spatial
practices and arrangements in schools that are viewed by educators and by designers
as commonplace or neutral.
Acknowledgements Data utilised in this research was obtained adhering to the required ethical
protocol of the author’s host institution. All images and diagrams are the property of the author, or
the author has obtained consent to use them from the appropriate copyright owner.
References
Blundell Jones, P. (2014). The development of the school building and the articulation of territory.
In P. Woolner (Ed.), School design together. Abingdon: Routledge.
Edgerton, E., McKechnie, J., & McEwen, S. (2011). Students’ perceptions of their school environments and the relationship with educational outcomes. Educational Child Psychology, 28(1),
33–45.
Fällman, D. (2008). The interaction design research triangle of design practice, design studies, and
design exploration. Design Issues, 24(3), 4–18.
Mayall, B., Bendelow, G., Barker, S., Storey, P., & Veltman, M. (1996). Children’s health. London:
Falmer Press.
McLaughlin, T. (2015). Reading and the body: The physical practice of reading. New York: Palgrave
McMillan.
Emma Dyer (UK) is interested in the design of small spaces beyond the classroom in schools and
in how they are actually used. Her Ph.D. (2018) research investigated reading spaces for beginner
readers and improvements that could be made to them to the benefit of those readers. She currently
works across three local authorities to the West of London, supporting looked-after and previously
looked-after children’s education and leads a research project about the design and provision of
therapeutic spaces for primary school children.
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Open Access This chapter is licensed under the terms of the Creative Commons Attribution 4.0
International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing,
adaptation, distribution and reproduction in any medium or format, as long as you give appropriate
credit to the original author(s) and the source, provide a link to the Creative Commons license and
indicate if changes were made.
The images or other third party material in this chapter are included in the chapter’s Creative
Commons license, unless indicated otherwise in a credit line to the material. If material is not
included in the chapter’s Creative Commons license and your intended use is not permitted by
statutory regulation or exceeds the permitted use, you will need to obtain permission directly from
the copyright holder.
Inhabiting
Introduction to Part II: Inhabiting
Thomas Kvan and Kenn Fisher
Abstract This section presents research in inhabiting new learning environments.
The topic is introduced, and a brief review is given for each chapter in the following
section.
This section brings together papers that have a particular focus on the ways in which
the users inhabit the spaces. By reflecting on their use of the space, their movements
and the learning activities, insights are offered on the ways we can support better
learning through physical interventions and through changes in mindsets.
Broens argues that physical diversity within a larger space is more beneficial
for teacher collaboration than the flexibility of the furniture or the architecture.
Drawing on her background in educational anthropology and many years of experience teaching young children, she focuses on the mobility of the inhabitants rather
than the effectiveness of the material affordances in the ILE’s. Broens observed a
team of teachers for 300 hours, with associated interviews using an ethnographic
approach, to understand their spatial behaviours.
The study found that teacher mindsets often saw them default to a traditional classroom approach, but that ‘open’ flexible innovative learning spaces offered greater
agency for teachers to interact with each other, without built barriers impeding in
this activity. She proposes that it is the social relations established within a space
rather than the physical elements of the space that are essential, yet these cannot
exist without the physical. Teaching only under the sky is not the option and, even
then, the physical is contributing. She notes, however, that certain spaces enabled or
promoted more active engagement in the experience of teaching and learning. This
in turn supported better collaboration. She concludes that an intentional diversity of
spaces is more effective in supporting collaboration than the provision of flexibility.
The need, however, is for the users to adapt themselves to the opportunity. As she
T. Kvan (B) · K. Fisher
The University of Melbourne, Melbourne, VIC, Australia
e-mail:
[email protected]
K. Fisher
e-mail:
[email protected]
© The Author(s) 2021
W. Imms and T. Kvan (eds.), Teacher Transition into Innovative Learning Environments,
https://doi.org/10.1007/978-981-15-7497-9_10
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T. Kvan and K. Fisher
notes, ‘the use of space is a relational construct not only between the teachers, and
the space, but also between the teachers and the students and between the students
themselves’.
Morrison and Healy explore how research into learning environments might itself
be conducted differently. Starting with a performative art experiment, they develop a
perspective on the role of the researcher, the focus of their research and the methods
by which they participate, in particular through presence. Their observation is that the
researcher is a present actor in the research, a collaborator in the school environment
in their gathering and interpretation of the data. In the context of inhabiting, this
observation is critical, reflecting the participative process of inhabitation. Users of
spaces do not take on the designer’s prescribed intent, they co-design and redesign
the space as it is used.
Shapiro proposes a complementary perspective that introduces a method to
describe and interpret the spatial interaction of people over time, an approach called
interaction geography. By examining the engagement of space in a museum, mapping
movement and conversation throughout a visit, and visualising this in a multi-modal
mapped representation, a spatial representation of learning is developed. Specifically,
he reviews the Mondrian Transcription approach which tracks movement and conversation in space and time and then deploys the Interaction Geography Slicer (IGS) to
illustrate these patterns in a dynamic visualisation analysis. The resulting diagram
of the dynamic engagement in space while in a learning activity offers us a broader
perspective of the group activity that may enable us to reconsider spatial support of
pedagogy. Shapiro concludes that this approach is highly interdisciplinary, and can
be scaled, but it also needs some additional technical development to interpret the
results that vary with scale.
If one of the goals of ILEs is to facilitate better participation in learning, the ease of
communication is a key factor. A goal of ILEs is to ensure participation by students is
broad and equal, so spatial arrangements do not prejudice or privilege anyone in the
space. A common observation of ILEs is that there are fewer acoustical divisions and
hence an activity in one area can readily impinge on other users and their activities.
Rose-Munro focusses on a particular aspect of spatial interaction in learning, the
auditory. In particular, she brings our attention to the support of learning by all,
including those with constraints with hearing abilities, by considering speaking and
listening. She notes that 7–10% of students are likely to have ‘suboptimal hearing
abilities’, and also points to the increase in students having autism spectrum disorders
who will benefit from reduced auditory distractions. The connected visual spaces of
ILEs bring with them interconnected auditory environments; while sight may be
limited by interposing temporary barriers such as paper or screens, sound is not so
easily contained. The transit of sound is less easily intuited and thus more difficult to
anticipate and manage. Supporting active listening for students with hearing problems
is more challenging than reducing visual distractions.
Rose-Munro found that students intuitively knew the ‘sweet acoustical spots’ in
various learning spaces and inevitably settled in those spaces. But she also found
that sound loop affordances for teachers also provided much greater clarity for
students. She also found that student engagement was related to student agency
Introduction to Part II: Inhabiting
127
and the formation of trust with teachers. With these findings, she helps us understand how to improve ILEs as inclusive spaces for such students, for example by
developing acoustic nooks and by trusting peers to mitigate the difficulties through
personal interaction.
Thomas Kvan (Australia) is recognised for his pioneering work in design, digital environments
and design management and has held senior leadership roles in several universities as Dean and
Pro Vice Chancellor. He was the founding co-Director of LEaRN (the Learning Environments
Applied Research Network) delivering multidisciplinary research on learning and architecture,
and was founding Director of AURIN (the Australian Urban Research Information Network) that
developed a national digital infrastructure, both networks hosted at The University of Melbourne.
He has published over 180 publications in academic, professional and popular channels. He is
currently founding Dean of the School of Design at the South University of Science and Technology (SUSTech) in China.
Kenn Fisher (Australia) is recognised as one of the leading learning environment specialists practising locally, nationally and internationally for over three decades. He has practised in
Australia, Asia, the Middle East and Europe and as a consultant to the OECD (where he held the
post of Head of the Programme on Educational Building in Paris in 1997/8) and UNESCO. He
is multiskilled in a range of disciplines having practised in all education sectors as a teacher and
academic, a strategic facility and campus planner and as a project, facility and design manager.
He has been engaged by more than universities worldwide, over a dozen vocational training and
community college clients, a number of State and National Government Ministries of Education,
many school organisations and Government and corporate entities. Kenn is an Associate Professor
in Learning Environments at The University of Melbourne’s School of Design (MSD).
Open Access This chapter is licensed under the terms of the Creative Commons Attribution 4.0
International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing,
adaptation, distribution and reproduction in any medium or format, as long as you give appropriate
credit to the original author(s) and the source, provide a link to the Creative Commons license and
indicate if changes were made.
The images or other third party material in this chapter are included in the chapter’s Creative
Commons license, unless indicated otherwise in a credit line to the material. If material is not
included in the chapter’s Creative Commons license and your intended use is not permitted by
statutory regulation or exceeds the permitted use, you will need to obtain permission directly from
the copyright holder.
The Mobility of People, Not Furniture,
Leads to Collaboration
Mie Guldbæk Brøns
Abstract This chapter considers how teacher mindsets, in connection with the physical possibilities at hand, lead to spatial habits and teaching practices. It draws on
empirical material from an ethnographic study examining how teachers are influenced unknowingly by the roots of their profession and thus arrange furniture in
ways that do not always support their pedagogical intentions. I argue that physical diversity within a larger space is more beneficial for teacher collaboration than
the flexibility of the furniture or the architecture. I conclude by noting that we can
gain a deeper understanding of innovative learning environments by looking at the
positioning and mobility of the teachers’ bodies in the space.
Introduction
In this chapter, I argue that physical diversity within a larger space is more beneficial
for teacher collaboration than the flexibility of the furniture or the architecture. This
chapter represents a small part of the research I did in connection to my master thesis
in which I explored how Australian teachers who wish to collaborate used an open
flexible learning space. My ethnographic study examined how teachers are influenced
unknowingly by the roots of their profession and thus arrange furniture in ways that
do not support their pedagogical intentions. My study was built on 300 hours of
observation of a teaching team consisting of six teachers working with 180 Stage 3
(5th and 6th grade/year, 11–12 year-olds) students in one open plan learning space
in Sydney. The space was designed as a collaborative and flexible environment for
the teachers as well as the students with custom-made movable modular furniture,
large-screen displays and a robust Wi-Fi network with access to online resources, all
to ensure that both teachers and students are able to move around in the space with a
high degree of choice. I chose this learning space because the school is well known
for being successful in changing its physical environment to support its pedagogy
(Calvo, 2015; Mayfield Awards, 2012). This space was the first the school changed
M. Guldbæk Brøns (B)
Independent researcher, Copenhagen, Denmark
e-mail:
[email protected]
© The Author(s) 2021
W. Imms and T. Kvan (eds.), Teacher Transition into Innovative Learning Environments,
https://doi.org/10.1007/978-981-15-7497-9_11
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M. Guldbæk Brøns
to reflect their pedagogical intentions and it had been in use for four years when I
undertook my fieldwork, aiming to explore the dynamics behind a teacher team used
to working in an open flexible space.
The space was an important element of my investigation of teachers’ collaboration because, as Foucault argues, it is somewhat arbitrary to disconnect the practice
of social relations from the spatial distributions as it is impossible to understand
one without the other (Crampton & Elden, 2007). Most of us will find it hard to
imagine school without imaging a building or a space at the same time. The same
goes for teachers’ practices, which are closely connected to their understanding of
education as a spatial practice and influenced by the long history of dividing students
into classrooms. During my fieldwork, I discovered that when certain traditional
teaching practices were taking place accompanied by the teachers’ physical positions near display-screens, no teacher collaboration would occur. In contrast, less
rigid behaviours were observed in spaces shared by other teachers; in these the
teachers moved around more and engaged students in learning in a greater variety of
ways. This spiked my interest into researching how the teachers position themselves
in relation to each other, both physically in the space, and as members of a team.
In this chapter I consider how teacher mindsets in connection with the provided
physical possibilities lead to spatial habits and teaching practices by reporting
observed practices in shared teacher spaces with movable furniture. I conclude by
noting that we can gain a deeper understanding of innovative learning environments
by looking at the positioning and mobility of the teachers’ bodies in the space.
My Perspective on the Field
This study is an ethnographic study, which is an approach increasingly being used
within learning space research when looking at the physical space and its social actors
(Blackmore, Bateman, Cloonan, et al., 2011; Campbell et al., 2013; King, 2016;
Palludan, 2005; Saltmarsh, Chapman, Campbell, & Drew, 2015; Yeoman, 2015).
Ethnographic studies are an asset to educational research, because as a researcher you
have an opportunity to immerse yourself into this rather complex field and present an
aspect of it. I am exploring this field with an understanding that this research does not
stand alone but is part of a developing ‘body of work’ within learning space research
that aims to provide nuanced perspectives on complex learning environments. While
much of the literature on learning spaces focus on the quality of conditions or users’
perceptions, I focus on the educational practices and how the space is used and to
what effect (Blackmore, Bateman, Loughlin, et al., 2011).
My inquiry is inspired by social science research on cultural spatiality and texts,
which try to understand how people interact with their environment, and see space as
both a medium and a product of social practice (Augé, 1995; Berger & Luckmann,
1991; Foucault, 1975). I focus on the social practices of the teachers and on understanding how the space is produced and reproduced by their agency. For the purpose
The Mobility of People, Not Furniture, Leads to Collaboration
131
of this study, I understand everything as socially situated and my perspective is that
knowledge and development occurs in the interaction between people and objects.
To have a broad perspective and keep an open mind to new ideas and impressions,
I used a range of methods in my fieldwork that helped me expose various themes in
the field. Drawing furnished floor plans and registering users’ movements turned out
to be one of the most valuable methods even though I had little previous experience
drawing floor plans and it was very time consuming. By measuring the space and
registering all the furniture for the floor plan, I got to know the place intimately and I
became aware of all the furniture and spaces that were never used. Had I solely been
focused on observing the users and following them, I would not have paid attention
to what they did not use, which provided an insight into how the teachers interacted
with the space in general.
I examined my data using thematic analysis (Braun & Clarke, 2006; McCarter &
Woolner, 2011; Thomas & Harden, 2007), a research tool used to identify, analyse
and report themes or patterns within data. Themes and patterns are found through
phases of coding, where important instances in the data first are identified and then
developed. Initially I coded all my field notes based on themes I had found in my
drawings. Then I re-interrogated the data and found recurring words based on physical
places and finally I went over the data using the themes that I had established from
the patterns developed through my two initial codings. I would, for instance, cluster
activities together that would take place in various spaces, thereby noticing that I
could interpret the activities to represent two particular and very different types of
behaviour, passive and active. I then chose to use these two categories to re-examine
the data with a comparative analysis of the teachers’ and students’ behaviour to find
out if different combinations of active and passive behaviour among the teachers
would limit or enforce certain behaviour amongst the students in any way. The power
relation between the social actors, especially the teacher’s power over the students,
might be less obvious in a flexible and/or open learning space than in a classroom
setting. Thus it is important to find a tool that can help analyse how the power relations
are in this social setting, both between the users and their surroundings.
Flexible Learning Spaces
Within education, flexible space is a terminology used to describe spaces that can
easily be reconfigured by the users established with the intention of providing opportunities for the teachers to create places that suit various activities and group sizes.
Flexible spaces often, but not necessarily, contain several identical pieces of furniture
in order for multiple users to be able to set up the space the way they see fit for the
situation by moving the furniture around. In larger flexible spaces folding walls are
often installed so the users have the possibility to resize the space ad hoc. However,
flexibility in the physical setting is not necessarily equal to the organisation being
open-ended in the way they organise activities or people.
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M. Guldbæk Brøns
Skills or knowledge about architecture, design or spatial behaviour are not a
requirement for teachers who occupy flexible spaces, and though teaching is a spatial
practice, understanding the influence of spaces and physical elements is not typically
a part of the education to become a teacher. The established set of attitudes that characterises teachers’ daily use of space is thus formed by the history of the profession
and the buildings it has taken place in, not professional spatial understanding, reflections and discussions. The teachers’ mindsets are the prerequisite for their actions
and their repeated actions become the habits which dictates the way they set up and
use the flexible spaces.
Power Relations in the Learning Space
The teachers generally have the control over the space in which they teach because
they set up the space(s) as they see fit before the year/term/lesson starts whether
the furniture is mobile or not. The teachers are the creators of the space when they
reconfigure the space ad hoc for certain activities, and because they configure the
space in more permanent settings. Thus the teachers have the power over the students,
in that they dictate their ability to use the space. The students, however, only co-create
the space when they choose places and furniture to work at. After an activity or when
the day ends, the space will be ‘tidied up’, a common discipline within educational
culture, which means that the furniture will be returned to the places dictated by the
teachers. Foucault (1975) argues that the use of power is often invisible to the social
actors. Discipline, he states, is the mechanism of power that regulates the thoughts
and behaviour of the social actors; people are being shaped without realising it.
As part of my analysis I chose to use concepts developed by Foucault who
considers spatiality an integral part of the power relations between the social actors.
His theories are built on the notion that power only exists when executed and is not
something that can be possessed (Richter, 2011). When we (people) exercise power,
there is usually a rationale or knowledge associated with it, we have a knowledge
of what we do and what we intend. However, it is important that we do not confuse
intention with effect because there is always an element of uncertainty associated
with power as it involves more than one actor. This can lead to the outcome not necessarily living up to the intention (Richter, 2011). As in the example above, where the
teachers in reality have the power through the configuration of the space, even though
the school purposefully designed the space so both teachers and students would have
a high degree of choice and agency.
Foucault argues that we can use panopticon, an hierarchical organisation, as a
schema to inform us of where to distribute individuals in relation to each other in
the space, whenever dealing with ‘a multiplicity of individuals on whom a task or
a particular form of behaviour must be imposed’ (Foucault, 1975, p. 205). If that is
the case, we must be able to reverse the schema and use it to investigate why the
individuals are distributed the way they are, the hierarchy of the furniture and the
disposition in space.
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133
As part of my investigation of the hierarchy of the furniture and their placement,
I analysed my furnished floor plans by first categorising the different elements such
as furniture that one would: sit on, use as table tops, use for storage or use to support
a presentation. Then I converted the floorplans into diagrams focusing on various
power relations between the spaces, the furniture, etc. After having worked with
different divisions, diagrams and categories, a pattern emerged. Not only were spaces
within the larger open space created, in large, by the furniture, but the presentation
furniture would address the rest of the space and the seating furniture would address
the presentation furniture. This organisation was creating spaces, within the larger
open space, that was closed in on themselves and not interacting with each other. The
dominating element defining every one of these spaces is what I call the front. The
front would most often consist of a display-screen or a whiteboard (whether mobile
or painted on the wall) and was to a large degree defining the teacher’s place within
the space.
Fixed Teacher Positions
When using a display-screen, the direction of the viewers is automatically established. The teachers use the display-screens as a visual aid for their explanations and
stories while standing next to them, using them like one would use a stage, thereby
taking advantage of the furniture’s hierarchy to naturally attract attention from the
students—their audience. When, during the design phase, a front, which is used
for direct teaching, is established, they reinforce this activity and the role that the
teacher has while engaged in the activity. When the teachers take their place at the
front, certain expectations concerning behaviour are ‘projected’ into the space. Noone is in doubt that whomever is at the front is the one we should all be listening to.
‘Eyes up front’ is a term we know from classrooms when teachers want the attention
of their students. In this situation the hierarchy of the space and the actors is clear.
The listeners are expected to be docile and the teachers have the perfect position for
supervising them while they teach.
Surveillance is, according to Foucault, an inherent mechanism in the practice of
teaching (Foucault, 1975) and though we nowadays do not talk about surveilling the
students, we do still emphasise the importance of ‘supervising’, ‘keeping an eye on’
or having an overview of the students. This educational culture is apparent in the
design of the space I observed, where all the display-screens have been placed where
you would stand to have the best overview of the building. Four out of six teachers had
placed their caddies (mobile teacher table) permanently at the front in close proximity
to the screen. It is likely that the action of placing mobile furniture permanently is
not questioned because it is a spatial distribution we are used throughout the history
of education. During explicit teaching sessions where the screen is used as an aid,
it makes sense because the teachers rest their laptop on the caddy. However, the
teachers never move their caddies and therefore themselves after their presentations,
even though the students leave their positions to spread out and work independently.
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The teachers’ bodies become passive and docile in this position, disciplined by the
space (the front) and furniture (screen and caddy). Slowly, the space around them is
adjusted to this position’s permanence, and they start creating an independent space
suited for all the different activities and groupings they are working with. The spaces
are arranged around the teachers providing options within eyesight and at the same
time limiting the options that would require movement. The furniture are moved
and arranged within the space near every fixed teacher position instead of grouped
throughout the overall space. When the students work independently in groups or
individually, they find a place where they would like to sit and work which is mostly
based on a choice of which furniture or floor-space they feel comfortable working at
or on. Unless mixed in groups or pairs consisting of students from both year groups,
students choose to work close to their home base and the teacher. The teacher is either
roaming in the nearby space or working at their fixed position next to their caddy. In
this way the students and the teachers reinforce each other’s positions close to or in
the home bases. Gradually, the configuration of the space is influenced more by the
teachers’ docile bodies than by their pedagogical beliefs.
The teachers’ fixed positions in the space separated from each other cause division
in the space as well as in the teaching practices. By using the screens to structure
the learning sessions the teachers revert to a more traditional furniture setting and
practice and their positions become a catalyst for how the students can and will use
the space(s). In duplicating the features between home bases the diversity of the
spatial configurations in the overall space is diminished. The intention of the flexible
space and furniture was not to create multiple almost identical home bases, but to
provide opportunities for the teachers to create places that would suit the various
activities and group sizes.
Teacher-Mobility Leads to Collaboration
The fact that the home bases are composed of the same elements, makes it less
significant for both students and teachers to choose between them, with consequences for their collaboration. Already during my fieldwork, I identified that the
teachers working in one half of the space were collaborating more, however, it was
not until my analysis of the elements in the space and the teachers’ movements
that I realised the correlation between the established fronts and teacher collaboration or lack thereof. In the area where three home bases are sharing only two
well-functioning display-screens, the teachers tend to collaborate on introductions
and explicit teaching sessions. There is not a fixed position next to the display-screen
as the teachers place their caddies elsewhere and use a generic table to support their
laptop when using the screen. The table is also used by teachers as well as students
when working independently. This organisation of furniture and hierarchy in the
space leads to the teachers working closer together and roaming around the space
when the students work independently.
The Mobility of People, Not Furniture, Leads to Collaboration
135
Through my analysis of the teachers’ movements around the space with only two
display-screens I uncovered that the teachers’ mobility and engagement in shared
activities support collaboration in the team. Teachers who move around in a space
together and amongst each other are more likely to collaborate because they have to
negotiate, coordinate and share. They start using more time on planning the use of
space and how to utilise each other when executing learning activities. Not having
enough screens for all teachers to use, thus having to share, prompted them to collaborate even when it was not their first instinct. Repeated behaviour is what becomes
habits and the easiest way to discontinue a unwanted habit is to replace it with new
repeated behaviour. If the new habit is to reflect with colleagues about which practice
to use, it is more likely that new habitual practices will not take hold. This encouragement of reflecting upon fixed practices supports the growth mindset which is
valued in educational environments and learning organisations. Reflecting together,
the teachers join in committing to the task of optimising the learning situation. When
a team has a joint commitment, the commitment no longer belongs to the individual
but is shared amongst the collaborators (Amit, 2012). Sharing the commitments and
responsibility helps alleviate stress for the individual and frees up energy within
the team. Unfortunately, this type of deep collaboration (developing and executing
student activities) is rare to see in typical educational environments (OECD, 2016;
Schleicher, 2016).
My analysis of the situations in which I observed teachers’ collaboration identifies
that the most valuable spaces for teacher collaboration are those spaces that are not
allocated to any specific group of users but where the users cohabit it and use it
depending on which activities are being organised. It is possible for multiple users
to share a feeling of association and belonging to a space as long as no individual
has priority or a permanent place in that space. The hierarchical organisation of the
space and actors enables teachers to have equal rights over the space, help all the
students working there and to find ways to move around amongst each other and
work together.
Dixon (2013) suggests that we should look at and listen to children’s bodies before
we teach, because they are the target of pedagogical power, this is a way to understand
the impact and consequences of the powerful discourses they are shaped by. Inspired
by Dixon, I suggest that when designing or researching learning spaces in the future,
we will benefit from looking closer at the positioning and mobility of the teachers
bodies in the space.
Summary
I was interested in investigating flexible open learning spaces because current practices encourage spaces that can be reconfigured as a way to provide teachers with
choices for their preferred learning setting. An important point of my analysis is that
flexible spaces are not equal to the organisation being more open-ended. Teachers’
mindset is challenged when transitioning into a flexible space from a traditional
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M. Guldbæk Brøns
setting, however, it is rare for schools to prioritise the professional development of
the teachers’ spatial mindsets amidst all the other daily responsibilities. Supporting
a growth mindset through the configuration of the physical space can help teachers
question their habitual behaviour and the mindset behind it. I observed that both
the teachers working in more fixed positions and the teachers working more mobile
collaboratively had growth mindsets, the main difference was if this was supported
by the physical environment they were teaching in. Seeing them from time to time
swap spaces confirmed this as they would almost instantly adapt to the more fixed
or collaborative mode of working. Encouraging negotiations between the teachers
proved beneficial to their collaboration which in turn supported the individual teacher
to establish new routines and practices.
I argue that an established diversity within a space is more beneficial for teacher
collaboration than flexibility because the teachers share the space when they moved
around in it, not when they are moving it around. During my analysis it became
clear that no matter how much the teachers tried, their pedagogical intentions were
in effect changed by the strong influence the physical setup had on user’s behaviour.
Physical elements strongly influence the choices the teachers make about where to
place themselves in the space. Teachers could feel that they were sharing a larger
space meanwhile creating their own spaces within it, where their positions and practices would resemble those of traditional educational environments based on closed
classroom. The difference being that in the open space, the individual teacher’s practices and behaviour influence the behaviour of the other actors in the space. The use
of space is a relational construct not only between the teachers, and the space, but
also between the teachers and the students and between the students themselves. An
examination of this could provide further important insights into the use of open
learning spaces.
An important point in my larger analysis of teacher collaboration (of which this
chapter reflects one segment) is that learning how to share a space is an individual
journey that involves changing practices and habits. However, the journey takes place
in a joint process with all the teachers who share the space because moving around
in the spaces in order to cater for different activities entail that there are no fixed
teacher positions. Transport between spaces, which can be done without coordination, does not attribute any value to the learning situation or teacher collaboration.
Whether moving around within a space or between spaces thus becomes an important
distinction.
Acknowledgements I would like to thank Northern Beaches Christian School and the teachers in
the Zone for sharing their daily professional lives with me. This paper is based on the research I did
for my master thesis at The Danish School of Education, Aarhus University. Data utilised in this
research was obtained in adherence to the required ethical protocol of the author’s host institution.
All images and diagrams are the property of the author, or the author has obtained consent to use
them from the appropriate copyright owner
The Mobility of People, Not Furniture, Leads to Collaboration
137
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Open Access This chapter is licensed under the terms of the Creative Commons Attribution 4.0
International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing,
adaptation, distribution and reproduction in any medium or format, as long as you give appropriate
credit to the original author(s) and the source, provide a link to the Creative Commons license and
indicate if changes were made.
The images or other third party material in this chapter are included in the chapter’s Creative
Commons license, unless indicated otherwise in a credit line to the material. If material is not
included in the chapter’s Creative Commons license and your intended use is not permitted by
statutory regulation or exceeds the permitted use, you will need to obtain permission directly from
the copyright holder.
The Gadfly: A Collaborative Approach
to Doing Data Differently
Sarah Healy and Caroline Morrison
Abstract The Gadfly first materialised as a provocative data performance at the
Transitions Research Symposium held at The University of Melbourne in June 2017.
The figuration of gadfly in the title shapes the figure of the researcher as (bothersome) questioner that provokes critical dialogue about the assumptions underpinning our own research practices and learning environments research more generally.
This figuration provides us an entry point into working data through approaches
offered by new materialist and post-qualitative research methods. The resulting data
performance came together as a collaborative experiment inhabiting the in-between
spaces of researchers, participants, research contexts, and ‘data’ initially generated
in a Taekwondo training assemblage. Our collaborative approach involved an intraactive process as a way of doing data differently. Informing our process are concepts
of intra-action, assemblage, affect, and sticky data.
Introduction
This chapter shows learning environments research being done differently. It explores
the educational world through different conceptual lenses to those ordinarily used,
and shows how alternative figurations of research and the researcher emerge. Where
the figuration of the researcher in much educational research is of the ‘objective analyst’, the figuration at work in this chapter is of the gadfly as provocative
questioner.
Enter the Gadfly
Socrates referred to himself as a gadfly—a horsefly with a nasty bite that, while
irritating, did not do serious harm. Gadfly has a history. It connects thought across
space-times; from provocatively questioning the wisdom of the citizens of Athens of
S. Healy (B) · C. Morrison
The University of Melbourne, Melbourne, Australia
e-mail:
[email protected]
© The Author(s) 2021
W. Imms and T. Kvan (eds.), Teacher Transition into Innovative Learning Environments,
https://doi.org/10.1007/978-981-15-7497-9_12
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S. Healy and C. Morrison
the past (Plato, 1984), into the present, in our questioning and probing research data as
we think-write differently in an experimental collaborative approach. The Spinozist
and Deleuzean understanding that is forwarded in our experimental collaborative
approach is of gadfly as a milieu of thought; other milieu being nomad, hermit,
shadow, and border (Deleuze, 1988).
We draw on the figuration of the gadfly to question—and be questioned by—
data. The purpose is to open methodological thinking-doing in learning environments research. We press this point because we believe that without methodological
diversity, learning environments research risks reproducing ‘self-limiting knowledge’ (Elmore, 2018) of what they are, and how teachers as individual human subjects
make them work (or resist their pedagogic potential). The problem as we ‘see’ it, is
that research beginning with pre-existing assumptions of what and who objects and
subjects are can lead to an oversimplification of the complex ‘materialising processes
of learning’ (Mulcahy, 2018, p. 14). It can also lead to privileging the social while
neglecting the contingent agencies of a range of participants in learning processes;
for example: technologies, material objects, learning bodies, teaching bodies, and
the consequential affectivities that flow in and between them.
To expand our view of what learning environments research could achieve, we turn
to case studies of Science, Technology and Society (STS) which show empirically
that society and nature (subjects and objects) are not separate from one another
(Callon, 1986; Callon, Law, & Rip, 1986; Latour & Woolgar, 1986). Rather, these
studies, alongside-related works, show how society and nature, and knowledge of
reality, are effects of heterogeneous assemblages—that is they are co-constituted in
entangled sociomaterial practices (Barad, 2003, 2007; Latour, 2005; Law, 2004; Law
& Mol, 2002; Mol, 2002).
Therefore, the broad aim of this chapter is to explore the co-constitutive nature of
sociomaterial practices that produce the researcher, the researched, and the research
methods. We bring a performative sensibility to data practices, co-opting nonrepresentational approaches developed by new materialist (Coole & Frost, 2010;
Fox & Alldred, 2017) and post-qualitative research (Lather & St. Pierre, 2013).
A performative approach emphasises how things, spaces, bodies, and knowledges,
‘… come to matter through the world’s iterative intra-activity, its performativity’
(Interview with Karen Barad, in Dolphijn & van der Tuin, 2012, p. 69).
Methodological Backstory
What follows begins with a brief methodological backstory to the gadfly-performance
and an introduction to the analytic concepts of assemblage, ‘sticky data’, and affect.
We then present our data work via a performative script, before finishing with a
discussion of the possibilities emerging from doing data differently.
Drawing on Honan’s (2014) paper, entitled Disrupting the habit of interviewing,
as a model for how we might work empirical material differently, we engaged in
a data-performance entailing a method of ‘data talking, us talking data, and data
The Gadfly: A Collaborative Approach to Doing Data Differently
141
talking back’. The concept of intra-action1 (Barad, 2007) became central to our
approach. Not only does it convey the co-constitutive nature of data, researcher, and
researched, it is enacted in practices. Hence, this chapter maps our collaborative
data intra-actions with three mini data-vignettes (Masny, 2014) configured from a
Taekwondo training session involving a group of high-performance athletes and their
coach in the lead-up to a high-stakes competition. The data-vignettes enfold material
from various sources (field notes, sound bites, interviews, and photographs) including
our researcher conversations. Our collaborative approach of doing data differently
resists temptations to close data in on themselves, thereby disrupting what Honan
(2014) identifies as habitual approaches to working with data. In the process, data
actively join the collaboration, bringing into play new concepts, affects, encounters,
and relations inside-and-outside of the research sites.
Thinking with Deleuze: Assemblage, Affect, and Stickiness
Our data workings also draw on Deleuze and Guattari’s (2013) closely linked
concepts of assemblage and affect. An assemblage consists ‘of multiple, heterogeneous parts linked together to form a whole’ (Müller, 2015, p. 28). The research
assemblage enfolds researcher, research tools, research site, participants, and the
Transitions Research Symposium audience. Rather than existing as individual
human subjects, research ‘subjects’ (such as coach and researcher) assemble ‘in’
the data performance, existing in relation with the broader research assemblage.
For example, during the performance, the researcher body merges with living and
inert others as researcher-pencil-notebook-laptop-chair-desk-assemblage, before deassembling and re-assembling in a different configuration of researcher-notebookpencil-audiorecorder-sweat-smell-assemblage, only to de-assemble and re-assemble
again, and again … (Somerville, 2016). Agencies are therefore distributed across the
assemblage and are not defined by human action. In the research assemblage thus
conceived, data are lively, consisting of living and non-living agentic elements, all
exerting force (Bennett, 2010).
Collaborative process
We met in the staff dining area of the faculty a few times to work up some empirical data from Sarah’s Ph.D. research for our eight-minute presentation at the
Transitions Research Symposium conference. From the start of our collaborative work, we wanted to do more than ‘just give a talk to some slides’—we
wanted to perform so that data might remain vital (Bennett, 2010). Before our
first meeting, we had each engaged with a selection of the empirical material on
our own, taking up Honan’s (2014) challenge to work data differently. We asked
1
We work with Barad’s (2003, 2007) concept of intra-action to convey the co-constitutive nature
of data, researcher, and researched rather than interaction, which assumes that there are separate
entities that interact.
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questions of data, and of each other, and allowed data’s continual challenge
back to us to find what else was at work in assembling the learning environment of the Taekwondo training session. When we met, we talked, laughed,
challenged, questioned, wrote notes, explained our thinking to each other and
allowed some questions to stay, not answered, not ‘explained’. Through this
process the script that follows materialised.
Affect, as a transmission of intensity (Deleuze & Guattari, 2013), is one such
force that we consciously attune to in this collaboration. Affect is integral to the
assemblage because it acts as a pulse, becoming the source of its power, ‘making the
socio-material hold together or fall apart’ (Müller, 2015, p. 36). Foregrounding the
affective workings of the research assemblage moves us to seek out those moments of
disconcertion in the data (MacLure, 2013) prompting our responsiveness to data that
get ‘under the skin’ (MacLure, 2011, p. 999) and ‘stick’ to us. The ‘stickiness’ of data
is an affective relation that functions variously to hold-together, block, or bind entities
by accumulating affective value (Ahmed, 2014). The notion of ‘sticky learning’ has
recently been deployed in educational research for its capacity to generate ‘a different
way of attending to the production and transfer of learning’ (Mulcahy, 2016, p. 208).
In our case, the notion of ‘sticky data’ becomes salient because it takes us deeply
into the complex and ‘dynamic process of discursive practices and the materiality
of the body’ (Zembylas, 2007, p. 29, emphasis in the original) that unfold in the
Taekwondo training session.
Data Performances
This section of the chapter re-presents the script that we, author-researchers,
performed at the Transitions Research Symposium in June 2017. It is comprised of
three intra-active data vignettes. Centreing our collaborative process on intra-action,
we enact an ethics that is response-able for and accountable to ‘… the lively relationalities of becoming, of which we are a part’ (Dolphijn & van der Tuin, 2012, p. 70).
We are interested in how enacting a very different methodology might become a point
of entry for thinking-doing-caring learning environments research. So, throughout
the data workings (the collaborative process) we instantiated the notion that ‘Matters
of fact, matters of concern, and matters of care are shot through with one another’
(ibid., p. 69).
Data Intra-action 1: What Is It About the Smell?
[Sarah sits on stool holding journal—becoming researcher at Taekwondo. Carol
moves to the researcher table and dons her researcher hat (literally a hat). A soundbite
of athletes vocalising while they spar plays. Photo of training room on screen.]
The Gadfly: A Collaborative Approach to Doing Data Differently
143
Sarah: Taekwondo training session
–
–
–
–
7.30 am
17 high-performance athletes, 12–28 years
1 coach
1 researcher
I sit in a rectangular shaped room with mirrors down each side. The floor has red
and blue taekwondo mats. Training mitts, kicking bags, and protective gear hang in
orderly rows. There are ceiling fans—not on. And air-conditioning units—also not
on. There is a particular smell.
[Sarah joins Carol sitting at the researcher table—hat on, notebook and pen in
hand.]
Carol: Air con and fans not on? What is it about the smell? Assaulting the senses?
How does the smell affect researcher, athletes, and coach? The air-conditioning and
fans are not on—the ‘not on’ fans attract—how? Smell and (not on) fans become part
of this training assemblage along with trainees, coach, equipment and competition.
How is our researcher attention called to what is (not) there?
Sarah: We can understand data that attract attention and stay with the researcher as
‘sticky data’. The data vignettes are composed of data that stick (and stink). Data
stick to the researcher and the researcher sticks to data. Not only do data have the
capacity to stick but they can also have sticking points. The smell, the air con not
on, fans—not on, unwashed training gear releasing microscopic particles into the
atmosphere can clot.
Carol: Our researcher expectations enter the assemblage. Something expected to be
there that is not there, to be ‘on’ or working but not working, reveals a contingent
reality—an expectation of the future but one that will vacillate—a future that is both
fans on and fans off. This working of data that become part of assemblages brings to
attention the constant contingency at work between human and nonhuman agencies
which, according to Spinoza, involves the passions and patterning of fear and hope.
Data Intra-action 2: Coach, Stopwatch, Whistle, and Stick
[Sarah changes: puts on tracksuit top, becoming coach. Carol becomes researcher
sitting on the stool taking notes. A soundbite of coach-voice plays. Photo shows
athletes entangled in a sparring exchange.]
Carol: The coach walks into the training room and the chatter that is athletes’ chatter
that accompanies the warm-up stops dead. Today the athletes are instructed to listen,
NOT question. The first drill is explained; they break off into sparring pairs and begin.
The coach has a stopwatch, whistle and stick. Every minute she shouts “CHANGE!”
and the sparring pairs swap roles. The intensity in the four walls of the training room
is palpable.
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Sarah-Coach: (instructing in a loud voice)
–
–
–
–
–
–
As I call out your name, you’ll be on the defensive
Keep going. No stopping. No talking!
Frustrate your partner. Close your gaps. Frustrate, frustrate, frustrate!
Change! The other line is frustrating now.
Work the other person’s patience. Look for the gaps in the attack.
Change!
Carol: One sparring pair at the end of the room stop what they are doing. They’ve
lost focus.
[Sarah changes: removes tracksuit top. Carol and Sarah move to research table and
chairs—hats, notebooks, pens.]
Sarah: The clotting of coach-stopwatch-stick-whistle-shouting-pacing in a traditional martial arts training space ‘appears’ coach-centred. However, this rendering
of the coach as coach-centred is incomplete; it reflects the notion of coach (teacher)
as individual, intentional human subject. It misses the highly responsive bodywork
that the coach is doing.
Carol: It brings to mind the work that teachers do in classrooms. What we as
researchers see and hear is not all that is happening. We can also turn our attention to athlete (or student) bodies and their material-discursive practices. Moving
with coach/resisting coach—becoming Taekwondo athletes differently? Identities
are enacted through multiple connections with other bodies, other assemblages.
Data Intra-action 3: And so Often They’re Buggering it Up
[Sarah becomes coach in tracksuit top—standing, leaning against researcher chair,
she speaks about her practice. No soundbite. Photo of sweaty athlete bodies engaged
in a group hug.]
Sarah-coach: “You can’t overthink it because it becomes a little forced…
Sometimes I’ll tap into the kids and I’ll see that once they start fraying, that means
they’ve lost control. So, I pull back a little. I stop counting the activities, I stop whistle
blowing, I just keep it free. I’m conscious of not just yelling at them because then
they’ll become incredibly dependant on that. We don’t want that. A class is designed
around giving them a sense of empowerment over decision making. The decision is
ultimately theirs, I just give them lots of options. Then we practice, then I put them
under pressure. Then I’ll pull back and see how they’re going making that decision.
And so often they’re buggering it up. And then there’s “BaaaH!” And that’s fine.
I’ll come back in and reassert, reposition everybody. Changing partners is a big one
because if they stay with the same partner they don’t reboot.”
The Gadfly: A Collaborative Approach to Doing Data Differently
145
[Sarah and Carol move to chairs. Hats, notebooks and pens.]
Carol: Fear and hope are intense in this vignette.
Does the coach work to allay fear and build hope through her body? Giving a sense
of empowerment—is that hope that athletes can make the right decisions on their
own? She builds muscle memory—body workings, working bodies helping them to
not overthink? She pulls back to give them a go but they keep ‘buggering it up’. Is
that her fear?
Sarah: She puts the pressure back on, practicing again.
She is ‘tapping’ into the athletes, palpating their body-talk, responding in kind by
modifying her own practice, modifying the intensity of the affective flows within the
training assemblage, sometimes modifying the assemblage altogether.
Sarah: And then there is the assembling of sweat-bodies.
Athlete-partner-frustrating-sweating-in control/buggering it up! Athlete and coach
bodies produce sweat, smell, and feelings that fold into other assemblages. It is not
clear where bodies begin and end. The smell of Taekwondo hugs you. It is a seeping
of sweat between athlete bodies into protective gear, permeating the atmosphere
and thickening the air. It inhabits the data but you can’t see or smell it in this data
performance.
Carol: Thank god!
Sarah: It is both flashback and premonition that palpates stink-bodies in ever shifting
patterns of fear and hope.
[Sarah and Carol move to lectern and conclude the performance. No hats.]
Discussion
Our discussion focuses on the bodily practices of the coach. The coach in the vignettes
above is not assumed to be pre-existing human subject. Rather coach emerges through
processual gatherings of sweat, movements, and practices of coaching. Coach is a
code word with a history. All that can be known of ‘coach’ prior to the research are
generalities, the way things are expected to be, the standards and histories of what
has gone before. Codes take the place of action and work to silence affects and delete
practices—codes have a politics. As Law and Mol (1998) propose, codes involve
betrayal because they tell only of limited aspects and leave out so much. What codes
cannot write easily are smells, sweat, oscillations of fear-and-hope, and the highly
attuned bodywork that co-constitute coach (or ‘teacher’ if this argument is extended
to teaching practices in school learning environments). In our research approach,
coaching is performed in processes of continually becoming-in-practices involving
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S. Healy and C. Morrison
a myriad of intra-connected heterogeneous elements. Coach, and/or teacher, emerges
as an intra-connected relational assemblage performed in multiple practices.
As we have described throughout this chapter, our methodology differs from
conventional research which tends to position the researcher outside of the data
(Cohen, Manion, & Morrison, 2007). This positioning of the researcher deploys
pre-established frameworks with the purpose of distilling complex data into generalised ‘facts’. Our issue with conventional learning environments research is that
the focus is placed on human (mis)use of spatial affordances as though humans,
spaces, and materials pre-exist learning and teaching practices. In this way the
research quickly stabilises objects and subjects (in codewords) that are contestable
and unstable, never quite fixed and certain. Yet, while seeking to reveal best-practice
of how coach-teacher and athlete-learner inhabits and uses spaces is a worthy aim for
creating greater certainty for educators and policy-makers to make decisions (Ellis
& Goodyear, 2018), the danger is that materials and texts will continue to be characterised as separate from, rather than co-constitutive of, teaching and learning (Mahat,
Grocott, & Imms, 2017). Research needs to find ways to story the intensity of relationships between learning spaces, teaching-learning activities, and heterogeneous
bodies that do not fit pre-existing frameworks; find ways to allow data to speak rather
than leaving it on the cutting room floor.
Research that reduces teaching and learning to simplified meanings is particularly troubling to us, especially given our thinking-doing-caring sense of the coconstitutive entanglement of matter. Where research methods reduce teachers’ work
to what can be made visible to the eye and measurable, some aspects of the coach’s
or the teacher’s pedagogic practices2 become threatened. The visible and measurable
become new norms established within lists of standards which simultaneously work
to reduce the complexity of teaching and learning practices. A possible outcome is
the decrease of teacher’s capacity to respond to the affective demands of the moment,
such as coach describes her practices of: ‘… tap[ing] into the kids … once they start
fraying, that means they’ve lost control. So, I pull back a little. I stop counting the
activities, I stop whistle blowing, I just keep it free’.
Coach works the athletes who move in response to her voice—coach-voiceathlete-body-moves, co-constituting the Taekwondo training space. The directions
she gives have a spatio-temporal history, folding space-time connecting Korean
culture and (post) colonial history with a club in Melbourne, Australia, looking
towards a future at the international competitions—a future tinged with hope and
fear—folding athletes’ well-rehearsed bodies, knowledge of the moves, of how to
attack and defend, with coach body keeping them moving, pressuring, until she senses
their loss of focus, ‘once they start fraying’. Her work is intense, from moment
to moment, sensing the affective moves of athlete bodies, responding to changes,
noticing their reduced concentration, ‘so I pull back a little’.
2
Our understanding of pedagogy is of pedagogy as a relational process that is inseparable from
learning. In our understanding, drawing on assemblage, pedagogy is enacted in relation to the world
(Pickering & Guzik, 2008). As such, becoming a trained body, as in the Taekwondo training session,
or becoming a competent reader in a focused reading lesson, is performed in affective relations with
intra-active multiple material-discursive entities.
The Gadfly: A Collaborative Approach to Doing Data Differently
147
Compare the affective-intensities of the coach-athletes to the ways in which the
classroom teacher is inscribed by contemporary learner-centred, twenty-first-century
skills-based discourses. These contemporary discourses focus on what is visible,
inscribing the teacher’s mind (leaving out the body) as a facilitator who seeks and
measures the learning of the learner, and uses that data to reflect on her own teaching.
Teacher, in this scenario where only the learning that can be made visible and measurable is valued, is in danger of being reduced to the teacher reflected in the eyes of
the responsibilised learner. In this view, teacher becomes non-teacher (Rømer, 2018,
p. 7).
Nevertheless, we are not saying that contemporary teachers are victims of some
malevolent re-assemblage of educational ideas forcing them to change, to be passive
facilitators focused on learners in innovative learning environments, for there is no
guarantee that ‘innovative learning environments assemblages’ exist in practices,
or, if they will endure (Callon, 1986; Latour, 2005; Law, 1994). For, as we have
shown in the body of the coach, and encountered in our own teaching, pedagogy
is affective and lively, intra-connected across space-times with a multitude of other,
different, assemblages which at the very least leave open an array of possibilities for
teaching and learning. What we have tried to evoke in our performance is what some
researchers of everyday assemblages in the life of schools (see for example: Mulcahy,
2012; Mulcahy & Morrison, 2017; Watkins, 2011, 2017) have illuminated well;
that the affective capacities of bodies are indeterminate and ceaselessly inventive
(Zembylas, 2017).
Conclusion
Our methodological data-working has helped us to attune our thinking-doing-caring
to the minutiae of everyday practices, their affects and their material effects. Practices are ‘Janus-faced’ (Latour, 1987), facing in two directions at once with many
consequences that cannot be known beforehand. For us as teachers, this is the joy
and threat of the lively, embodied world—making what is always possibly otherwise.
We want to argue that the teacher or coach or researcher self as a subject remains
a ‘site of possibilities’ (Watkins, 2010), engaged in a process of mutual ‘becoming
with’ the lived world.
Gadfly, as worked through this performance, provoked different ways of thinkingdoing-caring data, by attuning us to bodily affects (including our own). We share the
belief that an uncritical use of analytic strategies like coding and classifying data
do not represent a reality out there, rather all research helps create the phenomena
under investigation. As Law proposes, conventional thematic or statistical analytical
methods are not wrong, ‘rather, they and the relations in which they are located …
both enable and constrain’ (Law, 2004, p. 39) the conditions of possibility. That being
so, a responsive and relational collaborative methodology that seeks to stay with the
messiness and uncertainty of affects, of smells and sounds and pressuring and losing
focus, can bring into view the everyday practices making, unmaking, and remaking
learning environments. The point we make is that we researchers need to become
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S. Healy and C. Morrison
aware of the realities we enact in our research practices, and the political work that
these enactments of reality do. Methods that reduce complexity are political, ‘since
any attempt to reduce the number of available options for action for the ‘elements’
within a system is about the exertion of power’ (Biesta, 2010, p. 498). Therefore, it is
imperative that we attend to the politics of our research practices and their ontological
as well as their epistemological implications.
Diverse research practices help us to think differently, and become researchers
differently, by interrogating and disrupting what is emerging, assembling, and clotting. An integral part of this is our process of collaborating, an iterative process
that involved data taking on the figuration of the gadfly too—showing that we as
researchers also do not know what we think we know. This process became a powerful
research tool that enabled us to enact an intra-active researcher subjectivity; of collaborations as sites of emergence that continually ‘… creates and recreates itself and its
co-labourers as part of the currents and waves of the seas’ (Neimanis, 2012, p. 217).
A further implication of this chapter’s experimental practice is its potential to open
a space for critical dialogue among the learning environments research community.
Critical dialogue is needed to question commonly held assumptions that there are
naturally occurring divisions between the researcher and researched, what our participants tell us and what we ask them, what and how we think and write in research
texts, and participants’ and researcher bodies (and minds). The performance-chapter
is provocative in its attempt to unsettle pre-existing assumptions that reality can
simply be represented in our research reports, distilled into fact sheets, or pinned
down as a set of best practices. Moreover, it demonstrates how we may research
educational settings, materials, texts, and body-minds as entangled assemblages—
continually co-constituting each other in messy and often uncertain sociomaterial
practices.
Acknowledgements Data involved in this research was obtained adhering to the required ethical
protocol of the authors’ host institution.
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Sarah Healy and Caroline Morrison (Australia) are both early career researchers who share an
interest in theoretical concerns related to (new) materialities. Their respective research endeavours
intersect on an onto-methodological level. In their contribution to this book, they put collaborative research into practice, exploring the in-between spaces of researchers, research contexts, and
‘data’ generated in a setting where teaching and learning occurs with palpable intensity—a taekwondo club. Prior to embarking on her PhD at The University of Melbourne, Carol was a primary
teacher for 17 years and a primary school principal for 8 years. She is now researching policy practices of new generation learning environments in Melbourne Catholic schools. Sarah’s background
is in the creative industries and art education. Her PhD research, completed at The University of
Melbourne in 2019, explored the ethics of pedagogic practices that occur ‘in’ intense learning
environments. Sarah is currently a Research Fellow at The University of Melbourne’s Graduate
School of Education.
Open Access This chapter is licensed under the terms of the Creative Commons Attribution 4.0
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adaptation, distribution and reproduction in any medium or format, as long as you give appropriate
credit to the original author(s) and the source, provide a link to the Creative Commons license and
indicate if changes were made.
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the copyright holder.
Innovative Learning Environments, Are
They Inclusive? Why Evaluating
the Speaking, and Acoustic Potential
of the Space Matters
Leanne Rose-Munro
Abstract Innovative learning spaces are a platform primarily designed to support
the activity of speaking, listening and learning. However, evidence suggests that
nearly 10% of students attending mainstream schools in their local communities
have hearing difficulties. This study explores the acoustic potential of innovative
learning spaces (ILE’s), and the impact of design affordances in terms of supporting
the inclusion of students with hearing difficulties. The study highlights the importance
of an acoustic platform that enables opportunity for all to participate in speaking and
listening activity. In addition, the importance of student agency, the power to act and
contribute to decision-making regarding the use and application of environmental
affordances to enable student opportunity, inclusion and successful learning.
The Innovative Learning Environment
Innovative learning environments (ILEs) are speaking and listening spaces, a platform for student and teacher collaboration, creativity, complex problem solving and
digital information gathering and sharing. Such learning spaces are auditory verbal
environments where the primary information exchange occurs through speaking
and listening activities (Munro, 2011). In designing innovative spaces there must
be confidence that they are fit-for-purpose, account for diversity and ensure that
speaking, listening and communication is accessible. The design principles of innovative learning spaces must enable the inclusion of all students and in particular a
postulated 7–10% of students with suboptimal hearing abilities.
A shift away from traditional school design towards ILEs commenced in Australia
between 2008 and 2012, when a government initiative known as Building the
Education Revolution provided funding, predominantly junior schools, to build new
learning spaces. Numerous new schools, particularly in the state of Victoria, were
designed as technology enhanced learning environments consisting of a series of
open-plan visually connected spaces with semi-connected ‘breakout’ areas. The
L. Rose-Munro (B)
The University of Melbourne, Melbourne, Australia
e-mail:
[email protected]
© The Author(s) 2021
W. Imms and T. Kvan (eds.), Teacher Transition into Innovative Learning Environments,
https://doi.org/10.1007/978-981-15-7497-9_13
151
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L. Rose-Munro
spaces were designed to inspire student-centred active learning pursuits. Such pedagogical approaches value student collaboration and participation in socially oriented
learning and twenty-first-century skill development. Figure 1 is an example of an
Innovative learning environment (ILE) built during the BER 2008–2012.
The Problem
While an increasing body of research is exploring how teachers and students use
such spaces, a gap exists in research that defines how these innovative environments include a broad range of students including those with speech and language
delay, auditory processing disorders, hearing loss and noise sensitivity such as those
with autism. The scale of students with hearing difficulties in mainstream education is demonstrated by Australian Hearing, a statutory authority constituted under
the Australian Hearing Services Act 1999. At the time of this study services were
provided to 68,296 eligible children and young Australians with hearing loss during
2012–2013 (Australian Hearing, 2013). There is significant evidence to suggests
ILE’s should be designed with high acoustic performance as a priority given that an
overwhelming majority of these students attend mainstream schools in their local
communities (Byrnes, 2011; Vosganoff, Paatsch, & Toe, 2011).
Listening in noise is a barrier to participating in conversation for many people,
however of great concern is that research also indicates that students for whom
English is an additional language, and those with speech and language difficulties,
learning difficulties, cognitive disorders, attention disorders and behavioural problems also have difficulties listening and interpreting speech in noisy learning spaces
(Massie & Dillon, 2006; Rowe & Pollard, 2003; Sharma, Purdy, & Kelly, 2009;
Shield, Greenland, & Dockrell, 2010; Smaldino & Flexer, 2012; Snow & Powell,
2008). It is also widely reported that noisy environments adversely affect students
with sensory disorders such as autism and vision loss by impacting cognition, heightening anxiety and diminishing access to clear speech (Anderson, 2001; Clark &
Sorqvist, 2012; Guardino & Antia, 2012; Katte, Bergstroem, & Lachmann, 2013;
Smaldino & Flexer, 2012). Collectively for the purpose of this research this cohort
is referred to as students with hearing difficulties.
The study of acoustics, defined as the properties or qualities of a room or building
that determine how sound is transmitted in it, have highlighted detrimental effects of
noisy ‘classrooms’ on learning (Shield et al., 2010). Little is known about noise and
acoustics in ILEs, as the interrelationships of pedagogy, innovative spatial design and
technology are not yet broadly investigated and reported, and in particular how these
elements play a role in creating new experiences for students with hearing difficulties
(Brown & Eisenhardt, 1997; Glaser & Strauss, 1967; Spencer & Marschark, 2010).
Communication modalities between the inhabitants of learning spaces has
changed significantly overtime due to the embedded use of technology in educational settings. Furthermore, advances in design and construction materials such as
acoustic attenuation, speech reinforcement systems and mobile device use challenge
Innovative Learning Environments, Are They Inclusive? …
Fig. 1 Innovative Learning Environment in an Australian primary school
153
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L. Rose-Munro
the notion that communication in open-plan space is inhibited by unwanted noise.
Collectively this highlights the fundamental importance of evaluating innovative
learning environments ILEs to ensure that they offer enhanced opportunity for inclusion and that researchers are able to define determinants and affordances required
for successful habitation.
Inclusiveness of the Innovative Learning Environment
It is widely recognised that in mainstream learning environments there is a diverse
range of students with a variety of learning potentials and abilities. The term ‘mainstream’ implies that students will need to adapt to fit into the majority culture, and
inclusion signifies that the programme will make adaptions to fit the needs of all
students in the classroom (Stinson & Foster, 2000). In determining the elements in
an ILE that enable inclusion, it is important to consider the quality of the student’s
experiences while accounting for opportunities that help or hinder participation. Kay
asserts it is unfair and unproductive to expect students to meet new and higher expectations in twenty-first-century learning spaces if the supporting infrastructure is not
there (as cited in Bellanca & Brandt, 2010).
In a mixed method multiple case study research project involving three students
with hearing difficulties in one ILE, an interdisciplinary approach using methods
from acoustical engineering, audiology and social science research were employed
to gain insight into the environment under investigation (Imms, Cleveland, & Fisher,
2016). A key driver of this study was to understand what supporting infrastructure and
affordances enabled communicative experiences of students with hearing difficulties
in an open-plan environment.
The methodological approach aimed to explore issues of inclusion for students
with hearing difficulties while accounting for the complexity of variables that impact
the performance standard of the learning environment. Student experience is situated
at the centre of the learning environment evaluation process. In this study Radcliffe’s
(2009) Pedagogy, Space, Technology Learning Environment Evaluation Framework
was utilised as grounding for this research because it offers a simple framework
that identifies patterns in what institutions are trying to achieve, the ways in which
they do this, and how they evaluate success. The questions asked within the framework can be tailored to meet particular ways of doing work, and the process is one
which is ‘inherently self-documenting and aids the elicitation of lessons learned for
future projects’ (Radcliffe, 2009, p. 14). Complimenting this approach Brinkerhoff’s
(2005) Success Case Methodology that explores ‘what works’ in times of fast-paced
change while accounting for the ‘value-add’ of learning. As a result of this emergent
approach, the evidence collected assisted in identifying particular design, technological and pedagogical elements in the ILE, which impact the inclusion of students
with hearing difficulties in ILE’s.
Innovative Learning Environments, Are They Inclusive? …
155
Methods
In this study, the ILE under investigation was an open-plan primary school and 3
students with diagnosed hearing difficulties were the cases. To begin, the building
structure was tested to determine the acoustic performance, and how noise was mediated by the design affordances of classroom spaces and breakout areas. An affordance
can be described as a quality of an object or an environment that allows an individual
to perform an action (Gibson, 1977; Wright & Parchoma, 2011). For instance, during
noisy learning activities the wall structures were tested to determine if unwanted
sounds were absorbed of if sound echoed and bounce off walls creating additional
interference in accessing clear speech in the environment.
After determining the baseline acoustic performance of various spaces within the
open-plan environment, the focus switched to collection of qualitative data using
photo-elicitation and semi-structured interviews with the case study students. It was
fundamentally important to establish the student’s perceived level of inclusion, the
quality of their experiences in the learning environment and their interpretation of
such. This evidence was then triangulated against the acoustic data. Affordances are
also properties of the system, as perceived by the user, that allow certain actions to
be performed and which encourage specific types of behaviour (Cox et al., 2004).
Affordances speak directly to the quality of an experience as a result of an action,
and in doing so go beyond the current rhetoric of inclusive education policies that
speak to the notion of reasonable adjustments (Disability Discrimination Act 1992,
1992; Disability Standards for Education 2005, 2005). Given the absence of research
on inclusion of ‘mainstreamed’ students with hearing difficulties in open-plan ILEs,
a multifaceted, multi-lens approach to data collection was taken to ensure reliability,
validity and to mitigate researcher bias while evaluating student perceptions about
the environment (Blackmore, Bateman, Loughlin, O’Mara, & Aranda, 2011; Spencer
& Marschark, 2010).
The study focus was not on the hearing deficit of the student but rather on
the students’ experience in the ILE, and how the performance of the environment
mediated inclusion of these students. As such further key research questions included:
• How are teachers planning the use of the environment to promote inclusion?
• How and in what ways is communication facilitated?
• What elements within the open-plan learning environment facilitate opportunity
for participation in speaking and listening?
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L. Rose-Munro
In addition, the subsidiary aims of the study were to:
• Investigate the environment’s technology and acoustical affordances and properties to determined their influences on inclusion and subsequently what affordances
should be adopted as best practice initiatives.
• Investigate the teachers’ and students’ preferential use of places to communicate
within the learning space to determine how innovative learning environments
could be best utilised for optimal access to speaking and listening activities.
This study and the approach taken highlighted the fundamental purpose of coming
together in a face-to-face space to learn, and draws attention to:
• The importance of an acoustic platform that enables opportunity for all to
participate in speaking and listening activity.
• Student agency, the power to act and contribute to decisions about how best
one might learn, and the environmental affordances that enable opportunity and
success.
The emergent methodological approach enabled the capture of convergent and
divergent thinking regarding the intersection of the elements of pedagogy, space and
technology in the innovative environment, and the subsequent impact upon inclusion
of students with hearing difficulties.
Acoustic Findings
Acoustic quantitative data is fundamentally important data that corroborates or
explains what helps or hinders inclusion in communicative opportunities for the
inhabitants of ILEs. In a mixed methods evaluation design, substantive inferences
about the affordances of the environment are made and further interrogated using
qualitative methods such as semi-structured interviews, focus groups, structured
observations and photo-elicitation (Moss, 2008).
In this study a noise logger, an acoustical measurement tool, logged the average
equivalent background noise measured in decibels over time within a set position in
the ILE. This measure gave an indication of the typical background noise levels that
students and teachers commonly experienced within this space over time. Noise was
logged at an average of 75 decibels (dB). It is reported that for intelligible speech to
be heard by students with normal hearing abilities at a distance of 2–3 m from the
presenter, background noise should not exceed 55 dB (Flexer, Smaldino, & Crandell,
2005) and the voice of the presenter be 20 dB above background noise. Effectively
a teacher would have to shout at 95 dB for this condition to be met (Fig. 2).
Reverberation times were recorded; these are a simple indication of how the
building performs in terms of absorbing sound reflections or echoes. The breakout
spaces in the ILE recorded between 0.4 standards >0.6 RT (reverberation time),
satisfying recommended RT for ‘classrooms’ (AAAC, 2010). However, the adjacent
open-plan common learning area recorded 1.1 RT, far exceeding recommendations.
Innovative Learning Environments, Are They Inclusive? …
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Fig. 2 Graph 1 of noise logger data, average noise level reading 75 dBA, administered by Marshal
Day Acoustics Pty Ltd
This noise often spilt into the breakout zones and was reported as ‘an annoying source
of disruption’ by a case study student, this sentiment was repeated by other students
and teachers throughout the study.
Finally, innovative equipment was administered by an acoustical engineer that
captured the clarity (C50) of speech sounds at points within the learning environment. These measurements are depicted as an Iris plot™ in graph 2 (Fig. 3) and
graph 3 (Fig. 4), which showed the most direct signal from the source to receiver (red
spike) and interfering sound reflections (blue and green spikes). This data enabled
the identification of optimal positions for presenting when addressing students in
speaking and listening activities in the ILE.
Graphs 2 and 3 show a comparison of speech clarity C50 in 2 different locations depicted visually by Marshall Day Iris plot™. This data is fundamental to the
formulation of Standards that enable equitable access for those with hearing difficulties in buildings such as public meeting spaces, and in particular education facilities. For example, the Association of Australian Acoustical Consultants (AAAC)
recommend the following acoustical design conditions for classrooms, outlined in
Table 1, be adopted as a Standard for achieving hearing accessibility to clear speech
in classrooms.
158
Fig. 3 Graph 2 of poor speech clarity
Fig. 4 Graph 3 of good speech clarity
L. Rose-Munro
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159
Table 1 Guideline for educational facilities acoustics (AAAC, 2010)
Recommended classroom acoustical design conditions Association of Australian Acoustical
Consultants Guideline for Educational Facilities Acoustics (2010)
• A spoken voice level at least 15 dB above the background noise level throughout the room;
• Background noise levels of 30–40 dBA, or less when unoccupied;
• Overall sound levels (consisting of teaching voice and student voice) no greater than 65–70
dBA throughout the room;
• Sound-absorbing materials, placed to minimise reverberation to less than 0.4 s in primary
teaching spaces and 0.6 s in secondary teaching spaces, including at least 40% absorptive
treatment on the ceiling;
• A Speech Transmission Index STI >0.6 in open-plan teaching and study spaces
For the further case of students with special hearing requirements the following acoustical
design conditions should also be satisfied
• Reverberation time of 0.4 s or less
• Signal to noise ratio of greater than 20 dB
Student Voice Findings
In this study, the acoustic data provided a context to better understand student voice
gained through the qualitative case study approach. While the noise logger demonstrated excessive noise present at a specific location, it was found that in particular
locations the teachers voice was clearer. This was attributed to the shape, configuration and structural elements in the room, such as a noise control acoustic rated
wall panelling, lower ceiling height with acoustic rated tiles, and carpet and soft
furnishings that dampened noise. When students were given agency, the power to
act, (Van Lier, 2008) they intuitively positioned themselves in the spaces that had
been empirically identified as having good acoustic affordance, and supported greater
accessibility to clear speech. Corroborating this finding in semi-structured interviews
using photo-elicitation, the students revealed that these spaces were their favourite
spaces to retreat to when given freedom to do so, in particular during independent
learning times.
When excessive noise was generated by surrounding student and teacher activity,
technology such as iPads and interactive whiteboards acted as communication tools
providing visual clues and prompts. This enhanced the case study students’ accessibility to learning. While these tools were not a substitute for speech, they provided a
bridge that enabled students an avenue to independently interpret the requirements
of a learning activity. Technology devices also provided a level of anxiety reduction
by engaging the case study students in learning via multi-modal pathways. ‘Special’
access to technology tools gave comfort to the students with hearing difficulties who
at times completed tasks before other students not identified as having a hearing difficulty. While technological affordances were present and in abundance in the ILE,
student use was restricted by the teachers who tended to deploy tech tools as ‘an additional learning activity’ rather than an embedded part of learning. Similarly, the ILE
was fitted with a sound-field system, consisting of a number of distributed low-level
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L. Rose-Munro
amplification speakers, a teacher worn microphone with a student pass around handheld microphone. The sound-field speakers lifted the voice of the presenter above
the background noise, overcoming the distance from the teacher-to-background noise
ratio for students. When the sound-field system was in use noise generation momentarily abated in the immediate area as well as co-located spaces. This Lombard effect,
the involuntary tendency of speakers to increase their vocal effort when speaking in
loud noise to enhance the audibility, was resolved by the sound-field system. Teachers
no longer shouted and competed with each other to be heard when using the system.
While all teachers acknowledged the benefits of the use of such technology, it was
spasmodically used. This frustrated one of the case study students who took it upon
herself to constantly remind teachers to use it.
Developing a culture of trust in working with others was identified by the case
study students as fundamental to their inclusion in the ILE. Students said when
teachers trusted their judgement and supported their choice to move to particular
spaces and work with others, they felt more included because they could understand
speech and the nature of the learning activity more clearly. The teachers however
said they were unaware that this example of student agency was an important factor
for including the case study students in various activities. There were many times,
particularly when noise escalated, that student agency was taken away and didactic
teaching prevailed. At these times, the case study students could not access their
learning buddy, reposition themselves to acoustically supportive positions or use technology to bridge the learning activity. Noise appeared to be the trigger for reverting
to didactic teacher-centred practices. Teachers reported feelings of exhaustion after
days of working in noisy spaces, justifying decisions to limit collaborative activities
in the open-plan area and retreat to the breakout areas for quieter teacher-directed
learning activities, where they felt they could have an impact on control noise.
Discussion, Evaluating Inclusiveness of Innovative Learning
Environments
Today more than ever in a student’s learning journey it is critical that all have opportunity to participate and develop the ability to collaborate, connect to others, creatively
problem solve and transfer content knowledge to many contexts. Highly effective
communication skills are fundamental for participation in lifelong education and
future job markets. Given this, it can be said that traditional student success measures
such as student academic achievement data may not capture the breadth of ‘student
success’ in an ILE. For example, an individual student may make significant gains in
terms of progress even though the student may be below or just reaching bench-mark
standards.
Deployment of effective design affordances in ILE’s involves the process of collectively translating ideas and inventions into physical, technological and pedagogical
services that create ‘value’. The concept of changing learning landscapes is not
Innovative Learning Environments, Are They Inclusive? …
161
new, however evidencing the connection between learning environment and ‘learner
success’ is relatively emergent in the research literature (Imms et al., 2016). ‘Value’
is dependent upon effectively addressing individual learner preferences and styles
such that all have an opportunity to participate, ‘including’ students with hearing
difficulties. Given this, the validity of the ‘value-add’ of design affordances might be
considered in-part the physical and technological attributes of a learning space that
prompt specific advantageous learning behaviours observable in a research setting;
for example, active participation in face-to-face communicative experiences in an
ILE. Such behaviours are observed and affirmed through relevant response and interaction to conversations. However, when accessibility to intelligible speech is challenged behaviours such as withdrawal and distraction from key conversations may
be observed (Stake, 1995; Moss, 2008). When this occurs, learning becomes less
inclusive and opportunity to participate may momentarily cease unless an alternative
learning activity is offered. While protagonists of social science research methodology may argue various mitigating factors contribute to disengagement, corroborating acoustical data support the inference that a poor acoustic platform is a key
element excluding students from active participation in face-to-face learning activity
such as collaborative tasks reliant on verbal communicative experiences (Howard,
Munro, & Plack, 2010).
In this study when student agency was given, self-advocacy and self-regulation
mechanisms were exhibited by students, i.e. the students explored their environment,
finding spaces, places and multi-modal platforms that supported their learning, it
was in such times that the aspirations of twenty-first-century skill development were
observed. Students and their learning buddies co-constructed knowledge communicating through multi-modal pathways not reliant on the transmission of speech but
rather through text, pictures, model materials and technology devices.
Informed student voice relates to the notion that as key inhabitant’s students are
well positioned to provide feedback on the spatial attributes and affordances that
enrich their learning and the elements that enable inclusion and participation (Van
Lier, 2008, Gibson, 1977; Pruyn, 1999). As informed student voice emerges, it can
be used to cultivate design affordances and pedagogic and operational practices
that enhance inclusion through enabling activation of diverse learning styles and
preferences in the ILE.
Conclusion
As more research studies emerge on ILE’s researchers note that particular space
designs or typologies elicit particular human behaviours and responses to participation in learning activities. What is known is that collaborative learning activities generate noise and noise is a factor that impacts communicative experiences
(Munro 2011). By varying the spatial form, layout of a room and incorporation
of acoustic attenuation and technological affordances noise can be controlled such
that it minimises negative impacts on learning efficacy (Guardino & Anita, 2012).
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L. Rose-Munro
Fig. 5 Example of working with a trusted other in a ‘Nook’
For example, the discovery of the value of ‘acoustic nooks’ (sensory reduction zones
within the learning environment that mediated noise) and ‘the trusted other’ (a person
the case study students identified as a good peer who could aid their learning) were
identified as affordances of the ILE that enabled inclusion of students. See Fig. 5.
Rigorous evaluation of ILEs presents a plethora of opportunity for many stakeholders invested in enhancing educational outcomes for all students. Design principles associated with inclusive fit-for-purpose speaking and listening environments
have yet to be broadly identified in the context of education building infrastructure. While many studies have demonstrated that excessive noise has detrimental
effects on learning, assumptions regarding open-plan learning environments based
on past research may not apply in these technology rich spaces that employed the use
of innovative acoustic materials, design elements and student-centred pedagogies.
Interdisciplinary approaches to evaluation may assist in closing the gap between
students with and without learning disabilities and differences. This is because
these types of methods critique the interplay between numerous elements acting
in synergy. Knowing how to balance particular evidence-based elements leads to
enhanced inclusion and greater opportunity for to student access to learning.
This study used a multi-lens approach that valued collaboration and interdisciplinary thinking, which sits within the philosophical framework of twenty-firstcentury learning environments. Broad approaches such as those described above are
supported by Kalikoff who put the case for a mosaic approach that involved the implementation of a series of textured and complementary evaluation strategies that aimed
to provide reliable and detailed information about what was being accomplished in
the context of the environment under investigation (Kalikoff, 2001).
While it was found that particular identified affordances enhanced inclusion of
students with hearing difficulties in the ILE, there were many instances where
students were inadvertently excluded. There is an ongoing imperative to identify
and embed design principles for learning spaces that account for high-quality noise
control and professional learning for teachers, administrators and designers involved
in developing and operationalising such spaces. As such, return on investment of
rigorous evaluation of learning spaces is validated by assurance that identified design
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163
principles lead to development of exemplar fit-for-purpose learning environments
that offer opportunity for all students, in particular those with hearing difficulties to
be actively and successfully included in learning.
Acknowledgements Data utilised in this research was obtained in adherence to the required ethical
protocol of the author’s host institution. All images and diagrams are the property of the author, or
the author has obtained consent to use them from the appropriate copyright owner.
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the copyright holder.
What About Interaction Geography
to Evaluate Physical Learning Spaces?
Ben Rydal Shapiro
Abstract This paper reviews and explores how interaction geography, a new
approach to visualize people’s interaction over space and time, extends current
approaches to evaluate physical learning spaces. This chapter begins by reviewing
representations produced using interaction geography to study visitor engagement
and learning in a museum. In particular, this review illustrates Mondrian Transcription, a method to map people’s movement and conversation over space and
time, and the Interaction Geography Slicer (IGS), a dynamic visualisation tool
that supports new forms of interaction and multi-modal analysis. Subsequently, this
chapter explores how interaction geography may advance the evaluation of physical
learning spaces by providing dynamic information visualisation methods that support
more expansive views of learning and the evaluation of the alignment between space
and pedagogy. This chapter concludes by outlining significant limitations and next
steps to expand interaction geography to evaluate physical learning spaces.
Introduction
Historically, the evaluation of physical learning spaces has relied on concepts and
methods from professional design disciplines (e.g. architecture, urban planning) to
assess how the physical design of space conditions the measureable learning performance of people. For example, post-occupancy evaluation (Zimring & Reizenstein,
1980; Zimmerman & Martin, 2001) is often used to evaluate how the physical structure of spaces (e.g. as represented through methods of space syntax or building
information modelling) influences people’s learning performance on standardised
tests or “behavior performance scores” (Wineman, Peponis, & Dalton, 2006; Hillier,
2008; Peponis, 2005; see Cleveland & Fisher, 2014 for full review).
On one hand, this work continues to demonstrate that there are relations between
the physical environment and learning despite “many sweeping claims about the
B. R. Shapiro (B)
Georgia Institute of Technology, School of Interactive Computing, Vanderbilt University’s
Peabody College of Education, Nashville, TN, USA
e-mail:
[email protected];
[email protected]
© The Author(s) 2021
W. Imms and T. Kvan (eds.), Teacher Transition into Innovative Learning Environments,
https://doi.org/10.1007/978-981-15-7497-9_14
167
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B. R. Shapiro
possible effects of various aspects of learning spaces on student learning that are
not substantiated empirically” (Tanner 2000 as cited in Blackmore et al. 2011, pg.
5; also see Imms, Cleveland & Fisher, 2014; Tanner, 2009). On the other hand, this
work provides little explanation as to how or why these relations are observed in
correlational analysis.
Recent research has defined three distinct areas that must be addressed to advance
the evaluation of physical learning spaces. First, new research methods need to be
developed that are “capable of controlling the complex variables inherent to space
and education” (Imms & Byers, 2017). Second, concepts and methods used to evaluate physical space need to be better integrated with a broader understanding of
learning theory (Ellis & Goodyear, 2018) to include, for example, social practice,
and sociocultural theories of learning (Lave & Wenger, 1991; Cole, 1996). Third,
research needs to develop ways to assess people’s participation at a scale and in
ways that support working with professional practitioners to study and design for the
alignment between space and pedagogy (Cleveland & Fisher, 2014).
This chapter reviews and explores how interaction geography, a new approach to
describe, represent, and interpret people’s interaction over space and time (Shapiro
et al. 2017), provides one way to address these needs and extend current approaches
to evaluate physical learning spaces. This chapter begins by reviewing representations produced using interaction geography to study visitor engagement and learning
in a museum. In particular, this review illustrates Mondrian Transcription, a method
to map people’s movement and conversation over space and time, and the Interaction Geography Slicer (IGS), a dynamic visualisation tool that supports new forms
of interaction and multi-modal analysis. Subsequently, this chapter explores how
interaction geography may advance the evaluation of physical learning spaces by
providing dynamic information visualisation methods that support more expansive
views of learning and the evaluation of the alignment between space and pedagogy.
This chapter concludes by outlining significant limitations and next steps to expand
interaction geography to evaluate physical learning spaces.
Interaction Geography in a Museum
The following sequence of representations reviews interaction geography and in
particular, methods of interaction geography that include Mondrian Transcription
and the IGS as described by Shapiro et al. (2017). Though these representations
use data from a museum context, this review intends to communicate the potential application of interaction geography more generally, to a variety of settings.
Notably, these representations are complex and necessitate new ways of reading
the physical environment, people’s activity, and people’s movement over space and
time simultaneously. For high resolution/colour representations please see https://
benrydal.com.
Figure 1 maps the movement of a six-year-old boy, Blake (blue path), and his
sister’s fiancé, Adhir (orange path), as they visit a museum gallery together. Also
What About Interaction Geography to Evaluate Physical …
169
Fig. 1 Adhir and Blake’s movement across a museum gallery space is shown over space and
space-time. Copyright © by Ben Rydal Shapiro. Reprinted by permission
included in the figure is a rendering showing the gallery space from a point marked
on the floor plan. The left of the figure or “floor plan view” shows their movement
over a floor plan of the gallery space (i.e. looking down on the space). This view
shows where Blake and Adhir go within the gallery space. The right, or “spacetime view” (Hagerstrand, 1970) extends Blake and Adhir’s movement on the floor
plan horizontally over time. This view shows how they interact with exhibits and
one another over time. For example, the space-time view shows that after entering
the gallery space (top left of floor plan view and beginning of space-time view),
Adhir and Blake walk together towards an exhibit about Hank Williams (marked on
the floor plan). Subsequently, Adhir stands for almost 5 min at the Hank Williams
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B. R. Shapiro
exhibit, as indicated by his horizontal orange path in the space-time view that extends
from approximately minutes 0–5 and corresponds to the vertical position of the Hank
Williams exhibit in the floor plan view. In the meantime, while Adhir is standing,
Blake is moving quickly (apparently running) back and forth across the gallery space
(i.e. across the semi-circle of exhibits on the floor plan) in multiple attempts to draw
Adhir away from the Hank Williams exhibit. After four failed attempts, Blake finally
succeeds in leading Adhir on a tour of other exhibits in the gallery, indicated by their
intertwined paths from approximately minutes 5–6. The change in line pattern in
Blake’s path distinguishes between different horizontal areas of space on the floor
plan providing some description of horizontal movement on the floor plan in the
space-time view (this technique has limitations but becomes more relevant when
more people are shown).
Figure 2 extends the previous figure. The figure is a screenshot from the IGS
and illustrates Mondrian Transcription. Namely, the figure maps the movement
and conversation of all five members of a family (called the “Bluegrass Family”),
including Blake and Adhir but also Blake’s brother Jeans (green), Blake’s sister Lily
(yellow), and Mae, referred to as “Mom” (purple, the mother of Blake, Jeans and
Lily). The top half of the figure shows the family’s movement and the bottom half
shows their conversation in relation to their movement (i.e. the family’s movement
is shown in grey beneath their conversation to link the two halves of the figure).
Conversation is transcribed and organised in a manner that draws from and extends
conventions of conversation and interaction analysis (see Jordan & Henderson, 1995;
Erickson, 2004; Kendon, 1990).
First, each turn at talk is shown as a coloured line to indicate which family
member speaks that conversation turn (indentations indicate overlapping speech).
Second, coloured lines of talk are gathered into boxes that group topically related
sequences of conversation turns and movement (e.g. in this case, usually related to
artefacts/musicians in this setting). Thus, in the space-time view, each box marks
the start, duration, and end of a sequence. In the floor plan view, conversation turns
and separate (in time) sequences accumulate within regions of gridded space–the
box thickness in the floor plan view increases with each repeated sequence within a
region of space. For example, the region of space around the Hank Williams exhibit
has the largest number of conversation turns (as indicated by the many coloured
lines of talk) and is enclosed by a dense box that reflects five separate (in time)
sequences occurring at the Hank Williams exhibit. The highlighted sequence (i.e.
readable conversation) in the space-time view expands the conversation turns of one
particular sequence. This is a type of “operation” made possible by the IGS (i.e. in
the IGS a user can hover over conversation lines to magnify/read conversation turns).
In the figure, the grouping of these sequences is determined in one particular manner,
but Mondrian Transcription allows conversation and movement to be grouped in a
variety of ways and also potentially supports a variety of transcript conventions (e.g.
to show the direction of speech).
This figure provides ways to interpret people’s interaction and movement in relation to the physical environment. For example, the highlighted sequence in the figure
from approximately minutes 4–5 in the space-time view encompasses a complex
What About Interaction Geography to Evaluate Physical …
171
Fig. 2 Mondrian transcript of the Bluegrass Family’s interaction geography. Copyright © by Ben
Rydal Shapiro. Reprinted by permission
mesh of activity around the Hank Williams exhibit. As described by Shapiro et al.
(2017), reading this sequence of activity in relation to the rest of the figure shows
how:
(1) Lily soothes the emotions of Adhir (her fiancé) by hugging and consoling him
as he compares the Hank Williams exhibit to a “grave” (in line 8).
(2) Jeans gives Lily and Adhir privacy by leading a frustrated Blake away from
the Hank Williams exhibit (the extension of their movement paths upwards in
the floor plan and space-time views indicating their movement away from the
exhibit).
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B. R. Shapiro
(3) Blake and Jeans re-join Lily and Adhir as Adhir continues to share his own
account of Hank William’s painful life.
(4) Mae (Mom), who has been standing near Adhir and Lily and observing her
family’s interaction, helps Blake lead Adhir on a tour of other exhibits by saying
to Adhir, “but you gotta.. you gotta go see Bill Monroe’s mandolin” (in lines
22–23).
(5) Evidently fully aware of Blake’s ongoing project to lead a tour, Adhir whispers
to Blake, “ok let’s go” and they move forward together to the next Bluegrass
artist (at the end of the highlighted conversation).
In other words, reading these interpretations in relation to the rest of the figure
reveal phenomena (e.g. Blake’s tour and Adhir’s persistent engagement with the Hank
Williams exhibit) not visible without methods of interaction geography. These interpretations require multi-scalar ways to (a) analyse structural properties of settings
alongside visual patterns of people’s conversation and movement, (b) read individual
conversation turns and situate these conversation turns with respect to simultaneous
conversations occurring in different parts of a museum gallery space, and (c) not
communicated here but possible within the IGS, to watch/listen to video/audio from
the perspective of each family member gathered as part of this research (i.e. Mondrian
Transcription/the IGS syncs multi-perspective audio and video if available to these
visualisations).
Figures 3 and 4 are screenshots from the IGS displayed in a small multiple format
(Tufte, 1990). Figure 3 shows continuous movement for each family/group whereas
Fig. 4 shows “personal curation” or traces of movement where visitors are using
Fig. 3 Screenshot from IGS showing movement of 4 visitor groups in 3 gallery spaces. Copyright
© by Ben Rydal Shapiro. Reprinted by permission
What About Interaction Geography to Evaluate Physical …
173
Fig. 4 Screenshot from IGS showing personal curation of 4 visitor groups in 3 gallery spaces.
Copyright © by Ben Rydal Shapiro. Reprinted by permission
personal information devices and/or social media to collect, edit, and/or share content
from the museum. Columns in each figure distinguish each visitor group/family while
rows indicate different gallery spaces. All displayed information across these figures
is set to the same scales. Since the “Taylor Swift Family” did not visit the Rotunda
Gallery, all visitor groups’ movement and personal curation is combined on a larger
floor plan drawing of the entire museum.
Figures 3 and 4 illustrate the comparative possibilities of interaction geography. In
this setting these comparative possibilities support studying how individual visitors
and groups of visitors align with cultural heritage content. For instance, it is clear
(for those who know these spaces such as museum professionals working at this
museum) that the “Women in Music Family” (2nd column) interacts in a variety of
ways with exhibits and gallery spaces that feature female artists while the Bluegrass
Family (1st column) exhibits very different types of interactions around exhibits
that feature early Country and Bluegrass artists. Likewise, these figures can be used
to identify heightened moments of potential interest and engagement (e.g. young
children’s rapid/sharp movements in space-time). Using the IGS in this setting, these
moments can be unpacked to understand, for example both how parents structure
young children’s conversation to learn (the primary focus of learning research in
museums) and also how young children use their families as interpretive resources
for learning through their expressive movements and conversations. For example,
closer analysis of Blake’s movement and conversation in the space-time view during
minutes 3–5 while visiting the Rotunda gallery (column 1 and row 3) illustrates
how, Blake first failed to get an answer to a question he posed to Adhir as to who
co-starred in the 1970s action/comedy film Smokey and the Bandit. Immediately
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B. R. Shapiro
afterward, Blake ran to another gallery space to find and get the correct answer
from his brother Jeans. Subsequently, Blake then raced back to re-join Adhir in the
Rotunda Gallery in order to inform Adhir that it was Jerry Reed, a Grammy-winner
country artist, that co-starred in the film.
Extending Physical Learning Space Evaluation
From Static Representations to Interactive Visualisations. The previous figures illustrate how interaction geography uses Mondrian Transcription to integrate representations from a variety of disciplines. These representations include floor plans,
transcripts of conversation, and personal time geography (Hagerstrand, 1970). As
a result, new types of multi-scalar analyses are possible that link detailed analyses
of people’s interaction at locations in the physical environment with analyses of
people’s interaction as they move across the physical environment.
The previous figures and analysis also provide a glimpse of how the IGS supports
dynamic interaction with these representations. For example, in this case, analysis
of the previous figures begins to convey how the IGS allows researchers and practitioners (e.g. museum professionals) to select sequences of movement and conversation for closer analysis, to watch audio and video from the perspective of each family
member, and to re-scale space or time in order to study phenomena at different scales
while conducting new types of comparative analysis.
Historically, representations used to evaluate physical learning spaces have been
static (i.e. providing snapshots of space) and often unidimensional (i.e. only focusing
on space and not people’s interaction or movement over space and time). Interaction
geography illustrates the potential and new possibilities to use dynamic visualisations
as opposed to static representations in order to evaluate physical learning spaces.
Incorporating Broader Views of Learning. Current approaches to the evaluation of
physical learning spaces typically operate from a positivist stance. For example,
in an informal setting such as a museum, such a stance dictates both a model of
a museum visitor as a relatively passive consumer of intended exhibit design as
well as evaluation methods that focus on how physical structures of gallery spaces
support visitors’ acquisition of the intended design and narrative of exhibits produced
by museum curators and designers. Such a stance provides valuable information to
inform future design. However, such a stance often ignores people’s activity and how
people produce and pursue their own learning in ways that are very different from
how people acquire intended design/curricula.
Interaction geography provides concepts and methods to describe people’s interaction (e.g. pace of talk or movement, social media use) at a scale that maintains a
focus on the physical design of space. In the figures above, one result is the ability to
characterise Blake’s efforts to lead Adhir on a tour. This characterisation provides one
vivid example of how children’s seemingly erratic movement patterns, which current
evaluation methods might either miss entirely or suggest detract from Blake’s and
What About Interaction Geography to Evaluate Physical …
175
his family’s ability to acquire knowledge about exhibits, reflect Blake’s very intentional efforts to pursue his own interest-driven learning: In this case by teaching other
family members about the cultural heritage content of a museum gallery space. More
generally, interaction geography provides a means to study how people’s activity
responds to the physical design of spaces (and changes made to these spaces) over
varying periods of time (e.g. potentially over hours, days, and longer periods of time).
Studying changes in activity or participation is central to theories of learning that
study how learning is distributed across people, tools, and physical learning environments (Cole, 1996; Gutiérrez, Morales, & Martinez, 2009; Vygotsky, 1980) and how
people learn through participation in socially and culturally organised practices of a
community (Lave & Wenger, 1991). Put differently, interaction geography supports
evaluating physical learning spaces not only with respect to how they may influence
learners’ performance on standardised tests or behaviour performance scores but also
with respect to how they support or do not support social contexts for learning.
Incorporating broader theories of learning into the evaluation of physical learning
spaces encourages new research that may be necessary to illustrate how and why
there appears to be a relation between the physical design of space and learning.
For example, in classroom and school settings, such work might include assessing
how physical space shapes the embodied production of identity (Leander, 2002)
or structures joint participation in specific disciplinary practices such as writing
(Rowe, 2008) or how physical proximity influences teachers’ interactions with peers
about teaching (Spillane, Shirrel, & Sweet, 2017). Alternatively, in natural or urban
environments such work might include studying how people’s personal mobility is
both the means and content for learning or describing how people “make places” to
pursue their own interest-driven learning as they move through physical spaces rich
with meaning potential (Hall, Taylor, & Marin, 2017; Marin, 2013).
Evaluating the Alignment of Space and Pedagogy. As mentioned previously, interaction geography describes people’s interaction at a scale that maintains a focus
on the physical design of space. As a result, it supports studying the alignment
between space and pedagogy in new ways (Cleveland & Fisher, 2014). For example,
consider the application of interaction geography in classroom settings to ask and
answer questions about the physical design of learning spaces that are challenging
to address with current methodological approaches. These questions include: How
do teachers use or not use particular areas of space over single or multiple lessons?
When and where do students have access to particular types of instruction or pedagogical interactions? How does students’ and teachers’ movement and conversation
reveal types of empowering and disempowering pedagogies that are built into the
physical design of certain classrooms (Monahan, 2002, 2005; Cleveland, 2009).
Furthermore, current research emphasises that evaluating the alignment of space
and pedagogy necessitates close collaboration between researchers and professional
practitioners (e.g. teachers, museum professionals) working in the spaces being
studied. Interaction geography provides a highly visual method that may support this
collaboration in ways that can inform future design. For example, the previous figures
were utilised in collaboration with museum professionals at one particular museum.
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B. R. Shapiro
Making visitor interaction and personal curation visible for these professionals had
a significant impact on this museum. In particular, studying the previous figures
contributed to the redesign of one museum gallery space and supported challenging
interdepartmental and crossdisciplinary conversations between museum curators,
educators, and architects who held very different beliefs as to what makes a successful
gallery space. Likewise, prior to viewing these visualisations, museum professionals
at this museum did not realise visitors used social media while in their gallery spaces
and thus, had not developed educational programming or marketing initiatives that
encouraged or supported visitor’s personal curation. In response to these visualisations, this museum developed social media policies (e.g. hashtag/indexing mechanisms) that encouraged the use of personal curation to learn and teach others about
museum content in ways that also advanced the museums’ marketing and educational goals. More recently, this museum has begun to explore more personalised
ways to support visitors’ personal curation, for example, by supporting teachers to
use museum content to develop their online teaching profiles (see Shapiro & Hall,
2018).
Limitations and Next Steps
In summary, this chapter reviewed and explored how interaction geography, a new
approach to describe, represent and interpret people’s interaction over space and
time, extends current approaches to the evaluation of physical learning spaces. This
chapter concludes by discussing some of the primary limitations in this early work
that must be addressed to expand the use of interaction geography to evaluate physical
learning spaces.
First, as demonstrated in this chapter, reading visualisations produced by interaction geography is challenging and necessitates new types of interdisciplinary thinking
as well as close collaboration with practitioners who are in the best position to interpret these visualisations. Future research will need to explore a variety of questions
related to this challenge. For instance, these questions include: What resources do
different disciplines and practitioners working in different disciplines offer to read
representations of interaction geography? What insights do different disciplines and
these practitioners offer to interpret these representations from a learning perspective?
Using Blake’s tour as a starting point, what is a taxonomy of interaction geography
patterns that can be read to study productive or unproductive alignments between
space and pedagogy in different types of physical learning spaces?
Second, questions regarding how to generalise methods of interaction geography in an ethically informed manner are only beginning to be explored. For
example, recent work has applied the IGS to visualise and discuss New York City’s
controversial Stop-And-Frisk Program (Shapiro & Pearman 2017). However, future
research will need to explore a variety of questions that necessitate further technical/computational development of the methods/software illustrated in this chapter.
These questions include: How can researchers, designers, and practitioners working
What About Interaction Geography to Evaluate Physical …
177
in a variety of settings customise and use these methods to evaluate physical learning
spaces? What types of visual analytics and natural language processing need to
be incorporated into the IGS to advance its utility? What settings and institutional
contexts are these methods ethically and not ethically appropriate?
Third, interaction geography is a very new approach that is only beginning to be
applied beyond the museum setting described in this chapter. Future research will
need to test and assess the usefulness of interaction geography in a variety of settings.
In particular, future research will need to conduct research to develop comparative
questions and analyses. For example, future research needs to explore questions
such as what are productive spatial and temporal scales or boundaries of settings that
enable comparative work based on interaction geography? What types of mappings
(e.g. of people, artefacts, sound) does interaction geography support? What types of
physical spaces is interaction geography best (and least) suited?
Acknowledgements Data utilised in this research was obtained in adherence to the required ethical
protocol of the author’s host institution. All images and diagrams are the property of the author, or
the author has obtained consent to use them from the appropriate copyright owner.
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Ben Rydal Shapiro (USA) is currently a Postdoctoral Fellow in the School of Interactive
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people engage and learn in relation to the physical environment and to develop information environments that allow people and organizations to explore, analyze, and make sense of data. His
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Open Access This chapter is licensed under the terms of the Creative Commons Attribution 4.0
International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing,
adaptation, distribution and reproduction in any medium or format, as long as you give appropriate
credit to the original author(s) and the source, provide a link to the Creative Commons license and
indicate if changes were made.
The images or other third party material in this chapter are included in the chapter’s Creative
Commons license, unless indicated otherwise in a credit line to the material. If material is not
included in the chapter’s Creative Commons license and your intended use is not permitted by
statutory regulation or exceeds the permitted use, you will need to obtain permission directly from
the copyright holder.
Measurement
Introduction to Part III: Measurement
Wesley Imms and Kenn Fisher
Abstract ‘Measurement’ of the impact of learning environments has occurred for
quite a long time, but its role in driving and guiding reforms in ILE design and use
has not been as effective. This is due to a lack of common terminologies, too wide a
scope of what constitutes ‘learning environments’ and too often the use of very poor
methods. This section presents a number of evaluation initiatives, playing a part in
exploring new approaches to ‘good’ evaluation.
Not enough has been said about the paucity of solid evidence needed to inform
ILE development. LEaRNs many projects have helped a small international band
of researchers highlight the perilous state of research conducted to date, and within
ILETC it has focused specifically on what is known and needs to be known in terms
of ILE impact on student learning outcomes (Byers, Mahat, Liu, Knock, & Imms
2018), teacher use of space (Bradbeer, Mahat, Byers, & Imms 2019), and student
deeper learning. A critical argument has been the need to build an evidence base that
breaks the cycle of fads and bandwagons that have plagued ILE development since
the 1960s (Imms, 2018). But this message must be followed by action—the active
pursuit of robust evidence that shows where ILEs succeed and where they fail—and
why this happens.
ILETC is an example of that work, but still more remains to be done to provide
a substantive causative link between pedagogy and space. This package of chapters
considers how the materiality of the built form provides effective affordances to
support the activities therein. Reading between the lines, we also see how much
work of this ilk is required; grand statements about success have limited usefulness,
whereas the small projects described here constitute the fabled research ‘bricks in
the wall’, which over time cumulatively create the robust knowledge base we need.
Byers used an observational metric to track the practices of over 20 secondary
science, mathematics, and engineering teachers in a variety of spaces. His focus was
on mapping and identifying practices, perceptions of student learning, and correlating
W. Imms (B) · K. Fisher
The University of Melbourne, Melbourne, VIC, Australia
e-mail:
[email protected]
© The Author(s) 2021
W. Imms and T. Kvan (eds.), Teacher Transition into Innovative Learning Environments,
https://doi.org/10.1007/978-981-15-7497-9_15
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these to qualities of the various built environments in which those practices occurred.
This logical, replicable, analytical approach allowed him to identify trends in practices consistent with various learning space types. While Byers’ earlier work isolated
learning space types as variables when assessing impact on learning outcomes (Byers,
Imms, & Hartnell-Young, 2018), the more sophisticated study presented here tackled
the often-ephemeral phenomenon of teachers’ actual practices. As a study, it identified useful concepts that are likely even by now to be superseded by newer thinking,
but the core message in this chapter is of designing robust ways of capturing data to
build foundational knowledge.
A collaborative Danish research team—Imke Wies van Mil, Olga Popovic Larsen,
Karina Mose and Anne Iversen—takes an innovative look at how lighting affects
behaviour in non-school spaces to then leverage this into informing school design.
The team moves outside the school sector to see developments around lighting and
how they may be re-purposed into school design, which is a very worthwhile and
under-researched exercise. We all understand the use of lighting, for example highlighting heritage buildings in the evenings, focus lighting for restaurant table settings,
and even disco lighting to take an extreme viewpoint. What the authors focus on is
the contrast between light and dark and shades between that lighting can be offered
in built environments. They argue that architects should focus as much on artificial lighting as they do on natural lighting, a concept highly evolved in Scandinavia countries. If design for health and well-being (Hughes, Franz & Willis, 2019)
is explored, then it makes eminent sense to curate a variety of learning settings
for a variety of activities to support a variety of differentiated teaching. The team
compared six different learning environments to evaluate the cognitive impact of the
different lighting arrangements. Teaching staff were invited to review the results with
a distinct preference emerging for a particular lighting arrangement. This approach
offers significant opportunities for ‘precision’ school design as innovative learning
environments evolve (in adapting the emerging ‘precision medicine’ dialogue).
Ji Yu explores potential links between the learning environment and student
learning outcomes through the lens of Chinese learners. She differentiates ‘surface’
approaches to learning and ‘deep’ approaches to learning in comparing various
taxonomies across the three factors: cognitive processing activities, affective or motivational learning activities, and (self-) regulative activities. Ji Yu notes that Chinese
students tend to focus on combining memorising with understanding, although in
Hong Kong some Western approaches are gaining traction. Generalisation is difficult given the 56 ethnic groups and disparate educational systems across the country.
Four themes emerged from the study of two contrasting learning environments with
two contrasting pedagogies: learning space and students’ conceptions of learning,
learning space and cognitive aspects of learning, learning space and affective aspects
of learning and, finally, the learning space and the (self-) regulative aspects of
learning. Ji asserts that space can shape learner behaviour and particularly singles
out the contrast between instructor led (formal) and self-directed (informal) student
behaviours. To this could be added the social aspects of learning completing a triad
of learning (spatial) modalities (Fisher, 2003).
Introduction to Part III: Measurement
185
Jane Zhang compares the creative process in learning through a dual approach of
‘flaring’ and ‘focusing’. Focusing is the notion of concentrating on a specific subject
or task, whereas flaring is adapting the knowledge gained to problem-solving. At one
extreme, applied to kindergarten at MIT, there are four factors which may support
creative learning: projects, peers, passion, and play.1 In studying at Harvard—and
moving to the alternate end of the learner age spectrum—Zhang is able to engage
in case studies with two learner typologies: one at the Harvard Graduate School
of Design and the other being the Harvard Innovation Lab. The former uses a
design studio-based pedagogy having its origins in the Bauhaus, while the latter
has a variety of spaces to support incubators and student-led start-up projects in a
cross-faculty manner similar to MIT’s D-Lab. Students completed online questionnaires to support observational studies. The findings reinforced the idea of alternately focusing (narrowing) and flaring (or broadening). In some respects, this
resonates with Nonaka’s (1998) modes of knowledge construction and management,
although these iterate across four developmental activities—internalisation, socialisation, externalisation, and finally, combination. Zhang’s creative learning spiral—
with the quadrants of ‘sparking’, ‘making’, ‘grazing’, and ‘socialising’ across four
associated domains of focus, flare, objects, and people—is an interesting and innovative ‘take’ on Nonaka’s. Above all, Zhang found a strong correlation between
pedagogy/activity and space/affordance in the two examples.
One cannot underestimate the importance on the type of material created and
presented in this Section. Often considered ‘too hard’ to collect, with the mass of
confounding variables that characterise the use of ILEs, ILETC, and Transitions
conferences have steadfastly pulled together a range of quality researchers who are
meeting this challenge. To reiterate, this Section highlights the diversity and scope of
issues to be addressed if we are to ever confidently say we have a solid understanding
of what works, when, and why.
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1
Sign on local primary school street display board: play is the highest form of research: Einstein.
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Wesley Imms (Australia) comes to learning environments research from a long period as a
teacher, then through a Ph.D. in Curriculum Studies from the University of British Columbia in
Canada. His teaching spanned art and design education, his practice for decades has included
designing and building ‘crafted’ homes, and his art works have focused on bespoke purposeful
furniture construction, which he exhibits annually. For the last decade these interests have
conflated into applied research programmes, where he specialises in assisting schools conceptualise, inhabit, refine and evaluate learning environments. This work has focused extensively
on large-scale collaborative projects that draw heavily on international industry participation,
and with an emphasis on Ph.D. and Masters level input to this knowledge generation. He is
a co-Director of the LEaRN group, manages LEaRN@MGSE, and through selected consultancies he works closely with schools in the Asia-Pacific region on improving the use of innovative learning environments. Wesley is currently an Associate Professor at The University of
Melbourne, Australia.
Kenn Fisher (Australia) is recognised as one of the leading learning environment specialists practising locally, nationally and internationally for over three decades. He has practised in
Australia, Asia, the Middle East and Europe and as a consultant to the OECD (where he held the
post of Head of the Programme on Educational Building in Paris in 1997/8) and UNESCO. He
is multiskilled in a range of disciplines having practised in all education sectors as a teacher and
academic, a strategic facility and campus planner and as a project, facility and design manager.
He has been engaged by more than universities worldwide, over a dozen vocational training and
community college clients, a number of State and National Government Ministries of Education,
many school organisations and Government and corporate entities. Kenn is an Associate Professor
in Learning Environments at The University of Melbourne’s School of Design (MSD).
Open Access This chapter is licensed under the terms of the Creative Commons Attribution 4.0
International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing,
adaptation, distribution and reproduction in any medium or format, as long as you give appropriate
credit to the original author(s) and the source, provide a link to the Creative Commons license and
indicate if changes were made.
The images or other third party material in this chapter are included in the chapter’s Creative
Commons license, unless indicated otherwise in a credit line to the material. If material is not
included in the chapter’s Creative Commons license and your intended use is not permitted by
statutory regulation or exceeds the permitted use, you will need to obtain permission directly from
the copyright holder.
What Does Teaching and Learning Look
like in a Variety of Classroom Spatial
Environments?
Terry Byers
Abstract The very nature of what constitutes an effective learning environment is
undergoing substantial re-imagination. Authors have suggested that the affordances
of existing learning spaces, often termed conventional or traditional classrooms,
is limited and constrains the possible pedagogies available to teachers. Architects,
authors and governments have put forward innovative learning environments (ILEs)
as a better alternative. ILEs provide affordances thought to be somewhat better
at providing to students learning needs than traditional classrooms, particularly in
terms of creative and critical thinking, and collaborative and communicative workers.
However, there is little evidence available to show of either spatial type (traditional
classroom or ILE) performs pedagogically to either hinder or support the desired
approach/es to teaching and learning being sought by current educational policies.
One could suggest that a populistic narrative often drives the growing investment
in new school learning spaces, facilitated by a vacuum of credible evidence of
their impact. This paper will report findings from a three-year study that tracked
the practices over time of secondary school Engineering, Mathematics and Science
teachers (n = 23) as they occupied two quite dissimilar spatial layouts. The Linking
Pedagogy, Technology, and Space (LPTS) observational metric, with its provision
of instantaneous quantitative visual analysis, was used to track their practice, and
student learning, in a variety of spatial layouts. Subsequent analysis identified broad
trends within the data to identify those factors, spatial, subject or confounding teacher
factors, which influenced student and teacher activities and behaviours. Importantly,
it presented new evidence that works against the current, overt focus on contemporary
spatial design. It suggests that greater emphasis on unpacking, and then developing,
the mediating influence of teacher spatial competency (how, when and why one uses
the given affordances of space for pedagogical gain) is required for any space to
performance pedagogically.
T. Byers (B)
The Anglican Church Grammar School, Brisbane, Australia
e-mail:
[email protected]
The University of Melbourne, Melbourne, Australia
© The Author(s) 2021
W. Imms and T. Kvan (eds.), Teacher Transition into Innovative Learning Environments,
https://doi.org/10.1007/978-981-15-7497-9_16
187
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Introduction
The critical drivers of digital technology, neoliberal policy and the subsequent drive
for quality teaching and learning, have led some to question the efficacy of conventional or traditional classrooms (Benade, 2016; Dovey & Fisher, 2014). Such a
reconsideration stems from the emergent view that their ‘built pedagogy’ (Monahan,
2002) is somewhat constrained and favours more teacher-led and didactic instruction
(Fisher, 2006; Tanner, 2008; Upitis, 2004). Dovey and Fisher (2014) surmise that this
inhibits the ability of teachers to enact a broader spectrum of pedagogies as dictated by
policies, which favour a higher incidence of student-centric and technology-enhanced
learning.
This appraisal of existing designs has led to experimentation with more contemporary spatial models, often referred to as innovative learning environments (ILEs). The
Organisation for Economic Cooperation and Development (OECD) describe ILEs
as multi-modal, technology-infused and flexible learning spaces that are responsive to evolving educational practices (OECD, 2013). ILEs intend to provide those
affordances and support a view of learning that is thought to be somewhat better
than a traditional classroom (Benade, 2016). However, recent reviews found few
evaluative approaches (Painter et al., 2013), hence little empirical evidence (Blackmore, Bateman, O’Mara, & Loughlin, 2011), that indicates how ILEs, or in fact
traditional classrooms, perform pedagogically (Byers, Imms, Mahat, Liu, & Knock,
2018; Gislason, 2010).
A three-year-longitudinal observational study followed teachers in their occupation of different spatial layouts in a secondary school—in Australia this comprises
students from approximately 13–18 years of age. This paper will report on a
comparative analysis of teachers (n = 23) from the ‘conceptually similar’ subjects
of Engineering, Mathematics and Science. Repeated measures obtained using the
Linking Pedagogy, Technology, and Space (LPTS) observational metric (Byers,
2017), presented quantitative data in the form of ‘timed’ student and teacher activity
and behaviour. Subsequent visual analysis evaluated those factors, spatial or other,
that could be interpreted as influencing the pedagogical performance of the differing
learning environment being used by these teachers over time. Importantly, this study
illuminated how teachers from the same subject areas taught in a range of spatial
environments. It identified the previously theorised concept of spatial competency
(by Lackney, 2008; Leighton, 2017; Steele, 1973) to explain how teachers worked
with and used (or not) the various affordances of the given learning environment for
pedagogical gain; or indeed if they were agonistic in their use.
The Study
This longitudinal study of Engineering, Mathematics and Science teachers and their
students took place in an independent (private) secondary school in the state of
Queensland, Australia. It explored the belief that different spaces are ‘agents for
What Does Teaching and Learning Look like in a Variety …
189
change’ that lead to changed practice (Oblinger, 2006). As Mulcahy, Cleveland, and
Aberton (2015) suggested ‘how [and if] these changes take effect … remains an
open question [with] little educational research’ existing on the impact of traditional
or ILEs (p. 576). Such a statement is concerning, given the growing financial and
human investment in school learning spaces. It is argued that contemporary learning
narratives (such as the current twenty-first-century learning or skills discourse) and
personal ideologies (architectural, academic and school leader) underpin the interest
and investment in school spaces; despite the lack of empirical evidence articulating
their pedagogical value. Many (Brooks, 2011; Byers, Imms, Mahat, et al., 2018;
Painter et al., 2013) lament a lack of rigorous methodologies and methods capable of
isolating the impact of different spaces on teaching and learning, while accounting
for the spuriousness effect/s of the confounding variables at play in the educational
setting.
To evaluate the impact of different spatial layouts, ascertained by the typology
established by Dovey and Fisher (2014), what was of interest to this study was:
(1) How do different spatial layouts affect teacher behaviour and the pedagogies
they employed?
(2) How do the various spatial types affect students’ learning experiences?
• Earlier quasi-experimental studies at this site (see Byers, Hartnell-Young, &
Imms, 2018; Byers & Imms, 2014, 2016; Byers, Imms, & Hartnell-Young,
2014, 2018a, 2018b; Imms & Byers, 2016) explored the impact of traditional
classroom layouts and ILEs on teaching and learning. Findings linked the
occupation of different spaces with statistically significant changes in student
perceptions in the utilisation of technology, the incidence of more active and
responsive learning experiences, and enhanced behavioural and cognitive
engagement. The transition from traditional classrooms to spaces, encapsulating the intent of an ILE, noted changes to pedagogies and student engagement that were correlated with ‘medium’ within-group hedges (g) effect size
(due to a class as the unit of analysis) calculations (see Table 1). Furthermore,
these iterative studies yielded similar Hierarchical Linear Modelling (HLM)
findings of Tanner (2008). The HLM in various studies returned an averaged
7% variance in achievement attributed to the different learning environments
(while controlling the confounding variables of student IQ, class composition
and the teacher).
Even though these studies presented quantitative data that described to some
degree the impact of different spaces on student learning, they also highlighted the
importance of the mediating influence of teachers’ spatial competencies (Lackney,
2008; Leighton, 2017). These studies identified a general correlation in enhanced
learning experiences and engagement that led to higher academic results, but the relationship was not causal. These quasi-experimental studies were not able to discern
or isolate the underlying, or micro, changes that affected their impact. Some teachers
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Table 1 Summary of within-group effect size (g) calculations evaluating the pre- and post-spatial
intervention on academic achievement across multiple studies
Subject
Number of studies Study design School year
(age range)
Effect size (g) value
English
2
A/B*
7–9
0.40 and 0.46
(11–14 years)
Mathematics
2
A/B
7–9
0.41 and 0.86
(11–14 years)
Humanities
1
A/B
7–9
0.30
(11–14 years)
Technology studies
1
A/B/C**
11–12
0.14
(16–18 years)
Drama
1
A/B/C
11–12
0.61
(16–18 years)
Film, TV and Media 1
A/B/C
11–12
0.86
(16–18 years)
Visual art
1
A/B/C
11–12
0.34
(16–18 years)
Engineering
1
A/B/C
11–12
0.21
(16–18 years)
Note *A/B: Traditional classroom (Baseline)/ILE (Intervention)
Note **A/B/C: Traditional classroom (Baseline)/ILE (Intervention 1)/ILE + Time (Intervention 2)
affected (but were not sure how, when and why) a discernible change in their practice when they occupied a different spatial layout, and this correlated to significant
improvement in academic outcomes. On the other hand, some teachers’ pedagogies
and practices remained largely unaffected, and therefore the change in space had a
minimal impact on academic results.
Blackmore et al. (2011), Gislason (2010) and Tanner (2008) found few studies
that evaluated how the occupation of different learning environments influenced the
nuances of teacher practice and the resulting impact on student learning. The earlier
work of Byers et al., (2018b) is an example of an exception to this trend. It presented
data through the quantitative analysis of repeated observations of a cohort of teachers
prior to, on initial occupation, and then during longer-term inhabitation of an ILE.
It described how teachers initially altered and further refined their practice to take
advantage (or not) of the postulated affordances of an ILE, as well as documenting
those instances of no such change. It further highlighted the mediating role of teacher
spatial competency. Spatial competency explains how some teachers, due to their
beliefs and pedagogical and discipline knowledge, were more able to articulate how,
when and why their practice changed or remained the same when placed in a different
physical learning environment (Lackney, 2008; Leighton, 2017; Steele, 1973).
What Does Teaching and Learning Look like in a Variety …
191
The Context
Since 2010, the site school has engaged in a strategic initiative to better understand
the impact of different spaces on teaching and learning. Even though the school
had engaged in an iterative process of low-cost refurbishments, the vast majority
of classrooms were typical of traditional classrooms that Dovey and Fisher (2014)
described as Type A spaces (Fig. 1).
As is illustrated in Fig. 2, all were conventional cellular spaces accessed by a
corridor or veranda. The layout of chairs and desk were set in rows or groups facing
the ‘fireplace’ teaching position at the front of the classroom (Reynard, 2009). Even
though all Mathematics classes at the school were timetabled in Type A spaces, a
significant proportion of the teachers within this sample participated in the earlier
spatial interventions at the school. As a result, it was assumed that the spatial
competency of the Mathematics sample was more developed than that of their peers.
The second group of spaces were cellular Science laboratories accessed by a
substantial Learning Commons (Fig. 3). These spaces best match those spaces that
Dovey and Fisher (2014) identified as Type B spaces. These laboratories had large,
fixed benches focused upon the front demonstration/teaching position, similar to the
Type A spaces. Additional fixed practical areas (standing height benches with gas
Fig. 1 Typology of spatial design (Source Imms, Mahat, Byers, & Murphy (2017). Reprinted with
permission from the ILETC Project)
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T. Byers
Fig. 2 Traditional classroom (Type A) mathematics classroom
and water) were situated around the periphery of each lab. However, they differed
from other Type A spaces by a large exterior Learning Commons, which contained
seating and large display areas.
The final spatial type evaluated in the study was the retrofitted Creative Precinct
(Fig. 4). The Precinct merged two existing buildings into a single pedagogical space.
The Precinct housed the Creative Arts (Drama, Film, TV and New Media, and Visual
Art) and Design and Technology (Engineering and Technology Studies) Faculties.
The open-studio design throughout, which best epitomises a Type D space, afforded
the opportunity for teachers and students to occupy and transition between various
external and internal spaces.
Method
Over a three-year period, more than 200 observations were conducted using the LPTS
observational metric. However, this study, it will report on 91 observations across
the subjects of Engineering, Mathematics and Science.
The macro-enabled Microsoft Excel LPTS metric, used by a trained observer,
times student and teacher activity and produces a real-time visual breakdown across
What Does Teaching and Learning Look like in a Variety …
Fig. 3 Science laboratory (Type B)
Fig. 4 Engineering space in the Creative Precinct (Type D)
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five domains (pedagogy, learning experiences, communities of learning, and student
and teacher use of technology). The macro-enabled Microsoft Excel platform utilises
a series of stopwatches to time student and teacher activity and behaviours across
five domains (pedagogy, learning experiences, communities of learning, and student
and teacher use of technology).
It can simultaneously log how long teachers engage in didactic instruction, such as
a lecture, or when they encourage whole-class discussion, or question individuals or
the entire class. This is done through a single observer interface. The interface allows
a single observer to check the box that corresponds to an observed activity, which
starts and then stops associated stopwatch timer. The macro-enabled programme then
combines each observed instance of the activity, producing a cumulative time for each
activity. The design of the metric produces an instantaneous visual breakdown for
each observation that can then be easily shared with the teacher.
Pilot-testing during the earlier (Byers et al., 2018b) study demonstrated adequate
interrater reliability, with Chi-square frequencies of the observations of six teachers
by three observers across a total of twelve occasions not being statistically different
(p > 0.05) (Bielefeldt, 2012). The use of time as the means to record activity, unlike
traditional observational notes, also reduced the influence of observer inference.
Furthermore, the application through a time-series design established controls of
confounding variables (i.e. teaching and learning cycle and time of day) by the
quasi-experimental design.
Repeated measures observational data for each participant (at a minimum of three
observations) were completed by the same observer. The resulting data was averaged
first, to produce a ‘typical’ lesson for that teacher. Next, the visual analysis identified
general trends across the three spatial types. Multivariate visual and nonparametric
analysis to identify statistically significant differences in activities and behaviour
between teachers, subjects and spatial types, will be the subject of future publications.
Results and Discussion
Teacher Behaviour and Pedagogies
The pedagogy domain of the LPTS metric included the attributes of: didactic instruction, interactive instruction, facilitation, providing feedback, class discussion and
questioning. The visual analysis identified notable pedagogical differences between
the subjects that were considered to be somewhat ‘conceptually similar’ (Fig. 5).
Typically, teachers in this sample displayed a pedagogical approach best aligned
with a variant of teacher-guided (or fully guided) explicit instruction (see Kirschner,
Sweller, & Clark, 2006; Rosenshine, 1987). These subjects favour systematic and
well-defined content, and procedural knowledge, which Rosenshine (1987, 2012)
found is best (when compared to purely constructivist methods) taught through
explicit instruction. Furthermore, explicit instruction bests support novices (students)
What Does Teaching and Learning Look like in a Variety …
195
Fig. 5 Proportional breakdown of teacher pedagogies in mathematics in Type A (n = 31), science
in Type B (n = 29) and engineering in Type D (n = 31) spaces
to acquire, consolidate and encode the requisite surface knowledge for deeper
learning/thinking without overwhelming their working memory, or ‘cognitive load’
(Hattie & Donoghue, 2016; Kirschner et al., 2006).
Instruction (Didactic/Interactive) was observed in the initial stages of most
lessons. The Science teachers in Type B spaces, which were the most rigid (due
to the fixed student and teacher benches), mostly instructed from the traditional
front of the space, for approximately 40% of a lesson, utilising a teacher-centred
modality (Fig. 5). Here the built pedagogy of these spaces made it easier for teachers
to engage in teacher-led and didactic instruction (Reynard, 2009). The rigidity of the
space made any other pedagogical approach virtually impossible. As a result, this
presents a concrete example of how the built pedagogy of a space overtly dictated
teacher pedagogical practice. The rigidity of the fixed setting actively restricted the
ease for which teacher could easily switch to or engage in other modalities.
The Mathematics teachers in Type A spaces where furniture was not fixed as in
Type B labs, spent considerably less time (approximately 15% of lesson duration)
instructing from the front-of-room position. Even though the spaces had, by their
design, a similarly built implied pedagogy to the Science labs, the incidence of
the modality of instruction in Mathematics classes was like that of the Engineering
sample (approximately 25% of lesson duration) in the Type D spaces. It is argued that
the enhanced spatial competency of the Mathematics sample, developed in previous
spatial interventions, somehow supported them to use the given spatial affordances
adeptly. Such evidence does push against that the current narrative that traditional
classrooms are more likely to support a teacher-led, didactic instruction model than
an ILE.
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Even though their spatial types differed, the Engineering and Mathematics
teachers modelled a pattern of explicit instruction (Rosenshine, 1987). However,
the decrease in time spent in a direct instruction mode (approximately 15% of lesson
duration) correlated to a higher incidence of Discussion and Questioning. Often, these
samples utilised more active and responsive modes to check for student understanding
through scaffolded worked examples. These modes supported students to consolidate
student understanding from which schemata for deeper learning are built (Hattie &
Donoghue, 2016), while reducing their cognitive load (Kirschner et al., 2006). Importantly, this occurred in a traditional and ILE space. As a consequence, one could argue
that the ability to complement the necessity of the teacher-led, didactic instruction
model with the enhanced responsiveness (i.e. checking for student understanding)
class discussion and questioning (Rosenshine, 2012) is not mutually exclusive, nor,
restricted to the type of spatial layout.
Following the more teacher-led phase, teachers typically transitioned to some form
of applied practice facilitated through ‘facilitation’ and supported by ‘feedback’. The
Engineering and Mathematics samples were quite dynamic about the space during
this phase of the lesson. Greater movement about the room moderated behaviour
and supported the efficient provision of feedback to an individual or small group of
students. On the other hand, the Science sample remained for considerable periods
of time at the fixed front bench. At times, teachers moved about the periphery of
the arranged student benches. However, the rigid and tight arrangement of benches
appeared to inhibit student and teacher movement. When feedback occurred, teachers
were often at a distance from the students asking for assistance. This limited the
teachers’ capacity to efficiently assess and monitor student progress, and it seemed
to inhibit opportunities for systematic correction and feedback (Rosenshine, 2012).
Learning Experiences
The ‘learning experiences’ domain of the LPTS metric included the attributes: formative assessment, receive instruction, remember/recall, understand, apply, analyse,
evaluate and creation/practical activity. Dovey and Fisher (2014) and Upitis (2004)
suggest that a more conventional or traditional classroom space operates at the transmission end of the learning continuum (Receive Instruction and Remember/Recall).
The visual analysis of the Type B sample (Fig. 7) would support this suggestion,
with students engaged in activities associated with the receipt and recall of surface
knowledge. The passive reception of instruction (approximately 43% of each lesson)
through a teacher-centric modality of learning was the dominant learning modality
(Fig. 6). Progression through the learning cycle was often linear or lock-step, limiting
those opportunities for students to actively engage in the consolidation of surface
knowledge and deep learning.
The visual analysis of the Engineering and Mathematics samples revealed a greater
differentiation of and increase in total student activity when compared to the Science
sample. Both achieved this by facilitating different activities within the learning cycle
What Does Teaching and Learning Look like in a Variety …
197
Fig. 6 Proportional breakdown of student learning experiences in mathematics in Type A (n = 31),
science in Type B (n = 29) and engineering in Type D (n = 31) spaces
to occur concurrently, through a greater incidence of student-centric and informal
learning modalities (Fig. 7). In particular, analysis of the Engineering sample demonstrates their utilisation of the full array spatial affordances, presented by their Type
D layout. These teachers successfully utilised the design intent of the open-studio
spaces to differentiate the modalities of learning and increased the incidence of practical activity. Not as pronounced, the Mathematics teachers were able to differentiate
activities through the movement of students within the cellular space. Both samples
actively exploited the available spatial affordances to orchestrate the full spectrum
of learning experiences that supported the acquisition and consolidation of surface
knowledge (Understanding) to the engagement with deeper learning (Apply, Analyse
and Evaluate).
Fig. 7 Proportional breakdown of student occupation of the Fisher (2006) Modalities of learning
in mathematics in Type A (n = 31), Science in Type B (n = 29) and engineering in Type D (n =
31) spaces
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Conclusion
The current interest in learning environments is often driven by the premise that a
change in space will act as a conduit for a desired pedagogical change. However,
there exists a dearth of rigorous evaluative methods, thus empirical evidence, to show
if the occupation of these different spaces manifests in this envisioned changed. This
study attempted to illuminate how different spatial types, traditional (Types A and
B) and ILE (Type D), affected both teacher and student activity and behaviour.
The longitudinal observation of secondary Engineering, Mathematics and Science
teachers through the LPTS observation metric presents initial empirical evidence
through a novel evaluative approach.
The analysis found correlations that suggest the different spatial layouts did influence pedagogy, particularly in the comparison of Type B (Science) and Type D (Engineering) spaces. Importantly, it provides initial evidence (through the Mathematics
sample) that a more developed spatial competency can allow teachers to utilise the
‘limited’ affordances (according to the current narrative) of a traditional classroom
or Type A space, for pedagogical gain. Such evidence does work against a somewhat populistic, design-centric, narrative that is often espoused during learning space
conversations. The data presented in this study suggest the so-called traditional classroom remains pedagogically sound under certain conditions, and greater emphasis
needs to be placed on developing teacher spatial competency. This includes knowledge that helps teachers select the correct spatial design to match desired learning
outcomes (Imms, 2018). Spatial competency, first coined by both Lackney (2008)
and Steele (1973), and further developed by Leighton (2017), underpins a teachers’
capacity to navigate and evolve their practices to utilise the affordances of the new
spaces for pedagogical gain.
The comparative analysis of repeated observations of teachers from conceptually
similar subjects in these three spatial types revealed two key findings. The first relates
to how the different spatial types influenced the pedagogy and learning experiences.
The analysis of the Science sample in a Type B layout suggested how its built pedagogy, a rigid layout about a teacher-centric, front-of-room orientation, contributed
to the significant incidence of teacher-led and whole-class instruction. On the other
hand, the observation of the Engineering teachers in the Type D layout revealed a
different teaching and learning model. While these teachers still utilised teacherled and didactic instruction, it was shorter and refined in its intent. The analysis
indicated the built pedagogy of the Type D space, somehow supported an increased
prevalence of more active pedagogies working to a greater incidence of more independent learning experiences. It is a generalisation to say that Engineering and Science
subjects are somewhat conceptual similar, however, it was clear that the different
affordances presented by each spatial type influenced the differences in observed
pedagogy and learning.
The second finding affirms the often-overlooked influence of teacher spatial
competency. Even though both Lackney (2008) and Leighton (2017) focused on
What Does Teaching and Learning Look like in a Variety …
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its theoretical development, this study does highlight its potential mediating influence, in a similar vein to that observed earlier studies at the site (Byers et al., 2014,
2018a). Early studies at this site, through analysis of teacher’s voice, highlighted the
differing perceptions in use, or not, of the affordances presented by different spatial
types. The comparison between the Mathematics and Science teacher samples, in
relatively similar spatial layouts, indicated how teachers with a more developed
spatial competence can orchestrate different learning experiences. The Through use,
the Mathematics sample appeared well attuned to the affordances of their traditional
classroom, and how these could be used to facilitate responsive learning experiences,
and increased levels of activity differentiation by students. Unlike the sequence of
whole class linear progression of lessons observed in the Science classes, the Mathematics sample was more likely to create an environment that allowed students
to progress from scaffolded (i.e. lower cognitions of remember/recall) through to
deeper learning and thinking associated with the application of the learnt information
to problems. Furthermore, the Mathematics teachers appeared more able to use the
affordances of the given space to structure communities of learning, intertwined with
class discussion and questioning, to scaffold this progression, despite the perceived
restrictions of a traditional classroom.
These findings suggest that the LPTS observation metric, applied through a
repeated measures approach, has the potential to inform evaluation of teaching and
learning in different learning spaces. However, to improve the generality and validity
of both the approach, the application of the LPTS metric and initial findings presented
here, a longer-term evaluation of the impact of different subject types is required.
Subsequent articles will focus on the more in-depth multivariate analysis of visual
and nonparametric analysis to identify statistically significant changes in activities
and behaviour between teachers, subjects, and spatial types.
Acknowledgements Data utilised in this research was obtained in adherence to the required ethical
protocol of the author’s host institution. All images and diagrams are the property of the author, or
the author has obtained consent to use them from the appropriate copyright owner.
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Terry Byers (Australia) currently works the Anglican Church Grammar School, as the Director
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Stick’.
Open Access This chapter is licensed under the terms of the Creative Commons Attribution 4.0
International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing,
adaptation, distribution and reproduction in any medium or format, as long as you give appropriate
credit to the original author(s) and the source, provide a link to the Creative Commons license and
indicate if changes were made.
The images or other third party material in this chapter are included in the chapter’s Creative
Commons license, unless indicated otherwise in a credit line to the material. If material is not
included in the chapter’s Creative Commons license and your intended use is not permitted by
statutory regulation or exceeds the permitted use, you will need to obtain permission directly from
the copyright holder.
Design with Knowledge—Light
in Learning Environments
Imke Wies van Mil, Olga Popovic Larsen, Karina Mose, and Anne Iversen
Abstract A range of artificial lighting characteristics have been found to influence
our visual and cognitive capabilities, mood, motivation and/or (social) behaviour—
all affecting how we (academically) perform. One such influential characteristic is
spatial contrast, or the way light is distributed in space causing a pattern of light and
darkness. This study looks at if and how spatial contrast influences pupil behaviour,
and specifically their ability to concentrate. We first explored whether variances in
pupil noise, physical activity and mood, which have been found to affect concentration, occur when exposed to either a high or a low spatial contrast in their learning
environment. Preliminary data from field experiments in a primary school indicates
towards decreased noise levels and improved environmental satisfaction when a
high spatial contrast condition is present. This implies improved environmental
circumstances to concentrate. Further research to confirm this assumption will be
undertaken.
Introduction
A significant body of evidence has been accumulated that demonstrates our physical (built) environment influences our ability to act (Gifford, 2007). This has been
found particularly true for educational environments, where a range of parameters has been identified that influences our behaviour, wellbeing, and ultimately
academic performance. Light is one of such influential parameters (Barrett et al.,
2015). For those designing or using educational facilities, it is relevant to understand how lighting conditions may influence our ability to perform curricular
I. W. van Mil (B) · O. Popovic Larsen · K. Mose
The Royal Danish Academy of Fine Arts -Schools of Architecture, Design and Conservation
(KADK), Philip de Langes Allé 10, Copenhagen 1435, København, Denmark
e-mail:
[email protected]
A. Iversen
Sustainability and Landscape Design, Henning Larsen Architects, Copenhagen, Denmark
© The Author(s) 2021
W. Imms and T. Kvan (eds.), Teacher Transition into Innovative Learning Environments,
https://doi.org/10.1007/978-981-15-7497-9_17
203
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activities. A better understanding of the relationship between indoor lighting conditions and human (learning-related) behaviour equips us to design more suitable
learning environments.
Our research, embedded in the architectural practice Henning Larsen, explores
this relationship specifically in public primary schools in Denmark, where recently
a major educational reform took place (The Danish Ministry of Education, 2014).
Greater emphasis is now put on stimulating “learning” through: physical playfulness, diversity in curricular activities, and addressing individual learning styles
instead of applying a generalized approach. As a result, Danish primary schools
have implemented a teaching philosophy that promotes individuality, flexibility and
diversity.
Ideally, the design of spaces where this “new” learning takes place facilitates
these educational principles. This environmental need has also been recognized by
the Danish local governments, and a significant number of primary schools have
been or are currently in the process of being renewed or refurbished. In line with
this development, our research ambition became to explore how artificial lighting
can play an active role in creating such supportive “new” learning environments, and
simultaneously grow our knowledge on how artificial lighting influences (learningrelated) behaviour of pupils in Danish primary schools.
The Influence of Artificial Light
Previous researchers studying the influence of artificial light on users of learning
environments found that certain characteristics impact their visual and cognitive
capabilities, biological clock, mood, motivation, and/or (social) behaviour—ultimately affecting (academic) performance. Most evident are characteristics of “light”
such as intensity, colour temperature and combinations thereof (Sleegers et al., 2012;
Mott et al., 2012; Wessolowski et al., 2014), as well as “system” characteristics such
as glare, flicker, and control (Winterbottom & Wilkins, 2009). Yet little studied,
but possibly equally influential are “spatial” characteristics of artificial light, which
co-define the appearance of (Boyce, 2014) and consequently the perceived atmosphere in (Vogels, 2008) a space. One of these is spatial contrast, which is the result
of how (artificial) light is distributed in a space, creating a pattern of relative light
and darkness. A pattern with great variation is considered high-contrasting or nonuniform—also referred to as “dramatic”, whereas a pattern with little variation is
considered low-contrasting or uniform—also referred to as “plain” (Flynn et al.,
1973, 1977, 1979; Govén et al., 2011; Boyce, 2014).
The main difference between light- and system characteristics, and spatial contrast
is that these first two are product variables, defined by the technical characteristics of the lighting installation fitted. Whereas spatial contrast is a design variable,
meaning that it is tailored by the architect to fabricate the intended spatial experience
(Boyce, 2014), and herewith a perceived atmosphere (Vogels, 2008). As our research
Design with Knowledge—Light in Learning Environments
205
is embedded in architectural design practice with a strong emphasis on optimizing
the spatial experience in our built environments, exploring the influence of spatial
contrast in learning environments became the theme to investigate further.
The Architect’s Responsibility
Arguably, architects should treat artificial light with similar importance as they do
for natural light, which is commonly considered a significant design criterion, to
guarantee a healthy and stimulating indoor learning climate. It seems well recognized
that daylight, when utilized wisely, can improve our wellbeing, indoor experience
and academic performance (Gifford, 2007). For instance, one frequently referenced
study verified that allowing the right amount of daylight indoors helps students to
learn faster and achieve better results (Heschong Mahone Group, 2003; World Green
Building Council, 2013). In addition to attending to its quantitative values, daylight is
also considered a rich qualitative resource, in particular when it comes to designing
a dynamic learning environment with variations of intensities, colour, orientation
and movement of natural light through a space. Such variations have been found to
influence our spatial experience over time, and thereby to increase motivation and
our ability to learn and be creative (Jensen et al., 2012).
Nonetheless, the availability of natural light in interior spaces will vary depending
on location, orientation, time of day and season, and artificial light is often required to
complement or supplement inadequacies. As a consequence, artificial light has significant influence on our spatial experience and should likewise be a design criterion on
the architect’s agenda. However, when interviewing numerous Danish educational
architects about their (artificial light) design practice, it became apparent that it is not
(yet) considered attending to beyond meeting the basic illumination requirements in
the national building regulations. These merely safeguard that the “average user”
is able to comfortably move, read and write by prescribing a maintained average
illumination and uniformity level for all hours of use. With this in mind, we explored
the consequences of this approach for the indoor lighting conditions in contemporary
learning spaces.
Artificial Light in Today’s Learning Spaces
Field studies in eight Danish primary schools (of which four examples are shown in
Fig. 1a–d) revealed the common application of “one-type-fits-all” ceiling-based artificial lighting systems, resulting in a relatively uniform, or low contrast, distribution
of light. The consequential spatial appearance, or perceived spatial atmosphere, was
often described as “functional”, but “dull”, “uninspiring”, or even “hospital-like”,
i.e. unpleasant. When discussing how these systems are used during teaching hours,
educators’ responses did not go much beyond: “… switching it ON at the start of day,
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I. W. van Mil et al.
a. Lyngby Skole
c. Sophia Skole
b. Albertslund Skole
d. Ørestad Skole
Fig. 1 Impressions of artificial lighting conditions in primary Danish learning spaces
and OFF at the end”. But when asked to elaborate on their experience with and/or
use of light in general while teaching, several went on to describe how they did use
it in some form. In most examples, their intention is to create (in their words) the
“right” atmosphere to promote behaviour and mood that benefits pupils’ ability to
concentrate. Some did so by deliberately increasing or decreasing the light levels
based on the type of curricular activity at hand. Others used their own sources of
light such as candles or simple plug-in table luminaires to promote local focus and
quietness, or to cluster pupils’ attention in small groups. These and other examples
revealed that a number of educators sought to create a particular atmosphere intended
to foster focus and concentration among pupils when deemed valuable (e.g. certain
curricular activities).
Atmosphere to Concentrate
Previous research has revealed that deliberate design with light and darkness codefines the appearance of a space (Boyce, 2014), which contributes to our experience
of atmosphere (Vogels, 2008). This is, among others, shaped by the way light is
distributed in a space, or spatial contrast, as described above. Our field studies in eight
primary learning environments revealed that a low-contrast, or uniform, distribution
Design with Knowledge—Light in Learning Environments
207
of artificial light has become widespread. The resulting luminous atmosphere is
described as functional, though uninspiring and dull. The educators who try to modify
this atmosphere by using local light sources instead of the generic ceiling lighting
to promote focus and concentration are effectively changing the manifestation of
spatial contrast in their environment.
These findings suggest that spatial contrast has the potency to be an instrument
for educators to orchestrate a different-then-normal atmosphere in their learning
environment, and in their view, aid concentration during certain curricular activities.
If this idea could be demonstrated to be true, then artificial lighting might receive
greater attention in learning space design. It was therefore further explored in a design
context by hosting workshops with a number of architects at Henning Larsen, which
led to the formulation of the following hypothesis:
Focussed, local light leads to high-spatial contrast that co-constructs an atmosphere that
promotes pupil behaviour and mood states benefitting their ability to concentrate
These workshops also informed the design of an artificial lighting prototype
capable of creating the wished for high-spatial contrast by educators on-demand.
The “Living Lab”
To validate this hypothesis, this prototype has been implemented in four learning
spaces of Frederiksbjerg folkeskole (Fig. 2), a new public school located in Aarhus
(DK). This school, inaugurated in August 2016 and co-designed by Henning Larsen,
is considered: “a benchmark example of the new educational ideals translated into
supportive learning environments” (Norhcon, 2016), and was therefore thought to
be a credible example to evaluate our hypothesis in the context of the new reform.
Fig. 2 Impression of the new Frederiksbjerg Skole in Aarhus (DK). Photo and image credits:
Henning Larsen, © Hufton+Crow
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I. W. van Mil et al.
The four spaces selected are located in close proximity and have relatively similar
natural light and spatial layout characteristics. Two spaces are used each by one group
of 1st to 3rd grade pupils (aged 6–8 years) and host a varied palette of curricular
activities. The other two spaces are used by eight rotating groups of 4th to 6th grade
pupils (aged 9–12 years) for 90-minute mathematics lessons. Both demographic and
curricular settings were thought to benefit from improved pupil concentration.
The “prototype design” has been implement in addition to the existing “default
design” in these four spaces. The default lighting design consist out of six evenly
spread ceiling luminaires. Users may choose to either switch all six luminaires: OFF
(option A, Fig. 3a, b) or ON (option B, Fig. 4a, b)—with an option to increase or
decrease the overall light level. The default ON state causes a low-contrast distribution of light and complies with current Danish building regulations to provide
for an average “working area” illumination level of 300 lx with a uniformity ratio
of 0.6 during all hours of use. The prototype lighting design consists out of the
default system complemented by six additional suspended pendants above typical
work surfaces (aka working desks) permitting for local, focussed light at eye-level.
Users may choose to switch all lighting OFF (option A, Fig. 3a, b), or to activate
a Option A (all luminaires OFF)
b Option A (all lighting OFF)
Fig. 3 Option A - No artificial lighting activated - daylight only. a Sketch depicting artificial
lighting Option A. b Photo of the classroom with artificial lighting Option A activated. Image
credits: Henning Larsen, Imke Wies van Mil. Photo credits: Henning Larsen, Halfdan Trolle
a Option B (ceiling lighting ON)
b Option B(ceiling lighting ON)
Fig. 4 Option B - Ceiling lighting activated. a Sketch depicting artificial lighting Option B. b Photo
of the classroom with artificial lighting Option B activated. Image credits: Henning Larsen, Imke
Wies van Mil. Photo credits: Henning Larsen, Halfdan Trolle
Design with Knowledge—Light in Learning Environments
a Option C (ceiling + pendants ON)
209
b Option C (ceiling+pendant ON)
Fig. 5 Option C - Ceiling and pendant lighting activated. a Sketch depicting artificial lighting
Option C. b Photo of the classroom with artificial lighting Option C activated. Image credits:
Henning Larsen, Imke Wies van Mil. Photo credits: Henning Larsen, Halfdan Trolle
a Option D (pendant lighting ON)
b Option D (pendant lighting ON)
Fig. 6 Option A - Pendant lighting activated. a Sketch depicting artificial lighting Option D. b
Photo of the classroom with artificial lighting Option D activated. Image credits: Henning Larsen,
Imke Wies van Mil. Photo credits: Henning Larsen, Halfdan Trolle
the default ceiling lighting only (option B, Fig. 4a, b) which results in a low-contrast
distribution of light. They may also choose to activate both the default and new
pendant system simultaneously (option C, Fig. 5a, b), or the pendant system only
(option D, Fig. 6a, b). Both results in high or very high-contrast distributions of light.
To evaluate the validity of our hypothesis, the influence of the high-contrast
prototype lighting design on pupil behaviour and their mood, was compared to that
presented under influence of the low-contrast default lighting design.
Data Collection
To evaluate whether the prototype design effected pupil concentration, we looked at
two specific behavioural pupil actions: their noise levels and their physical activity
during a curricular session. A correlation is thought to exist between the level of
noise pupils are exposed to (including their own noise), and their ability to concentrate (Klatte et al., 2013). Similarly, this is the case for physical activity, specifically
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the length of time seated at one place. It is anticipated that for our hypothesis to be
considered valid, the prototype design should lead to lower average student noise and
longer average time seated at the working place. In addition, we also assessed variances in pupil’s responses towards their learning environment, anticipating greater
satisfaction to positively influence mood and motivation. To exclude as many intervening variables as possible, a range of other (environmental) factors have been
measured as well.
A mixed-method approach was applied to collect the described quantitative and
qualitative data. This included anthropological techniques such as non-participant in
classroom observations, semi-structured interviews and focus groups with educators
and pupils, as well as continuous measurements of the indoor climate variables, and
recordings of the lighting system usage. Noise levels were recorded with soundlevel meters, and physical activity by observations and video documentation. Data
collection took place during the months of February, March and April of 2017. In
each of the four learning spaces, the pupils and their educators experienced the two
lighting designs in succession for three continuous weeks. Two of the spaces (one
lower, one mid-level) used the default lighting design during the first three-week
interval, and the prototype lighting design during the following three weeks. The
other two rooms experienced both situations in opposite order. The weekly schedule
of curricular activities in each space, as well as their furniture and spatial layouts
were kept consistent during the entire research period.
Preliminary Findings
Currently we are in the process of analysing our data. We recognise we are working
in a specific cultural context of education and use of light. Preliminary findings,
however, indicate support for our hypothesis that high spatial contrast, created by
focussed, local light distribution, lowers average pupil noise. An initial analysis of the
sound data collected indicates that during activation of the local pendant lighting, the
average noise level in these rooms decreased up to 10%, which is deemed significant.
In addition, a positive increase in environmental satisfaction by both educators and
pupils was found, and educators preceived (but could not document) longer periods of
concentration among pupils. Further analysis of video recordings and observational
notes is required.
The immediate outcome is however that Frederiksbjerg skole requested for the
prototype lighting scenario to be made into a permanent installation (Fig. 7), and
to be replicated in other spaces too. Not only is this a successful conclusion for our
design-led research approach, the installation also allows for a longer period of study
during Autumn 2017, contributing data for further analysis. Furthermore, additional
pupil exercises, both quantitative and qualitative in nature, will be added to our data
set. Analysis of these exercises may indicate more accurately what the impact of the
new lighting scenario is on the ability of students to concentrate.
Design with Knowledge—Light in Learning Environments
211
Fig. 7 Permanent lighting installation inaugurated by the pupils and educator. Photo credits:
Henning Larsen, Imke Wies van Mil
If further data analysis backs up our initial findings described above, we might
may conclude that current buildings regulations do not promote the most favourable
luminous learning environments in Denmark and changes should be considered.
Acknowledgements This research is financially supported by Innovationfonden Denmark and
Elforsk (Dansk Energi), and is executed in collaboration with Henning Larsen, The Danish Royal
Academy of Fine Arts, Frederiksbjerg Skole, Aarhus Kommune, the Technical University of
Denmark, Aarhus University and Fagerhult Belysning AB. Data utilised in this research was
obtained in adherence to the required ethical protocol of the author’s host institution. All images
and diagrams are the property of the author, or the author has obtained consent to use them from
the appropriate copyright owner.
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Imke Wies van Mil (Denmark) is a lighting designer and researcher. She currently works at
Henning Larsen Architects (Copenhagen, DK) where she contributes to their in-house lighting
design expertise on a diverse range of architectural projects. In collaboration with the Royal
Danish Academy of Fine Arts, Imke is simultaneously working towards a Ph.D. degree where her
interest goes out to improve artificial lighting conditions in educational environments. She does
so by conducting her research both in the academic and practice field. In both her roles, Imke
advocates a knowledge-based approach towards architectural lighting design. Before taking up her
current positions, Imke worked for several years as a lighting designer for Arup Lighting, both in
Amsterdam (NL) and London (UK). She holds a M.Sc. degree in Industrial Product Design from
Delft University of Technology (2005), and MSc degree in Lighting Design (with distinction)
from the Bartlett, University College London (2009).
Design with Knowledge—Light in Learning Environments
213
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International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing,
adaptation, distribution and reproduction in any medium or format, as long as you give appropriate
credit to the original author(s) and the source, provide a link to the Creative Commons license and
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The images or other third party material in this chapter are included in the chapter’s Creative
Commons license, unless indicated otherwise in a credit line to the material. If material is not
included in the chapter’s Creative Commons license and your intended use is not permitted by
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the copyright holder.
Exploring the Relationships Between
Learning Space and Student Learning
in Higher Education: A Comparative
Case Study in China
Ji Yu
Abstract The landscape of learning space design in higher education is undergoing a transformation. During the past decade, flexible, innovative learning spaces
have been established around the world in response to the changing perspectives on
how knowledge is discovered and what constitutes important and appropriate higher
education in contemporary society.
Introduction
The landscape of learning space design in higher education is undergoing a transformation. During the past decade, flexible, innovative learning spaces have been
established around the world in response to the changing perspectives on how knowledge is discovered and what constitutes important and appropriate higher education in
contemporary society (e.g. Beetham & Sharpe, 2013; Harrison & Hutton, 2014; JISC,
2006; Oblinger, 2006). Characteristics of these spaces include motivating learners
and promoting learning as an activity, supporting interdisciplinary and collaborative
learning, providing a personalised and inclusive environment and being flexible in
the face of changing needs. Technology usually plays a vital part in achieving these
aims.
In contrast with the school sector, the existence of evidence on the link between
spatial design and pedagogical effectiveness in higher education is still sparse. Some
exceptions include the works of Brooks (2011, 2012) and Walker et al. (2011), who
have partnered with instructors and conducted a series of quasi-experimental studies
to investigate the impact of learning space upon students’ learning behaviour and
learning outcomes. It has been argued that there is a great need for rigorous and
multilayered models and knowledge of the role of learning space in influencing and
J. Yu (B)
Graduate School of Education, Peking University Beijing, No. 5 Yi Heyuan Road,
Haidian District, Beijing 100871, China
e-mail:
[email protected]
© The Author(s) 2021
W. Imms and T. Kvan (eds.), Teacher Transition into Innovative Learning Environments,
https://doi.org/10.1007/978-981-15-7497-9_18
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supporting student learning in higher education (Ellis & Goodyear, 2016; Mirijamdotter et al., 2006; Strange & Banning, 2001; Temple, 2008). The present study is
an attempt to remedy the situation.
Student Learning Research in Higher Education
and Discussions on “Chinese Leaners”
This study draws on theories and concepts in student learning research (Biggs,
1993; Richardson, 2000), mainly situated in the cognitive psychology of education,
in order to provide an insightful and solid way to understand the complex student
learning process and discuss relatively ‘desirable’ or ‘less desirable’ learning in
contemporary society. Student learning has been an ongoing subject of study,
and it includes the following outline frameworks and broad concepts (Entwistle
et al., 2002): (1) Curriculum frameworks and their influences on learning; (2)
students’ approaches to learning; (3) the teaching–learning context (environment)
and students’ perceptions of it; and (4) learning outcomes.
The theoretical underpinnings of this study are particularly rooted in the literature
concerning Students’ Approaches to Learning (SAL). The research tradition that
originated in the 1970s has exerted a seminal impact in studying how to assess and
improve the quality of student learning in higher education. An approach to learning
is conceptualised in terms of cognitive strategies and motivation. Two distinct
approaches have been identified repeatedly (Biggs 1988; Entwistle & Ramsden 1983;
Marton & Säljö, 1984; Schmeck, 1988). Surface approaches to learning refer to
students employing surface learning processes (e.g. rote memorisation of course
materials) for the purpose of assessment, while deep approaches to learning mean
that students use deep learning processes (e.g. seeking for meaning, understanding
and relating ideas) with an intrinsic interest in learning and understanding.
Over the last few decades, the research domain has further flourished. Researchers
(Short & Weisberg-Benchell, 1989; Vermunt & Verloop, 1999) have compared
different taxonomies in studies and categorised them into three main dimensions:
cognitive processing activities, affective or motivational learning activities and
regulative activities. Cognitive processing activities refer to how students engage
in processing subject matter, which leads directly to learning outcomes. Affective
learning activities are related to the emotions that arise during learning, and the
activities that students employ that lead to a mood may have a positive, neutral
or negative effect on the learning processes. Regulative activities refer to students
exerting control over their cognitive and affective activities during learning. This
categorisation serves as a point of departure in conceptualising student learning in
the present study.
In contrast with the extensive literature in the west, this area of research in China
is in its infancy—only a small number of studies have been published. There have
been some discussions on “Chinese learners”—an old stereotype of Chinese students
Exploring the Relationships Between Learning Space and Student Learning …
217
is that they are passive rote learners, concerned mainly with memorising the information (Ballard & Clanchy, 1984; Murphy, 1987; Samuelowicz, 1987). But recent
questionnaire and interview-based research refute this idea as Chinese students from
East Asian countries outperform their Western counterparts in international comparisons (Hau & Ho, 2010); and it is suggested that, unlike Western students who
normally adopt either a deep or surface approach to learning, ethnically Chinese
students tend to adopt a distinctive approach to studying that combines memorising
with understanding (Kember, 1996; Watkin & Biggs, 1996).
However, it should be noted that the majority of existing evidence has not been
based on students from mainland China but on ethically Chinese students in Hong
Kong, where a Western higher educational system is operated. Only very few studies
have studied the mainland Chinese students (Lu, 2003; Richardson & Sun, 2016;
Zhu et al., 2008a, b), and current evidence is far from sufficient to gain a holistic
and accurate picture of “Chinese learners” and to conclude how Chinese students go
about their learning are culturally determined. Furthermore, as China is composed of
56 ethnic groups and the uneven education development between different regions
is still manifested, treating “Chinese learners” as a homogeneous group may be
simplistic and inappropriate.
The Present Study
This study aims to explore the relationship between learning space and student
learning in higher education through empirical work. It employs a comparative case
study design. The case study allows for a rich, vivid description and an in-depth
analysis of certain phenomena, and is powerful in revealing multi-fold dimensions of
exploratory research. Moreover, multiple-case study helps to deepen understanding
and enhance generalisability (Geertz, 1973; Yin, 2009). The study highlights the
crucial student view as the current spatial design in higher education lacks a student’s
perspective. Bennett (2007) has argued that students have their own ideas about
learning space and can be very articulate in discussing the strengths and shortcomings
of designed spaces.
Method
Context: Two Contrasting Learning Spaces
Two contrasting learning spaces in a middle-sized Chinese university (alias “N
University”) were selected for investigation. Both were generic learning spaces
designed for all types of students. N University and the two cases were selected
for two main reasons. First, N University is committed to the highest standards
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J. Yu
of research and teaching in architecture and civil engineering, both in China and
internationally. It founded its own Architectural Design and Research Institute in
the late 1950s, which is now one of the leading design institutes in China and
reputable for its campus building design. On the campus of N University, there are
many traditional, didactic spaces built in the 1950s, as well as a series of flexible,
innovative learning spaces built since the 1990s. The learning paradigms that drive
this transformation provide an intriguing background for the study, and the tension
between the two different types of learning spaces are currently common in many
other places. Secondly, the selection was made also based on the consideration of
accessibility to research participants and relevant resources (e.g. the archives).
Document analysis and semi-structured interviews with educators and designers
reveal that the two spaces are embedded with different intentions. Space A (Fig. 1)
places great emphasis on discipline and collectivism, reflected in its traditional
academic architectural style, plain colours and didactic interior space. Space B
(Fig. 2) is designed to create a relaxing, interdisciplinary environment with a
rich colour scheme, comfortable furnishing, spatial division and flexibility and the
creation of a sense of ownership and autonomy. To some extent, the two spaces
represent two distinct pedagogical philosophies and teaching approaches: in Space
A, knowledge is mainly presupposed as transmission from an external source to the
learner, and the teacher is the directing agency. Students are expected to be disciplined
and well behaved for the acquisition of knowledge. Not surprisingly, a conventional,
Fig. 1 The typical classroom in Space A (Photo by the author, 2015)
Exploring the Relationships Between Learning Space and Student Learning …
219
Fig. 2 Multi-purpose lecture room in Space B (Photo source: Sino-Finnish Centre)
teacher-focused approach is used in which the teacher determines the subject matter,
often in the form of books or chapters, the content of which has to be learned.
By contrast, in Space B learning is more closely conceived as an active process
of knowledge construction. As the designer describes, “we use vivid colour, natural
materials, and displays (things you will never see in common teaching buildings) to
inspire students’ ideas and imagination…students are not judged by correct or wrong
answers; instead, they are encouraged to think and participate actively”. Space B
provides a number of courses on product design and innovation, which normally
employs a project-based learning approach with students from different disciplines
choosing authentic, real-life assignments or problems to work on, and working in
small groups. The role of the teacher is to guide the groups and provide feedback
when necessary. Students can use both spaces freely when there are no scheduled
classes and events.
Focus Group Interviews
Prior to this study, a survey was conducted with 320 students on their learning
strategies within the two spaces. The findings suggested that students in Space A
and Space B differed in many respects in terms of the central dimensions of learning
as noted above—cognitive strategies, regulative strategies and learning motivations
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J. Yu
(Yu et al., 2019). However, questionnaires gave limited information about how the
differences occurred and what specific role space played in the complicated learning
process; neither they could reveal the crucial student view on the phenomenon. Thus,
in this study, to explore students’ experiences and attitudes further in depth, students
were recruited to participate in focus group interviews (FGIs), in which they were
asked a series of open-ended questions about (1) how they understood ‘learning
space’; (2) how they learned within the space where the FGI took place; (3) how
they considered the impact of space on their learning; and (4) how they responded
to the previous survey results. The researcher stayed open to new ideas put forward
by participants, and probes were used during the process. To reduce the influence of
dominant voices and to obtain comparable data from all respondents, in the middle
of the FGIs, students were given a chance to independently write down the influential
elements of a space to their learning.
Participants were selected for each FGI with the aim of capturing as much variation
as possible on the following variables: gender, year of study and academic discipline.
This was based on the consideration that both spaces are generic learning spaces, and
also because previous student learning research has shown that these variables are
related to how students go about their learning (Richardson, 2000; Vermunt, 2005).
The group size was set at four to six participants after a pilot study. Finally, six FGIs
with a total of 28 participants were conducted. Each FGI lasted between 1 h 40 min
and 2 h.
Data Analysis
The recordings of all FGIs were manually transcribed. Coding was conducted, which
was an iterative process before arriving at stable elements and categories. Drawing
on the conceptual basis of student learning as described above, the development of
specific code scheme used a bottom-up strategy to produce the results through a more
emergent encounter with the data themselves. About 20% of the overall transcriptions
were coded by a second independent researcher to assess the inter-rater reliability.
Below four overarching themes regarding the alignment between learning space and
student learning are outlined, and the identified codes are indicated with ‘’.
Exploring the Relationships Between Learning Space and Student Learning …
221
Selected Results
Theme One: Learning Space and Students’ Conceptions
of Learning
On the whole, this theme is associated with how students view and conceive their
learning. Students in Space A mostly saw learning space simply as a physical site
for learning, as they considered learning is ‘the increase of knowledge’ and ‘the
acquisition of facts and skills’, which can be retained and/or utilised in practice. In
contrast, students in Space B discussed more about ‘cooperation’ and ‘interpretation’
aimed at the understanding of reality, and paid more attention to intangible benefits of
learning space, for instance, ‘enrichment of learning opportunities’ and ‘possibility
of ‘communication’.
Theme Two: Learning Space and Cognitive Aspects
of Learning
Students described that learning space is related to how they process their subject
matter in a particular way: they were more likely to use ‘listening/memorising’ in
a traditional space like Space A, and more engaged in ‘relating/structuring/creating
thinking’ and ‘group discussion’ in an innovative learning environment like Space B.
It means that student learning in Space A is engaged as a process of listening to the
instruction of the teacher and repeating definitions, formulas, memorising theories
and rehearsing subject matter regularly in the conventional classroom, while in Space
B, students reported a collaborative process of looking for connections between
different parts and the merging of new ideas.
Theme Three: Learning Space and Affective Aspects
of Learning
Space is also associated with affective and motivational aspects of student learning,
including their ‘learning motivation’, ‘emotions’ and ‘concentration effort’. This
means in the FGIs: (1) Students described a reason or reasons for acting or behaving
in a particular way in a space, especially the reason in deciding where to learn. (2)
Students discussed either positive feelings of happiness, ownership, self-confidence
when they learned within the space; or negative emotions, such as anxiety, stress,
insecurity and helplessness. (3) Students also talked about the action-distracting,
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J. Yu
task-irrelevant emotions that arise during their learning within the space. As a student
summarised at the end of one FGI:
If we could divide the composition of a learning space into three levels of factors—some
level largely determines whether I will choose to learn or not learn there, the others affect
the emotions during my learning, and another is associated with the degree of how effectively I can learn. All these factors of space, through exerting influence on my subjective
feeling, willingness, self-initiation and effectiveness of learning, consequently impact upon
the attitude, method and outcome of my learning.
Theme Four: Learning Space and Regulative Aspects
of Learning
Learning space is also in relation to students’ regulative learning activities. The data
easily distinguish between ‘self-regulation’ and ‘external regulation’—the former
refers to students’ self-initiated orienting, planning and adjustment of their learning
process and activities through their examination of characteristics of the learning
task and the situation within the learning space, while the latter is related to the
control of teaching, other students and the surrounding events. ‘Flexibility of space’
in Space B facilitates students’ ‘self-regulation’, while a conventional classroom with
‘fixed seating arrangement’ like Space A engenders a feeling of tension and relates
to ‘external regulation’. Below are two examples:
(A student in Space A) When I learn here, the surrounding people have an effect on me,
I guess, it is called ‘group effect’. If others around you are playing or doing something
irrelevant, I won’t have much mood for learning.
(A student in Space B) When I learn here, for instance, I need to draw something, then I can
easily get a small whiteboard to clear my mind. I feel I can control something by myself,
make adjustments and go back to learning.
Conclusion
The initial motivation for the present study derives from the curiosity about two
fundamental questions rooted in learning space research: Does it really matter where
students learn? How does it matter for student learning? Research on learning spaces
and theories of student learning styles in higher education are rarely connected; this
chapter tries to provide a window into what that phenomenon may encompass. It
draws, from a larger study, a selection of themes and suggests that, with these participants in a Chinese setting, an innovative learning environment can lead to a crucial
change in students’ views on learning—from the acquisition of facts and skills to an
active constructive process, and consequently facilitate a more collaborative, selfregulated, problem-based learning approach. As a number of empirical studies have
shown that these learning strategies are associated with better learning outcomes (see
e.g. Biggs, 1999; Van Rossum & Schenk, 1984; Vermunt, 2003), we may conclude
Exploring the Relationships Between Learning Space and Student Learning …
223
that an innovative learning environment like Space B does support a more desirable
approach to learning in higher education than a traditional classroom like Space A.
The results also suggest that students’ emotional reactions and motivation consequences of the attributes of a space need to be carefully considered during design
and in the ongoing management. Many learning spaces (like the two investigated
here) are not only designed for teaching purposes but also for students’ self-study
activities. Therefore, students’ attitudes towards a space not only affect their learning
processes in class but also relate to where students choose to learn after class and
how efficiently a space is utilised. In terms of the generalisability of the findings,
this study takes place in China, but there is no clear evidence showing that participants’ use of learning space is culturally determined. Meanwhile, the two selected
cases are representative in terms of their contrasting pedagogical aims and physical
features, which are currently common in many other places. From this point of view,
the results are transferrable in different contexts.
The theoretical rationale underpinning student learning research may be worthy
of consideration by learning space researchers as the multifacetedness of learning has
been investigated extensively in this area, providing greater insight into the dynamic
learning process and a number of formal inventories to measure student learning. In
making an alliance between our understanding of pedagogy, space and learning, the
integration between two research domains is likely to generate a fruitful prospect. It
is hoped that this study sheds some light on this large issue that requires substantial
research in the future.
Acknowledgments The author wishes to thank the participants and the management staff of the
two spaces for their cooperation in the study and permission for accessing relevant materials and
records. Data utilised in this research was obtained in adherence to the required ethical protocol of
the author’s host institution. All images and diagrams are the property of the author, or the author
has obtained consent to use them from the appropriate copyright owner.
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Ji Yu (China) obtained her doctoral degree from the University of Cambridge, Faculty of Education. She holds an MA in education from Beijing Normal University and a BA in engineering
from Tongji University. Her research focuses on improving the quality of student learning by
introducing new configurations of learning space in higher education. She also studies the role of
university innovation in contributing to a better, sustainable society. Her research has been funded
by China’s Ministry of Education and Postdoctoral Science Foundation. Recently, Ji completed
her postdoctoral research at Peking University.
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the copyright holder.
The Creative Learning Spiral: Designing
Environments for Flaring and Focusing
Jane Zhang
Abstract With growing interest in creative learning in recent years, this paper sought
to define creative learning through the design of learning spaces. Two learner groups
were studied for their interactions with peers, educators, and their spaces—design
students at Harvard’s Graduate School of Design, a traditional architectural studio
environment, and student entrepreneurs at the Harvard Innovation Lab, a startup
venture incubator. The result was a new design framework called the creative learning
spiral, which groups creative learning into four types of activities: sparking, making,
grazing, socializing. The open layouts of both settings facilitated social learning activities of sparking, grazing, and socializing, whereas making time required students to
create their own focused environments. The creative learning spiral can be used as
a tool to assess the spatial needs of specific creative learning activities, in order to
design environments that accommodate the needs of learners.
Introduction
In the context of a rapidly evolving knowledge economy, creativity has become one
of the most highly regarded qualities of a twenty-first-century graduate, across age
levels. Tony Wagner defines creativity in terms of curiosity and imagination (Wagner
& Compton, 2015). Jal Mehta and Sarah Fine, pioneers of the Deeper Learning
movement, observe that “on the professional front,” students “need to be able to
tackle open-ended problems in critical, creative, and collaborative ways” (Mehta &
Fine, 2015).
Research on the theory and practice of creative learning has stemmed primarily
from the fields of psychology and education. In the former, the field of creativity was
long studied using the level approach, focusing on “understanding, predicting, and
nurturing people’s ability to produce novel ideas, solutions and products that served
some need” (Puccio & Chimento, 2001). In 1976, Kirton introduced a departure from
this method, proposing “a cognitive style continuum that ranges from an adaptive to
J. Zhang (B)
Harvard Graduate School of Design, Cambridge, MA, USA
e-mail:
[email protected];
[email protected]
© The Author(s) 2021
W. Imms and T. Kvan (eds.), Teacher Transition into Innovative Learning Environments,
https://doi.org/10.1007/978-981-15-7497-9_19
227
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J. Zhang
an innovative orientation [where] location along this continuum indicates the extent
to which an individual will exhibit either a more adaptive or more innovative style
of creativity” (Puccio & Chimento, 2001).
Within K-12 education research, the act of creation has been central to definitions
of creative learning. Mehta and Fine (2015) see creativity as capturing “the shift from
receiving the accumulated knowledge of a subject or domain to being able to act
or make something within the field.” Mitchell Resnick of the Lifelong Kindergarten
group at the MIT Media Lab sees creative learning as a culmination of four Ps: project,
peers, passion, and play (Schmidt, Resnick, & Ito, 2016). Architect Saeed Arida
founded NuVu Studio, an innovation school for middle and high school students,
to concretize the need to develop both seeing and doing in students. According to
Arida, the creative process combines mindfulness with doing and is fundamentally
social (Arida, 2010).
This chapter aims to reframe these previous conceptions of creativity through a
spatial design perspective. How might creative learning be understood through the
learner’s use of space? Arguably, creative learning in the twenty-first century both
requires and allows the physical learning environment to act as a teacher in facilitating learning. The creative learning spiral—a theoretical framework combining four
modes of learning—is developed through the understanding of a learner’s postures
in space, and how one engages with people and objects in the learning process.
Methodology
The creative learning spiral was developed out of studying two learner groups:
designers at the Harvard Graduate School of Design (GSD), and entrepreneurs
the Harvard Innovation Lab (i-lab). Within the author’s campus environment at
Harvard University, these sites were chosen for their relatively high concentrations
of two types of creative work. The GSD exemplifies a traditional architectural studio
environment, where students are tasked with projects to produce a variety of 2D
and 3D models of space. The i-lab represents an increasingly popular typology on
college campuses—the startup incubator, where students are provided a dedicated
environment with resources to start and develop viable ventures.
The Harvard Graduate School of Design is one of the oldest design schools in the
country. Architecture courses were first taught at Harvard University in 1874, and
the GSD was officially established in 1936, combining three fields of architecture,
urban planning, and landscape architecture. Today, its programmes also include urban
design, design studies, real estate, and design engineering.
The primary pedagogy of the GSD is the architectural design studio—a projectbased learning model and environment in which “designers express and explore ideas,
generate and evaluate alternatives, and ultimately make decisions and take action”
(Gross & Do, 1997). The GSD studio model is based off of mid-century Bauhaus
workshop pedagogy, which builds upon “modern-era teaching methods [that] ranged
from lecture courses to workshops where students would learn how to build from the
The Creative Learning Spiral: Designing Environments for Flaring and Focusing
229
day they stepped into the workshop” (Lueth, 2008). The design studio focuses on
hands-on, interactive, and integrative learning, all of which take place in the studio.
Austerlitz, Aravot, and Ben-Ze’ev (2002) outlined four characteristics of the modernday design studio, one of which was the personalized design process, which implies
creativity, and the space for a student to lay out his or her ideas in the open.
Gund Hall, which opened its doors in 1972, was designed by Australian architect
and GSD graduate John Andrews. Its primary feature is the collective studio space that
extends five levels under a stepped, clear-span roof with natural lighting and views
towards Boston. The central studio space is enveloped with a band of classrooms
and offices on every floor. The main floor is home to a rotating public exhibition
space, the Loeb library, and Piper Auditorium. The basement holds the stacks of
Loeb library and the fabrication labs.
This portion of the study employed the ethnographic method of participatory
observation of the studio learning over the course of one academic year. The author
attended GSD classes and seminars, interacting daily with peer design students in
the studio space (Fig. 1).
The second portion of the study explored student use of the Harvard Innovation
Lab, an incubator for student-led startup companies, across Harvard’s College and
graduate schools. The i-lab occupies most of the ground floor of Batten Hall on the
campus of Harvard Business School (HBS). Before it opened its doors as part of HBS
in 2011, the building was previously home to WGBH’s TV and radio studios. The
i-lab serves as a resource to foster collaboration and incubate ideas among Harvard
Fig. 1 Gund Hall section drawing showing the open air, tiered studio space
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J. Zhang
Fig. 2 Axonometric 3D model of the first floor of Batten Hall, showing the Harvard Innovation
Lab space. Source Shepley Bulfinch (with permissions from Shepley Bulfinch)
students, faculty entrepreneurs, and members of the greater Boston communities
through regular programming.
A random sampling of 21 students (out of 66 teams) was surveyed for their use of
the space in relation to creativity, focus, and general productivity. Students elected
to participate in the study by responding to a survey link sent through an internal
Facebook group, and students completed it anonymously over the span of one week.
A survey was used to scale up the observational methods used at the GSD, in order
to capture a larger breadth of responses (Fig. 2).
Survey questions were designed to elicit user feedback about productivity,
creativity, and general use of the incubator workspace. The following consist of
a combination of quantitative and qualitative questions:
–
–
–
–
–
–
–
–
–
What do you like most about the space at i-lab?
What % of the time do you feel creative here? (e.g. generating wild ideas)
Where does that happen and what are you doing?
What % of the time are you able to focus here?
Where does that happen and what are you doing?
Where in the i-lab do you feel most productive? Why?
When do you feel most productive here? What are you doing in these moments?
Where outside of the i-lab do you like to work? What do you like about it there?
If you could change one or two things about the i-lab space, what would it be?
The Creative Learning Spiral: Designing Environments for Flaring and Focusing
231
A combination of open-ended and closed-ended questions was used to achieve
depth and breadth in student responses. Students were asked to identify the percentage
of the time they felt creative and focused on the space, and where and when they
felt most productive in the space. These responses provided a quantitative baseline
to form a community profile, and were coupled with more open-ended questions for
students to discuss their specific pain points, preferences, and suggestions for the
space. Textual analysis was run on the open-ended answers to determine the most
popular keywords and sentiments for each question, from which specific responses
were examined to build user profiles.
Findings
Graduate School of Design: The GSD study resulted in four steps of the studio
learning process, each tied to a specific space typology.
Lecture Hall
The creative process for each studio course begins with sparking, or inspiration,
from an expert figure. This mainly takes the form of lectures and guest talks, where
a design luminary provides both context for a project and design direction (Fig. 3).
Fig. 3 Illustration showing the process of sparking, or inspiration, in a lecture-based setting
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Site Visits
Once students are sparked with theory and background information, they conduct site
visits to better understand the context in person. These visits are guided and framed
by design professionals in the field, often policymakers or clients who provide the
design brief and project constraints. This phase represents intensive informationgathering—taking lots of notes and pictures—that students will later sift through
back in studio.
Studio
The studio area takes up the majority of the square footage in Gund Hall, aptly corresponding to the amount of time students spend in this space. Design students are notorious for living “in-studio,” spending up to 80 hours a week at their desks, working
on drawings, models, and socializing with studio-mates. Many students spend their
entire days and evenings here, leaving only for classes and sleep, especially during
final review season (Fig. 4).
Each student enrolled in a studio course receives a semi-private desk area, with
a 30” × 70” table space. The open-air studio is combined with frosted plexiglass
Fig. 4 Gund Hall studio space at peak occupation. Source Hayoung Hwang, The Harvard Crimson
(with permissions from The Harvard Crimson)
The Creative Learning Spiral: Designing Environments for Flaring and Focusing
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Fig. 5 Illustrations showing the phases of making and socializing, where students engage with
their work individually and with peers
dividers between studio desks, making for semi-private workspaces. Depending on
where one sits in this five-floor studio, one may hear the din of conversation in the
cafeteria downstairs, printers and plotters whirring at the ends of each floor, and
people walking through on their way to classes. To indicate focus, students plug in
headphones and listen to music, podcasts, or watch TV as they work.
Throughout the semester, students have multiple opportunities to showcase their
work and receive feedback: peer feedback between students in studio; desk crits, i.e.
one-on-one meetings with faculty at student desks; pin-up sessions where students
pin up their work for faculty to critique (Fig. 5).
Studio Review
The studio process culminates in a final review, where each student is allotted time
to present his or her work to an esteemed panel, and receives feedback. At the end of
each semester, Gund Hall transforms from museum to theatre mode as final review
season dawns. Virtually all desk, floor, and classroom space becomes occupied by all
kinds of materials and forms. The final review, or critique, is the telos of the design
studio—where all efforts culminate in a single performance. The student carefully
prepares drawings on boards, models on pedestals, and presents the project to a
panel of design luminaries and studio-mates. The space is set up with the presenter’s
work as the focal point and the presenter defending the particular design proposal;
surrounded by a panel of experts who ask pointed questions and examine the models
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J. Zhang
Fig. 6 A diagram depicting
the spatial hierarchy of
participants in a final review
setting
and drawings at their leisure; and an outer halo of interested observers, mainly other
students (Fig. 6).
Harvard Innovation Lab
The findings from the second portion of the study revealed insights about the effectiveness of an open layout for productivity, in terms of both creativity (generating
original ideas) and focus (heads-down work time) (Fig. 7).
Based on textual analysis, the most frequent responses to the question “What do
you like most about the space at the i-lab?” were the variety of seating options,
conference rooms, access to people, open layout for ease of communication, and
flexibility of furniture. Users felt creative in the space 38% of the time, and typically that would occur during brainstorming sessions or team meetings, where ideas
were being exchanged, particularly through the use of a whiteboard. Overall, users
were able to focus 68% of the time. The biggest keyword around productivity was
headphones, followed by working on a computer, plugged in, and sitting at a desk.
Drilling down further, users felt most productive in meeting rooms, followed by open
workspaces.
For those that spent all day in the incubator, early mornings and evenings tended to
be the best times for productivity, as these times were quiet, with the least distractions.
Mid-day brought peak noise hours, and almost all respondents dealt with noise by
plugging in headphones or working in private meeting rooms.
When asked what they would change about the space, top suggestions were
“desks,” “warmer,” and “space,” suggesting ergonomic improvements, temperature
comfort, and optimizing space use with the overall layout.
A few users were extremely satisfied with the space, reporting high rates of
creativity and focus. One user, who experienced 90% creativity and 95% focus
(90/95), liked many attributes of the space: “the lighting, the different opportunities to interact with the great people there (food space/events, table tennis area), the
possibility to use silence private rooms when needed, the business talks.” They found
The Creative Learning Spiral: Designing Environments for Flaring and Focusing
235
Fig. 7 Plan view of the i-lab incubator space. Source Shepley Bulfinch (with permissions from
Shepley Bulfinch)
no particular productivity patterns, and felt productive in both the open and private
spaces. One user would only go into the i-lab to work, which usually looked like
brainstorming in a room, and thus reported 100% creativity and productivity in the
space.
The majority of users (86%) felt productive more of the time than creative. One
user cited 10% creativity and 90% productivity, primarily because of the stage they
were at with their company: “I’m pretty far along with ideation of my company, so
everything now is execution. Early on I had far more wild ideas during conversation
with others.”
Only three users felt creative more of the time than productive in the space. One
user, a 60/30, felt creative “in the [open] area with rolling whiteboards, in rooms
with whiteboard walls, [and while] synergizing with other teams.” They found the
most productivity while in a lounge chair with headphones in.
A few users did not find the space particularly creative or productive. One user
(20/40) saw the i-lab mainly as “a place to go to work every day and feel accountable
to myself.” This user felt creative at random times, “while [they were] sitting around
and talking to people” and felt productive when “sitting far away from people with
my headphones in.”
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Among other insights, the data indicates that the i-lab’s open layout works
well for spontaneous meetings, socializing, and peer feedback. However, for the
majority of making, or heads-down work time needed for entrepreneurial projects,
the open layout—and the distractions it produced—sometimes posed a hindrance to
productivity.
Results
According to Amy Webb (2017), conflicts often arise in teams or organizations due
to the “duality dilemma”—the clash between people whose dominant characteristic
is either creativity or logic. Webb says this is responsible for a lack of forward
thinking at many organizations. An effective way that she proposes to overcome
this duality is to “harness both strengths in equal measure by alternately broadening
(“flaring”) and narrowing (“focusing”) its thinking” (Webb, 2017). The idea is to
facilitate a co-working process whereby both generative, creative thinking as well as
analytical, logical thinking are rewarded. With creative learning, a similar sequence
of generative and logical modalities is needed.
One key pattern arising from the space use logic at both the GSD and the i-lab
is the presence of both flaring and focusing as key activities of creative learning.
Among these activities, the learner either focuses or flares on people or objects. As
such, the following creative learning spiral was observed:
The spiral begins with sparking, or focusing on one person. These bouts of inspiration come from the setting of a lecture, talk, or a private meeting with some expert
or mentor figure. Next, in the making phase, the learner focuses on objects with
heads-down tinkering and work time. Third, the learner enters a research phase
of grazing on different materials and objects, from precedent projects to research
papers to field visits. Fourth, the learner socializes with his or her peers, giving and
receiving feedback to discuss ideas and refine their projects. The spiral closes with a
phase of reverse sparking, where the learner demonstrates his or her learning through
performing or showcasing the project. At this phase, the learner receives critical feedback from mentors and experts, and the aim is for this feedback to funnel into future
work. This process is not linear—learners can go back and forth between phases
during the creative learning process. Moreover, creative learning is iterative—hence
a continuous spiral (Fig. 8).
This spiral is designed to act as a framework for both designing and assessing
learning environments for creative work. For educators and institutions looking to
move towards student-driven, hands-on project-based learning, these four learning
modalities and postures can serve as a launch pad for learning space and curriculum
design.
Key questions in designing a learning environment include:
– What does this type of learning look like (i.e. human postures and activities)?
The Creative Learning Spiral: Designing Environments for Flaring and Focusing
237
Fig. 8 The creative learning spiral, depicting four modes of learning: sparking, making, grazing,
and socializing
– How might we effectively provide learners with access to the people, materials,
and resources needed for this specific project?
– What pedagogical tools (including spaces) need to be considered?
– What measures of learning do you hope to enhance in this learning environment?
Discussion
Much of the existing literature on creative learning focuses on the learner’s personality, or interactions with educational material and other people. Often, the environment in which this learning takes place is overlooked, yet it can have a significant
impact on the learning experience. This chapter explored the potential for a creative
learning framework defined through the space. Through participatory observation,
quantitative and textual analysis of user feedback, this study produced four related
outcomes.
First, the creative learning activities observed at the GSD and the i-lab both support
a strong connection between space types and the learning modalities. As the images
below illustrate, each space type accommodates one or several learning modalities in
the creative learning spiral. Lectures at the GSD and office hours with mentors at the ilab accommodate sparking, where students engage with new ideas from experienced
advisors. The open studio or workplace facilitates both making and socializing—
students work heads-down work and tinkering, while having easy access to peers for
collaboration and feedback. Site visits, and sometimes the work environment itself,
provide fodder for grazing, researching, and engaging with project precedents. In
many instances, grazing may involve more digital than physical artefacts, such as in
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J. Zhang
the case of having many tabs open on one’s web browser (Figs. 9, 10, 11, 12, and
13).
Secondly, while the four modalities and their accompanying spaces may all be
integral to the creative learning process, the i-lab study in particular showed that not
all these activities merit equal time or attention. The i-lab users cited feeling creative
38% of the time and focused 68% of the time, yet the majority of critiques reflected
Fig. 9 The sparking stage involves bouts of inspiration from experienced advisors, which can take
place in settings such as lecture halls and office hours
Fig. 10 The making stage consists of heads-down individual work and tinkering time, shown here
in a collective studio and open workspace
The Creative Learning Spiral: Designing Environments for Flaring and Focusing
239
Fig. 11 The grazing process involves researching and engaging with a project’s precedents. This
can include library research, field research, or desk research in-studio
Fig. 12 Socializing one’s work involves giving and receiving feedback from peers. Ideal
environments include in a collective studio, breakout rooms, or semi-private spaces
a need for more focus time. In fact, the square footage of the i-lab is roughly 25%
closed rooms and 75% open layout (Fig. 6). As such, the space privileges more social
learning activities—sparking, socializing, and grazing. The space was successful at
facilitating social connections, though acoustic openness may not have served student
needs in making.
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J. Zhang
Fig. 13 The creative
learning spiral redrawn to
reflect heads-down making
time making up the majority
of the learning process
In the case of both the i-lab and GSD, one might redraw the creative learning spiral
into the following pie chart diagram, depicting time spent on various activities. Headsdown making may consist of about 80% of the creative learning process, whereas
the other activities make up just 20% of the time.
This 80/20 ratio is simply an estimate by the author based on the aforementioned
observations, surveys, and interviews. The numbers could be validated in accuracy
and precision by ensuring that the observational and survey methods were employed
equally in both sides. In addition, sensors could be used to measure occupancy and
flow in the spaces, expand data collection capabilities to real-time, 24/7 inputs. These
inputs could complement the participatory observation, which surfaces qualitative
details from users.
Thirdly, while learning environments are shown to facilitate or hinder certain
activities, space constraints are not decisive of learning or productivity. Both Gund
Hall and the i-lab were designed with sparking, socializing, and grazing activities in
mind, with ample space for interaction and connection among students, and between
students and mentors. However, in both environments, students ended up spending
the majority of the time in making mode, which based on survey responses, requires
some acoustic privacy and/or distance from distractions.
In both the GSD and i-lab open-air environments, students compensated for
acoustic distractions by plugging in headphones. From a design research perspective,
headphones can be read as a coping mechanism, or adaptation to one’s environment to
achieve productivity. In other words, there is a need in these environments for semiprivate workspaces, particularly for acoustics. The designer of a creative learning
space such as an open studio or open workspace, then, is encouraged to generate
design solutions that not only allow for social learning activities, but also serve the
large need for heads-down focus time. Such solutions might look like semi-private
booths, pods, acoustic panelling, partial barriers, among other things. Ultimately, the
The Creative Learning Spiral: Designing Environments for Flaring and Focusing
241
goal would be to achieve the right balance of focus and creativity needed for creative
learning.
Fourth and lastly, design of a particular learning environment ought to account for
the needs of its particular user population, and more importantly the curriculum or
pedagogy the environment is designed to facilitate. When designing or renovating a
learning environment for creative activities, one might employ the creative learning
spiral as a framework to plan and lay out the space. In addition to basic architectural
questions such as safety, daylighting, flow, etc., spatial design questions related to
the learning process include:
– What activities will learners and educators engage in? How do they fit into the
categories sparking, making, grazing, and socializing?
– How much time will learners spend in each activity type?
– Which activities and programme elements require special spaces and/or equipment?
– What is the noise level of each activity type?
Answering these questions may provide a useful framework for the ratios among
different space types, adjacencies, and acoustics. While the particular application will
look different based on context, the creative learning spiral may be a valuable tool to
connect the dots between pedagogy and space, leading to user-friendly environments
for creative learning activities.
Acknowledgments Thank you to the students at the Harvard GSD and i-lab who generously
contributed time to participate in this study. I am grateful for the room2learn team and school
design collaborators Grace O’Shea and Stephen Sun for the continuous feedback and support.
Lastly, special thanks to Associate Professor Wesley Imms, Professor Tom Kvan, and the ILETC
team. Data utilized in this research was obtained in adherence to the required ethical protocol of
the author’s host institution. All images and diagrams are the property of the author, or the author
has obtained consent to use them from the appropriate copyright owner.
References
Arida, S. S. A. (2010). More seeing in learning (Doctoral dissertation, Massachusetts Institute of
Technology).
Austerlitz, N., Aravot, I., & Ben-Ze’ev, A. (2002). Emotional phenomena and the student–instructor
relationships. Landscape and Urban Planning, 60(2), 105–115.
Gross, M. D., & Do, E. Y. (1997). The design studio approach: Learning design in architecture
education. In J. Kolodner & M. Guzdial. Design Education Workshop (Eds.), EduTech/NSF,
College of Computing, Georgia Institute of Technology, 213 September 8–9. Atlanta.
Lueth, P. L. O. (2008). The architectural design studio as a learning environment: a qualitative exploration of architecture design student learning experiences in design studios from first-through
fourth-year.
Mehta, J., & Fine, S. (2015). The why, what, where, and how of deeper learning in American
secondary schools. Students at the Center, Deeper Learning Research Series. Boston, MA: Jobs
for the Future.
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Puccio, G. J., & Chimento, M. D. (2001). Implicit theories of creativity: Laypersons’ perceptions of
the creativity of adaptors and innovators. Perceptual and Motor Skills, 92(3), 675–681. Retrieved
from: http://journals.sagepub.com/doi/abs/10.2466/pms.2001.92.3.675.
Schmidt, J. P., Resnick, M., & Ito, J. (2016). Creative learning and the future of Work. Disrupting
Unemployment, 147–155.
Wagner, T., & Compton, R. A. (2015). Creating innovators: The making of young people who will
change the world. Simon and Schuster. Retrieved from: https://www.researchgate.net/profile/
David_Nordfors/publication/301233086_Disrupting_Unemployment/links/57463c0808ae9ac
e84243998.pdf#page=155.
Webb, A. (2017). The flare and focus of successful futurists. MIT Sloan Management Review,
58(4), 55–58. Retrieved from: https://search.proquest.com/openview/27d54ad979f5570e02165
1c1b5f9bd70/1?pq-origsite=gscholar&cbl=26142.
Jane Zhang (USA) is a design researcher, entrepreneur, and lifelong learner. She is the CEO
and Co-founder of room2learn, the first online design-sharing platform for educators. To date,
room2learn has worked with thousands of educators and architects through design thinking workshops and on K-12 and higher education learning space projects. As a former educator, Jane
has worked with youth in a variety of environments, from media classrooms to temperate rainforests. Prior to designing learning spaces, she worked in journalism, urban planning, and in the
clean technology sector. Jane holds a Master of Design Studies in Urbanism, Landscape, and
Ecology from the Harvard Graduate School of Design and a BA & Sc in Sustainability and English
Literature from McGill University.
Open Access This chapter is licensed under the terms of the Creative Commons Attribution 4.0
International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing,
adaptation, distribution and reproduction in any medium or format, as long as you give appropriate
credit to the original author(s) and the source, provide a link to the Creative Commons license and
indicate if changes were made.
The images or other third party material in this chapter are included in the chapter’s Creative
Commons license, unless indicated otherwise in a credit line to the material. If material is not
included in the chapter’s Creative Commons license and your intended use is not permitted by
statutory regulation or exceeds the permitted use, you will need to obtain permission directly from
the copyright holder.
Teacher Practices
Introduction to Part IV: Teacher
Practices
Wesley Imms and Kenn Fisher
Abstract This final section of Transitions focuses on arguably the most important element of ’successful’ ILEs—the teacher. Within educational research alone,
and when looking at a hundred years or more of research into quality schooling,
most arguments attract a counter-perspective. Interestingly, on one factor virtually
everyone agrees; the teacher has the greatest positive impact on the quality of student
learning. For this reason, we use the preceding sections to lead us into discussions
about how teachers occupy and use the educational space.
This section of Transitions purposefully comes as the final section of this book; it
brings the previous conversations together using as the focus, the critical factor of
the instructor. Teacher practices lie at the heart of the ILETC project; this is because
the evidence from years of educational research show that their actions have the most
direct effect on improving the quality of student learning. This book makes the case
that good use of ILEs can make good teaching even better. The four chapters scoped
below explore this concept in some depth, separately and forensically examining:
how the ‘we’ and the ‘I’ can be integrated into the ILE; how teachers in training can
be inducted into the concept; how two distinct disciplinary pedagogical approaches
can be supported by ILEs and finally how often inflexible state imposed regulations
can be ‘hacked’ to insert ILE prototypes to illustrate alternatives to the mandated
rigid traditional classroom model. These present explicit examples of a more general
issue—deconstruction of decades of practice that has largely ignored the physical.
These selected chapters show that the issues to be addressed take on a myriad of
forms, and that there is no one ‘big mistake’ to fix and therefore no one solution.
Vicky Leighton’s chapter signposts the beginning of a challenging journey,
one that continues excellent thinking from previous generations but remains unresolved. It concerns the very essence of a teacher’s inhabitation of an ILE—their
W. Imms (B) · K. Fisher
The University of Melbourne, Melbourne, VIC, Australia
e-mail:
[email protected]
K. Fisher
e-mail:
[email protected]
© The Author(s) 2021
W. Imms and T. Kvan (eds.), Teacher Transition into Innovative Learning Environments,
https://doi.org/10.1007/978-981-15-7497-9_20
245
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W. Imms and K. Fisher
so-called ‘spatial competency’. Lackney and others emersed themselves in this
concept decades ago, and Leighton revisits their work with an eye to the 2020s.
She extends this thinking using cognitive psychology and ecological psychology
theories to reconceptualise the concept as ‘situational environmental imagination’.
This well-considered positioning places Leighton on the cusp of major advancements
in our understanding of how teachers use ILEs. The chapter represents the theoretical
framework for a PhD that has, since writing this text, further problematised teachers’
abilities to ‘use’ a space and has used that foundation to design methods to ‘observe’
and understand these skills in action in classrooms.
Anat Mor-Avi, a practising architect and artist, embraces the ‘spirit of we’ in
ILE’s, where ‘we learn’. The school should be a space for both students and teachers
to ‘become’. Having designed schools in both the USA and Israel, she has brought her
artistic thinking to the built fabric in—perhaps—modelling school on the Kibbutz
concept. This concept clearly balances the ‘we’ with the ‘I’, as Mor-Avi uses as
a case study an ‘academic park’ being designed in Israel. As an artist, she also
focusses on creative pedagogies and spaces that support this approach. In particular
she adopts the concept of ‘participatory creativity’, surely a significantly relevant
teacher-learner practice in this age of the entrepreneur, incubator, startup and pop-up
culture our graduating school students will experience. This chapter is an aspirational
and inspirational vision for progressive teacher practice and transition to ILE’s.
Emily Nelson and Leigh Johnson tackle the pre-service teaching undergraduate
programs and the perceived barriers to transition to ILE’s in New Zealand. They view
ILE’s through the lens of socio-spatial entanglements for practice. They point out
‘the reality that approximately 75% of teaching and learning in schools continues
within single cell learning spaces with teacher-led pedagogies’. This would also be
true in Australia’s existing school building stock, and most probably in most countries across the world to varying degrees. With the advent of pressure to transition to
ILE’s, they liken this disruption as an entanglement. In unpacking this, they adopt
concepts from Lefebvre (1991) and Monahan (2002) to focus on spatial consciousness/discourse, embodiment and materiality. Through focus groups with pre-service
teacher trainees, the authors grapple with ‘messy materiality’ and offer a rich array of
ethnographic comments as to how these adult students learn the teaching profession
in practicums. They argue for a ‘head-on’ engagement with ‘material disruption’ and
‘messy materialities’, as these trainees ‘generate adaptive practices in these spaces
for practicum’.
Silvia Sasot and Esther Belvis take a zeitgeist approach to transformation
and transition exploring opportunities through ‘hacking the school’. They worked
towards a school transformative toolkit using emergent principles which included:
welcome, belonging, communication, cooperation, diversity, movement and transduction. These principles afford a dialogic space between teachers, administrators
and designers to ‘disrupt’ the out-of-date regulatory environment in Spain. Their
approach also sought to consider wellbeing, pedagogy and community along with
engagement with the stakeholders. This was achieved through prototype microprojects sponsored by the JF Foundation, where schools were invited to ‘pitch’ their
‘hack’ of traditional spaces to secure funding for these exemplars. The toolkit was
Introduction to Part IV: Teacher Practices
247
used to assist this process of design through four stages: starting, discovery, cocreation and assessment. The authors assert that some 30 schools were able to ‘hack
their schools’ and work around the regulatory framework and in so doing form a
community of practice for future project developments.
An architect and artist speak of creative and affective school pedagogies; two
academics learn from their students’ learning; an artist/teacher and an architect
collaborate on deconstruction and reconstruction of spaces; this is the currency
of knowledge generation typical of our new age of professionals working on redeigning teaching in innovative learning spaces. These chapters illustrate the array,
complexity and challenges of systematic spatial school rebirth across international
borders, disciplines and professions. In many ways, they typify ILETCs evolving
methodology.
References
Lefebvre, H. (1991). The production of space. Oxford: Blackwell Publishing.
Monahan, T. (2002). Flexible space & built pedagogy: Emerging IT embodiments. Inventio, 4(1),
1–19.
Wesley Imms (Australia) comes to learning environments research from a long period as a
teacher, then through a Ph.D. in Curriculum Studies from the University of British Columbia in
Canada. His teaching spanned art and design education, his practice for decades has included
designing and building ‘crafted’ homes, and his art works have focused on bespoke purposeful
furniture construction, which he exhibits annually. For the last decade these interests have
conflated into applied research programs, where he specialises in assisting schools to conceptualise, inhabit, refine and evaluate learning environments. This work has focused extensively
on large-scale collaborative projects that draw heavily on international industry participation,
and with an emphasis on Ph.D. and Masters level input to this knowledge generation. He is
a co-Director of the LEaRN group, manages LEaRN@MGSE, and through selected consultancies he works closely with schools in the Asia-Pacific region on improving the use of innovative learning environments. Wesley is currently an Associate Professor at The University of
Melbourne, Australia.
Kenn Fisher (Australia) is recognised as one of the leading learning environment specialists practising locally, nationally and internationally for over three decades. He has practised in
Australia, Asia, the Middle East and Europe as a consultant to the OECD (where he held the
post of Head of the Program on Educational Building in Paris in 1997/8) and UNESCO. He is
multi-skilled in a range of disciplines having practiced in all education sectors as a teacher and
academic, a strategic facility and campus planner and as a project, facility and design manager. He
has been engaged by more than 30 universities world-wide, over a dozen vocational training and
community college clients, a number of State and National Government Ministries of Education,
many school organisations and Government and corporate entities. Kenn is currently an Associate
Professor in Learning Environments at The University of Melbourne’s School of Design (MSD).
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Open Access This chapter is licensed under the terms of the Creative Commons Attribution 4.0
International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing,
adaptation, distribution and reproduction in any medium or format, as long as you give appropriate
credit to the original author(s) and the source, provide a link to the Creative Commons license and
indicate if changes were made.
The images or other third party material in this chapter are included in the chapter’s Creative
Commons license, unless indicated otherwise in a credit line to the material. If material is not
included in the chapter’s Creative Commons license and your intended use is not permitted by
statutory regulation or exceeds the permitted use, you will need to obtain permission directly from
the copyright holder.
Envisaging Teacher Spatial Competency
Through the Lenses of Situated
Cognition and Personal Imagination
to Reposition It as a Professional
Classroom Practice Skill
Vicky Leighton
Abstract This chapter examines the complex phenomenon of teachers’ spatial interactions in their learning environments. Its goal is to examine concepts and theories
that might inform a working conceptual framework. Building on recent studies that
question how school environments can influence teacher behaviour, spatial concepts
as well as architectural and cognitive psychology theories are examined to explore the
dynamic and mutually dependent relationship between teachers and learning spaces.
A new concept of ‘situated environmental imagination’ is devised as a conceptual
explanation for teacher spatial competency; it also provides practitioners with the
means to evaluate and observe space-related skills in classroom action settings. This
approach pursues a non-linear understanding and analysis of space and teacher practice that blends architectural and educational perspectives, resulting in an argument
for the inclusion of spatial competency as an important professional skill that has the
potential to enhance student learning.
Preface
In setting up a theoretical conceptual framework in which to explore a teacher’s
spatial competency, it has become necessary to understand the relationship between
the built environment and human behaviour. The environment is acknowledged by
many teachers as one minor element of a battery of tools to educate others, however, it
is seldom placed front and centre when considering the transaction between teaching
and learning. But it should be. Across the globe, school environments are the focus
of government policy and the recipients of systematic, significant investment. This
has evolved as a strategic response to narratives that are recasting what effective
teaching and learning should be for post twentieth-century work and education
(Byers, Mahat, Liu, Knock, & Imms, 2018; New Zealand Ministry of Education,
V. Leighton (B)
Melbourne Graduate School of Education, The University of Melbourne, Melbourne, Australia
e-mail:
[email protected];
[email protected]
Anglican Church Grammar School, Brisbane, Australia
© The Author(s) 2021
W. Imms and T. Kvan (eds.), Teacher Transition into Innovative Learning Environments,
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2014; OECD, 2013). Significant public funding in new school buildings has been
invested to promote teaching and learning that is characterised by critical thinking,
collaboration, problem-solving, communication and creativity. Beyond these investment programmes, it is recognised that most teachers are situated in a classroom,
new or otherwise, which remains the key environment in which instructional learning
is conducted. These teachers interact with their classroom space both consciously
and unconsciously. They are taught how to teach curriculum content and pedagogy,
however, until very recently they are rarely trained on how to use space to advance
and support their teaching and maximise learning experiences for students.
Through an exploration of historical behavioural sciences, ecological psychology
and the more recent emergence of cognitive psychology supported by neuroscience,
this chapter argues that a teacher’s behaviour within a classroom ‘action’ setting
is a mediated ‘imaginative’ response between their real-time, ‘situated’ interaction
with the environment itself, and the social world. This behavioural response can be
recognised as a part of a teacher’s professional practice and as a teaching skill.
This reimagining of the roles played by both people and the built educational
space challenges educators and designers to investigate in-depth what already occurs
in traditional or established classrooms and to consider the impact of teacher situated cognitions on these and innovative learning environments. Where sequences and
patterns of behaviour are encouraged by the built environment and are consciously or
unconsciously acknowledged, these in themselves become the experiences of educational places that feed an individual’s professional practice. They shape a teacher’s
spatial behaviour which in turn has a direct impact on student learning.
The impact of this idea is manifold. It suggests that educational settings are places
that shape what people do, how they engage with one another and how they consequently contribute to the construction and deconstruction of teacher identities. It
implies that the built environment (the classroom), which provides a framework for
behaviour, allows for a future that can be purposefully constructed and manipulated,
acknowledging that the contextualised environment itself is also shaped through
this interchange. It invites exploration into the connections between student learning
and teacher spatial skills and engagement. It suggests that teachers can be taught to
hone their spatial practices to enhance learning through training and intervention,
recognising that all teachers possess spatial skills. This approach puts the impact of
a teacher’s spatial professional practice squarely in the centre of the learning and
environment debate.
What follows is a brief synopsis of key cognitive concepts and theories that are
examined to conceptualise teacher spatial competency (TSC). These are used as
a source of insight rather than empirical study. It is acknowledged that a range
of deliberate parameters has been imposed; rather than an in-depth exposition of
architectural design or cognition theories, a range of general agreements from these
areas of human science are accepted and a lens of educational professional practice
applied. This has enabled a conceptualisation of the phenomenon known as teacher
spatial competency and provided a framework for research.
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Introduction
Although systematic studies examining how school architecture informs teaching
and learning are rare (Byers, Imms, & Wheaton, 2015; Higgins, Hall, Wall, Woolner,
& McCaughey, 2005), research focused on learning spaces is gaining momentum.
Fine-grained studies examining learning and learning environments such as these are
finding evidence that suggests these two educational components share a binary relationship that somehow incorporates elements of duality and dichotomy. They argue
that teachers and learners occupy designed educational spaces that do inevitably influence the teaching and learning cycle, and that this relationship is complex and not
always articulated or understood. This leads to key questions for educators and architects which centres on what spatial knowledge or skills teachers need to successfully
utilise traditional or innovative learning environments to positively impact learning
outcomes. It seems clear that a blend of architectural, educational and social theory
is necessary to understand, describe and interpret the complex concepts at play, and
to develop a conceptual framework to underpin teacher spatial competency research.
Furthermore, clarity is required around the definition of the key term ‘TSC’. For this
research, it is proposed that a spatially competent teacher is a teacher that deliberately and purposefully utilises (through their professional practice) the attributes of
a classroom and surrounding environment (in their ‘place’) to deliver specific pedagogical goals. As learning goals change (these are highly responsive to context), the
teacher also changes the utilisation of the space to enhance student learning experiences (this a result of their thought processes). This chapter will examine the three
key elements, teacher place, practice and thinking, embedded in this broad definition.
Teacher Place
The study of human behaviour gives us an insight into understanding human activities, attitudes and values. When it is accepted that the environment has an impact
on human behaviour, this allows for the theorisation of human spatial interactions
through a range of cognitive processes including motivation, perception, cognition and affect. Differentiating between the actual, real or objective world and the
phenomenological world that is perceived either consciously or unconsciously also
offers the potential for new conceptual frameworks to understand and observe how
humans are impacted by places and space.
Architecture and Phenomenology
Although this is not a phenomenological argument, some of the principles associated
with its approach to qualitative research apply to the exploration of teachers’ spatial
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perspectives and competency. The relevance of a phenomenological approach is
also acknowledged when considering the philosophical roots from which it arises
(Moustakas, 1994). Phenomenologists seek to develop direct explications of ordinary
life and human experience. These experiences often go unnoticed as they are so
embedded in our way of living and thinking and are unique to each person. To
borrow from Pointon and Kershner (2000):
Further, at a perceptual level, it has to be recognised that it is hard to understand another
person’s experience of the environment, even if one can measure certain objective features.
As Howe (1984) remarks, ‘each person’s experiences of an environment are unique and
constantly subject to variation, largely because people learn from their own experiences.
Many factors connected with individual development and learning, including perceptual
sensitivity, personality and temperament, combine to ensure that however uniform an
environment might appear to be, people’s actual experiences differ very considerably’ (p. 96).
Architecture phenomenological research emphasises and interprets the lived,
human experience of everyday buildings in everyday lives. That is a corporeal or
bodily engagement with space expressed via human action in synchronisation with
the physical environment. The two elements, in this case teacher and learning environments, ‘interanimate each other’ (Casey, 2009), providing a tantalising inference of potential impact on teacher practice and student learning. If a teacher is
‘interanimated’ by their learning environment, this implies that the interaction can
be positively manipulated to impact student learning.
Several academics take this perspective further. Oblinger (2006) theorises that
learning spaces arbitrate social and relational teaching with learning conventions
and builds an argument that this mediation is only one factor in a complex range of
contextual variables that inform learning outcomes. These factors include, but are not
limited to, school context, culture and profile, pedagogies, curriculum, technologies,
learning environment and aesthetics, as well as community members themselves. A
study of Lefebvre suggests this mediation is social interaction (1991). It is argued that
teacher spatial experience is, therefore, a lived dynamic where there is a reciprocal
engagement with the environment. This is significant at it suggests these contextual
interactions influence a teacher’s professional practice. It can be concluded that
occupiers and space are mutually dependent and ever-evolving.
Architectural Vocabularies and Literacies
Researchers have wrestled with this dynamic relationship. Fisher questions why
teachers appear to ignore their learning environments as a pedagogical tool, arguing
that ‘it is in the school campus that we all begin to learn how architecture is lived and
experienced and develop our architectural vocabularies and spatial literacies’ (Fisher,
2004, p. 37). Fisher’s observation underpins the focus of this chapter which, assuming
improved student learning is the educator’s goal, argues that physical learning environments cannot be ignored by users. It may be they are not being ignored; albeit,
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it is possibly a subconscious action that sees teachers adapt and change their practices and their environments in subtle ways, even marginally, to effect better learning.
Furthermore, architecture and the built learning environment should not be viewed as
a language, but more correctly represents a set of vocabulary and associated contexts.
This implies less a need to decode or interpret, but rather a recognition of how built
learning environments ‘speak’. Individuals consciously and subconsciously recognise a building’s voice because they provide identifiable symbolic perspectives that
refer to their prior experiences and encounters; they exist in their present, and they
reflect forward through the multitude of interactions with all who use them. By their
very presence the built environment reacts to the past as well as the ‘present’ to either
invite a new way of operating or ‘set’ the future to mirror its habitual self. So, this
chapter argues less the notion of teacher spatial incompetency, and more the need
to theorise and understand the existence of various levels of existing teacher spatial
competencies.
‘Thought-Like’ Architecture, Culture and Context
If this is an accepted notion, the learning environment itself has the possibility of
becoming involved in thought or be ‘thought-like’ in that it represents ourselves,
but our objectives are learnt from it; the individual and the architecture are therefore
constantly reimagined (Fig. 1). Hays puts it this way; ‘Architecture is not a language.
Rather, architecture summons into appearance ways of thinking about the world
that is otherwise unavailable; it is a particular mode of thought, one irreducible to
other ways of thinking…’ (Hays, 2016, p. 205). In this context, the place becomes
representational of schools’ complex societal structures, purpose and culture.
Fig. 1 ‘Thought-like’ architecture
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There is a mutual dependence where the built environment becomes involved with
its own purpose, for example in the adaption and response of pedagogy through its
interaction with the teacher. It is informed by ideology, patronage, designers and
users, but can also be understood to be ideological in its own right. It is not entirely
determined by its context, but through its very existence, it connects these elements
and becomes self-determining. Acknowledging the theorisation around social materialisation (Hays, 2016), it is understood that here there is an epistemological, constructivist claim; that is, something is known about education and learning through the
architecture of schools, and; something is known about the nature of learning through
the classroom.
Related cognitive factors are also used to conceptualise the activity of teaching and
it is recognised they can directly influence a teacher’s approach to their professional
practice. Drawn from the synthesis of his meta-study (2009), Hattie (2012) termed
these factors as mind frames which he categorised into eight key ways of teacher
thinking that significantly impact student learning; ‘the impact(s) in our schools
relates to how we think’ (p. 159). In terms of learning environments, ‘thought like
architecture’ confirms the importance of school culture and context to a teacher’s
thinking (or mind frame) and professional practice.
Teacher Practice
To further consider the impact of these ideas, a broad lens of spatial practice and
representation should be applied. Massey recognises space as the ‘product of interrelations as constituted through interactions’; ‘as the sphere in which distinct trajectories coexist’ and ‘always under construction’ (Massey, 2005, p. 9). In an exploration
of Lefebvre’s seminal work ‘Production of Space’ (Lefebre, 1991), Benade (2017)
acknowledges the theory that space is socially produced (Tyack & Tobin, 1994);
that perceptible and imperceptible qualities of space act as a critical and productive
link between the built environment and daily lived experiences. Benade draws on
Merrifield’s (2006) suggestion that ‘spatial practices structure lived reality’ (p. 3),
inviting further exploration of how occupants and users of space(s) create their own
lived realities.
The study of human behaviour recognises that humans operate as individuals
who enact roles within a range of complex and interlinked social systems that influence behaviour and social norms. These social contexts are embedded in behaviour
patterns and are intrinsically linked to their terrestrial environments. For example,
teachers behave as purveyors of knowledge and skill within the setting of their work.
The way daily activities are carried out is part of a person’s culture; their role in
society, their beliefs, attitudes, prior experiences, competencies and purpose. These
behaviours are embedded within the individual’s environment.
In considering the influence of the setting itself, Lang (1987) argues that architecture is ‘culture-bound’. Hays describes this idea as architecture that is a cultural and
social representation, or architecture as ‘mode of knowledge’ (2016). Moreover, he
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argues that what might be known or present in one era, may not be available to another.
This results in a cognitive, imaginative response that mediates every experience with
the built environment. Whilst this is being further nuanced by neuroscientists and
cognitive psychologists, it is important to acknowledge that this approach accepts
the environment to be highly influential on human behaviour.
Consideration should also be given to Lefebvre’s triadic of spatial practice, that
is; representation of space (conceptualisation); spatial practice (material, lived experience) and representational space (symbolic, mnemonic). These combine into a
social production of space; ‘the triad of the perceived, the conceived, and the lived’
(Lefebre, 1991, p. 40); or ‘the three moments of perception, conception and living
(which) are simultaneously conscious and unconscious’ (Benade, 2017, p. 6).
Furthermore, if it is accepted that school culture represents itself to itself through
its built environment, it follows that school communities learn in part about themselves, the function of their school culture, and their purpose, through the education
buildings themselves. Moore (1986) in a study that explicitly questioned the interactions and interdependence between social contexts, the architectural environment and
human behaviour, concluded that the physical environment ‘does not—and maybe
cannot—have an independent impact’ (p. 227), thereby implying the dependency on
other factors.
Architectural and educational research often advocates for training teachers to
better use spaces (Woolner, Clark, Laing, Thomas, & Tiplady, 2012). Whilst some
visualise this as a parallel, linear interaction of space and practice (Fisher, 2005;
Tanner, 2009) whereby the spaces they design somehow bring about contemporary
teaching and learning practices (Benade, 2017), it is also important to imagine it as a
circular interdependence between spaces and people. This more interactive approach
emphasises spatial-skill collateral that is arguably already present within teaching
professional practice. If accepted, it can be concluded that teachers are not spatially
illiterate, rather we simply don’t have mechanisms to recognise their actions or to
help use them to improve practice.
Environmental Competency
The term ‘spatial competency’ has its genesis in the work of Lawton who coined a
related term ‘environmental competency’ in a study examining the environmental
needs of the elderly within the context of ‘man-environment relations’ (1977).
In a review of the literature, many environmental and ecological psychology
studies take as their foundation psychologist Lewin’s (1936) formulation of
behaviour; that is behaviour is the function of the person and their environment.
When applied to teacher spatial competency, teacher spatial behaviour can be seen
to be dependent on the functional relationship between the person and their school
environment. Indeed Lawton used Lewin’s ecological equation, B = f(P, E), to devise
a schema that proposes competence as ‘function’ in relation to the ‘environmental
press’ of a place. Lawton defines competence as a term that describes ‘essentially
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what lies within the person’ (1977), including a broad set of attributes such as their
health, mental capacity and so on. ‘Environmental press’ he uses as a term to describe
elements of a place that promotes or activates behaviour in ‘some individuals’. The
key point he makes is that the greater the environmental competence of an individual,
the less constrained they are by their environment, played out by a demonstration of
‘behavioural freedom’ (Lawton, 1977). This approach is relatively easy to understand
when considering the physical capacities in the elderly, such as motor skills and can
be adapted to the concept of cultural behaviour in schools and spatial competency
of teachers.
Spatial Competency in Teachers—Early Conceptualisation
of the Concept
If it is accepted that most spaces, or learning environments, have possibilities that
can be used by a teacher to impact learning, it is often supposed that a critical
barrier to teachers’ fully utilising their physical learning environment is their lack of
environmental ‘competency’ (Lackney, 2008).
Spatial or environmental competency as a term has since become common
currency when discussing how teachers behave within and use space. To date, it has
implied a graded scale of behavioural competence that allows some individuals to be
highly proficient when interacting with space’s affordances, whilst others somehow
seem to lag. A teacher who is more adept at manipulating their environment to
enhance learning, demonstrated through flexible and facilitated spatial interventions
within a classroom, is a good example of perceived ‘responsive’ spatial competence.
The counter to this is the spatially ‘incompetent’ teacher who supposedly is unable
to purposely use an instructional space. Lackney’s early study promoted this line of
thinking through his ‘levels of environmental competence at the individual scale’
table (Fig. 2), that scaled and categorised teachers from ‘highly proficient’ to ‘lack
of proficiency’ (Lackney, 2008).
This spectrum is, however, problematic, not least because it should be recognised
that all teachers are situated ‘actors’ using and responding to space as part of their
teaching practice. The reality of this interaction is that all teachers uniquely respond
to a large range of confounding variables that influence their output. Furthermore, the
idea of scaled competency (in this context) has the potential to lead to a simplification
of the concepts under review, and the erroneous conclusion that the classroom (as
the built component) is the sole determinant in the teaching and learning transaction;
that the classroom is the determining factor (Nair, 2011). This is where architectural
probabilism or possibilism comes into play; the suggestion that it is possible to
calculate likely teacher behaviour in response to built stimuli, but this would be
erroneous and miss the fundamental importance of this conceptual framework.
Envisaging Teacher Spatial Competency Through the Lenses …
Fig. 2 Levels of environmental competence at the individual scale (Lackney, 2008)
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Many designers have made very strong assumptions that the spaces they create will, in
themselves, lead to change…It is highly questionable to claim a design will have particular
behavioural outcomes without first taking into consideration the predispositions and the
motivations of the population concerned (Lang, 1987, p. 102).
It should be understood that architects, designers and educationalists should not
rely on what might happen as a result of design in school settings (Lippman, 2010), but
rather in what does occur every day. Teacher spatial competency is not deterministic;
assumptions can be made, and trends established, but the variables involved discounts
absolute certainty. To be clear, teachers need to have observable spatial capabilities,
however, these should be relative competencies that are not hierarchical and should
be linked to student learning. This new approach puts the teacher metaphorically
speaking at the front of the classroom and students in the centre of the action. This is
important as architectural determinism, or conversations that prioritise design tends
to isolate teachers and consequently disable them in terms of changing their spatial
practices, with consequences for student learning experiences.
Teacher Thinking
Environmental Psychology
The work of early psychologists reframed the nature and influence of the human–
environment relationship through a substantial body of research resulting in a significant literature of writings. Koffka’s seminal work Principles of Gestalt Psychology
(1935) was one of the first to distinguish between geographical and behavioural
environments. Amongst others, this was followed by Lewin’s (1936) formulation
of behaviour. It wasn’t however until the early 1950s that psychologists and other
behavioural scientists began to investigate in depth the interaction between the built
environment and human behaviour. This represented a new field that is, respectively, known as architectural, ecological or (and for the remainder of this chapter)
environmental psychology.
At a fundamental level, environmental psychology research assumes a correlation
and interdependence between environments and behaviour. Goldhagen points out,
‘The built environment constitutes the foundation upon which our past, present, and
future selves are constructed’ (2017, p. 88).
Gibson (1966) theorised ‘potential’ and ‘effective’ environments for behaviour
(which specifically considered what a person pays attention to). Weinstein (1981)
used an environmental psychological approach to person–environment relations and
suggested that the environment communicates ‘direct’ and ‘symbolic’ effects on
students. Soja (1989) asserted that the discipline of ‘critical human geography’, a
branch of critical social theory, allows for new interpretations of social history seen
through the lens of spatial critiques. Soja (1989) pushed this concept suggesting
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that ‘just as space, time, and matter delineate and encompass the essential qualities of the physical world, spatiality, temporality, and the social being can be seen
as the abstract dimensions which together comprise all facets of human existence’
(p. 25). The abstract dimensions associated with temporality and space explains the
complexity of the variables involved (Massey, 2005). Kirk (1990) introduced the
consideration of the personal environment with the implication of the importance
of personal experience and contexts, which naturally leads to the examination of
teacher mind frames and behaviours. These personal experiences take place in classrooms where ‘hegemonic pedagogy’, or teaching practices that reflect and perpetuate
current regimes, is the dominant paradigm (Hildebrand, 1999). Gislason (2010) used
behaviour setting theory that assumes ‘behaviour is a function of the person and
the environment’ (Swartz & Martin, 1997, p. 6). He based his theory on Owens and
Valesky’s (2007), and by deduction after Barker and Gump (1964), conceptual school
climate model. Gislason used it as a tool that ‘accounts for the relationship between
school design, teaching and learning’ (2010, p. 128).
The impact of this field of research has been far-reaching. For example, the traditional theoretical viewpoint held by architects, landscape architects and designers
proposed that the components of the built environment critically related to each
other, rather than human experience. This led to the belief that if the human experiences within a space were different to the designed intention, the fault was ‘user error’
often attributed to ignorance, lack of education or knowledge (Perin, 1970). Environmental psychology challenged these long-held beliefs. New knowledge about the
significance of the environment in our lives has become a central part of the critical
discourse about human behaviour.
Situated (or Embodied) Cognition
This research therefore moves beyond a traditional linear understanding of human
cognition and experience of environment towards a more interlinked approach that
emphasises an associative, non-conscious element that has its basis in the idea of the
human physical presence within a space that provides ‘situated’ or ‘embodied’ cognition (Barsalou, 2008; Goldhagen, 2017; Johnson, 1987). This idea is important in
that it recognises that human cognition and ‘place’ directly impacts decision-making
and ultimately action; that is, human behaviour emerges from the interaction of the
physical self (with its unique capabilities) situated in a place, with the opportunities
for action offered by that place, at any given time.
It is helpful to consider cognition as the many processes by which people understand, interpret and organise sensory, social and internally generated data for their
use. Cognitive psychologists who are advocates for situated cognition argue that the
human mind is shaped by the body (human embodiment); and that the human body
is shaped by the environment (Barsalou, 2008; Goldhagen, 2017; Johnson, 1987;
Robbins & Aydede, 2009). This situated relationship reveals how conscious and
subconscious cognitions build up mental schemas or patterns of association. This
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organisation of data is generated by a range of inter-sensory impressions (involving
more than one sense). Individuals have innumerable schemas that are interlocked
with the environments in which they live and experience life.
The Potential Environment
Before unpacking these ideas further, it is necessary to explore the framework of the
environment itself as a place of potential efficacy. The key to unlocking this potential
lies in understanding why a classroom environment embedded with a variety of
affordances (that suggest certain behaviours) is not always enacted upon by its users;
why some people appear to be more spatially active in their professional practice
than others. This is summed up by Lang in this way; ‘Not all opportunities for action
are perceived by an individual, nor are all the opportunities that are perceived acted
upon’ (1987, p. 80).
The concept of a ‘potential’ environment (Gibson, 1977), in which several possible
actions can be played out, is based on studies that explore how humans relate to
situations and place. The concept is an abstraction, but it is based on the mental images
that are generated when interacting with the environment. This is directly relevant
to how a teacher reacts to their classroom in that their behaviour is situated in their
cognitive response to the place, which in turn opens (or limits) their responsiveness
to its affordances. Their mental image, or imagination, bridges the gap between
perception and understanding. Thoughts become material in a person’s response,
and the potentials inherent to an environment acknowledged.
This implies space can be defined as a responsive (not flexible) partner. Teachers
are very familiar with the term ‘flexible learning environment’, but their experiences
of these spaces are often mixed (Benade, 2017; Bradbeer, 2016), and not necessarily
aligned to the designed intention. To be flexible implies an elasticity where a form or
object always returns to its original state (Fig. 3). This is not the commonly intended
outcome for investment in new learning environments, that is for professional practice to be unaffected by the purposely designed space. A building that reacts to
something/somebody, that can evolve, converse (give a response to…) and possibly
learn (Lippman, 2010) is a better alternative. Lang says ‘What architects create is a
potential environment for human behaviour; what a person uses and appreciates is
his or her effective environment’ (1987, p. 75). Responsive, adaptive teachers and
environments, therefore, have the potential to work together in a new way for the
benefit of student learning (Saltmarsh, Chapman, Campbell, & Drew, 2014).
The traditional view that human behaviour is simply a ‘use’ signifier that
contributes to the design of a place short changes both architects and the clients
they serve. It is often thought that the study of behaviour simply adds to the knowledge about the purpose of a building, however, this is a new emphasis that argues
that it has the power to change the very nature of that knowledge (Lang, 1987).
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Fig. 3 From flexible to responsive
Architects design school buildings to serve pedagogical and cultural learning
purposes, but when a school becomes framed as a potential environment, the relationship between the built environment and the community it serves becomes far
more complex, loaded with possibilities. This equation is partly dependent on those
that use the space to realise and see its potential (pay attention to it). It is also reliant on
architects and designers privileging the influential elements that drive behaviour, such
as sensory considerations. Lang reinforces this point; ‘built environments will not
accommodate people’s needs until we integrate what we know and are learning about
human experience into their design and composition’ (1987, p. 102). This results in
prioritising lived experience over (or at least placing it on par) with aesthetics.
Situated Cognition Limitations for Teacher Spatial
Interactions
Whilst acknowledging the importance of the principles advanced by this branch
of cognitive psychology, this chapter is not a critique of the academic field. That
said, it is recognised that it is important not to overstate the findings of cognitive
psychologists in the context of teacher spatial competency by considering their claims
as a singular principle. These principles of cognitive psychology are relevant to better
understanding TSC but do not represent a cohesive framework for understanding the
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phenomenon. To give an example, consider the assertion that certain visual inputs
prime motor activity. A commonly used illustration of this could be a door frame that
suggests the act of walking through from one space to another. The simple act of even
noticing the door frame requires multiple facilities of knowledge; sense perceptions
are needed to take in light waves and interpret them; reason is needed to make
sense of the data input; memory checks the current sensory perception again prior
experiences; in addition, emotions may be employed as part of this interpretation.
All of these make the experience unique to the individual. Wilson (2002), in her
examination of the six primary claims of situated cognition, asserts that this type
of interaction (door and walking) is more sophisticated and that ‘information about
the nature of the external world is stored for future use without strong commitments
on what that future use may be’ (2002, p. 632). Wilson argues that each cognitive
arena should be assessed ‘according to its own merits’. Wilson’s paper, whilst not a
rebuttal, disentangles and evaluates the primary claims of cognitive psychologists,
concluding that all need to be evaluated in terms of ‘the range of their applicability’
(2002, p. 635).
The very nature of a cognitive understanding of the environment–teacher equation
is that the variables are as variant as the places and actors within them and invites a
cautionary approach that is careful not to misrepresent the case.
A Teacher Spatial Competency Conceptual Framework
Teacher Situated Environmental Imagination
To bring together the concepts of spatial practice and situated cognition as a helpful
framework for articulating how teachers and environments interact, a concept of
a teacher’s ‘situated environmental imagination’ has been developed. This concept
brings together the three key domains of a teacher’s spatial practice; that is teacher
place, practice and thinking. The framework addresses the issues inherent to spatial
competencies that are constantly in flux.
Drawing on theories from Kant, Heidegger, Soja and Hegel, and through a longestablished theorisation of architectural historiography articulated by Hays (2016),
the triadic of spatial practice (the perceived, conceived and lived) also must involve
the “gap”, or the liminal space in-between the three; a cognitive response which is
environmentally situated, socially produced and which determines, regulates and
legitimises the lived experience. This response is the link between the different
elements that are inherent in every spatial interaction. Interesting to teacher practice,
this space is productive (i.e. it moves forwards) and informs the relative relationships
between all the elements that contribute to a teacher’s spatial competency.
This ‘environmental imagination’ is multilayered and interdependent. It is cognitively situated or embodied in the environment and it interacts with (and mediates
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Fig. 4 The environmental imagination
between) a teacher’s perception, knowledge and understanding of space, which in turn
leads to measurable behaviours associated with spatial competency in the classroom
(Fig. 4).
It has an ontological perspective and claim; that architecture exists and ‘is’ both
materially and in the situated environmental imagination of people who perceive it
and ultimately use it. Furthermore, something about learning through the nature, the
presentness of school architecture becomes known; but the situated imagination also
makes and re-makes the concept of teaching and learning in the mind of those using
the buildings. The imagination is constantly in flux. It goes beyond simple experience
to recognition.
Sensory Information
To understand more fully; the first consideration, accepting the impact of mediating
factors such as prior experience, is human intuition (perception) which synthesises
aesthetic experiences: that is, the appearance of the architecture or built environment
on a sensory level (Fig. 5).
This experience on its own can be limiting. An individual can sense and feel a
place, but that information on its own is meaningless. It is purely sensory information.
The experience is mediated by the cognitive imagination (knowledge) and a person’s
mental capacity to visualise. It is still subjective, informed by prior instruction and
education about the environment: it goes beyond intuition to recognition, rooted in
memory, prior encounters and conceptualisations. That architecture has a mnemonic
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Fig. 5 Sensory information
and perception
function, it follows that it operates as a ‘cognitive map’ (Hays, 2016) for the person
experiencing the space. The imagination negotiates a schema to organise the array of
un-coded sensations. It also needs understanding to turn something purely sensual and
material into a cognitive concept. This imaginative element then, in turn, leads to an
understanding (conception) of space, which ultimately drives spatial behaviour. An
individual’s understanding deploys perceptions, categories and cognitive conceptions
in an interaction that is informed by this trinitarian architectural interaction. This is
an interlocked process in constant flux and anchored by the imagination: they are
mutually dependent; they inform each other.
Learned and Instinctive Responses
The non-conscious schemas can be stimulated by ‘primes’ (Goldhagen, 2017),
defined as an environmental stimulus that of itself influences a person’s subsequent thoughts and actions (for example, a pungent drain). This is a physiological response, not learned. Alternatively, a (non-conscious) schema can also be
constructed from environmental ‘metaphors’, memory and prior experiences. These
responses are learned. Both these categories of cognitive response enable people to
connect meaning and associations by drawing from one context and applying it to
another (Fig. 6).
This, of course, raises the question of how these metaphors and primes can be
employed by both designers and teachers to manipulate or encourage certain types
of behaviour. They are in effect schemas. They help individuals understand abstract
ideas and concepts and connect them with their lived experiences. Their beliefs and
identities are embedded in these experiences.
Envisaging Teacher Spatial Competency Through the Lenses …
265
Fig. 6 The cognitive
interpretation of learned and
instinctive responses
Cognition and Interpretation
All humans interact with space. All teachers, whatever their experience or proficiency,
use classrooms as a tool to work within whilst teaching students and promoting
learning. Similarly, students are also situated in the space. These interactions are
a kaleidoscope of sensory data, ‘real-time’ cognitions, perceptions, actions and
social interactions and are impacted by, and mutually dependent upon, individual
and cultural influences, as well as motivational needs. Every individual experience
similar levels of complexity as all are all ‘situated’ in their environment (Robbins &
Aydede, 2009). The organisation of the data and resulting behaviour are constantly
being reimagined, refined and honed. Therefore, for the teacher perceived as spatially
incompetent (or unable/unwilling to utilise a classroom’s affordances), this should be
understood within the context of the multitude of cognitive interactions that they are
processing. Furthermore, it could be stated that this teacher might be spatially competent within the capacity of their perceptions, emotions and experiences. The choices
presented by the space and associated primes and cues may not be perceived at all, or
even if acknowledged, dismissed precisely because of ‘high’ competence behaviour
triggered by different and unique motivations and associations of an individual.
Wilson (2002) provides a foothold into this complex equation. In breaking down
the six main claims of situated cognition, she recognises that whilst cognition is
situated, it is also influenced by time-pressure and ‘real-time’. She states; ‘More
sophisticated forms of real-time situated cognition can be seen in any activity that
involves continuous updating of plans in response to rapidly changing conditions’
(p. 268).
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V. Leighton
This could be a description of a rapidly changing classroom and suggests that an
opportunity to predict or plan outside of the reactive environment could be of assistance. When under pressure where people are forced to work ‘online’ (reacting to the
present), Wilson suggests they use a range of strategies to cope, including ‘preloaded
representations’ acquired through prior learning; selectively interacting with the environment, leaving unknown elements to be encoded later and altering the environment
to lighten the cognitive load. Furthermore, Wilson promotes further investigation into
the concept of body-based ‘off-line cognition’, where mental imagery (imagining
external events), working and episodic memory (tied to bodied experiences of the
world), implicit memory (automating responses) and reasoning and problem-solving
are considered as ways to understand how the body influences or even controls the
mind. This is important as it implies a framework for working with teachers before
their entry into new classroom spaces.
Cognition and Memory
Memory contributes to the human autobiographical sense of self and identity which
is associated with the experiences had in lived environments throughout a lifetime.
This idea is reinforced by Goldhagen; ‘We cannot recall a memory from our
past without revisiting at least some elements of the place where the original event
occurred—if not consciously, then at least unconsciously’ (2017, p. 85). The recollection of a loved primary teacher, for example, involves visualising that person in the
classroom spaces experienced as a child. Life events such as graduation are thought
of in terms of the place in which it occurred. Similarly, when a teacher considers the
cognitive task of teaching, they think of their classroom, the school, even the activities suggested by the affordances available to them to enable them to teach. The act
of teaching, the experience, is embedded in the place in which it occurs. Memory
allows humans to adapt to new environments and to learn new values through a
process of understanding that comes from reinforced, prior experience. How teachers
respond to a new learning environment, for example, is a result of their response to
the sensory information and patterns present in the space, and how they categorise
these elements based on the associations they have built up over time, backed up by
any reinforcements they may have experienced. Lackney’s study and Gislason are a
good example of research that demonstrates and provides evidence for this pattern
of behaviour (Gislason, 2010; Lackney, 2008). What individuals choose in terms of
action in response to a setting is the result of their experiences of different places
and the objects within them. The actions are taken, therefore, become the experience
and continually feed into a personal narrative and identity. This person–environment
relationship is a dynamic one.
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267
Cognition and Affordances or Environmental Stimuli
The term ‘affordances’ was coined by Gibson (1977) and infer that different patterns
within the built environment afford or suggest different behaviours and aesthetic
experiences. They are a function of both social convention and life history (Chemero,
2003). However, it is the ‘experiential opportunities’ (Goldhagen, 2017), the what
people choose to focus on or act upon (either consciously or unconsciously) offered
by a places’ affordances, that becomes a point of focus for teachers.
Interestingly, Lackney summed up one element of his findings in this way: ‘During
individual interviews when teachers were asked to describe their perceptions of their
school, they tended to identify sensory stimulation concerns, specifically regarding
thermal comfort and air quality of the school, followed by problems of noise’
(Lackney, 2008, p. 16). That these educators chose to focus on specific sensory
concerns would not come as a surprise to those versed in situated cognition theory,
or indeed most teacher practitioners in schools today.
Information about the environment is obtained through perceptual processes.
This is active and purposeful. Neisser (1976) said, ‘it is where cognition and
reality meet’. These processes are guided by schemas which are partially innate,
partially learned which, in turn, guide emotional responses and ultimately actions and
behaviour. The information obtained from the environment has symbolic qualities
(giving it meaning), ambient qualities (evoking emotional responses) and motivational messages (stimulating need). Gibson’s ecological theory of perception (2015)
hypothesises that a wide range of sensory data is always available to us but people
only attend to what they know and are motivated to recognise, based on their prior
experiences within the environment. More recent studies emphasise that this model
of human cognition is not a sequential process. Goldhagen (2017) describes this as
the out there of environmental perception that is intermeshed with the in here of
cognition and interpretation, thereby resulting in out here action (Fig. 7). Therefore,
the environmental stimulus (the ‘out there’) is not separated from the ‘in there’ of
cognition, rather the elements are inherently interlinked and intermeshed. No boundaries are separating them. In other words, individuals are already, or always (bodily)
engaged with the environment. The physical environment that is inhabited is irretrievably linked to human experiences and memory. The individual, and the spaces
in which they enact their life is constantly in motion.
Lived experiences are therefore inherently influenced by the environment. What
is chosen to be registered consciously or unconsciously is based on the opportunities
that are offered by the affordances within the environment. Equally, however, these
choices are also embedded in experiences and memory.
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V. Leighton
Fig. 7 After Goldhagen: ‘out there, in here, out here’
Action Settings
The term ‘action settings’ has been utilised by Goldhagen (2017) to describe the
animated nature between the environment and human behaviour. Barker (1968) used
a similar term ‘behaviour settings’ to describe the relationship between the built
environment and the standing or recurrent behaviour that takes place in it. Whilst
helpful, Goldhagen prefers the term ‘action settings’ to ‘emphasise the agency of
humans who make choices within the environments they encounter’ (p. 196). This
ecological view on human agency is directly related to the environmental conditions
through which it is enacted. This can be therefore interpreted as an attribute that can
be enacted, rather than an innate ability (Biesta, Priestley, & Robinson, 2015).
In summary, humans perform in an environment. They assess its ability to help
them achieve their goals; they consciously and unconsciously react to primes and
metaphors, influenced by memories that make up the numerous schemas stored in
their brains; they, therefore, shape the environment and how it interacts with them.
These ‘action settings’ are places that are not ‘mute’ but register non-consciously and
consciously with the individual (in their imagination), with experiential opportunities
offered through its affordances. How they respond is influenced by who they are;
the range of responses are as individual as people are (Fig. 8). Human behaviour is
influenced by what their conscious and non-conscious brain chooses to pay attention
to. It does so using selection principles that it has developed over years of experience
in the classroom, as a student, as a student–teacher and as a professional (Goldhagen,
2017). This transaction is determined by the individual’s physical presence in the
space; the materiality of the space (which help them decide how to engage with it);
Envisaging Teacher Spatial Competency Through the Lenses …
269
Fig. 8 The components of TSC in a classroom action setting
their perceived assessment of the spaces’ usefulness to their goal (to teach); and
importantly, if they perceive the environment and its affordances worthy of their
attention. This, of course, relies on their ability to understand what space can ‘do’.
Ulrich Neisser (1976) describes this as ‘anticipatory schemata’. People can only
perceive what they know how to find.
This transactional, situated cognitive behaviour between individuals and the built
environment provides the enabling and inhibiting structure for cultural norms of
behaviour. Therefore, the environment is the cornerstone of human life. It shapes a
person and their sense of identity and is interwoven with their past, present and future.
It is a function of human needs and competencies. Richard Neutra argued ‘In that
our environment is a form of education, the architect can be considered an educator.
Every building schools our senses or shapes our perspective in some degree’ (as cited
in Nelson & Sundt, 1993, p. 2).
Most human behaviour is accepted as ‘reasonable’ and ‘planned’ and follows
patterns that are dependent on intentionality and perception (Ajzen, 1985). Teachers’
place perception is a matter of past experiences, current environments and imagined
futures. These past, current and future place experiences all operate within system
constraints. What is important is that those who use the educational places, teachers
and students, are taught to see or to be aware of the impact of the environment,
and their own experiences, to maximise the potentiality of the setting and make
270
V. Leighton
productive choices within the space. When a learning environment is seen as an
action setting, the response should be a desire to understand what (already) occurs
in school buildings every day. This, in turn, leads to purposeful pedagogical and
environmental design, both which shape each other and drives change.
Teacher Spatial Competency Observation and Method
The conceptualisation of the concepts involved with teacher spatial competency
suggests that this is a professional teaching competency and skill that has to date
sat in the background of teacher professional practice. This has led to a conceptual
framework for measuring teacher spatial behaviours, with the further potential to
relate these behaviours to student learning outcomes. This framework has defined
key guiding principles that, (to borrow from the principles of evaluation theory),
‘…organises, categorises, describes, predicts, explains, and otherwise aids in understanding and controlling…’ (Shadish, Cook, & Leviton, 1991) spatial competency
skills.
The conceptual framework requires validation. The best way to do this is to
observe actual teaching spatial practice to establish if this conceptualisation is a
realistic interpretation of how teachers interact with their environment. If so, validation must also establish that the framework assists in better understanding how this
interaction might lead to improved teaching and therefore better student educational
experiences. This is the focus of the next phase of the research.
As an observation tool, in the first instance, a three-tiered system has been devised.
A ‘Teacher Spatial Competency Instrument’ (TSCI) has been developed with the task
of measuring observable practitioner action related to spatial competency behaviour.
The observed behaviour is contextualised using a specialist app that has been developed to record all sensory and material data concerning teacher action settings; their
classrooms and school. This data is then visually and verbally analysed by individual teachers through semi-structured interviews aimed at interpreting personal
cognitive responses, the situated environmental imagination, verbalised as perception. This interpretation is conducted through the lens of learned (prior) experiences
and instinctive responses. It recognises the unique spatial skills of individuals and
provides a logic for linking the main proposition to data relating to teacher spatial
practice and student learning outcomes.
Conclusion
It is proposed that a situated environmental imagination is a conceptual framework
that can be explored to facilitate teacher spatial competencies that effect improved
learning for their students (Fig. 9).
Envisaging Teacher Spatial Competency Through the Lenses …
Fig. 9 Teacher spatial competency conceptual framework
271
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V. Leighton
The concept can be summarised; the perception of a teacher towards their teaching
space (influenced by sensory and symbolic affordances) leads (in their situated environmental imagination) to a mental picture (based on prior encounters, social cues
and culture) that is shaped into a schematisation of the space that informs their
understanding and knowledge of that environment and influences their behavioural
response to it. Each interaction within the space informs the next.
The hypothesis is that this cognitive transaction within the environment is responsive and that what appears to be almost predetermined spatial behaviour in a teacher
can be influenced by new knowledge, ‘off-line’ pre-loaded representations and situated experiences (Wilson, 2002). This ultimately implies that teacher spatial competency can be enhanced to positively influence student learning outcomes through
intervention strategies.
This conceptualisation is giving representation and form to what has seemed
unrepresentable. It is expressing teacher response to place that is not yet articulated
but has rather been seen as ‘just the way it is’. It is argued that the teacher, the
person who encounters the learning space, experiences a situated environmental
‘imaginative’ response that is manifested in spatial behaviour and competency.
Every encounter is individual but also utilises a collective and social cognition
about space. The observation proposal aims to expose this interaction, articulate
it, advance proposed interventions (such as ‘offline’ spatial planning or pre-loading
representations) and observe its effect on teaching and learning.
Acknowledgements Data utilised in this research was obtained in adherence to the required ethical
protocol of the author’s host institution. All images and diagrams are the property of the author, or
the author has obtained consent to use them from the appropriate copyright owner.
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Vicky Leighton (Australia) is currently the Head of Art at the Innovative Learning Environments & Teacher Change Project partnership school, Anglican Church Grammar School in Brisbane, Australia, and vice-chair for The Churchie National Emerging Art Prize in Australia.
Vicky is undertaking her Ph.D. research as part of the Innovative Learning Environment and
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Teacher Change project at The University of Melbourne. Through the evaluation of teacher spatial
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the copyright holder.
The Spirit of ‘WE’ in the Learning
Environment: ‘WE LEaRN’—A Space
for Students and Teachers to Become
Anat Mor-Avi
Abstract This chapter advances the idea that in order to improve twenty-firstcentury learning environments for students and particularly for teachers, it is necessary to enhance the spirit of collective culture, called ‘WE’, versus the spirit of individualism, called ‘I’, and provides an example of how this is reflected in the design
of learning spaces. Both of these cohorts use learning, working and doing processes,
and face major changes from educational mandates. A ‘WE’ cultural environment
will be discussed in order to support multiple aspects of collaboration and creativity,
where hub-specific solutions empower the two groups as collectives, supporting a
‘WE LEaRN HUB’ setting. Connecting practice to research, a process of change
in school design related to the ‘WE’ culture is presented through an academic park
built in Israel. This academic park uses an introductory design of the hub’s setting
approach, supporting the ‘WE’ of both communities and reflecting new approaches
in learning processes.
Introduction
Formerly, the goals of education and the design of learning places were based on a
homogenised factory-like model (Scott-Webber, 2004). The new model of twentyfirst-century’s educational practices advocates the creation of knowledgeable and
adaptable people who can develop and share new knowledge with others and influence a new economy (Robinson, 2011). Passive learning is gradually being replaced
by active learning to enhance the motivation, curiosity, creativity, and collaboration
skills in learners.
The idea of learning as a dynamic, multi-directional process, which acts as a social
and playful one, creates a challenge to define spaces for learning geared towards
certain activities, while opposing past centuries’ practices. It is suggested here that
we need to explore wider ideas and agendas; as author Boys (2011) introduces in her
book Toward Creative Learning Spaces, learning is not a linear process (see Fig. 1).
A. Mor-Avi (B)
College of Architecture, Illinois Institute of Technology, Chicago, IL, USA
e-mail:
[email protected];
[email protected]
© The Author(s) 2021
W. Imms and T. Kvan (eds.), Teacher Transition into Innovative Learning Environments,
https://doi.org/10.1007/978-981-15-7497-9_22
277
278
A. Mor-Avi
Fig. 1 Learning is a dynamic process (adapted from Boys, 2011)
Today, students as well as teachers are thought to be learners. Education is
evolving, incorporating the knowledge of how we learn and the ways to enhance
students’ and teachers’ collaboration and motivation (Boys, 2011). According to
psychologist Sawyer (2007), creativity is always collaborative. Organizations that
want to change for the better should encourage collaborative group settings, moving
to team organization, enhancing their own reserves of creativity, and distributing
leadership.
In his book Group Genius, Sawyer (2007) refers to many innovations that affect
our lives, which emerge from group genius. The unique power of collaboration
generates unique interacting opportunities resulting in a string of successive ideas—
each spark lighting the next and enhancing creative solutions and innovations. ‘When
we collaborate, creativity unfolds across people; the sparks fly faster, and the whole
is greater than the sum of its parts’, writes Sawyer (2007, p. 7). In an effective creative
community, innovation emerges over time and from the bottom up, enhancing deep
listening that helps build ideas as extensions of the preceding ones, and transforming
ideas into good questions and outcomes (Sawyer, 2007).
Similarly, Clapp writes in the book Participatory Creativity (2017) that creativity,
like learning, is a social process circulated through the class by participation, not a
process that happens in isolation. He also argues that reframing the understanding
of creativity as a socially distributed process is a necessary first step to ensure that a
greater number of learners gain access to creative learning experiences, through
which they will further develop their own creativity. Collaboration is central to
creativity (Clapp, 2017). Adding to this claim, Robinson (2011) too suggests that
‘creativity is about connections and is usually driven more by collaboration than by
solo efforts’ (p. 211).
The notion that learning and the learner are affected both by technology and
by knowledge of the way we learn suggests that social values in schools should
assume greater importance (Scott-Webber, 2014). However, in reality the collaborative culture of teachers and students in learning environments is in constant flux,
complex and includes many old paradigms. The changes towards a more collaborative culture of learning and working affect both the teachers and the students, as
separate groups as well as a united group, and are subsequently summed up.
The Spirit of ‘WE’ in the Learning Environment: ‘WE LEaRN’ …
279
Students: From Being Served to Peer-to-Peer Learning
Students learn best when working together (Beichner et al., 2007). In addition,
better retention and achievement are influenced, by far, from peer involvement
and student–teacher interactions. Therefore, students are encouraged to collaborate and learn to become team members rather than being passive listeners. These
changes, however, are challenging, in view of longstanding assumptions that traditional environments are crucial to serious learning and success—a clear indication of
behavioural conditioning according to Scott-Webber (2004). How may these changes
begin to happen?
Teachers: From Lonely Superheroes to Group Wisdom
A starting point for change is the teacher, and some of the best resources for teacher
success are their colleagues. Hence, the collaborative culture is equally important
for teachers. Grose (2014) suggests that effective shifting of teachers’ practices in
order to address the changes in today’s education is achieved when teachers are
enabled to shape changes both collaboratively and collectively. In addition, after a
history of closed doors and teaching conducted in traditional ways, it is essential that
teachers are equipped with time, space, and incentives to perform as interest-driven
individuals in a collaborative culture, while each individual may enrich the system
by virtue of his or her specialization, strength, and uniqueness. This culture should
be similar to the practices conducted in future-oriented organizations (Hattie, 2009),
whereby the workforce is in the process of shifting from individual-focused work
towards ‘WE’ activities empowered by collaborative spaces (Nonaka & Takeuchi,
1995).
Teachers and Students: Empowering Engagement Skills
The culture of collaboration must also be applied between students and teachers. In a
study by Ray and Kafka (2014), it has been argued that despite the understanding that
student–teacher interactions have a positive influence on students’ skills of engagement, only 14% of surveyed graduates reported actively engaging with teachers. It
would seem that traditional pedagogical approaches, lecture type classes and rowsettings are still considered a more serious and safe learning model by many students
and teachers. In a similar vein, Hattie asserted at a 2017 lecture on the topic of collaboration that although the importance of collaboration is clear, it is difficult to scale
up the sense of collaboration among all users in the learning process as a culture.
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Employing architectural attributes to build a learning culture based on connectedness and collaboration could be a powerful catalyst to sustaining those changes. These
attributes should reflect the meaning of connectedness and the notion of ‘WE’, which
will be explored in the following sections, through the prism of culture, behaviour,
and environment.
Connectedness and Collectiveness
Many current approaches to education are based on collaborative processes. Collaboration is necessary for creativity in its contemporary concept, in order for it to
flourish. Social culture and the act of collectiveness (i.e. the quality or state of being
collective) could support it. Connectedness has been defined by Goodenow (1993)
as ‘the extent to which students feel personally accepted, respected, included, and
supported by others in the school social environment’ (p. 80). Goodenow (1993)
also reports that school connectedness has been found to correlate strongly and positively with students’ academic motivation and with indexes of school performance
and adjustment. In addition, a study by Shochet, Dadds, Ham, and Montague (2006)
noted that school connectedness is an under-emphasized parameter in adolescent
mental health. Therefore, it is crucial to create a holistic culture of connectedness
and collectiveness among students and particularly teachers—the ‘WE’ culture, as it
is called in the present study. To fully identify the aspects of ‘WE’, the current social
and cultural changes need to be considered.
Culture Change
In the digital era we are willingly becoming less private and less individual. New
social, cultural, and economic patterns are shaping a new kind of collectiveness
empowered by individuals acting in collective actions (ex. crowdsourcing, crowdfunding, and crowd wisdom). We are moving from a society of individuals to a
society of collective individuals, a new collective, the new ‘WE’, where the act of
collectiveness is performed and is not related to the ideologies and aims of collectivism of the past. The new ‘WE’ is unique in that it is a dynamic notion, such that
one may be part of many collectives, or multiple ‘WE’s.
The power of the crowd indicates that we are smarter and more creative when
together and supports the argument that we ought to create more collaborative cultures
(Nagar, 2011; Surowiecki, 2004). Trust, Krutka, and Carpenter (2016) support this
notion by stating that isolation is the enemy of improvement. The state of nonisolation derives from the more basic concept noted by Lieberman (2014) that the
most fundamental human need is to connect with others.
Although in flux, the common culture is still ‘I’-oriented, evoking concern as noted
by philosopher Martin (2016). Martin suggests that two major, forgotten concepts be
The Spirit of ‘WE’ in the Learning Environment: ‘WE LEaRN’ …
281
included in the educational agenda: (a) three Cs—Care, Concern, and Connection,
and (b) extensively expanding the ‘WE’ definition—in school, in society and even
when referring to our planet. It seems that those missing Cs are budding in social
platforms where interest-driven individuals join a collective action. Individuals in
such groups are considered to be more creative in comparison to those in other types
of groups (Goncalo & Staw, 2006).
The goal-oriented individuals often collaborate through online platforms which,
according to Trust et al. (2016), are growing and empowering the users. However,
Jenkins, Ito, and Boyd (2016, p. 7) advised that instead of thinking of technologies in
isolation, ‘we would do better to take an ecological approach’ and promote physical
encounters in learning communities. While Seelig (2012) observes that educational
environments and learning culture may repress students’ creativity, it is clear that the
design of learning spaces should holistically embrace the social and cultural patterns
of collaboration, reflecting the social and goal-oriented connections for all users.
Environmental Behaviour
Behaviour that is involved in engagement, motivation, satisfaction, and positive attitude towards peers, teachers, and learning, enhances the level of connectedness in
schools. Evidence shows that synergy between pedagogy and the environment has
a positive influence on the behaviour of students and teachers, as well as on soft
skills necessary for the twenty-first century, such as engagement and collaboration.
In the current social shift, individuals are encouraged to share their skills and knowledge in collective activities, in order to empower the collective (WE) and advance
their personal achievements (I). The current shift should be presented holistically
by new patterns of relations in the educational landscape, where fulfilled students
and teachers act as compassionate collectives. Therefore, empowering each cohort’s
community (i.e. students and teachers), as two groups of individual learners acting
in collective activities, may be the basis for encouraging a ‘WE’ community that
supports new relationships.
A Relation-Shift in Learning-Driven Environments
In view of the ongoing culture flux, it seems that the relationship between the ‘I’, the
‘ME’ and the ‘WE’ are being challenged. The ‘I’ is the inner aspect of the person,
while the ‘ME’ represents one’s social aspect, namely what is learned in interaction
with the surroundings and other people’s thoughts and attitudes. The ‘ME’ includes
knowledge of both the environment and of society, in addition to one’s sense of self
(Meads, 1967). Therefore, being a strong social ‘ME’ empowers the ‘WE’ culture
in learning-driven environments (see Fig. 2).
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Fig. 2 The ME + WE > I concept
These concepts are understood as fluid and often changing between different
cultures, regions, and environments. It has been suggested by the literature that, for
many reasons, we are individuals who should be connected in creating a shift towards
new relationship patterns, described as a ‘Relation-Shift’ (Hertzberger, 2008) where
strong individuals create strong social- and interest-driven collectives. Therefore,
pedagogy, users’ attitude and space should integrate to become the catalyst for a
‘WE’ culture in schools, with the space encouraging connectedness among all users.
The Meaning of ‘WE’ Espouses the Argument
for Collaboration, Creativity, and Leadership from Inside-Out
In view of all of the above, there is a perceived need to empower both teachers and
students by creating a spirit of communal learning culture by encouraging the social
‘ME’ and the ‘WE’ for each group, versus the spirit of individualism, the ‘I’. This
is particularly necessary for teachers, given that teachers’ spaces still illustrate signs
of isolation (Scott-Webber, 2017).
A key message in Hattie’s book Visual Learning (2009) is that what works best for
the students is similar to what works best for teachers. Visual learning is one of the
fundamental pillars of openness and sharing in education that enhance the connection
and the networking between learners of both groups. The ‘WE’ correlates with the
idea calling for education to be treated as a public and communal domain. Therefore,
the ‘WE’ concept has the potential to empower (a) peer gathering, (b) task or interestrelated connections, and (c) collaborating in informal and formal knowledge-sharing
places.
The school is where learning and working converge with two major groups of
users in different doing and learning modes. The qualities of progressive, creative
workplaces and innovation labs should become integrated into twenty-first-century
learning places. Thinking, learning, and doing should be made more visible, and
the notion of the user experience (UX) of formal learning is then supported in an
informal setting. This suggestion is supported by Covey’s principles (as cited in Fonzi
& Ritchie, 2011), which are based on three beliefs calling for leadership by choice
and not by hierarchical model: (1) ‘All individuals, including students, are given
the opportunity to lead (p. 3)’; (2) All people regardless of age, race, class, gender,
or disability should develop skills such as leadership, accountability, adaptability,
and problem solving; (3) ‘Innovation will be diffused through a ripple effect from
The Spirit of ‘WE’ in the Learning Environment: ‘WE LEaRN’ …
283
teachers and staff members to…students and the surrounding community (p. 4)’.
Covey’s idea, which he defines as inside-out leadership, emphasizes the importance
of empowering the collective culture.
Therefore, the spaces enabling a ‘WE’ culture should provide qualities for collaboration and interactions as well as leadership without a hierarchical culture. The
ability of the teachers to collaborate could become a model for the students. Thus, a
hub which includes design attributes such as transparency, mobility, and proximity
between students and teachers’ spaces are to be considered.
Creating Hubs for Students and Teachers: A Potential Model
Environments have very important impact on forming behavioural patterns (ScottWebber, 2004; Senge, 1990). Hence, the nature of the ‘where’ in the learning environment should be empowered. Architectural attributes that empower the ‘WE’ culture
of learning environments should be promoted holistically in school design. The ‘WE’
cultural structure should offer spatial formations optimizing innovative approaches
to learning and working. One idea is to have innovative labs for each group, with a
shared space in-between to support students’ and teachers’ development together as
team players, in order to promote connectedness in learning-driven environments.
This should be done through visual thinking, learning, and working, as conducted in
many other organizations and innovation labs, thereby exploring the design attributes
of mobility, proximity, and transparency. These attributes are introduced in this study,
in a three-area learning hub model, the ‘2 + 1 WEHUB’ (see Fig. 3), supporting:
Fig. 3 The 2 + 1 WEHUB model
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Fig. 4 2 + 1 WEHUB model—through WE, ME and I
1. Students’ hub for learning and doing.
2. Teachers’ hub for academic working and learning.
3. Interconnecting hub designed for both students and teachers to connect and
collaborate.
The ‘2 + 1 WEHUB’ model creates the opportunities for students and teachers
to increase the potential for operating as two groups, independently and jointly.
Accordingly, the spaces reflect each of the collective needs while the third place hosts
both collectives for learning and working together. Simultaneously, the WEHUB
supports the needs of the individual ‘I’, the ‘ME’ (the social I) within the ‘WE’
culture, by creating healthy relationships between private, public, formal, informal,
self-guided, and collaborative spaces (Fig. 4).
The process in school design, which responds to these dynamic needs and changes,
will be discussed in a case study of a three-school Academic Park located in Israel,
representing the evolution of the connectedness culture in schools.
A Glance at an Ongoing Change in Practice—From Small
Gestures to a New Paradigm
In Ganey Tikva, a fast-growing township in the center of Israel, an academic park
(GTAC) is being developed which includes a library-incubator for innovation, an
elementary school, a middle school, and a high school. Despite the need to follow the
The Spirit of ‘WE’ in the Learning Environment: ‘WE LEaRN’ …
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Fig. 5 GTAC: Eliot elementary school 2016
Ministry of Education’s strict and traditional programme, an opportunity to observe
the gradual change in the physical layout is evident. In early 2016, Eliot Elementary School (1st–6th grades) was inaugurated, offering a small common area for
alternative study in-between the traditional classrooms (see Fig. 5).
In September 2016, the adjacent Meitar HS (9th–12th grades) was inaugurated,
offering open classrooms as study halls for students to collaborate, while the teachers’
working areas were kept apart. The school’s pedagogical principles are collaboration,
listening and responsibility, and all communities involved are expected to become
open sources for all. In addition, Meitar HS was chosen as a lab for future pedagogical strategy innovation by the Ministry of Education, thereby promoting a unique
experimental future-oriented curriculum for teachers, students, and the community.
Accordingly, the main architectural attribute offers full transparency qualities for
professional and alternative spaces, and partial transparency qualities for the homerooms. Also, all classrooms were equipped with movable furniture and accessories
inviting the sharing of ideas and collaboration (see Fig. 6).
It is important to note that in Meitar HS, the teachers who are most open to
change and embrace the collaboration culture are second-career teachers who convey
qualities from various disciplines of the high-tech culture. In Meitar HS, 64% of
teachers joined the educational field from other domains. This reflects a phenomenon
in Israel whereby, according to the Central Bureau of Statistics, more than 25% of the
teachers come from the high-tech fields to join the educational system of 1st–12th
grades. Hence, it is necessary to provide them with spaces reflecting the collaboration
qualities to which they are accustomed and to support them in leading the change.
Consequently, the design of the middle school, which is connected academically
to Meitar HS, was influenced accordingly. Further factors impacting on the design
include informal remarks by educators of the Research & Development Department
at the Israel Ministry of Education, which have been gathered to shed light on the
additional desired qualities for the ‘WE’ culture formation:
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Fig. 6 GT academic park: Meitar high school 2016–17
1. Students’ ‘WEHUB’ should have qualities of makers’ workshop with physical
and mental opportunities for connections and collaboration.
2. Teachers’ ‘WEHUB’ should support an informal gathering space as ‘kitchenette
time’ and non-schooling functions, to encourage communicating, working, and
resting in settings which enhance the principle of participatory leadership as
introduced by Moeller, the co-founder of ‘Art of Hosting’ (Moeller, n.d.).
3. The interconnected ‘WEHUB’ should have the qualities of a mentoring hub with
different scales of encounters.
4. Motivating terminology should be used.
Accordingly, the design of the middle school, planned for 7th–9th grades, reflects
the ‘2 + 1 HUB’ model supporting the act of connectedness for all users. This
school, inaugurated in September 2018, adopts meaningful strategies towards the
culture of change in learning. A new layout was introduced, whereby all areas that
are not homerooms will function as hubs for learning and doing—providing informal,
formal, private, and public qualities for each group and in the interconnecting area.
This ‘WEHUB’ will include ‘WE LEaRN’ areas for students and ‘WE WORK’ for
teachers on the same floor, all to support connectedness through mobility, proximities,
and visual relations via transparency (see Figs. 7 and 8).
The three schools represent a process of change in the architecture of schools
towards patterns introduced in collaborative culture organizations, by including
opportunities for all users to collaborate in informal while defined settings. However,
adopting changes is a complex process for all users, and it is therefore necessary to
evaluate the connection between education and design (Imms, Cleveland, & Fisher,
2016). While most of the research on creativity within organizations focuses on
psychological and social aspects of engagement, there is a lack of inclusive research
regarding building environments for creativity, and the complex relationship between
space, creative behaviour, and innovation (Groves & Marlow 2016). Future steps are
needed to connect practice and research through examples such as the ‘WEHUB’
model introduced in this chapter.
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Fig. 7 GT academic park: middle school 3rd floor; WEHUB plan
Fig. 8 GT academic park: middle school 3rd floor; WEHUB bird eye view
Summary
This chapter discusses the theory underlying collaborative learning and the benefits
of enhancing the spirit of ‘WE’ for teachers as well as for students versus the spirit
of ‘I’, in learning environments. Ganey Tikva’s Academic Park was introduced as a
case study in the transformation towards informal learning and working environment
areas for students and teachers. Moreover, this chapter contends that based on the
phenomenon in Israel whereby many teachers join the educational system from a
corporate-collaboration culture, it is vital to address the teachers’ particular need for
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environments that support and empower their abilities to perform as a collective in
collaborative patterns. Accordingly, a ‘WEHUB’-like setting was introduced in the
middle school last designed at the Academic Park, where the art of collaboration
can be performed among students and teachers as separate groups that are occasionally combined. The architecture of the ‘WEHUB’ nurtures connectedness by
enhancing visual relations through transparency, supporting informal opportunities
by proximity, encouraging participation and creativity through mobility—all in order
to hopefully augment the wisdom of the collectives in school.
Acknowledgements Data utilized in this research was obtained in adherence to the required ethical
protocol of the author’s host institution. All images and diagrams are the property of the author, or
the author has obtained consent to use them from the appropriate copyright owner.
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Anat Mor-Avi (USA) is an experienced architect, artist and currently a Ph.D. candidate at the Illinois Institute of Technology, the College of Architecture in Chicago, USA. Over the last 20 years,
she has focused on the designing of learning environment facilities in the USA and Israel, while
empowering the interrelation between the evolving pedagogies and the physical surrounding.
Challenged by building with bricks and mortar for dynamic education, Mor-Avi returned to the
academic world in order to thoroughly investigate the connection between architecture, design,
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Addressing the Socio-Spatial Challenges
of Innovative Learning Environments
for Practicum: Harmonics
for Transitional Times
Emily Nelson and Leigh Johnson
Abstract A shift to Innovative Learning Environments (ILEs) in New Zealand
schools is a current Ministry of Education strategic direction challenging how we as
teacher educators prepare candidate teachers (student teachers or trainee teachers) to
teach in these emerging environments. Candidate teachers in our primary teaching
degree increasingly are placed in ILEs on practicum as these develop in schools in our
geographic area. Our students report anecdotally that teaching in ILEs poses them
steep and novel challenges around how they plan, teach, assess, manage students and
learning, as well as work collaboratively with associate teachers and, increasingly,
other colleagues. With our current programme underpinned by a more conventional
image of teaching and learning, and schools transitioning between conventional and
arguably more innovative, bespoke environments, we wondered how our students
navigated the novel pedagogical and physical configurations they encountered in
ILEs on practicum. We conducted focus group interviews with our candidate teachers
and recent graduates who had completed one or more practicum in an innovative
learning environment (as defined by the practicum school). We explored participants’
perceptions of the particular demands ILEs created for them. Utilising Lefebvre’s
(The production of space. Trans. Blackwell, Cambridge, MA, 1991) socio-spatial
trialectic and Monahan’s (Built pedagogies & technology practices: designing for
participatory learning. Palo Alto, CA, 2000) notion of “built pedagogy” in this chapter
we identify key socio-spatial entanglements, or harmonics, that emerge from our
analysis and explore how these inform how we might better prepare our candidate
teachers in these transitional times.
The Material Disruption of ILEs for the Education Sector
Emerging from the OECD, the concept of innovative learning environments (ILEs)
acts to re-conceptualise education for the supposed needs of contemporary society
(Cleveland & Fisher, 2014). Based on transversal principles of how children learn
E. Nelson (B) · L. Johnson
Eastern Institute of Technology, Taradale, New Zealand
e-mail:
[email protected]
© The Author(s) 2021
W. Imms and T. Kvan (eds.), Teacher Transition into Innovative Learning Environments,
https://doi.org/10.1007/978-981-15-7497-9_23
291
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E. Nelson and L. Johnson
and the conditions that support, learning and teaching in ILEs is underpinned by
commitment to teacher and learner collaboration, student agency, flexible learning
arrangements, ubiquitous technology use and inquiry pedagogies that are enacted in
collective learning hubs. In the New Zealand context, the transition from conventional
cellular configurations of teaching and learning to the collaborative and flexible hubs
of ILEs was prompted by a policy imperative (Ministry of Education, 2011) requiring
that all schools modernise their teaching and learning environments by 2021 (this has
more recently been softened to “encourage” schools to develop ILEs if this is their
preferred direction). However, the “spatial literacy” (Imms, Cleveland, & Fisher,
2016, p. 6) required to enact learning and teaching in ILEs adds a “significant layer
of complexity” (Fletcher, Mackey, & Fickel, 2017, p. 71) for teachers. For instance,
the more collaborative teaching practices these spaces lend themselves to, come with
consequent expectations on teachers—being more adaptive, flexible and relational
(Whyte, 2017). This can represent significant material disruption for many teachers,
students and parents. Thus, it can be argued that implementing ILEs involves more
than a simplistic assumption that changes to buildings will shift and support changes
to pedagogy. As Bradbeer et al. (2017) foreground, the change prompted by ILEs
involves the “embodiment” of “pedagogical beliefs in the day-to-day practices of the
school” (p. 22) and the need to engage with educator, parent and student conceptions
of schooling, learning and teaching (Benade, 2017).
Amongst this dramatic shift in conceptualising learning and teaching in schools,
preservice education practices are challenged to respond to this changing view of how
we should learn and teach. Not only does a shift to ILEs involve significant capability
development for experienced educators and leaders (Whyte, 2017), such a shift poses
significant challenges for candidate teachers, and initial teacher education (ITE)
providers. These challenges are intensified by the reality that at the time of writing,
approximately 75% of teaching and learning in schools continues to be within singlecell learning spaces with teacher-led pedagogies, meaning ILEs and their attendant
practices are still in the minority (Imms, Mahat, Byers, & Murphy, 2017). Preservice
teacher education needs to straddle this diversified reality when preparing beginning
teachers for teaching. During the transitional time we are witnessing, with preservice
programmes predicated largely on conventional visions of learning and teaching,
candidate teachers are challenged to “translate” their campus learning experiences
into appropriate practices for the bespoke ILEs they may inhabit on practicum when
their reference points are more than likely conventional.
The authors practice as teacher educators within a New Zealand regional, practicebased primary teaching degree. The degree was collaboratively conceptualised,
designed and enacted between a group of local Principals, the ITE provider and
a group of learning design specialists from other ITE institutions and professional
development organisations. Candidate teachers engage two days per week in campusbased classes and two days per week engaged in “school-based learning” tasks within
one partnership school. In addition to the weekly school-based learning programme
candidate teachers also participate in block practical placements across the three
years of their degree. In 2015 a minority of our candidate teachers began to experience ILEs on practicum. Additionally, given the close nature of our partnership, the
Addressing the Socio-Spatial Challenges of Innovative Learning …
293
teacher educator team was increasingly challenged to adapt school-based learning
and practicum requirements to respond to the bespoke configurations of the ILEs
emerging in our partnership schools. For us space had become a “prominent consideration” (Bradbeer et al., 2017) as we endeavoured to disrupt our taken for granted
beliefs about learning and teaching and consider how to prepare our candidate
teachers for ILEs. We wondered: With more candidate teachers experiencing ILEs
on practicum, how were they grappling with these new environments and the pedagogical challenges these posed, given that we were simultaneously grappling with
the implications of these emerging socio-spatial arrangements for our programme
curriculum, pedagogy and supervisory practices? This issue framed the research
being presented in this chapter.
Theoretical Framing
ILEs hold the capacity to re-conceptualise both the social relationships and spatial
arrangements of learning and teaching. To understand this potential, the authors
utilise Lefebvre’s (1991) socio-spatial trialectic and Monahan’s (2008) notion of built
pedagogy that “make sense” of these environments, the pedagogies they promote and
what these mean for candidate teachers navigating ILEs on practicum. Rather than
being an inert container to house social activity, Lefebvre views space as socially
produced, alive and layered with the perceptions, experiences, and theorising of
those who inhabit them in particular ways. From a socio-spatial perspective “learning
spaces and the uses made of these are created and sustained together in a mutually
constitutive relationship” (Mulcahy, Cleveland, & Aberton, 2015, p. 6). We agree
that space is always political, imbued with discourses and ideologies, dynamic, and
open to ever-present possibilities of disruption and transformation (Lefebvre, 1991;
Monahan, 2008).
Lefebvre identifies three spaces that taken together form a socio-spatial trialectic.
The first “perceived space” frames the familiar and the expected. In the context
of preservice education this space includes “course content and assessment, field
placements, school and university pedagogies and practices” (Ryan, 2011, p. 887)
and interrelationships between all these practices. The second “conceived space”
comprises the “ideals”—how “society should be” (Ryan, 2011, p. 887). In the
context of initial teacher education conceived space refers to the “professional standards, course accreditation and the structure of university and school procedures
to produce ‘ideal’ future teachers” (p. 887). The third “lived space” represents the
coming together of the perceived and conceived through the in-action decisions of
social actors such as candidate teachers, associate teachers and teacher educators.
The lived space is a space of imaginings and possibilities, “the space where preservice teachers can make choices about which […] practices/ideologies they might
interrupt or resist and how they might do so in their own time and space” (p. 888).
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E. Nelson and L. Johnson
Ryan argues that the perceived, conceived and lived spaces entangle, all three continuously enacted, exerting influence on each other and producing particular harmonics
of embodied practice.
Monahan’s (2000) notions of “built pedagogy” and “embodied material conditions” theoretically locate our work. Monahan contends that “Built environments
enable and constrain certain modes of social action and interaction, educational
structures embody curricula and values by design” (p. 1). The “embodied material
conditions” of a space generate “messy materialities” and investigation is needed
to explore the ways in which the material, “shape[s] lives and establish[es] social
orders” (Monahan, 2008, p. 99).
Instructing candidate teachers to negotiate these intertwined spaces of ILEs on
practicum is under-researched. They are expected to teach in ILEs whilst simultaneously negotiating the high-stakes requirements of the practicum as an assessed
experience. In practicum experiences, “pre-service teachers are expected to make
the connections between often-contradictory spaces with little or no guidance on
how to negotiate such complex relationships” (Ryan, 2011, p. 881). With the advent
of ILEs, we contend the challenge is intensified. ILEs are changing the education
landscape so rapidly that our formal institutional change and review processes are
inadequate to respond in a timely manner in the short-term. Instead we decided to
talk directly with our candidate teachers who had been successful in ILE practicums,
to find out how they navigated learning to teach in these spaces on practicum in the
aim of re-conceptualising our own practice, and programme, informed by them.
Methodology
Our qualitative, small-scale exploratory research explored how our candidate
teachers enacted learning to teach in ILEs on practicum. We were interested in how
they translated their beliefs, and those they encountered on campus and in schools,
into embodied day-to-day practices (Bradbeer et al., 2017). Nine candidate teachers
participated in the study; each of whom had experienced at least one practicum in an
ILE during years two or three of their degree. This small sample size is indicative of
the emergent nature of ILEs in our geographical area at the time of conducting this
research, and the small cohort sizes of our boutique programme.
We utilised focus group interviews (Morgan, 2004) as our data generation strategy.
This approach enabled us to explore the challenge of ILEs for practicum from the
candidate teachers’ perspectives, in a way in which perspectives shared could be
challenged, augmented and contrasted. We anticipated a focus group approach would
also provide the reflective and educative opportunity for participants to reflect and
debrief their learning around teaching in ILEs that Whyte (2017) identifies as key
to making sense of practice as part of learning to teach. The three 45–60 minute
focus group interview transcripts generated were audio-recorded and professionally
transcribed.
Addressing the Socio-Spatial Challenges of Innovative Learning …
295
One main research question framed our research: “How do candidate teachers learn
to teach in Innovative Learning Environments (ILEs) on practicum?”
We developed our focus group interview protocol around areas central to
practicum that we anticipated might be different in an ILE to a conventional singlecell classroom experience. Our protocol invited participants to discuss: characteristics of ILEs experienced, approaches to planning, approaches to pedagogy, support
and guidance needed and received, necessary skills and dispositions for teaching,
technological capability required and practices that supported student ownership of
learning.
We utilised a constant comparative approach (Silverman, 2005) to analyse the
focus group interview transcripts. The constant comparative approach involved us
firstly conducting an emic data analysis to generate an emergent framework of themes
important to participants’ experiences in their ILE practicums. For example we identified “tinkering” as an emic code that described a disposition towards candidate
teachers playing with the affordances of particular technology apps before enacting
these with their students. Three participants discussed tinkering as an approach that
they used to prepare for teaching that became more important in ILEs because of the
need to fit in with other teachers.
We developed this emic coding framework during analysis of the first interview
transcript, then applied it successively to the second and third transcripts, refining the
emergent framework with each iteration and re-applying new codes until we were
satisfied we had accounted for all the data. We conducted the data analysis separately
in the first instance, then met together to debate, define and provide examples for
each code until we reached consensus.
We also conducted an etic analysis of the data by using the broad topics of our
focus group interview questions, Monahan’s (2000) elements of built pedagogy and
Lefebvre’s three spaces as codes. For example Monahan’s notion of “fluidity”, or
“Design of space for flows of individuals, sight, sound and air” (n.p.) enabled us
to engage with participants’ descriptions of the characteristics of ILEs to identify
the flows they expected to find and the “lived” realities of the bespoke practicum
environment. Through this we realised participants theorise ILEs more than we had
expected, given very little consideration of ILEs in our programme curriculum at the
time.
To illuminate the socio-spatial we used axial coding processes to produce
socio-spatial harmonics, the interconnections we identified between the perceived,
conceived and lived spaces that participants discussed. Codes that co-occurred, and
that we deduced were related, were linked together to produce three harmonics that
addressed how candidate teachers learned to teach on an ILE-situated practicum.
The harmonics were:
1. Collegial Collaboration;
2. Responding to the particular rhythmical practices of ILEs and
3. Negotiating messy materialities versus the “ideals” of teaching in ILEs.
We present these harmonics as themes in the sections that follow, after describing
the characteristics of the ILEs our participants inhabited on practicum.
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E. Nelson and L. Johnson
Fig. 1 Typology of spatial design (source Imms, W., Mahat, M., Byers, T, & Murphy, D. (2017).
Reprinted with permission from the ILETC project)
Characteristics of the ILEs
The nine participants drew on their experiences of 11 ILE practicums in the focus
group interviews. The contexts are presented in relation to Dovey and Fisher’s (2014)
spatial typology adapted by Imms, Mahat, et al. (2017) (Fig. 1).1
All the ILE contexts the participants experienced were retrospective adaptations
of existing classrooms and other spaces (school hall, cloak rooms, etc). All ILEs
were in their first 2 to 3 years of operation, with most in their first year. Table 1
arranges the 11 practicums in relation to the spatial typology presented.
Table 1 shows that four of the ILEs encountered were characterised as type A
environments, essentially involving between one and three teachers teaching collaboratively within a traditional classroom space. Participants described experiences
within five type C environments where classrooms had been modified to enable the
use of breakout spaces and flexible pedagogical arrangements. Interestingly, these
1
This has been developed over time through various LEaRN projects, but acknowledgement must
be made to Drs. Kenn Fisher and Kym Dovey for the original conceptualisation; Dovey, & Fisher,
(2014). Also to Dr. Pippa Soccio for the graphic representation.
Addressing the Socio-Spatial Challenges of Innovative Learning …
Table 1 Spatial typology
breakdown
297
Cluster type
Characteristics
Number
A
Traditional classroom
4
B
Traditional classrooms + street space
C
Convertible classrooms
5
D
Convertible street space
1
E
Dedicated commons
Unsure
1
type C environments were identified as the least prevalent type of ILEs in New
Zealand in the initial findings of the ILETC project (Bradbeer et al., 2017), but
characterised five of the 11 spaces encountered by our participants.
Collegial Collaboration
Supporting teachers to collaborate forms an underpinning ubiquitous ideal and
design principle of ILEs (Bradbeer, 2017). However, participants described the
complexity collaboration produced for their supervisory relationships on practicum.
Teaching on practicum in ILEs upscaled practicum supervision relationships from
a predominantly one-to-one mentoring relationship with one associate teacher, to a
one-to-many collegial relationship.
The spatiality of the ILE context required participants to plan collaboratively
with multiple colleagues, taking responsibility for different groups of learners across
curriculum areas and year levels.
The way I planned is that I planned in conjunction with both teachers that were in the
classroom. So it was after school we would talk about which parts I’d be taking and which
parts they’d be taking. So I had responsibility for the year fours for maths, so I’ll plan just
strictly for the year fours and the other teacher would have responsibility for the year threes.
The rhythm of planning and implementation was intensified in terms of it
happening every day with expectations around implementation for the next day. This
is considerably different to the expectation in our preservice curriculum that candidate teachers would plan in advance for stable groupings of learners (e.g. a reading
group, or multiple reading groups) and that over-writing be used on the formal lesson
or unit plans to indicate where adjustments would be made for insights gained from
working with each group. Participants described opportunities for enhanced collaborative responsibility for planning positively, emphasising the support and feelings
of competence they gained.
I felt that my AT [associate teacher] supported me a hundred percent. The other teacher let
me take over her job. It was great, it had its downfalls but, yeah.
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Despite the complexity produced, the increased access to colleagues supported
participants with their confidence around planning and teaching.
If you’ve got an idea and you’re not entirely sure you can clarify it with someone […] in my
case there was a really experienced teacher and then a teacher that had only just come out of
her practice. […] So that helped me develop and also I felt confident approaching a lesson
knowing that I was well prepared.
These feelings of value and competence seemed to be reinforced by the fact that
often the associate teachers themselves were new to teaching in ILEs, creating space
for candidate teachers to contribute to how the material disruptions (Monahan, 2008)
and discourses around teaching in new ways in ILEs were negotiated.
Responding to Rhythmical Practices of ILEs
Within “built pedagogy” “the design of learning spaces must take into account how
the space-time compression engendered by information technology affects learning
rhythms … built pedagogies … emerge relationally through rhythmical practices
that occur within these spaces” (Monahan, 2000, n.p.). With participants placed in
hubs with responsibility for learners from up to three “home classes”, they noted
this arrangement caused them difficulty with getting to know the needs of learners
in short timeframes:
At [School] we had a three week rotation on PE where one teacher took the same thing just
three times in a row and the three home classes rotated round each teacher. So it was, yeah
you just plan for the general feel of the class.
Participants discussed how they planned for the feel of the class in response to
short timeframes and being expected to teach students from within larger groups.
Planning for the “feel” of the class is not a practice promoted in our preservice
curriculum. The compressed time scale of planning in ILEs disrupted expectations
of the perceived space of campus where “knowing your learner” and “diagnosing
learning needs” are important aspects of pedagogy that traditionally take place over
a longer time frame and are informed by data.
The rhythmical practices of ILEs also posed a classroom management challenge
for candidate teachers:
Managing lots of students. I think being able to think on the spot and just, well, reflect on
action isn’t it, yeah how to make those quick changes to make improvements.
ILEs intensify the need for candidate teachers to enter practicum with a sound and
solid understanding of learning progressions to make quick collaborative decisions
about next learning steps as a key part of the collaborative and flexible teaching role.
Addressing the Socio-Spatial Challenges of Innovative Learning …
299
Reconciling the Rhetoric with the Messy Materialities
of Teaching in ILEs
Many participants described struggles with the messy materialities of ILEs which, at
times, differed from the rhetoric of ILEs as innovative and an advance on conventional
classrooms. Participants mediated their in-action decisions through the “shoulds”
they brought to the ILE practicum, gained from the perceived space of campus and
from broader media coverage of ILEs.
The one I was in, it was in a hall, so the hall had been taken out but it was just an open plan
setting. It had a couple of different level tables, bean bags, but nothing really that stood out
to be what an ILE is for me. It was just this bunch of furniture put into a room, basically.
This perspective resonates with the “confusing array of designs” (Bradbeer et al.,
2017, p. 24) that constitute ILEs. Candidate teachers must interpret and respond to
the bespoke nature of the ILE on practicum.
Attending to messy materialities also included negotiating informal furniture
arrangements whilst they taught, for example bean bags.
Can I just interrupt you, the bean bags were an absolute pain in the arse. They were absolutely
horrible, like good for relaxing, but not for when you want to have a learning environment,
because they’re just squeaking and moving around all the time.
Noise and distraction produced by teaching alongside other teachers and groupings of students within the same space challenged the novice teachers also.
Yeah I think the noise level was an issue when I was in there. I was taking one class and
another teacher was taking her class and if they got up to do an activity for whatever reason,
it would distract the class I was teaching and the noise was just too distracting, personally.
Most participants linked issues with acoustics to spatial design.
Well, the one at [School,] that was sound-proofed quite nicely and the L shape that it went
in, you couldn’t really hear the noise from this room when you were in either of these two
home spaces here. The teachers had it set up quite well. Even if the kids were talking it was
a bit of a quiet hum. The one I was in this year was, yeah, just everything seemed quite close
together and if you were sitting here doing some teaching and there’s another teacher there,
it was difficult to block out the noise I guess from the other group of kids.
Integrating digital technologies into their teaching in practice did not always
align with the realities of the ILE. Campus curriculum highlighted the importance
of purposeful integration of technology as an aspect of effective pedagogy:
[Teacher educator] touched on it when we did one of the courses. The technology […] should
enhance or morph the task into something deeper than what could be done without the device.
Participants struggled with technology integration that seemed to promote student
independence at the expense of rich learning. One participant discussed Pic Collage
posters as an example.
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It’s not that there’s not a place for a pic collage like that ‘cos there is a place for that, it might
be on your reading task board you know, but it’s not teaching, that’s not using technology
for learning […] I’ve got so little time in a day, I can’t imagine just getting them to make
a poster unless it had valuable learning within it, it would just, there’s just not enough time
for that sort of stuff.
Dominant discourses of IT also promise “democratic access” and ‘“friction-free”
exchanges of capital’ (Monahan, 2008, p. 89). However, participants encountered
proprietary barriers with some of the digital platforms their schools subscribed to
limit their ability to enact teaching fully in the virtual spaces of their ILE hubs. As
one participant described:
I only had access to Teacher Dashboard through my teacher’s laptop so I only used it in the
morning to send my stuff out, ‘cos it was a programme on her laptop. I didn’t actually have
access to it while I was teaching so I couldn’t look at the children’s screens unless you’re
actively there and it’s hard. What do you do when you’re teaching a group to make sure that
you can still monitor those children?
The pedagogical expectation of monitoring student learning was disrupted in
the lived space of the ILE practicum. Even for those participants who described
having limited access to learning management systems, they were often not able
to take full advantage of the affordances of these platforms because they did not
have full teacher access. This messy materiality created a tension with the entangled
expectations from the preservice programme that encourage e-learning as an aspect
of effective pedagogy (Ministry of Education, 2007) and the reality of not being able
to fully embody this aspect of the teaching role.
How Do Candidate Teachers Learn to Teach on Practicum?
Despite some misalignments between the ideal and realities of the lived ILE
practicum, our findings suggest that the material disruption (Monahan, 2008) ILEs
create for experienced teachers opened up new opportunities for candidate teachers
to inhabit the teaching role on practicum as respected colleagues. In all cases participants found themselves entering “spaces under construction” where teachers were
trialling new spatial and pedagogical practices and seemed to welcome philosophical and decision-making input from their preservice colleagues. This contributed to
enhanced feelings of self-efficacy for candidate teachers. Upscaled supervisory relationships opened up opportunities for candidate teachers to enact significant collaboration, and share pedagogical responsibility with multiple colleagues. It appeared
that this was welcomed more in the planning than in the teaching process, as
distraction and noise level associated with teaching in concert with other colleagues
were identified as messy materialities of teaching in ILEs that challenged candidate
teachers.
Addressing the Socio-Spatial Challenges of Innovative Learning …
301
The ILE practicum did require significant “translation” by candidate teachers
between the conventional image of teaching and learning promoted during campusbased learning and the bespoke and dynamic arrangements of the ILEs. The challenge to respond to individual learner needs whilst simultaneously responding to the
orchestration challenges of fitting in with two or more collaborating colleagues were
significant. Intensified rhythmical practices of ILEs disrupted the vision of stability
they were prepared (on campus) to expect. Rather, a fast-paced flexible and highly
responsive lived reality of ILEs suggests we need to prioritise practices of collaborating, key learning progressions and management of larger groups in our preservice
curriculum to better prepare candidate teachers as adaptive, flexible and relational
colleagues (Whyte, 2017).
Disparity of access by candidate teachers to the virtual spaces of ILEs, due to
proprietary barriers, constrained them from inhabiting the teaching role fully at a time
where this was most needed. In this way technology acted as a barrier to the candidate
teachers, providing discourses contrary to those propounded. This dissonance put
their success at risk in a number of ways. Candidate teachers must demonstrate their
competence as a developing teacher during practicum; it is an assessment task in
itself. Fully participating through the technological space of the hub, to relate to
learners and to collaborate with colleagues, is vital.
Framing our work with a socio-spatial lens has enabled us to focus on “elements of
inter-connection” (Mulcahy et al., 2015) between campus learning and ILE learning
for candidate teachers and the harmonics produced. These harmonics challenged
our existing thinking. Our participants talked about their campus experiences as
supports for engaging with the challenges of ILEs as social spaces new to them,
whereas we, initially, viewed campus and practicum as separate spaces. We now
think of these spaces as entangled like a mobius strip, with our candidate teachers
translating experiences from campus classes, arranged primarily for conventional
visions of teaching and learning, and enacting these, under torsion, in ways that
address the lived challenges of the ILEs they inhabit on practicum.
Through the process of this analysis the authors found we are thinking about
our practice, in a more entangled way. The uses made of technologies by candidate
teachers on practicum and their views of “purposeful use”, are influencing what,
when, how and why we introduce certain technological platforms in our programme.
Emphasising the skills of working collaboratively has become an essential aspect of
developing pedagogical knowledge in our programme. We need to deepen candidate
teachers’ curriculum knowledge and knowledge of key learning progressions so that
they are better prepared for the intensified pace and collaborative nature of decisionmaking around teaching and learning in an ILE (Alterator & Deed, 2013). More
generally, we need to promote “material disruption” and “messy materialities” as
ubiquitous aspects of ILEs and to promote heuristics such as Imms, Cleveland, et al.
(2016) spatial typology as key reference points for our candidate teachers to identify
the continuities that underpin the bespoke physical and pedagogical design features
of their particular ILE. These innovations are essential as a basis for building our
candidate teachers’ capacities, and our own capacities, to generate adaptive practice
in these bespoke spaces during practicum.
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Acknowledgements Data utilised in this research was obtained adhering to the required ethical
protocol of the authors’ host institution. All images and diagrams are the property of the author, or
the author has obtained consent to use them from the appropriate copyright owner.
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Emily Nelson and Leigh Johnson (NZ) are teacher educators contributing to a practice-based
initial teacher education programme at Eastern Institute of Technology. Their research interests
focus on preparing preservice teachers for practicum in innovative learning environments and the
implications of these environments more generally for initial teacher education. They share interests also in socio-spatial theoretical approaches to learning environments research. Both Leigh and
Emily bring backgrounds as primary teachers and professional learning and development facilitators in the primary education sector to their work. Collectively they get excited about student voice
and agency, literacy, digital technologies and inquiry learning. They currently bring this passion to
their work in teacher education, supporting developing teachers to navigate emergent, innovative
practices and environments during their preservice education journey.
Open Access This chapter is licensed under the terms of the Creative Commons Attribution 4.0
International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing,
adaptation, distribution and reproduction in any medium or format, as long as you give appropriate
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indicate if changes were made.
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Commons license, unless indicated otherwise in a credit line to the material. If material is not
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the copyright holder.
Hack the School: A Creative Toolkit
to Transform School Spaces
Sílvia Sasot and Esther Belvis
Abstract The ‘Hack the School’ project provides school communities a guided
experience to support the transformation of their learning spaces. The aim is to foster
change through a comprehensive and co-creative approach facilitating the transition
from traditional uses of space to innovative ones with the concept of wellbeing
as primary agency. A conceptual framework based on seven principles—welcome,
belonging, communication, cooperation, diversity, movement and transduction—and
an applied creative toolkit equip the process and provide a unique and novel perspective to the topic of innovative learning environments. Thus, the project channels
the emerging needs regarding educational spaces challenging the current regulations
that the public administration applies in Spain and initiates a dialogical collaboration
between the field of education and architecture. The challenge open to all schools and
funded by the Jaume Bofill Foundation received over 170 proposals in the Catalan
context, where 30 schools were selected and are now becoming effective ‘hackers’.
Introduction: Schools, Spaces, Trends and Legislation
in Spain
Innovation trends in education often embrace a ‘frantic change’ approach which is
mainly associated with improved performance and constant adaptability to change.
In this innovation paradigm where production and efficiency support emerging ideas,
education space transformation in Spain has been restricted and mainly associated
with the incorporation of information and communications technology (ICT) (Adell
& Castañeda, 2012). However, although ICT can be conceived as a trigger for many
emerging challenges in education, the truth is that educational improvement involves
S. Sasot (B)
Universitat Ramon Llull, Barcelona, Spain
e-mail:
[email protected]
E. Belvis
Universitat Autònoma de Barcelona, Barcelona, Spain
e-mail:
[email protected]
© The Author(s) 2021
W. Imms and T. Kvan (eds.), Teacher Transition into Innovative Learning Environments,
https://doi.org/10.1007/978-981-15-7497-9_24
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a conglomerate of interrelated aspects well beyond ICT, and all need to be considered
and addressed. Current emerging pedagogies focus on the search for optimal methods
and formulas to respond to the standards proposed by the educational systems and
other international bodies, such as the Organisation for Economic Co-operation and
Development (OECD). The OECD’s seven principles of learning have become a key
driver for the introduction of the concept of innovative learning environments (Hanna
& David, 2013).
Despite the value of those principles and their significance in establishing new
approaches for both practitioners and policy-makers, the fact is that the conceptualization and possibilities for innovative learning environments (ILE) are subjected
to a myriad of contextual needs and regulations. There are deep patterns of thinking
related to traditional educational buildings design: classroom, corridors, table-chair,
teacher desk, teacher room, etc. There is a need to observe and problematize,
both subjectively and objectively, the patterns of thinking that go into designing
school buildings and educational spaces (particularly in Spain where the issues
related to school architecture are often quite conventional). Rather than responding
to diversity, the predominant paradigm of school building design trends towards
homogenization (see catalan regulations for designing Public Schools: http://ens
enyament.gencat.cat/web/.content/home/departament/publicacions/monografies/cri
teris-construccio-edificis-centres-publics/criteris_construccio_edificis_centres_d
ocents_publics.pdf).
A Variety of Needs?
In Spain the government has stipulated institutional categories that must guide the
design of educational sites. This includes regulations on the types and sizes of spaces
that should be included in a building. When the government regulates school architecture to this degree, it is hard to achieve diversity of approaches, as government
requirements become the norm. From an objective perspective, and in order to steer
away from homogenization, it is necessary to explore the key aspects of learning
environments from a wider perspective.
In the current system in Spain a blueprint is provided to the designers which
defines the measurements of classrooms and resembles a factory design (production)
rather than a community design (co-living). Architects receive an official drawing
with rows of chairs looking at the blackboard as a recommendation from the document ‘criteria for the construction of new buildings for public educational centers’.
Only ‘productive’ spaces are considered, i.e. where one teacher leads one group
of students; shared areas and community spaces are not considered. The regulations
have been revised only twice since the Spanish Constitution was signed in December
1978 (March 2010 and June 1991), but these still reflect the political concerns of
the Spanish Transition 1975–78, and Franco’s dictatorship. It is appropriate now
that school design changes from one based on a conceptual framework grounded
in a productive-technical approach to one that considers wellbeing, pedagogy or
Hack the School: A Creative Toolkit to Transform School Spaces
307
community and includes all educational stakeholders. The weight of tradition both
within the architectural profession and in the Spanish government regulation presents
significant challenges for change, but there is growing recognition in Spain of the
importance of meeting the needs of the school communities and including them in
the design process. When the inhabitants of educational facilities are excluded from
the design process, the site only represents the vision of the designers, educational
managers and government.
Local Input
The project Hack the School (see website: http://bit.ly/2h3p2QY) emerged in a
context where out-of-date regulations govern education and where learning communities are striving to take responsibility of their own spaces and to explore and develop
new innovative pedagogies. In this regard, it is important to note that the project stands
for the empowerment of schools by providing not only a set of resources and experiences but also by triggering a network of knowledge exchange among the different
participant centres in Catalonia. This paper presents both the interrelated conceptual
framework and implementation of the project, giving evidence of how learning by
doing is one of the most effective ways to intervene and raise awareness about the
potential of our current learning environments.
Hack the School Open Challenge
The Hack the School project funded and coordinated by the Jaume Bofill (JB) Foundation is set up as an open challenge for the transformation of educational spaces.
All schools and high-schools in Catalonia are invited through a public open call
and communications campaign coordinated by the JF Foundation. The idea is to
“hack” one school space by developing a micro-project using the resources available
for creating a prototype of the possible change. More than 170 schools and highschools responded to the call, and from those, 30 were selected to apply the Creative
Toolkit (see Creative Toolkit: https://www.fbofill.cat/sites/default/files/Guia_hack
theschool_200217.pdf; see website: http://bit.ly/2h3p2QY; see website: http://bit.
ly/2fkQ9Dr) and participate in Hack the School activities organized by a committee
of experts in the field of education and architecture. The JB Foundation also looked
for volunteer architects and designers willing to participate in the call with the support
of FAD (Fostering Arts & Design—Design Hub Barcelona).
The project includes the following actions:
Introductory Workshop: An open free workshop organized to introduce the
Creative Toolkit and the key concepts of the Hack the School framework, taking
place at the Museum of Contemporary Art of Barcelona (MACBA).
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S. Sasot and E. Belvis
Matching Workshop: Selected schools and high-schools participate in a matching
workshop where they meet their volunteer supporting architects and are introduced
to the Hack the School Creative Toolkit and Process.
Hack the School Implementation: For three months each school and high-school
autonomously apply the Creative Toolkit and participate in a range of activities.
These include visits to other schools that had been previously transformed, workshops led by architect professionals and creativity workshops carried out in the
Museum Centre of Arts Santa Mònica.
Social Media: The Creative Toolkit and JB Foundation promote the interaction
among the participants. Moreover the Creative Toolkit aims to share the results
of the key moments of the process.
Results & Prizes: Each of the centres is asked to present a report on the results and
two specific activities from the Toolkit; including the main aspects of the microproject developed and a reflection on the main learnings. The six best projects are
recognized with awards and a final event is organized where all the centres have
the opportunity to share ideas and projects.
Reframing Innovative Learning Environments Through
Wellbeing
Hack the School utilises current regulations and constraints, and explores the possibilities to overcome them through creativity and co-design. The Creative Toolkit is
designed to foster a series of micro-projects in the different school spaces using an
interdisciplinary approach. The toolkit aims to help communities improve learning
conviviality through a process that uses design-thinking techniques. The toolkit has
three parts; a conceptual framework, methodological tips and the creative process
itself based on a series of activities.
The conceptual framework is based on the three core aspects; wellbeing, environments and pedagogies. Often the understanding of innovative learning environments
approaches the intersection of spaces, technologies and methodologies (Fig. 1).
However, as designers of the toolkit, we feel it is important to go one step further
and reconsider this relationship by including a comprehensive conceptual framework that goes beyond the technicalities of each discipline (architecture and education). Using the umbrella of ‘wellbeing’ allows this, and drives reflection and performance towards a more holistic comprehension of the ILE. To support this framework,
seven operational key criteria are included. The seven criteria—welcome, belonging,
communication, cooperation, diversity, movement and transduction—serve to visualize the transformation possibilities of the spaces while enhancing a new culture of
learning and community creation, widely promoting the global development of children and young people and providing a satisfactory and healthy working environment
for the education professionals (Fig. 2).
Hack the School: A Creative Toolkit to Transform School Spaces
309
Fig. 1 Hack the school
conceptual framework
Fig. 2 Hack the school seven operational criteria
This framework serves to sustain the Hack the School process and the design of
the Creative Toolkit and helps to foster changes that empower communities, so they
can lead transformation on their own and attend to their particular needs. As said, the
Creative Toolkit firstly explores the conceptualization and gives methodological tips
to address learning environments transformation. It uses a design-thinking approach;
its foundation is inherently practical. The toolkit does not aim to ‘academically’
educate communities, but rather fosters a learn-by-doing focus. The creative toolkit
then presents a range of activities that are structured in four creative phases: Starting,
Discovery, Co-creation and Assessment.
As Fig. 3 shows, the two first phases, Starting and Discovering, aim to create bonds
and reflection among the members of the educational community, while the second
focuses on the creation of the prototype and the implementation and assessment of
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S. Sasot and E. Belvis
Fig. 3 Creative phases
it. The different activities aim to involve the entire community and widely integrate
their interests and expectations, so the goals and outcomes become imagined, shared
and celebrated by the whole community.
Outcomes and Conclusions
The outcomes of this project can be considered extremely positive. On one hand,
all the centres selected participated actively in the different activities proposed
throughout the process and shared on social media their questions ideas and progress.
The use of the Creative Toolkit was uneven among communities, depending on their
level of autonomy and experience in these kinds of processes. However, most of
them stated that the Creative Toolkit guided the process and triggered inspiration
to create and invent their own participatory activities, ways of working or sharing
ideas. As the Farigola School stress in their final report, the comprehensive nature of
the experience is one of the project’s most valued aspects; including the conceptual
approach, the process of implementation, the active participation of all the school
community and the possibility to open and close a specific cycle of discovery and
change. Hack the School has provided: a toolkit full of resources, tools and ideas,
training, internal and external engagement through dissemination activities and motivation for involvement linked to the prize. Innovation has emerged in different ways
and across groups and community members. In this regard, we can argue that the
process served to overcome resistance to change and empower educational centres.
Hack the School: A Creative Toolkit to Transform School Spaces
311
Moreover, this change of attitude enhanced further changes in each school and highschool despite the limitations of law, and encouraged other centres to use the Creative
Toolkit on their own.
As a school we have always been very concerned about the concept of space and its distribution and aesthetics, as we have hoped for a warm and welcoming school for children and
adults as they spend many hours daily. It is true that we have taken care of this aspect at a
classroom level, looking for a shared approach but under the responsibility of each year tutor.
Common spaces such as corridors, art classrooms, carpentry and dining room are always to
be re-planned due to lack of time and human and economic resources. However, we were
aware that they needed a change. The fact of participating in the Hack the School project
opened a new interesting horizon of time and resources to be able to think how to face this
change (Headmaster, Nou de Quart School).
For many schools, the call served as a motor for change; a way to address pending
changes related to spaces transformation, but also to other aspects such as conviviality
and the school’s educational approach. In this regard, the relationship between the
architects and the educational communities served to open discussion in the public
sphere about established tradition and promoted an in-depth understanding of how
educational methodologies and school spaces are the backbone when it comes to
foster wellbeing. As one of the participant architects points out:
Participating in Hack the School appealed to me from different points of view. It has been
an opportunity to learn and be able to share with others experiences and knowledge in
the fields of education, design and art. Moreover, it is a project where you work with an
intergenerational human team, and with professionals from different fields. The desire for
new challenges and learning has led me to participate and get involved in this experience.
In the specific context of Catalonia, this fact links with the willingness of many
teachers to change methods in order to accommodate diversity and experiment with
innovative ways of learning. Implicitly, changing their spaces became the trigger to
rethink education, including the implementation of new methodologies and the principles attached to those such as collaboration, horizontal learning and inclusiveness,
those clearly related with the OECDs seven principles. It was also interesting how
collateral educational topics emerged, such as gender issues; in some of the schools
that worked on changing the playground, students raised gender issues regarding
territory, privilege and diverse use needs.
At a pedagogical level, I think it is important that we keep on reinforcing the collaborative
group among students, taking into account gender issues too. When working in small mixed
groups, often boys and girls felt frustrated. They stated the present of many stereotypes when
it comes to play, considering sports something for boys and crafts more for girls. I think it
is a good moment to incorporate a co-educational perspective, taking into account that the
school is thinking in changing its methodology (Teacher comment).
The project reinforced communication and engagement at many levels; as some
teachers mentioned, their students gave them ideas of how to become better educators,
or how to provide ideas for experimentation. In this regard, the project helped leave
behind a model based on single classroom education, and fostered a positive attitude
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S. Sasot and E. Belvis
of students towards the school. Some of the comments included: ‘It has been so much
fun’; ‘what has surprised me the most is that we have been able to change the school
and that we are going to be able to work properly in the future’; ‘I have participated
actively in this project because I wanted to help to change and improve our school’.
The project has seen strong commitment by students, indicating participation and
autonomy have an impact on conviviality and the sense of belonging. Thus, the school
was perceived as site full of possibilities and open to all. Now, any space can be used
for educational purposes, in formal and informal ways. It was surprising to see how
in a climate such as ours in Catalonia, schools did not use outdoor spaces which have
been traditionally used only for play-time. This reconceptualization of the space had
an impact on the school organization. In general, changes provided ‘more sense’ to
the way teachers and families want to educate their children. One of the challenges is
‘to unlearn the names for furniture and objects and see them for their characteristics
and potentiality instead of their associated functionality’, says one of the architects.
To conclude, the project can be understood as a facilitator of change, and its
Creative Toolkit the strategic guide to make it effective. Of course, results did not
follow a concrete pattern or standard; but the idea from the very beginning was to
help participating schools and high-schools to find their own identity, using this space
transformation as a trigger. Hack the School involved the creation of a stable space for
reflection, discussion and contribution to the emerging educational issues, taking into
account the equal and horizontal participation of teachers, families and students. In
this regard, many of the participants stressed that besides the improvement of spaces,
the project has had significant impact on communication as the project produced and
reinforced channels of communication (social media, panels, meetings, etc.) among
all the school community. As Canigó school reports the project enhanced ‘the creation
of a network, which has brought us together and has proved that together we can do
more things and in a better way. Now families see that they can propose activities
to the school’. Although the project focuses on the transformation of spaces, the
schools agree on the fact that the process might be applied to other projects and
topics. In general schools and high-schools valued the fact that the project had not
only an impact on the school dynamics and life, but also the development of skills
related to leadership and management among the students and among teachers and
families—a shared empowerment.
One year after the experience, the JB Foundation did a review of the participating
centres. In general, all the schools maintained the changes, totally or partially. On
some occasions, the period of transformation of the spaces was considered a long term
effort, which meant that they now expect to complete the project in three or four years.
Other centres continue to involve families and students in the concretion of proposals,
so changes respond to their needs. In this case the rhythm is slower though more
participative—it reinforces the concept that good change is often a gradual, rather
than immediate, action (Imms, 2018). As for the actors and their involvement, we see
that more than half of the centres confirm that they have consolidated a group to work
on additional tasks and that the call has been key to incorporating other stakeholders
Hack the School: A Creative Toolkit to Transform School Spaces
313
from the educational community that previously did not participate in the pedagogical
debate. Hence, for the participating centres the project constituted the first milestone
in the process of changing the school educational paradigm. This change marked a
starting point in shared responsibility for the centre’s educational performance and
the importance of this among all the stakeholders. As one headmaster stressed, ‘Hack
the School has provided a collaborative working model in which each person brings
the best of himself to achieve shared goals’. Hence, we might say that the ‘Hack
the School’ experience allows us to say that although architectural regulations are
restrictive and outdated in Spain, those 30 communities have been able to overcome
them in only three months.
Acknowledgements Data utilized in this research was obtained in adherence to the required ethical
protocol of the author’s host institution. All images and diagrams are the property of the author, or
the author has obtained consent to use them from the appropriate copyright owner.
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from http://bit.ly/2h3p2QY.
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Imms, W. (2018). Innovative learning spaces: Catalysts/agents for change, or ‘just another fad’?
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Silvia Sasot and Esther Belvis (Spain) are both professionals and university lecturers interested
in the intersection between education, creativity, architecture and the arts. Silvia Sasot is an architect specialized in learning environments who works directly with school communities designing
their spaces linked to their pedagogy. Esther Belvis is an art director and pedagogue who designs
forefront strategies, crafts meaningful experiences, devises resilient content and designs disruptive
action plans to inspire and boost social change.
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Open Access This chapter is licensed under the terms of the Creative Commons Attribution 4.0
International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing,
adaptation, distribution and reproduction in any medium or format, as long as you give appropriate
credit to the original author(s) and the source, provide a link to the Creative Commons license and
indicate if changes were made.
The images or other third party material in this chapter are included in the chapter’s Creative
Commons license, unless indicated otherwise in a credit line to the material. If material is not
included in the chapter’s Creative Commons license and your intended use is not permitted by
statutory regulation or exceeds the permitted use, you will need to obtain permission directly from
the copyright holder.
Conclusion
Where to Now? Fourteen Characteristics
of Teachers’ Transition into Innovative
Learning Environments
Wesley Imms and Marian Mahat
Abstract This chapter places the preceding papers into a wider context. As part of
the Innovative Learning Environment and Teacher Change (ILETC) project, seven
Transitions symposia were held in five cities across Australasia, Europe and North
America during 2017, 2018 and 2019. Each aimed at investigating how teachers adapt
to innovative learning environments. The resulting accumulation of approximately
150 papers by graduate researchers and research groups, of which this book’s chapters
are a sample, constituted a reasonable representation of international thinking on this
topic. When added to three years of ILETC case studies, surveys, systematic literature
reviews and teacher workshops, the project team was able to identify consistent
patterns in teachers’ spatial transition actions. This chapter places the material of
this book within that larger picture, specifically in terms of one project output—the
development of a Spatial Transition Pathway. The Pathway emerged from these data
and can be seen as an output of the material sampled in previous chapters. Certainly,
the considerable work teachers had been doing to re-conceptualise their pedagogies
for new spaces (done both intentionally, and at times, without realising) deserved
to be mapped as a resource for others undertaking this journey. This chapter makes
the case that while each teacher or school’s journey from traditional to ‘innovative’
spaces is unique, there exists some common issues that most seem to face at some
time, in some way. It provides a description of fourteen ‘grand themes’ that appear
commonly through the data and describes how these can be organised in a way
that provides temporal and theme-based strategies and tools, developed by fellow
educators to assist in this transition. This final chapter leads the reader to consider
‘where to now’? It celebrates the fact that teachers have enormous capacity to work
out how to utilise innovative learning environments well and provides a framework
for evidence-based actions into the future.
W. Imms (B) · M. Mahat
The University of Melbourne, Melbourne, Australia
e-mail:
[email protected]
© The Author(s) 2021
W. Imms and T. Kvan (eds.), Teacher Transition into Innovative Learning Environments,
https://doi.org/10.1007/978-981-15-7497-9_25
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W. Imms and M. Mahat
Context
The consistent messages from the preceding chapters are as follows: innovatively
designed spaces, intended to broaden the skills developed by all students, now exist
in reasonable numbers. Like much innovation, they are a creation and development of
an idea—more a work in progress than a proven solution. For ‘success’ they require
consistent, focused, well-supported actions by designers, administrators, teachers,
students and parents over a period of time; the suggestions of success they provide
warrant sustained effort. In short, we are all participating in the practice of iteration—
we are building success from success and learning from what does not work as
well.
Research, the generation of new knowledge, is a critical part of this process.
However, it is also a proven process of development; through applied research, we
plan and implement strategies, we gather robust data on what occurs, we analyse
logically, report findings in a range of ways, then use that to conceptualise the ways
we need to proceed in the future to attain sustainable success. This process means
every now and then we must nail our colours to the mast. We declare ‘this is what
we now know’ and encourage our findings to be used so we can progress to another
layer of analysis and development.
This then is the context for what follows in this final chapter. The increasing body
of research on use of innovative learning environments as sampled in this book’s
chapters has been collated into a framework for actual use. The chapter will briefly
overview the analysis methods that lead to the Pathway design (briefly, because a
comprehensive account is being made available elsewhere). It will focus in more
detail on the actual structure of the Pathway and conclude with an example how it
might be used. This is iterative design; utilisation of the resource is to follow.
Developing the Transition Pathway
As one example of the extent of investment in innovative learning environments,
Australia has seen over $16B invested in school buildings over the past nine years
(Commonwealth of Australia, 2010). It is estimated Australia alone needs to add
about 750 new schools to meet a growing population (Goss, 2016). This need is
creating an infrastructure investment of up to AUD$11B (Holland, 2017), the total
of this investment is considerable for a country of about 25 million people. Much
of this investment is in what are called innovative learning environments, flexible
and purposeful designs driven by a national policy to foster graduates who can excel
at twenty-first-century thinking. How do we move from developing graduates who
can perform routine tasks well, to those who have these skills but can also excel at
interpersonal, non-routine ways of working? Australia, like many countries around
the world, believes the design of schools plays some part in this. But it must be
Where to Now? Fourteen Characteristics of Teachers’ Transition …
319
emphasised—this investment is not about the buildings, it’s about what happens in
those spaces.
Project ILETC’s wish is to better understand how these innovative learning environments improve student learning experiences. In this project, we unapologetically
focus on teachers. We know that good teaching is the single largest influence on
improving student learning (Hattie, 2009, 2012). ILETC wants to help good teachers
teach even better. One way of doing this is by building evidence and resources that
help them realise that learning environments like these can be a vital, key part of
their pedagogical repertoire.
So, by ‘student educational experiences’ we mean improving measurable learning
outcomes, but even more critically we look to the development of those qualities
considered vital when equipping our students to do well in a rapidly changing society:
collaboration and communication skills; creative and critical thinking skills. Our
belief is that these are qualities that are developed effectively within the phenomenon
of student deep learning (Mahat, Bradbeer, Byers, & Imms, 2018).
And by ‘helping teachers teach better’ we look to those mind frames that teachers
utilise when they engage in practices seen to have the greatest effect on quality
learning outcomes for students. There is a difference between an experienced teacher,
who knows what to do, and an expert teacher, who maximises student learning.
Research shows the latter occurs when a set of ways of thinking are employed—the
mind frames (Hattie, 2012; Mahat et al., 2018).
So, we would like you to keep these two concepts at the forefront of your thinking
as you read further, because ILETC is situated at the intersection of student deep
learning, teacher mind frames and the potential of innovative learning environments.
What Did We Do?
We began by gathering baseline data that has been presented within a myriad of
ILETC publications since 2017 and is selectively cited in this chapter and available
online at the project’s website. The baseline data was required for a number of reasons,
but the critical ones were to: firstly gauge the current state of play, and second to test
assumptions we carried to the project. Let us focus on the first of these.
What innovative learning environment infrastructure actually exists in Australia
and New Zealand? No one, including the large education departments partnering us
in this research, could answer that seemingly basic question. Our problem was, how
can we suggest ways to help teachers transit into innovative learning environments
if we don’t know how many exist and in what configurations?
We used The University of Melbourne’s Learning Environment Applied Research
Network (LEaRN) Typology of Spatial Design1 (Fig. 1) to ask this question to over
1 This
has been developed over time through various LEaRN projects, but acknowledgement must
be made to Drs. Kenn Fisher and Kym Dovey for the original conceptualisation; Dovey, K. & Fisher,
K. (2014). Also to Dr. Pippa Soccio for the graphic representation.
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Fig. 1 Typology of spatial design (source Imms, Cleveland & Fisher, 2016. Reprinted with
permission from the ILETC project)
a thousand primary and secondary school principals in Australia and New Zealand,
discussed briefly in Kenn Fisher’s introductory chapter. The left-hand side of the
typology identifies traditional cellular classrooms, what we call Type A. The righthand type identifies open plan classrooms, what we call Type E. Between are a set of
hybrid types between these two apparent extremes. Results from this first large ILETC
survey showed that approximately a quarter of existing teaching spaces in Australia
and New Zealand were Types C, D and E, what we’d consider more innovative spaces.
The rest were traditional classrooms, some with an adjacent common area.
What types of pedagogies are being employed in these spaces? Again, LEaRN
developed a typology showing six types of pedagogy ranging from a traditional
teacher-centred approach with tables arranged in rows facing a front, to a pedagogic
approach that encouraged students working totally independently with little or no
teacher interaction (Fig. 2). What we found was that according to principals, 75% of
teachers in their schools were teaching didactically through teacher-centred instruction (Typology 1 and 2). So, at any given time in Australia and New Zealand, 75% of
students are arranged in traditional settings, facing the front of a room with a teacher
talking to them.
We also asked principals what type of learning was happening, and for this we
used a scale based on Biggs’ surface-to-deep learning characteristics (Biggs, 1987).
Where to Now? Fourteen Characteristics of Teachers’ Transition …
321
Fig. 2 Typology of teaching approaches (source Imms, W., Mahat, M., Byers, T, & Murphy, D.
2017. Reprinted with permission from the ILETC project)
This was extended to principals’ belief about the qualities evident in that
teaching, based on Hattie’s visible learning work that produced eight ‘mind frames’
characteristic of high-impact teaching (Hattie, 2012).
When correlated to the types of spaces in use, we identified a direct and clear
trend (Fig. 3); low-impact teaching strategies and surface learning were consistently
correlated to traditional classroom designs; high-impact teaching and good deep
learning characteristics correlated strongly to Type D and E designs.
This survey is reported in an ILETC Technical Report, available online (Imms,
Mahat, Byers, & Murphy, 2017; Mahat & Imms, 2020). As too are an additional four
‘baseline data’ strategies we utilised in that first phase of the project. Apart from
Principals’ perceptions,
– we asked teachers what they believed about innovative learning environments,
using design thinking strategies to structure regional workshops across Australia
and New Zealand (Mahat, Grocott, & Imms, 2017);
– we conducted three Prisma systematic reviews of literature to find out what range
of research informed our issue (Bradbeer, Mahat, Byers, & Imms, 2019; Byers,
Mahat, Liu, Knock, & Imms, 2018);
– we conducted over 30 case studies in schools by our team of seven Ph.D. students,
to gain a more objective view of what was happening (see for example, French,
Imms, & Mahat, 2019; Young, Cleveland, & Imms, 2019);
– we ran seven research symposia in Australia, New Zealand, North America and
greater Europe to determine what is occurring beyond our shores (Imms & Mahat,
2017, 2018a, 2018b, 2019);
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Fig. 3 Means of teacher mind frames and student deep learning categorised by most prevalent
learning environment type (n = 822) (source Imms, W., Mahat, M., Byers, T, & Murphy, D. 2017.
Reprinted with permission from the ILETC project)
– we conducted industry think tanks in the United States, Australia and England to
get a sense of what associated industries believed was occurring (ILETC, 2018).
The Fourteen Grand Themes
The resulting mass of data collected over a 24-month timespan was analysed for a
number of purposes, but a critical one was what we’d now like to focus on for the
remainder of this chapter.
What characterises good teacher transition into innovative learning environments?
The first finding was the temporal nature of teacher transition to innovative
learning environments (Fig. 4). This was not surprising—solid literature on this topic
has consistently argued that teacher use of innovative learning environments is not
immediate—it takes time for changes to occur (Bruckner, 1997). ILETC’s Spatial
Transition Pathway acknowledges this phenomenon and refines it further (Mahat
et al., 2019);
– Good transition begins with what we call an early stage where teachers develop
knowledge about the upcoming build and conceptualise how they should use it.
– Then comes an occupation stage, that magic period where everything is new, but
also a challenging stage where the reality of these quite different environments is
made stark.
Where to Now? Fourteen Characteristics of Teachers’ Transition …
323
Fig. 4 The transitions pathway, Y axis denoting temporal aspect (Copyright the ILETC project)
– Finally, we have the longer-term inhabitation stage, the many years of use that
prove—through experience—if the spaces are meeting the educational vision that
brought them into being.
Across these stages our Phases One data allowed us to identify fourteen common
characteristics of good transition, what we call out transition grand themes (Fig. 5).
We describe these ‘grand themes’ below although the discussion within is nonexhaustive.
Teachers need TIME to (Mahat et al., 2017)
– Assist in conceptualising new spaces—providing an educational brief that informs
the design brief
– Prototype new spatial arrangements
– Experiment with new pedagogies
– Trial collaborative teaching strategies
– Understand what the plans ‘mean’.
Teachers need support in working out how old and new TECHNOLOGIES can
support their teaching in these spaces (Mahat et al., 2017).
– Help to understand what exists at present—what are the technologies
– Support in auditing what technologies are present in each of their teaching spaces
– Guidance in how these technologies enhance student learning.
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Fig. 5 The transitions pathway, with grand themes added (Copyright the ILETC project)
Teachers need PROFESSIONAL LEARNING (PL) on how to use these spaces
well (Mahat et al., 2017).
– PL that is relevant to their existing knowledge and practices
– PL that address and extend their personal teaching philosophy
– PL that is feasible and useful given their schools’ budgets and their own available
time
– PL that can be put into action immediately
– PL that can be evaluated for impact against teachers’ standards.
Teachers seek to improve their pedagogies in ILEs need the support of the
STRUCTURE AND ORGANISATION of the school (French et al., 2019).
– Fostering a culture of growth, experimentation without judgement
– Allowing appropriate time for PD, that reflects the importance of supporting
change
– Re-interpreting timetables that are adaptable to new ways of teaching
– Challenging subject discipline ‘rules’ to allow cross-disciplinary experimentation.
Where to Now? Fourteen Characteristics of Teachers’ Transition …
325
Teachers need to be active agents in the DESIGN PROCESS.
–
–
–
–
Opportunity to express their vision for learning (the ‘Education Brief’).
Seeing their ideas reflected in the preliminary designs (The Design Brief).
Having the plans explained and discussed in ways they can understand.
Establishing methods for implementation of their teaching into the proposed
designs.
– Establishing ways to evaluate, across time, if the spaces are fulfilling their
expectations for ideal teaching.
– Opportunities for re-design.
Teachers need support in developing visions for, methods of, and opportunities
to refine effective COLLABORATIVE PRACTICES. Working together in spaces
whether physical or virtual, we know that teachers need strategies to (Bradbeer,
2018)
– TEACH TOGETHER
– THINK TOGETHER
– simply BE TOGETHER.
Teachers need to understand the actual—as opposed to anticipated—STUDENT
EXPERIENCE of inhabiting these spaces (Mahat et al., 2017).
– How do these spaces impact student well-being, relationships, feelings of worth?
– How do they foster inclusivity, including opportunities for participation for
students with disabilities?
– How do these spaces assist improved student learning outcomes?
Teachers need help in seeing, then using, the anticipated and unanticipated
AFFORDANCES of these spaces (Young et al., 2019).
– What did the designers ‘build in’ that will help quality teaching?
– How can teachers use these to their maximum?
– What of the accidental affordances, those elements that assist better teaching yet
often remain unrecognised?
Teachers need support in the ‘grammar’ of spaces, how they work, and how they
can work in these spaces. SPATIAL COMPETENCIES constitute to some degree a
form of literacy and require nurturing (Leighton, 2017).
– Do I utilise all the spaces in my environment to their potential?
– Do I develop lessons that utilise space to enhance students’ learning experiences
and learning outcomes?
Teachers need support in developing PEDAGOGIES that reflect, utilise and
leverage off the unique features of their learning space.
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– What is the myriad of approaches available to teachers regarding collaborative
practices?
– How can teachers continually evolve, refine, evaluate effective practices in these
more flexible, ephemeral spaces.
Teachers need support to EVALUATE the way their use of space impacts student
learning.
– Are students doing better or worse than the ‘norm’ in this environment?
– How do I understand which component of space is having what effect on student
learning experiences?
– How can I monitor ‘tweaks’ to my approach to teaching, to understand what
should be developed more, what should be modified?
Teachers need to experience good LEADERSHIP; support for the changes
inevitable in good transition to ILEs (Osborne, 2018).
– How can teacher-inclusion be built into the change process?
– How can teachers’ epistemological beliefs be incorporated into a more ‘collaborative’ teacher structure?
– How can teacher voice be represented in the major decisions that are being made?
Teachers need to have their ‘spatial opinions and beliefs’ represented at the
CURRICULAR level.
– If curriculum is the journey, what is the starting point, what is the destination?
How does space impact this?
– How do students ‘occupy’ curriculum in the way they occupy space?
Not a Formula
Analysis of data gathered from international audiences at ILETC symposia allowed
the research team to organise the themes according to when they appeared to most
commonly be of relevance; from ‘early’ in the transition stages (placing those to the
left of the Pathway), during ‘implementation’ of ILEs (situating these to the middle
of the Pathway), and into long term ‘consolidation’ as transition seemingly becomes
established, but needs to be continually interrogated (the right).
We argue this arrangement of common themes temporally organised (Early, Implementation, Consolidation), constitutes a common pathway (represented hypothetically in Fig. 6 by the diagonal dotted line). Most schools, and teachers in schools,
undertake this type of journey across time, and in the process often engage with
issues represented by the themes. We are very keen to point out, however, this does
not suggest the existence of an assured formula for good teacher transition. In fact,
the more eclectic journeys illustrated by the fluid lines in Fig. 7 represents more
accurately the actual experiences of schools and teachers who transit into innovative
Where to Now? Fourteen Characteristics of Teachers’ Transition …
327
Fig. 6 The transitions pathway, with hypothetical common ‘journey’ indicated (Copyright the
ILETC project)
Fig. 7 The Transitions Pathway, with representative individual ‘journeys’ added (Copyright the
ILETC project)
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learning environments. Each starts at a different point and moves in a unique direction. Each has a unique set of needs and purposes. While the journey can be seen to
be reasonably common, each school addresses unique spatial needs and each teacher
implements often unique pedagogies to meet those needs. This is the reality of the
ephemeral nature of modern schooling.
Populating the Pathway
We began this chapter asking how the papers in this publication give us direction for
the ‘where to now’ question. These and other data sources gathered within ILETC
have provided us with a framework for the way teachers are effectively moving into
innovative learning environments. Our task now is populating this pathway with
actual examples of good practices. Following the Transitions Symposia that was
the source of this book, the ILETC team embarked on a complex data collection
phase to find and document strategies schools and teachers had conceptualised to
use innovative learning environments well, and the tools they built to implement
those strategies. To illustrate, Figs. 8 and 9 provide a sample of this.
In this example, that of space and collaboration, schools identified three
components—teacher/teacher collaboration, teacher/student collaboration and
student/student collaboration (Fig. 8). To focus on the third, a common spatial
Fig. 8 The Transitions Pathway, with a sample ‘strategy’ indicated (Copyright the ILETC project)
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Fig. 9 The Transitions Pathway, with a sample ‘tools’ added (Copyright the ILETC project)
‘problem’ was that traditional furniture arrangements restricted this from happening.
The reality was that time and effort required to rearrange tables and chairs to facilitate student/student collaboration meant teachers often avoided utilising this valuable
affordance.
One ‘solution’ or a tool developed by some schools saw a simple diagram being
placed beside the entry to the space with a number of arrangements graphically
illustrated and given labels (Fig. 9). Teachers found that with a simple instruction
(“Let’s have type G”) saw students quickly rearrange furniture in that configuration,
and that was as easily reversed at the end of the lesson. The ILETC research team used
data from the symposia to decide this spatial teaching strategy and tool was relevant
during the implementation and consolidation stages of transition (the Y, or temporal
axis), and best fitted to the Collaboration and Teamwork, Spatial Competencies and
Student Experiences grand themes (across the X axis). It was, therefore, placed in
that position in the overall Pathway—one of the myriad ‘dots’ shown in Fig. 7.
In this way, ILETC has been building the Pathway to organise many strategies
and tools developed by teachers as they came to grips with the reality of transitioning
into more innovative spaces. At the time of writing this book, the ‘population’ of the
Pathway by documenting teacher practices is well advanced—a tangible, productive output from the theorisation, and applied thinking of the many researchers and
teachers who contributed to ILETC.
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Where to Now?
Assisting teachers to navigate the Pathway is the next challenge. As mentioned earlier,
we know (1) that no school or teacher transitions from traditional to innovative spaces
in the same way; and (2) often, teachers and schools are not always aware of the spatial
components of their actions when seeking best practice; in short, few common spatial
concepts are known, terminologies differ, and educators remain unaware of their
own ‘spatial competencies’. ILETC is now developing two methods of overcoming
this problem; (1) a suite of activities or ‘wayfinding exercises’ that will help teachers
understand what they do and don’t know in terms of spatial knowledge and practices,
and (2) a set of ‘spatial typologies’ (Fig. 10) that simplify difficult concepts such as
types of furniture, acoustics and use of digital technologies in innovative learning
environments, in a manner similar to the ‘spatial design’ and ‘spatial pedagogies’
illustrated in Figs. 1 and 2. These serve the function of assisting teachers to know
what strategies and tools may meet their individual needs.
We would like to finish with a very positive spin from our research. We mentioned
at the start of this chapter that the early stages of ILETC sought to understand what
actually existed in terms of infrastructure and practices in those spaces. We feel we
have a good grasp of that now.
The second objective was to test assumptions we brought to the project. For
example, we believed we would need to design strategies and tools to help teachers
transit into ILEs. That has been dispelled—our research is identifying a myriad of
strategies and tools teachers have developed, either knowingly or unconsciously, as
they make the most of their new spaces. These are now being documented and inserted
into our Transitions Pathway. There may be gaps, and this forms an opportunity for
future inquiry.
Another assumption was the assertion, commonly heard, that teachers were not
using these spaces well. They were simply repeating old habits in new environments.
The first survey challenged this assumption—the strong correlation between ILEs
and high-quality teaching and good student learning demonstrated that good things
were happening in these spaces. A second survey, due for publication in the near
future, has provided evidence of what teachers were actually doing, their confidence
in their skills to adapt to the new spaces, and their desire for particular support to
assist this transition. The latter also validated the grand themes in the Transitions
Pathway.
A Final Note
The realisation is that we must trust the competence of our teachers and provide
them with the support they require to transit into these spaces. The Spatial Transitions Pathway is one way of doing this at the micro level, the actual practice of
Where to Now? Fourteen Characteristics of Teachers’ Transition …
Fig. 10 The five spatial typologies (Copyright the ILETC project)
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teaching in these spaces. However, in terms of the broader picture, we are challenged with a huge task in matching our dollar investment with teacher support.
The latter is less visible, there are no shiny surfaces and beautiful vistas to show for
that investment, but how teachers actually use these spaces will ultimately justify
(or condemn) every penny spent. More research, such as shown in these pages by
graduate researchers and talented early career researchers, is required. These buildings are, after all, predominately about the practices that occur within, and it is that
knowledge that we must access.
Acknowledgements Material presented in this chapter is the product of work done by the whole
ILETC team including its researchers, its seven Ph.D. students, and its two Research Fellows.
Special thanks are offered to Steelcase Furniture, Ecophon (Sweden), and Microsoft Education.
The authors are indebted to ILETCs Project Manager Joann Cattlin for her support during this
research.
Further Reading
ILETC research outputs mentioned in this chapter (and upcoming outputs) are and will be available
online. Requests for access are encouraged via this chapter’s authors.
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Wesley Imms (Australia) comes to learning environments research from a long period as a
teacher, then through a Ph.D. in Curriculum Studies from the University of British Columbia in
Canada. His teaching spanned art and design education, his practice for decades has included
designing and building ‘crafted’ homes, and his art works have focused on bespoke purposeful
furniture construction, which he exhibits annually. For the last decade these interests have
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conflated into applied research programmes, where he specialises in assisting schools to conceptualise, inhabit, refine and evaluate learning environments. This work has focused extensively
on large-scale collaborative projects that draw heavily on international industry participation,
and with an emphasis on Ph.D. and Masters level input to this knowledge generation. He is
a co-Director of the LEaRN group, manages LEaRN@MGSE, and through selected consultancies he works closely with schools in the Asia-Pacific region on improving the use of innovative learning environments. Wesley is currently an Associate Professor at The University of
Melbourne, Australia.
Marian Mahat (Australia) is a Senior Research Fellow at The University of Melbourne. She
has more than twenty years of professional and academic experience, spanning several universities, the Australian Federal and local governments, as well as the private sector. Drawing on
multiple fields of inquiry, her work focuses on student learning and outcomes in various educational contexts, innovative quantitative and qualitative methodologies and interdisciplinary collaboration. She is the lead Research Fellow and Research Manager of the Innovative Learning Environments & Teacher Change Project 2016–2020 and works with Australian and New Zealand
schools to implement a ‘capacity building’ programme to support teachers effective use of space
as a pedagogical tool.
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