REV

IEW
MUSI  Forms and
 Elements of Music C types of
Philippine
Music
 MELODY
- It is the succession of
consecutive noted or tones  Ethnic Traditional
changing in pitch and Music
duration.
 RHYTHM  BALLAD
- Refers to patterns in time; - Refers to a song that
tempo, meter and rhythmic explains an event
pattern. occurring in a community;
 HARMONY influenced by the
- Combination of different Spaniards-- loosely
tones or pitches played or described as a popular
sung together. romantic song in the urban
 TEXTURE areas.
- It refers to relationship of  CHANT
melodic and harmonic - Unaccompanied melody
lines in music and variable rhythm; epic
 DYNAMICS songs.
- The Degree of softness and  SONG DEBATE
loudness of music. - Involving female and male
 TIMBRE singers who try to
- Tone colour, refers to the outsmart each other.
quality of sound generated
by an instrument or by a
voice.  European- influenced
Religious & Secular
Music

 ART SONG
- Merging the voice part,
lyrics and accompaniment
together to achieve an
artistic musical whole.
  HABANERA/DANZA
- Social Dance Group in  SOLO
duple time; originally from INSTRUMENTAL
Cuba usually played on a LITERATURE:
stage or in a ballroom.  CONCERTO
 LITURGICAL - Refers to a piece for a solo
MUSIC instrument, or a group of
- Refers to vocal and solo instruments and an
instrumental compositions orchestral ensemble.
that go together with the  SONATA
official rites of Christian - Work for solo instrument
churches; rise of Roman with four movements; the
Catholism. result is a fast-slow-fast
 KUMINTANG order of movements.
- Originally documented as
war song; is a dance of
love accompanied by a  SYMPHONIC
guitar and string bass. LITERATURE:
 SYMPHONY
- Considered as a sonata
 American-inspired written to be played by an
Music orchestra.
 SUITE
 CLASSICAL MUSIC: - Refers to a well- arranged
set of individual
 CHAMBER MUSIC
movements which are
- Played by a small
unified because of using
ensemble where each part
either a common form or
of music is played by one
key.
performer.
 CHORAL MUSIC
 SEMI- CLASSICAL
- Involves music written for
MUSIC:
a group of singers; can be
 BRAND MUSIC
sung in unison without
- Refers to composition
accompaniment or can be
created for the band,
accompanied by chords or
which is a group of brass,
instrumentals.
percussion and woodwind
 OPERA
instruments.
- Drama that is sung with
instruments.
  PINOY ROCK
 MARCHA/MARCH
- Involves the use of drums,
- Composition with music
electric guitars,
played in regular phrases
synthesizers and other
and a strongly accented
electronic instruments.
rhythm.
 SAFE PINOY POP or
“MIDDLE-OF-THE-
 POPULAR MUSIC ROAD”
- This category includes - Type of music as shown in
original music composed the compositions of Apo
by Filipinos, which utilizes Hiking Society and Jose
Western and local musical Mari Chan.
influences; 1970s,  PINOY FOLK
emergence of original - Inspired by simple and
Pilipino music (OPM) repetitive tunes made by
began with translation of Western folk singers.
foreign lyrics into the  PINOY DISCO
vernacular. MUSIC
- The fusion of rock music - Essentially a Filipino
with Filipino lyrics that adaptation of Western
gave birth to Pinoy Pop disco music.
and these are follows;  RAP
- Described as musical form
involving a fast-paced
rhythmic narration
accompanied by electronic
musical instruments.
 Forms
and
types

 ELEMENTS OF  GAME DANCES

DANCE - Usually acted for fun, but
have a set of rules and
structure.
 BODY ELEMENT
- Informal social gatherings.
- Action; movement; body
- Played to test the skills of
alignment.
players.
 SPACE
 MARTIAL DANCES
- Size, focus, distance,
- Combative in nature and is
elevation.
used to enact battle.
 TIME
- Exhibit in unarmed execution.
- Accent, beat, duration,
 MIMETIC DANCES
meter, rhythm and
- To imitate actual or real life
acceleration.
movements.
 ENERGY
- Categorized into animal
- It describes how energy is
dances and occupational
directed through the body
dances.
and how the body releases
 RITUAL DANCING
it. It is referred as
- Spiritual beings and gods.
dynamics.
- Dance to ask to the shaman
 RELATIONSHIP
for blessings, good health or
- Relating to other dancer
victory in war.
or object, to stage and
 SOCIAL DANCING
other production elements.
- To celebrate important
milestones in life, to mark
 FOLK DANCES
harvests.
- Performed among Christians
 COURTSHIP AND
as a way of commemorating
WEDDING DANCES
the feasts of patron saints.
- Ceremonial dance (male
 BALLET
pursuing a female)
- Theatrical dance presentation
- Courtship dance
in which a plot is integrated
performed during Special
with dancing, music and stage
occasions.
designs.
- Examples: kumintang at
kuratsa; wedding dance
like pantomina.
  MODERN DANCE
- Emerged during the 20th
century
- Theatrical but it veers away
from the technique and style
of ballet.

 Other Forms

 AEROBIC DANCE
- Dancing to the tune of
popular music with the
purpose of consumption of
oxygen over a long period of
time.
 BODABIL DANCING
- Popular during the American
period.
- An indigenized form of
vaudeville.
 JAZZ DANCE
- African dance techniques like
isolation of individual human
body parts, rhythm, and
polycentrism.
 TAP DANCE
- This dance entails tapping
with toes and heels.
 NATI
ONAL
ARTIS
 Order of the National - 1973 National Artist for
Artist Sculpture
 Highest National - Known for designing the seal
Recognition of the Republic of the
 NCCA and CCP Philippines
administer it - Gold and Bronze medals;
 1972- Pres. Ramon Magsaysay Award
Proclamation no. - “UP Oblation” Bonifacio
1001, 1972 Monumento”
 Vicente S. Manansala
- Known for his realistic
 CRITERIA themes using abstract or
 Filipino Citizen cubist style.
 Contributed in - “The beauty of art is in the
building Filipino process, in the moment of
sense of national hood doing a particular painting,
 Consistently closely associating it with the
displayed excellence act of making love.”
- “Madonna of the Slums” “A
 Role and Contribution of the cluster of Nipa Hut”
artists  Abdulmari Imao
 Visual Arts - Popularized Ukil, Sarimanok
 Ferdinand Amorsolo and naga motifs.
- First national artist in the
country  Architecture
- Known for using backlighting  Leandro Locsin
technique in painting; bright  Known for his architectural
and cheerful. designs with themes of
- “Dalagang Bukid” “ floating volumes.
Planting Rice”  Designs of the Palace of the
 Carlos “Botong” Francisco Sultan of Brunei, Istana Nurul
- Most Distinguished Mural Iman and the 5 buildings of
Painter the CCP Complex.
- Known for using historical  “Cultural Center of the
events Philippines” “Philippine
- “Blood Compact” “First mass International Convention
at limasawa” Center”
 Guillermo E. Tolentino  Literature
 Nick Joaquin
- “QUIJANO DE MANILA”  Lucio San Fernando
Pen name - His compositions “Sa ugoy ng
- Most Distinguished Filipino Duyan,” “Sa Mahal kong
writer in English writing. bayan,” “Triumphal March”
- Extend from short stories to and “Lahing Kayumanggi”
poem to essays which
includes journalism and
reportage.  GAWAD SA
- “ The summer solstice and MANLILIKHANG BAYAN
other stories” “Manila my (GAMABA) NATIONAL
Manila” LIVING TREASURES
 Virgilio S. Almario AWARD
- “Rio Alma”
- Modernist poets  THESE ARE SOME
- Now serves as the chairman OF FOLK
of the Komisyon sa Wikang ARCHITECTURES
Filipino (KWF) and the Dean  BAHAY KUBO
for the UP College of Arts  IFUGAO HOUSES (BALE)
and Literature.  THE BATANES HOUSE
- “Buwan, Buwang Bulawan  THE MARANAO HOUSE
“Ibong Adarna” (TOROGAN)
 THE HOUSES ON STILTS
 Cinema/Film  WOODEN BANCA
 Lino Brocka
- His films explores the lives of  WEAVING
people in the marginalized  (PINYA LEAVES OF
sectors. KALIBO , AKLAN)
- “Tinimbang ka ngunit  T’NALAK
kulang” “Maynila sa mga
 HINABOL WEAVING:
kuko ng liwanag”
“WOVEN HAPPINESS”
 Fernando Poe Jr.
 THE GEOMETRIC
- “Ronald Alan K. Poe” Actor
WEAVES OF THE YAKAN
- He is considered as an icon of
TRIBE OF ZAMBOANGA
the film industry working as
AND BASILAN
an actor, director, and
 THE TAPIS OF THE
producer.
KALINGA & APAYAO
- “Ang Probinsyano” “The
TRIBE
Panday Series”

 Music
  POTTERY: WITH HIS PEOPLE’S
PALAYOK/ BANGA/ RITUALS
TAPAYAN
 MANUNGGUL JAR AS A  Darhata Sawabi- A TAUSUG
BURIAL JAR: REMAINS WEAVER OF PIS SYABIT-
OF CORPSE THE TRADITIONAL CLOTH
 BULUL TAPESTRY WORN AS A
HEAD COVER
 Uwang Ahadas- YAKAN
 GAMABA INSTRUMENTS :
AWARDEES KUWINTANGAN, KAYU
 Ginaw Bilog- HANUNUO AND TUNTUNGAN
MANGYAN FROM  Magdalena Gamayo-
MINDORO (MASTER OF FILIPINO MASTER
AMBAHAN POETRY) WEAVER WHO MAKES
 Masino Intaray- `BAGIT, “INABEL”- AN ILOKANO
KULILAL AT BASAL HANDWOVEN CLOTH
 Samaon Sulaiman-  Haja Amina Appi- A
`MAGUINDANAON MASTER MAT WEAVER
(MASTER OF PLAYING (MADE FROM PANDAN
KUTYAPI AND ALSO LEAVES)
PROFICIENT IN  Teofilo Garcia- A CASQUE
KULINTANG, AGONG, MAKER FROM ABRA. HE IS
GANDINGAN, PALENDAG A MASTER OF
AND TAMBUL) HANDCRAFTED
 Lang Dulay- A T’BOLI TABUNGAW (GOURDS)
TNALAK WEAVER FROM
ABACA FABRICS IN LAKE
SEBU, SOUTH COTABATO
 Salinta Monon- TAGBANWA
– BAGOBO TRADISYUNAL
WEAVER OF DISTINCT
FABRICS CALLED
“INABAL” IN DAVAO DEL
SUR
 Alonzo Saclag- KALINGA
MASTER OF DANCE
PATTERNS AND
MOVEMENTS ASSOCIATED
 PHILI  Weaving
PPINE  Fibers are used to make
functional and/ or decorative
 FINE ARTS works of art.
 Aesthetic expression  Technique of making
 APPLIED ARTS beautiful fabrics by
 Functional interlacing horizontal and
vertical threads.
 CRAFTS  Piña Fiber- Queen of
 local industry “handicrafts” Philippine fabrics
 Created first to be  Cotton- can be knitted
functional and second to be or woven into cloth.
aesthetic.  Abaca- “musa textilis”
 Requires skill to bring but more popularly
Aesthetics and function. Manila Hemp. Species
 Materials and techniques of Banana native to
used based on the culture of the Philippines.
the group
 There is a demand for local
products; quality, artistic  BASKET WEAVING
craftsmanship and
functionality.  “Basketry”
 animal and plant fibers
 Kinds of Filipino Crafts  Pangasinan in Central
 CERAMICS (pottery “Province of Basket
making) Weavers”
 made of clay --Laoag, Ilocos Norte,
 In Putsan Tiwi, Albay Zambales, Samar, Romblon—
- Philippine Ceramics is the
leading terra cotta ceramic  Mat Weaving
industry in the Bicol Region  “banig” from leyte and
- 60% old methods Romblon
- 20% new, modern, faster way  Materials: Tikog, Pandan &
of making pottery. Abaca
- 20-40 kilos of clay is  Pandan Mats “expensive &
distributed to parahurma durable”
(potter)

 TEXTILE ART
  SHELL CRAFT
 Seashells to decorate objects
or surfaces and make fancy
accessories.
 Mactan, Cebu
 Capiz shell
- “windowpane
oyster shells”
 COCONUT CRAFT
 “Hardwood”
 carved in different designs
and varnished

 Jeepney Art