The document is a rubric for observing a teacher's effectiveness during a choir rehearsal. It evaluates behaviors related to eye contact, facial expressions, tone of voice, classroom management, preparation, instructional techniques, modeling, and developing vocal skills. The observer gave the teacher high marks in most areas, with some suggestions to reduce talking at times and improve pacing. Kodály music education techniques were also effectively incorporated into the lesson.
The document is a rubric for observing a teacher's effectiveness during a choir rehearsal. It evaluates behaviors related to eye contact, facial expressions, tone of voice, classroom management, preparation, instructional techniques, modeling, and developing vocal skills. The observer gave the teacher high marks in most areas, with some suggestions to reduce talking at times and improve pacing. Kodály music education techniques were also effectively incorporated into the lesson.
The document is a rubric for observing a teacher's effectiveness during a choir rehearsal. It evaluates behaviors related to eye contact, facial expressions, tone of voice, classroom management, preparation, instructional techniques, modeling, and developing vocal skills. The observer gave the teacher high marks in most areas, with some suggestions to reduce talking at times and improve pacing. Kodály music education techniques were also effectively incorporated into the lesson.
The document is a rubric for observing a teacher's effectiveness during a choir rehearsal. It evaluates behaviors related to eye contact, facial expressions, tone of voice, classroom management, preparation, instructional techniques, modeling, and developing vocal skills. The observer gave the teacher high marks in most areas, with some suggestions to reduce talking at times and improve pacing. Kodály music education techniques were also effectively incorporated into the lesson.
T.E.A.R. - Teacher Effectiveness Assessment Rubric #1 Date: 10/9/23 Ensemble & Repertoire: VMRC Generations Choir / “Angels We Have Heard on High” Directions: Whether you are observing yourself or another teacher, please fill in both the (Part I) cognitively-focused Behavioral Rubric, as well as the affectively-focused (Part II) Comments & Reflection Section.
COLOR CODING: GREEN = GREAT; BLUE = NEXT STEPS; GRAY = AVOID
6. Statements of Goals, Rehearsal Threads, and Learning Strategies:
The lesson begins with a statement of goals (what music is to be rehearsed, including measure numbers) what rehearsals threads will be i roughly stated what we would be doing, but could have the focus of the rehearsal, and what learning strategies will be employed 2 more of an intentional theme/rehearsal thread in order to work the rehearsal threads and accomplish the goals (vowel singing, solfege, in what keys, counting, count-singing, looping, etc.) This information is on the board or has a visual component. 6A. Statements of Goals, Rehearsal Threads, and Learning Strategies: Kodály Integrations: above^ ^^^
7. Use of models: Vocal, aural, kinesthetic, visual:
Teacher demonstrates appropriate use of aural, kinesthetic and visual modeling to communicate musical concepts and performance style. 5 yes!
7A. Use of models: Vocal, aural, kinesthetic, visual:
Dr. V Comments: General- try not to make mistakes in teaching the music. Please know where your sections are. Try to avoid “Can we…?” When you teach in secondary education, someone will always say, “No, we can’t…” and then you have lost a moment of classroom management. Sept. 28: Madi: Your pacing needs to be efficient and your clarity of your plan needs to be more secure. Try to loop your repetitions into each other without talking! And you did it when we clarified that!
Overall, I feel good about this! My plan was definitely solid, however the time I was allotted was not as much as expected. I can work on not speaking/stopping as much moving forward!