Ceramic Bird & Stuff -a still life painting in oil

oil 9x12 inches magnify/purchase info I painted this one in bits and pieces yesterday and today. I was juggling paint with repairmen for the washer, both refrigerators and a blown electrical circuit. At least I got a lot of breaks. That can be a good thing for a painting. Sometimes. Speaking of breaks, I'll have to break from posting for a while. I'm going to the mountains to paint this weekend, then next week a sewing project and a trip to Idaho. We're going to visit this precious little baby, Emmy May Werner, our seventh grandchild. Emmy was born on Monday and this Gramma has some hugs and kisses to give her!

Three Times Three -a still life painting in oil -SOLD

oil 6x6 inches magnify/purchase info Our camping trip was great. While I get back to normal, here's a painting I did last month but never posted. These little dried pomegranates have made it into more paintings than I can count. They seem to be just the bit of color I need. MORE ON BRUSHES: Last post I realized that by comparing Rosemary's Master Series to Silver's Bristlons it was like apples to oranges. I suspect Rosemary has a line of bristle or synthetic bristle that hold a chisel shape nicely. I only intended to discuss how important it is to consider the different types of marks made with various brushes. Recently I was asked via email how I clean my brushes, since they last so long. So here's what works for me. First, I use turpenoid to get as much paint out of the brush as possible. After trying three different brush soaps, Jack Richeson's Linseed Studio Soap works best for me. I dip the brush in the soap and scrape the excess off on the rim of the jar. Then I work the brush on the bottom of my sink, quickly turning it over, back and forth pushing it into the sink while adding just a tiny bit of warm water. (Don't push it around in a circle. That will ruin the shape.) When it looks like no paint color is coming out of the brush I do the same movement in the warm water to rinse. Then with some hand soap in my hands, I rub the handles to get them clean. Then rinse the whole brush and dry with an old towel, squeezing the excess water out of the bristles, and shaping them. I lay them flat to dry. I used to do this after every painting session. But now if I know I'll be using the same brushes the next day, I just get all the paint out with turp. I try to make sure I don't leave brushes around that haven't been washed. I've heard Murphy's Oil Soap works for a lot of people, but I don't like the smell. Please let me know if these practical tips are helpful, and I'll keep them coming.

Fruit, Flower & Mug -a still life painting in oil- SOLD

oil 6x6 inches magnify/purchase info Yesterday I held a teeny tiny oil workshop in what is normally my watercolor classroom and studio. Just three participants, and they did a fabulous job. This is the 6x6 demo I did for them after lunch. Why is the strawberry almost as big as the apple? That's a baby Granny Smith. So cute and a nice pop of wonderful green! Below you can see each participant's morning value study as they are just starting their color studies. I should have gotten pictures of their finished afternoon 6x6's. I get so focused on the content and guidance that I forget to take pictures! Recently I received an email question about how I clean my brushes. I'll address that in the next post. Meanwhile, we're off camping for Fathers' Day weekend. Have a great weekend, all you dads out there!

Blue Plate Special -a still life painting in oil

oil 10x10 inches magnify/purchase info I wanted to see what all the hoopla was about, so I ordered some Rosemary brushes. These are their Master Series Long Flats. The brushes seem well made and are extremely soft compared to any other brush I've used. That took some getting used to. I decided they're perfect for soft-edged passages, but if I wanted a clear mark or thicker paint I used my Silver Bristlon Flats. In the photo below, you can see after one painting the Rosemarys are splayed a bit even though I carefully cleaned them. (I didn't use the largest one.) The Silver Bristlons (a synthetic) on the right are years old and still have their beautiful chisel shape. I'll use both the Rosemarys and the Bristlons. Once in a while it's fun to use a different type of brush than you're used to. It's good to play with the way you lay down paint.

Yellow Rose 3

oil 6x6 inches magnify/purchase info My friend, Mary Jo keeps sharing her roses with me so I can paint them. Let me just say, the rose is a humbling flower to paint. If you have a problem with pridefullness and overconfidence, paint some roses from life. I wiped off the first attempt.

Horse Farm Tunnel -a plein air oil painting from a horse farm

oil 9x12 inches magnify/purchase info I couldn't resist the light at the end of this tunnel, a barn on beautiful Baker Scudder Farm in Rancho Cucamonga. Thursday friends and I met up there to paint. Though overcast for most of the day, the dark inside the barn made for some nice contrast. I don't like to make changes once I get the painting home, but this time I risked it. Basically I added more interest in the focal area, and reduced interest in the foreground. Below is how it looked before the changes. I decided the red rake detracted from what I wanted to convey.

Sunflower And Poms -a still life oil painting

oil 12x16 inches magnify/purchase info Yesterday I grabbed an old painting that had been lying around my studio minding its own business since 2012. "At least I can improve those gawd-awful greens", I said to myself. So with no still life or photo reference I repainted the entire painting. Really fun!!! Here's the old painting:

Yum Yums -an oil painting of donuts -SOLD

oil 12x12x1 1/2 inches magnify/purchase info Yesterday was National Donut Day. By 10:00 am the girl at the donut store was worn out and the two bottom shelves were empty. I took two glazed home and went back later for these beauties. They were still warm when I got them home. I wanted to eat one so bad!!! For this painting I toned my canvas with Indian Yellow and Thalo Red Rose which gives it a warm glow. This is painted on gallery wrapped canvas with sides painted and ready to hang. Wouldn't it look great in a contemporary dining area or kitchen?

Permanent Parking -a plein air painting from La Verne Heritage Park

oil 9x12 inches magnify/purchase info Here's a plein air piece I did yesterday. I think this is an old citrus hauler. I was told by one of the volunteers that it's a 1938 and has 180 thousand miles on it all within the city of La Verne. I don't know a thing about vehicles except how to drive them, which I enjoy very much! This one won't start anymore. Lost all it's power, but gained a lot of character.

Fruit Trio -a still life painting in oil

oil 8x8 inches magnify/purchase info Here's the demonstration I did yesterday afternoon for the Loma Linda Art Association. I was able to finish it during the meeting for the most part, then make some minor adjustments at home this morning. That orange surprised me when I cut into it and saw the beautiful Cara Cara color.