The garden as a projection of a political space. – The creation of a garden repre-sents the effor... more The garden as a projection of a political space. – The creation of a garden repre-sents the effort to create, in a defined space, a project that refers to client in its representation. This element, which is the basis of his creation, suf-fers from a basic ambiguity. On the one hand the garden is definitely oriented towards his personality, on the other hand it is still an open space, natural and therefore usable and available. These two elements become particularly evident in those gardens that have the explicit function of concretely representing their political character and therefore oriented towards establishing a strong relationship between the client and those who frequent it. The example of the garden of Versailles represents the complete identifi-cation between the sovereign and his garden, providing many elements to understand how the perception of the park is a key element of Louis XIV’s own political project.
Global Event and Local Responses: The Case of the Flu Pandemic 1918-1919. – The experience of the... more Global Event and Local Responses: The Case of the Flu Pandemic 1918-1919. – The experience of the flu pandemic in the year 1918 is considered an important event for understanding the First World War. The flu showed the interconnection due to political-military, commercial, information and news that allowed the virus to be physically transported to every continent and from there to find the possibility of spreading in every nation. Beyond the medical- health characteristics and the consequences derived from its seriousness, this episode shows the ability reached since the early years of the twentieth century to think of itself as an interconnected network that was used by the disease to advance rapidly and pro-voke its harmful consequences.
inhabitants. Its inevitable transfiguration, on which the
meeting with the human dimension acts d... more inhabitants. Its inevitable transfiguration, on which the meeting with the human dimension acts deeply, was fortunately captured and immortalized by the artists in different forms during the centuries. Data relating to the metamorphoses more or less evident of landscapes are actually traced in the works of art, mostly in paintings, drawings , engravings and travel diaries, which, therefore, turn out to be functional to the recognition and to the diachronic study of identity characters of a specific location. During the reading of this kind of information , the comparison between technical and humanistic skills generates a productive interdisciplinary approach, particularly suitable to the identification and, therefore, to the understanding of the historical, cultural and environmental traceable data. The artistic representations, in some cases, prove to be so useful for the definition of the local character of an area, knowledge of which increases the strategic importance for the formulation of plans and management guidelines and safeguards that comply with the vocations and peculiarities of the places. In this paper we report the studies of the evolutive stages of some territories , recognized thanks to the observation of landscapes as they have been immortalized in the works of art. The fundamental characteristic elements then have been compared with current events.
S. Giovanni (Ruoti, PZ): la freccia indica la posizione della villa romana, su un versante in fra... more S. Giovanni (Ruoti, PZ): la freccia indica la posizione della villa romana, su un versante in frana attivatosi nel IV secolo d. C. Nel Paesaggio culturale rientra anche la comunità, che è attratta dal luogo ed esprime il desiderio di custodirlo e valorizzarlo. S. Giovanni (Ruoti, PZ): the arrow marks the position of the Roman villa, on a slope sliding down in the IV century A. D. In the Cultural landscape there are also peoples, attracted by place and wishful to guard and develop the site. Abstract *
E quantunque sia grande lalterazione nostra, e diminuita in noi la potenza della natura ; pur que... more E quantunque sia grande lalterazione nostra, e diminuita in noi la potenza della natura ; pur questa non è ridotta a nulla, né siamo noi mutati e innovati tanto, che non resti in ciascuno gran parte dellantico. 1
Sommario Introduzione, pag. 4 Capitolo I -L'indipendenza degli Stati del Baltico pag. 14 La nasci... more Sommario Introduzione, pag. 4 Capitolo I -L'indipendenza degli Stati del Baltico pag. 14 La nascita dell'indipendenza lituana Le vicende dell'indipendenza lettone sino alla guerra di liberazione del 1919 Le vicende dell'indipendenza Estone Capitolo II -La missione interalleata per il ritiro delle truppe tedesche dal Baltico, pag. 48 Il quadro generale politico-militare Gli avvenimenti militari in Livonia e Curlandia sino al maggio 1919 L'intervento dell'Intesa e le reazioni tedesche La guerra di liberazione lettone La Missione interalleata per il ritiro delle truppe Capitolo III -Il generale Marietti e le sue "Osservazioni sul Baltico", pag. 76 Capitolo IV -La formazione dello stato libero di Memel e l'occupazione lituana, pag. 94 Importanza e ruolo della "piccola Lituania" L'Alto commissariato francese e gli avvenimenti tra il 1920 e il 1923 L'occupazione lituana di Memel del 1923 Il progetto di convenzione Capitolo V -Conclusioni, pag. 112 Appendice Giovanni Marietti -Appunti e osservazioni sugli stati baltici, pag. 119 Bibliografia, pag. 156
The garden as a projection of a political space. – The creation of a garden repre-sents the effor... more The garden as a projection of a political space. – The creation of a garden repre-sents the effort to create, in a defined space, a project that refers to client in its representation. This element, which is the basis of his creation, suf-fers from a basic ambiguity. On the one hand the garden is definitely oriented towards his personality, on the other hand it is still an open space, natural and therefore usable and available. These two elements become particularly evident in those gardens that have the explicit function of concretely representing their political character and therefore oriented towards establishing a strong relationship between the client and those who frequent it. The example of the garden of Versailles represents the complete identifi-cation between the sovereign and his garden, providing many elements to understand how the perception of the park is a key element of Louis XIV’s own political project.
Global Event and Local Responses: The Case of the Flu Pandemic 1918-1919. – The experience of the... more Global Event and Local Responses: The Case of the Flu Pandemic 1918-1919. – The experience of the flu pandemic in the year 1918 is considered an important event for understanding the First World War. The flu showed the interconnection due to political-military, commercial, information and news that allowed the virus to be physically transported to every continent and from there to find the possibility of spreading in every nation. Beyond the medical- health characteristics and the consequences derived from its seriousness, this episode shows the ability reached since the early years of the twentieth century to think of itself as an interconnected network that was used by the disease to advance rapidly and pro-voke its harmful consequences.
inhabitants. Its inevitable transfiguration, on which the
meeting with the human dimension acts d... more inhabitants. Its inevitable transfiguration, on which the meeting with the human dimension acts deeply, was fortunately captured and immortalized by the artists in different forms during the centuries. Data relating to the metamorphoses more or less evident of landscapes are actually traced in the works of art, mostly in paintings, drawings , engravings and travel diaries, which, therefore, turn out to be functional to the recognition and to the diachronic study of identity characters of a specific location. During the reading of this kind of information , the comparison between technical and humanistic skills generates a productive interdisciplinary approach, particularly suitable to the identification and, therefore, to the understanding of the historical, cultural and environmental traceable data. The artistic representations, in some cases, prove to be so useful for the definition of the local character of an area, knowledge of which increases the strategic importance for the formulation of plans and management guidelines and safeguards that comply with the vocations and peculiarities of the places. In this paper we report the studies of the evolutive stages of some territories , recognized thanks to the observation of landscapes as they have been immortalized in the works of art. The fundamental characteristic elements then have been compared with current events.
S. Giovanni (Ruoti, PZ): la freccia indica la posizione della villa romana, su un versante in fra... more S. Giovanni (Ruoti, PZ): la freccia indica la posizione della villa romana, su un versante in frana attivatosi nel IV secolo d. C. Nel Paesaggio culturale rientra anche la comunità, che è attratta dal luogo ed esprime il desiderio di custodirlo e valorizzarlo. S. Giovanni (Ruoti, PZ): the arrow marks the position of the Roman villa, on a slope sliding down in the IV century A. D. In the Cultural landscape there are also peoples, attracted by place and wishful to guard and develop the site. Abstract *
E quantunque sia grande lalterazione nostra, e diminuita in noi la potenza della natura ; pur que... more E quantunque sia grande lalterazione nostra, e diminuita in noi la potenza della natura ; pur questa non è ridotta a nulla, né siamo noi mutati e innovati tanto, che non resti in ciascuno gran parte dellantico. 1
Sommario Introduzione, pag. 4 Capitolo I -L'indipendenza degli Stati del Baltico pag. 14 La nasci... more Sommario Introduzione, pag. 4 Capitolo I -L'indipendenza degli Stati del Baltico pag. 14 La nascita dell'indipendenza lituana Le vicende dell'indipendenza lettone sino alla guerra di liberazione del 1919 Le vicende dell'indipendenza Estone Capitolo II -La missione interalleata per il ritiro delle truppe tedesche dal Baltico, pag. 48 Il quadro generale politico-militare Gli avvenimenti militari in Livonia e Curlandia sino al maggio 1919 L'intervento dell'Intesa e le reazioni tedesche La guerra di liberazione lettone La Missione interalleata per il ritiro delle truppe Capitolo III -Il generale Marietti e le sue "Osservazioni sul Baltico", pag. 76 Capitolo IV -La formazione dello stato libero di Memel e l'occupazione lituana, pag. 94 Importanza e ruolo della "piccola Lituania" L'Alto commissariato francese e gli avvenimenti tra il 1920 e il 1923 L'occupazione lituana di Memel del 1923 Il progetto di convenzione Capitolo V -Conclusioni, pag. 112 Appendice Giovanni Marietti -Appunti e osservazioni sugli stati baltici, pag. 119 Bibliografia, pag. 156
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Papers by Roberto Reali
meeting with the human dimension acts deeply, was
fortunately captured and immortalized by the artists in
different forms during the centuries. Data relating to the
metamorphoses more or less evident of landscapes are
actually traced in the works of art, mostly in paintings,
drawings , engravings and travel diaries, which, therefore,
turn out to be functional to the recognition and to the
diachronic study of identity characters of a specific location.
During the reading of this kind of information , the
comparison between technical and humanistic skills generates
a productive interdisciplinary approach, particularly suitable
to the identification and, therefore, to the understanding of
the historical, cultural and environmental traceable data.
The artistic representations, in some cases, prove to be so
useful for the definition of the local character of an area,
knowledge of which increases the strategic importance for the
formulation of plans and management guidelines and
safeguards that comply with the vocations and peculiarities of
the places. In this paper we report the studies of the evolutive
stages of some territories , recognized thanks to the
observation of landscapes as they have been immortalized in
the works of art. The fundamental characteristic elements
then have been compared with current events.
meeting with the human dimension acts deeply, was
fortunately captured and immortalized by the artists in
different forms during the centuries. Data relating to the
metamorphoses more or less evident of landscapes are
actually traced in the works of art, mostly in paintings,
drawings , engravings and travel diaries, which, therefore,
turn out to be functional to the recognition and to the
diachronic study of identity characters of a specific location.
During the reading of this kind of information , the
comparison between technical and humanistic skills generates
a productive interdisciplinary approach, particularly suitable
to the identification and, therefore, to the understanding of
the historical, cultural and environmental traceable data.
The artistic representations, in some cases, prove to be so
useful for the definition of the local character of an area,
knowledge of which increases the strategic importance for the
formulation of plans and management guidelines and
safeguards that comply with the vocations and peculiarities of
the places. In this paper we report the studies of the evolutive
stages of some territories , recognized thanks to the
observation of landscapes as they have been immortalized in
the works of art. The fundamental characteristic elements
then have been compared with current events.