A Dive Into Some Old Roland Gear - Sand, Software and Sound
A Dive Into Some Old Roland Gear - Sand, Software and Sound
A Dive Into Some Old Roland Gear - Sand, Software and Sound
I haven’t taken a deep dive into any gear lately and my ears need a break! So, here goes.
The Web is a wonderful source of distractions. After discovering the new Roland Sound Canvas
app for iPad, I was searching for some information about the later model Sound Canvas
modules and came across the Roland Service Notes for the XP-80 workstation, the XV-1010
module, and the SK-88Pro Sound Canvas. I still have these instruments in my sonic arsenal
although they don’t see as much day-to-day use anymore. The orchestral sounds, in particular,
hold their own today and I occasionally play the XP-60 at my church gig. Some of the sounds
like the Voice expansion board (taken from Vocal Planet) are unique and stellar.
Roland have their “Service Notes” and Yamaha have their “Service Manuals.” To
each his own name. However, keep these terms in mind when searching the Web
for documentation on the innards.
As you might expect, there are similarities to Yamaha’s approach and some differences. These
instruments are embedded computer systems for Pete’s sake — they just happen to make
joyful noise. These instruments were developed in the late ’90s and early 2000s.
Roland — like Yamaha — drew from the Hitachi (now Renesas) processor families. The XP and
XV use the more powerful SH-1 series CPUs while the SK uses the less powerful H8/510.
All of instruments have a custom tone generation chip. Roland’s naming convention for the tone
generator ICs does not suggest how these chips fit into a family although the “XP” mnemonic is
used throughout. The tone generators each have a dedicated RAM for effects processing
similar to the Yamaha SWP51 series. The tone generators have a dedicated wave memory
interface. The Yamaha SWP51 supports two 16-bit channels while the Roland tone generators
have a single 16-bit data channel. I’m just know starting to appreciate how tone generation is a
bandwidth-sensitive application and the single vs. double channel difference may be
functionally significant. Certainly, the Yamaha approach requires many more pins, but it
supports higher bandwidth. More polyphony? More voice elements? Hmmm.
Since these are older instruments, the wave memory size is not about to knock you out.
However, this is an important reminder that wave memory size isn’t everything. Roland
developed and programmed very good sound sets for these instruments. The wave memory
may seem miniscule in the era of multi-gigabyte sample libraries, but it’s what hits the ears
which matters the most.
Here are the details — straight, no chaser. Speaking of which, I’m knee deep in the
development of a scat vocal voice for the PSR-S950. This project has taken a month so far and
I’m only about 90% finished. Stay tuned.
Roland XP-80
Following is a list of the most relevant bits of sand in the Roland XP-80 workstation:
The SH7034 is a 32-bit RISC engine (SH-1 architecture) with peripheral interface logic
integrated onto the chip. The SH7034 chip also has a 64KByte ROM/EPROM and a 4KByte
RAM. The CPU has 32-bit datapaths, sixteen 32-bit general registers and a five stage pipeline.
It has a multiply and accumulate (MAC) unit.
The XP tone generator (TG) is not explicitly identified in the parts list. It is merely labeled “XP”
in the circuit schematic. The tone generator interface to the WAVE ROM has 23 address bits
and is 16-bit data parallel. The WAVE ROMs provide data as 16-bit words. Each ROM has 21
address bits and the 16-bit data bus is shared between all ROMs. Each ROM is 4MBytes for
8MBytes total WAVE ROM. This checks with Roland marketing literature.
The Burr Brown PCM69AU is a dual 18-bit DAC capable of 16x oversampling. This part was
also manufactured by Texas Instruments.
Roland XV-1010
The XV-1010 is a one expansion slot sound module in the JV/XV family. The XV-1010 has the
basic XP sound set plus the “Session” expansion sounds — essentially a built-in SRJV
expansion board. The XV-1010 does not have much of a user interface and not much is
required in terms of processor power to support it.
The Hitachi SH7016 is another member of the SH-1 RISC processor family. Peripheral interface
logic is integrated onto the chip making it ideal for embedded applications (like a synthesizer).
The CPU has 32-bit datapaths, sixteen 32-bit general registers, and a five stage pipeline. The
CPU has a multiply-accumulate (MAC) unit. The SH7016 has 64 KBytes of mask ROM and 2
KBytes of RAM (when the 1KB cache is enabled).
The tone generator IC wave memory interface has 23 address bits and a 16-bit data bus. Each
WAVE ROM has 22 address bits and they share the 16-bit data bus. The basic XP sound set is
stored in an 8MByte ROM and the Session sound set is store in an 8MByte ROM for a total of
16MBytes of wave memory.
The EXP-B SLOT has 21 address bits and an 8-bit data bus. The narrow data bus is probably a
legacy artifact from the earlier JV-series instruments.
The Asahi Kasei (AKM) AK4324 is a 1-bit, 128x oversampling stereo DAC with
a maximum 96KHz sample rate. It includes a 24-bit digital filter.
Roland SK-88Pro
The SK-88Pro is an SC-88 Sound Canvas built into a 3 octave MIDI controller with the Roland
two-way pitch bend/modulation stick. The SK has two MIDI IN ports with 16 channels each. The
controller is built like a tank and is almost as rugged as made-of-metal Roland workstations. I
would not trade this thing for any of the toy-like controllers on the market today!
The Hitachi H8/510 microcontroller family uses a 16-bit CPU core. The H8 has 16-bit datapaths,
eight 16-bit general registers and a maximum speed of 10MHz. The H8/510 has integrated
peripheral logic and is designed for embedded applications.
The SUB CPU handles MIDI input and output nothing more, nothing less. This is different than
Yamaha’s SUB CPU which does heavy lifting.
The custom DSP IC communicates with the XP tone generator. The custom DSP has a
dedicated 256K x 16-bit word DRAM. The tone generator has a dedicated 256K x 16-bit word
DRAM for effects processing.
The XP tone generator has three WAVE ROM ICs: IC13, IC15 and IC17. The three WAVE
ROMs have 21 address bits each and share a 16-bit data bus. The tone generator drives 22
address bits; the least signficiant bit, WA0, is not connected. Address bits WA[1:22] are sent to
the WAVE ROMs. The high order bit, WA22, appears to function as a (ROM) chip select. This
implies 12MByte of WAVE ROM total.
This entry was posted in Music technology and tagged Roland XP, Sound Canvas, tone
generator, wave ROM by pj. Bookmark the permalink [https://sandsoftwaresound.net/dive-
into-old-roland-gear/] .