Isidora Stanković
Isidora Stankovic, PhD, is a post-doctoral manager for the focus area “Cultural Heritage” within UNA Europa European University Alliance, at the Paris 1 Panthéon-Sorbonne University.
After undergraduate studies of Art History (2011) at the University of Belgrade and MA (2012) at the same department (specialization: Museology and Heritology), Isidora obtained her PhD (2019) in the joint supervision between the Paris 1 Panthéon-Sorbonne University and the University of Belgrade (specialization: Heritage and Museum Studies). Her thesis topic was "Heritagization of the Marais Neighbourhood in Paris, 20th-21st Century: Actors, Challenges and Representations", focusing on interplay between public policies, urban changes and civil society initiatives, enabling better understanding of (urban) heritage. During her studies, Isidora received several Serbian scholarships, French government scholarship for the Joint PhD and was awarded the best student of the Art History Department of the Faculty of Philosophy – University of Belgrade (2012).
From 2011 to 2014, she was a teaching associate on the courses "Introduction to Heritage Studies" and "Heritology" at the Faculty of Philosophy – University of Belgrade. During her PhD studies, she worked on two research projects: from 2013 to 2014, as a researcher at the Faculty of Philosophy – University of Belgrade, on "Tradition and transformation: Historical Heritage and National Identity in Serbia in the 20th Century", project of the Serbian Ministry of Education, Science and Technological Development; and from 2016 to 2017, as a research assistant, Consortium member and project manager at the Paris 1 Panthéon-Sorbonne University, on "Cultural Base. Social Platform on Cultural Heritage and European Identities", European Commission Horizon 2020 project.
Supervisors: Professor Dominique Poulot, Paris 1 Panthéon-Sorbonne University, Professor Nenad Makuljevic, University of Belgrade, and Professor Dragan Bulatovic, University of Belgrade
After undergraduate studies of Art History (2011) at the University of Belgrade and MA (2012) at the same department (specialization: Museology and Heritology), Isidora obtained her PhD (2019) in the joint supervision between the Paris 1 Panthéon-Sorbonne University and the University of Belgrade (specialization: Heritage and Museum Studies). Her thesis topic was "Heritagization of the Marais Neighbourhood in Paris, 20th-21st Century: Actors, Challenges and Representations", focusing on interplay between public policies, urban changes and civil society initiatives, enabling better understanding of (urban) heritage. During her studies, Isidora received several Serbian scholarships, French government scholarship for the Joint PhD and was awarded the best student of the Art History Department of the Faculty of Philosophy – University of Belgrade (2012).
From 2011 to 2014, she was a teaching associate on the courses "Introduction to Heritage Studies" and "Heritology" at the Faculty of Philosophy – University of Belgrade. During her PhD studies, she worked on two research projects: from 2013 to 2014, as a researcher at the Faculty of Philosophy – University of Belgrade, on "Tradition and transformation: Historical Heritage and National Identity in Serbia in the 20th Century", project of the Serbian Ministry of Education, Science and Technological Development; and from 2016 to 2017, as a research assistant, Consortium member and project manager at the Paris 1 Panthéon-Sorbonne University, on "Cultural Base. Social Platform on Cultural Heritage and European Identities", European Commission Horizon 2020 project.
Supervisors: Professor Dominique Poulot, Paris 1 Panthéon-Sorbonne University, Professor Nenad Makuljevic, University of Belgrade, and Professor Dragan Bulatovic, University of Belgrade
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Books by Isidora Stanković
p. 9-12: Nikola Krstović and Isidora Stanković – Introduction /
p. 15-39: Dominique Poulot – The French Museology /
p. 40-57: Milan Popadić – From Study Subject to Knowledge: Museology as a Course at the Faculty of Philosophy in Belgrade /
p. 59-70: Stevan Martinović – Museum Fitted by the Measurements of Anti-Christ: End of the Church or its Metamorphosis /
p. 72-93: Bojana Bogdanović – Sirogojno Style Fashion Products in the System of General Museology: Theory and Practice /
p. 95-112: Milena Jokanović – Memory on the Cabinets of Wonders in Modern and Contemporary Art /
p. 114-138: Adriana Popović – An Outlook on Museology through a Practice of Clay Modelling Inherited from a Personal Cross History: Beyond a Micro Resistance to Violation of Imagination /
p. 140-155: Miloš Stanković – Serbian Church Art and Cultural Memory in the 19th Century: Russian Influence /
p. 157-171: Julijana Marković – The Church of the Nativity of Theotokos in Leskovac as the Monument of Local Community /
p. 173-193: Isidora Stanković – Discourses of Cultural Heritage of the Marais District in Paris /
p. 195-207: Tijana Zebić – Forgotten Greek Heritage in the Town of Pirot /
p. 209-223: Ksenia Smolović – French Perception of Serbia at the 1900 World Fair: a Support to the Serbian National Construction /
p. 225-241: Angelina Banković – Cultural Policy and Formation of the Museum Network in Federal People’s Republic of Yugoslavia. Example of Belgrade /
p. 242-260: Ina Belcheva – “Sculptural Graveyards”: Park-Museums of Socialist Monuments as a Search for Consensus /
p. 262-284: Nikola Krstović – Postmodern Choreographing of the past – Open-air museums “Dancing” with Communities /
p. 287-298: Arnaud Bertinet – Museums Facing the Dangers and Catastrophes that Threaten the Preservation of Collections: the Louvre in Toulouse /
p. 301-320: Andrea Delaplace – The Heritage of Immigration: Rethinking the Museum’s Role as a Mediator in Identity Building
Articles in Peer-Reviewed Journals by Isidora Stanković
Titre: Les politiques du Musée d’histoire de la Yougoslavie /
Mots-clés: Musée d’histoire de la Yougoslavie, lieux de mémoire, culture mémorielle, politique /
Tracing the history of the site where the Museum of Yugoslav History in Belgrade is located, but also where different heritage institutions were founded from 1962 onwards, this article examines changes in external politics that had an effect on the internal politics of this museum. Furthermore, this paper analyses the relationship between a place of memory and politics as well as the official culture of remembrance and that of sub-groups. Consequently, the article examines the foundation of the May 25 Museum, the museum that preserves the gifts of Josip Broz Tito, former president of the Socialist Federal Republic of Yugoslavia, the Memorial Center Josip Broz Tito created after his death, and finally, the Museum of Yugoslav History, founded at the same site as the aforementioned institutions and including not only their collections but also collections of other museums in Belgrade. /
Title: Politics of the Museum of Yugoslav History /
Keywords: Museum of Yugoslav History, places of memory, culture of remembrance, politics /
Explorando la historia del lugar donde se encuentra el Museo de Historia de Yugoslavia de Belgrado, y donde también han sido inauguradas diferentes instituciones patrimoniales desde 1962, el presente artículo examina los cambios de política exterior, los cuales a su vez influenciaron la política interna del museo. Asimismo, se estudian las relaciones entre un lugar cargado de memoria, con las políticas y la cultura conmemorativa oficial, o aquella de grupos más pequeños. De esta manera, el artículo investiga la creación del Museo del 25 de Mayo, del museo de los regalos de Josip Broz Tito, ex-presidente de la República Federativa Socialista de Yugoslavia, del Centro Memorial Josip Broz Tito, creado tras su muerte, y, por último, del Museo de Historia de Yugoslavia, fundado en el mismo lugar que las instituciones arriba mencionadas y que incluye sus colecciones, al igual que otras colecciones de museos de Belgrado. /
Titulo: Las políticas del Museo de Historia de Yugoslavia /
Palabras clave: Museo de Historia de Yugoslavia, lugares de la memoria, cultura de la memoria, política
Book Chapters by Isidora Stanković
Ključne reči: Muzej, nova muzeologija, virtuelni muzej, baštinske ustanove, imaginarni muzej, manipulacija slikom
Ključne reči: sećanje, groblja, prostori sećanja, baština, kultura smrti
Conference Proceedings by Isidora Stanković
Abstracts by Isidora Stanković
p. 9-12: Nikola Krstović and Isidora Stanković – Introduction /
p. 15-39: Dominique Poulot – The French Museology /
p. 40-57: Milan Popadić – From Study Subject to Knowledge: Museology as a Course at the Faculty of Philosophy in Belgrade /
p. 59-70: Stevan Martinović – Museum Fitted by the Measurements of Anti-Christ: End of the Church or its Metamorphosis /
p. 72-93: Bojana Bogdanović – Sirogojno Style Fashion Products in the System of General Museology: Theory and Practice /
p. 95-112: Milena Jokanović – Memory on the Cabinets of Wonders in Modern and Contemporary Art /
p. 114-138: Adriana Popović – An Outlook on Museology through a Practice of Clay Modelling Inherited from a Personal Cross History: Beyond a Micro Resistance to Violation of Imagination /
p. 140-155: Miloš Stanković – Serbian Church Art and Cultural Memory in the 19th Century: Russian Influence /
p. 157-171: Julijana Marković – The Church of the Nativity of Theotokos in Leskovac as the Monument of Local Community /
p. 173-193: Isidora Stanković – Discourses of Cultural Heritage of the Marais District in Paris /
p. 195-207: Tijana Zebić – Forgotten Greek Heritage in the Town of Pirot /
p. 209-223: Ksenia Smolović – French Perception of Serbia at the 1900 World Fair: a Support to the Serbian National Construction /
p. 225-241: Angelina Banković – Cultural Policy and Formation of the Museum Network in Federal People’s Republic of Yugoslavia. Example of Belgrade /
p. 242-260: Ina Belcheva – “Sculptural Graveyards”: Park-Museums of Socialist Monuments as a Search for Consensus /
p. 262-284: Nikola Krstović – Postmodern Choreographing of the past – Open-air museums “Dancing” with Communities /
p. 287-298: Arnaud Bertinet – Museums Facing the Dangers and Catastrophes that Threaten the Preservation of Collections: the Louvre in Toulouse /
p. 301-320: Andrea Delaplace – The Heritage of Immigration: Rethinking the Museum’s Role as a Mediator in Identity Building
Titre: Les politiques du Musée d’histoire de la Yougoslavie /
Mots-clés: Musée d’histoire de la Yougoslavie, lieux de mémoire, culture mémorielle, politique /
Tracing the history of the site where the Museum of Yugoslav History in Belgrade is located, but also where different heritage institutions were founded from 1962 onwards, this article examines changes in external politics that had an effect on the internal politics of this museum. Furthermore, this paper analyses the relationship between a place of memory and politics as well as the official culture of remembrance and that of sub-groups. Consequently, the article examines the foundation of the May 25 Museum, the museum that preserves the gifts of Josip Broz Tito, former president of the Socialist Federal Republic of Yugoslavia, the Memorial Center Josip Broz Tito created after his death, and finally, the Museum of Yugoslav History, founded at the same site as the aforementioned institutions and including not only their collections but also collections of other museums in Belgrade. /
Title: Politics of the Museum of Yugoslav History /
Keywords: Museum of Yugoslav History, places of memory, culture of remembrance, politics /
Explorando la historia del lugar donde se encuentra el Museo de Historia de Yugoslavia de Belgrado, y donde también han sido inauguradas diferentes instituciones patrimoniales desde 1962, el presente artículo examina los cambios de política exterior, los cuales a su vez influenciaron la política interna del museo. Asimismo, se estudian las relaciones entre un lugar cargado de memoria, con las políticas y la cultura conmemorativa oficial, o aquella de grupos más pequeños. De esta manera, el artículo investiga la creación del Museo del 25 de Mayo, del museo de los regalos de Josip Broz Tito, ex-presidente de la República Federativa Socialista de Yugoslavia, del Centro Memorial Josip Broz Tito, creado tras su muerte, y, por último, del Museo de Historia de Yugoslavia, fundado en el mismo lugar que las instituciones arriba mencionadas y que incluye sus colecciones, al igual que otras colecciones de museos de Belgrado. /
Titulo: Las políticas del Museo de Historia de Yugoslavia /
Palabras clave: Museo de Historia de Yugoslavia, lugares de la memoria, cultura de la memoria, política
Ključne reči: Muzej, nova muzeologija, virtuelni muzej, baštinske ustanove, imaginarni muzej, manipulacija slikom
Ključne reči: sećanje, groblja, prostori sećanja, baština, kultura smrti