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Luisa Arruda

Universidade de Lisboa, Faculdade de Belas Artes, Faculty Member

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Luísa Capucho Arruda
Born in Lisbon Lives at Estoril
Teaches Drawing , practice, history and theory at Fine Arts Faculty Lisbon University
Member CIEBA (Fine Arts Research Center)
Member Academia Nacional de Belas Artes de Lisboa
The main area of scientific activity is drawing within its various specifics.
The principal area is drawing as a personal artistic form of expression, by making works of art participating in personal and collective exhibitions.
Research Drawing as an artistic discipline involved in the global formation of learning, teaching drawing at Fine Arts Faculty and other institutions, elaborating drawing programs and drawing strategies for learning drawing at an superior academic level.
Research in the field of the Theory and History of Drawing. Another related scientific field of drawing is the conservation and museum practice of this particular discipline.
Research in Gender Art Studies, namely XVII and XVIII centuries Portuguese female artists and in the XX century the special case of Paula Rego.
Interested also in History of portuguese arts, namely decorative arts: azulejo, ceramics and textile

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Papers by Luisa Arruda

The Convent of Saint Paul at Serra de Ossa (Ossa Mountains). Baroque Gardens

Near the city of Estremoz the The Convent of St. Paul&#39;s was erected on the Serra de Ossa ... more Near the city of Estremoz the The Convent of St. Paul&#39;s was erected on the Serra de Ossa Mountains, as a space of eremite friars, nevertheless its grandiosity and elegant decoration with azulejos. Here we analyse its Baroque gardens: azulejos, fountains and lanscape as a language of grandeur as well as a mean of concentration on the history of the Church eremite.s

Francisco Vieira Lusitano desenhador e as artes decorativas do tardo barroco

Paula Rego e as realidades imperfeitas

Paper delivered on the CIEBA conference : Arte e Género: mulheres e criação artística, published ... more

The Convent of Saint Paul at Serra de Ossa (Ossa Mountains). Baroque Gardens

Near the city of Estremoz the The Convent of St. Paul&#39;s was erected on the Serra de Ossa ... more Near the city of Estremoz the The Convent of St. Paul&#39;s was erected on the Serra de Ossa Mountains, as a space of eremite friars, nevertheless its grandiosity and elegant decoration with azulejos. Here we analyse its Baroque gardens: azulejos, fountains and lanscape as a language of grandeur as well as a mean of concentration on the history of the Church eremite.s

A representação da figura feminina em Paula Rego

Paper delivered at a CIEBA Conference on Art and Society, published. We aimed to show how Paula R... more

Roma e a Academia de S. Lucas como modelo para os estudos artísticos em Portugal : o desenho e a literatura artística de Francisco de Holanda a Domingos António Sequeira

In this paper with discuss portuguese artists journeys to Rome from VXI to XIX Century , their ac... more

Museu Virtual da FBAUL

Cirillo Wolkmar Machado. Cultura artística. A Academia. A obra gráfica : projecto de investigação

Francisco Vieira Lusitano (1699-1783) : uma época de desenho

A tese possui dois volumes mas o volume dos anexos apenas podera ser consultado na Biblioteca da ... more

O retrato azul e branco de D

Monumentos Revista Semestral De Edificios E Monumentos, 1995

Museu Virtual da FBAUL

by alberto faria and Luisa Arruda

Conferencia apresentada no âmbito do Projecto Conversas a Volta da Mesa, organizado pela Bibliote... more

O Convento de São Francisco da Cidade de Lisboa – Uma casa de coleções - 2018

by Alice Nogueira Alves and Luisa Arruda

Dinâmicas do Património., 2018

Francisco, tem sido palco de muitas transformações nos seus oito séculos de existência. As várias... more Francisco, tem sido palco de muitas transformações nos seus oito séculos de existência. As várias instituições que por ali passaram deram origem a muitas e distintas coleções, algumas das quais se encontram atualmente integradas nos principais museus portugueses. Neste artigo, pretendemos realizar um levantamento da fortuna crítica existente sobre este assunto. RESUMO 2– The building that currently houses the Faculty of Fine Arts of the University of Lisbon, the former Convent of São Francisco, has been the stage of many transformations in its eight centuries of existence. The various institutions that were housed there have given birth to several and different collections, some of which are currently integrated in the main Portuguese museums. In this article, we intend to carry out a survey of the existing critical resources on this subject. O antigo convento de São Francisco de Lisboa ainda é um marco de grande importância na dinâmica cultural desta cidade. Ao longo dos seus oitocentos anos de existência, este edifício foi albergando várias instituições, entre as quais a atual Faculdade de Belas-Artes da Universidade de Lisboa, que ocupa a sua maior área, em paralelo com outras instituições. Devido à sua imensa carga histórica, como palco de múltiplas destruições e reconstruções, o antigo convento pode ser considerado como um espaço de confluências e dispersões, no qual os objetos de muitos tipos e origens passaram ao longo dos séculos. Atualmente, a maioria das coleções da Faculdade de Belas-Artes está ligada ao contexto académico desta instituição, mas existem outras que nos remetem a um passado distinto, relacionado com outras vivências.

Colóquio Expressão Múltipla e Exposição EmLinha.pdf

by Luisa Arruda, Aline Basso, Vinicius Q Gomes, josé artur Vitória de Sousa ramos Ramos, and Inês Garcia

Conference papers of the Multiple Expression Congres : sharing research and ideas on drawing by ... more

Uma perspectiva do desenho de António Duarte

Roupa de artista cartaz.pdf

The Blue portrait of Portugal King John V

On Lisbon St. Vincent Church and Monastery iconography program painted on blue and white tiles at... more On Lisbon St. Vincent Church and Monastery iconography program painted on blue and white tiles at the PORTARIA - public room in the monastery were people enter and are received by the door man. St Vincent being the Lisbon Saint Patron, this monastery dedicated to him, was favored by kings since Afonso Henriques, the first king of Portugal. Great works were accomplished by the tree Portuguese/Spanish Kings - The Philips how Portuguese commonly call them. The grandiose facade was designed under their patronage. But in the iconography program painted on blue and white tiles, they are absent from the series of Portuguese kings, King John V being the last king and the patron of the painted tiles. This patronage affirms the independence of Portugal, the the taste for painted tiles as a support for portraits and historic painting, a distinctive form of showing the difference and a certain taste for exoticism of Portuguese art.

Tipologias do Desenho (texto completo)/Drawing typologies (full text)

Looking deeper on drawings regardless of their epoch or style, one can determinate specific funct... more Looking deeper on drawings regardless of their epoch or style, one can determinate specific functions within the work, the final work, of an artist. Much contemporary drawings are independent, there's no relation with final works, they are an end on themselves. Studding Michelangelo drawings, Michael Hirst find a kind of independent drawings, designed for offering to patrons, highly finished witch he called Presentation Drawings. At the classical age, the methodology of work within the artists studio, we find other drawings that represents a sequence of steps towards the final work of art, defined by Vasari: Shizzi, disegni and cartonni. Some contemporary artists continue to use this method of working, as Paula Rego.

A Representação da Figura Feminina em Paula Rego in 2011, Arte e Arte e Sociedade, CIEBA, FBAUL

How and with what purposes Paula Rego represents women? Her perspective is absolutely feminine, a... more

Francisco Vieira Lusitano autobiografy

Francisco Vieira Lusitano (Lisbon, 1699-1783) was al King John V of Portugal Court Painter. At th... more Francisco Vieira Lusitano (Lisbon, 1699-1783) was al King John V of Portugal Court Painter. At the end of his life he published his autobiography, an important document on his life and work, baroque Portuguese mentalities, the Lisbon 1755 earthquake, etc. He learned art at Rome in Carlo Maratti circles, and lived there till 1728, when he was elected Saint Luc's Academician, as he recalls. In his body of works, drawings are absolutely central, and commented in his autobiography.

The Convent of Saint Paul at Serra de Ossa (Ossa Mountains). Baroque Gardens

Near the city of Estremoz the The Convent of St. Paul&#39;s was erected on the Serra de Ossa ... more Near the city of Estremoz the The Convent of St. Paul&#39;s was erected on the Serra de Ossa Mountains, as a space of eremite friars, nevertheless its grandiosity and elegant decoration with azulejos. Here we analyse its Baroque gardens: azulejos, fountains and lanscape as a language of grandeur as well as a mean of concentration on the history of the Church eremite.s

Francisco Vieira Lusitano desenhador e as artes decorativas do tardo barroco

Paula Rego e as realidades imperfeitas

Paper delivered on the CIEBA conference : Arte e Género: mulheres e criação artística, published ... more

The Convent of Saint Paul at Serra de Ossa (Ossa Mountains). Baroque Gardens

Near the city of Estremoz the The Convent of St. Paul&#39;s was erected on the Serra de Ossa ... more Near the city of Estremoz the The Convent of St. Paul&#39;s was erected on the Serra de Ossa Mountains, as a space of eremite friars, nevertheless its grandiosity and elegant decoration with azulejos. Here we analyse its Baroque gardens: azulejos, fountains and lanscape as a language of grandeur as well as a mean of concentration on the history of the Church eremite.s

A representação da figura feminina em Paula Rego

Paper delivered at a CIEBA Conference on Art and Society, published. We aimed to show how Paula R... more

Roma e a Academia de S. Lucas como modelo para os estudos artísticos em Portugal : o desenho e a literatura artística de Francisco de Holanda a Domingos António Sequeira

In this paper with discuss portuguese artists journeys to Rome from VXI to XIX Century , their ac... more

Museu Virtual da FBAUL

Cirillo Wolkmar Machado. Cultura artística. A Academia. A obra gráfica : projecto de investigação

Francisco Vieira Lusitano (1699-1783) : uma época de desenho

A tese possui dois volumes mas o volume dos anexos apenas podera ser consultado na Biblioteca da ... more

O retrato azul e branco de D

Monumentos Revista Semestral De Edificios E Monumentos, 1995

Museu Virtual da FBAUL

by alberto faria and Luisa Arruda

Conferencia apresentada no âmbito do Projecto Conversas a Volta da Mesa, organizado pela Bibliote... more

O Convento de São Francisco da Cidade de Lisboa – Uma casa de coleções - 2018

by Alice Nogueira Alves and Luisa Arruda

Dinâmicas do Património., 2018

Francisco, tem sido palco de muitas transformações nos seus oito séculos de existência. As várias... more Francisco, tem sido palco de muitas transformações nos seus oito séculos de existência. As várias instituições que por ali passaram deram origem a muitas e distintas coleções, algumas das quais se encontram atualmente integradas nos principais museus portugueses. Neste artigo, pretendemos realizar um levantamento da fortuna crítica existente sobre este assunto. RESUMO 2– The building that currently houses the Faculty of Fine Arts of the University of Lisbon, the former Convent of São Francisco, has been the stage of many transformations in its eight centuries of existence. The various institutions that were housed there have given birth to several and different collections, some of which are currently integrated in the main Portuguese museums. In this article, we intend to carry out a survey of the existing critical resources on this subject. O antigo convento de São Francisco de Lisboa ainda é um marco de grande importância na dinâmica cultural desta cidade. Ao longo dos seus oitocentos anos de existência, este edifício foi albergando várias instituições, entre as quais a atual Faculdade de Belas-Artes da Universidade de Lisboa, que ocupa a sua maior área, em paralelo com outras instituições. Devido à sua imensa carga histórica, como palco de múltiplas destruições e reconstruções, o antigo convento pode ser considerado como um espaço de confluências e dispersões, no qual os objetos de muitos tipos e origens passaram ao longo dos séculos. Atualmente, a maioria das coleções da Faculdade de Belas-Artes está ligada ao contexto académico desta instituição, mas existem outras que nos remetem a um passado distinto, relacionado com outras vivências.

Colóquio Expressão Múltipla e Exposição EmLinha.pdf

by Luisa Arruda, Aline Basso, Vinicius Q Gomes, josé artur Vitória de Sousa ramos Ramos, and Inês Garcia

Conference papers of the Multiple Expression Congres : sharing research and ideas on drawing by ... more

Uma perspectiva do desenho de António Duarte

Roupa de artista cartaz.pdf

The Blue portrait of Portugal King John V

On Lisbon St. Vincent Church and Monastery iconography program painted on blue and white tiles at... more On Lisbon St. Vincent Church and Monastery iconography program painted on blue and white tiles at the PORTARIA - public room in the monastery were people enter and are received by the door man. St Vincent being the Lisbon Saint Patron, this monastery dedicated to him, was favored by kings since Afonso Henriques, the first king of Portugal. Great works were accomplished by the tree Portuguese/Spanish Kings - The Philips how Portuguese commonly call them. The grandiose facade was designed under their patronage. But in the iconography program painted on blue and white tiles, they are absent from the series of Portuguese kings, King John V being the last king and the patron of the painted tiles. This patronage affirms the independence of Portugal, the the taste for painted tiles as a support for portraits and historic painting, a distinctive form of showing the difference and a certain taste for exoticism of Portuguese art.

Tipologias do Desenho (texto completo)/Drawing typologies (full text)

Looking deeper on drawings regardless of their epoch or style, one can determinate specific funct... more Looking deeper on drawings regardless of their epoch or style, one can determinate specific functions within the work, the final work, of an artist. Much contemporary drawings are independent, there's no relation with final works, they are an end on themselves. Studding Michelangelo drawings, Michael Hirst find a kind of independent drawings, designed for offering to patrons, highly finished witch he called Presentation Drawings. At the classical age, the methodology of work within the artists studio, we find other drawings that represents a sequence of steps towards the final work of art, defined by Vasari: Shizzi, disegni and cartonni. Some contemporary artists continue to use this method of working, as Paula Rego.

A Representação da Figura Feminina em Paula Rego in 2011, Arte e Arte e Sociedade, CIEBA, FBAUL

How and with what purposes Paula Rego represents women? Her perspective is absolutely feminine, a... more

Francisco Vieira Lusitano autobiografy

Francisco Vieira Lusitano (Lisbon, 1699-1783) was al King John V of Portugal Court Painter. At th... more Francisco Vieira Lusitano (Lisbon, 1699-1783) was al King John V of Portugal Court Painter. At the end of his life he published his autobiography, an important document on his life and work, baroque Portuguese mentalities, the Lisbon 1755 earthquake, etc. He learned art at Rome in Carlo Maratti circles, and lived there till 1728, when he was elected Saint Luc's Academician, as he recalls. In his body of works, drawings are absolutely central, and commented in his autobiography.

ROMA E A ACADEMIA DE S. LUCAS COMO MODELO PARA OS ESTUDOS ARTÍSTICOS EM PORTUGAL O Desenho e a literatura artística de Francisco de Holanda a Domingos António Sequeira

In this paper with discuss portuguese artists journeys to Rome from VXI to XIX Century , their ac... more

DESENHO Estudo e Ensino

Convento de São Paulo de Serra de Ossa

The Convent of Saint Paul's Eremith at Serra de Ossa , Estremoz Portugal is a magnificent vernacu... more The Convent of Saint Paul's Eremith at Serra de Ossa , Estremoz Portugal is a magnificent vernacular portuguese building on a fantastic mountains lanscape. It was constructer from the XVI century to the erly neinetennth century , and is famous for the baroque white and blue azulejos, gardens, fouteins and terracota sculptures.

Cirilo Wolkmar Machado. Cultura artística, a Academia, a obra gráfica o bra gráfica, 2000

The research project presented to Lisbon University base on the interpretation of papers, drawing... more

Curriculum FCT 2017

This paper is my curriculum formal view (as used by Portuguese Science and Technology Foundation)

Paula Rego, texto lido por ocasião do Doutoramento Honoris Causa

This paper was read in the cerimony of the Paula Rego Honoris Causa by the Lisbon University, Fin... more

Proposta de Concessão do Título de Doutor Honoris Causa

by Luisa Arruda and Isabel Sabino

The Lisbon University, Fine Arts Faculty, Honoris Causa was offered to Paula Rego at 2011. Her... more

Paula Rego Desafio e Bravura

This is an abstract for my conference on the international Conference: Caught in the Act: The (L... more

colóquio expressão múltipla.docx

The Coloque Mulptile expression gather papers and works by PhD students and PhD reserchers from L... more

CONF: Palacios en alquiler patrimonio inmobiliario en la Roma del s.XVIII/Palaces for Rent: Real Estate in Rome in the 18th Century

by Pilar Diez del Corral Corredoira, Mirella Romero Recio, Margarita Martín Velasco, Milton Pacheco, Michela Degortes, giada lepri, Luisa Arruda, Maria Onori, Almudena Negrete Plano, and Álvaro Molina

Madrid, 14-15 Nov. 2019, Art History Department, UNED This conference is developed within the fra... more Madrid, 14-15 Nov. 2019, Art History Department, UNED
This conference is developed within the frame of the research project Ramón y Cajal (2017-22131) devoted to “ Artistic academies, diplomacy and identity in Spain and Portugal in the first half of the 18th Century Rome” by Dr Pilar Diez del Corral. The secondary aspect of the aforementioned project to be addressed is the accommodation problem that the representatives of foreign countries encountered when in Rome. The impact of this issue goes beyond the mere anecdote to affect diplomatic and logistical aspects of their stay in Rome. From an art historical perspective this approach allows for the study of the economic investment made by those people, the composition of their household from the staff to the material display, issues regarding restoration, constructions plans and other works in the palaces, etc.
The main scope of this conference is to bring together scholars specialized in several areas: architecture, social history, decorative arts and so on, to explore the topic of Rome as a city of foreigners, who usually came to the city to get church positions, develop diplomatic missions or commercial ones that forced them to stay for long periods in the city.