LANDSCAPE ARCHITECTURE :

PERSIAN GARDENS
CONTENTS

 INTRODUCTION

 HISTORY

 CONCEPT

 ELEMENTS

 STYLES

 EXAMPLE : SHAZDEH GARDEN – IRAN

 CHARACTERISTICS FEATURES
INTRODUCTION

PERSIAN GARDEN STYLE EVOLVED AFTER THE EGYPTIAN

STYLE OF GARDENING.
IT MARKED THE BEGINNING OF “MODERN GARDEN
ARCHITECTURE’’.

IT WAS AN ANSWER TO THE ARIDITY OF THE LOCAL

CLIMATE WHERE THE HIGH WALLED GARDEN AND THE
SHADY TREES WITH ITS AIR COOLED BY STREAMS AND
FOUNTAINS, WAS A SIMPLE RECIPE FOR PARADISE.

THE WORD ‘PARADISE’ ORIGINALLY IS BELIEVED TO HAVE

MEANT A HUNTING PARK IN PERSIAN AND IT IS STILL A
PERSIAN WORD FOR GARDEN.

THE TRADITION AND STYLE IN THIS DESIGN HAS

INFLUENCED THE DESIGN OF GARDENS FROM
ANDALUSIA TO INDIA AND BEYOND.

EXAMPLES:
PASARGAD PERSIAN GARDEN AT PASARGADAE, IRAN
FIN GARDEN, KASHAN, IRAN
ERAM GARDEN, SHIRAZ, IRAN
SHAZDEH GARDEN, MAHAN, IRAN
HISTORY
PERSIAN GARDENS ORIGINATED IN 4000 BCE

 DURING THE REIGN OF SASSANIDS AND UNDER THE

INFLEUNCE OF ZOROASTRIANISM, WATER WAS CONSIDERED AN
IMPORTANT FACTOR IN THE ART OF GARDEN.

• THE GREATER EMPHASIS WAS GIVEN ON PONDS AND FOUNTAINS

IN THE GARDEN.

 DURING ARAB OCCUPATION, GARDENS WERE BUILT BY TAKING

INTO CONSIDERATION AESTHETIC RULES.
 ONE OF THE BEST EXAMPLES : CHARBAGH OF THE TAJ MAHAL

• TRADITIONAL FORMS AND STYLE ARE STILL APPLIED IN MODERN

IRANIAN GARDENS. THEY ALSO APPEAR IN HISTORIC ,  MUSEUMS
AND AFFIXED TO THE HOUSES OF THE RICH.

• THE GARDEN'S PURPOSE WAS, AND IS, TO PROVIDE A PLACE FOR

PROTECTED RELAXATION IN A VARIETY OF MANNERS:  SPIRITUAL
AND LEISURELY ESSENTIALLY A PARADISE ON EARTH.

• “PAIRI DAEZA” MEANS ENCLOSED SPACE IN PERSIAN LANGUAGE.

• THE CHRISTIAN MYTHOLOGY ADOPTED THE TERM TO DESCRIBE

THE GARDEN OF EDEN OR PARADISE ON EARTH.

GARDEN OF EDEN
HISTORY
 SPREAD OF ISLAM FROM MOORISH GARDENS (SPAIN) TO
MUGHUL GARDENS (INDIA).

 IN CONTRAST WITH THE EUROPEAN GARDENS OF THE TIME, THE

PERSIAN GARDENS WERE VERY LAVISH. THESE GARDENS
CONSISTED OF HERB PLANTS AROUND MONASTERIES.

 RED , YELLOW BEAUTIFUL , COLOURFUL FRUIT PLANTS WERE ALSO

FOUND.
• BAGH-e-SHAHZADEH IS ONE OF THE REMAINING FEW PERSIAN
GARDENS WITH SPLIT LEVEL FOUNTAINS AMONG THE TENDER
BEAUTY OF NATURE.

• THE KEY TO THE GARDENS OF THE ISLAMIC WORLD WAS THE IDEA
SHAZDEH GARDEN
OF AN OASIS.

CONCEPT
• THE GARDEN'S CONSTRUCTION MAY BE  FORMAL (WITH AN
EMPHASIS ON STRUCTURE) OR CASUAL (WITH AN EMPHASIS
ON NATURE), FOLLOWING SEVERAL SIMPLE DESIGN RULES.
THIS ALLOWS A MAXIMIZATION, IN TERMS OF FUNCTION
AND EMOTION, OF WHAT MAY BE DONE IN THE GARDEN.

• FOLLOWS AXIAL DESIGNS AND LAYOUTS OF GARDENS.

• SITUATED ON A SLIGHT SLOPE, LARGELY ORIENTED NORTH-

SOUTH, AND OPEN ONTO THE SURROUNDING LANDSCAPE.
ELEMENTS OF PERSIAN GARDEN
THE PERSIAN GARDENS OFTEN CONNECT INTERNAL
YARD GARDENS WITH THE SURROUNDING OUTWARD
GARDENS.
INCLUDE
• SUNLIGHT
• SHADE
• WATER
• BUILDINGS

SUNLIGHT
•SUNLIGHT AND ITS EFFECTS WERE AN IMPORTANT FACTOR OF
STRUCTURAL DESIGN IN PERSIAN GARDENS.
• ARCHITECTS ARRANGED THE SAMPLES AND FORMS FROM THE RAYS
OF LIGHT TO RESTRAIN THE SUNLIGHT.
• TEXTURES AND SHAPES WERE ALSO SPECIFICALLY TO HARNESS THE
LIGHT.

SHADE
• THE SHADE IS ALSO VERY IMPORTANT DUE TO THE DRY HEAT OF
IRAN.
• TREES , SHRUBS AND TRELLISES LARGELY FEATURE AS BIOTIC SHADE.
TYPE OF TREES: BIG SHADE, FRUITS AND FLOWER TREES
MOSTLY CYPRESS TREES ARE FOUND IN USE.
• PAVILIONS AND WALLS ARE USED AS STRUCTURAL ELEMENTS IN
BLOCKING THE SUN.
 HIGH BOUNDARY WALLS AROUND THE GARDEN ARE USED DUE TO
THE SURROUNDING ARID CLIMATE THERE BY REDUCING THE HEAT
AND ENCLOSING THE PARADISE ZONE.
VEGETATION
•Tall Chenar trees used to shade the centre.

•The edge of the garden was lined with cypress,

pine, poplar, date palms, almonds, orange and
other fruit trees. CHINAR TREES

•Flowers were sometimes planted along the canals

or in the long grass under trees.
Tulips, iris, primula, hollyhock, narcissus, evening
primrose, violets, anemones, carnations, lilac and
jasmine are also used.

ALMOND CYPRESS

HOLLYHOCK TULIPS
WATER
• THE HEAT ALSO MAKES WATER IMPORTANT, BOTH IN THE DESIGN
AND MAINTENANCE OF THE GARDEN.
• AN UNDERGROUND TUNNEL/CANAL CALLED A QANAT
IS USED IN IRRIGATION ,THAT TRANSPORTS WATER FROM A
LOCAL AQUIFER.
BUILT ON SLOPES TO FACILIATE EITHER NATURAL OR
ARTIFICIAL FLOW OF WATER.
• PERSIAN WELLS CONNECTED TO THE QANAT ARE USED TO DRAW
WATER TO THE LAND SURFACE.
• TREES WERE OFTEN PLANTED IN A DITCH CALLED A JUY, WHICH
PREVENTED WATER EVAPORATION AND ALLOWED THE WATER
QUICK ACCESS TO THE TREE ROOTS.
• THESE WATER BODIES OFTEN REFLECT THE IMAGE OF THE SKY ,
THE GARDEN AND ALSO THE BUILDING INFRONT.
• AS A RESULT THE SCARCITY OF WATER IS COPED-UP BY REUSING
THE AVAILABLE WATER FOR IRRIGATION , AESTHETICS …ETC.

BUILDINGS
• BUILDINGS OF SPLENDOR BRICK WORKS AND PAVILIONS ARE
SEEN.
• STRUCTURAL DESIGNS INCLUDE ROYAL PALACES , MANSIONS OR
TEMPLE..ETC ENHANCING THE GARDENS’S BEAUTY.
• DESIGNERS OFTEN PLACE ARCHITECTURAL ELEMENTS SUCH
AS VAULTED ARCHES BETWEEN THE OUTER AND INTERIOR AREAS
TO OPEN UP THE DIVIDE BETWEEN THEM.
STYLES OF PERSIAN GARDEN
THE SIX PRIMARY STYLES OF THE PERSIAN GARDEN MAY BE SEEN,
WHICH PUTS THEM IN THE CONTEXT OF THEIR FUNCTION AND
STYLE.
GARDENS ARE NOT LIMITED TO A PARTICULAR STYLE, BUT OFTEN
INTEGRATE DIFFERENT STYLES, OR HAVE AREAS WITH DIFFERENT
FUNCTIONS AND STYLES.
CLASSICAL FORMAL CASUAL
PUBLIC HAYAT MEIDAN PARK
PRIVATE HAYAT CHAHAR BAGH BAGH

HAYAT
PUBLICLY
•IT IS A CLASSICAL PERSIAN LAYOUT WITH HEAVY EMPHASIS
ON AESTHETICS OVER FUNCTION.
• MAN-MADE STRUCTURES IN THE GARDEN ARE PARTICULARLY
IMPORTANT, WITH ARCHES AND POOLS (WHICH MAY BE USED TO
BATHE).
• THE GROUND IS OFTEN COVERED IN GRAVEL FLAGGED WITH
STONE. FIN GARDEN
• PLANTINGS ARE SIMPLE - SUCH AS A LINE OF TREES, WHICH ALSO
PROVIDE SHADE.
PRIVATELY
• GARDENS ARE OFTEN POOL-CENTRED AND STRUCTURAL.
• THE POOL SERVES AS A FOCUS AND SOURCE OF HUMIDITY FOR
THE SURROUNDING ATMOSPHERE.
• THERE ARE FEW PLANTS, OFTEN DUE TO THE LIMITED WATER
AVAILABLE IN URBAN AREAS.
MEIDAN
PUBLICLY
•A FORMAL GARDEN THAT PUTS MORE EMPHASIS ON
THE BIOTIC ELEMENT.
• MINIMISES STRUCTURE
STRUCTURES ARE OFTEN BUILT, AS IN THE CASE OF PAVILIONS,
TO PROVIDE SHADE.
• PLANTS RANGE FROM TREES, SHRUBS, BEDDING PLANTS, TO
GRASSES.
• ELEMENTS SUCH AS A POOL AND GRAVEL PATHWAYS DIVIDE
THE LAWN. NAGHSH-I JAHAN SQUARE, THE CHARBAGH
ROYAL SQUARE
CHAHAR BAGH
PRIVATELY
• A FORMAL GARDEN
• TRADITIONALLY, THE RICH USED SUCH GARDENS TO ENTERTAIN
GUESTS.
• THE BASIC STRUCTURE CONSISTS OF FOUR QUADRANTS DIVIDED
BY WATERWAYS OR PATHWAYS.
•  BALANCE STRUCTURE WITH GREENERY, WITH THE PLANTS OFTEN
AROUND THE PERIPHERY OF A POOL.
•  PATH BASED STRUCTURE.

CHAHAR BAGH LAYOUT

 PARK

PUBLICLY
• A CASUAL PARK WITH EMPHASIS ON PLANT LIFE
•  LIMITED IN TERMS OF STRUCTURAL ELEMENTS.
• THE PURPOSE OF SUCH PLACES IS RELAXATION AND
SOCIALISATION.
• PROVIDE PATHWAYS AND SEATING.
• FULL DIFFERENT VARIETY OF PLANTS ARE USED.
BAGH

PRIVATELY
• EMPHASIZES THE NATURAL AND GREEN ASPECT OF
THE GARDEN.
• THE WATERWAYS AND PATHWAYS STAND OUT LESS.
• AFFIXED TO HOUSES AND OFTEN CONSISTING OF
 LAWNS, TREES, AND GROUND PLANTS.
• THE PRIMARY FUNCTION OF SUCH AREAS IS FAMILIAL
RELAXATION.

SISODIA RANI KA BAGH, JAIPUR

SHAZDEH GARDEN
SHAZDEH GARDEN MEANING PRINCE’S GARDEN IS A
HISTORICAL PERSIAN GARDEN

LOCATED NEAR (6KM AWAY FROM) MAHAN IN KERMAN

PROVINCE, IRAN

CONSTRUCTED DURING THE LATE QAJAR PERIOD. BUILT IN THE

TRADITIONAL STYLE IN THE LATE 1900S,

SHAZDEH GARDEN IS 5.5 HECTARES WITH A RECTANGULAR

SHAPE AND A WALL AROUND IT.

THE GARDEN IS APPROXIMATELY 407

METERS LONG AND 122 METERS WIDE IN A
RECTANGULAR SHAPE AND SURROUNDED BY
DESERT LAND.
IT CONSISTS OF AN ENTRANCE STRUCTURE AND GATE
AT THE LOWER END AND A TWO-FLOOR SEASONAL
RESIDENTIAL STRUCTURE AT THE UPPER END.

THE DISTANCE BETWEEN THESE TWO IS ORNAMENTED

WITH WATER FOUNTAINS THAT ARE ENGINED BY THE
NATURAL INCLINE OF THE LAND.

THERE ARE SEVERAL PAVILIONS AND A CENTRAL

CANAL.
THE GARDEN IS A FINE EXAMPLE OF PERSIAN
GARDENS THAT TAKE ADVANTAGE OF SUITABLE
NATURAL CLIMATE AN INCLINE OF THE LAND.
(APPROXIMATELY 6.4%)

OTHER THAN THE MAIN RESIDENTIAL

BUILDING, AT ITS ENTRANCE THE GARDEN ALSO
CONSISTS OF A TWO-STORIED BUILDING FOR
WHICH THE SECOND FLOOR WAS USED AS
LIVING QUARTERS AND FOR RECEIVING
GUESTS.
OTHER SMALLER UTILITY ROOMS ARE
SITUATED ALONG THE SIDES OF THE GARDEN.
AMONGST THEM A FEW SIDE ENTRANCES ALSO
CONNECT THE GARDEN TO THE OUTSIDE.

WATER FOUNTAINS CAN BE SEEN OVER THE

LAND FLOWING FROM THE UPPER ENDS
TOWARD LOWER ENDS ON A WATER CASCADE
STYLE.THESE FOUNTAINS LOOK VERY BEAUTIFUL
AND HAVE BEEN PROVIDED IMPETUS BY THE
NATURAL INCLINE OF THE PLACE.
THE CLEVER USE OF THE NATURAL CLIMATE
OF THE LAND CAN BE SEEN IN THIS GARDEN
WHICH IS THE PRIMARY ASPECT OF EVERY
PERSIAN GARDEN.

THE GARDEN ITSELF CONSISTS OF A

VARIETY OF PINE, CEDAR, ELM,
BUTTONWOOD AND FRUIT TREES WHICH
BENEFIT FROM THE APPROPRIATE SOIL,
LIGHT BREEZES AND QANAT WATER ENABLE
SUCH AN ENVIRONMENT IN CONTRAST TO ITS
DRY SURROUNDINGS.
THE WATER ENTERS THE GARDEN AT THE
UPPER END AND WHILE IRRIGATING THE
TREES AND PLANTS ALONG ITS WAY, FLOWS
DOWN THROUGH A SERIES OF STEPS AND
FALLS.

ON THE TWO ENDS OF THE WATER PATH,

AT THE MAIN ENTRANCE AND THE
RESIDENTIAL STRUCTURE, THERE’S A POOL
THAT COLLECTS AND SUBSEQUENTLY
REDISTRIBUTES THE WATER. ALL TOGETHER
FROM TOP TO BOTTOM THERE ARE EIGHT
LEVELS/FALLS ALONG THE WATER PATH.

AS A RESULT OF THE 6.4% SLOPE ALONG THE

GARDEN, AND ITS 407 METER LENGTH, A HEIGHT
DIFFERENCE OF ABOUT 20 METERS OCCURS.
THIS NATURAL SLOPE HAS LED TO DIVISIONS IN THE
GARDEN DEFINING THE NATURE OF THE GARDEN.

THE VITAL RESOURCE OF SHAHZADEH GARDEN IS

STREAMS ORIGINATING FROM ADJACENT
MOUNTAINS. TIGRAN QANAT, ORIGINATING FROM
JOUPAR ALTITUDES, IS THE WATER SUPPLY OF THIS
GARDEN.
THIS STREAM FLOWS INTO THE GARDEN FROM THE
HIGHEST LEVEL AND CONSTITUTES THE GARDEN’S
DESIGNED IRRIGATION SYSTEM.
 THE TREES AND VEGETATION SEEN IN THE BED OF
SHAHZADEH GARDEN ARE
 EVERGREEN AND WINDBREAK TREES SUCH AS PINE
AND CEDAR
 SHADY AND WIDE-LEAF TREES SUCH AS WILD WYCH-
ELM, ROWAN, SYCAMORE AND ASPEN (IN ADDITION
TO THEIR IMPORTANCE IN CREATING SHADOWS, THESE
TREES ARE RESISTANT TO THE REGION’S CLIMATE).
 ORNAMENTAL PLANTS INCLUDING ORNAMENTAL
CEDARS, AND ORNAMENTAL JUNIPER, AND
SHIRKHESHT, YIELDING PINT SIZE BLOSSOMS IN
WINTER.
 FRUIT TREES, PLANTED IN BOTH SIDE PLOTS,
ESPECIALLY CREATE UNIQUE VIEW WHEN SEEN FROM
THE UPPER ROUTES.
 OTHER TREES SUCH AS ASH, SALSIFY, AND PINE WHEN
YOU ENTER THE GARDEN, IN THE WHOLE SPACE
ALONG THE MAIN AXIS LANDSCAPES OF JOUPAR
ALTITUDES ARE SEEN. THIS LONG LANDSCAPE IS
HIDDEN BY THE HUGE SIZE OF THE MAIN STRUCTURE
AND IS REINFORCED BY THE TREES AT BOTH SIDES
HAVING DIFFERENT COLORS AT DIFFERENT SEASONS.

 TREE REFLECTIONS, THE FACADE STRUCTURE AND THE

GAZEBO HAVE CONTRIBUTED TO A RELAXING FEEL ABOUT THE
GARDEN, ONE OF PEACE AND SOLITUDE.
LIGHT AND SHADE ALSO PLAY A SIGNIFICANT ROLE IN THIS
LANDSCAPING.
CHARACTERISTICS FEATURES OF PERSIAN GARDEN

 THE MOST IMPORTANT FACTOR OF PERSIAN GARDENS IS TO BUILD SHADE

TYPE STRUCTURES WHEREVER NECESSARY IN THE GARDEN.
THIS HELPS TO COPE WITH HOT CLIMATES AND KEEP THE ATMOSPHERE COOL.

 THESE GARDENS ARE CLOSED AND WALLED AND HAVE VERY LITTLE
ASSOCIATION WITH THE AREA OUTSIDE THESE WALLS.

 THE PERSIAN GARDENS NECESSARILY HAVE A CENTRAL WATER FEATURE OR

POND AS WATER IS THE SOUL OF THESE GARDENS.
FOUNTAINS TEND TO BE MORE OF MODERN PERSIAN GARDEN DESIGN.
IT IS A BEST WAY TO SAVE WATER AND MAINTAIN WITH THE ORIGINAL DESIGN
CONSISTING OF A WATER STRUCTURE.

 THE GARDENS HAVE CRISP COLOURS AND CLEAN ALIGNMENTS.

INTRICATE MOSAIC TILES ARE OCCASIONALLY USED IN THESE GARDENS.

 THE GARDEN CAN BE CONSERVATIVE, REFINED, FORMAL OR RELAXED AND

CASUAL. THE DIFFERENT GARDEN DESIGNS SERVE DIFFERENT PURPOSES.

 ARCHES PLAY AN IMPORTANT ROLE IN PERSIAN GARDEN DESIGNS. IT SHOWS

TYPICAL PERSIAN ARCHITECTURAL THEME . THESE ARCHES ARE MADE FROM
STONEWORK OR SOMETIMES WOODEN SUPPORT WHICH CAN BE MADE
APPEAR AS ORIGINAL.

 SYMMETRY IS VERY IMPORTANT IN THESE DESIGNS. THE MATCHING OR

MIRRORING ELEMENTS CAN GIVE ENJOYMENT AND PLEASURE .