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    Acoustic Studios

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    liya shanawas
    The document discusses acoustics in recording studios and common defects in hall acoustics. It describes how acoustic treatments are important for cleaner recordings by reducing sound bleeding. For control rooms, it recommends placing acoustic panels and bass traps to create a reflection-free zone. For live rooms, it suggests placing absorbers strategically around instruments. Common hall defects like reverberation, loudness issues, focusing, echo, resonance and noise are explained along with remedies like adding sound-absorbing materials, carpets, diffusion panels and insulation.

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    Acoustic Studios

    Uploaded by

    liya shanawas
    42 views9 pages
    The document discusses acoustics in recording studios and common defects in hall acoustics. It describes how acoustic treatments are important for cleaner recordings by reducing sound bleeding. For control rooms, it recommends placing acoustic panels and bass traps to create a reflection-free zone. For live rooms, it suggests placing absorbers strategically around instruments. Common hall defects like reverberation, loudness issues, focusing, echo, resonance and noise are explained along with remedies like adding sound-absorbing materials, carpets, diffusion panels and insulation.

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    The document discusses acoustics in recording studios and common defects in hall acoustics. It describes how acoustic treatments are important for cleaner recordings by reducing sound bleeding. For control rooms, it recommends placing acoustic panels and bass traps to create a reflection-free zone. For live rooms, it suggests placing absorbers strategically around instruments. Common hall defects like reverberation, loudness issues, focusing, echo, resonance and noise are explained along with remedies like adding sound-absorbing materials, carpets, diffusion panels and insulation.

    Copyright:

    © All Rights Reserved
    Download as PPTX, PDF, TXT or read online from Scribd
    Download as pptx, pdf, or txt
    42 views9 pages

    Acoustic Studios

    Uploaded by

    liya shanawas
    The document discusses acoustics in recording studios and common defects in hall acoustics. It describes how acoustic treatments are important for cleaner recordings by reducing sound bleeding. For control rooms, it recommends placing acoustic panels and bass traps to create a reflection-free zone. For live rooms, it suggests placing absorbers strategically around instruments. Common hall defects like reverberation, loudness issues, focusing, echo, resonance and noise are explained along with remedies like adding sound-absorbing materials, carpets, diffusion panels and insulation.

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    ACOUSTICS OF STUDIOS

    DEFFECTS IN HALL AND ITS REMEDIES


    ACOUSTICS OF STUDIOS

    • WHY ARE ACOUSTICS IMPORTANT IN THE STUDIO?

    ACOUSTIC TREATMENTS WILL HELP AN ENGINEER OR PRODUCER


    ACHIEVE CLEANER RECORDINGS WITH A MORE PLEASANT SOUND.
    WHILE YOU CAN STILL GET SOUND BLEEDING OUT OF THE STUDIO OR
    FROM ADJACENT ROOMS, A PROPER ACOUSTIC TREATMENT WILL MAKE
    A STAGGERING DIFFERENCE WHEN RECORDING
    Studio acoustics
    Control/mixing room
    In a control or mixing room, we can create an A=B=C ratio.
    That means that you create an equilateral triangle between the
    speakers (often two) and the listening position (1).
    Acoustic panels on the side walls near the listening positions are
    important for eliminating the initial reflections, as well as on the
    wall behind the speakers (2).
    By adding absorption on the ceiling above the listening
    position, as well, ideally combined with carpet, we have now
    created a "reflection-free zone" (3).
    With bass straps in the corners, you can make low frequencies
    sound better (4).
    You can also place wall panels on the rear wall. Keep panels
    from hanging directly opposite other panels. That helps avoid
    distortions (5).
    With diffusion panels on the side wall, you can add a little more
    spaciousness (6). This is particularly useful in mixing rooms
    with two adjacent listening positions (see example).
    Studio acoustics
    Live room
    The acoustics of a live room require customisation and the
    appropriate steps depend on the music genre and personal
    preferences.
    In a live room/recording studio, there's a sweet spot for each
    instrument. Usually these are already known, but sometimes
    they still need to be identified. For example, it's wise to place a
    drum set close to a wall that can accomodate a lot of absorption.
    Keep the drum set from touching the floor with something like a
    rug. The bass shouldn't be placed too far from here.
    Piano and guitars should be on the other side of the room.
    Absorbers are usually also placed around them, on the wall
    behind the amplifiers, for example.
    Install ceiling panels or islands to prevent reflections from the
    ceiling. You can also install absorbers on the walls, sometimes
    combined with diffusers and bass traps
    In the photo on the left you will find a possible setup.
    DEFFECTS IN HALL AND ITS
    REMEDIES
    The various factors affecting the acoustics of building such as reverberation time,
    loudness, focusing, echo, echelon effect, resonance, and noise with their remedies
    are explained briefly
    Reverberation Time
    •Reverberation is the persistence of prolongation of sound in a hall even after the
    source stopped emitting sound.The reverberation time is the time taken by
    the sound to fall below the minimum audibility level.
    •In order to have a good acoustic effect, the reverberation time has to be
    maintained at optimum value. The reason is, if the reverberation time is
    too small, the loudness becomes inadequate. On the other hand, if
    reverberation time is too long, it will lead to more confusion due to mixing
    or different syllables. This makes the sound unintelligible. Thus,
    reverberation time would neither be too large nor small.
    •Hence, to maintain a good acoustic effect the reverberation time would be
    maintained at optimum level.
    Remedies:
    •The reverberation time can be eliminated at an optimum value by adopting the following ways:
    1.By providing windows and openings.
    2.By having full capacity of audience in the hall or room.
    3.By using heavy curtains with folds.
    4.By covering the floor with carpets.
    5.By decorating the walls with beautiful pictures, maps, etc.
    6.By covering the ceiling and walls with good sound-absorbing materials like felt, fiber board false
    roofing, etc.
    •The reverberation time depends on o the size of the hall and the quality of sound. Thus, the
    reverberation time can be controlled wither by inserting or removing sound-absorbing material in a
    hall or room.
    Loudness
    •The uniform distribution of loudness in a hall or a room is an important factor for satisfactory hearing.
    Sometimes, the loudness may get reduced due to excess sound-absorbing materials used inside a hall
    or room.
    Remedies:
    If the loudness of sound is not adequate, the loudness can be increased by adopting the
    following methods:
    1.By using suitable absorbents at places where noise is high. As a result, the distribution of
    loudness may become uniform.
    2.By constructing a low ceiling for the reflection of sound towards the listener.
    3.By using large sounding boards behind the speaker and facing the audience.
    4.By using public address systems like loudspeakers.
    Focusing and Interference Effect
    •The presence of any concave surface or any other curved surface in the hall or room may make the
    sound to be concentrated at this focus region. As a result, the sound may not be heard at all in other
    regions. These regions are referred to as dead space. Hence, such surfaces must be avoided.
    •In addition to focusing there should not be interference of direct and reflected waves. This is because
    constructive interference may produce a sound of maximum intensity in some places and destructive
    interference may produce a sound of minimum intensity in other places. Thus, there will be an uneven
    distribution of sound intensity.
    Remedy:
    •Curved surfaces can be avoided. If curved surfaces are present, they should
    be covered with suitable sound-absorbing materials.

    Echo
    •An echo is heard due to the reflection of sound from a distant sound-reflecting object.
    •If the time interval between the direct sound and reflected sound is less than 1/15th of a second, the
    reflected sound is helpful in increasing the loudness. But, those sounds arriving later than this cause
    confusion.
    Remedy
    •An echo can be avoided by covering long-distance walls
    and high ceilings with suitable sound-absorbing material.
    This prevents the reflection of sound.
    Echelon Effect
    •It refers to the generation of a new separate sound due to multiple echoes. A set of railings
    or any regular reflecting surface is said to produce the echelon effect. This echelon effect
    affects the quality of the original sound.

    Remedy
    •The remedy to avoid the echelon effect is to cover such surfaces with sound-absorbing
    materials.

    Resonance
    •Resonance occurs due to the matching of frequency. If the window panels and sections of
    wooden portions have not been tightly fitted, they may start vibrating, thereby creating an
    extra sound in addition to the sound produced in the hall or room.

    Remedy
    •The resonance may be avoided by fixing the window panels properly. Any other vibrating
    object which may produce resonance can be placed over a suitable sound-absorbing
    material.

    Structure-borne Noise
    The noise which is conveyed through the structure of the building is called structure-
    borne noise. The structural vibration may occur due to street traffic, operation of heavy
    machines, etc.
    Noise
    •The hall or room should be properly insulated from external and internal noises. In general
    there are three types of noises:
    1.Air-borne noise
    2.Structure-borne
    3.Inside noise.
    Airborne Noise
    •Extraneous noises which are coming from outside through open windows, doors, and
    ventilators are known as air-borne noise. The air-borne noise can be avoided by following
    the remedies mentioned below.

    Structure-borne Noise
    •The noise which is conveyed through the structure of the building is called structure-
    borne noise. The structural vibration may occur due to street traffic, operation of heavy
    machines, etc.

    Inside Noise
    •The noises which are produced inside the hall or room is called inside noise. The inside
    noise may be produced due to machinery like air conditioners, refrigerators, generate
    fans, typewriters, etc.
    •To avoid these inside noises the following remedies can be adopted.

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