NEOCLASSICISM Art

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NEOCLASSICISM

AND
ROMANTICISM
“Neoclassic” came from the
Greek word “neos” means
“new” and the Latin word
“classicus” which means “first
class”.
 The Neoclassicism movement coincided
with the 18th century Age of Reason also
known as the Age of Enlightenment.
 The art style in this period was brought
about by the renewed interest in Greek
and Roman classics.
 It portrayed Roman History.
 Formal Composition
 Nature is defined as human nature
 Society more important than individual
 Imitation
 Tradition
 Rules and order
 Mechanical form (imposed from outside)
 Logic
 Reason
 Attempted objectivity
 Town or cultivated landscape
 Cultivated, formal, social
 Neoclassical artists embraced the ideals of
order and moderation in which artistic
interpretations of classic Greek ad Roman
history were restored to realistic portrayals.
 Neoclassical painters gave great importance to
the costumes, settings and details of classical
subject-matter without adding distracting
details but with as much historical accuracy as
possible.
 He was born August 30,1748 –December
29,1825
 He was one of the influential French painter
and consider as pre-eminent painter of the
era.
 His subjects of paintings were more on
history.
 The Death of Marat
 Napoleon Crossing The
Alps
 Oath Of The Horatii
 Image from Royal Museums of Fine
Arts of Belgium
 David’s masterpiece shows the
portrayal of a revolutionary martyr.
 This this a painting of the murdered
French Revolutionary leader Jean-
Paul Marat.
 Image from Musee national du chateau de
Malmaison.
 The painting that showed a strongly
idealized view of the real crossing that
Napoleon ad his army made across the
Alps through the Great St. Bernard Pass I
May 1800.
 Image from Toledo Museum of Art.
 It was a large painting that depicts a
scene from a Roman Legend about the
dispute between Rome and Alba Longa.
 The three brothers, all of whom appear
willing to sacrifice their lives for the good
of Rome, are shown saluting their father
who holds their swords out for them.
 Ingres was a pupil of Jacques-Louis David.
 He was influence by the Italian Renaissance
painters like Raphael, Nicolas Pousin,
Botticelli, and his mentor, Jacques-Louis David.
 His paintings are usually nudes, portraits and
mythological themes.
 He was regarded as one of the great exemplars
 Of academic art and one of the finest old
masters of his era.
 Portrait
of Napoleon On
The Imperial Throne
 The Apotheosis of
Homer
 Image from Musee de l’ Armee, Paris, France
 The painting depicts Napoleon in his decadent
coronation costume, seated upon his golden-
encrusted throne, hand resting upon smooth
ivory balls.
 During his reign, the painting was owed by the
Corps Legistatif which was a part of the French
Legislature.
 The painting was believe to be commissioned
by Napoleon as king of Italy.
 Image from Louvre Museum.
 The painting was a state-commission by
Charles X to have him remembered I the
building works of the Louvre.
 The painting depicts a image of Homer,
receiving all the brilliant men of Rome,
Greece and contemporary times.
 The Neoclassical period was one of
the great ages of public sculpture.
 Artists looked to Roman styles
during the time of Alexander the
Great for inspiration as well as to
mimic their style.
 He was a prolific Italian artists and
sculptor who became famous for his
marble sculptures that delicately
rendered nude flesh.
 He opened the idea for portraying
discrete sexual pressures by using pure
contours with his mythological
composition.
 Psyche Awakened by
Cupid’s Kiss
 Washington
 Photo taken by Eric
Pouhier 2007
 A marble sculpture
portraying the relationship
of Psyche and Cupid
 Thisis a marble sculpture of
Washington currently
displayed at North Carolina
Museum of History.
 He was the first internationally
acclaimed Danish artist.
 He executed sculpture of
mythological and religious themes
characters.
Christ

Lion of Lucerne
A marble sculpture image
of resurrected Christ
currently located at the
Thorvaldsen Museum.
 A sculpture of a dying lion in
Lucerne, Switzerland that
commemorates the Swiss Guards
who were massacred in 1792 during
the French Revolution.
 Neoclassical architectural styles started I
the mid-18th century. It turned away
from the grandeur Rococo Style and the
Late Baroque.
 In its purest forms, Neoclassical
architecture was a style principally
derived from the architecture of Classical
Greece ad Rome and the architectural
designs of the Italian architect Andréa
Palladio.
 A.TEMPLE STYLE
 This building design was based on an
ancient temple.
 These were uncommon during the
Renaissance as architects of the period
focused mainly o applying classical
elements to churches and modern buildings
like palazzos and villas.
 Many temple style buildings feature a
Peristyle (a continuous line of columns).
 Pantheon Paris
 British Museum,
London
 La Madeleine de Paris
 B.PALLADIAN STYLE
 Palladian building were based on Andrea
Palladio’s style of villa construction.
 Some of the buildings feature a balustrade
which is a railing with vertical supports
 Along the edge of the roof.
 There are vertical supports within a
balustrade known as “balusters” or
“spindles”.
 It is also a classical method of crowning a
building that has a flat or low lying roof.
 One of the famous architects in the era was:
 He was known as the Palladian
architect of the neoclassical who
designed to well-know American
Civic buildings.
 The White House and the United
States Capitol.
 He had also designed may country
houses.
 C. CLASSICAL BLOCK STYLE
 The building features a rectangular or square
plan, with a flat roof and a exterior rich in
classical pattern or series of arches and /or
columns.
 The overall impression of such a building was
a huge, classically-decorated rectangular block.
 Classical block aesthetic was also known as
“beau-Arts style”, since it was developed
principally by the French Ecole des Beau-Arts(
School of Fine Arts).
 Classical block architecture also flourished I the
United States, particularly in New York.
 A. HENRI LABROUSTE- His
masterpiece is the Library of Sainte-
Genevieve.
 B. CHARLES GARNIER- He designed
the most famous classical block of all
which is the Palais Garnier (a
Neobaroque opera house).

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