1935 - Ananda Coomaraswamy - Chaya
1935 - Ananda Coomaraswamy - Chaya
1935 - Ananda Coomaraswamy - Chaya
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THE WORDchdyd (cf. Gk. aowtd) is primarily " shadow " and
secondarily " reflection" and "likeness." In the Rig Veda these
two senses are felt together; that which is in itself the manifested
likeness or image of deity (Lat. imago dei) is also shadow in the
sense of refuge (sarma) or coolth (hima) from oppressive heat.
In I. 73. 8 Agni is said to be associated with, or present in, the
world "like a shadow" (chdyai-vavisvam bhuvanafi sisaksi); in
what sense this is a laudatory expression appears in VI. 16. 38,
"We come to thee, 0 Agni, in thy golden likeness (hiranyasarn-
drsah), for refuge (sarma), as to shade (chayerm iva) from
burning-heat (ghrneh)"; 1 cf. II. 33. 6, where the favor of Rudra
is compared to a shade as if from burning-heat (ghrniva chdyim
... rudrasya sumnam). The thought in I. 116. 8, where the Agvins
are lauded with the words "Ye warded off with coolth the
scorching fire " (himena agniih ghrahsam avarayetham), is the
same; but it must not be overlooked that agni here is not the
manifested Agni of I. 73. 8 and VI. 16. 38, but either simply
"fire," or more correctly, Agni ab intra as Ahi Budhnya, Aupia,
the "flesh-eating, man-hurting" (kravydt . . . purusa-resanah)
Agni of Atharva Veda III. 21. 8-9, against whom we have the
prayer mo aham rsam " may I not be hurt " in RV. X. 18. 13, the
similar ma rsamdtin I. 94. 7, and mdi md hinsih in Vdjasaneyi
Saihhita XII. 102 and Taittirlya Samihit&III. 5. 6. This painful
heat from which the shade or coolth is welcome shelter is not that
of the Sun or manifested Fire, but that of the interior operation
(guhya vrata, I. 163. 3), where in the beginning the desirous
(icchant, praji-kamya, etc.) principles are on fire to set foot on
the broadway of life (amrtasya gdtu, etc.) and to extend their line
(tantuii- tan, etc.); the painful heat is that of the antenatal
matrix wherein these principles are "cooked" or "ripened," as
for example in VII. 104. 8 " with well-cooked intellect proceeding '
1 Parallels may be noted in Isaiah 25. 4 "a shadow from the heat,"
ibid. 32. 2, " the shadow of a great rock in a weary land," and Lamentations
4. 20, "under his shadow we shall live."
278
(pdkena manasd carantam) ;2 and in VII. 103. 9, where " they that
had been glowing vessels attain to coming forth " (tapta gharmr
asnuvate visargam). It is in fact by means of this shade or likeness
that the whole light-world is brought forth to be the field of experi-
ence; as in V. 44. 6, where the Several Angels, the First Sacri-
ficers, "by the efficacy of the reflection in the Waters (chdyaya
. . . sidhrayapsu) disposed for us the wide earth, the broad expanse,
a great and noble manhood, and unfailing power." 3 The use of
chdyd in the preceding passages might have been regarded as
" poetic imagery," but in V. 44. 6 it is quite clear that cMyd is not
merely in a figurative sense a place of comfort, but is the form of
deity reflected in the Waters, the manifested light in the worlds, cf.
Gopatha Brdhmana I. 3, where " Having emanated those Waters
(td dpah srstvd), he (brahman, mahad yaksam of antecedent text)
looked and saw his own reflection (cMydm) in them."4 So far,
2 It is by this anterior "
cooking " that the desirous principles, including
Agni himself and other Adityas, are perfected (sukrta) and qualified
(arhant) to go forth, e. g. X. 63. 4, where it is "by fitness " (arhand)
that " they " (unspecified, but evidently sarpya as in Paficavirnga Brdhmana
XXV. 15. 4) attain divinity and aeviternity (amrtatvam), whereas those
that are "imperfect" (duskrta) "tread not the paths of Order" (rtasya
panthdfn na taranti duskrtah, IX. 73. 6). It may be noted that the cooking
or ripening (pakva as opposed to dma) and fitness (arhana) which in RV.
represent the necessary qualification for progression, become in Buddhism,
in an ethical connotation, the qualifications for further progress.
s For the manifested likeness as the common origin of all things cf.
Colossians 1. 15-16, "Who is the image of the invisible God . . . for in
Him were created all things in Heaven and Earth, etc." (imago, dei
invisibilis . . . in ipso condita sunt universa in caelis et in terra . . . omnia
per ipsurm et in ipso creata sunt: et ipse est ante omnes, et omnia in ipso
constant). The last expression, omnia in ipso constant, exactly renders
X. 82. 6, ekam arpitam yasmiA vigvini bhuvandni tasthuh, and similarly
AV. X. 7. 32, tasmii! chrayante ya u ke ca devd; just as imago dei
invisibilis is precisely " chdyd."
4 Yaksa in RV. (VII. 88. 6 and X. 88. 13) has undoubted reference to
then, the divine cMy&is the form of deity ab extra, in act, and as
mediate cause of the becoming of the whole world; cMyd is that
manifested form of his, in and by which all things that had been
merely in potentia, in the darkness and heat where they are ripened,
are enabled to realise their existence and accomplish their ends in
the cool light of day, that is their " shelter " or " refuge " (s'arma).
It is precisely this " shelter " (sarma) that is wanting in the
beginning, " then was neither death (mrtyu) nor life (amrta), nor
any manifestation (praketa) of night and day," X. 129. 1-2.%
Before the manifestation of the light, when all was covered over by
darkness, there was no revelation (praketa), no likeness (chayd),
no refuge (sarma), no coolth (hima), but only the burning heat
(ghrini, gharma, usna, atapa) of the interior darkness. In the
expression chaydtapau, Katha Up. III. 1 affirms the unity of these
contrasted principles in the undivided Brahman; and this corre-
sponds to RV. X. 5. 7, where " Agni in highest heaven," that is
where he is one with Varuna ab intra, is satasat, the unity of being
and non-being.
The nature of the " likeness " (chdyZ) must not be misconceived.
A priori, the desirous principles are in the bonds of Death, homeless
in the In-finite, adrift in a landless Sea; what they desire is to be
released "from the bond of Death, not from the bond of life"
(bandhanan mlrtyor muksiya ndmrtat, VII. 59. 2), from the
In-finite, not the Finite (ditim&ca rdsvaditim urusya, IV. 2. 11),
to be taken up into the Asvin's ships of life (I. 116. 5, I. 181. 4,
V. 73. 4, etc.), and brought across the River to a promised land
(II. 15. 5, III. 33, VII. 60. 7, etc.). The promised land is a wide
earth (bhfimi, etc.) and a support (pratistha) anywhere within the
worlds, where the Sacrificer may enjoy length of days (dirgham
dyus) or aeviternity (amrtatva), and great possessions (rai). But
the freedom thus attained by the mumukcsuis not an ultimate
release, in coming forth from death to life he is not thereby alto-
all of which from a Vedic point of view could only have reference to the
creation in the beginning; and thus the historicity of the supposed Buddha's
portrait, suspect on other grounds, can be finally disposed of. For the
notion of a strictly speaking creative art implied above, cf. Augustine,
De Trin. VI. 10, where the Son, the perfect Word, is spoken of as "so
to speak, the art of God."
6 For 4arma as desired shelter see I. 140. 12, IV. 25. 4-5, V. 2. 12. Praketa
refers to Agni (I. 94. 5, I. 113. 1, VII. 2. 11), Vasistha (VII. 33. 12), or
Indra (III. 30. 1, X. 104. 6).
9 Cf. Pistis Sophia, " He shall have the power of exploring all the regions
of the Inheritances of Light, and of remaining in the region which he
shall choose," and John 10. 13, " I am the door; by Me if any man enter
in, he shall be saved, and shall go in and out, and shall find pasture."
Here and elsewhere, Christian parallels are cited, not with a view to
demonstrating " influences," but to remind the student that in Vedic
doctrine there is nothing unique, and that the voice of tradition is every-
where the same.