my hanfu favorites

my hanfu favorites

Pictures of hanfu (han chinese clothing) I like. She/her.
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Asked by Anonymous

Hello! Do you happen to have a master post of all of your asks/posts anywhere? Just to help me navigate! ^^

Hi, thanks for the question! (Image via duitang)

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For all my own posts, please see my China tag (that’s the tag I use for my original posts). For navigation via tags, my Tags page has links to common & useful tags on my blog. I’ll be updating the Tags page and this Masterpost as needed ^^.

Ziseviolet’s Replies Masterpost, Part 1 (Part 2):

Hanfu Terms:

Hanfu History:

Wedding Hanfu:

Modified Hanfu, Hanyuansu, Mix & Match:

Hanfu Accessories:

Hanfu Hair Accessories:

Hanfu Hairstyles:

Makeup:

Men’s Hanfu:

Men’s Headwear/Hairstyles:

Hanfu Undergarments:

Wearing Hanfu:

Making Hanfu:

Buying Hanfu & Hanfu Accessories, Part 1 (Part 2 in Pt.2 of Masterpost):

***Hanfu in films/dramas/animations is in Pt 2 of Masterpost!*** 

***Hanfu revival movement is in Pt 2 of Masterpost!***

***Comparison with kimono & hanbok is in Pt 2 of Masterpost!***

niteshade925 Originally from niteshade925

niteshade925:

April 20, Beijing, China, National Museum of China/中国国家博物馆 (Part 4 – Chinese Historical Fashion Exhibition continued):

Alrighty, Ming and Qing dynasty fashion, here we go! Sit tight because this is an extra long post that took me a long time to research

First is this marvel, a replica of the phoenix crown/fengguan/凤冠 of Empress Xiaoduanxian of Ming (明孝端显皇后). The real artifact is in this museum, but it’s probably not exhibited much for conservation reasons.

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Phoenix crowns are the formal headwear for empresses, which according to etiquette rules set at the beginning of Ming dynasty (1368 - 1644), must have 9 dragons and 4 phoenixes (btw the original Chinese term is fenghuang/凤凰, which is a different mythological creature from the phoenix, but “phoenix” is the commonly used translation now), but this crown has 9 dragons and 9 phoenixes, indicating that etiquette rules have loosened and shifted by late Ming.

The phoenixes on this crown are blue because they were actually made with the iridescent feathers of kingfishers in a process called diancui/点翠. All species of kingfishers are now legally protected animals in China, so when buying hanfu accessories, you may come across “imitation diancui”/仿点翠, these are usually either made with enamel or dyed chicken or goose feathers. Another thing to note is the appearance of the jewels on this crown. Ming-era people liked keeping the jewels in a “natural look”, so these jewels had no facets.

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Recreations of Ming-era hanfu. Left is the semi-formal outfit of aristocrat women in mid to late Ming dynasty. Right is the casual outfit of late Ming scholars and literati. The woman’s cone-shaped hairstyle is called a diji/䯼髻, and the set of hairpins that goes on a diji is called toumian/头面. She’s wearing a type of top called an ao/袄 and a skirt aka qun/裙, specifically a mamianqun/马面裙, or “horse face skirt”. Note that the bottom hem of an ao is not tucked into the skirt. The man is wearing a square-ish hat called a fangjin/方巾 and should also be wearing a wangjin/网巾 underneath (can be understood as a hairnet). He’s wearing a daopao/道袍 and a hechang/鹤氅 on the outside.

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Also I did make a mistake while dividing up the pictures for these two posts, some of the following artifacts are from earlier dynasties. Ugh if only I had time to take pictures of all the placards.

A pair of mojie/摩竭 shaped gold earrings from Liao dynasty (916 - 1125). Note that the placard says it’s “摩羯形” or “Capricorn-shaped”, but this apparently is sort of a misnomer? Sort of, because this representation should be of the makara (मकर; translated as 摩竭 in Chinese), a sea creature from Hindu mythology, but at the same time it is the equivalent of Capricorn in Hindu astrology. However since the name “Capricorn” stuck, it’s now commonly referred to as “摩羯”. 摩竭 and 摩羯 have the exact same pronunciation though.

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A pair of phoenix (fenghuang) shaped gold hairpins from Liao dynasty:

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After a lot of pulling my hair out researching, I finally found what time period this gold belt buckle came from. It’s from Eastern Han dynasty (25 - 220 AD). The gold filigree and beads form the pattern known as panchiwen/蟠螭纹, where pan/蟠 and chi/螭 are both types of loong dragon in Chinese mythology.

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The gold decoration on a xiapei/霞帔 (the V-shaped wide band in the diagram on the right) from Liao dynasty. Xiapei originated in Song dynasty (960 - 1279) as part of the formal attire of consorts, but later developed into a part of the formal attire for women in general. Xiapei also looked different at different time periods in history, but from Song-era to Ming-era, its structure didn’t change by much.

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Finally back to Ming dynasty. This is a gold cap inlaid with gems and pearls. From the size of this cap and the included hairpins, we can deduce that this cap is meant to encase the bun on the top of the head (the hairpins that go through the cap would hold it in place).

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Like the gold cap above, the next few are all from the same tomb of a Ming dynasty noble, and they are all themed similarly–they all depict scenes in a heavenly palace. Of these, the first three that has miniature architecture in gold are parts of the toumian worn on a diji hairstyle. This first one is a pair of yanbin/掩鬓 (lit. “covering temples”), so called because they are worn on the sides, close to the temples.

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This next one has some confusion regarding the naming. According to an article by the Chinese Academy of Social Sciences Institute of Archaeology, the top artifact is a fenxin/分心 and the bottom artifact is a tiaoxin/挑心, but according to 撷芳主人 (if you are a hanfu enthusiast you have probably heard of this person or seen their works, they are the one who drew the cute illustrations of Ming-era fashion), the top one may be a manguan/满冠, and the bottom one should be called fenxin/分心. Note that 撷芳主人’s conclusion is mostly based on Ming-era records and novels. Regardless of the naming, the top one here should be worn on the base of the diji, and the bottom one should be worn at the front center of the diji.

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This one also has some confusion in the naming, the Institute of Archaeology calls it a dingzan/顶簪, while 撷芳主人 calls it a tiaoxin/挑心. Again, regardless of the naming, this one is worn on the very top of the diji, so the hairstick portion goes straight down through the diji. If you look closely, you can even see people and animals in the details.

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Left: a pair of gold phoenix (fenghuang) hairpins made in the 22nd year of the Yongle Emperor of Ming. Right: gold filigree bracelets inlaid with gemstones.

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Ming-era portrait of a scholar official. Before cameras were introduced in late-Qing dynasty, portrait paintings were the most realistic depictions of what people looked like back then. Such portrait paintings mostly began in Song dynasty and continued through to Qing dynasty.

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Illustrations of the different buzi/补子 (also known as “mandarin square”) used by different ranks of officials in Ming dynasty. All ranks are organized from highest on the left to lowest on the right, top row is for civil officials, bottom row is for military officials, and bottom right is for nobility. All illustrations here come from the Ming-era illustrated encyclopedia Sancai Tuhui (《三才图会》). For those who are interested, a scan of Sancai Tuhui is available on Internet Archive for free (link goes to first chapter, most chapters are available).

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Also from Sancai Tuhui Chapter 62 (all pictures here come from Ch. 62-64), illustrations of the twelve ornaments (called shierzhang/十二章) on a mianfu/冕服, which is the highest level of formal attire for an emperor in Ming dynasty. These twelve ornaments depict things including celestial bodies (note that sun contains the three-footed sun crow, and moon contains the moon rabbit), elements of nature, mythical creatures, and representations of life, and are supposed to represent the values and traits that an emperor should possess:

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And wrapping up the section on Ming-era hanfu, here are the headwear of different classes of people in Ming dynasty, from commoners to the literati to important government officials.

Note the net-like hair accessory on the left. This is a wangjin/网巾 during Ming dynasty (illustration from Sancai Tuhui), and is worn by all men regardless of social class. However, wangjin is worn almost like an “undergarment”, so it’s almost always covered by something else. Which means all those historical cdramas set in Ming dynasty that have their characters wear only a wangjin in public are, in fact, inaccurate.

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Some hats of commoners and scholars in Ming dynasty. Note the left one on the second row, that is the same hat worn by the Fox Scholar in the episode Goose Mountain of the animated series Yao Chinese Folktales (《中国奇谭》).

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Some of the formal headwear of government officials in Ming dynasty. These are called liangguan/梁冠, lit. “beam crown”, where the liang/“beam” refers to the metal arches that go over the top. The more liang there are on the hat, the higher the rank of the official.

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And last but not least, Qing dynasty (1616 - 1911) fashion. Left is Qing-era men’s outfit for horseback archery and hunting, called xingfu/行服. His hat is composed of two parts, the actual hat called dingdai/顶戴 (here it’s specifically the winter version) and the back decoration made of horsehair and feathers that signifies status is called hualing/花翎. Back is the casual outfit of late-Qing Manchu noblewomen, with the characteristic hairstyle called dalachi/大拉翅, a vest called kanjian/坎肩, and a robe beneath called chenyi/衬衣. These are all considered part of qizhuang/旗装, or traditional Manchu clothing. On the right is the late-Qing casual outfit of upper class Han women, with an ao/袄 top and a langanqun/阑干裙 skirt (a type of mamianqun/马面裙), and a headband decorated with pearls called mo'e/抹额. Note that although the exact origin of the modern qipao/旗袍 is disputed, it definitely has elements from at least one of the following: the Manchu chenyi, the Han ao, and the late Qing and early Republic era men’s changshan/长衫.

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A little historical background on why this particular display is arranged in this way. In early Qing dynasty, the Manchu ruling class enforced the policy of 剃发易服 (lit. “shaving hair and changing clothing”) specifically on Han men in order to force conformity to Manchu traditions in terms of hairstyle and clothing, but Han women were not included in this policy. So in early Qing, Han women still wore the same clothing as they did prior in late Ming, but over the time the fashion of Han women absorbed many elements of Manchu fashion. However, this wasn’t a one-way influence. By late Qing, many elements of Han fashion were adopted by Manchu fashion as well, so this influence really went both ways. Today, Manchu people is one of the 56 officially recognized ethnicities in China (4th largest ethnicity by population), and the traditional fashion of Manchu people is a part of the diverse culture of modern China.

Below is a real example of a chenyi, chenyi were popular among Qing dynasty imperial consorts as informal dress:

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The hairstyle of Manchu women (called qitou/旗头) at different times during Qing dynasty. The one at the far right was what early qitou looked like, while the one on the far left appeared in late-Qing. The two hairstyles on the left frequently appear in period dramas set in Qing dynasty.

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A belt called jifudai/吉服带 with pouches and decorations. Jifudai is so named because it’s supposed to be worn with the semi-formal jifu/吉服 outfit. This particular jifudai is yellow, a color reserved for the emperor.

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Real examples of Qing-era Han women’s outfit, with an ao on the left, and a langanqun on the right. Langanqun is a type of mamianqun, but the construction is different from Ming-era mamianqun, in that langanqun is made from numerous rectangular and trapezoidal pieces of fabric sewn together into two larger pieces, whereas Ming-era mamianqun are simply two large pleated pieces of fabric. The way these skirts are decorated are also somewhat different. Visually speaking, Qing-era langanqun have woven and/or embroidered patterns that are arranged vertically, creating a “paneled” look, whereas Ming-era mamianqun have woven and/or embroidered patterns that repeat and extend horizontally as to wrap around the entire skirt.

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Aaaaand that’s it for this exhibition! Phew. I highly recommend everyone go visit the free virtual exhibition (link here), partly because when I visited the National Museum of China, I was in a huge hurry (I only had one day to see everything), and so the task of taking pictures of the exhibition was split between me and a family member, but I’m not sure they understood how many pictures I wanted….so what’s in my posts here are only a very small portion of the actual exhibition. The actual exhibition doesn’t just have artifacts and replicas of artifacts, but also have paintings and real articles of clothing from Qing dynasty, which were all amazing to look at.

peekofhistory Originally from peekofhistory

peekofhistory:

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(Not done with the Qin/Han robes yet, but taking a quick break to hop to the next time period for something a bit different.)

魏晋南北朝的襦裙
Ruqun (2-piece outfit) during the Wei-Jin + Northern/Southern Dynasties (220 - 589 AD)

This time period spans over 350 years and incorporates:
1) the Three Kingdoms era,
2) the Jin Dynasty,
3) the Northern/Southern dynasties

History background:
Towards the end of the Eastern Han dynasty, the Han empire split into three kingdoms (Wei, Han, Wu) with Wei being the most powerful. Following almost a century of fighting, the three kingdoms were unified under the Jin Dynasty. Unfortunately, this didn’t bring peace to the country as power struggles continued. Due to the continuous fighting, China’s population was reduced drastically and many tribes from the north attacked, hoping to enlarge their own territory. This was a period of non-stop fighting and conflict, and it wasn’t until the Sui Dynasty（581- 618 AD) that the country once again found peace.

Hanfu during this period:
In terms of Hanfu, many new styles appeared influenced by a clash of different ethnic groups and cultures. In the Eastern Han/Three Kingdoms period, Hanfu started to evolve from a 1-piece long robe (known as “Shenyi”/深衣) to a 2-piece set with the top and bottom separated (known as “Ruqun”/襦裙). The bottom skirt is pieced together using several long, rectangular pieces, pleated at the top and attached to a waist belt, allowing the bottom to flare out.

This 2-piece Ruqun style reached a peak during the Wei-Jin Northern/Southern dynasties period, and laid the foundation for many Hanfu styles in later dynasties.

*NOTE:
Since there are so many different styles during this period, there’s a lot of information to dig through. I’m going to do my best to keep the it simple and straightforward, but if I get anything wrong or if there’s anything confusion feel free to let me know :D

guzhuangheaven Originally from convenientalias
Asked by macgyvertape

Do you have a wuxia rec list? I really enjoyed mysterious lotus casebook from your posts on it where it was just relaxing to watch. I was planning to watch Meet you at the blossom next, but not sure what to watch after.

convenientalias

Sure, but tbh I haven’t actually watched that many wuxia! Also if you finished Mysterious Lotus Casebook you’re technically ahead of me there bc I never watched the last six episodes. I’m just really bad at finishing things sometimes lols. But I do love that show and maybe this will be what finally makes me finish it!

Anyway here is a quick rec list:

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Originally posted by zhoudadudugongjin

-Nirvana in Fire: If you’ve never watched Nirvana in Fire (have you? I can’t remember) I’m contractually obligated to rec Nirvana in Fire. It’s more political intrigue than jianghu adventures so it may not be as relaxing to watch idk. Nevertheless it does top my wuxia recs list bc it has the best plot and some of my favorite characters. and it is also very funny. IF WHAT YOU LIKED FROM MLC WAS: the whump of a guy with an incurable poison in his body or the identity porn of a guy who used to be kind of famous re-encountering ppl he knew a while back but now pretending to be someone else. then Nirvana in Fire is a perfect watch for both of those things.

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Originally posted by strandedchesspiece

-Ancient Detective: If you like a group of people just wandering around solving mysteries in the jianghu, this show is more purely that than MLC. It has a fair amount of whump and bromance but it’s also largely a case-per-maybe-three-episodes show. However, sometimes that’s what I want.

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Originally posted by k1201a

-The Flame’s Daughter: This is a drama with a bunch of inter-sect war and intrigue. There’s also a big love polygon going on and imo the winning side is the most boring. At its worst, the main romance had me going “whyyy” but at its best, there is some really good whump, intrigue, murder, and general jianghu travel and shenanigans. However, out of the list thus far I would say it is the least similar to MLC (if only bc of a focus on m/f romance).

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Originally posted by whumpetywhump

-Handsome Siblings (2020): This is a show about twins separated due to some Nefarious Schemes and then raised by villains to Murder Each Other without knowing their siblings. The level of goofy jianghu shenanigans and whump is absolutely through the roof. Like every few episodes you meet some new villain who’s like “Hi my name is Black Spider and I will tie you up and poison you”. It is all a bit silly.

Tbh that’s about it from me for “this is definitely wuxia” recs but I would like to add one more “this is not wuxia but it is adjacent and in 2023 it was my most similar to MLC watch” rec, which is:

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Originally posted by lilianhuas

-A League of Nobleman: It’s just a historical mystery show set in the capital, with a heaping helping of political intrigue and revenge quest. Similar to MLC, there are mysteries investigated every few episodes, and each is tied into a larger scheme at work. Meanwhile our protagonist is seeking justice for his father, unjustly accused of treason many years ago, and having a (b)romance with at least three different guys. It’s not wuxia, there’s no real martial arts going on and not a ton of jianghu travel, but as far as MLC comp titles go, it’s not bad.

Anyway I’m glad you enjoyed Mysterious Lotus Casebook! I really need to finish watching it lol. And I didn’t mention Meet You at the Blossom bc you said you already intended to watch it but yeah I think that show’s a lot of fun, it’s rather sappy and whumpy and comedic and I enjoyed it a lot.

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