Abstrak Estetika pasti wujud dalam hasil-hasil kesusasteraan kerana sifat sastera itu indah. Apab... more Abstrak Estetika pasti wujud dalam hasil-hasil kesusasteraan kerana sifat sastera itu indah. Apabila membincangkan konsep keindahan dalam sastera ia merangkumi soal pemikiran, bahasa, dan teknik pengungkapan yang digunakan. Walaupun medium penyampaian sastera bersilih ganti, dari tradisi lisan ke tulisan, dan kini melalui kepada medium alternative. Namun aspek estetika perlu diberi keutamaan dalam menghasilkan karya yang bermutu serta menarik. Aspek perkara (matter) merupakan salah satu prinsip dalam model Persepsi Estetika yang boleh dikupas untuk membincangkan soal estetika dalam sastera yang menggunakan medium multimedia bagi mengkaji sejauh mana tanggapan estetika terdapat dalam perisian Cerita Unggasl.
Kertas kerja ini membincangkan tentang tokoh seni dan budaya tradisi Terengganu yang tidak asing ... more Kertas kerja ini membincangkan tentang tokoh seni dan budaya tradisi Terengganu yang tidak asing lagi di Malaysia, iaitu Wan Salmah Wan Sulaiman, anak kelahiran Kampung Tiong, Kuala Terengganu, Terengganu merupakan tokoh budaya yang mempunyai pengalaman yang luas dalam pelbagai bidang seni. Antara bidang seni yang disertainya ialah bidang seni tari khususnya Tarian Gamelan, bidang seni lakon, bidang seni suara dan bacaan syair. Walau bagaimanapun, bidang seni Tarian Gamelan telah melonjakkan nama wanita ini pada suatu ketika dulu berbanding dengan cabang-cabang seni yang lain seperti bidang nyanyian dan lakonan. Sepanjang penglibatannya dalam bidang seni terbabit, beliau pernah menjelajah ke Negara Singapura, Hong Kong dan beberapa buah negara-negara Eropah, iaitu Jerman, Itali, Belanda, Perancis, England dan Switzerland untuk membuat persembahan kebudayaan termasuk Tarian Gamelan. Wanita yang dilahirkan pada tahun 1944 ini sebenarnya memulakan penglibatan dalam dunia seni pada tahun 1950-an lagi. Beliau mula aktif dalam bidang seni dan budaya sejak di bangku sekolah rendah lagi, iaitu Sekolah Kebangsaan Bukit Jambul. Kemudiannya minat beliau disambung semasa di tingatan satu di Sekolah Menengah Sultan Sulaiman, Kuala Terengganu. Penyertaan beliau dalam Persatuan Belia Darul Ehsan merupakan titik tolak bagi beliau untuk memperkembang bakat seninya dalam bidang seni dan budayanya. Tokoh ini sehingga kini masih bergiat aktif dalam bidang kesenian dan kebudayaan di Terengganu khususnya, dan di Malaysia amnya.
The adaptation of literary texts into drama, film and animation is increasingly popular in today’... more The adaptation of literary texts into drama, film and animation is increasingly popular in today’s era of advances in science and technology. Bawang Putih Bawang Merah (Garlic and Shallot) is one of the works which has been adapted into the form of film and animation. One of the animations adapted from text to film that received overwhelming response from the audience in 2001 was Putih directed by Rashid Sibir, produced by Fine Animation Sdn. Bhd. In animation, several changes are made, including changes to the title, characters and characters, setting and events to suit the target audience, and the times. In relation to this, the objective of this article is to analyse the adaptation from different Bawang Putih Bawang Merah texts into the animated form to ascertain the modifications made when certain works are converted into animation, and to investigate how far literary values are adapted into multimedia forms. This study will use the work of Rubaidin Siwar published by Dewan Bahasa dan Pustaka (1990) because it is a more complete text as compared to others. In discussing adaptations, Engelstad (2009) explains how there are four stages involved in the process of adaptation, the first being the narrative, the second the transformation of the verbal to visual, with the third stage being “enunciation”, and the fourth being the comprehensive stage. All four stages are applied in the analysis of BPBM in its adaptation from text to animation. The adaptation process involved in converting the BPBM texts into the multimedia form retains the literary elements through the use of various story-telling techniques, to produce a captivating animated film. Although BPBM is a traditional Malay tale, the story is adapted with various interesting elements befitting the needs of today’s generation.
Keywords: animation, Bawang Putih Bawang Merah, adaptation, text, multimedia
Abstrak Estetika pasti wujud dalam hasil-hasil kesusasteraan kerana sifat sastera itu indah. Apab... more Abstrak Estetika pasti wujud dalam hasil-hasil kesusasteraan kerana sifat sastera itu indah. Apabila membincangkan konsep keindahan dalam sastera ia merangkumi soal pemikiran, bahasa, dan teknik pengungkapan yang digunakan. Walaupun medium penyampaian sastera bersilih ganti, dari tradisi lisan ke tulisan, dan kini melalui kepada medium alternative. Namun aspek estetika perlu diberi keutamaan dalam menghasilkan karya yang bermutu serta menarik. Aspek perkara (matter) merupakan salah satu prinsip dalam model Persepsi Estetika yang boleh dikupas untuk membincangkan soal estetika dalam sastera yang menggunakan medium multimedia bagi mengkaji sejauh mana tanggapan estetika terdapat dalam perisian Cerita Unggasl.
Kertas kerja ini membincangkan tentang tokoh seni dan budaya tradisi Terengganu yang tidak asing ... more Kertas kerja ini membincangkan tentang tokoh seni dan budaya tradisi Terengganu yang tidak asing lagi di Malaysia, iaitu Wan Salmah Wan Sulaiman, anak kelahiran Kampung Tiong, Kuala Terengganu, Terengganu merupakan tokoh budaya yang mempunyai pengalaman yang luas dalam pelbagai bidang seni. Antara bidang seni yang disertainya ialah bidang seni tari khususnya Tarian Gamelan, bidang seni lakon, bidang seni suara dan bacaan syair. Walau bagaimanapun, bidang seni Tarian Gamelan telah melonjakkan nama wanita ini pada suatu ketika dulu berbanding dengan cabang-cabang seni yang lain seperti bidang nyanyian dan lakonan. Sepanjang penglibatannya dalam bidang seni terbabit, beliau pernah menjelajah ke Negara Singapura, Hong Kong dan beberapa buah negara-negara Eropah, iaitu Jerman, Itali, Belanda, Perancis, England dan Switzerland untuk membuat persembahan kebudayaan termasuk Tarian Gamelan. Wanita yang dilahirkan pada tahun 1944 ini sebenarnya memulakan penglibatan dalam dunia seni pada tahun 1950-an lagi. Beliau mula aktif dalam bidang seni dan budaya sejak di bangku sekolah rendah lagi, iaitu Sekolah Kebangsaan Bukit Jambul. Kemudiannya minat beliau disambung semasa di tingatan satu di Sekolah Menengah Sultan Sulaiman, Kuala Terengganu. Penyertaan beliau dalam Persatuan Belia Darul Ehsan merupakan titik tolak bagi beliau untuk memperkembang bakat seninya dalam bidang seni dan budayanya. Tokoh ini sehingga kini masih bergiat aktif dalam bidang kesenian dan kebudayaan di Terengganu khususnya, dan di Malaysia amnya.
The adaptation of literary texts into drama, film and animation is increasingly popular in today’... more The adaptation of literary texts into drama, film and animation is increasingly popular in today’s era of advances in science and technology. Bawang Putih Bawang Merah (Garlic and Shallot) is one of the works which has been adapted into the form of film and animation. One of the animations adapted from text to film that received overwhelming response from the audience in 2001 was Putih directed by Rashid Sibir, produced by Fine Animation Sdn. Bhd. In animation, several changes are made, including changes to the title, characters and characters, setting and events to suit the target audience, and the times. In relation to this, the objective of this article is to analyse the adaptation from different Bawang Putih Bawang Merah texts into the animated form to ascertain the modifications made when certain works are converted into animation, and to investigate how far literary values are adapted into multimedia forms. This study will use the work of Rubaidin Siwar published by Dewan Bahasa dan Pustaka (1990) because it is a more complete text as compared to others. In discussing adaptations, Engelstad (2009) explains how there are four stages involved in the process of adaptation, the first being the narrative, the second the transformation of the verbal to visual, with the third stage being “enunciation”, and the fourth being the comprehensive stage. All four stages are applied in the analysis of BPBM in its adaptation from text to animation. The adaptation process involved in converting the BPBM texts into the multimedia form retains the literary elements through the use of various story-telling techniques, to produce a captivating animated film. Although BPBM is a traditional Malay tale, the story is adapted with various interesting elements befitting the needs of today’s generation.
Keywords: animation, Bawang Putih Bawang Merah, adaptation, text, multimedia
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adapted into the form of film and animation. One of the animations adapted from text to film that received overwhelming response from the audience in 2001 was Putih directed by Rashid Sibir, produced by Fine Animation Sdn.
Bhd. In animation, several changes are made, including changes to the title, characters and characters, setting and events to suit the target audience, and the times. In relation to this, the objective of this article is to analyse the adaptation from different Bawang Putih Bawang Merah texts into the animated
form to ascertain the modifications made when certain works are converted into animation, and to investigate how far literary values are adapted into multimedia forms. This study will use the work of Rubaidin Siwar published by Dewan Bahasa dan Pustaka (1990) because it is a more complete text as
compared to others. In discussing adaptations, Engelstad (2009) explains how there are four stages involved in the process of adaptation, the first being the narrative, the second the transformation of the verbal to visual, with the third
stage being “enunciation”, and the fourth being the comprehensive stage. All four stages are applied in the analysis of BPBM in its adaptation from text to animation. The adaptation process involved in converting the BPBM
texts into the multimedia form retains the literary elements through the use of various story-telling techniques, to produce a captivating animated film. Although BPBM is a traditional Malay tale, the story is adapted with various interesting elements befitting the needs of today’s generation.
Keywords: animation, Bawang Putih Bawang Merah, adaptation, text, multimedia
adapted into the form of film and animation. One of the animations adapted from text to film that received overwhelming response from the audience in 2001 was Putih directed by Rashid Sibir, produced by Fine Animation Sdn.
Bhd. In animation, several changes are made, including changes to the title, characters and characters, setting and events to suit the target audience, and the times. In relation to this, the objective of this article is to analyse the adaptation from different Bawang Putih Bawang Merah texts into the animated
form to ascertain the modifications made when certain works are converted into animation, and to investigate how far literary values are adapted into multimedia forms. This study will use the work of Rubaidin Siwar published by Dewan Bahasa dan Pustaka (1990) because it is a more complete text as
compared to others. In discussing adaptations, Engelstad (2009) explains how there are four stages involved in the process of adaptation, the first being the narrative, the second the transformation of the verbal to visual, with the third
stage being “enunciation”, and the fourth being the comprehensive stage. All four stages are applied in the analysis of BPBM in its adaptation from text to animation. The adaptation process involved in converting the BPBM
texts into the multimedia form retains the literary elements through the use of various story-telling techniques, to produce a captivating animated film. Although BPBM is a traditional Malay tale, the story is adapted with various interesting elements befitting the needs of today’s generation.
Keywords: animation, Bawang Putih Bawang Merah, adaptation, text, multimedia