Music of Laos, Cambodia, and Myanmar
Music of Laos, Cambodia, and Myanmar
Music of Laos, Cambodia, and Myanmar
Cambodia, and
Myanmar
Musical Elements:
Harmony/Text
Timbre Rhythm Melody Form
ure
• Vocal:
• Uses
Strophic
pentatonic
• Mostly in a • Heterophon form
• Nasal scale or
duple meter y • Instrumental:
the seven
Three part
tone scale
form
Geography
Cambodia – located in the
southwestern section of
the Indo-Chinese
Peninsula in Southeast
Asia.
Laos – is a landlocked
country located in the
Indo-Chinese Peninsula of
Southeast Asia.
Myanmar (Burma) –
located in the mainland of
Southeast Asia.
Musical Characteristics:
Myanmar Cambodia Laos
• The musical
expression
emphasizes gong,
• It presents a blend of drum ensembles, and
the many regional free-reed mouth
varieties that includes organs • It has influence form
the influence of India, China, and
Indian, Chinese, and • Has Thai influence Thailand
Thai music
• Influenced by ancient • Fast music
• Melodious and and Hindu forms
without harmony • Perform mostly Thai
• Some dances are style music
• More on instrumental accompanied by their
music than vocal orchestra
• Undergone heavy
westernization
Social Functions of the Music of
Cambodia, Laos and Myanmar:
A. Myanmar
• Byaw – played at religious festivals
• Pat Pyo – royal court music
• Iwan Chin – songs of longing
• Bole – songs of sorrow
• Saung Gauk – national instrument of
Myanmar. 13-stringed angular harp with a soft
sound
Cambodia
• Plengkar – wedding music
• Pin Peat – ballet and ceremonial music
• Mahaori – classical entertainment music;
played by upper classes
• Lakaoun Bassac – music of the maskless
theatre
Laos
• Sep Nyai and Sep Noi – ceremonial and
formal form of music/court music
• Lam – folk music